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Tag: music

  • Dua Lipa Reportedly Dating Jack Harlow After Rapper Named Song After Her On His Album

    Dua Lipa Reportedly Dating Jack Harlow After Rapper Named Song After Her On His Album

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    By Becca Longmire.

    There might be a new showbiz romance on the horizon, according to sources.

    Page Six reported that Dua Lipa is dating Jack Harlow after the rapper named a song on his latest album Come Home the Kids Miss You after her.

    An insider told the publication that the pair met in person at the Variety Hitmakers Brunch in Los Angeles earlier this month and have been in “constant communication” ever since.

    A source said of Harlow, “He was very interested in her, and was going to strongly pursue [the romance].”


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    The insider added that “he is going to do his best, as he has always been a fan of her.”

    Sources said he even flew to New York City on Friday to meet up with the hitmaker after her Z100 Jingle Ball appearance.

    Onlookers told Page Six that the pair were spotted arriving separately for lunch at an eatery in the Meatpacking District over the weekend, despite the pair seemingly trying to keep their outing on the down low.


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    Lipa’s alleged latest romance comes after she was seen having dinner in NYC with Trevor Noah in September, sparking romance rumours.

    She previously dated Anwar Hadid, but the pair called it quits in December 2021 after dating for just over two years.

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    Becca Longmire

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  • Anghami became the ‘Spotify of the Middle East.’ Now it’s moving into the real world | CNN Business

    Anghami became the ‘Spotify of the Middle East.’ Now it’s moving into the real world | CNN Business

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    Abu Dhabi
    CNN
     — 

    Anghami describes itself as the largest music streaming app for the Middle East and North Africa.

    Launched in Beirut in 2012 by Elie Habib and Eddy Maroun, it was quickly dubbed “the Spotify of the Middle East.” Now headquartered in Abu Dhabi, Anghami is growing its footprint to the real world after amassing nearly 20 million active users.

    It partnered with Sony Music to launch “Vibe,” a boutique record label the companies say will “support independent Arabic music,” and empower artists “to tell their stories regionally and globally.” Then, in July, Anghami acquired Spotlight Events, a live event company, and plans to host regular concerts for local artists. Last month, it opened a music venue and recording studio in Riyadh, Saudi Arabia.

    “Artists can’t just make money out of music streaming,” Habib says. “They need to make money out of the real world also.”

    The platform is facing serious competition from the likes of Spotify

    (SPOT)
    and Apple

    (AAPL)
    , but the founders are confident they can maintain their success by drawing on their knowledge of the region.

    “We’re Arabs but we are influenced by the Western world, and this is reflected in our product,” Maroun says. “That’s why our product is really more relevant.”

    The pair say nurturing and developing Arab talent is critical to their mission. Of the 73 million songs in their catalog, Habib says only 1% of them are in Arabic, but those songs generate 60% of all of Anghami’s traffic. “We realize we need to grow that 1%,” Habib says.

    In February, the company signed an exclusive partnership with Egyptian superstar Amr Diab, whose 1.2 billion streams make him the most popular artist on the platform.

    Around the same time, Anghami was listed on the Nasdaq stock exchange — the first Arab tech company ever to do so, according to the founders. “It was a great moment,” Maroun says. “We felt that we are really bringing with us a whole nation.”

    In the first half of 2022, it saw 29% growth in revenue and 41% growth in monthly subscribers, compared with the same period a year earlier. Since then, in a tougher economic climate, the company has cut a fifth of its workforce, but the founders are confident they can continue to grow the platform.

    “When we started Anghami … we never thought about IPOs, we never thought about millions of users using us every day,” Habib says. “IPO is never the end game — the end game is making something whereby you are proud.”

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  • BTS member Jin begins military duty at front-line boot camp

    BTS member Jin begins military duty at front-line boot camp

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    YEONCHEON, South Korea — Jin, the oldest member of K-pop supergroup BTS, began his 18 months of mandatory military service at a front-line South Korean boot camp Tuesday as fans gathered near the base to say goodbye to their star.

    Six other younger BTS members are to join the military in coming years one after another, meaning that the world’s biggest boy band must take a hiatus, likely for a few years. Their enlistments have prompted a fierce domestic debate over whether it’s time to revise the country’s conscription system to expand exemptions to include prominent entertainers like BTS, or not to provide such benefits to anyone.

    With lawmakers squabbling at Parliament and surveys showing sharply split public opinions over offering exemptions to BTS members, their management agency said in October that all BTS members would perform their compulsory military duties. Big Hit Music said that both the company and the members of BTS “are looking forward to reconvening as a group again around 2025 following their service commitment.”

    Jin, who turned 30 earlier this month, entered the boot camp at Yeoncheon, a town near the tense border with North Korea, for five weeks of basic military training together with other new conscript soldiers, the Defense Ministry said. After the training involving rifle shooting, grenade throwing and marching practices, he and other conscripts would be assigned to army units across the country.

    About 20-30 fans — some holding Jin’s photos — and dozens of journalists gathered near the camp. But Jin didn’t meet them as a vehicle carrying him moved into the boot camp without getting him out.

    “I want to wait (for) Jin and see him go into the military and wish him all the best,” Mandy Lee from Hong Kong said before Jin’s entrance to the camp.

    “Actually it’s complicated. I wanna be sad. I wanna be happy for him,” said Angelina from Indonesia. “Mixed feelings. He has to serve (for) his country.” Angelina, like many Indonesians, uses only one name.

    A couple dozen fans could be seen as a small turnout given Jin’s huge popularity. But Jin and his management agency had earlier asked fans not to visit the site and notified them there wouldn’t be any special event involving the singer, in order to prevent any issue caused by crowding.

    Authorities still mobilized 300 police officers, soldiers, emergency workers and others to maintain order and guard against any accidents, according to the army. Strict safety steps were expected as South Korea is still reeling from the devastating Halloween crush in October in Seoul that killed 158 people.

    Hours before entering the camp, Jin — whose real name is Kim Seok-jin — wrote on the on the online fan platform Weverse that “It’s time for a curtain call.” He posted a photo of himself Sunday with a military buzzcut and a message saying, “Ha ha ha. It’s cuter than I had expected.”

    By law, all able-bodied South Korean men must serve in the military for 18-21 months under a conscription system established to deal with threats from North Korea. But the law gives special exemptions to athletes, classical and traditional musicians, and ballet and other dancers if they have won top prizes in certain competitions and enhance national prestige. K-pop stars and other entertainers aren’t given such benefits even if they gain worldwide fame and win big international awards.

    “Though BTS members have opted to go to the military, there are still some sort of regrets,” said Jung Duk-hyun, a pop culture commentator. “Those in the pop culture sector experience little bit of disadvantages and unfairness, compared with those in the pure art sector or athletes. This will likely continue to be an issue of controversy so I wonder if it must be discussed continuously.”

    Exemptions or dodging of duties are a highly sensitive issue in South Korea, where the draft forces young men to suspend their studies or professional careers. Defense Minister Lee Jong-sup and Lee Ki Sik, head of South Korea’s enlistment office, previously said it would be “desirable” for BTS members to fulfill their military duties to ensure fairness in the country’s military service.

    Chun In-bum, a retired lieutenant general who commanded South Korea’s special forces, said the government must move to repeal any exemptions as the military’s shrinking recruitment pool is “a very serious” problem amid the country’s declining fertility rate. He called a debate over BTS’s military service “unnecessary” as it wasn’t raised by BTS members, who have shown willingness in carrying out their duties.

    BTS was created in 2013 and has a legion of global supporters who call themselves the “Army.” Its other members are RM, Suga, J-Hope, Jimin, V and Jungkook, who is the youngest at 25. The group expanded its popularity in the West with its 2020 megahit “Dynamite,” the band’s first all-English song that made BTS the first K-pop act to top Billboard’s Hot 100. The band has performed in sold-out arenas around the world and was even invited to speak at United Nations meetings.

    Hybe Corp., the parent company of Big Hit, said in October that each member of the band for the time being would focus on individual activities scheduled around their military service plans. In October, Jin released “The Astronaut,” a single co-written by Coldplay.

    Jung, the commentator, said sold projects could give BTS members much-needed time to develop themselves after working together as a group for many years. But Cha Woo-jin, a K-pop commentator, said it’s unclear if BTS would enjoy the same popularity as a group when they get together again after finishing their military duties in a few years.

    In August, Lee, the defense minister, said BTS members who are serving would likely be allowed to continue practicing and to join other non-serving BTS members in overseas group tours.

    Cha said K-pop’s global influence wouldn’t be hurt much because of BTS members’ enlistments as they “appear to represent K-pop but aren’t everything of K-pop.” Chung agreed, saying that other K-pop groups like BLACKPINK, Stray Kids and aespa could rise further.

    ———

    Kim reported from Seoul, South Korea.

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  • Patti LaBelle is rushed off the stage during a concert in Milwaukee due to a bomb threat | CNN

    Patti LaBelle is rushed off the stage during a concert in Milwaukee due to a bomb threat | CNN

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    CNN
     — 

    A Patti LaBelle concert at the Riverside Theater in Milwaukee was abruptly halted Saturday night when the star was rushed off the stage due to a bomb threat, organizers said.

    Social media video showed LaBelle exclaiming, “Wait!” as three individuals pushed her mic stand away and escorted her off-stage without explanation. Band members rush behind her as audience members are heard in the video asking, “What happened?”

    “Tonight’s Patti LaBelle show at the Riverside Theater has been postponed following a bomb threat investigated by the Milwaukee Police Department,” concert organizer Pabst Theater Group said in a statement.

    “We are thankful for the efforts of the Milwaukee Police Department and our customers and staff for their safe and orderly exit. We are working with the artist to reschedule the show,” the statement said.

    Police say concert attendees were safely evacuated and the investigation is ongoing, according to CNN affiliate WTMJ.

    CNN has reached out to Milwaukee police for further details.

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  • Saturday Sessions: Old Sea Brigade performs

    Saturday Sessions: Old Sea Brigade performs

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    Saturday Sessions: Old Sea Brigade performs “Stayed Up Late” – CBS News


    Watch CBS News



    Performing as Old Sea Brigade, singer-songwriter Ben Cramer’s special brand of Southern indie folk has been a top choice for soundtracks, including “Grey’s Anatomy,” “This Is Us,” and “A Million Little Things.” From his new album, “5am Paradise,” he performs “Stayed Up Late.”

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  • Review: SZA’s perfection takes time in second album ‘SOS’

    Review: SZA’s perfection takes time in second album ‘SOS’

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    “SOS” by SZA (Top Dawg Entertainment/RCA)

    “Said what’s on my mind,” SZA professed in the first track at the top of her long-awaited second album, “SOS.” And that’s exactly what she does. The album comes after over five years since her debut album, “Ctrl.” The relatability of SZA’s lyrics, her vocal prowess and her experimental takes on the R&B genre remind us why audiences fell in love with her in the first place.

    SZA’s first album “Ctrl” was praised among fans and critics alike, with multiple songs charting in the top 40s, a Grammy nomination in 2018, and it was even The Associated Press’ album of the year in 2017.

    In the time between albums, SZA was still releasing hits, including singles “Good Days,” and “I Hate U,” which are featured on “SOS.” She sang on the Oscar-nominated “Black Panther” track “All the Stars” with Kendrick Lamar, and the Grammy-winning “Kiss Me More” with Doja Cat.

    With 23 songs on “SOS,” the overwhelming track list manages to keep audiences captivated from start to finish.

    SZA’s vocal range and lyricism is apparent in the album. The artist can go from a ruthless rap track “Smoking on my Ex Pack” to classic R&B ballads, “Gone Girl,” to even acoustic in “Nobody Gets Me.”

    In “Special,” it’s a change of pace with an intimate acoustic sound and painful lyrics exploring body image and insecurity. Her relatable lyrics also dive into the sadness and the blind anger that comes with heartbreak. “Kill Bill,” explores fantasies of revenge but was still able to capture the feeling of loneliness. She sings in the last line: “Rather be in Hell than alone.”

    Collaborations range from Phoebe Bridgers, Travis Scott and the late Wu-Tang Clan rapper Ol’ Dirty Bastard and prove she can nail traditional R&B sounds but isn’t afraid to experiment with indie alternative, pop-punk, lo-fi and more.

    “Ghost in the Machine (feat. Bridgers)” is a blend of R&B and indie alternative that was the most unexpected on the record but also one of the best collabs. Both artists are able to channel heartbreak but in different genres, their unique sounds blending together perfectly.

    The results of the five-year wait: a long, ambitious album with hardly a single miss. SZA proves in “SOS” she still is a voice of this generation.

    ———

    For more reviews: https://apnews.com/hub/music-reviews

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  • Céline Dion diagnosed with

    Céline Dion diagnosed with

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    Singer Céline Dion announced that she is rescheduling her spring 2023 shows and canceling eight of her concerts planned for next summer after being diagnosed with a “very rare neurological disorder.” 

    The 54-year-old French Canadian singer, known for hits “Because You Loved Me,” “My Heart Will Go On” and “The Power of Love,” posted two videos on Instagram on Thursday – one in English and another in French – revealing that she suffers from “stiff-person syndrome.” 

    “I’ve always been an open book and I wasn’t ready to say anything before, but I’m ready now,” Dion says in the video, growing visibly emotional. “I’ve been dealing with problems with my health for a long time and it’s been really difficult for me to face these challenges and to talk about everything that I’ve been going through.” 

    “Recently, I’ve been diagnosed with a very rare neurological disorder called stiff-person syndrome, which affects something like one in a million people,” she continued. “While we’re still learning about this rare condition, we now know this has been what’s causing all of the spasms I’ve been having.”

    Stiff-person syndrome is a rare neurological disorder “with features of an autoimmune disease,” according to the National Institute of Neurological Disorders and Stroke. The disorder causes the body to become rigid and also increases sensitivity to noise, touch and emotional distress, leading to muscle spasms, the institute said.

    Dion said that these spasms have been affecting “every aspect of my daily life, sometimes causing difficulties when I walk and not allowing me to use my vocal cords to sing the way I’m used to.” 

    Because of this, she said she “won’t be ready” to restart her European tour in February. She said she has “no choice” but to focus on her health, but she has hope that she’s “on the road to recovery.” 

    Dion had been scheduled for a European tour through July of 2023 – going from the Czech Republic, Cyprus, London, Italy and more. Those dates, however, have been canceled. She now plans on doing a fewer number of shows in the spring of 2024, with the dates and locations available on her website

    “I have a great team of doctors working alongside me to help me get better and my precious children who are supporting me and giving me hope. I’m working hard with my sports medicine therapist every day to build back my strength and my ability to perform again,” she said. “But I have to admit, it’s been a struggle. All I know is singing. It’s what I’ve done all my life and It’s what I love to do the most.” 

    “Take care of yourselves, be well,” she said in an emotional farewell in the video. “I love you guys so much. And I really hope I can see you again real soon.”

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  • Justin Bieber Introduces Generosity, New Sustainable Water Technology Company

    Justin Bieber Introduces Generosity, New Sustainable Water Technology Company

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    By Brent Furdyk.

    Justin Bieber is ready to satiate fans’ thirst in a sustainable, environmentally friendly way.

    Last week, Bieber and business partner Micah Cravalho visited Quatar in the midst of the FIFA World Cup festivities, where they introduced their new water technology company, Generosity.

    An offshoot of their Generosity bottled water brand, reports CNN, the new project aims to offer premium alkaline water in refillable fountains located worldwide


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    During their visit to the World Cup, the duo showcased 150 fountains in order to provide an example of how Generosity works.

    “I want the world to have access to the best water. I also want countries to know how to best protect their people. The overuse of plastic is hurting us, we need to be more sustainable,” Bieber explained.

    While the result is fresh, clean water, the aim is to reduce the use of single-serve plastic containers.

    “We aspire to be the global leader in water technology, empowering consumers with refillable products as an alternative to single-use packaging,” said Generosity co-founder Cravalho.

    During their trip, Bieber and Cravalho met with Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, sister of Qatar’s emir.


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    “Having participated in beach clean-up efforts in Qatar for many years, I have witnessed first-hand the effect of pollution on our natural environment,” she said in a statement. “Through initiatives such as those undertaken by Generosity and the Supreme Committee, and projects such as the FIFA World Cup Qatar 2022 Art water bottles, which bring together the global artistic community to advocate for a more sustainable future, we are all encouraged to play our part during the World Cup and beyond.”

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    Brent Furdyk

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  • As Musk is learning, content moderation is a messy job

    As Musk is learning, content moderation is a messy job

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    Now that he’s back on Twitter, neo-Nazi Andrew Anglin wants somebody to explain the rules.

    Anglin, the founder of an infamous neo-Nazi website, was reinstated Thursday, one of many previously banned users to benefit from an amnesty granted by Twitter’s new owner Elon Musk. The next day, Musk banished Ye, the rapper formerly known as Kanye West, after he posted a swastika with a Star of David in it.

    “That’s cool,” Anglin tweeted Friday. “I mean, whatever the rules are, people will follow them. We just need to know what the rules are.”

    Ask Musk. Since the world’s richest man paid $44 billion for Twitter, the platform has struggled to define its rules for misinformation and hate speech, issued conflicting and contradictory announcements, and failed to full address what researchers say is a troubling rise in hate speech.

    As the “ chief twit ” may be learning, running a global platform with nearly 240 million active daily users requires more than good algorithms and often demands imperfect solutions to messy situations — tough choices that must ultimately be made by a human and are sure to displease someone.

    A self-described free speech absolutist, Musk has said he wants to make Twitter a global digital town square. But he also said he wouldn’t make major decisions about content or about restoring banned accounts before setting up a “ content moderation council ” with diverse viewpoints.

    He soon changed his mind after polling users on Twitter, and offered reinstatement to a long list of formerly banned users including ex-President Donald Trump, Ye, the satire site The Babylon Bee, the comedian Kathy Griffin and Anglin, the neo-Nazi.

    And while Musk’s own tweets suggested he would allow all legal content on the platform, Ye’s banishment shows that’s not entirely the case. The swastika image posted by the rapper falls in the “lawful but awful” category that often bedevils content moderators, according to Eric Goldman, a technology law expert and professor at Santa Clara University law school.

    While Europe has imposed rules requiring social media platforms to create policies on misinformation and hate speech, Goldman noted that in the U.S. at least, loose regulations allow Musk to run Twitter as he sees fit, despite his inconsistent approach.

    “What Musk is doing with Twitter is completely permissible under U.S. law,” Goldman said.

    Pressure from the EU may force Musk to lay out his policies to ensure he is complying with the new law, which takes effect next year. Last month, a senior EU official warned Musk that Twitter would have to improve its efforts to combat hate speech and misinformation; failure to comply could lead to huge fines.

    In another confusing move, Twitter announced in late November that it would end its policy prohibiting COVID-19 misinformation. Days later, it posted an update claiming that “None of our policies have changed.”

    On Friday, Musk revealed what he said was the inside story of Twitter’s decision in 2020 to limit the spread of a New York Post story about Hunter Biden’s laptop.

    Twitter initially blocked links to the story on its platform, citing concerns that it contained material obtained through computer hacking. That decision was reversed after it was criticized by then-Twitter CEO Jack Dorsey. Facebook also took actions to limit the story’s spread.

    The information revealed by Musk included Twitter’s decision to delete a handful of tweets after receiving a request from Joe Biden’s campaign. The tweets included nude photos of Hunter Biden that had been shared without his consent — a violation of Twitter’s rules against revenge porn.

    Instead of revealing nefarious conduct or collusion with Democrats, Musk’s revelation highlighted the kind of difficult content moderation decisions that he will now face.

    “Impossible, messy and squishy decisions” are unavoidable, according to Yoel Roth, Twitter’s former head of trust and safety who resigned a few weeks into Musk’s ownership.

    While far from perfect, the old Twitter strove to be transparent with users and steady in enforcing its rules, Roth said. That changed under Musk, he told a Knight Foundation forum this week.

    “When push came to shove, when you buy a $44 billion thing, you get to have the final say in how that $44 billion thing is governed,” Roth said.

    While much of the attention has been on Twitter’s moves in the U.S., the cutbacks of content-moderation workers is affecting other parts of the world too, according to activists with the #StopToxicTwitter campaign.

    “We’re not talking about people not having resilience to hear things that hurt feelings,” said Thenmozhi Soundararajan, executive director of Equality Labs, which works to combat caste-based discrimination in South Asia. “We are talking about the prevention of dangerous genocidal hate speech that can lead to mass atrocities.”

    Soundararajan’s organization sits on Twitter’s Trust and Safety Council, which hasn’t met since Musk took over. She said “millions of Indians are terrified about who is going to get reinstated,” and the company has stopped responding to the group’s concerns.

    “So what happens if there’s another call for violence? Like, do I have to tag Elon Musk and hope that he’s going to address the pogrom?” Soundararajan said.

    Instances of hate speech and racial epithets soared on Twitter after Musk’s purchase as some users sought to test the new owner’s limits. The number of tweets containing hateful terms continues to rise, according to a report published Friday by the Center for Countering Digital Hate, a group that tracks online hate and extremism.

    Musk has said Twitter has reduced the spread of tweets containing hate speech, making them harder to find unless a user searches for them. But that failed to satisfy the center’s CEO, Imran Ahmed, who called the rise in hate speech a “clear failure to meet his own self-proclaimed standards.”

    Immediately after Musk’s takeover and the firing of much of Twitter’s staff, researchers who previously had flagged harmful hate speech or misinformation to the platform reported that their pleas were going unanswered.

    Jesse Littlewood, vice president for campaigns at Common Cause, said his group reached out to Twitter last week about a tweet from U.S. Rep. Marjorie Taylor Greene that alleged election fraud in Arizona. Musk had reinstated Greene’s personal account after she was kicked off Twitter for spreading COVID-19 misinformation.

    This time, Twitter was quick to respond, telling Common Cause that the tweet didn’t violate any rules and would stay up — even though Twitter requires the labeling or removal of content that spreads false or misleading claims about election results.

    Twitter gave Littlewood no explanation for why it wasn’t following its own rules.

    “I find that pretty confounding,” Littlewood said.

    Twitter did not respond to messages seeking comment for this story. Musk has defended the platform’s sometimes herky-jerky moves since he took over, and said mistakes will happen as it evolves. “We will do lots of dumb things,” he tweeted.

    To Musk’s many online fans, the disarray is a feature, not a bug, of the site under its new ownership, and a reflection of the free speech mecca they hope Twitter will be.

    “I love Elon Twitter so far,” tweeted a user who goes by the name Some Dude. “The chaos is glorious!”

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  • Jazzy ‘Charlie Brown Christmas’ swings on after 57 years

    Jazzy ‘Charlie Brown Christmas’ swings on after 57 years

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    NEW YORK (AP) — The Mendelson family would love to find the envelope where their father, Lee, scribbled some lyrics to jazz musician Vince Guaraldi’s composition “Christmas Time is Here” for an animated TV special featuring the “Peanuts” gang in 1965.

    The producer always said it had taken less than half an hour to write, and he likely tossed the scrap of paper away. He was in a rush. Everything was rushed. No one even knew, once the special aired, whether it would ever be seen again.

    Instead, “A Charlie Brown Christmas” became an indelible holiday tradition and so, too, has Guaraldi’s music — perhaps even more so.

    “Christmas just doesn’t feel like Christmas without hearing that album in the background,” said Derrick Bang, author of the biography “Vince Guaraldi at the Piano.”

    The special itself was a bit of an oddity: a cartoon story of the meaning of Christmas soundtracked by a sophisticated, mostly instrumental jazz trio of piano, bass and drum.

    Yet it worked. Guaraldi’s cascading piano evokes both motion and lightly falling snow on “Skating.” The driving melody of “Linus and Lucy” is the eternal backdrop to a swinging party. “O Tannenbaum” shifts from the traditional carol to a bass-driven groove. A children’s choir adds charm to “Christmas Time is Here.”

    The soundtrack has sold more than five million copies. Its nostalgia-fueled popularity has only grown, getting a crucial boost in 1998 when Starbucks began selling it in stores, and fed steadily by new products. The latest, a box set of outtakes from Guaraldi’s recording sessions, was released this year.

    “A Charlie Brown Christmas” has aired every year since 1965, although that tradition is about to change.

    The special’s run on broadcast television ended last year. Apple TV+ bought the rights, and streams it exclusively starting this year. While a recognition of television’s new direction, will that reduce the chances of new generations of children happening upon the story and music?

    “I just remember, back in the days of three channels and scheduled programming, that was one of those things we were excited about because we knew it was coming on and we were familiar with it,” said Harry Connick Jr., who covered “Christmas Time is Here” for his own holiday disc just out.

    “It was actually an amazing opportunity for music like that to be heard by a lot of people,” added Connick, a jazz devotee even as a youngster. “It was not necessarily the kind of music that would be played on regular radio.”

    That’s even less likely now, as jazz recedes into the history books or the background of dinner parties, said Nathaniel Sloan, musicologist at the University of Southern California and co-host of the “Switched on Pop” podcast.

    During the 1960s, jazz was closer to the mainstream and more likely to be played alongside pop music, he said.

    The music Guaraldi created for the soundtrack is ambiguous and more complex than most holiday music, Sloan said. Tied to warm feelings for illustrator Charles M. Schulz’s classic comic page characters, time has made it traditional holiday music.

    The list of people who have recorded “Christmas Time is Here” is long and varied. They include John Legend, Alicia Keys, Gloria Estefan, Mariah Carey, Mel Tormé, Dave Brubeck, Sarah McLachlan, Stone Temple Pilots, Chicago, and Toni Braxton.

    Similarly, the unexpected places where the melody to “Linus and Lucy” have appeared testifies to how ingrained it is in American life. Michelle Obama played it on the piano when returning to her childhood home in the “Becoming” documentary. Foo Fighters included it in a rocking “Saturday Night Live” holiday medley. Prince banged it out during his last concert.

    It all started in the San Francisco area, home base for Guaraldi, as it was for Mendelson and Schulz. Mendelson’s popular documentary on Willie Mays — Schulz’s favorite baseball player — convinced the reclusive cartoonist to participate in a “day in the life” film about his work. One of Mendelson’s favorite songs was Guaraldi’s breezy hit, “Cast Your Fate to the Wind,” so the jazzman was recruited for a soundtrack.

    In the days before cable and streaming, Mendelson couldn’t sell the documentary, so it went unseen.

    After the popularity of “Rudolph the Red-Nosed Reindeer” in 1964, a sponsor asked Mendelson if he’d considered making a “Peanuts” Christmas special. He lied that he had. Schulz agreed to outline a story, and Guaraldi came aboard, too, recycling “Linus and Lucy” from the documentary.

    Animation is time-consuming, so the team had a tight deadline to make it onto television. It was Mendelson who decided that “Christmas Time is Here” was missing something without lyrics. He asked several songwriters to take on the task, but the deadline was too daunting.

    So Mendelson sat in his office and did it himself: “Christmas time is here, happiness and cheer…”

    “I’ve always loved the music and the melody, but I really didn’t understand how beautiful the lyrics were until I recorded it,” said Norah Jones, who included her take on the song on a disc released last year.

    “The version with the children singing is so special,” she told The Associated Press. “There’s something very unique and heartwarming about children singing.”

    The St. Paul’s Church Choir from San Rafael, California, was hired to sing “Christmas Time is Here” and “Hark, the Herald Angels Sing.” Producers infuriated the choir director by choosing a slightly out-of-tune version of the carol; they thought it captured an innocence they were seeking, said Bang, who wrote liner notes for the box set.

    Some at CBS were nervous before the special aired. Executives wondered if viewers would accept their favorite comic strip characters come to “life” with voices and movement. Schulz’s insistence that the show quote from the Bible gave it a religious focus that television entertainment typically steered clear of.

    But it was a hit, winning Peabody and Emmy awards, and never went away.

    Guaraldi never had the chance to see his music age into standards. He died of a heart attack in 1976, only 47 years old.

    “He’s the best-known jazz musician whose name you don’t know, because the music from the Christmas special has become so ubiquitous,” Bang said.

    Lee Mendelson died at 86 in 2019 — on Christmas Day. His son Jason, one of four children, is reluctant to say how much money his father earned from his few minutes of writing the “Christmas Time is Here” lyrics. Here’s one hint: The song makes enough money, every year, to pay for all of the extended family’s holiday shopping.

    And he never tires of hearing Guaraldi’s music, frequently attending concerts where the holiday songs are recreated live.

    “I’ve never seen a bad one,” he said.

    ___

    This story has been updated to correct that this year is the first year “A Charlie Brown Christmas” will be exclusively on Apple TV+ and not air on broadcast television.

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  • K-pop band Blackpink selected as Time Entertainer of the Year 2022 | CNN

    K-pop band Blackpink selected as Time Entertainer of the Year 2022 | CNN

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    CNN
     — 

    Global pop sensation Blackpink have been chosen as Time magazine’s 2022 Entertainer of the Year, making the four-woman band the second K-pop artists to earn the title, after BTS in 2020.

    Selected by YG Entertainment, a big South Korean record label that screens performers for star quality and trains them intensively, the quartet – Jennie, Jisoo, Lisa and Rosé – found international stardom quickly after their 2016 debut.

    Their first LP, “The Album,” sold more than one million copies in less than a month after its 2020 release.

    In a Time feature marking the Entertainer of the Year award, the group revisited their journey, from playing at Coachella in 2019 to performing “Pink Venom” at the VMAs earlier this year.

    “We put in a lot of work so we could look like superwomen,” rapper Jennie told Time. “We’re very normal girls, at the end of the day.”

    Talking about their success – and the pressures that come with it – Jennie said the band perform from the heart.

    “If we consider this in the business way, we wouldn’t be able to do this,” she said.

    Part of the group’s global success comes from their cosmopolitan backgrounds. Singer Rosé, who was born in New Zealand and raised in Australia, called it “a plus” in the studio that they’re all from “different cultures.”

    Jennie was born in South Korea but grew up in New Zealand, while dancer Lisa is from Thailand. Singer Jisoo is the only one of the group born and raised in South Korea.

    Blackpink currently are performing across Europe until the end of the year as part of their “Born Pink” world tour, which kicked off in October.

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  • ‘Road Trippin’ — Red Hot Chili Peppers unveil 2023 tour

    ‘Road Trippin’ — Red Hot Chili Peppers unveil 2023 tour

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    There’s no rest for the spicy: Fresh off a world tour and two albums this year, Red Hot Chili Peppers are preparing for a set of stadium shows and festival stops across North America and Europe in 2023

    NEW YORK — There’s no rest for the spicy: Fresh off a world tour and two albums this year, Red Hot Chili Peppers are preparing for a set of stadium shows and festival stops across North America and Europe in 2023.

    Live Nation said Monday the band’s 23-date global trek kicks off March 29 at BC Place in Vancouver, followed by shows in Las Vegas, San Diego, Houston, Lisbon, Madrid, Vienna and more before wrapping up on July 23 in Glasgow, Scotland.

    Joining the band on select dates will be The Strokes, Iggy Pop, The Roots, The Mars Volta, St. Vincent, City and Colour, Thundercat and King Princess. Tickets go on sale starting Dec. 9 at 10 a.m. local time at redhotchilipeppers.com.

    The funk-rock band gave us not one but two albums in 2022 — October’s “Return of the Dream Canteen” and April’s “Unlimited Love.” Both spent time at No. 1 of Billboard’s top album sales chart.

    The Peppers recently took home the Global Icon Award, at the MTV VMAs and their single “Black Summer″ also won the award for Best Rock Video.

    Trade publication Pollstar put the Peppers at No. 4 on its list of most lucrative concert tours in 2022, behind Bad Bunny, Elton John and Lady Gaga, with an average box office gross per city of $5,605,217 and an average ticket price at $134.39.

    ———

    Mark Kennedy is at http://twitter.com/KennedyTwits

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  • Man who shot Lady Gaga’s dog walker sentenced to 21 years in prison

    Man who shot Lady Gaga’s dog walker sentenced to 21 years in prison

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    The man who shot and wounded Lady Gaga’s dog walker while stealing her French bulldogs last year took a plea deal and was sentenced to 21 years in prison on Monday, officials said.

    The Lady Gaga connection was a coincidence, authorities have said. The motive was the value of the French bulldogs, a breed that can run into the thousands of dollars, and detectives do not believe the thieves knew the dogs belonged to the musician.

    James Howard Jackson, one of three men and two accomplices who participated in the violent robbery and its aftermath, pleaded no contest to one count of attempted murder, according to the Los Angeles County District Attorney’s Office. It was not immediately clear which attorney represented Howard on Monday.

    The pop star’s dog walker, Ryan Fischer, was seriously wounded in the attack and addressed the court Monday to give an impact statement, which he posted on Instagram.

    “It’s hard to believe that it’s nearing two years since I was taking Asia, Koji and Gustav out for an evening stroll when — in an instant — I suddenly found myself fighting with everything I had to protect those dogs from being stolen. But it wasn’t enough: I was beaten, strangled, shot and left to die bleeding out on a sidewalk and gasping for my life. And Koji and Gustav were gone.”

    Jackson and two others drove around Hollywood, the city of West Hollywood and the San Fernando Valley on Feb. 24, 2021 “looking for French bulldogs,” prosecutors said previously. They found Fischer with the pop star’s three pets.

    Jackson shot Fischer during the robbery off the famed Sunset Boulevard, during which two of the dogs were taken. A nearby doorbell camera recorded the dog walker screaming “Oh, my God! I’ve been shot!” and “Help me!” and “I’m bleeding out from my chest!”

    Fischer later called the violence a “very close call with death” in social media posts. In his statement Monday, he said he is still healing physically and mentally from the shooting. Part of his lung had to be removed and he is still undergoing physical therapy.

    Site where Lady Gaga's dog walker was shot and two dogs stolen in L.A.
    A view of the site where Lady Gaga’s dog walker was shot and two of her dogs were stolen in Los Angeles, California, U.S. February 25, 2021.

    MARIO ANZUONI / REUTERS


    Fischer also addressed Jackson directly in the statement, and said he forgives him and the others involved in the attack. “You completely altered my life, and I know I can’t fully move forward from the night you shot me until I said those words to you.”

    The stolen dogs were returned several days later by Jennifer McBride, who was also charged in the crime.

    The pop star had offered a $500,000 reward — “no questions asked” — to be reunited with the dogs at the time.

    Jackson also admitted the allegation of inflicting great bodily injury and to a prior strike, the DA’s office said Monday. The prosecutor’s office did not immediately say what the prior strike was.

    “The plea agreement holds Mr. Jackson accountable for perpetrating a coldhearted violent act and provides justice for our victim,” the office said in a statement. Howard had been charged with attempted murder, conspiracy to commit a robbery and assault with a semiautomatic firearm.

    Jackson was mistakenly released from jail earlier this year due to a clerical error. He was recaptured nearly five months later.

    Another accomplice, Harold White, pleaded no contest Monday to a count of ex-convict in possession of a gun. White, who was in a relationship with McBride at the time, will be sentenced next year. McBride’s case is ongoing.

    The couple had allegedly tried to help White’s son, Jaylin White, avoid arrest in the aftermath of the shooting.

    Jaylin White and Lafayette Whaley earlier this year pleaded no contest to robbery.

    Whaley drove Jackson and the younger White around last year as they searched for the pricy dogs. Jackson and White jumped out and attacked Fischer, prosecutors said previously. They hit and choked the dog walker, and Jackson pulled out a semiautomatic gun and fired, striking Fischer once before the trio fled.

    Lady Gaga’s representatives did not immediately respond to requests for comment.

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  • Man who shot Lady Gaga’s dog walker gets 21 years in prison

    Man who shot Lady Gaga’s dog walker gets 21 years in prison

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    LOS ANGELES — The man who shot and wounded Lady Gaga’s dog walker and stole her French bulldogs last year took a plea deal and was sentenced to 21 years in prison on Monday, officials said.

    The Lady Gaga connection was a coincidence, authorities have said. The motive was the value of the French bulldogs, a breed that can run into the thousands of dollars, and detectives do not believe the thieves knew the dogs belonged to the musician.

    James Howard Jackson, one of three men and two accomplices who participated in the violent robbery and its aftermath, pleaded no contest to one count of attempted murder, according to the Los Angeles County District Attorney’s Office. It was not immediately clear which attorney represented Howard on Monday.

    Jackson and two others drove around Hollywood, the city of West Hollywood and the San Fernando Valley on Feb. 24, 2021 “looking for French bulldogs,” prosecutors said previously. They found Lady Gaga’s dog walker, Ryan Fischer, with the pop star’s three pets.

    Jackson shot Fischer during the robbery near the famed Sunset Boulevard, during which two of the dogs were taken. A nearby doorbell camera recorded the dog walker screaming “Oh, my God! I’ve been shot!” and “Help me!” and “I’m bleeding out from my chest!”

    Fischer later called the violence a “very close call with death” in social media posts.

    The dogs, named Koji and Gustav, were returned several days later by Jennifer McBride, who was also charged in the crime.

    The pop star had offered a $500,000 reward — “no questions asked” — to be reunited with the dogs at the time.

    Jackson also admitted the allegation of inflicting great bodily injury and to a prior strike, the DA’s office said Monday. The prosecutor’s office did not immediately say what the prior strike was.

    “The plea agreement holds Mr. Jackson accountable for perpetrating a coldhearted violent act and provides justice for our victim,” the office said in a statement. Howard had been charged with attempted murder, conspiracy to commit a robbery and assault with a semiautomatic firearm.

    Jackson was mistakenly released from jail earlier this year due to a clerical error. He was recaptured nearly five months later.

    Another accomplice, Harold White, pleaded no contest Monday to a count of ex-convict in possession of a gun. White, who was in a relationship with McBride at the time, will be sentenced next year.

    The couple had allegedly tried to help White’s son, Jaylin White, avoid arrest in the aftermath of the shooting.

    Jaylin White and Lafayette Whaley earlier this year pleaded no contest to robbery.

    Whaley drove Jackson and the younger White around last year as they searched for the pricy dogs. Jackson and White jumped out and attacked Fischer, prosecutors said previously. They hit and choked the dog walker, and Jackson pulled out a semiautomatic gun and fired, striking Fischer once before the trio fled.

    Lady Gaga’s representatives and Fischer did not immediately respond to requests for comment.

    ———

    Associated Press writer Andrew Dalton contributed.

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  • Adam Sandler still gets emotional singing sweet Chris Farley song | CNN

    Adam Sandler still gets emotional singing sweet Chris Farley song | CNN

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    CNN
     — 

    Adam Sandler will always Chris Farley.

    More than twenty years after Farley’s death, Sandler still gets sad when he sings the “Chris Farley Song,” a song he wrote for his late friend and comedian, who died in December 1997 of a drug overdose at age 33.

    Sandler told the “Happy Sad Confused” podcast that his musical tribute still makes him emotional. He performed the song as part of his Netflix special “Adam Sandler: 100% Fresh” and sang it on “SNL” when he hosted in May 2019.

    “The first few times, we played that song, I would tear up and I couldn’t really sing it well because I’d get so emotional, and then I felt it and was able to get it out there,” Sandler said on the podcast. “It’s weird, but when that song starts, I go, ‘Oh f–k, alright, don’t cry and don’t do that’ still. I’ve sang it maybe a hundred times already, but it rocks me.”

    Sandler added, “I think it’s because we show a video of Chris and I see his face.” He also said “hearing the crowd go nuts for Farley” makes him happy.

    “Every show I do, by far the biggest applause of the night is talking about Farley and any time I mention his name, the audience goes nuts. It feels great,” he said.

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  • Bob McGrath, ‘Sesame Street’ legend, dies at 90

    Bob McGrath, ‘Sesame Street’ legend, dies at 90

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    Actor, musician and children’s author widely known for his portrayal of one of the first regular characters on the children’s show “Sesame Street,” Bob McGrath, has died at the age of 90

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  • Man behind the Korean wave talks about the future of K-pop and what aspiring artistes can do

    Man behind the Korean wave talks about the future of K-pop and what aspiring artistes can do

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    It’s been more than 3 decades since Soo-man Lee founded SM Entertainment, one of South Korea’s music agencies known for bringing K-pop to the world.

    The entertainment company, originally founded as SM Studio in 1989, became one of the first to kickstart the global Hallyu wave — better known as the Korean wave.

    But Lee’s music was not always based off Korean pop music.

    “I became a singer when I was 19. Although I was famous, I realized that the audience was really quiet when I sang because I sang folk songs,” he told CNBC’s Chery Kang in an interview for The CNBC Conversation.

    SM Entertainment’s Soo-man Lee (fourth from the right) posing with K-pop supergroup SuperM.

    Gabriel Olsen | Getty Images Entertainment | Getty Images

    “But when foreign bands come to [South Korea to] perform, they completely took over the stage and fans went wild. When I went to check out the concert, it seemed like the fans were more enthusiastic than in mine,” said Lee, who is founding chairman of the company.

    A vision for K-pop is born

    Lee said that’s when he began to think about taking South Korea’s pop music to the world.

    “As I studied in the U.S., I learned a lot and thought it would be nice to promote Korean songs and singers overseas. That’s the start [of SM Entertainment].”

    Over the years, the 70-year-old developed a system he calls “culture technology” — through which he recruited and nurtured talent in a systematic way of casting, training, producing, and management.

    The system is behind the song production of SM Entertainment’s K-pop top bands — such as Super Junior, Girls’ Generation and Red Velvet. 

    “There is a written ‘culture technology’ manual somewhere in my office,” he said, explaining that it combines both culture and technology in a “logically formulized” way.

    “The manual will allow employees to learn and transfer ‘know-how’ out of it. Because I’m an engineer, it is to be understood by logic. It lays out formulas,” Lee said, sharing that he has a Master’s degree in computer engineering.

    “So, I can say that I am an engineer rather than an artiste.”

    We need to be at that world class level, and we are focusing on what’s missing and what kind of distinctions we can make…

    Soo-man Lee

    Founder, SM Entertainment

    Even as SM Entertainment’s music continues to go global, Lee says it’s important to continually innovate and stay ahead of the competition in the music industry.

    “We need to be at that world class level, and we are focusing on what’s missing and what kind of distinctions we can make” from other genres of music,” he told CNBC.

    Lee works with producers and songwriters from the U.K. and U.S. on accompaniments, track songs, kick drum and bass, which he adapts to South Korean and Asian culture.

    As for the significance of China’s influence in the K-pop industry, Lee admits that money will have a “powerful influence,” but said he remains confident creativity that comes from producing will have “infinite value.”

    SM Entertainment has represented K-pop artists like boy band Super Junior.

    Chung Sung-jun | Getty Images Entertainment | Getty Images

    The issue of mental health is something that remains a focus for his company, Lee says.

    “‘Be humble, be kind and be the love’ is what we teach our talents and people in SM … Things are a lot better now and global management companies are trying to learn about it.”

    Lee also said his company is “connecting them to counselors and doctors so that they can get help anytime. We may not have the same economies of scale like CNBC, but we learned these things are very important.”

    Future of K-pop

    As for the future of K-pop, “I think the metaverse that everyone is talking about these days is the future,” Lee says.

    SM Entertainment established a metaverse world called SM Culture Universe, and launched its first metaverse girl band, Aespa in 2020. The group is made up of four real-life members – Karina, Winter, Ning Ning, and Giselle – and their corresponding virtual counterparts.

    SM Entertainment established a metaverse world called SM Culture Universe, and launched its first metaverse girl band, Aespa in 2020.

    Alexi Rosenfeld | Getty Images Entertainment | Getty Images

    “SM Entertainment is building ‘Play-2-Create’… people can discover their creative side and create in the metaverse. They will realize, ‘Oh, I can create. I can make music. I can create dance moves. I can make clothes. I can style artists.’”

    To realize the concept of “Play-2-Create,” the company partnered with metaverse companies like The Sandbox earlier this year.

    Players can create NFTs and games surrounding “K-content” in SMTOWN LAND, a virtual land in The Sandbox under SM Entertainment. NFTs are non-fungible tokens which are unique digital assets, like artwork and sports trading cards, that are stored using blockchain technology.

    Lee believes that any country can create something as successful as K-pop, but the metaverse will be key.

    “You cannot create a genre by copying K-pop. Everyone will view it as K-pop. Now, you need to show it in the metaverse.”

    Without looking at yourself in the mirror, you have no idea what you’d look like when dancing, even if you danced really hard…

    Soo-man Lee

    Founder, SM Entertainment

    “I think we just need to let the fans become producers and consumers at the same time. Let them create… Young people will have the huge satisfaction of creation and will end up creating massive amounts of intellectual property and content.”

    For those aspiring to become K-pop artists some day, Lee has this piece of advice: “Self-assessment is very important.”

    “Without looking at yourself in the mirror, you have no idea what you’d look like when dancing, even if you danced really hard … It is when you can see and feel what you don’t do well that you learn.”

    Don’t miss: CEO of multimillion-dollar company Casetify shares his No. 1 ‘super underrated’ business tip

    Like this story? Subscribe to CNBC Make It on YouTube!

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  • As Musk is learning, content moderation is a messy job

    As Musk is learning, content moderation is a messy job

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    Now that he’s back on Twitter, neo-Nazi Andrew Anglin wants somebody to explain the rules.

    Anglin, the founder of an infamous neo-Nazi website, was reinstated Thursday, one of many previously banned users to benefit from an amnesty granted by Twitter’s new owner Elon Musk. The next day, Musk banished Ye, the rapper formerly known as Kanye West, after he posted a swastika with a Star of David in it.

    “That’s cool,” Anglin tweeted Friday. “I mean, whatever the rules are, people will follow them. We just need to know what the rules are.”

    Ask Musk. Since the world’s richest man paid $44 billion for Twitter, the platform has struggled to define its rules for misinformation and hate speech, issued conflicting and contradictory announcements, and failed to full address what researchers say is a troubling rise in hate speech.

    As the “ chief twit ” may be learning, running a global platform with nearly 240 million active daily users requires more than good algorithms and often demands imperfect solutions to messy situations — tough choices that must ultimately be made by a human and are sure to displease someone.

    A self-described free speech absolutist, Musk has said he wants to make Twitter a global digital town square. But he also said he wouldn’t make major decisions about content or about restoring banned accounts before setting up a “ content moderation council ” with diverse viewpoints.

    He soon changed his mind after polling users on Twitter, and offered reinstatement to a long list of formerly banned users including ex-President Donald Trump, Ye, the satire site The Babylon Bee, the comedian Kathy Griffin and Anglin, the neo-Nazi.

    And while Musk’s own tweets suggested he would allow all legal content on the platform, Ye’s banishment shows that’s not entirely the case. The swastika image posted by the rapper falls in the “lawful but awful” category that often bedevils content moderators, according to Eric Goldman, a technology law expert and professor at Santa Clara University law school.

    While Europe has imposed rules requiring social media platforms to create policies on misinformation and hate speech, Goldman noted that in the U.S. at least, loose regulations allow Musk to run Twitter as he sees fit, despite his inconsistent approach.

    “What Musk is doing with Twitter is completely permissible under U.S. law,” Goldman said.

    Pressure from the EU may force Musk to lay out his policies to ensure he is complying with the new law, which takes effect next year. Last month, a senior EU official warned Musk that Twitter would have to improve its efforts to combat hate speech and misinformation; failure to comply could lead to huge fines.

    In another confusing move, Twitter announced in late November that it would end its policy prohibiting COVID-19 misinformation. Days later, it posted an update claiming that “None of our policies have changed.”

    On Friday, Musk revealed what he said was the inside story of Twitter’s decision in 2020 to limit the spread of a New York Post story about Hunter Biden’s laptop.

    Twitter initially blocked links to the story on its platform, citing concerns that it contained material obtained through computer hacking. That decision was reversed after it was criticized by then-Twitter CEO Jack Dorsey. Facebook also took actions to limit the story’s spread.

    The information revealed by Musk included Twitter’s decision to delete a handful of tweets after receiving a request from Joe Biden’s campaign. The tweets included nude photos of Hunter Biden that had been shared without his consent — a violation of Twitter’s rules against revenge porn.

    Instead of revealing nefarious conduct or collusion with Democrats, Musk’s revelation highlighted the kind of difficult content moderation decisions that he will now face.

    “Impossible, messy and squishy decisions” are unavoidable, according to Yoel Roth, Twitter’s former head of trust and safety who resigned a few weeks into Musk’s ownership.

    While far from perfect, the old Twitter strove to be transparent with users and steady in enforcing its rules, Roth said. That changed under Musk, he told a Knight Foundation forum this week.

    “When push came to shove, when you buy a $44 billion thing, you get to have the final say in how that $44 billion thing is governed,” Roth said.

    While much of the attention has been on Twitter’s moves in the U.S., the cutbacks of content-moderation workers is affecting other parts of the world too, according to activists with the #StopToxicTwitter campaign.

    “We’re not talking about people not having resilience to hear things that hurt feelings,” said Thenmozhi Soundararajan, executive director of Equality Labs, which works to combat caste-based discrimination in South Asia. “We are talking about the prevention of dangerous genocidal hate speech that can lead to mass atrocities.”

    Soundararajan’s organization sits on Twitter’s Trust and Safety Council, which hasn’t met since Musk took over. She said “millions of Indians are terrified about who is going to get reinstated,” and the company has stopped responding to the group’s concerns.

    “So what happens if there’s another call for violence? Like, do I have to tag Elon Musk and hope that he’s going to address the pogrom?” Soundararajan said.

    Instances of hate speech and racial epithets soared on Twitter after Musk’s purchase as some users sought to test the new owner’s limits. The number of tweets containing hateful terms continues to rise, according to a report published Friday by the Center for Countering Digital Hate, a group that tracks online hate and extremism.

    Musk has said Twitter has reduced the spread of tweets containing hate speech, making them harder to find unless a user searches for them. But that failed to satisfy the center’s CEO, Imran Ahmed, who called the rise in hate speech a “clear failure to meet his own self-proclaimed standards.”

    Immediately after Musk’s takeover and the firing of much of Twitter’s staff, researchers who previously had flagged harmful hate speech or misinformation to the platform reported that their pleas were going unanswered.

    Jesse Littlewood, vice president for campaigns at Common Cause, said his group reached out to Twitter last week about a tweet from U.S. Rep. Marjorie Taylor Greene that alleged election fraud in Arizona. Musk had reinstated Greene’s personal account after she was kicked off Twitter for spreading COVID-19 misinformation.

    This time, Twitter was quick to respond, telling Common Cause that the tweet didn’t violate any rules and would stay up — even though Twitter requires the labeling or removal of content that spreads false or misleading claims about election results.

    Twitter gave Littlewood no explanation for why it wasn’t following its own rules.

    “I find that pretty confounding,” Littlewood said.

    Twitter did not respond to messages seeking comment for this story. Musk has defended the platform’s sometimes herky-jerky moves since he took over, and said mistakes will happen as it evolves. “We will do lots of dumb things,” he tweeted.

    To Musk’s many online fans, the disarray is a feature, not a bug, of the site under its new ownership, and a reflection of the free speech mecca they hope Twitter will be.

    “I love Elon Twitter so far,” tweeted a user who goes by the name Some Dude. “The chaos is glorious!”

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  • As Musk is learning, content moderation is a messy job

    As Musk is learning, content moderation is a messy job

    [ad_1]

    Now that he’s back on Twitter, neo-Nazi Andrew Anglin wants somebody to explain the rules.

    Anglin, the founder of an infamous neo-Nazi website, was reinstated Thursday, one of many previously banned users to benefit from an amnesty granted by Twitter’s new owner Elon Musk. The next day, Musk banished Ye, the rapper formerly known as Kanye West, after he posted a swastika with a Star of David in it.

    “That’s cool,” Anglin tweeted Friday. “I mean, whatever the rules are, people will follow them. We just need to know what the rules are.”

    Ask Musk. Since the world’s richest man paid $44 billion for Twitter, the platform has struggled to define its rules for misinformation and hate speech, issued conflicting and contradictory announcements, and failed to full address what researchers say is a troubling rise in hate speech.

    As the “ chief twit ” may be learning, running a global platform with nearly 240 million active daily users requires more than good algorithms and often demands imperfect solutions to messy situations — tough choices that must ultimately be made by a human and are sure to displease someone.

    A self-described free speech absolutist, Musk has said he wants to make Twitter a global digital town square. But he also said he wouldn’t make major decisions about content or about restoring banned accounts before setting up a “ content moderation council ” with diverse viewpoints.

    He soon changed his mind after polling users on Twitter, and offered reinstatement to a long list of formerly banned users including ex-President Donald Trump, Ye, the satire site The Babylon Bee, the comedian Kathy Griffin and Anglin, the neo-Nazi.

    And while Musk’s own tweets suggested he would allow all legal content on the platform, Ye’s banishment shows that’s not entirely the case. The swastika image posted by the rapper falls in the “lawful but awful” category that often bedevils content moderators, according to Eric Goldman, a technology law expert and professor at Santa Clara University law school.

    While Europe has imposed rules requiring social media platforms to create policies on misinformation and hate speech, Goldman noted that in the U.S. at least, loose regulations allow Musk to run Twitter as he sees fit, despite his inconsistent approach.

    “What Musk is doing with Twitter is completely permissible under U.S. law,” Goldman said.

    Pressure from the EU may force Musk to lay out his policies to ensure he is complying with the new law, which takes effect next year. Last month, a senior EU official warned Musk that Twitter would have to improve its efforts to combat hate speech and misinformation; failure to comply could lead to huge fines.

    In another confusing move, Twitter announced in late November that it would end its policy prohibiting COVID-19 misinformation. Days later, it posted an update claiming that “None of our policies have changed.”

    On Friday, Musk revealed what he said was the inside story of Twitter’s decision in 2020 to limit the spread of a New York Post story about Hunter Biden’s laptop.

    Twitter initially blocked links to the story on its platform, citing concerns that it contained material obtained through computer hacking. That decision was reversed after it was criticized by then-Twitter CEO Jack Dorsey. Facebook also took actions to limit the story’s spread.

    The information revealed by Musk included Twitter’s decision to delete a handful of tweets after receiving a request from Joe Biden’s campaign. The tweets included nude photos of Hunter Biden that had been shared without his consent — a violation of Twitter’s rules against revenge porn.

    Instead of revealing nefarious conduct or collusion with Democrats, Musk’s revelation highlighted the kind of difficult content moderation decisions that he will now face.

    “Impossible, messy and squishy decisions” are unavoidable, according to Yoel Roth, Twitter’s former head of trust and safety who resigned a few weeks into Musk’s ownership.

    While far from perfect, the old Twitter strove to be transparent with users and steady in enforcing its rules, Roth said. That changed under Musk, he told a Knight Foundation forum this week.

    “When push came to shove, when you buy a $44 billion thing, you get to have the final say in how that $44 billion thing is governed,” Roth said.

    While much of the attention has been on Twitter’s moves in the U.S., the cutbacks of content-moderation workers is affecting other parts of the world too, according to activists with the #StopToxicTwitter campaign.

    “We’re not talking about people not having resilience to hear things that hurt feelings,” said Thenmozhi Soundararajan, executive director of Equality Labs, which works to combat caste-based discrimination in South Asia. “We are talking about the prevention of dangerous genocidal hate speech that can lead to mass atrocities.”

    Soundararajan’s organization sits on Twitter’s Trust and Safety Council, which hasn’t met since Musk took over. She said “millions of Indians are terrified about who is going to get reinstated,” and the company has stopped responding to the group’s concerns.

    “So what happens if there’s another call for violence? Like, do I have to tag Elon Musk and hope that he’s going to address the pogrom?” Soundararajan said.

    Instances of hate speech and racial epithets soared on Twitter after Musk’s purchase as some users sought to test the new owner’s limits. The number of tweets containing hateful terms continues to rise, according to a report published Friday by the Center for Countering Digital Hate, a group that tracks online hate and extremism.

    Musk has said Twitter has reduced the spread of tweets containing hate speech, making them harder to find unless a user searches for them. But that failed to satisfy the center’s CEO, Imran Ahmed, who called the rise in hate speech a “clear failure to meet his own self-proclaimed standards.”

    Immediately after Musk’s takeover and the firing of much of Twitter’s staff, researchers who previously had flagged harmful hate speech or misinformation to the platform reported that their pleas were going unanswered.

    Jesse Littlewood, vice president for campaigns at Common Cause, said his group reached out to Twitter last week about a tweet from U.S. Rep. Marjorie Taylor Greene that alleged election fraud in Arizona. Musk had reinstated Greene’s personal account after she was kicked off Twitter for spreading COVID-19 misinformation.

    This time, Twitter was quick to respond, telling Common Cause that the tweet didn’t violate any rules and would stay up — even though Twitter requires the labeling or removal of content that spreads false or misleading claims about election results.

    Twitter gave Littlewood no explanation for why it wasn’t following its own rules.

    “I find that pretty confounding,” Littlewood said.

    Twitter did not respond to messages seeking comment for this story. Musk has defended the platform’s sometimes herky-jerky moves since he took over, and said mistakes will happen as it evolves. “We will do lots of dumb things,” he tweeted.

    To Musk’s many online fans, the disarray is a feature, not a bug, of the site under its new ownership, and a reflection of the free speech mecca they hope Twitter will be.

    “I love Elon Twitter so far,” tweeted a user who goes by the name Some Dude. “The chaos is glorious!”

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  • Saturday Sessions: Madison Cunningham performs “Anywhere”

    Saturday Sessions: Madison Cunningham performs “Anywhere”

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    Saturday Sessions: Madison Cunningham performs “Anywhere” – CBS News


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    Madison Cunningham has been performing since she was young. She made her TV debut on “Saturday Sessions” three years ago. Since then, she’s earned four Grammy nominations including two for the ceremony coming up early next year. From her new album “Revealer,” Madison Cunningham performs “Anywhere.”

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