Exclusive Interview: CVCHE Talks All Things Get Fluffy, And More!

If you’re looking for a new supergroup to dive into, look no further than one of our most recent musical obsessions, CVCHE! If you’re just now tuning in, you’ve done it at the perfect time! CVCHE’s debut album, Get Fluffy is due later this year, and we’ve just gotten their newest offering from the record, ‘The Star.’ We were lucky to chat with CVHCE about their upcoming record, ‘The Star,’ and so much more!

Listen to CVCHE’s newest track, ‘The Star’ here!

Thank you so much for taking the time to chat with us! To start us off, if someone is tuning in for the first time, how would you describe the kind of music CVCHE makes? 
No, thank YOU! We’d definitely describe ourselves as the pioneers of Rural Canadian Techno, since that genre did not previously exist – nor may it EVER exist – unless people want it to. You could also say “organic electronic jams that make you want to dance in your socks on a hardwood floor.”

 Get Fluffy is due later this year! What has the process of crafting your first album together as a group been like? 
We set up four or five synths at one station for each of us. I would make a beat, then we’d all start dialing in sounds on our stations. Once we all had a good palette of sounds, someone would come up with a bass line or tonal starting point. Then we’d hit record and start laying in parts simultaneously, like a live jam, for about 20 minutes. We then edited the best parts into the final track. Some ended up tracking the record rather quickly, and on others, we spent a bit more time on arrangements.

 How far into the creative process of ‘Get Fluffy’ did ‘The Star’ come to be? Were you still actively crafting the album?
It all happened very quickly from inception to completion because of the process I outlined above. It’s a great way to work, and we just know each other so well that there was very little mucking around and/or throwing things out. We actually have a bunch more tracks we really like that aren’t coming out on the record. The chord progressions are more vocal-friendly, so we saved them to experiment with that at some point. We basically got into a great flow state and just made a whole bunch of stuff with no ‘demographic’ or all the other things you’re supposed to think about – where it fits, who will like it, etc. We just made music, and all this stuff is what came out, with no fidgeting around with expectations. It was fun. And still is!

When you’re in the midst of a jam session, and a song like ‘The Star’ starts to form, do you guys automatically realize you have something you want to dig into further and possibly release? 
We actually aren’t jamming in the typical sense. It’s more about coming up with a beat we all like, then a bassline, or riff, or chord progression. If we like where the early stages are going, we start dialing in sounds we like on all of our respective synth stations and all sorts of approve of them or not as we’re working them up. Once we have a big palette of sounds and the framework of the track, THEN we “jam” in a structured way for 20 – 30 minutes as every synth patched into ProTools is in record. We then edit it down with the sections we feel are gelling the most.

 With CVCHE, when did the idea first spark to form this group? Were you all approached at once? 
Liam and Jimmy started jamming a bit after tracking a Metric record, and then I came in. We drank wine, pulled out more synths, and then decided to make a record after we’d already finished making it. 

 Each of you comes from different groups that we are sure have their own creative processes. How do you bring each of those into this new group, and what works best for what you want to be creating? 
I think all of our experience combined really helps in making navigating the technological aspect of things secondary to creativity, which can be a challenge for everyone. We know how to dial sounds up quickly, and we know how to get around our synth collections, arranging, mixing, etc., so it’s more about us playing off of each other rather than getting caught up in midi troubleshooting (which we’ve collectively probably spent 8 million hours doing). We all use Pro Tools, and it helps that Liam is a legit Pro Tools wizard.

 And speaking of what you want to be creating, it’s been said that you guys want to “make releasing music as fun as creating it.” What aspect of creating music do you think is lost in the stress of releasing said music? 
Oh, wow, I could talk shit about algorithms all day! Making records is fun, spiritual, bonding, magical, and all the other feels, and then comes… algorithms, metadata, streaming companies, troubleshooting passwords, traffic light captchas. So romantic, isn’t it? So, we just said “fuck all this.” Yes, it has to be done, but what else can we do to keep it fun? That’s when we brought Jon Morris in as a member of CVCHE. He did Nine Inch Nails’ stage design, as well as designed for Lady Gaga and Metric, and has done loads of huge installations at Burning Man. Jon is the official-unofficial king of fun. He helped make an infinite scroller video game (it’s fun… check out www.heycvche.com), and we’re building out a super fun merch store. We’re planning a crazy, awesome live show as well. We tell more jokes on calls than we talk about business. We have no strategy to ‘beat the algorithms.’ We just have fun and, in between, fill out endless forms and upload to streamers and publishing info. Gotta keep it fun. 

 You recently released your single ‘Thumper.’ What inspired that song, and how did it come together?
A super weird thumping sound that randomly started coming out of the MS-20… a ghost in the machine, as Sting would say. We made a track around the sound and then ended up muting it in the end — the track, as you hear it, remained.

 While crafting this upcoming album, Get Fluffy, was there a song that felt like lightning in a bottle? That once it started, you guys knew it was going to be one of the ones that made the record? 
No, because we like all of them. We have more that aren’t on the record – more so because the chord progressions lend themselves to vocals – so we’re sitting on those for the right time.

 We have to talk about the video game! Where did the inspiration come from to include this in the process of putting out music? 
Jon Morris brought that to the table, and his friend/coder, Sonny, dialed it all up. At the time of creating the game, with a new song release per level of the game… We are as certain as we can be that we were the first to do this in this way.

 Once again, thank you guys so much for your time! Before we let you go, what can fans look forward to as we close out 2025?
More sock jams that make you wanna dance in your socks on a hardwood floor, live shows from us at some point, and hopefully vacations in the Caribbean when it starts to get cold — for both us and fans alike. Who wants to make a plan!? We’re SO IN. ⚡️

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