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HOUSTON — A 33-year-old man was arrested on a murder charge in the shooting of rapper Takeoff, who police on Friday said was an “innocent bystander” when he was struck by gunfire outside a Houston bowling alley.
Patrick Xavier Clark was taken into custody peacefully Thursday night, Houston Police Chief Troy Finner said. Clark’s arrest came one day after another man was charged in connection with the Nov. 1 shooting, which authorities said followed a dispute over a dice game and wounded two other people.
Clark was being held in jail Friday awaiting a bond hearing. Court records do not list an attorney who could speak for him, but indicate he was arrested as he was preparing to leave the country for Mexico.
Born Kirsnick Khari Ball, Takeoff was the youngest member of Migos, the Grammy-nominated rap trio from suburban Atlanta that also featured his uncle Quavo and cousin Offset.
The 28-year-old musician was shot outside the downtown bowling alley at around 2:30 a.m., when police said a dispute erupted as more than 30 people were leaving a private party there. Police previously said another man and a woman suffered non-life-threatening gunshot injuries, and that at least two people opened fired.
Police Sgt. Michael Burrow said during a Friday news conference that the gunfire followed a disagreement over a “lucrative” game of dice, but that Takeoff was not involved and was “an innocent bystander.” Finner said police do not know whether Clark was invited to the party or if he knew Takeoff.
Every person on the scene left without talking to police, Burrow said. Some of those people have since been located by the authorities, who have also worked to piece together events with ballistics, video and audio recordings, according to Burrow. He said investigators are still trying to track down witnesses.
“We will be looking to find you,” he said. “It will be easier if you come find us.”
On Wednesday, authorities announced the arrest of Cameron Joshua in connection to the shooting. Joshua was charged with illegally having a gun at the time Takeoff was shot, but prosecutors said the 22-year-old is not believed to have fired the weapon. Christopher Downey, Joshua’s attorney, told reporters that he has not seen anything to suggest that his client was involved in Takeoff’s killing.
Burrow said that investigators believe it was Clark’s gunfire that killed the rapper.
Prosecutors on Friday asked a court to set Clark’s bond at $1 million, arguing he is a flight risk. After Takeoff’s shooting, Clark applied for an expedited passport by submitting the itinerary for an “imminent” flight to Mexico, according to court records. They say he was arrested the day he received the passport and was in possession of a “large amount” of cash.
Fans and other performers, including Drake and Justin Bieber, celebrated Takeoff’s musical legacy in a memorial service last month in Atlanta.
Migos’ record label, Quality Control, mourned Takeoff’s death in a statement posted on Instagram that attributed it to “senseless violence.”
Migos first broke through with the massive hit “Versace” in 2013. They had four Top 10 hits on the Billboard Hot 100, though Takeoff was not on their multi-week No. 1 hit “Bad and Boujee,” featuring Lil Uzi Vert. They put out a trilogy of albums called “Culture,” “Culture II” and “Culture III,” with the first two hitting No. 1 on the Billboard 200 album chart.
Takeoff never released a solo record, but in the weeks before his death he and Quavo put out “Only Built for Infinity Links.” Takeoff hoped the joint album would build respect for his lyrical abilities, telling the “Drink Champs” podcast, “It’s time to give me my flowers.”
As Clark’s arrest was announced Friday, Takeoff’s voice could again be heard, featured on “Feel The Fiyaaaah” alongside A$AP Rocky on Metro Boomin’s album released that day, “Heroes and Villains.”
He sang, “It’s quiet right now in the streets.”
——
Bleiberg reported from Dallas. Associated Press journalist Mallika Sen contributed reporting from New York.
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HOUSTON (AP) — A 33-year-old man was arrested on a murder charge in the shooting of rapper Takeoff, who police on Friday said was an “innocent bystander” when he was struck by gunfire outside a Houston bowling alley.
Patrick Xavier Clark was taken into custody peacefully Thursday night, Houston Police Chief Troy Finner said. Clark’s arrest came one day after another man was charged in connection with the Nov. 1 shooting, which authorities said followed a dispute over a dice game and wounded two other people.
Clark was being held in jail Friday awaiting a bond hearing. Court records do not list an attorney who could speak for him, but indicate he was arrested as he was preparing to leave the country for Mexico.
Born Kirsnick Khari Ball, Takeoff was the youngest member of Migos, the Grammy-nominated rap trio from suburban Atlanta that also featured his uncle Quavo and cousin Offset.
The 28-year-old musician was shot outside the downtown bowling alley at around 2:30 a.m., when police said a dispute erupted as more than 30 people were leaving a private party there. Police previously said another man and a woman suffered non-life-threatening gunshot injuries, and that at least two people opened fired.
Police Sgt. Michael Burrow said during a Friday news conference that the gunfire followed a disagreement over a “lucrative” game of dice, but that Takeoff was not involved and was “an innocent bystander.” Finner said police do not know whether Clark was invited to the party or if he knew Takeoff.
Every person on the scene left without talking to police, Burrow said. Some of those people have since been located by the authorities, who have also worked to piece together events with ballistics, video and audio recordings, according to Burrow. He said investigators are still trying to track down witnesses.
“We will be looking to find you,” he said. “It will be easier if you come find us.”
On Wednesday, authorities announced the arrest of Cameron Joshua in connection to the shooting. Joshua was charged with illegally having a gun at the time Takeoff was shot, but prosecutors said the 22-year-old is not believed to have fired the weapon. Christopher Downey, Joshua’s attorney, told reporters that he has not seen anything to suggest that his client was involved in Takeoff’s killing.
Burrow said that investigators believe it was Clark’s gunfire that killed the rapper.
Prosecutors on Friday asked a court to set Clark’s bond at $1 million, arguing he is a flight risk. After Takeoff’s shooting, Clark applied for an expedited passport by submitting the itinerary for an “imminent” flight to Mexico, according to court records. They say he was arrested the day he received the passport and was in possession of a “large amount” of cash.
Fans and other performers, including Drake and Justin Bieber, celebrated Takeoff’s musical legacy in a memorial service last month in Atlanta.
Migos’ record label, Quality Control, mourned Takeoff’s death in a statement posted on Instagram that attributed it to “senseless violence.”
Migos first broke through with the massive hit “Versace” in 2013. They had four Top 10 hits on the Billboard Hot 100, though Takeoff was not on their multi-week No. 1 hit “Bad and Boujee,” featuring Lil Uzi Vert. They put out a trilogy of albums called “Culture,” “Culture II” and “Culture III,” with the first two hitting No. 1 on the Billboard 200 album chart.
In the weeks before his death Takeoff, who released the solo album “The Last Rocket” in 2018, and Quavo put out “Only Built for Infinity Links.” Takeoff hoped the joint album with Quavo would build respect for his lyrical abilities, telling the “Drink Champs” podcast, “It’s time to give me my flowers.”
As Clark’s arrest was announced Friday, Takeoff’s voice could again be heard, featured on “Feel The Fiyaaaah” alongside A$AP Rocky on Metro Boomin’s album released that day, “Heroes and Villains.”
He sang, “It’s quiet right now in the streets.”
___
This story was first published on December 2, 2022. It was updated on December 3, 2022 because The Associated Press erroneously reported Takeoff never released a solo record. He released the solo album “The Last Rocket” in 2018.
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BOSTON — Prince William capped a three-day visit to Boston by meeting with President Joe Biden to share his vision for safeguarding the environment before attending a gala event Friday evening where he sounded an optimistic tone about solving the world’s environmental problems through “hope, optimism and urgency.”
The Prince of Wales paid homage to the late President John F. Kennedy, saying his Earthshot Prize was inspired by Kennedy’s audacious moonshot speech in 1962 that mobilized the nation to put astronauts on the moon. That same sense of urgency and scale is needed now to protect the environment, William said.
“In the same way the space effort six decades ago created jobs, boosted economies and provided hope, so too can the solutions borne of tonight’s Earthshot Prize winners,” William said.
The second annual Earthshot Prize offered 1 million pounds ($1.2 million) in prize money to each of the winners in five separate categories: nature protection, clean air, ocean revival, waste elimination and climate change. The winners and all 15 finalists will receive help in expanding their projects to meet global demand.
The winners, announced at Boston’s MGM Music Hall, were:
— A female-founded startup that’s providing cleaner-burning biomass stoves in Africa
— A United Kingdom company making biodegradable packaging from seaweed
— A “greenhouse-in-a-box” concept created to increase yields on small farms in India
— A technique for transforming atmospheric carbon into rock in Oman in the Middle East
— A woman-led effort to create a new generation of indigenous rangers in Australia.
Providing the star power for the glitzy show were Annie Lennox, Ellie Goulding and Chloe x Halle live in Boston, and Billie Eilish performing remotely. The event also featured videos narrated by naturalist David Attenborough and actor Cate Blanchett. Prizes were presented by actor Rami Malek, comedian Catherine O’Hara, and actor and activist Shailene Woodley.
The entertainers were eager to help.
“It’s the greatest crisis of our lifetime, and I appreciate what Prince William is doing,” Malek said before heading into the venue. “And in the next 10 years I think the impact will be staggering. And we can really effect change in the greatest way with these innovators who are being awarded this evening.”
Before the event, William met privately for 30 minutes with Biden after the two shook hands and spoke briefly in the cold near the water outside of the John F. Kennedy Memorial Library and Museum. As William walked down the steps in his suit, Biden, wearing in a black winter coat, shouted: “Where’s your topcoat?”
William also met Caroline Kennedy, the ambassador to Australia and the late president’s daughter. William toured the museum with Kennedy and told her that her father was “the man who inspired our mission.”
William and his wife, Kate, earlier attended a welcome Wednesday at City Hall and then a Boston Celtics game before the royal couple spent much of Thursday hearing about the threats of climate change and solutions in the works.
William became heir apparent less than three months ago with the death of his grandmother, the queen, but he already has been crowned Britain’s chief environmentalist. That was apparent during the Boston visit, which earned praise for drawing attention to pollution and climate change and the need to scale up solutions.
“I just appreciate that they are using platform and publicity to bring attention to meaningful climate work,” said Joe Christo, managing director of Stone Living Lab, which researches nature-based approaches to climate adaptation and was among those who met the royal couple at Boston Harbor on Thursday.
“I do know his dad is a big environmentalist,” he said. “He seems to be doing a great job continuing that legacy.”
William is following in the footsteps of his environmentally minded grandfather Prince Philip — the late husband of Queen Elizabeth II — and more recently his father and Elizabeth’s successor, King Charles III.
William’s father, in his former capacity as prince, was for decades one of Britain’s most prominent environmental voices — blasting the ills of pollution. Last year, he stood before world leaders at a U.N. climate conference in Scotland and suggested the threats posed by climate change and biodiversity loss were no different than those posed by the coronavirus pandemic.
Now that he is king, Charles is expected to be more careful with his words and must stay out of politics and government policy, in accordance with the traditions of Britain’s constitutional monarchy. This year, he did not attend the U.N. climate conference, which was held in Egypt.
The caution presents an opportunity for William to step into that role as the royal family’s environmental advocate and speak more forcefully about the issues once associated with his father.
There is no better example than the Earthshot Prize.
“It’s a huge deal to Prince William,” Joe Little, the managing editor of Majesty Magazine. “He knows he can attract attention from the most important people. That really is the core of the Boston trip.”
William and Kate got a firsthand look at some recent innovations at a green technology startup incubator called Greentown Labs, in Somerville. Among them were solar-powered autonomous boats and low-carbon cement.
“Climate change is a global problem, so it’s so important to have global leaders talking about the importance of taking action,” said Lara Cottingham, vice president of strategy policy and climate impact for Greentown Labs.
The couple’s first trip to the U.S. since 2014 is part of the royal family’s efforts to change its international image. After Elizabeth’s death, Charles has made clear that his will be a slimmed-down monarchy, with less pomp and ceremony than its predecessors. William and Kate arrived in Boston on a commercial British Airways flight.
———
Associated Press writer Zeke Miller contributed to this report in Boston.
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HOUSTON — Police have arrested a 33-year-old man on a murder charge in the fatal shooting of rapper Takeoff, who they said was a “innocent bystander” to gunfire last month outside a bowling alley in Houston.
Patrick Xavier Clark was taken into custody peacefully Thursday night, Houston Police Chief Troy Finner said Friday. Clark’s arrest came one day after another man was charged in connection with the shooting that wounded two other people.
Clark was being held in jail Friday awaiting a bond hearing. Court records do not list an attorney who could speak for him.
Born Kirsnick Khari Ball, Takeoff was the youngest member of Migos, the Grammy-nominated rap trio from suburban Atlanta that also featured his uncle Quavo and cousin Offset.
The 28-year-old musician was one of three people police said were shot outside the downtown bowling alley around 2:30 a.m. on Nov. 1, when a dispute erupted as about 40 people were leaving a private party at the alley. Police have said another man and a woman suffered non-life-threatening gunshot injuries during the shooting, in which at least two people opened fired.
Police Sgt. Michael Burrow said during a Friday news conference that the shooting followed a dispute over a game of dice, but that Takeoff was not involved and was “an innocent bystander.”
On Wednesday, authorities announced the arrest of Cameron Joshua in connection to the shooting. Joshua was charged with illegally having a gun at the time Takeoff was shot, but prosecutors said the 22-year-old is not believed to have fired the weapon. Christopher Downey, Joshua’s attorney, told reporters that he has not seen anything to suggest that his client was involved in Takeoff’s killing.
Burrow said Friday that investigators believe it was Clark’s gunfire that killed the rapper.
Fans and other performers, including Drake and Justin Bieber, celebrated Takeoff’s musical legacy in a memorial service last month in Atlanta.
Migos’ record label, Quality Control, mourned Takeoff’s death in a statement posted on Instagram that attributed it to “senseless violence.”
Migos first broke through with the massive hit “Versace” in 2013. They had four Top 10 hits on the Billboard Hot 100, though Takeoff was not on their multi-week No. 1 hit “Bad and Boujee,” featuring Lil Uzi Vert. They put out a trilogy of albums called “Culture,” “Culture II” and “Culture III,” with the first two hitting No. 1 on the Billboard 200 album chart.
Takeoff and Quavo released a joint album “Only Built for Infinity Links” just weeks before his death.
——
Bleiberg reported from Dallas.
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FILE – Elton John performs on the South Lawn of the White House in Washington, Friday, Sept. 23, 2022. Elton John is scheduled to perform at the Glastonbury Festival in June, in what organizers say will be his last-ever show in Britain. The festival announced Friday, Dec. 2, 2022 that the star will play the 2023 festival’s final night on June 25 (AP Photo/Susan Walsh, File)
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CNN
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There’s a reason why Christine McVie was considered the heart of Fleetwood Mac.
The band’s keyboardist, who died Wednesday after a brief illness at the age of 79, was also the writer of some of the group’s most beloved songs.
Here are just five of those tunes:
This one is tied to some drama.
Fleetwood Mac is known for, in part, their tumultuous relationships, especially when it came to romantic ones.
Band members Stevie Nicks and Lindsey Buckingham had a thing that ended badly and McVie was famously married to, and then divorced from, their other bandmate, John McVie.
He reportedly thought the song, with its lyrics “Sweet wonderful you/You make me happy with the things you do/Oh, can it be so/This feeling follows me wherever I go,” was about their dog as the McVies were married at the time.
But it turns out Christine McVie had penned the love song in honor of the band’s lighting director with whom she had an affair.
Another tune from their famed “Rumours” album.
“Don’t Stop” proved to be a hopeful anthem for the future, which was so meaningful to former President Bill Clinton that he used it as his 1992 campaign anthem.
On Wednesday he tweeted a tribute to McVie.
“I’m saddened by the passing of Christine McVie. “Don’t Stop” was my ’92 campaign theme song – it perfectly captured the mood of a nation eager for better days,” he tweeted. “I’m grateful to Christine & Fleetwood Mac for entrusting us with such a meaningful song. I will miss her.”
This one was actually a solo song for McVie.
The first single off of her self-titled solo album, it sounds like it could be a Fleetwood Mac song with it’s buoyant rhythm and the infectious chorus, “Ooh, I got a love/I got somebody/This love got a hold on me.”
Plus Buckingham plays guitar on this one, giving it even more of a Fleetwood Mac vibe.
“Say You Love Me” is a jaunty tune that has become a mainstay on rock and easy listening radio stations.
She reflected on the sweet harmonies, she, Nicks and Buckingham achieve on the tune in a 1990 interview.
“The first time I started playing ‘Say You Love Me’ and I reached the chorus, they started singing with me and fell right into it,” Performing Songwriter magazine reported her saying. “I heard this incredible sound, our three voices … and my skin turned to gooseflesh.”
It feels right that so many on social media used this song to pay tribute to McVie after her passing.
The ballad she wrote has been pointed to as the perfect remembrance of someone lost.
Playing it now after her death seems haunting as she pours her heart into the opening lyrics, “For you, there’ll be no more crying/For you, the sun will be shining/And I feel that when I’m with you/It’s alright, I know it’s right.”
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CNN
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Throughout the various personal turmoils for which the members of Fleetwood Mac are known, one relationship buoyed the band for decades: the friendship between its two frontwomen, Christine McVie and Stevie Nicks.
McVie joined the band in 1970 during one of its early lineup changes and for years was its only woman. When Nicks was added to the lineup in 1975, the two became fast friends.
Theirs was not a competitive relationship, but a sisterly one – both women were gifted songwriters responsible for crafting many of the band’s best-known tunes. Though the two grew apart in the 1980s amid Nicks’ worsening drug addiction and the band’s growing internal tension, they came back together when McVie returned to Fleetwood Mac in 2014.
At a concert in London, shortly before McVie officially rejoined the band, Nicks dedicated the song “Landslide” to her “mentor. Big sister. Best friend.” And at the show’s end, McVie was there, accompanying her bandmates for “Don’t Stop.”
“I never want her to ever go out of my life again, and that has nothing to do with music and everything to do with her and I as friends,” Nicks told the Minneapolis Star-Tribune in 2015.
On Wednesday, McVie, the band’s “songbird,” died after a brief illness at age 79. Below, revisit McVie’s and Nicks’ years-long relationship as bandmates, best friends and “sisters.”
The story of Nicks joining Fleetwood Mac is legend now: Band founder and drummer Mick Fleetwood wanted to recruit guitarist Lindsey Buckingham, who stipulated that he would only join if his girlfriend and musician Nicks could join, too. McVie cast the deciding vote, and the rest is history.
“It was critical that I got on with her because I’d never played with another girl,” McVie told the Guardian in 2013. “But I liked her instantly. She was funny and nice but also there was no competition. We were completely different on the stage to each other and we wrote differently too.”
Throughout the band’s many personal complications – McVie married and divorced Fleetwood Mac bassist John McVie and had an affair with the band’s lighting director, while Nicks had rollercoaster romances with Buckingham and Fleetwood – they were each other’s center.
“To be in a band with another girl who was this amazing musician – (McVie) kind of instantly became my best friend,” Nicks told the New Yorker earlier this year. “Christine was a whole other ballgame. She liked hanging out with the guys. She was just more comfortable with men than I had ever been.”
The two protected each other, Nicks said, in a male-dominated industry: “We made a pact, in the very beginning, that we would never be treated with disrespect by all the male musicians in the community.
“I would say to her, ‘Together, we are a serious force of nature, and it will give us the strength to maneuver the waters that are ahead of us,’” Nicks told the New Yorker.
“Rumours” was the band’s greatest success to date when it was released in 1977. But the band’s relationships with each other were deteriorating, save for the one between McVie and Nicks. While the pair were enduring breakups with their significant others, Nicks and McVie spent their time offstage together.
The Guardian asked McVie if she was trying to offset the band’s tumult with her songs on “Rumours,” including the lighthearted “You Make Lovin’ Fun” and optimistic “Don’t Stop.” She said she likely had been.
As multiple members’ drug use intensified, the band’s dynamic grew tense. McVie distanced herself from the group in 1984 amid her bandmates’ addictions, telling the Guardian she was “just sick of it.” Nicks, meanwhile, was becoming dependent on cocaine.

McVie told Rolling Stone that year that she’d grown apart from Nicks: “She seems to have developed her own fantasy world, somehow, which I’m not part of. We don’t socialize much.”
In 1986, Nicks checked into the Betty Ford Center to treat her addiction, though she later became addicted to Klonopin, which she said claimed years of her life. She quit the prescription drug in the 1990s.
After recording some solo works, McVie returned to Fleetwood Mac for their 1987 album “Tango in the Night,” and two of her songs on that record – “Little Lies” and “Everywhere” – became major hits. But Nicks departed the band soon after, and the band’s best-known lineup wouldn’t officially reunite until 1997 for “The Dance” tour and subsequent live album.
The reunion was short-lived: After the band was inducted into the Rock & Roll Hall of Fame in 1998, McVie officially quit Fleetwood Mac, citing a fear of flying and exhaustion of life on the road.
In the 2010s, after more than a decade of retirement, McVie toyed with returning to performing. She officially rejoined Fleetwood Mac after calling Fleetwood himself and gauging what her return would mean for the group.
“Fortunately Stevie was dying for me to come back, as were the rest of the band,” she told the Arts Desk.
In 2015, a year after she’d rejoined Fleetwood Mac, McVie hit the road with her bandmates. Touring with the group was tiring but fun, the first time they’d performed together in years.
“I’m only here for Stevie,” she told the New Yorker that year.

Nicks concurred: “When we went on the road, I realized what an amazing friend she’d been of mine that I had lost and didn’t realize the whole consequences of it till now,” she told the Minneapolis Star-Tribune in 2015.
During that tour, McVie wore a silver chain that Nicks had given her – a “metaphor,” McVie told the New Yorker, “that the chain of the band will never be broken. Not by me, anyways. Not again by me.”
McVie told the Arts Desk in 2016 that she and Nicks were “better friends now than (they) were 16 years ago.”
Touring with Buckingham and Fleetwood could quickly get tumultuous for Nicks, McVie said, due to their shared history. “But with me in there, it gave Stevie the chance to get her breath back and not have this constant thing going on with Lindsey: her sister was back,” she said.
Their mutual praise continued: In 2019, McVie said Nicks was “just unbelievable” onstage: “The more I see her perform on stage the better I think she is. She holds the fort.”
When their 2018-2019 tour ended, though – without Buckingham, who was fired – the band “kind of broke up,” McVie told Rolling Stone earlier this year. She added that she didn’t speak with Nicks as often as she did when they toured together.
As for a reunion, McVie told Rolling Stone that while it wasn’t off the table, she wasn’t feeling “physically up for it.”
“I’m getting a bit long in the teeth here,” she said. “I’m quite happy being at home. I don’t know if I ever want to tour again. It’s bloody hard work.”
News of McVie’s death rattled Nicks, who wrote that she had only found out McVie was sick days earlier. She called McVie her “best friend in the whole world since the first day of 1975.”
On her social media accounts, Nicks shared a handwritten note containing lyrics from the Haim song “Hallelujah,” some of which discusses grief and the loss of a best friend.
“See you on the other side, my love,” Nicks wrote. “Don’t forget me – Always, Stevie.”
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NEW YORK — A new production of “The Wiz” is heading out on a national tour next year before following the yellow brick road to Broadway, with its director hoping the show becomes a “touchstone for a new generation.”
Director Schele Williams tells The Associated Press that it’s a very personal musical for her, creating possibilities in her mind as a girl when she saw it.
“It was the first time I was able to ever imagine myself on Broadway. It was because of ‘The Wiz.’” she said. “I’m really excited to awaken those dreams in other little Black girls like me.”
The tour launches in the fall in Baltimore, home of the 1974 world premiere of the musical. Following its run at the Hippodrome Theatre in Baltimore, the tour will cross the country before it starts its limited engagement on Broadway in spring 2024.
“My goal with this show is for it to be an extraordinary celebration of Black culture, for it to be a touchstone for a new generation in the way that it was for my generation,” said Williams.
The new show will be choreographed by JaQuel Knight and music supervision, orchestrations and music arrangements are by Joseph Joubert.
The show was adapted from “The Wonderful Wizard of Oz” by L. Frank Baum, with a book by William F. Brown, and music and lyrics by Charlie Smalls.
“The Wiz” opened on Broadway in 1975 and won seven Tonys, including best musical. It has such classic songs as “What Would I Do If I Could Feel” and “Ease On Down the Road.”
“I don’t want ‘The Wiz’ to become anything that it’s not. But I am excited for it to become a more timeless score. So we’re going to look at how do we do that while also honoring where it came from and the sound that it originally had,” said Williams.
She will be making her Broadway directorial debut with “The Wiz.” Previously, she was the associate director of “Motown: The Musical,” and re-conceived and directed the recent national tour of the show. She is currently in London directing “Mandela,” a new musical inspired by the life of anti-apartheid activist Nelson Mandela.
A 1978 movie version of “The Wiz” starred Diana Ross, Lena Horne and Richard Pryor. Michael Jackson co-starred as the Scarecrow, with Nipsey Russell as the Tin Man and Ted Ross as the Lion. NBC televised a live version in 2015 with Queen Latifah, Ne-Yo and David Alan Grier.
The original Broadway production featured Stephanie Mills as Dorothy, Dee Dee Bridgewater as good witch Glinda and Andre De Shields as the Wiz. Mills returned as Dorothy in a 1984 revival.
“I’m mostly excited more than anything that this is going to be a show that my kids are going to enjoy. My daughters are 11 and 12, and this is now going to be their show, and I’m really excited about that,” said Williams.
———
Mark Kennedy is at http://twitter.com/KennedyTwits
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Kim Kardashian and Ye have reached a settlement in their divorce, averting a trial that had been set for next month, court documents filed Tuesday showed.
The former couple and their attorneys filed documents asking for a judge’s approval of terms they have agreed on, including $200,000 per month child support payments from Ye, formerly known as Kanye West, to Kardashian.
The two will have joint custody, and neither will pay the other spousal support, according to the documents filed in Los Angeles Superior Court.
The judge declared the two legally single at Kardashian’s request in March, ending their eight-year marriage, but issues of property and custody remained that were to be worked out in a trial starting Dec. 14.
The two have four children whose ages range from 3 to 9 years old.
Kardashian and Ye will equally split the expenses for the kids’ private security and private school, including college, according to the settlement proposal.
They will also each pay their own debts the settlement said. The two had a pre-nuptial agreement and kept their property largely separate.
The couple began dating in 2012 and had their first child in 2013. West proposed later that year using the giant screen at the empty waterfront ballpark of the San Francisco Giants, and the two married May 24, 2014, in a ceremony at a Renaissance fortress in Florence, Italy.
The two appeared to be headed for a cordial split with agreed-upon terms when Kardashian first filed for divorce in February of 2021. Neither discussed the split publicly until early this year, when Ye started lashing out on social media against Kardashian, her family, and then-boyfriend Pete Davidson. Among his complaints were that he was not being allowed to make major parenting decisions and was being excluded from birthday parties and other events for their children.
Ye, who has fired two lawyers since the divorce filing, also raised several technical issues and demands, including seeking the right to question any new husband of Kardashian’s under oath, which Judge Steve Cochran promptly rejected.
The settlement comes soon after several companies have cut ties with Ye over offensive and antisemitic remarks that have further eroded an already withering public image.
His latest lawyer, Nicholas Salick, did not immediately reply to a request for comment on the settlement.
It was the third marriage for Kardashian, the reality TV superstar, businesswoman and influencer, and the first marriage for the rap and fashion mogul Ye. Theirs was one of the most closely followed celebrity unions in recent decades.
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Country singer Jake Flint died unexpectedly just hours after his wedding, his wife and manager both said on social media.
Brenda Cline, Flint’s manager, wrote on Facebook, “With a broken heart and in deep grief I must announce that Jake Flint has tragically passed away.”
Cline called Flint “the funniest, most hilarious, hardest working, dedicated artist I have ever worked with in my career,” adding, “this is going to be incredibly difficult for so many. We love you Jake and in our hearts forever.”
Flint’s wife, Brenda, wrote in her own Facebook post, “We should be going through wedding photos but instead I have to pick out clothes to bury my husband in.”
“People aren’t meant to feel this much pain,” she said. “My heart is gone and I just really need him to come back. I can’t take much more. I need him here.”
Flint was raised in Oklahoma by a “wildcat oilman and a hard-working mother of two” and had a love of music from an early age, according to his website. Some of his songs included “What’s Your Name?,” “Hurry Up & Wait,” and “Cowtown.” His first studio album was released in 2016.
A cause of death was not announced.
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NEW YORK — The masked man of Broadway is going out strong.
“The Phantom of the Opera” — Broadway’s longest-running show — has postponed its final performance by eight weeks, pushing its final curtain from February to April after ticket demand spiked. Last week, the show raked in an eye-popping $2,2 million with a full house.
The musical — a fixture on Broadway since 1988, weathering recessions, war and cultural shifts — will now play its final Broadway performance on April 16. When it closes, it will have played 13,981 performances.
“We are all thrilled that not only the show’s wonderful fans have been snapping up the remaining tickets, but also that a new, younger audience is equally eager to see this legendary production before it disappears,” lead producer Cameron Mackintosh said in a statement.
Producers said there would be no more postponements. “This is the only possible extension for the Broadway champion, as the theater will then be closed for major renovations after the show’s incredible 35-year run.”
Based on a novel by Gaston Leroux, “Phantom” tells the story of a deformed composer who haunts the Paris Opera House and falls madly in love with an innocent young soprano, Christine. Andrew Lloyd Webber’s lavish songs include “Masquerade,” ″Angel of Music,” ″All I Ask of You” and “The Music of the Night.”
The closing of “Phantom” would mean the longest-running show crown would go to “Chicago,” which started in 1996. “The Lion King” is next, having begun performances in 1997.
Broadway took a pounding during the pandemic, with all theaters closed for more than 18 months. Some of the most popular shows — “Hamilton,” “The Lion King” and “Wicked” — have rebounded well, but other shows have struggled. Breaking even usually requires a steady stream of tourists, especially for the costly “Phantom,” and visitors to the city haven’t returned to pre-pandemic levels.
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CNN
—
The music of the night will continue for eight weeks longer than expected.
The Broadway musical “The Phantom of the Opera” announced in September that it would be closing in February because of declining ticket sales, but plans have changed.
On Tuesday, the show’s producer, Cameron Mackintosh, announced the show will now run until April 16.
An unexpected bolster in sales, as well as a busy Thanksgiving week, helped the longest-running show in Broadway history earn $2.2 million in sales last week, according to The New York Times.
“What a phenomenal response there has been to the show ending,” Mackintosh told the Times. “We’ve sold out virtually everything that we have on sale.”
The musical will celebrate its 35th anniversary in January.
With music by famed composer Andrew Lloyd Webber, “Phantom” features a masked music lover who haunts the Paris Opera House.
The Broadway show is directed by Hal Prince. In 1988, the show won seven Tony Awards.
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