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Tag: music

  • Universal Music Group calls AI music a ‘fraud,’ wants it banned from streaming platforms. Experts say it’s not that easy | CNN Business

    Universal Music Group calls AI music a ‘fraud,’ wants it banned from streaming platforms. Experts say it’s not that easy | CNN Business

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    New York
    CNN
     — 

    Universal Music Group — the music company representing superstars including Sting, The Weeknd, Nicki Minaj and Ariana Grande — has a new Goliath to contend with: artificial intelligence.

    The music group sent urgent letters in April to streaming platforms, including Spotify

    (SPOT)
    and Apple Music, asking them to block artificial intelligence platforms from training on the melodies and lyrics of their copywritten songs.

    The company has “a moral and commercial responsibility to our artists to work to prevent the unauthorized use of their music and to stop platforms from ingesting content that violates the rights of artists and other creators,” a spokesperson from Universal Music Group, or UMG, told CNN. “We expect our platform partners will want to prevent their services from being used in ways that harm artists.”

    The move by UMG, first reported by the Financial Times, aims to stop artificial intelligence from creating an existential threat to the industry.

    Artificial intelligence, and specifically AI music, learns by either training on existing works on the internet or through a library of music given to the AI by humans.

    UMG says it is not against the technology itself, but rather AI that is so advanced it can recreate melodies and even musicians’ voices in seconds. That could possibly threaten UMG’s deep library of music and artists that generate billions of dollars in revenue.

    “UMG’s success has been, in part, due to embracing new technology and putting it to work for our artists — as we have been doing with our own innovation around AI for some time already,” UMG said in a statement Monday. “However, the training of generative AI using our artists’ music … begs the question as to which side of history all stakeholders in the music ecosystem want to be on.”

    The company said AI that uses artists’ music violates UMG’s agreements and copyright law. UMG has been sending requests to streamers asking them to take down AI-generated songs.

    “I understand the intent behind the move, but I’m not sure how effective this will be as AI services will likely still be able to access the copyrighted material one way or another,” said Karl Fowlkes, an entertainment and business attorney at The Fowlkes Firm.

    No regulations exist that dictate on what AI can and cannot train. But last month, in response to individuals looking to seek copyright for AI-generated works, the US Copyright Office released new guidance around how to register literary, musical, and artistic works made with AI.

    “In the case of works containing AI-generated material, the Office will consider whether the AI contributions are the result of ‘mechanical reproduction’ or instead of an author’s ‘own original mental conception, to which [the author] gave visible form,’” the new guidance says.

    The copyright will be determined on a case-by-case basis, the guidance continued, based on how the AI tool operates and how it was used to create the final piece or work.

    The US Copyright Office announced it will also be seeking public input on how the law should apply to copywritten works the AI trains on, and how the office should treat those works.

    “AI companies using copyrighted works to train their models to create similar works is exactly the type of behavior the copyright office and courts should explicitly ban. Original art is meant to be protected by law, not works created by machines that used the original art to create new work,” said Fowlkes.

    But according to AI experts, it’s not that simple.

    “You can flag your site not to be searched. But that’s a request — you can’t prevent it. You can just request that someone not do it,” said Shelly Palmer, Professor of Advanced Media at Syracuse University.

    For example, a website can apply a robots.txt file that works like a guardrail to control which URL’s “search engine crawlers” can access a given site, according to Google. But it is not a full stop, keep-out option.

    Grammy-winning DJ and producer David Guetta proved in February just how easy it is to create new music using AI. Using ChatGPT for lyrics and Uberduck for vocals, Guetta was able to create a new song in an hour.

    The result was a rap with a voice that sounded exactly like Eminem. He played the song at one of his shows in February, but said he would never release it commercially.

    “What I think is very interesting about AI is that it’s raising a question of what is it to be an artist,” Guetta told CNN last month.

    Guetta believes AI is going to have a significant impact on the music industry, so he’s embracing it instead of fighting it. But he admits there are still questions about copyright.

    “That is an ethical problem that needs to be addressed because it sounds crazy to me that today I can type lyrics and it’s going to sound like Drake is rapping it, or Eminem,” he said.

    And that is exactly what UMG wants to avoid. The music group likens AI music to “deep fakes, fraud, and denying artists their due compensation.”

    “These instances demonstrate why platforms have a fundamental legal and ethical responsibility to prevent the use of their services in ways that harm artists,” the UMG statement said.

    Music streamers Spotify, Apple Music and Pandora did not return request for comment.

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  • The invention that changed music forever | CNN Business

    The invention that changed music forever | CNN Business

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    CNN
     — 

    “Do you believe in life after love?” Cher used to sing. And if you’ve ever heard that song, you might now have an earworm in your head.

    The singer’s 1998 comeback track marked the first prominent use of a technology called “Auto-Tune”, a pitch correcting software that has since changed the music industry.

    Auto-Tune alters the pitch of a singing voice to make everyone sound perfectly in tune. When used properly, it’s subtle enough that it can’t be detected.

    But Cher’s producers played with the idea of cranking it up to 11, creating the now-familiar effect that is part human synthesizer, part robotic voice.

    Andy Hildebrand, the inventor of autotune, told CNN: “My thinking was, ok, I’ll put that setting in the software. But I didn’t think anyone in their right mind would ever use it.”

    Thus was born the “Cher effect”, and one of the biggest hits of the 1990s.

    The invention that changed the world of music

    How does one invent Auto-Tune? By analyzing seismic data while looking for oil, of course.

    That’s Hildebrand’s previous job: “Oil companies would detonate charges in the ground or in the water, and then they have sensors analyze the reflections to spot the oil,” he explains.

    That technology was bought by American oil giant Halliburton in 1995 and it’s helped internal production in the U.S. soar from 30 to 60 percent, netting the company about $1 billion a year.

    “It uses the same science of digital signal processing,” says Hildebrand, a long time musician who then applied that science to singing.

    It took him just a month to create it. “Before Auto-Tune, studios would do pitch correction by having the singer repeat a phrase over and over and over. They would do 100 takes and then patch them together to make one piece of music that sounded in tune.”

    Auto-Tune does all that at the push of a button.

    A magic button that makes everyone sing in perfect key was, unsurprisingly, an instant hit with the industry: “Within a year we had sold to every major studio in the world, and that was a year or two after Cher did her song ‘Believe’”, Hildebrand recalls.

    Here are his tasting notes on that song: “I thought it was really cool! Even if they used a bad setting, or what I call bad setting since I didn’t design it to be used like that: it makes this robotic effect because it changes the pitch instantly from note to note.”

    But the jury is still out on whether Auto-Tune was a boon for the music industry, or a disaster: in 2010, Time magazine included it in the list of The 50 Worst Inventions, calling it “a technology that can make bad singers sound good and really bad singers sound like robots.”

    Indie band Death Cab for Cutie showed up at the 2009 Grammys wearing blue ribbons to “raise awareness against Auto-Tune abuse”, and fervent Auto-Tune critic Jay-z released a song in 2009 entitled D.O.A. – Death of autotune.

    Britney Spears notoriously fell into an Auto-Tune controversy in mid-2014, when a vanilla recording of her 2013 song Alien was leaked and compared, rather unfavorably, to the autotuned version on the album Britney Jean.

    But what does its inventor think? “Singers learn about how it works and they kind of like it, but they have a love-hate relationship with it: they don’t want to let others know that they need it.”

    It seems that Auto-Tune might be to music what Photoshop is to photography: everybody uses it, but no one’s too keen to admit it.

    After having sorted singing – “music’s second most popular instrument” – Hildebrand is now going after the first: guitars.

    “It doesn’t sound anything like a vocal correction, but it keeps the guitar perfectly in tune,” he says.

    Next up, your heartbeat: “There’s a new kind of device called the embedded defibrillator: it’s a pacemaker implanted in the chest that monitors heartbeat irregularities and releases energy pulses to correct anomalies. The problem is that sometimes the software fails to detect the heartbeat, and we’re hoping to fix that.”

    The technology, in the form of an algorithm, will soon be embedded into these pacemakers.

    And we have a feeling it might not even stop there.

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  • The viral new ‘Drake’ and ‘Weeknd’ song is not what it seems | CNN Business

    The viral new ‘Drake’ and ‘Weeknd’ song is not what it seems | CNN Business

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    CNN
     — 

    One of the buzziest songs recently circulating on TikTok and climbing the Spotify charts featured the familiar voices of best-selling artists Drake and the Weeknd. But there’s a twist: Drake and the Weeknd appear to have had nothing to do with it.

    The viral track, “Heart on my Sleeve,” comes from an anonymous TikTok user named Ghostwriter977, who claims to have used artificial intelligence to generate the voices of Drake and the Weeknd for the track.

    “I was a ghostwriter for years and got paid close to nothing just for major labels to profit,” Ghostwriter977 wrote in the video comments. “The future is here.”

    “Heart on my Sleeve” racked up more than 11 million views across several videos in just a few days and was streamed on Spotify hundreds of thousands of times. The original TikTok video has seemingly been taken down, and the song has since been removed from streaming services including YouTube, Apple Music and Spotify. (TikTok, YouTube, Apple and Spotify did not respond to a request for comment.)

    The exact origin of the song remains unclear, and some have suggested it could be a publicity stunt. But the stunning traction for “Heart on my Sleeve” may only add to the anxiety inside the music industry as it goes on offense against the possible threat posed by a new crop of increasingly powerful AI tools on the market.

    Universal Music Group, the music label that represents Drake, The Weeknd and numerous other superstars, sent urgent letters in April to streaming platforms, including Spotify and Apple Music, asking them to block AI platforms from training on the melodies and lyrics of their copywritten songs.

    “The training of generative AI using our artists’ music — which represents both a breach of our agreements and a violation of copyright law as well as the availability of infringing content created with generative AI on digital service providers – begs the question as to which side of history all stakeholders in the music ecosystem want to be on: the side of artists, fans and human creative expression, or on the side of deep fakes, fraud and denying artists their due compensation,” the company said in a statement this week to CNN.

    The record label said platforms have “a fundamental legal and ethical responsibility to prevent the use of their services in ways that harm artists.”

    But attempting to crack down on AI-generated music may pose a unique challenge. The legal landscape for AI work remains unclear, the tools to create it are widely accessible and social media makes it easier than ever to distribute it.

    AI-generated music is not new. Taryn Southern’s debut song “Break Free,” which was composed and produced with AI, hit the Top 100 radio charts back in 2018, and VAVA, an AI music artist (i.e. not a human), currently has a single out in Thailand.

    But a new crop of AI tools have made it easier than ever to quickly generate convincing images, audio, video and written work. Some services such as Boomy specifically leverage generative AI to make music creation more accessible.

    There’s little known about who is behind the Ghostwriter977 account, or which tools the creator used to make the track. The user did not respond to a CNN request for comment.

    In the bio section of the user’s TikTok account, a link directs users to a page on Laylo, a website where fans can sign up to get notifications from artists when new songs are dropped or merchandise and tickets become available. The company told CNN the account likely registered to build up its fan base and brought in “tens of thousands” of signups in the past few days.

    Laylo CEO Alec Ellin denied that the company was behind the viral track as some have speculated, but Ellin told CNN whoever did make it was “clearly a really savvy creator” and called it “a perfect example of the power of using Laylo to own your audience.”

    Michael Inouye, an analyst at ABI Research, said “Heart on my Sleeve” could have been made in several ways depending on the sophistication of the AI and level of musical talent.

    “If music artists were involved, they could create the background music and the lyrics, and then the AI model could be trained with content from Drake and The Weekend to replicate their voices and singing styles,” he said. “AI could also have generated most of the song, lyrics and replicated the artists again based on the training data set and any prompts given to direct the AI model.”

    He added that part of this fascination and virality of the song comes from “just how good AI has gotten at creating content, which includes replicating famous people.”

    Roberto Nickson, who is building an AI platform to help boost productivity and work flow, recently posted a video on Twitter showing how easy it is to record a verse and train an AI model to replace his vocals. He used the artist formerly known as Kanye West as an example.

    “The results will blow your mind,” he said. “You’re going to be listening to songs by your favorite artist that are completely indistinguishable and you’re not going to know if it’s them or not.”

    Although the entertainment industry has seen these issues coming, regulations are lagging behind the rapid pace of AI development.

    Audrey Benoualid, an entertainment lawyer based in Los Angeles, said one could argue “Heart On My Sleeve” does not infringe copyright as it appears to be an “original” composition.

    “Ghostwriter also publicized that Drake and The Weeknd were not involved in the making of the song, which could protect them from a ‘passing off’ claim, where profits are generated as consumers are misled into believing the song is actually a Drake-Weeknd collaboration,” she said in an email to CNN.

    However, Benoualid added, machine learning and generative AI programs may also be found to infringe copyright in existing works, either by making copies of those works to train the AI or by generating outputs that are substantially similar to those existing works. “Major labels would undoubtedly, and have already begun to, argue that their copyrights (and their artists’ intellectual property rights) are being infringed,” she said.

    Michael Nash, an executive VP at Universal Music Group, recently wrote in an op-ed that AI music is “diluting the market, making original creations harder to find, and violating artists’ legal rights to compensation from their work.”

    No regulations exist that dictate on what AI can and cannot train. But last month, in response to individuals looking to seek copyright for AI-generated works, the US Copyright Office released new guidance around how to register literary, musical, and artistic works made with AI.

    The copyright will be determined on a case-by-case basis, the guidance continued, based on how the AI tool operates and how it was used to create the final piece or work. The US Copyright Office announced it will also be seeking public input on how the law should apply to copywritten works the AI trains on, and how the office should treat those works.

    “AI and copyright law and the rights of musicians and labels have crashed into one another (once again), and it will take time for the dust to settle,” Benoualid said. “The landscape is anything but clear at the moment.”

    Inouye said if AI generated content becomes associated with famous individuals in a negative way that could be grounds for a lawsuit to not only take content down but to cease and desist their operations and potentially seek damage.

    “On the flip side, if the content were to be popular and the creator were to make revenue off of the artists’ image or likeness then again the artists could similarly request the content to be taken down and potentially sue for any monetary gains,” he said.

    But for now, concerned parties may be forced to play whack-a-mole. While services like Spotify pulled “Heart on my Sleeve,” versions of it appeared to continue circulating as of Tuesday on other online platforms.

    Even a song made with artificial intelligence may find real staying power online.

    – CNN’s Vanessa Yurkevich contributed to this report.

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  • White House preparations for state dinner with India’s Modi include plant-based chef and violinist Joshua Bell | CNN Politics

    White House preparations for state dinner with India’s Modi include plant-based chef and violinist Joshua Bell | CNN Politics

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    CNN
     — 

    Preparations are underway at the White House as President Joe Biden and first lady Dr. Jill Biden will welcome India’s Prime Minister Narendra Modi to Washington for an official state visit on Thursday, rolling out pomp and circumstance at a state dinner in the evening as the two countries reaffirm close ties.

    There has been close attention to diplomatic detail in advance of Thursday’s state dinner, including catering to the guest’s dietary restrictions.

    Nina Curtis, a plant-based chef from Sacramento, California, will be the dinner’s guest chef, working with White House Executive Chef Cris Comerford, and White House Executive Pastry Chef Susie Morrison to develop the menu, the office of the first lady said.

    Modi, a White House official said, is a vegetarian and “the First Lady selected Chef Curtis for her experience with plant-based cuisine.”

    And Grammy Award-winning American violinist and conductor Joshua Bell will provide the evening’s entertainment, the office of the first lady said.

    The state dinner is one element of an elaborate visit for the prime minister, which comes amid some criticism over Modi’s human rights record.

    State dinners, former White House curator Betty Monkman said, are “a courtesy, an expression of good will, and a way of extending hospitality,” as well as “an event that also showcases global power and influence.” The office of the first lady works closely with her social team, executive residence staff from the calligraphers to the florists to the pastry chefs and the State Department in preparation for these dinners.

    National security adviser Jake Sullivan traveled to India this week ahead of the dinner, meeting with Modi and other officials.

    “He reviewed preparations for the upcoming official state visit of the prime minister, and discussed a range of strategic, regional, and bilateral issues including steps to advance the strategic technology and defense partnership between the United States and India,” a readout of Sullivan’s trip stated.

    This will mark the third state dinner of the Biden administration after the Bidens hosted French President Emmanuel Macron in December and South Korean President Yoon Suk-Yeol in April.

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  • BTB Will Soon Launch a Campaign Through Kickstarter

    BTB Will Soon Launch a Campaign Through Kickstarter

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    Press Release



    updated: Nov 3, 2020

     BTB, an active rhythm game, will soon launch a campaign through Kickstarter. BTB is a simple and fun rhythm game to play; players may fully concentrate, maximize the speed of the player’s response, and feel the excitement of the game.

    There are a variety of rhythm games that have been enjoyed through cell phones or tablets. However, it is hard to fully engage in the rhythm with a small screen with a delicate tap of the player’s finger. With BTB, players may hit/bang/strike the bat in the rhythm corresponding with the arrows that appear on the screen.

    “Due to the pandemic, most isolated themselves at home. How did you spend quality time during quarantine days?” asked Yoon Jae Lee, the creator of BTB. “Many suffered from boredom,” Yoon Jae Lee explained. “We believed we need more creative ideas to keep ourselves entertained at home!” With COVID-19 in 2020, the company has designed the body of the gamepad in the shape of a bat to overcome difficult times by playing games with exciting music.

    Instructions:

    The setup is very simple. For mobile phones, download the app from the Playstore or the App Store. For PC, download the app from the homepage or MS store, turn on the app and connect the bat pad via Bluetooth. Once the setup is all complete, the player then needs to select the genre, the music, the level, and press play. Also, there is free music is available via YouTube. The concept of the game is similar to Piano Tiles and DDR. The player needs to strike the arrow from the bat pad corresponding with the arrows that appear on the screen with music. All ages may enjoy playing the game anytime, anywhere.

    BTB will launch on the crowdfunding platform Kickstarter, on Wednesday, Nov. 4, 2020. The package includes the bat pad (body), phone/tablet stand, OTG cable (type C and 5pin), and a pair of drumsticks. The expected MSRP is currently set at 80 USD. Now on the campaign page, the early-bird backer can get a reward with a 50% discount.

    About BTB:

    The company Goonies has developed BTB, and the company develops hardware, software, and IoT products. With the Kickstarter crowdfunding platform, Goonies hopes to research and develop more of play and educational devices.

    Source: BTB

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  • Tampa-Based Gator Co. Releases Instrument Covers for School Band and Music Education

    Tampa-Based Gator Co. Releases Instrument Covers for School Band and Music Education

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    Press Release



    updated: Aug 24, 2020

    In its commitment to help school band and music programs continue while adhering to health and safety standards, Gator Co. is now offering instrument and face cover solutions that follow recommendations from the NFHS (National Federation of State High Schools) study. Gator’s product designs incorporated the study findings and insights.

    Based in Tampa, FL, with offices and operations in Indiana and Nova Scotia, Canada, the Gator brand is a global leader and manufacturer of cases, bags, gear, stands, system storage solutions and accessories for the music, pro-audio, AV, DJ, event, and creative industries.

    “We wanted to be very thorough and thoughtful in our research and development, so we connected directly with NFHS on their scientific studies to ensure our product adhered to data-driven recommendations,” said Crystal Morris, CEO of Gator Co. “NFHS was very receptive and helpful in developing and refining our designs to create a high-quality, effective product that would be well-received and help ensure the health and safety of students and educators.”

    The instrument bell covers with a pocket for a replaceable MERV 13 filter (included) are made from a breathable, non-woven polypropylene fabric with little to no back pressure or acoustic loss during performance. The fabric and the filter are expected to greatly reduce the spread of aerosols. The bell covers are available in multiple sizes ranging from 4-32 inches in diameter to fit various instruments. 

    The instrument face masks are specially designed with a front flap opening for easy playing while staying safe and are available in youth and adult sizes.

    For orders or sales inquiries, please contact orders@gatorcases.com​ or 813.221.4191.

    Images and face mask size chart available in the Media Download Center below – credit Gator Co.

    For media inquiries, please contact marketing@gatorcases.com.

    Media Download Center

    Source: Gator

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  • International Association of Women Recognizes Michell Rebel Reyes as a 2019-2020 Influencer

    International Association of Women Recognizes Michell Rebel Reyes as a 2019-2020 Influencer

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    Michell Rebel Reyes, Sole Owner and President of REBELMC ENTERTAINMENT LLC, joins networking organization

    Press Release



    updated: Feb 5, 2019

    ​​​​The International Association of Women (IAW) recognizes Michell Rebel Reyes as a 2019-2020 Influencer. She is acknowledged as a leader in entertainment. The International Association of Women (IAW) is a global in-person and online networking platform with nearly one million members, 1000+ in person and virtual events, over 100 Local US based Chapters and International Chapters in several cities in China.

    “I’m pleased to welcome Michell into this exceptional group of professional women,” said IPDN President and IAW Spokesperson Star Jones. “Her knowledge and experience in her industry are valuable assets to her company and community.”

    A resident of Las Vegas, NV, Michell Rebel Reyes saw the need for an entertainment company that catered to the needs of women, particularly those in the LGBTQ community. “Here in Las Vegas, everything is mostly for men,” she said. “For example, there is not one LGBTQ women’s bar or a space for women to hold their events; everything has to be shared with the men and their spaces.”

    So, two years ago, Ms. Reyes founded REBELMC ENTERTAINMENT LLC, which provides themed pool and club parties, venues for all functions, party buses to local areas, and more, for women. “I promote it as being a safe environment for women and one that does not exploit them,” she said. As the Sole Owner and President, Ms. Reyes is responsible for all aspects of the business, including customer service, sales, marketing and promotion. 

    “I am an MC (Mistress of All Events) and also a VJ/DJ,” she explained. “I am able to MC the events and also VJ/DJ the parties.” In addition to playing the music and showing music videos on a screen, Ms. Reyes ensures the correct sayings, such as personalized birthday greetings, flash across the screen as the video plays.

    Although getting a company up and running is costly and a lot of work, Ms. Reyes is rewarded by the fact that she provides her clients with entertainment in a fun and safe environment. An active member of the LGBTQ community, she was a member of a committee in Chicago that brought the first Gay Games to the city. “I also started the Las Vegas Gay Chapter and got funding for it from one of the major credit card companies that I used to work for,” Ms. Reyes said. “I was also the VP of the Betty’s Outrageous Adventure, which is the largest LGBTQ women’s club here in Las Vegas with a membership of over 3,000 members. My future goal is to have the first LGBTQ women’s restaurant and nightclub in Las Vegas.”

    Education:  Wirral Metropolitan College, England

    About IAW
    The International Association of Women (IAW) is a global in-person and online professional networking platform that provides nearly one million women the forum, professional development and services needed to thrive in an interconnected world. Through 100+ local chapters, International Chapters in several cities in China and 1000+ in person and virtual events, members cultivate valuable connections, develop professionally, and promote themselves and their businesses. Founded in Chicago in 2017, IAW is a division of Professional Diversity Network, Inc., an online network tailored to provide diverse professionals in the United States with access to employment opportunities.

    Source: International Association of Professional Women

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  • Pulse Center for Patient Safety Presents Blues Music Legend Toby Walker September 23

    Pulse Center for Patient Safety Presents Blues Music Legend Toby Walker September 23

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    Blues legend will entertain at patient safety advocacy group’s annual fundraiser.

    Press Release



    updated: Sep 10, 2018

    Pulse Center for Patient Safety, Education & Advocacy is pleased to announce that celebrated blues guitarist and singer Toby Walker will be the featured entertainer at its annual fundraising event on Sept. 23, 2018.

    Walker has been described by other blues luminaries as “a fingerpicking guitar virtuoso” and “One of the most enjoyable artists in today’s Blues World.” His music, which draws heavily on traditional roots styles, is matched by his engaging, friendly stage presence.

    Toby’s one of those rare talents who can command any stage . . .

    Ilene Corina, President, Pulse CPSEA

    Pulse CPSEA president Ilene Corina says, “Toby’s one of those rare talents who can command any stage from a club to a stadium with just his guitar, his personality and his voice. We’re so lucky to have him play for the Pulse patient safety community. You won’t want to miss this performance.”

    She adds, “As well as having a great evening out, everyone who attends will be supporting our educational programs that help keep us all safer when using the healthcare system. Pulse also creates programs that help society’s most vulnerable people get the high-quality health care they deserve.”

    The details:

    Date: Sunday, September 23, 2018

    Place: The Brokerage Comedy Club
                2797 Merrick Rd.
                Bellmore, NY 11710

    Time: 6:30 pm

    Ticket price: $20

    The club has a full dinner menu and there’s a two-drink minimum.

    Advance ticket sales only. Buy here or send check to:

    Pulse CPSEA
    PO Box 353
    Wantagh,  NY 11793-0353

    All payments must be received by Sept. 16, 2018.

    Source: Pulse Center for Patient Safety Education & Advocacy

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  • Mobilizing Our Brothers Initiative Launches MOBIfest This May in NYC

    Mobilizing Our Brothers Initiative Launches MOBIfest This May in NYC

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    Citywide Festival Celebrates Black Queer Contributions to Art, Film, Fashion and Culture

    Press Release



    updated: Mar 2, 2018

    ​​This May, New York City is set to become immersed in a colorful celebration of Black queer art, film, music, fashion and culture as Mobilizing Our Brothers Initiative (MOBI) launches “MOBIfest” – the only free curated festival focused on seeing its attendees in their holistic selves.

    Following the success of MOBItalks, the three-part series featuring compelling conversations with LGBTQ+ thought leaders such as DeRay McKesson, Emil Wilbekin, Ty Hunter, and Karamo Brown, MOBI continues to keep its finger on the pulse of Black queer culture with its latest experience.

    Each MOBIfest event will celebrate Black queer trailblazer’s contributions in the arts and media. The festival launches with a community art exhibition and reception showcasing artwork submitted by Black queer artists and a panel discussing the impact of Black queer art. Contributions in popular music, house & ballroom scene, and fashion will be recognized through a party themed day with performances by artists from the community. MOBIfest will conclude with Black gay men from the media and entertainment industries that will share their insights with festival goers during a brunch party.

    What all these events and experiences have in common is that they’re all peer-led and produced by queer people of color. Everyone from the event producers to the volunteers are Black gay and queer individuals working with the overall goal of creating a community that will empower each other at no cost to attendees. This isn’t by chance. It was the main objective that Founder and OUT 100 honoree DaShawn Usher had in mind when developing MOBI.

    “The festival will be primarily centered around increasing health and wellness for the Black queer community,” says Usher. “The events will be free to attend by visiting our community partners and wellness events to gain entry into this celebratory weekend experience. The goal is to link our community with various health and wellness activities, while participants can select how they would like to best take ownership of their health. MOBIfest will continue on the success of MOBItalks in building community and inclusive spaces for the Black gay and queer community.”

    Follow “MOBINYC” on Instagram, Facebook, Twitter: @MOBI_NYC, and visit www.mobi-nyc.com for festival updates.

    ABOUT MOBILIZING OUR BROTHERS INITIATIVE (MOBI)

    Mobilizing Our Brothers Initiative (MOBI) exists to create experiences that celebrate the diversity of Black gay and queer men while building community, wellness and personal development. The MOBI network features our signature events: MOBItalks, a personal and professional development series for Black gay men and MOBIfest, a citywide interactive wellness festival that celebrates Black queer voices in fashion, music, visual arts and media. With a focus on wellness, MOBI connects individuals to opportunities to better themselves before and during events.

    For press inquiries, please contact:

    Kenneth Courtney

    Kenneth@mobi-nyc.com

    Source: MOBI

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  • Positivity Is the Mission for New Artist Koa Jerome

    Positivity Is the Mission for New Artist Koa Jerome

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    Koa Jerome is a new musical artist taking a stand against the violence, drugs, and sexism taking place in the Hip-hop music industry.

    Singer-Songwriter Koa Jerome has released his first album entitled “Positivity”. Throughout the “Positivity” album, Koa Jerome reaches into a deep-dark place and exposes subject matters that are often overlooked by other artists in the music business. Koa’s album goes on to address the murderous,drug-infused, sexist lyrics being brought forth by his peers within the industry, and how negative music can mislead the youth.

    Koa Jerome has written and produced for The Dream, Melanie Fiona, French Montana, and more, but was not attracted to the pressure and marionette lifestyle being a musical talent can bring. Turning down multiple deals to keep creative freedom, morals, and values intact. Koa looks to help his peers recognize that one doesn’t have to follow trends to become successful in the music business. 

    Be on the lookout for Koa Jerome’s album “Positivity” on his website www.koajerome.com. Koa is also a tech entrepreneur developing multiple musical apps releasing in Spring 2018.

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  • Jamaican Reggae Recording Artist, Ashaka, Releases New Single “What a Shame”

    Jamaican Reggae Recording Artist, Ashaka, Releases New Single “What a Shame”

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    Press Release



    updated: Dec 8, 2017

    ​​​​​​​Jamaican reggae recording artist, writer, and producer, Linval Thomas, also known as Ashaka, today announced the release of his new wave dancehall reggae single “What A Shame.” The single is delivered from his independent record label, Ramjam Records, and was recorded in Marietta, Georgia, where he now resides. The single is distributed worldwide, exclusively by VPAL Music and now available on iTunes and all other major digital retailers.

    “‘What A Shame,’ is a call for change,” said Ashaka. “It is the canvas of my outrage with the financial, cultural, political, and judicial inequities that prevailed in Kingston, Jamaica, when I was growing up as a child, and continue today unabated. With that said, I would not exchange Jamaica for anywhere else.”

    ‘What A Shame,’ is a call for change. It is the canvas of my outrage with the financial, cultural, political, and judicial inequities that prevailed in Kingston, Jamaica, when I was growing up as a child, and continue today unabated. With that said, I would not exchange Jamaica for anywhere else.

    Ashaka

    The cover picture of “What A Shame,” in real time, paints the portrait of the setting in which Ashaka spent the first six years of his childhood. “My fans,” he said,” will hear me exemplifying a different musical style in “What A Shame,” that is more dancehall reggae trendy, and lyrically edgy. It’s a in your chest bass heavy dancehall reggae song, unlike the more tempered lover’s rock, roots centered feel of my previous recordings.”

    Linval Thomas heralds from Fletchers Land, Kingston, Jamaica. From the time he was in his early twenties, he wanted to record an album in Jamaica. It was his father’s dream for Thomas to join the United States Air Force, and that is what he eventually did, rising to the rank of senior master sergeant. He retired from the air force 1993, while living in Belleville, Illinois. Music was always on his mind, though.

    Finally, in 2013, he put everything he owned in storage, returned to Jamaica and found a place to live. He used his retirement savings to hire musicians, singers,and technicians and recorded an album of his songs at Bob Marley’s studio, Tuff Gong, He joined ASCAP and created his own record label to release the album, “Call Me.”

    Phyllis Korkki, editor and reporter of the New York Times, reached out to Ashaka while he was in Jamaica and expressed her interest in including his story in the book she was writing. In her book, The Big Thing, published August 2016, she wrote, “I wouldn’t call Linval Thomas a late bloomer so much as a long slow bloomer.”

    Michael Kuelker, KDHX 88.1 FM, radio presenter, St Louis, Missouri, summed up Ashaka’s music as “More than a collection of roots and lover’s rock. It’s roots the way roots was meant to be.” Disc jockey Big A, IRIE FM, Jamaica, interrupted a live mix on air with, “Get use to him, his name is Ashaka!” “How come these songs are not on the air every single day,” asked Dudley Thompson, Roots FM 96.1, disc jockey, when he was first introduced to Ashaka’s music. And on Alvor FM 90.1, Portugal, Ashaka’s songs are appearing on playlists with the likes of Mick Jagger, Stevie Wonder, and Bob Marley, to name a few.

    “My number one priority now is to expand my fan base and generate sales by making ‘What A Shame’ and ‘Call Me’ readily available for world review. The campaign starts now.”

    Press Contact:
    Linval Thomas
    Mobile: (618) 406 -7895
    Email: linval@ashakamusic.com
    Website: www.ashakamusic.com

    Source: Ashaka

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  • Raggs Re-Releases Kid-Friendly Santa Paws Christmas Album

    Raggs Re-Releases Kid-Friendly Santa Paws Christmas Album

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    ‘Santa Paws’ Album Drops to Multimedia Outlets and Library Distributors on Nov. 10

    Press Release



    updated: Nov 13, 2017

    The Raggs Band, the effervescent, musically talented characters from the Emmy Award-winning Raggs preschool TV series, dropped a re-mastered version of its popular Santa Paws Christmas album on Monday, Nov. 13, to online multimedia outlets and to schools and public libraries in the U.S. and Canada.

    Produced at Concentrix Music and Sound Design in Charlotte, N.C., the 14-song album features classics such as “Jingle Bells” and “Rudolph the Red-nosed Reindeer,” plus covers “Rockin’ Around the Christmas Tree,” “Up on the Housetop” and “Santa Claus is Comin’ to Town.” Also included are Raggs’ original “Santa Paws,” a fun tale about Santa’s clever dog, and “I’d Rather Be an Elf,” a high-energy, sing-along song with overtures about self-respect and confidence.

    The authentic, toe-tapping pop sound of Raggs’ music appeals to both kids and their parents. Santa Paws is a ‘must add’ album for family holiday playlists!

    Ken Kaganovitch, president of Childish Records

    “The authentic, toe-tapping pop sound of Raggs’ music appeals to both kids and their parents,” Ken Kaganovitch, president of Childish Records, commented. “Santa Paws is a ‘must add’ album for family holiday playlists!”

    While the classic jewel-cased CDs are fading from retail shelves, Raggs’ vast music library of over 200 songs, including those on Santa Paws, has found a new market for these discs with thousands of school and public libraries across North America. Several distributors including Ohio-based MidWest Tape, which also offers Raggs videos via its online library application hoopla digital, have ordered the Santa Paws CD for traditional library cardholders.

    The original Santa Paws has been an iTunes store staple for several years. The re-mastered version will be replacing the existing tracks and will also be available for streaming and/or purchase via Pandora, YouTube, Amazon Music and Spotify.

    “With more online and alternative outlets than ever before, we’ve seen the demand for Raggs’ music grow exponentially worldwide,” Toni Steedman, president of Blue Socks Media, owner of the Raggs brand, said, “and songs like ‘Santa Paws’ and ‘I’d Rather be an Elf’ have already become kids classics!”

    For more information, go to Raggs.com.

    About Raggs

    Raggs is an Emmy Award-winning, musical preschool series about five colorful pups who learn life lessons through an innovative mix of live-action stories, music videos, concerts, cartoons and interviews with real kids. With over 200 episodes, 300 original songs and animated new media music videos, Raggs is available worldwide in English, Spanish and Portuguese and has begun dubbing in 15 additional languages for distribution in 100 countries in 2017. The Raggs brand includes CDs, DVDs, toys, books and live shows, including a partnership called “Play at Palladium with Raggs” with the Palladium Hotel Group at resorts in Mexico, the Caribbean and Brazil. The original characters were created by Toni Steedman, a Charlotte, North Carolina, advertising executive, for her then six‐year‐old daughter Alison. Raggs and all rights are owned by Blue Socks Media LLC, Charlotte, North Carolina.  For more info, go to www.raggs.com.

    Source: Blue Socks Media

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  • Two Different Cultural Celebrations Are Planned for September in Sunny Isles Beach

    Two Different Cultural Celebrations Are Planned for September in Sunny Isles Beach

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    Press Release



    updated: Aug 31, 2017

     The City of Sunny Isles Beach has planned a variety of special events in September for residents and visitors alike. From concerts and children’s activities to culture showcases and foods from around the world, there is something for all ages and interests.

    Come out to the upcoming city events and immerse yourself in the traditions, music, and foods of your neighbors from other nations. Celebrate what it means to be part of the vast melting pot of cultures that make up America.

    The second weekend of the month, Sept. 9 & 10, experience a Russian-American Heritage Concert and a Russian-American Arts & Culture Showcase. The concert will be held on Saturday, Sept. 9 from 7-9 p.m. at Heritage Park, 19200 Collins Avenue. On Sunday, Sept. 10 from 2-5 p.m. the Arts and Culture Showcase will be presented at Gateway Park, 151 Sunny Isles Boulevard.

    Toward the end of the month, on Sept. 23 & 24, a Hispanic-American Heritage Concert and a Hispanic-American Arts & Culture Showcase will take place. The concert will be held on Saturday, Sept. 23 from 7-9 p.m. at Gateway Park, 151 Sunny Isles Boulevard. On Sunday, Sept.24 from 2-5 p.m. the Arts and Culture Showcase will unfold at Heritage Park, 19200 Collins Avenue.

    For more information about programs and events in the City, tune to SIBTV on Atlantic Broadband digital channel 92 or 107-5 and on AT&T U-verse Channel 99. Details may also be found on sibfl.net or by following on Facebook, Twitter, and Instagram @CityofSIB. To stay up-to-date on City events or alerts, sign up for the City’s email notification system at https://www.sibfl.net/media/esibi-e-mail-notifications. Users may choose which categories to receive alerts from and change those categories or unsubscribe at any time. For questions, please contact Cultural and Community Services at 305.792.1706.

    Source: City of Sunny Isles Beach

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  • Creative Brain Learning Voted Best Afterschool Program Provider in the Inland Empire in California

    Creative Brain Learning Voted Best Afterschool Program Provider in the Inland Empire in California

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    Inland Empire Magazine Readers Vote Creative Brain and RUSD’s Afterschool Program Best Afterschool Program of Inland Empire

    Press Release



    updated: May 16, 2017

    The Creative Brain Learning/RUSD Afterschool Program at 20 of Riverside’s public schools was recently voted Best Afterschool Program of Inland Empire of 2017 by the readers of the Inland Empire Magazine.

    What sets Creative Brain Learning apart from other afterschool providers is its vast enrichment education catalog. As part of the RUSD afterschool program, Creative Brain Learning provides a comprehensive music and S.T.E.M. enrichment program for all students in all grade groups at the 20 Riverside school sites. Educational Enrichment components are grade-specific, and include comprehensive piano, guitar, ukulele, recorder, violin, drum line, Rock Band, LEGO engineering, Video Game Design, Computer Programming, Robotics, Advanced Robotics classes, and more!

    What sets Creative Brain Learning apart from other after school providers is its vast enrichment education catalog.

    Eckart Peter, Communications Director

    Janet Downey, Coordinator of After School Programs at Riverside Unified School District, recognized Creative Brain Staff at a recent District event (see picture), and praised the vast and unique educational opportunities Riverside students were able to benefit from thanks to Creative Brain Learning, and their capable staff.

    Creative Brain Learning has been providing successful afterschool programs and has served as an enrichment education partner for the past 14 years, offering unique and innovative educational opportunities to thousands of students in schools around Los Angeles (LAUSD), in Montebello, Pico Rivera, Whittier, San Gabriel, Pasadena, South Pasadena, Etiwanda, Riverside, San Diego, Perris, Temecula, and many other cities. Most of these programs are state-funded by ASES (After School Education and Safety) grants and are absolutely free to the students and parents. The California Department of Education (CDE) and the Los Angeles County Office of Education (LACOE) have both recognized Creative Brain Learning for their exemplary standards in afterschool education.

    Creative Brain Learning and its division of MUSICSTAR provide extensive enrichment components for other afterschool programs, and offer a wide range of community education classes in partnership with many other public and private institutions, such as the Cities of Riverside, Moreno Valley, Escondido, Poway, Rancho Cucamonga, Corona, Eastvale, Fontana, Claremont, Yorba Linda, Placentia, Brea, Ontario, as well as many other cities throughout California. Creative Brain Learning and MUSICSTAR also offer exciting educational camps every summer in partnership with the cities of Folsom, Roseville, Vacaville, Lodi, Elk Grove, Atascadero, Visalia, Paso Robles, Lompoc, Tracy, Ridgecrest, Solvang, Apple Valley, Moreno Valley, San Marcos, San Diego, and many others.

    For more information on Creative Brain® Learning and MUSICSTAR®:
    Please call 951-780-5365 or visit the websites:
    http://www.cblc.org  •  http://www.musicstarlearning.com

    Source: Creative Brain Learning

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  • Tidal Force Premieres the Wave 5 Planar Magnetic Headphones at the Luxury Technology Show

    Tidal Force Premieres the Wave 5 Planar Magnetic Headphones at the Luxury Technology Show

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    As a market value leader, Tidal Force is focused on innovative audio and video technologies with disruptive prices

    Press Release



    updated: Mar 22, 2017

     Tidal Force is excited to announce their worldwide debut into the high performance audio/video market with the introduction of their High-Fidelity Wave 5 Planar Magnetic Headphones at the Luxury Technology Show March 23, 2017. Priding themselves as a leader in market value, their products offer industry-leading performance at outstanding values – perfect for both consumer and professional applications.

    For those uninitiated to planar magnetic drivers, they’re a cross breed between dynamic and electrostatic drivers. Like a standard dynamic headphone, planar magnetic headphones use the magnetic field around a conductor that has electrical current flowing through it to drive the diaphragm. This helps to produce dynamic, full range output. Like an electrostatic driver, the planar magnetic diaphragm uses a thin sheet of flexible transparent film. Unlike electrostatic drivers, the film has very thin, flat electrical conductors. The result is a large, low mass material that can move quickly, allowing the incredible detail and nuance of the music to be heard. This established technology is well known in the high fidelity and audiophile community and has made a resurgence in the high-end headphone market. Tidal Force is now offering preorders of this great-sounding technology with great style at an incredible value of only $299 at www.tidalforceproducts.com.

    As the growth of portable digital music continues to explode, high quality headphones are becoming increasingly popular. Tidal Force is proud to introduce the exciting Wave 5 open-backed planar magnetic headphone, which utilizes one of the most sought-after technologies by headphone enthusiast and is now available at an incredible price point.

    • Style: Open back
    • Transducer type: Planar magnetic
    • Magnet type: Neodymium
    • Driver Size: 56 mm
    • Maximum SPL: 100dB/1mW at 1 kHz
    • Frequency response: 16~50 kHz
    • Total harmonic distortion: Less than 1% at 1mW,1kHz
    • Impedance: 42Ω ±10% at 1kHz
    • Weight: 480g

    Tidal Force Wave 5 headphones will be available in April with a SRP of $299.99.

    Press Contacts:
    Michael Nyman
    Noyd Communications Inc.
    727-534-7653
    michael.nyman@noydcom.com
    Mike Wood
    Noyd Communications Inc.
    310-850-9663
    mike.wood@noydcom.com

    Source: Tidal Force

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  • The Most Versatile Music LED Light Tool That Syncs to Music Automatically – the ViVi Music LED Controller

    The Most Versatile Music LED Light Tool That Syncs to Music Automatically – the ViVi Music LED Controller

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    The ViVi Music LED Controller is changing the future of live lighting control with real-time tracking of any song seamlessly through its exclusive VibeSync™ technology. It syncs to your beat in real-time, separating it into three distinct frequency ranges (bass/mids/highs) and outputs these to addressable LEDs for a stunning lightshow.

    ViVi is compatible with any addressable LED light strips for an easily expandable setup for anyone looking to bring their music to light.

    ​​​Visual Vibes LLC, a team of technology and music enthusiasts, are proud to announce the first ever beat matching music LED controller that can be used by anyone.

    The ViVi Music LED Controller is changing the future of live lighting control with real-time tracking of any song seamlessly through its exclusive VibeSync™ technology.  ViVi is also a portable, wearable device that works with addressable LED strips (WS2812B/WS2812/WS2811) to create amazing light shows for their next event.

    ViVi’s VibeSync™ is the first of its kind – analyzing your music’s sound spectrum and producing a synchronized light show that helps you visualize your vibe and give creators a new way to showcase their art form.

    Matt Kachur, Founder and Creator

    Learn more about ViVi and how to be a part of its development at http://visualvibes.io/Kickstarter

    One of a Kind Technology 

    VibeSync™ is the first of its kind – analyzing your music’s sound spectrum and producing a synchronized light show that helps you visualize your vibe by isolating sounds over three common EQ channels – bass (lows), midrange (mids), and treble (highs) on individual outputs.

    Your music reacts to volume, beats per minute (BPM), and automatically generates different animations to help your audience truly visualize the music.

    ViVi Is Easy to Use and Setup

    Creating stunning light shows as a musician or DJ tends to be expensive – costing up to thousands of dollars in intelligent lighting gear and countless hours learning and programming DMX controllers. ViVi changes all of that.

    Just plug in your LED light strips to each channel and use an external microphone or plug your device into the AUX cable directly for direct synchronization. Either way works excellent and highlights the strength of ViVi’s signal processing.

    ViVi is compatible with any addressable LED light strips (WS2813/WS2812B/WS2812/WS2811) for a very easily expandable setup for anyone looking to “Bring Your Music to Light”.

    ViVi Is Versatile

    ViVi’s been designed so you can use it for anything and anywhere –

    • Performances by DJs, Bands, Musicians

    • Weddings, Celebrations, and Parties

    • Cars, Boats, Bikes

    • Outdoor or Indoor Lighting

    • Lounges, Bars, or your Home

    It’s technology that fits in your pocket, making it portable and wearable – so you can create a music-reactive outfit to your next Halloween party or EDC. The possibilities are endless.

    Plus, ViVi isn’t limited to only re-creating amazing light shows. it’s also easy to use for basic lighting options, too.  By using its static color mode, ViVi can help overhaul any existing home or venue lighting installation and gives you control to bring the fun out when it’s time to party.  

    ViVi Gives You Total Control

    Want to be more hands on? Control and set your own experience through the included Bluetooth App that supports Android and iOS.

    Pre-Order / Kickstarter Live August 10th

    Our Kickstarter launches on August 10th and we need your help to begin the next stage.

    Development of the basic unit is completed and initial pledges will fund the first set of production units and finalize the Bluetooth application, which in turn will and help us on our goal to change music reactive LED lighting forever.

    About Visual Vibes

    We’re a team of technology and music enthusiasts who appreciate the visual sensations during a concert, club, or festival.  We’ve seen firsthand how lighting can set the mood and complement rhythms of the music to make it a special atmosphere through our work as DJs, event planners, and engineering.

    This desire for sense-heightening experiences has led to create a new generation of unprecedented music synchronized light show products that are easy-to-use.

    We want the power of lighting to be available to everyone who wants to host their next event as something to be remembered.

    Follow us on @ViViMusicLED on Twitter or https://www.facebook.com/VisualVibesLLC

    Visit http://visualvibes.io to keep up with the latest in news and updates for the campaign.

    Source: Visual Vibes LLC

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  • Alicia Carol to Release First Single “Never Enough”

    Alicia Carol to Release First Single “Never Enough”

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    Alicia Carol announced this morning that her first single “Never Enough” is now available for pre-order on ITunes. This soulful song by singer Alicia Carol, a native of Carroll County, Tennessee, is an emotionally charged song about a woman that gives a man everything, but it is never enough.

    Press Release


    Nov 16, 2015

    ​​​Alicia Carol announced this morning that her first single “Never Enough” is now available for pre-order on ITunes.  This soulful song by singer Alicia Carol, a native of Carroll County, Tennessee, is an emotionally charged song about a woman that gives a man everything, but it is never enough.

    Alicia is a versatile country pop artist.  She has always had a passion for music since she was a child.  Working as a manicurist is her day job now.  But her true passion is music.  She stays active in her church band.  There are many more other events she does as well, all are designed to hone her voice and perfect her talent.

    Noted publisher and guitarist Skip Mitchell will be publishing Alicia’s music.  Mitchell is well known for winning multiple awards.  He has won a Grammy Award in Gospel for his song “Have a Little Talk with Jesus.”  He has also won awards for Country Music Association Band of the Year in 1978 and 1986, Music City News Band of the Year award in 1979.  Being in the award winning band the Oak Ridge Boys, Mitchell knows an artist when he sees one.  When it comes to Alicia’s music Skip says, “I have been in the music business for over 40 years and Alicia has a voice that has all of the qualities of a superstar.”  He also says this about working on Alicia’s song, “It was a pleasure to work on and I am looking forward to being back in the studio with her in the very near future.”

    Mitchell is not the only one who has high praises for Alicia.  Consultant Michael Nachtigal of September Productions says this, “It is a pleasure to consult with Alicia’s team as she begins her journey in the music business.  Her voice has a great texture that many country and pop music fans will appreciate once it debuts on the radio, and when she performs live in venues across the country.”

    Her manager is Jay Hassman and he also loves Alicia’s work.  He says, “Alicia’s voice has impressed me for a number of years now and it was just a matter of time before we found the right opportunity to bring her voice to the world.  This debut release will attract worldwide distribution due to her voice and the words of the song.”

    Alicia has this to say about her song, “It is an emotionally charged love song about a woman that gives everything she has to a man, but at the end of the day, it is not enough to continue.  This is a song that a lot of women and men can comprehend the words that I am singing and words that mean the world to me as I have lived that life previously.”

    Many people have picked up on Alicia’s talent, and many also think she will be a star singer in the near future.  A sample of “Never Enough” can be found on Carol’s website, www.aliciacarol.com or on her You Tube channel located at https://youtu.be/XRKy6HLKnXQ.

    “Never Enough”, written by Chris Rowe and Lenny Lamb and published by Music of Radar; Rowe-Dar; and String Monkey, will be available for pre-order on ITunes beginning today at http://itunes.apple.com/album/id1057772397?ls=1&app=itunes  and is scheduled for release on December 5, 2015 through ITunes, Spotify, Amazon Music, Google Play and over 30 other distributors.

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