[ad_1]
Watch CBS News
Be the first to know
Get browser notifications for breaking news, live events, and exclusive reporting.
[ad_2]

[ad_1]
Watch CBS News
Be the first to know
Get browser notifications for breaking news, live events, and exclusive reporting.
[ad_2]

[ad_1]
BuzzFeed is shutting down its BuzzFeed News operation, with CEO Jonah Peretti writing in a company memo that it “can no longer continue to fund” the site.
The company, known for a millennial-friendly site filled with listicles and viral videos, said it is also cutting 15% of its employee base, or about 180 workers. BuzzFeed News is the section of the site that produces journalism and news coverage, such as recent articles about the shooting at a Sweet 16 party in Alabama.
The outlet won a Pulitzer Prize in 2021 for reporting on the mass detention of Muslims in China.
Peretti’s decision comes as BuzzFeed’s revenue plunged 27% in the fourth quarter, prompting the business to tumble into the red. He underlined the challenges the company is facing in the memo, sent Thursday morning to his employees, adding that BuzzFeed must cut jobs and reduce spending as a result.
“We’ve faced more challenges than I can count in the past few years: a pandemic, a fading SPAC market that yielded less capital, a tech recession, a tough economy, a declining stock market, a decelerating digital advertising market and ongoing audience and platform shifts,” Peretti wrote in the memo, which was shared with CBS MoneyWatch.
He added, “I made the decision to overinvest in BuzzFeed News because I love their work and mission so much.”
The company said there are “ongoing discussions about the future of BuzzFeedNews.com,” but that it plans to preserve the section’s work on the site.
BuzzFeed had started tapping artificial intelligence for writing quizzes and articles, some with the byline “Buzzy the Robot.” Some of the pieces are travel-focused, with Buzzy recommending locations like Stanley, Idaho, which it deemed “a small-town slice of outdoor adventure.”
“No jobs are being replaced by AI,” the company told CBS MoneyWatch.
It added that BuzzFeed and its subsidiary HuffPost will offer roles to some BuzzFeed News journalists, while the company is also starting discussions with the News Guild union about the layoffs.
Read Peretti’s memo in full below.
Hi all,
I am writing to announce some difficult news. We are reducing our workforce by approximately 15% today across our Business, Content, Tech and Admin teams, and beginning the process of closing BuzzFeed News. Additionally, we are proposing headcount reductions in some international markets.
Impacted employees (other than those in BuzzFeed News) will receive an email from HR shortly. If you are receiving this note from me, you are not impacted by today’s changes. For BuzzFeed News, we have begun discussions with the News Guild about these actions.
As part of today’s changes, both our CRO Edgar Hernandez and COO Christian Baesler have made the decision to exit the company. I’m grateful to both of them for their passion and dedication to Complex and to BuzzFeed, Inc. Christian will be with us through the end of April, and Edgar through the end of May to help with the transition.
Marcela Martin, our President, will take on responsibility for all revenue functions effective immediately. In the US, Andrew Guendjoian is our new Head of Sales, and Ken Blom will continue in his role as Head of Revenue Operations. Globally, International Sales will move under Rich Reid, Head of International and Head of Studio, also reporting to Marcela.
I have great confidence in this revenue leadership team, and the early plans I’ve seen from them to accelerate performance from our Business Org. We will share more on their plans in the Business All Hands next week (and we are extending an invite company-wide).
The changes the Business Organization is making today are focused on reducing layers in their organization, increasing speed and effectiveness of pitches, streamlining our product mix, doubling down on creators, and beginning to bring AI enhancements to every aspect of our sales process.
While layoffs are occurring across nearly every division, we’ve determined that the company can no longer continue to fund BuzzFeed News as a standalone organization. As a result, we will engage with the News Guild about our cost reduction plans and what this will mean for the affected union members.
HuffPost and BuzzFeed Dot Com have signaled that they will open a number of select roles for members of BuzzFeed News. These roles will be aligned with those divisions’ business goals and match the skills and strengths of many of BuzzFeed News’s editors and reporters. We raised this idea with the News Guild this morning and look forward to discussing it further. Moving forward, we will have a single news brand in HuffPost, which is profitable, with a loyal direct front page audience.
I want to explain a little more about why we’ve come to these deeply painful decisions. We’ve faced more challenges than I can count in the past few years: a pandemic, a fading SPAC market that yielded less capital, a tech recession, a tough economy, a declining stock market, a decelerating digital advertising market and ongoing audience and platform shifts. Dealing with all of these obstacles at once is part of why we’ve needed to make the difficult decisions to eliminate more jobs and reduce spending.
But I also want to be clear: I could have managed these changes better as the CEO of this company and our leadership team could have performed better despite these circumstances. Our job is to adapt, change, improve, and perform despite the challenges in the world. We can and will do better.
In particular, the integration process of BuzzFeed and Complex, and the unification of our two business organizations, should have been executed faster and better. The macro environment is tough, but we had the potential to generate much more revenue than we delivered over the past 12 months.
Additionally, I made the decision to overinvest in BuzzFeed News because I love their work and mission so much. This made me slow to accept that the big platforms wouldn’t provide the distribution or financial support required to support premium, free journalism purpose-built for social media.
More broadly, I regret that I didn’t hold the company to higher standards for profitability, to give us the buffer needed to manage through economic and industry downturns and avoid painful days like today. Our mission, our impact on culture, and our audience is what matters most, but we need a stronger business to protect and sustain this important work.
Please know that we exhausted many other cost saving measures to preserve as many jobs as possible. We are reducing budgets, open roles, travel and entertainment, and most other discretionary, non-revenue generating expenditures. Just as we reduced our footprint in NYC last year, we will be reducing our real estate in Los Angeles — from four buildings down to one, which saves millions in costs as well as mirrors our current hybrid state of work.
I’ve learned from these mistakes, and the team moving forward has learned from them as well. We know that the changes and improvements we are making today are necessary steps to building a better future.
Over the next couple of months, we will work together to run a more agile and focused business organization with the capacity to bring in more revenue. We will concentrate our news efforts in HuffPost, a brand that is profitable with a highly engaged, loyal audience that is less dependent on social platforms. We will empower our editorial teams at all of our brands to do the very best creative work and build an interface where that work can be packaged and brought to advertisers more effectively. And we will bring more innovation to clients in the form of creators, AI, and cultural moments that can only happen across BuzzFeed, Complex, HuffPost, Tasty and First We Feast.
It might not feel this way today, but I am confident the future of digital media is ours for the taking. Our industry is hurting and ready to be reborn. We are taking great pains today, and will begin to fight our way to a bright future.
On Monday we’ll begin to have conversations with each division about the way forward. And in the meantime, I hope you can take time for yourselves this weekend.
Thank you for supporting one another on a difficult day.
[ad_2]

[ad_1]
Conservative billionaire donor Harlan Crow bought three properties belonging to Supreme Court Justice Clarence Thomas and his family, in a land deal worth more than $100,000 that Thomas never reported, according to the non-profit investigative journalism organization ProPublica.
Citing state tax documents and property deeds, ProPublica reported that in 2014, one of Crow’s companies paid $133,363 for the Savannah, Georgia, home of Thomas’ mother, Leola Williams. The transaction also included two nearby vacant lots that belonged to Thomas’ family members. After the sale, Thomas’ mother continued to live in the home, which soon underwent tens of thousands of dollars in renovations.
Bloomberg
The real estate deal sheds new light on Thomas’s decades-old relationship with Crow, a real estate magnate and longtime financier for conservative causes. That relationship and the material benefits Thomas received have fueled calls for an official ethics investigation.
ProPublica previously revealed that for decades, Thomas and his wife Ginni were given annual vacations and trips by Crow worth hundreds of thousands of dollars — including international cruises on Crow’s mega-yacht, private jet flights and stays at Crow’s invitation-only resort in the Adirondacks. But the 2014 real estate deal is the first public evidence of a direct financial transaction between the pair.
Federal officials, including Supreme Court justices, are required to disclose the details of most real estate transactions with a value of over $1,000. Thomas would not be required to report the purchase if the property were his or his spouse’s primary personal residence, but this stipulation does not apply to this purchase, which Thomas did not report.
Crow and his real estate development firm have, according to Pro Publica, had no cases before the high court since Thomas was seated on the bench in 1991. Ethics expert Virginia Canter, the chief legal counsel for Citizens for Responsibility and Ethics in Washington (CREW), said that whether or not Crow has any case befor the Supreme Court, “he is invested in hedge funds, private equity and other holdings. He’s a force behind AEI and the Federalist Society,” two conservative think tanks that especially in recent years have exerted sizeable influence on Republican federal judicial nominations, including those for the Supreme and appellate courts.
Canter called for a full accounting of all the gifts and transactions to which Mr. Crow and Thomas and his wife have been party. She pointed out that right now there is no clear arbiter and said it’s up to Chief Justice John Roberts to act. He alone, she said, is in position to address the issue and restore the public’s confidence in the fairness of the court.
Both Thomas and Crow have released statements downplaying the significance of the gifts; Thomas maintains that he was not required to disclose the trips. Crow responded to the latest disclosure with a statement to ProPublica saying that he had approached Thomas about the purchase with an eye on honoring his legacy.
“My intention is to one day create a public museum at the Thomas home dedicated to telling the story of our nation’s second black Supreme Court Justice,” the statement said. “Justice Thomas’s story represents the best of America.”
Thomas’ office did not respond to an Associated Press request for comment.
Matthew Mosk contributed to this report.
[ad_2]

[ad_1]
Lawyers for an American reporter jailed in Russia were able to meet with him Tuesday in a Moscow prison, nearly a week after he was arrested on espionage charges.
On March 30, Russia’s Federal Security Service (FSB) said in a statement it had arrested Evan Gershkovich, 31, of the Wall Street Journal because he was “suspected of spying in the interests of the American government.”
“Evan’s health is good, and he is grateful for the outpouring of support from around the world. We continue to call for his immediate release,” Wall Street Journal editor-in-chief Emma Tucker said in a note to the newsroom. “The legal avenue is one of several avenues we are working to advocate for Evan’s release. We continue to work with the White House, State Department and relevant U.S. government officials to secure Evan’s release.”
In a statement released Tuesday, Tucker and Almar Latour, publisher of The Wall Street Journal, called Gershkovich’s arrest “wholly unjustified and an attack on a free press.”
“Evan is a distinguished journalist who is accredited by the Russian government to report from Russia. He was doing what journalists do – asking questions and providing an eyewitness account in the region to help keep the world well informed,” the statement said. “We are doing everything in our power to bring Evan home safely and will not rest until he is reunited with his family.”
U.S. Secretary of State Antony Blinken said Sunday that he had spoken to his Russian counterpart, Foreign Minister Sergey Lavrov, about the detention. According to a statement from the Secretary of State’s office, Blinken “conveyed the United States’ grave concern over Russia’s unacceptable detention of a U.S. citizen journalist” and “called for his immediate release.”
According to FSB, Gershkovich was detained in Yekaterinburg, a city 900 miles away from Moscow in the Ural Mountains, for gathering information “on an enterprise of the Russian military-industrial complex.”
Tucker told “Face the Nation” on Sunday that the charges against Gershkovich are “entirely bogus.”
Thanks for reading CBS NEWS.
Create your free account or log in
for more features.
[ad_2]

[ad_1]
Kara Swisher, rocking aviators, AirPods, and a “Lesbians Who Tech” sweatshirt, rolls into Vox Media’s DC headquarters and gets right to work. Today’s episode of On with Kara Swisher, a twice-weekly podcast that launched in September, is about the future of the Republican Party after the House Speaker free-for-all, and she’s tapped CNN’s Manu Raju and The Bulwark’s Charlie Sykes to make sense of the mess. Once the guests come on camera, Swisher apologizes for wearing sunglasses, explaining that she forgot her prescription pair at home.
“It’s very Dark Brandon,” says Raju.
“I had it before him,” Swisher shoots back. “Let’s be clear on that situation.”
Swisher, as an interviewer, shows little tolerance for bloviating; she gets to the point. About halfway through the episode, she calls for a “lightning round” of House Republicans, asking Sykes to “tell us if the person is a true believer or a phony.”
Marjorie Taylor Greene?
“She is a conspiracy theorist, batshit-crazy bigot, and antisemite, and for some reason that has made her a rock star in the Republican Party,” says Sykes, a Never Trump–style conservative. And? “She’s a believer—it’s bullshit, but she believes in it.”
After wrapping up the podcast, her third taping that day, Swisher keeps up a rapid-fire patter with me. In the course of a few minutes, she bemoans the lack of “entrepreneurial” reporters, recalls “a big fight with Roger Goodell” after the NFL commissioner suggested her sons play football, and mentions talking the previous night with superagent Ari Emanuel about bull riding. But just like that, Swisher has to run—not to CNN, where she’s booked to appear that night—but for drinks with executives from CNBC. She recently declined to re-sign her contributor contract with the network because she felt constrained by its exclusivity rules “and the money wasn’t enough to keep me there.” Now they’ve come to talk to her again. “I always get approached by the networks,” Swisher tells me. “And they just never”—she lets out an exasperated sigh—“they never know what they want to make.”
Which is not a problem she seems to have. Beyond On, Swisher, 60, also hosts Pivot, a twice-weekly podcast with brash NYU marketing professor Scott Galloway; is writing a memoir about her beat-reporting days covering the dawn of the web; is working on a fictional TV show with another veteran Silicon Valley journalist; is advising Post News, a social platform she hopes will be a Twitter competitor; and is raising four kids, two of whom are toddlers. “She has a coffee before bed every night, after midnight,” Semafor’s Ben Smith texts. “This seems somehow emblematic to me. (In a good way.)”
Swisher, who is five foot two but “writes tall,” as she likes to say, has carved a considerable niche for herself, cutting across television, the web, podcasts, and social media—becoming “the queen of all media,” as veteran tech journalist Walt Mossberg puts it. A former Vox Media colleague is less charitable: “She’s always been searching for a way to make her platform even bigger, and she’s done that. But it begins and ends with her. There’s no legacy beyond that.”
Leaving legacy aside for the moment, Swisher has plowed a path through the media landscape alongside industry shifts, from reporting at a newspaper to blogging to cofounding successful websites and conferences to becoming a brand unto herself—part of a trend of elite journalists walking away from legacy outlets in pursuit of more freedom and, potentially, profits. Last year she gave up a podcast and column at The New York Times largely because, as she says, “I don’t need mama telling me what to do.” And she stepped back from Code, the iconic tech conference she’d organized and hosted for the past two decades. “It was like painting the same painting over and over again,” she tells me, “and I just wanted to make something else.”
On is the sixth podcast Swisher has hosted, but it’s the first where she owns the IP and has complete editorial control. She’s riffed on Elon Musk and Mark Zuckerberg while expanding her aperture well beyond Silicon Valley, interviewing the likes of Darren Star and Geena Davis, and exploring topics ranging from comedy to death. Swisher’s betting there’s an audience willing to turn to her for more than just expertise on tech moguldom. “I mentor a lot of people, and almost every single one of them is worried about losing their place if they step out of line. And I’m like, the only way you get higher is if you step out of line,” Swisher tells me. “That’s the only way. Seriously. Unless you’re untalented. And then you should stay in line.”
On a Monday afternoon in January, Swisher’s house is chaotic, but the good kind, the kind you find in a place where life is happening. Toys are strewn everywhere and a baby is laughing and sometimes crying and the sink is running in the kitchen, where the Golden Child—as Swisher’s three-year-old daughter is commonly referred to on her podcasts—is about to have a snack. There’s lots of talk of “Elsa cheese,” which is string cheese that Disney has branded with Frozen characters. The Golden Child crawls up onto the counter, where, at the opposite end, Swisher and her wife, the journalist Amanda Katz, are catching up on each other’s day.
“How was the Scaramucci thing? Who won?” Katz asks, referring to a public debate Swisher did that morning with financier Anthony Scaramucci on whether Musk—whom Swisher has known and covered since the ’90s—is killing Twitter.
“I did, obviously,” says Swisher. “I said he is, and it’s killing Elon more than he’s killing it.”
“And then Pivot was good,” Swisher says. “Scott made at least 14 prostitute jokes.”
Despite having a ministroke a decade back, Swisher famously does not like taking time off and works around the clock. In December, “she had heart surgery and she was working the day before and the day after. That’s not an exaggeration,” Galloway tells me. (When I ask Swisher how the surgery went, she replies, “Good, obviously.”) Her turbocharged work ethic could be traced, in part, to tragedy early in life. When she was five, her father died suddenly at 34 of complications from a brain aneurysm. Fresh out of the Navy and with three kids, he’d just purchased his first house and landed a gig as the head of anesthesia at the Brooklyn Jewish Hospital. “He thought he was headed for the big time. He just died—fell over one day. And that has informed everything I’ve done. I’m like, I don’t have time for this,” says Swisher, adding, “You don’t have time, either. Nobody has time.”
[ad_2]
Charlotte Klein
Source link

[ad_1]
Alberto Ibargüen announced Friday that he was stepping down as the leader of the John S. and James L. Knight Foundation, ending a run as the grantmaker’s president that began in the George W. Bush administration. With about $3 billion in assets, Knight is among the 50 wealthiest foundations.
During his tenure, Ibargüen made his mark in the cities where brothers John S. and James L. Knight operated their newspaper empire. In Detroit, Ibargüen helped orchestrate a $370 million foundation effort to keep the city’s finances from cratering. In Miami, he crusaded for the arts, helping the city become an international cultural destination. And as a former newspaper executive who saw the news industry being decimated all around him, Ibargüen made it a top priority at Knight to restore the credibility and viability of journalism in response to the upheaval caused by the internet.
Ibargüen, 79, was born in Puerto Rico and grew up in New Jersey. After serving in the Peace Corps and working as a legal-aid lawyer earlier in his career, he climbed the newspaper ranks. He served as publisher of the Miami Herald when it won three coveted Pulitzer Prizes and publisher of the Spanish-language El Nuevo Herald in Miami.
Ibargüen’s career in newspapers helped set the way he ran the foundation. He expected his colleagues at Knight to scout out leads like reporters and be the foundation’s eyes and ears on the ground in the communities they serve. Those around him said he embraced the chaos of a newsroom environment and wasn’t afraid to slam the brakes on a project when something juicier presented itself.
“I don’t find it very useful to say, ‘We only do this,” or ‘We only do that,’” he says. “Setting rules up ahead of time never struck me as that creative.”
Ibargüen will depart when Knight finds a replacement. In the meantime, he is still busy trying to put together what he hopes is a mammoth fund to support journalism. Ibargüen isn’t certain how much the fund will gather from other foundations — although he said ”$1 billion is just an ante” for the work that needs to be done. It also is unclear whether the fund will touch on all areas of journalism, including First Amendment issues, technology development, supporting small news outlets, and helping people become more discerning readers and viewers of the news.
Ibargüen says several dozen foundations have said they are interested in joining in. Diversifying Knight’s board in terms of race, gender, and ideological perspective, Ibargüen says, was one of his biggest accomplishments. Upon realizing that a tiny percentage of Knight’s endowment was managed by investing firms owned by people of color, Ibargüen developed a survey of foundations and universities with a goal of diversifying endowment money managers.
At Knight, Ibargüen has managed to remain faithful to the wishes of the Knight brothers, while keeping the foundation’s work at the cutting edge, says John Palfrey, president of the MacArthur Foundation and a trustee on Knight’s board until December.
Ibargüen’s response in Detroit, where the Knights ran the Detroit Free Press, was both in line with the brothers’ commitment to the city but also represented a different kind of involvement in city finances than the Knights had envisioned, suggested Palfrey. Rather than supporting the arts or community programs, the money Knight contributed to the Grand Bargain went to pay the city’s pensioners, traditionally a municipal, not philanthropic, responsibility.
Similarly, Ibargüen showed that he was not bound to the past when he steered Knight away from endowing journalism professorships at universities. But he jumped at the chance to re-establish the practice when doing so was an attempt to promote equity, Palfrey says. The result, the Center for Journalism and Democracy at Howard University, is led by journalist Nikole Hannah-Jones.
Ibargüen worked to set up the center after Jones, who oversaw an extensive New York Times look at the legacy of slavery in the United States, the 1619 Project, when she was at first denied tenure at University of North Carolina’s Hussman School of Journalism and Media, another institution that has received support from Knight. Within weeks of the University of North Carolina decision, Knight, MacArthur, the Ford Foundation, and an anonymous donor provided a total of $20 million for the new center at Howard.
One of the biggest injuries the media revolution has inflicted on the news business is the disconnection people feel between their geography — their city and neighborhood — and the news they consume online, which tends to be national in scope, Ibargüen says. As Knight struggled to support new ways to deliver the news by making grants to outlets across the country, Ibargüen also was obsessed with driving home a single story in his hometown: the arts matter.
“Art bridges language and bridges experience,” he says. “If Gloria Estefan is singing, your toes will tap, I guarantee it. And if Beethoven is playing, your soul soars.” Even more, a city where residents are connected through shared cultural offerings can be an essential part of a strong democracy in which political differences are recognized but not demonized, Ibargüen says.
Franklin Sirmans, who moved to Miami in 2015 to serve as director of the Pérez Art Museum Miami, says Ibargüen’s strong leadership has been key to making Miami an arts scene.
“He has an incredibly persuasive, beautiful, and poetic way of talking about it. I hate to use Alberto’s own terms so closely, but over the past seven years, I have struggled to find my own words.”
The city has been transformed by the injection of arts fund, and today Miami is “committed to being a place that is open for dialogue,” Sirmans says. “It’s a place that doesn’t shy away from having difficult conversations. Rather, it is a place that is led by art, a place where art is the catalyst for every single thing that we do.”
____
This article was provided to The Associated Press by the Chronicle of Philanthropy. Alex Daniels is a senior reporter at the Chronicle. Email: alex.daniels@philanthropy.com. The AP and the Chronicle receive support from the Lilly Endowment for coverage of philanthropy and nonprofits. The AP is solely responsible for this content. For all of AP’s philanthropy coverage, visit https://apnews.com/hub/philanthropy.
[ad_2]

[ad_1]
NEW YORK (AP) — If young people are spending so much time on social media, it stands to reason that’s a good place to reach them with news.
Operators of the News Movement are betting their business on that hunch. The company, which has been operating for more than a year, hopes to succeed despite journalism being littered with years of unsuccessful attempts to entice people in their 20s to become news consumers.
The brainchild of former Dow Jones executives, the News Movement is using a staff of reporters with an average age of 25 to make tailored news content for sites like TikTok, Instagram, YouTube and Twitter.
“You really have to stay humble and stay open to different trends and ideas,” said Ramin Beheshti, president and a founder of the organization with former Dow Jones CEO Will Lewis. “We’ve built a newsroom that reflects the audience that we’re trying to go after.”
Among the newsrooms the company is producing TikTok videos for is The Associated Press. The AP has provided office space for the company and Lewis is vice chairman of its board of directors.
Some of the content would startle a news traditionalist.
Recognizing his friends appreciated calming videos, one staff member created an “explainer” on the midterm elections for Snapchat that used video of a horse being groomed, pizza being made and flowers growing while an offscreen voice discusses politics.
In “Get Ready with Me,” two women prepare for work while talking about some things in the news.
There are more typical offerings: video of the earthquake in Turkey, for example, and reports on President Biden’s proposals on abortion and social media. Explainer stories take a step back to tell people why something is news.
Some stories aren’t really news at all, but stem from personal experience. One New York-based journalist who wondered why police didn’t immediately jump onto subway tracks to save someone who fell looked into it to find they were working to stop trains.
Curious about why stories about odd things done by Florida residents are a staple of news coverage, a staff member made a TikTok video showing that it’s partly because police there often release photos and details about incidents faster than other states.
There’s also relatable content that provides a service, of a sort: asking young people on the street some of the excuses they’ve used to break a date.
“News isn’t always what you think it is,” said Jessica Coen, U.S. executive editor, who’s had leadership roles at Mashable, Morning Brew and The Cut.
The News Movement is not trying to be an aggregator, and cover every headline, Coen said. “We’re trying to cover issues where we can provide context and clarity,” she said.
Story formats differ to reflect where they are placed. Most TikTok videos are about a minute, while a meaty YouTube piece about women’s safety and how London police react to assault cases ran for nearly 14 minutes.
Some 60% of people in Gen Z, or young adults up to their mid-20s, say they get news through social media, according to a study by Oliver Wyman and the News Movement. Other studies show people in Gen Z have a lower opinion of traditional news outlets than their elders.
Given this, the News Movement believes that efforts by news organizations to entice young people to their own sites or apps are tough sells.
“News shouldn’t feel like work,” Beheshti said. “It should be part of your daily consumption.”
One person who sampled some of the News Movement’s TikTok stories offered a mixed review, saying they often seemed to emphasize flash over substance. They need to “read the room” better, said Gabriel Glynn-Habron, a 21-year-old college student from Asheville, N.C. who is studying journalism.
“I do appreciate the effort,” he said. “It’s part of what the news media should do more — just show the effort.”
Often, those who try to appeal to young people are unsuccessful because they really don’t understand who they’re trying to reach, said Linda Ellerbee, whose “Nick News” programs for the Nickelodeon network in the 1990s offered a template for success. It’s a mistake to think Gen Z is apathetic; the generation led the way in protesting George Floyd’s death at the hands of police, she said.
“Most attempts to try to deliver news to young people fail because they underestimate the intelligence of their audience,” Ellerbee said. “They talk down to them. They assume that because they’re young, they’re dumb.”
One place where Ellerbee and the News Movement agree is in how many people are frustrated by traditional news because they feel like they’re getting only a piece of a story, or dipping in to a movie somewhere in the middle. That argues for more explainers.
The company’s research found that while young news consumers fact-check information more readily than older peers, they’re also more susceptible to believing misinformation.
Since news is shaky as a business, the News Movement has made diversification a part of its model from the start. It will work with traditional news organizations and help them build social media teams.
The News Movement advises brands on how to reach young consumers and has bought the Recount, which makes video content about American politics for social media and continues to operate as a separate unit.
“We can’t have one way of making money,” Beheshti said.
[ad_2]

[ad_1]
NEW YORK — If young people are spending so much time on social media, it stands to reason that’s a good place to reach them with news.
Operators of the News Movement are betting their business on that hunch. The company, which has been operating for more than a year, hopes to succeed despite journalism being littered with years of unsuccessful attempts to entice people in their 20s to become news consumers.
The brainchild of former Dow Jones executives, the News Movement is using a staff of reporters with an average age of 25 to make tailored news content for sites like TikTok, Instagram, YouTube and Twitter.
“You really have to stay humble and stay open to different trends and ideas,” said Ramin Beheshti, president and a founder of the organization with former Dow Jones CEO Will Lewis. “We’ve built a newsroom that reflects the audience that we’re trying to go after.”
Some of the content would startle a news traditionalist.
Recognizing his friends appreciated calming videos, one staff member created an “explainer” on the midterm elections for Snapchat that used video of a horse being groomed, pizza being made and flowers growing while an offscreen voice discusses politics.
In “Get Ready with Me,” two women prepare for work while talking about some things in the news.
There are more typical offerings: video of the earthquake in Turkey, for example, and reports on President Biden’s proposals on abortion and social media. Explainer stories take a step back to tell people why something is news.
Some stories aren’t really news at all, but stem from personal experience. One New York-based journalist who wondered why police didn’t immediately jump onto subway tracks to save someone who fell looked into it to find they were working to stop trains.
Curious about why stories about odd things done by Florida residents are a staple of news coverage, a staff member made a TikTok video showing that it’s partly because police there often release photos and details about incidents faster than other states.
There’s also relatable content that provides a service, of a sort: asking young people on the street some of the excuses they’ve used to break a date.
“News isn’t always what you think it is,” said Jessica Coen, U.S. executive editor, who’s had leadership roles at Mashable, Morning Brew and The Cut.
The News Movement is not trying to be an aggregator, and cover every headline, Coen said. “We’re trying to cover issues where we can provide context and clarity,” she said.
Story formats differ to reflect where they are placed. Most TikTok videos are about a minute, while a meaty YouTube piece about women’s safety and how London police react to assault cases ran for nearly 14 minutes.
Some 60% of people in Gen Z, or young adults up to their mid-20s, say they get news through social media, according to a study by Oliver Wyman and the News Movement. Other studies show people in Gen Z have a lower opinion of traditional news outlets than their elders.
Given this, the News Movement believes that efforts by news organizations to entice young people to their own sites or apps are tough sells.
“News shouldn’t feel like work,” Beheshti said. “It should be part of your daily consumption.”
One person who sampled some of the News Movement’s TikTok stories offered a mixed review, saying they often seemed to emphasize flash over substance. They need to “read the room” better, said Gabriel Glynn-Habron, a 21-year-old college student from Asheville, N.C. who is studying journalism.
“I do appreciate the effort,” he said. “It’s part of what the news media should do more — just show the effort.”
Often, those who try to appeal to young people are unsuccessful because they really don’t understand who they’re trying to reach, said Linda Ellerbee, whose “Nick News” programs for the Nickelodeon network in the 1990s offered a template for success. It’s a mistake to think Gen Z is apathetic; the generation led the way in protesting George Floyd’s death at the hands of police, she said.
“Most attempts to try to deliver news to young people fail because they underestimate the intelligence of their audience,” Ellerbee said. “They talk down to them. They assume that because they’re young, they’re dumb.”
One place where Ellerbee and the News Movement agree is in how many people are frustrated by traditional news because they feel like they’re getting only a piece of a story, or dipping in to a movie somewhere in the middle. That argues for more explainers.
The company’s research found that while young news consumers fact-check information more readily than older peers, they’re also more susceptible to believing misinformation.
Since news is shaky as a business, the News Movement has made diversification a part of its model from the start. It will work with traditional news organizations and help them build social media teams. The company is producing TikTok videos for The Associated Press, for example. The AP has provided office space for the company and Lewis is vice chairman of its board of directors.
The News Movement advises brands on how to reach young consumers and has bought the Recount, which makes video content about American politics for social media and continues to operate as a separate unit.
“We can’t have one way of making money,” Beheshti said.
[ad_2]

[ad_1]
NEW YORK — If young people are spending so much time on social media, it stands to reason that’s a good place to reach them with news.
Operators of the News Movement are betting their business on that hunch. The company, which has been operating for more than a year, hopes to succeed despite journalism being littered with years of unsuccessful attempts to entice people in their 20s to become news consumers.
The brainchild of former Dow Jones executives, the News Movement is using a staff of reporters with an average age of 25 to make tailored news content for sites like TikTok, Instagram, YouTube and Twitter.
“You really have to stay humble and stay open to different trends and ideas,” said Ramin Beheshti, president and a founder of the organization with former Dow Jones CEO Will Lewis. “We’ve built a newsroom that reflects the audience that we’re trying to go after.”
Some of the content would startle a news traditionalist.
Recognizing his friends appreciated calming videos, one staff member created an “explainer” on the midterm elections for Snapchat that used video of a horse being groomed, pizza being made and flowers growing while an offscreen voice discusses politics.
In “Get Ready with Me,” two women prepare for work while talking about some things in the news.
There are more typical offerings: video of the earthquake in Turkey, for example, and reports on President Biden’s proposals on abortion and social media. Explainer stories take a step back to tell people why something is news.
Some stories aren’t really news at all, but stem from personal experience. One New York-based journalist who wondered why police didn’t immediately jump onto subway tracks to save someone who fell looked into it to find they were working to stop trains.
Curious about why stories about odd things done by Florida residents are a staple of news coverage, a staff member made a TikTok video showing that it’s partly because police there often release photos and details about incidents faster than other states.
There’s also relatable content that provides a service, of a sort: asking young people on the street some of the excuses they’ve used to break a date.
“News isn’t always what you think it is,” said Jessica Coen, U.S. executive editor, who’s had leadership roles at Mashable, Morning Brew and The Cut.
The News Movement is not trying to be an aggregator, and cover every headline, Coen said. “We’re trying to cover issues where we can provide context and clarity,” she said.
Story formats differ to reflect where they are placed. Most TikTok videos are about a minute, while a meaty YouTube piece about women’s safety and how London police react to assault cases ran for nearly 14 minutes.
Some 60% of people in Gen Z, or young adults up to their mid-20s, say they get news through social media, according to a study by Oliver Wyman and the News Movement. Other studies show people in Gen Z have a lower opinion of traditional news outlets than their elders.
Given this, the News Movement believes that efforts by news organizations to entice young people to their own sites or apps are tough sells.
“News shouldn’t feel like work,” Beheshti said. “It should be part of your daily consumption.”
One person who sampled some of the News Movement’s TikTok stories offered a mixed review, saying they often seemed to emphasize flash over substance. They need to “read the room” better, said Gabriel Glynn-Habron, a 21-year-old college student from Asheville, N.C. who is studying journalism.
“I do appreciate the effort,” he said. “It’s part of what the news media should do more — just show the effort.”
Often, those who try to appeal to young people are unsuccessful because they really don’t understand who they’re trying to reach, said Linda Ellerbee, whose “Nick News” programs for the Nickelodeon network in the 1990s offered a template for success. It’s a mistake to think Gen Z is apathetic; the generation led the way in protesting George Floyd’s death at the hands of police, she said.
“Most attempts to try to deliver news to young people fail because they underestimate the intelligence of their audience,” Ellerbee said. “They talk down to them. They assume that because they’re young, they’re dumb.”
One place where Ellerbee and the News Movement agree is in how many people are frustrated by traditional news because they feel like they’re getting only a piece of a story, or dipping in to a movie somewhere in the middle. That argues for more explainers.
The company’s research found that while young news consumers fact-check information more readily than older peers, they’re also more susceptible to believing misinformation.
Since news is shaky as a business, the News Movement has made diversification a part of its model from the start. It will work with traditional news organizations and help them build social media teams. The company is producing TikTok videos for The Associated Press, for example. The AP has provided office space for the company and Lewis is vice chairman of its board of directors.
The News Movement advises brands on how to reach young consumers and has bought the Recount, which makes video content about American politics for social media and continues to operate as a separate unit.
“We can’t have one way of making money,” Beheshti said.
[ad_2]

[ad_1]
Watch CBS News
Be the first to know
Get browser notifications for breaking news, live events, and exclusive reporting.
[ad_2]

[ad_1]
PHOENIX (AP) — “CBS Mornings” co-host Gayle King has been chosen to receive the Walter Cronkite Award for Excellence in Journalism from Arizona State University.
The honor is given every year by the university’s Walter Cronkite School of Journalism and Mass Communication.
King is expected to attend a Feb. 21 awards luncheon at the Sheraton Hotel in downtown Phoenix.
She is the 39th recipient of the award. Past honorees include Anderson Cooper, Judy Woodruff and Bob Woodward.
King has been with CBS News since 2011. In recent years, she has earned notice for exclusive interviews with embattled singer R. Kelly and Cherelle Griner, the wife of formerly imprisoned WNBA star Brittney Griner, among others.
Known for her frequent collaborations with close friend Oprah Winfrey, King is an editor-at-large for the Oprah Daily website. She also hosts “Gayle King in the House” on SiriusXM radio.
The Cronkite School, named for the broadcast legend in 1984, focuses on teaching students journalism and multimedia skills. It includes public television station Arizona PBS, considered the largest media outlet globally that is operated by a journalism school.
[ad_2]

[ad_1]
Two California-based journalists won $100,000 in the American Mosaic Journalism Prize, announced on Wednesday
NEW YORK — Two California-based freelance journalists were awarded the American Mosaic Journalism Prize, giving them $100,000 each for their work, it was announced on Wednesday.
The Heising-Simons Foundation gives the annual prize for excellence in long-form journalism about underrepresented groups in the United States. The foundation said it is the largest dollar prize given annually for journalism in the U.S.
Cerise Castle, a journalist from Los Angeles, won for her investigative piece, “A Tradition of Violence,” which looked at gangs within the Los Angeles County Sheriff’s Department, the foundation said.
Her story first appeared in Knock LA, a nonprofit community journalism project, and quickly spread, including an article on NPR. The story last year received the American Journalism Online Award for best use of public records.
The other award went to Carvell Wallace, a writer and podcaster based in Oakland. He was honored for a piece that appeared on Medium, “What if My Mother Had An Abortion,” exploring how her life would have been different if she hadn’t had him. Judges also cited his story on Black cyclist Justin Williams that appeared in Bicycling magazine.
“I’ve long thought that the only thing that really matters is how we treat each other,” Wallace said. “I view everything through this lens, whether it’s sports, culture, politics, art or film.”
[ad_2]

[ad_1]
Moscow — A Russian court on Wednesday sentenced in absentia veteran journalist Alexander Nevzorov to eight years in prison for spreading “false information” about Moscow’s war in Ukraine. The verdict is the latest in a series of high-profile rulings under new legislation that opponents of the Kremlin say was designed to criminalize criticism of the conflict.
Nevzorov, 64, came under pressure from authorities for alleging that Russian forces deliberately shelled a maternity hospital in Mariupol, a port city in southern Ukraine that was captured by Moscow after a long siege.
Sergei Konkov/AP
“Journalist Alexander Glebovich Nevzorov was found guilty… and sentenced to imprisonment for a period of eight years,” the press service for Moscow courts said in a statement on Telegram.
Prosecutors had requested a sentence of nine years in jail. Nevsorov said in response to the verdict: “I don’t think Russia will exist in nine years’ time.”
According to the Reuters news agency, he told a Russian outlet that he didn’t plan to return to his country and accused its president, Vladimir Putin, of leading “a dictatorship based on dirt, blood and denunciations.”
Nevzorov left Russia almost a year ago and did not take part in the hearings. The court said Wednesday that if he was to come home, he’d be sent to one of Russia’s notorious penal colonies. The court also formally banned him from managing online content for four years — a move unlikely to have much impact on his work in exile.
Investigators launched the probe in March last year, saying Nevzorov had intentionally published “misleading information” with “inaccurate photographs of civilians affected by the shelling,” which prompted him to leave the country with his wife.
He was designated a “foreign agent” one month later, a branding that carries Soviet-era connotations and piles bureaucratic pressure on people hit with the label.
Nevzorov is a former member of parliament and his popular YouTube channel boasts nearly two million subscribers.
After the Kremlin ordered troops into Ukraine last February, Russia introduced new legislation criminalizing what authorities consider to be false or damaging information about the Russian army and the offensive.
Several politicians and public figures have faced jail terms under the new law, including opposition councilor Ilya Yashin, who was sentenced to eight and a half years behind bars.
Yury Kochetkov/AP
Separately, a court in Russia’s Far East sentenced an activist to three years in jail for “discrediting” the military and being in contempt of court, Russian media reported on Monday.
Vladislav Nikitenko sent out requests to authorities asking to initiate criminal proceedings against members of Russia’s Security Council, including President Vladimir Putin, for “acts of international terrorism.”
[ad_2]

[ad_1]
Press Release
–
Jan 30, 2023
SPRINGDALE, Ark., January 30, 2023 (Newswire.com)
–
Jane See White died January 11, 2023. She was 72. The Mexico, Missouri native had an award-winning 40-plus year career in newspaper and magazine journalism, including national reporting and editing with the Associated Press, and teaching journalism as part of the University of Arizona School of Journalism.
White was the daughter of Robert Mitchell White II and Barbara Whitney Spurgeon.
At the age of nine White began a dedicated journalism career as the founding Editor and Publisher of The Mexico (Missouri) Junior Ledger. The summer weekly newspaper covered neighborhood news, but ceased publication when White began spending her summers at Camp Bryn Afon in Rhinelander, Wisconsin.
She graduated from Mexico High School, then in 1972, from Hollins College with honors and a BA in History and American Studies.
Upon graduation from Hollins College, White spent two years as a reporter for The Roanoke Times then moved back to Missouri as a feature writer for The Kansas City Star. There she earned awards for an investigative series regarding state-run schools for the mentally disabled, and another related to state psychiatric hospitals.
In 1976 she transitioned to the Associated Press in New York City as an editor on the World Desk. From 1978 to 1981 she was also part of an AP six-person national writing team, writing feature news stories for datelines around the country. Her work included covering the Love Canal toxic crisis, exposing and examining the early controversy over the health effects of exposure to Agent Orange.
Peter Arnett, awarded the 1966 Pulitzer Prize in International Reporting, and known broadly for his coverage of the Vietnam and Gulf Wars, was a colleague of White’s at the Associated Press. “I had the good fortune to be based in AP Headquarters as a Special Correspondent during the 1970s when Jane was steadily building her journalism career,” Arnett recently wrote. “. . . touching tributes to Jane White on her purposeful life in journalism and her recent untimely death brought back memories of not only working with her, but also of Jane’s sparkling personality and her moxie, a very American word of that era used to describe courage and determination.”
White joined Medical Economics magazine as a writer in 1982. Her progression with the publication included Professional Editor, News / Bureaus Editor and Head of the Editorial Division for the national bi-weekly non-clinical publication.
In 1987, her passion for newspaper journalism led her back to Virginia and The Roanoke Times and World News where she was the Deputy City Editor, then City Editor. Her responsibilities included daily and Sunday news coverage by 40 reporters and six assistant city editors.
White moved to Arizona in 1991, holding various writing and editing roles for The Phoenix Gazette and The Arizona Republic, including Features Editor and Assistant Managing Editor.
From 2006 until her retirement in 2014, White was an Editor and editorial writer for The Arizona Daily Star. Editorials White researched and wrote won first-place prizes from the Arizona Press Club, the Arizona Newspapers Association, and were included in nomination for the Pulitzer Prize.
Between 1997 and 2014, White also shared her expertise and passion for journalism with future journalists, as an adjunct Professor with the University of Arizona School of Journalism.
Source: RMW3 Enterprises, LLC / Family
[ad_2]

[ad_1]
Watch CBS News
Be the first to know
Get browser notifications for breaking news, live events, and exclusive reporting.
[ad_2]

[ad_1]
A couple weeks ago, in his idiosyncratic fan-correspondence newsletter, “The Red Hand Files,” musician and author Nick Cave critiqued a ”song in the style of Nick Cave”—submitted by “Mark” from Christchurch, New Zealand—that was created using ChatGPT, the latest and most mind-boggling entrant in a growing field of robotic-writing software. At a glance, the lyrics evoked the same dark religious overtones that run through much of Cave’s oeuvre. Upon closer inspection, this ersatz Cave track was a low-rent simulacrum. “I understand that ChatGPT is in its infancy but perhaps that is the emerging horror of AI—that it will forever be in its infancy,” Cave wrote, “as it will always have further to go, and the direction is always forward, always faster. It can never be rolled back, or slowed down, as it moves us toward a utopian future, maybe, or our total destruction. Who can possibly say which? Judging by this song ‘in the style of Nick Cave’ though, it doesn’t look good, Mark. The apocalypse is well on its way. This song sucks.”
Cave’s ChatGPT takedown—“with all the love and respect in the world, this song is bullshit, a grotesque mockery of what it is to be human”—set the internet ablaze, garnering uproarious coverage from Rolling Stone and Stereogum, to Gizmodo and The Verge, to the BBC and the Daily Mail. That his commentary hit such a nerve probably has less to do with the influence of an underground rock icon than it does with the sudden omnipresence of “generative artificial intelligence software,” particularly within the media and journalism community.
Since ChatGPT’s November 30 release, folks in the business of writing have increasingly been futzing around with the frighteningly proficient chatbot, which is in the business of, well, mimicking their writing. “We didn’t believe this until we tried it,” Mike Allen gushed in his Axios newsletter, with the subject heading, “Mind-blowing AI.” Indeed, reactions tend to fall somewhere on a spectrum between awe-inspired and horrified. “I’m a copywriter,” a London-based freelancer named Henry Williams opined this week for The Guardian (in an article that landed atop the Drudge Report via a more sensationalized version aggregated by The Sun), “and I’m pretty sure artificial intelligence is going to take my job…. [I]t took ChatGPT 30 seconds to create, for free, an article that would take me hours to write.” A Tuesday editorial in the scientific journal Nature similarly declared, “ChatGPT can write presentable student essays, summarize research papers, answer questions well enough to pass medical exams and generate helpful computer code. It has produced research abstracts good enough that scientists found it hard to spot that a computer had written them…That’s why it is high time researchers and publishers laid down ground rules about using [AI tools] ethically.”
BuzzFeed, for one, is on it: “Our work in AI-powered creativity is…off to a good start, and in 2023, you’ll see AI inspired content move from an R&D stage to part of our core business, enhancing the quiz experience, informing our brainstorming, and personalizing our content for our audience,” CEO Jonah Peretti wrote in a memo to staff on Thursday. “To be clear, we see the breakthroughs in AI opening up a new era of creativity that will allow humans to harness creativity in new ways with endless opportunities and applications for good. In publishing, AI can benefit both content creators and audiences, inspiring new ideas and inviting audience members to co-create personalized content.” The work coming out of BuzzFeed’s newsroom, on the other hand, is a different matter. “This isn’t about AI creating journalism,” a spokesman told me.
Meanwhile, if you made it to the letters-to-the-editor section of Wednesday’s New York Times, you may have stumbled upon one reader’s rebuttal to a January 15 Times op-ed titled, “How ChatGPT Hijacks Democracy.” The rebuttal was crafted—you guessed it—using ChatGPT: “It is important to approach new technologies with caution and to understand their capabilities and limitations. However, it is also essential not to exaggerate their potential dangers and to consider how they can be used in a positive and responsible manner.” Which is to say, you need not let Skynet and The Terminator invade your dreams just yet. But for those of us who ply our trade in words, it’s worth considering the more malignant applications of this seemingly inexorable innovation. As Sara Fischer noted in the latest edition of her Axios newsletter, “Artificial intelligence has proven helpful in automating menial news-gathering tasks, like aggregating data, but there’s a growing concern that an over-dependence on it could weaken journalistic standards if newsrooms aren’t careful.” (On that note, I asked Times executive editor Joe Kahn for his thoughts on ChatGPT’s implications for journalism and whether he could picture a use where it might be applied to journalism at the paper of record, but a spokeswoman demurred, “We’re gonna take a pass on this one.”)
The “growing concern” that Fischer alluded to in her Axios piece came to the fore in recent days as controversy engulfed the otherwise anodyne technology-news publication CNET, after a series of articles from Futurism and The Verge drew attention to the use of AI-generated stories at CNET and its sister outlet, Bankrate. Stories full of errors and—it gets worse—apparently teeming with robot plagiarism. “The bot’s misbehavior ranges from verbatim copying to moderate edits to significant rephrasings, all without properly crediting the original,” reported Futurism’s Jon Christian. “In at least some of its articles, it appears that virtually every sentence maps directly onto something previously published elsewhere.” In response to the backlash, CNET halted production on its AI content farm while editor in chief Connie Guglielmo issued a penitent note to readers: “We’re committed to improving the AI engine with feedback and input from our editorial teams so that we—and our readers—can trust the work it contributes to.”
For an even more dystopian tale, check out this yarn from the technology journalist Alex Kantrowitz, in which a random Substack called “The Rationalist” put itself on the map with a post that lifted passages directly from Kantrowitz’s Substack, “Big Technology.” This wasn’t just some good-old-fashioned plagiarism, like Melania Trump ripping off a Michelle Obama speech. Rather, the anonymous author of “The Rationalist”—an avatar named “PETRA”—disclosed that the article had been assembled using ChatGPT and similar AI tools. Furthermore, Kantrowitz wrote that Substack indicated it wasn’t immediately clear whether “The Rationalist” had violated the company’s plagiarism policy. (The offending post is no longer available.) “The speed at which they were able to copy, remix, publish, and distribute their inauthentic story was impressive,” Kantrowitz wrote. “It outpaced the platforms’ ability, and perhaps willingness, to stop it, signaling Generative AI’s darker side will be difficult to tame.” When I called Kantrowitz to talk about this, he elaborated, “Clearly this technology is gonna make it a lot easier for plagiarists to plagiarize. It’s as simple as tossing some text inside one of these chatbots and asking them to remix it, and they’ll do it. It takes minimal effort when you’re trying to steal someone’s content, so I do think that’s a concern. I was personally kind of shocked to see it happen so soon with my story.”
Sam Altman, the CEO of ChatGPT’s parent company, OpenAI, said in an interview this month that the company is working on ways to identify AI plagiarism. He’s not the only one: I just got off the phone with Shouvik Paul, chief revenue officer of a company called Copyleaks, which licenses plagiarism-detection software to an array of clients ranging from universities to corporations to several major news outlets. The company’s latest development is a tool that takes things a step further by using AI to detect whether something was written using AI. There’s even a free browser plug-in that anyone can take for a spin, which identifies AI-derived copy with 99.2% accuracy, according to Paul. It could be an easy way to sniff out journalists who pull the wool over their editors’ eyes. (Or, in the case of the CNET imbroglio, publications that pull the wool over their readers’ eyes.) But Paul also hopes it can be used to help people identify potential misinformation and disinformation in the media ecosystem, especially heading into 2024. “In 2016, Russia had to physically hire people to go and write these things,” he said. “That costs money. Now, the cost is minimal and it’s a thousand times more scalable. It’s something we’re definitely gonna see and hear about in this upcoming election.”
The veteran newsman and media entrepreneur Steven Brill shares Paul’s concern. “ChatGPT can get stuff out much faster and, frankly, in a much more articulate way,” he told me. “A lot of the Russian disinformation in 2016 wasn’t very good. The grammar and spelling was bad. This looks really smooth.” These days, Brill is the co-CEO and co-editor-in-chief of NewsGuard, a company whose journalists use data to score the trust and credibility of thousands of news and information websites. In recent weeks, NewsGuard analysts asked ChatGPT “to respond to a series of leading prompts relating to a sampling of 100 false narratives among NewsGuard’s proprietary database of 1,131 top misinformation narratives in the news…published before 2022.” (ChatGPT is primarily programmed on data through 2021.)
“The results,” according to NewsGuard’s analysis, “confirm fears, including concerns expressed by OpenAI itself, about how the tool can be weaponized in the wrong hands. ChatGPT generated false narratives—including detailed news articles, essays, and TV scripts—for 80 of the 100 previously identified false narratives. For anyone unfamiliar with the issues or topics covered by this content, the results could easily come across as legitimate, and even authoritative.” The title of the analysis was positively ominous: “The Next Great Misinformation Superspreader: How ChatGPT Could Spread Toxic Misinformation At Unprecedented Scale.” On the bright side, “NewsGuard found that ChatGPT does have safeguards aimed at preventing it from spreading some examples of misinformation. Indeed, for some myths, it took NewsGuard as many as five tries to get the chatbot to relay misinformation, and its parent company has said that upcoming versions of the software will be more knowledgeable.”
[ad_2]
Joe Pompeo
Source link

[ad_1]
John Williams Ntwali, one of Rwanda’s few journalists who published stories critical of the government, has died.
Ntwali was the sole fatality in a car accident in Kigali on Wednesday, police spokesman John Bosco Kabera told Reuters. The driver of the other vehicle has been arrested and “the accident file is being processed for onward transmission to prosecution,” Kabera said.
Numerous human rights organizations called for an independent investigation into his death, as numerous journalists, advocates, and critics of President Paul Kagame and his ruling party have mysteriously disappeared, been found dead, or been jailed.
Human Rights Watch said he “joins a long list of people who have challenged the government and died in suspicious circumstances.”
“John Williams Ntwali was a lifeline for many victims of human rights violations and often the only journalist who dared report on issues of political persecution and repression,” said Lewis Mudge, Central Africa director at Human Rights Watch.
In Rwanda, the media environment is oppressive, tightly controlled, and dangerous. During the last two decades, 17 journalists have been killed, according to data collected by the Committee to Protect Journalists. As the editor of the newspaper The Chronicles, Ntwali investigated high-profile political trials, corruption cases, and other sensitive issues. He often posted items on his social media feed and YouTube channel critical of the government’s approach. On Jan. 10, Ntwali posted on his Twitter account a report that the Rwandan government was meddling in religious administration.
He had been arrested numerous times throughout his career and spoke often about fearing for his life and safety.
Thanks for reading CBS NEWS.
Create your free account or log in
for more features.
[ad_2]

[ad_1]
Bernard Kalb, veteran correspondent and former CBS News journalist, died Sunday, his daughter confirmed to CBS News. He was 100.
A statement from Kalb’s family called him the “ultimate reporter” who had “boundless curiosity and an unquenchable thirst for knowledge.”
CBS News Archive / Getty Images
“Above all, he was a person of impeccable integrity who embraced peoples and cultures all over the world and loved his family deeply,” the statement continued. “We have lost a journalistic giant. We will miss him enormously.”
Kalb’s younger brother, Marvin Kalb, another former CBS News reporter, told The Washington Post that Kalb died at his home in the Washington suburbs following complications from a fall.
Over the course of his journalistic career, which spanned over six decades, Kalb worked at CBS News from 1962 to 1980, and accompanied former President Richard Nixon to China during his historic trip in 1972. Kalb was also responsible for the opening CBS News’ Hong Kong bureau in 1972, was a Washington anchorman on “CBS Morning News” and was well-regarded for his reporting on Southeast Asian affairs.
CBS News Archive / Getty Images
Kalb also co-authored two books with his brother — one a biography on Henry Kissinger, and another a novel about the fall of Saigon.
In addition to his prolific news career, Kalb is also known for a short employment stint at the U.S. State Department. In the announcement of his new role at the State Department in 1984, the New York Times called him “a widely traveled foreign correspondent,” who covered the office for eight years — through five secretaries of state — before being named as their spokesman.
“This is the first time that a journalist who covered the State Department has been named as its spokesman,” the Times wrote.
Kalb resigned publicly in 1986, after a misinformation campaign following U.S. airstrikes that had hit Moammar Gadhafi’s compound earlier in the year. The Washington Post exposed the campaign, reporting that the U.S. had leaked false information to reporters, which Kalb knew nothing about, according to The Associated Press.
Cynthia Johnson / Getty Images
“I am concerned about the impact of any such program on the credibility of the United States,” Kalb said, adding, “Anything that hurts America’s credibility, hurts America.”
He later returned to journalism, becoming the first host of CNN’s “Reliable Sources” in 1992.
He is survived by his wife, Phyllis, and his four daughters, Tanah, Marina, Claudia, and Sarinah, according to The Associated Press.
[ad_2]

[ad_1]
It was this time last year that New York Times media columnist Ben Smith announced he’d be giving up one of the most coveted jobs in journalism. The former BuzzFeed editor’s abrupt departure quickly sparked a guessing game among media-watchers and members of the newsroom as to who would take his place. While Smith went on to build and launch Semafor, his new media start-up with cofounder Justin Smith, the Times has yet to fill his old slot.
I’m told people involved with hiring have solicited beat memos from journalists both inside and outside the paper, though it’s unclear what, if anything, has come of them. A few names outside have emerged as contenders, including the Washington Post media writer (and former Vanity Fair special correspondent) Sarah Ellison, former CNN anchor Brian Stelter, and Puck media columnist Dylan Byers; all three had conversations with newsroom leaders, according to sources. (Semafor’s Max Tani reported earlier on potential candidates in Smith’s new media newsletter, which is now blasted out on Sunday nights around the same time his old Times column used to appear online.) I’m told that Byers was in talks with management about the job but took himself out of the running late last year. Stelter, meanwhile, has had additional meetings with the Times in recent weeks.
It’s surprising for such a high-profile perch—one that Smith made a weekly destination for media junkies not seen since the David Carr era—to be dormant for this long. A Times insider last year told me that Smith’s departure presented an opportunity “for rethinking the focus” of its signature column. And yet, one person who talked to the Times for the gig told me they got the impression that the Times was still trying to figure out what they were doing with the column—and looking for a columnist to come to them with a clear vision for it. “We continue to seek to fill the position,” a Times spokesperson told me, “but don’t have anything further to share on our personnel processes.”
Meanwhile, the paper’s media coverage is without a permanent media editor ever since editor Jim Windolf moved to a new role in Styles about a year ago. Joe Plambeck, an editor on the Business desk, has been editing a lot of the section’s copy in the interim. The Times approached Financial Times US business editor Andrew Edgecliffe-Johnson about the media editor job, according to a source familiar with the information. (Edgecliffe-Johnson declined to comment.)
Perhaps, one contributing factor to the delay is the number of cooks in the kitchen—among those involved in the columnist hiring process is business editor Ellen Pollock, deputy managing editor Sam Dolnick, and, of course, executive editor Joe Kahn—and the fact that the Times doesn’t seem to know what it even wants the column to be. That’s in stark contrast to Smith’s appointment, which famously came together after then executive editor Dean Baquet, knowing exactly what he wanted, took Smith out to a midwinter Lambs Club lunch.
[ad_2]
Charlotte Klein
Source link