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Tag: exclusive interview

  • Ben Affleck Praises Best Friend and Costar Matt Damon at The Rip Premiere

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    Ben Affleck and Matt Damon really are best friends forever.

    Affleck, 53, and Damon, 55, reunited at the Tuesday, January 13, premiere of their new film The Rip in New York City, opening up about what they are learning and relearning about each other as they continue to work together over the years.

    “I keep relearning things about Matt that I already knew and I forget them,” Affleck, 53, joked to Us Weekly exclusively before getting serious about their decades-long friendship. “Honestly, I am continuously reminded of what a great father he is and what a fabulous actor he is.”

    Affleck added that it’s “fun” he and Damon get to navigate their careers together. “You’re really lucky if you can do this for a living,” he said. “And you’re exceptionally lucky if you can do it with people you love and care about.”


    Related: Matt Damon Says Wife Luciana Thought Ben Affleck Was Cuter Than Him 

    Matt Damon has been married to his wife, Luciana Barroso, for more than 20 years — but turns out her eyes were initially drawn to his best friend Ben Affleck. “This is f****ing completely true,” Damon, 55, began during the Monday, January 12, episode of The Howard Stern Show after being asked if Affleck, 53, […]

    Damon then jokingly ribbed his BFF to “keep going” with the kind words, causing Affleck to reply, “Yeah, pick that money up and put in my back pocket!”

    The ride-or-die duo have been together since they wrote and starred in 1997’s Oscar-winning drama Good Will Hunting. They have since gone on to collaborate together on multiple projects throughout the years, both in front of and behind the camera.The Rip serves as their most recent project, which follows a group of Miami cops who, after discovering a stash of millions in cash, start to question who they can rely on.

    “These are people who don’t make a lot of money. And it’s about going out and doing an honest day’s work, and the integrity and the meaning of that,” Affleck explained of the film during a Monday, January 12, appearance on The Howard Stern Show. “[They’re] under-appreciated, under suspicion often, and underfunded.”

    The pair also reflected on experiencing the highs and lows of fame while speaking to Stern, 72, noting that they feel lucky that they’ve had each other to lean on throughout their 40 years in the spotlight.

    “Getting famous and successful kind of together, [we had] somebody to turn to and go ‘is this f***ing nuts, or what?’ Or to say ‘what are you doing, man?’” Affleck shared, to which Damon replied, “We hit the lottery. We hit it together.”

    That remains true for their personal lives, as well. When asked if he’d been there for Affleck when he was going through “all his problems,” including his divorces and substance abuse issues, Damon told Stern he’s stood by his friend’s side for “all of it.”

    Ben Affleck Praises Best Friend and Costar Matt Damon at The Rip Premiere
    Roy Rochlin/Getty Images for Netflix

    Affleck was previously married to Jennifer Garner from 2005 to 2018 and the pair share three children together: Violet, 20, Seraphina, 17, and Samuel, 13. Their divorce was finalized in 2021, the same year the Argo director reconnected with Jennifer Lopez, who he was previously engaged to in 2002. They wed in 2022 but divorced after two years of marriage. Affleck has also been open about his struggles with alcohol over the years.

    “Could you go to Ben and say, ‘I’m here to help you?’” Stern asked Damon, who didn’t hesitate in his reply. “Oh, yeah, our relationship isn’t affected by what people are saying.”

    Affleck, for his part, shared how appreciative he is of having Damon in his life. “That means a lot to me,” he told The Odyssey actor. “That’s sort of what a real friend is.”

    Damon has been married to wife Luciana Barroso since 2005 and the couple share four daughters: Alexia, 25, Isabella, 19, Gia, 17, and Stella, 15. When speaking with Stern on Monday, Damon confessed that Barroso initially thought Affleck was the “cute one”of the two when watching Good Will Hunting and before meeting Damon in person.

    The trio have since worked together on multiple projects, with Barroso serving as a producer on The Rip. She is also set to l co-produce Affleck’s next directorial project, Animals. Despite the awkward first impressions, Affleck told Stern that they’ve all since become great friends and he’s beared witness to how strong Damon and Barroso are as a couple since the start.

    “It’s a really gorgeous marriage and friendship and two people who when they’re apart and independent of one another are one another’s partner,” Affleck shared of Damon and Barroso’s 20-year union. “I have a feeling it’s improved.”

    The Rip premieres on Netflix Friday, January 16.

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    Kat Pettibone

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  • Durlabh Prasad Ki Dusri Shadi: Sanjay Mishra and Mahima Chaudhry REACT to viral wedding rumours [Exclusive]

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    Durlabh Prasad Ki Dusri Shadi: Sanjay Mishra and Mahima Chaudhry REACT to viral wedding rumours [Exclusive]










































    Sanjay Mishra and Mahima Chaudhry on”Durlabh Prasad Ki Dusri Shadi”, love, marriages and more.

    By: Video Desk  |  Published: December 21, 2025 11:51 PM IST

    Sanjay Mishra and Mahima Chaudhry’s magical chemistry lights up Durlabh Prasad Ki Dusri Shadi. The actors talk about the fun they had while working together in the movie, and how they had a great time. The wit of Sanjay Mishra and the presence of Mahima gave us the fun ride. The actors also share their experiences during the making of the movie, revealing several fun BTS stories.
    The laughter-filled story of “Durlabh Prasad Ki Dusri Shadi” promises to entertain the audience and become their favorite.

    Bollywoodlife_Web/Bollywoodlife_AS_Inarticle_300x250|300,250~Bollywoodlife_Web/Bollywoodlife_AS_Inarticle_2_300x250|300,250~Bollywoodlife_Web/Bollywoodlife_AS_ATF_970x90|970,250~Bollywoodlife_Web/Bollywoodlife_AS_ATF_300x250|300,600~Bollywoodlife_Web/Bollywoodlife_AS_BTF_1_300x250|300,600~Bollywoodlife_Web/Bollywoodlife_AS_BTF_2_300x250|300,600~Bollywoodlife_Web/bollywoodlife_ros_strip|1300,50~Bollywoodlife_Web/Bollywoodlife_AS_OOP_1x1|1,1

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  • Exclusive Interview: Dylan Espeseth On His New Single, ‘Thoughts,’ And Opening For The Rocket Summer!

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    If you have not heard of Dylan Espeseth, then we have a treat for you! Dylan is an alt-emo songwriter who embodies the perfect blend of the current emo scene and the golden era of emo from the early 2000s. Fresh off playing a few shows in LA with The Rocket Summer, we got to sit with Dylan to learn more about him as a songwriter and his newest single, ‘Thoughts.’

    So without further ado, let’s get into the interview!

    Image Source: Razy Faouri 

    Hi Dylan! Thank you so much for speaking with us today! For our first question, we like to give you a chance to introduce yourself to the THP readers. 
    Hey! I’m Dylan Espeseth. I’m from Seattle, and I’m a songwriter and musician who mostly just writes songs about what I’m feeling. 

    You just recently came off playing a few shows with The Rocket Summer. As massive fans of TRS, what was your favorite moment from that tour?
    That whole experience was so incredible. The most notable thing for me was probably the absolute masterclass of a performance from TRS. Watching the way that Bryce was able to have such presence and command of the stage, even in moments where he was alone on the stage with just an acoustic guitar, the energy was incredible. I could feel the genuine passion and emotion radiating off of everyone in the room. 

    Is there anything that you have learned now that you are home? 
    Being home, I think, has really cemented in me the importance of live music. Going from playing my songs to a room full of people, back to writing alone in my room has really shown me why live music is so powerful. It feels like a case of ‘absence makes the heart grow fonder,’ where now that there’s nobody around for me to play to, I realize how meaningful that sharing your art is to the process of making it.

    Image Source: Razy Faouri 

    Your debut album is produced by Aaron Sprinkle, what was it like working with him and is there anything that you have learned after working with him on this project? 
    Working with Aaron has been a dream come true in a lot of ways. I’ve been a major fan of albums he’s produced for many years, and after working with him, I totally see why they’re so great. He understood the vision for the project so well from the very first conversation we had. He very much taught me the importance of emotion in the vocals above everything else. His advice was more or less that if you can deliver the lyrics with the right emotion, everything else will follow, and I think that really showed to be true. I definitely think he brought out a lot of my best vocal performances I’ve ever done on these songs. 

    You just released your song, ‘Thoughts,’ which reminds us of Yellowcard’s ‘Only One.’ What can you tell us about the process of writing this track and something you are hoping fans can take away from it?
    When I first wrote this song, I didn’t really think it would ever see the light of day. I wrote the first verse and chorus when I was just playing around on my guitar at home, and it just lived as a voice memo on my phone for a month or two.

    During one of my first meetings with Aaron, I was showing him some acoustic demos. I wasn’t planning to play that song, but he asked me if I had anything a little slower or ballady, so I played him the first verse of that song, and he immediately said, “We NEED to do that one.” So I went home and added the bridge part, which was scrapped from a different song, and over the next week, I wrote a second verse for it. Overall, I just hope that people realize they’re not alone in not having everything figured out. It feels so easy to fall into feeling behind everyone else, but for the most part, I think nobody has it all figured out. 

    We have an eclectic music taste here at THP, but we are forever emo kids at heart. What has it meant for you to be bringing that true angsty emo rock vibe to the front of the current scene? 
    I think the angsty emo vibe will always have my heart, so getting to be a part of that scene is such an exciting thing for me. It truly feels like I’m making music that I would be obsessed with if I just heard it organically. This project really feels like I’ve finally honed my sound into what I’ve been working towards for years, and I’m so ready for everyone to hear the rest of it. 

    Image Source: Razy Faouri 

    With your debut album releasing in early 2026, what can you tell us about the album as a whole? 
    The album really feels like a perfect mix of my music taste, all swirled into one cohesive project. I’d say it’s at the center of the emo rock, folk, and indie pop venn diagram, which I think encapsulates my entire musical personality. The goal was to make something that fuses all of my influences into one cohesive project, and I really think we nailed that. 

    We’d love to dig in a little deeper into your songwriting process! What is your favorite way to write? Are you more of a get into the studio and see what happens, or do you like coming into the studio with an idea of the topic of the session or a specific project?
    I do most of my writing unintentionally in my bedroom. It’s fairly rare for me to sit down with a topic in mind. Usually, I just strum around on my acoustic at home or in my backyard until I come up with a few lyrics I like, and then I build off of that. Sometimes I’ll take just that idea into the studio, but especially with this project, most of the songs were almost completely finished acoustically before we began working in the studio at all. 

    For the last question, is there anything else you would like your fans and any new fans to know about you and your upcoming projects? 
    All-in-all I’m just really excited to share everything I’ve been working on. I truly think this project is my best and most honest writing I’ve ever done. I just want everyone to know how glad I am to get to share this music with anyone who’s willing to listen.

    Watch the music video for ‘Thoughts’ below!

    We absolutely loved getting to chat with Dylan about his songwriting, new track ‘Thoughts,’ and what he’s learned after opening for The Rocket Summer!

    We want to hear from YOU! Let us know your thoughts on ‘Thoughts’ in the comments below or chat with us on Twitter, Instagram, and Discord.

    Want more music? We got you!

    TO LEARN MORE ABOUT DYLAN ESPESETH:
    INSTAGRAM | TWITTER | WEBSITE | YOUTUBE

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    Brittaney Penney

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  • Exclusive Interview: Arrows In Action Spill All The Details About I Think I’ve Been Here Before

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    If you’re looking for a new band to take over your playlists, look no further than Arrows in Action! Their latest album, I Think I’ve Been Here Before, is the perfect gateway into their musical world, so this is the ideal time to jump in! We were lucky enough to get to chat with Arrows in Action all about their newest album, past music, live shows, and so much more!

    Hello! Thank you so much for taking the time to chat with us! To start us off, how would you describe your sound to someone who is tuning in for the first time?
    We’re an alternative pop-rock band! We’re a blend of everything we love, and we love a huge array of music. 

    I Think I’ve Been Here Before is less than a month away. What emotions are you guys feeling leading up to the release of this record?
    We’re feeling a mix of relief, excitement, and catharsis with the release of this album! We can’t wait for people to hear it all in its intentional order. 

    Out of the eleven songs on the record, only two are unreleased. What goes into the decision of what to release and what to hold back? 
    We wanted to make sure to save the conclusion of the album for the day of release. We were very intentional with the track order on this record, and we wanted our fans to experience the album in its entirety together. 

    ‘Hello Sunlight!’ is the oldest track on the record, having been released in May of last year. When this song came out, did you know it was part of a bigger project, or did that come with time? 
    Though it was released far ahead of the album, ‘Hello Sunlight!’ is the track that started the writing process and was instrumental in guiding us towards the sounds that would make up Side A. 

    You’ve released this album in two parts, with Side A coming out earlier this year. How do you group the songs and figure out which song belongs on which side? 
    In both subject matter and sonics, we accidentally curated two distinct vibes while writing this album. It could be the simplest thing, like the placement of a minor chord that guided a song toward side B, and in many cases, it was the lyrical perspective that placed the song. 

    With a new album comes the hope of live music! While crafting the album, which song off this album were you most looking forward to bringing to life on stage?
    Victor: ‘Cheekbones,’
    Jesse: ‘Empty Canvas,’
    Matt: ‘Empty Canvas.’

    Your debut album, Be More, came out four years ago! When you look at the artists who released that record, and the artists who are about to release this record, what do you see as the biggest area of growth? 
    Our biggest area of growth has been how much we collaborate! With years of touring and writing together, we know each other better than ever before, and we know how to expand on each other’s ideas.

    Once again, thank you so much for chatting with us! Before we let you go, what is one thing on the Arrows in Action bucket list as we close out 2025?
    A bucket list item we completed this year was headlining in Europe and the UK! A bucket list item we have that is yet unchecked is performing at Red Rocks in Colorado. Thanks for having us! 

    Check out more of our exclusive interviews here!

    We would love to hear from you! What is your favorite song off of I Think I’ve Been Here Before by Arrows in Action? Let us know by commenting below or by tweeting @TheHoneyPOP! We are also on Instagram, Facebook, and TikTok!

    TO LEARN MORE ABOUT ARROWS IN ACTION:
    INSTAGRAM | TWITTER

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    Hailey Hastings

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  • How Tucker Wetmore Got Bachelor Nation Stars for Brunette Music Video

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    Tucker Wetmore’s newest music video stars two Bachelor Nation icons.

    The country singer, 26, exclusively shared with Us Weekly at the 59th annual CMA Awards on November 19 how he tapped Hannah Godwin and Joey Graziadei to appear in the music video for his viral song “Brunette.”

    “Hannah G. and Joey are great friends of mine,” Wetmore said. “I called them up. I was like, ‘Hey, I got this huge idea for this music video for “Brunette.” And I was like, ‘[The] only contingency, I need you guys to wear wigs.’ And they’re like, ‘Absolutely. I am 100 percent down.’ Joey was probably the most excited I’ve ever seen Joey. It turned out great, and they absolutely crushed it. I’m thankful that they said yes to it.”

    The “Brunette” music video, which came out on November 17, is Western-themed and stars Godwin, 30, as the love interest and outlaw whom the sheriff (Wetmore) is trying to catch.

    Graziadei, also 30, is a bartender in a saloon. Wetmore said he is close friends with both Graziadei and his fiancée and fellow Bachelor Nation star, Kelsey Anderson. Graziadei originally appeared on season 20 of The Bachelorette with Charity Lawson. He was the runner-up, with Lawson, 29, choosing Dotun Olubeko instead. Graziadei became the Bachelor in the franchise’s 28th season. Graziadei proposed to Anderson, 27, at the end of the season, which aired in March 2024.

    Godwin, for her part, appeared on Colton Underwood’s season 23 of The Bachelor in 2019. Wetmore said he’s met Godwin a “couple of times before” and felt she would be a great addition to the music video.

    “They’re just great people, and I wanted some cameos, but I wanted it to be authentic,” Wetmore told Us. “We know each other, and we’re all just good friends, for sure.”

    The Washington native was nominated for New Artist of the Year at the awards ceremony but lost to fellow Washingtonian Zach Top. Prior to the show starting, Wetmore told Us of his nomination, “It’s absolutely amazing. It doesn’t feel real.”

    Wetmore has had a breakout year with the release of his debut album, What Not To, in April. He told Us that “everything” he has done this year has been a surprise and taught him something about himself.

    “I feel like every day I wake up to a new blessing,” Wetmore said. “I’m more thankful for my team and my family and my friends and my support system. I can’t do any of it without any of them. My mom’s here tonight. She looks amazing. Yeah, so sweet. I’m thankful.”

    Wetmore also shared that he’s in a good headspace currently while working on new music.

    “Headspace is good. I’m actually just now getting back into the creative process,” Wetmore told Us. “We’ve recorded like five songs already for the next album, and it’s really cool. It’s different. It’s kind of retro a little bit, but it’s got that … that Tuck flare on it, I guess I’d say. But I’m excited.”

    Reporting by Juliet Schroder.

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    Erianne Lewis

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  • Exclusive Interview: Paris WYA Talks Global Storytelling, ‘Treat Me Right,’ and Shifting Perspective

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    Looking for the next destination for a fresh face in pop music? Paris WYA just might be your next ticket to book. From New York to Shanghai to Paris, pop artist Paris WYA is all over the globe. Amidst her studies at Cornell University and travels, we caught up with her, chatting about her newest single, ‘Treat Me Right,’ being a real-life Hannah Montana, growth and gratitude, and what’s next for her.

    IMAGE SOURCE: COURTESY OF TREND PR

    Welcome to The Honey POP! We’re so excited to have you here with us today. To get us started, please introduce yourself to our readers, letting us know a little bit about your sound and what makes your artistry stand out.
    Hello! I’m Paris WYA, and I’m so excited to be here. I like to joke that I’m living my real-life Hannah Montana era — balancing a double life as a full-time college student at Cornell while building my career as a pop artist. This year, I’ve stepped into the dream-pop world. My sound exists somewhere between dreamy, cinematic, and nostalgic. Growing up between Asia, Europe, and the U.S. shapes how I understand emotion and storytelling, and I try to bring that perspective into every song. For me, it’s about creating something timeless: music that’s a little heartbreaking and vulnerable, but also deeply empowering.

    For our readers who have never heard your music before, what is one song from your discography that you would recommend they listen to first?
    If you’ve never heard my music before, I’d recommend starting with ‘Only Time Will Tell.’ It marks the beginning of this new era for me and really sets the tone for my upcoming EP. I think it captures who I am in these early stages as an artist, both sonically and emotionally.

    If you could only choose six emojis to describe your new song, ‘Treat Me Right,’ which six would they be?
    🪞🌫️🌹💌💫🎆

    You stated recently that you want to “bring a cosmopolitan look” to your music. Can you explain this further?
    When I talk about bringing a “cosmopolitan look” to my music, I’m thinking beyond sound. I want to craft a world that feels global, cinematic, and borderless. My work reflects the cities and cultures that shaped me — from the chaos of Asia to the elegance of Europe and the energy of the U.S. I want my art to live in that intersection: modern yet timeless, intimate yet universal. It’s about building a universe where fashion and sound coexist, something deeply personal yet endlessly expansive; something you can connect to whether you’re in New York, Shanghai, or Paris.

    ‘Treat Me Right’ is all about giving your heart up to someone who doesn’t reciprocate. What are some ways that you show love to yourself during life’s more challenging moments?
    I think real self-love comes from how you choose to see the hardest moments. For me, a lot of resentment eventually turned into gratitude. I’ve realized that mindset is everything; if you can shift your perspective, you can turn pain into purpose. When the world feels heavy, I lean into the things that make me feel most alive — whether that’s creating, traveling, hitting the gym, or just taking a day to rest. Growth isn’t always glamorous, but it’s always worth it.

    What does a typical studio day look like for you?
    Studio days are my favorite kind of chaos. No two ever look the same, and that’s what I love most about it. Some days we’ll build a song completely from scratch: writing, producing, and recording the whole thing in one burst of energy. Other times, I’ll walk in with an idea we’ve been bouncing back and forth for weeks that’s ready to go, and we’ll bring it to life in the booth. There’s no “correct” way, just moments where everything clicks. We usually start around 10 a.m., laying down a hook and finding the right direction. By noon, we’re ordering food, because good meals and snacks are non-negotiable. Between takes, we talk about life, trade stories, and somehow that always ends up fueling the music. It’s a mix of spontaneity and intention; the best kind of creative chaos.

    One look at your Instagram feed and we’re already in love. How do you decide which visuals to keep or scrap for new single releases, and how important are visuals to you during this process?
    I’ve always been obsessed with the visual side of things. I make moodboards for almost every song before it’s even finished. While I’m writing, I’m already imagining the visuals: the colors, the mood, the world we’re building. When it comes to deciding what makes the cut, it’s all about what feels right for the current world I’m in. If something doesn’t fit, I don’t force it; I save it, because it might be perfect for the next chapter. Visuals aren’t just part of the process for me — they are the process. They’re how I invite people into the universe I’m creating. The music is the feeling, but the visuals are the world you get to live in.

    IMAGE SOURCE: COURTESY OF TREND PR

    Once again, thank you so much for chatting with us! Before we let you go, what can fans look forward to as we close out 2025?
    Thank you for having me! I’m so excited for everything that’s ahead. I have a holiday cover dropping soon — something classic, but reimagined through my own universe — and then my upcoming EP, which is definitely my biggest and most personal project yet. I’ve never felt so aligned with what I’m creating, and honestly, it’s just the beginning.

    Listen to ‘Treat Me Right’ now and let us know what you think about Paris WYA’s new song in the comments down below. You can also buzz with us on FacebookInstagram, and Twitter!

    Find more exclusive interviews here, honeybee!

    TO LEARN MORE ABOUT PARIS WYA:
    INSTAGRAM | TIKTOK | WEBSITE | YOUTUBE

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    Alana

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  • David Henrie Teases Who Will Play Billie’s Dad on Wizards Season 3

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    David Henrie has heard those crazy rumors that Wizards Beyond Waverly Place killed off Selena Gomez’s character, Alex Russo — and he’s ready to set the record straight. 

    “When you make something, you have certain expectations, and then when it comes out, there’s a whole other set of expectations that you had no idea are going to emerge,” Henrie, 36, exclusively told Us Weekly while promoting his partnership with Butterball’s Thanksgiving Hosting Pants. “I didn’t think in a million years anyone would think Alex was dead. In fact, nobody making the show thought people would assume Alex is dead.”

    Season 2 of Wizards, which released on Disney+ last month, caught back up with Alex’s protegé, Billie (Janice LeAnn Brown), as she continued to adjust to the mortal world while living and practicing her wizardry with Justin Russo (Henrie) and his family. 

    Things took a turn during the season finale when Billie was kidnapped and nearly dragged to an alternate dimension by the evil Lord Morsus. She was saved in the episode’s final moments, however, when Alex’s tears reversed a memory spell that revealed she is Billie’s mother — and Lord Morbus’ son, Damian, is Billie’s dad. To save her daughter, Alex jumped into the open portal, dragging Morsus along with her. 


    Related: David Henrie Reflects on His and Selena Gomez’s ‘Meaningful’ TV Reunion

    Alex and Justin Russo are officially back on the small screen. Selena Gomez reunited with her onscreen older brother David Henrie during the series premiere of Wizards Beyond Waverly Place. The series — the first two episodes of which premiered on Disney Channel on Tuesday, October 29 — picks up with an older (and powerless) […]

    Shortly after the finale was released, fans took to social media in panic that Alex had been killed off the show for good, with many condemning the series for the shocking decision. The theories quickly went viral, leaving Henrie and the rest of the Wizards cast and crew “flabbergasted” by the confused response. 

    “No one saw that reaction coming. Nobody,” Henrie said, explaining the series of events that led to the viral rumor. “Someone just put it online as if it’s what happened, and then suddenly the whole Internet just believed it. We were never trying to kill Alex Russo, she just went through a portal off into another realm!”

    As for where Alex actually is, Henrie promised that — along with many other questions — will be answered should the show be picked up for a season 3. “We will absolutely answer the question of what happened to her, because it’s a valid question,” he said. “You know, she went through a massive portal. What the heck happened? We will dig into that.”

    Henrie confirmed that the series will also delve more into who Billie’s father, a.k.a Alex’s husband, is (or was) by exploring the past. That means “retracing old footsteps and rediscovering old characters” is also on the table, including what happened between Alex and her Wizards of Waverly Place werewolf boyfriend, Mason (Gregg Sulkin). 

    Wizards Beyond Waverly Place Season 2
    Disney/Eric McCandless

    “It is absolutely safe to say that,” Henrie replied when asked if viewers will find out what happened to Alex and Mason’s fan favorite romance, which was going strong when the original series wrapped up in 2012. (Wizards of Waverly Place aired for four seasons from 2007 to 2012. The revival returned to record breaking numbers in 2024.)

    As for who will play Damion, Henrie — who also serves as an executive producer on the show with Gomez — told Us he’s “absolutely” heard the the popular fan request to cast Disney alum Jordan Fisher in the role, but also has someone else in mind.

    “We’ll look into [Jordan[ for sure, because I know people really want that, but the guy who I would really push for is a friend of mine named Lamorne Morris,” Henrie said, noting that he and the New Girl star are interested in doing projects their kids can enjoy. “I think he would be amazing. I haven’t spoken to him about this yet, but I’m planning to when the time is right. And you know, who knows what happens?”  

    Fans will need to wait and see what comes next for Justin, Alex Billie and the rest of the magical gang as Wizards Beyond Waverly Place has yet to be picked up for a third season by Disney. For now, Henrie is pivoting his focus from his sitcom family to real-life family as he prepares to host Thanksgiving for the first time — a task that’s been made easier by Butterball’s new Thanksgiving Hosting Pants. 

    The pants, which serve as a fun and functional solution to help holiday hosts get a leg up and feel confident going into holiday chaos, are comfortable, stylish and ensure hosting essentials are always in reach. In addition to a bespoke pocket for a meat thermometer, the pants also contain a phone pocket emblazoned with 1-800-BUTTERBALL, ready for all hosting questions to easily reach the Butterball Turkey Talk-Line experts, a towel loop — Henrie’s favorite accessory — and a built-in bottle opener. 

    “The pants are a reminder to have fun, because I tend [to lean] toward perfectionism and wanting everything exactly right on Thanksgiving, to the point where it takes all the fun out of it,” Henrie confessed. “So for me, I can have my normal attitude of wanting to everything right, but at the same time, I can always look down and remember, ‘Oh, this is supposed to be fun.’” 

    But it’s not all about having style. “They also help me be more efficient, because it’s got all these gadgets and gizmos to help you,” he added. “ You got your weapons on you, so you’re totally in like, a Commando gearing up scene, ready for battle.” 

    As for any other tips Henrie can give to someone who’s also preparing to host their first major holiday dinner this year, Henrie said it’s all about preparation. 

    What Advice Selena Gomez David Henrie Gave the New Wizards Cast


    Related: Selena Gomez, David Henrie Gave the New ‘Wizards’ Cast Important Advice

    Selena Gomez and David Henrie have officially passed the torch — ahem, wand — to a brand-new generation of wizards. Gomez, 32, and Henrie, 35, are set to reprise their Wizards of Waverly Place roles on the upcoming Disney Channel and Disney+ revival, Wizards Beyond Waverly Place. The series picks up with an adult— and […]

    “Either do a dry run where you actually do the thing first and you get all your issues out of the way ahead of time, or just cook everything the night before,” he explained. “The sooner you can cook everything and get it done and sitting, the more you can actually enjoy yourself. The night before, just set the table, get all the silverware out, cook whatever desserts you can cook to keep them sitting.”

    Lastly, the right guest list is everything.

    “Make sure to invite people that win or lose will have a great time,” he told Us. “So if you mess a couple things up, they’re going to love it, and they’re going to have fun with you. Or, if you’re not done cooking, they’re going to cook with you! Just make sure you’re inviting people over that you will celebrate with regardless of victory.”

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    Kat Pettibone

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  • Jaime King Details Experience Wearing Bald Cap for Love, Danielle Role (Excl)

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    Jaime King is opening up about what she said was an “intense,” emotional experience wearing a bald cap for her latest movie, Love, Danielle.

    “I didn’t want to look in the mirror. The day before [we filmed it], [transportation] was taking me home, and they’re like, ‘So how are you feeling about the bald cap scene?’ And I was like, ‘I think it’s a great scene,’” King, 46, exclusively told Us Weekly while discussing the film. “They’re like, ‘No, how are you feeling about the bald cap?’ And I never thought about that.”

    King recalled learning that while Jim Carrey filmed The Mask, he “worked with an expert at the CIA in order to handle the amount of pressure” that comes with wearing heavy prosthetics for an extended amount of time.

    “Because it’s like torture. So how do you handle torture?” she reflected, adding that after learning that bit of information, she “had anxiety for the whole night.”

    “Then when we finally did it, I was like, ‘Oh my God. How bad is it going to be?’And I know this is a very wild story, but it’s just the truth,” she added.

    King shared that the process took “four to six hours” because the cap “expands and contracts” with fluctuating temperatures.

    “Imagine, if you walk into air conditioning, right? It gets tight, like crazy tight,” she explained. “And it sort of snaps you back, and when it goes into heat, it gets loose, but you never know what it’s going to feel like, and so [it] really gives you the extreme [discomfort] of what it must feel like to actually go through it.”

    King added that it was a “super intense” experience, and it got to the point where she confided in writer and star Devin Sidell about how she was feeling.

    Love, Danielle/Freestyle Digital Media

    “I had such bad anxiety, I was like, ‘Dev, I can’t, I can’t do another, I don’t know what to do right now.’ This is what I’m feeling,” she recalled telling Sidell. “I’m like, ‘I’m feeling extraordinarily anxious.’”

    After hearing King out, Sidell decided to have the film crew take a break so King could get back into the right frame of mind.

    “That’s how people stick up for each other in life. That’s what we need to do for each other, no matter what you know, because it’s that sensitive,” King told Us. “This film is that sensitive. What’s going on is that sensitive to me.”

    King added that working on such an emotional project has made her more “vulnerable” when speaking about her experience with Love, Danielle, which follows a woman named Danielle (Sidell) who carries a BRCA gene mutation and she has to decide whether to undergo preventive surgeries to reduce her risk of developing cancer. King plays Danielle’s older sister, Amy, who is being treated for breast cancer. The film is based on Sidell’s real-life experience of learning she has the BRCA gene.

    Love Danille Still Jaime King Excl 2
    Love, Danielle/Freestyle Digital Media

    “It’s such a beautiful film, and it’s so funny and it’s so genius, and Devin has dedicated her life to it. It is so important that people can see their experiences on screen, that they can see them and laugh, and that they can see the fact that life is messy and it’s beautiful, and we can have fun throughout the process and that we’re all just doing the best that we can,” she said. “Also, most importantly, go to a genetic counselor. Go get checked. Like all women, all people, we need to stand up for each other and encourage each other.”

    King also shared how her own personal experience being there for friends facing health battles affected her approach to Amy as a character. “When you go through each stage with people, when people have cancer and you’re their main caregiver, you see the whole process, obviously,” King said. “And so my level of understanding and empathy, of what it is like, is like through the roof. It’s, you know, and then I really wanted to keep it funny, so that it was more digestible, and the script, and Devin, who’s a genius, lends itself to that.”

    King confessed that she felt “incredibly privileged” to play Sidell’s sister in Love, Danielle, noting that she got the chance to speak to Sidell’s real-life sibling and hear her perspective about going through cancer treatment.

    Jaime King Engagement Excl


    Related: Why Jaime King Isn‘t Rushing Wedding Plans After Austin Sosa Engagement

    Jaime King is taking her time to enjoy her recent engagement to Austin Sosa. “I feel like my engagement is to myself, in the best way,” King, 46, exclusively told Us Weekly on Thursday, October 23, explaining that “there’s so many beautiful things happening” in her life. “To me, an engagement is really about a […]

    “I spoke to Devin’s sister, and asked what her experience was when she was going through this particular kind of chemotherapy, which is called the Red Devil is bad, bad, bad, bad, bad and but good, good, good, good, good, because it saves lives, right?” she reflected, adding that a “pivotal scene” between her and Sidell “clicked” following her conversation with Holly. “Devin and I have a particular kind of chemistry that is, like, through the roof. I don’t know how to describe it. And we don’t hang out. We don’t go to coffees.”

    While King and Sidell don’t spend time together outside of work, the Hart of Dixie alum shared that she and Sidell “have each other’s hearts” when they’re together, which is why they’re dynamic plays so authentically on screen — particularly in scenes that involved the whole family.

    “Devin and I got to have so much fun,” she told Us. “We got to be like little mischiefs and with the secret and dealing with the family dynamics.”

    Love, Danielle is available to rent or purchase on demand.

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    Kaitlin Simpson

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  • Governor relives firebomb attack, harrowing escape in exclusive walkthrough of home

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    Governor relives firebomb attack, harrowing escape in exclusive walkthrough of home

    Governor, thank you for sitting down with us and uh allowing us to see what has been going on here inside of the residence. Um, I know you’ve spoken at times over the last several months about how you were doing, but 6 months later, um, how are you feeling? How are you and your family doing? I mean, thanks for asking, you know, we’re OK, um, I I think in the. Initial weeks it was really hard just as *** dad trying to get your kids through that trying to process it myself Laurie trying to process it trying to continue to you know run the Commonwealth and be here for the wonderful people that work at the residences and and it was *** lot and, and you know we worked our way through that um we were there for the kids I think got them through it. Over the last couple weeks since um the conviction, I, I think it you know it, it sort of brought it back up again um while we’re pleased that there’s some finality and some closure to this chapter, you know, seeing the video and. Sort of having to go through that again that was hard hard for our family but we’re working our way through it. I, I can tell you that I’m more focused and determined than ever before to do this work. uh I’m not afraid, uh, but it certainly has an impact. How has it changed you as you look at not only your role as the governor but also uh as the head of *** family as as *** father? Yeah. I don’t think any parent can ever be prepared for something like this as *** parent, you know, all you want is for your kids to be healthy and safe and have opportunity in life and I think every parent, uh, universally wants that for their kids and so when you realize that the job you’ve chosen the career path you’ve chosen, the work you love to do, put your kids’ lives at risk and compromise one of those central tenets you have as *** parent, um. It’s really hard so that that’s been hard for me as *** dad to work through. I, I think what it has, um, caused me to do is just not cause that’s not the right word, but what what it’s led me to do is just be more present for my kids, um, try and be there when they wanna have *** catch or they just wanna do something and answer their questions just be super attentive to what’s on their mind. uh, I think sometimes I’m probably annoying to them when I go, hey buddy, what’s up? Is there anything you wanna ask me anything on your mind? Um, but I, I just have found that being more attentive, more connected, answering their questions, uh, you know, has helped us, helped us get through this. I don’t know that I have *** perfect answer, um, and I’m processing it every day, and I think Gloria and I strive every day to be better parents, you know, to our kids as I think every parent does, and, um. You know we’ve got some amazing children that that that have you know they’re just really strong to the core and they’ve gotten through this. When you talk about being here at the residence, whether it’s having stayed overnight here since the incident or or just been visiting and hosting an event uh like state dinner. Have things changed for you when you walk through the halls, when you walk through this garden area. Yeah, candidly, um, one of the things I like to do is after, you know, my meetings or *** dinner meeting or an event or whatever it is, I work really late, as you know I get up really early, you know, so it might be 10 o’clock at night. Um, and I will get on the phone, throw my AirPods on, and I will walk these gardens because rather than sitting still I like to move and as I walk here I can’t help but think, you know, the steps that he took or where he hid or the windows that he he broke through and it probably will be some time till I can shake that now I’m not afraid it doesn’t make me not want to come outside, um, you know, I still sleep here and spend *** lot of time here with our family. So I’m, I’m not afraid, but, but I’d be lying if I said I don’t think about it when I opened the double doors that lead to, you know, our, our more private area, those are double doors he was trying to kick down and get through. I’d be lying if I said when I grabbed the door handle to open it up and go through, I, I don’t think about that. Again, not in *** way that that holds me back or in *** way that stops me from doing what I gotta do, um, but it’s present and, and I think about it. When you’re having moments like that, perhaps over the last several months where you’re thinking about what happened, maybe, uh, you know, you, you remember some of those emotions they come back to you *** little bit. Who have you leaned on the most over these last 6 months to try to uh. Whether it’s come to terms or or just deal with the emotions Laurie, um, I, I, someone asked me the other day, you know, did you go to therapy for this and, and I didn’t, not because I think there’s any shame in therapy. I think it’s *** wonderful thing, but for, for Laurie and I think because we experienced it together, um, processing it together, talking about it together. Um, telling her what I’m thinking and what I’m feeling when I’m wandering here in the gardens or whether I’m upstairs, you know, in the living quarters above where the, the attack took place, um, I think just being able to talk with her has been the, the most important thing, you know, Laura and I, uh. Walk every day when we’re together and if we’re not together you know I’m here and she’s back in Montgomery County with the kids or something. I, I’ll still throw throw my airpods on and walk and talk to her that way. I think just that process of walking of talking, she’s my best friend in the world since the 9th grade that’s, yeah, that’s really helped me get through this. You know this event obviously brought *** lot of attention to the governor’s residence and I know we’re gonna walk around in *** little bit with all the attention, all the scrutiny, how, how do you balance all of that happening while you’re still trying to do your job, still trying to deal with, uh, the emotions of what happened. Is it difficult to process all of that sometimes? Yeah, and, and look, I mean. Like anyone, I value my privacy and I don’t really have any. I mean, I’m not, I’m not complaining. I asked for this job and, and I love this job and I wanna do it for *** good long while, but you know you, you do give up that sense of privacy and so even more so now, um, you lose that privacy. I, I think you know as I walk around these grounds late at night we now have armed troopers who are who are here. Um, you look through the windows and there’s like *** waviness to it because we’ve got ballistic shields on the windows. I mean, and *** lot of other technology and stuff here that’s been installed to keep us safe and so while it’s comforting to know that my family and I are safe and guests are safe and the staff is safe, you know, I don’t know anybody really wants to live in, you know, with ballistic windows knowing that there are people that wanna do you harm and. I think for for us I I just try and have comfort in knowing that we got wonderful people in the state police there to keep us safe. This is just the reality of the world we’re in and I and I can’t let it slow me down or deter me from from doing the work I’m doing, but it does, you know, it does take some getting used to and and certainly something that we’re constantly processing. We talked with Colonel Paris earlier today and he admitted there were failures that uh evening when you talk about that and trying to come back here and and be here and you look around at all the different things that are happening, the new barrier on the outside, some of the new technology that is going in, um, do you feel confident that they have taken the steps to make this place safer than it was on that evening? I do now I mean I I I I was rattled. Uh, you know, that day and in the days thereafter I asked *** lot of questions about how could this happen. Um, they had some answers and to Colonel Paris is great credit, um, he thought we needed an outside, you know, expert to come in and do an assessment here and at our home and, and in the way we travel and make sure that we were safe not only here but in in all different, you know, aspects of our lives. I, I am now confident that they’ve taken the steps and continue to take the steps necessary. To keep me and my family safe, to keep the staff and others safe that that are here and to make sure our guests are safe. So yeah, I’ve got confidence in the state police. I really do. And you know, I wanted to ask obviously Cody Ballmer, um. In the investigation they they were able to determine that he had uh what sounded like *** political motivated reason for for doing what he was doing. We talk about political violence we talk about the fact that there was an attempted murder of you at this residence. With what we continue to see, do you feel like as it pertains to political violence we need to, uh, look back on things like this and say we really have to do *** better job as *** society, not allowing it to happen absolutely and and I think it starts with. All leaders speaking and acting the moral clarity to condemn political violence, I think it requires all of us to take down the temperature we can have strong disagreements with, you know, the, the political opposition without treating them like they’re our enemy. You know, I think our our politics in many ways have gotten so dark and and political violence is certainly quite dark, but I’ve also just seen an extraordinary amount of light from, you know, ordinary Pennsylvanians who are just really good and decent people who, who pray for us who, who want society to be less violent who wanna just disagree agreeably with politicians or agree with them if their positions happen to be in sync. Uh, but I, I think too often times our political leaders are not good examples of, of what we need more of, um, and, and so I’ve made it *** point. I, I know others have. Spencer Cox, *** good friend of mine, the governor of Utah, has, you know, of trying to make sure that the rhetoric is, is toned down, that we find more common ground even if we might have *** disagreement on *** policy. And that we universally condemn political violence and and not allow *** certain group or type of person or person with *** certain ideology to think their hateful rhetoric or their violence is OK. None of that type of hate, none of that type of violence is OK and it’s got to be universally condemned. Before we look around the residents and you, you know, before, before we, we go through some of the steps about what occurred that night, I, I wanted to ask for you. With everything that’s happened over the last 6 months with with what happened on that evening. Is there anything you feel like people just haven’t understood about that and, and, and, you know, something you perhaps haven’t articulated yet as far as, you know, your emotions or perhaps just the experience of trying to process all that and. I don’t know, Tom. I mean, I’m still processing *** lot of it. And I don’t expect Pennsylvanians to bear my burden, you know, this is my responsibility to bear. I do think *** lot of people were shocked when they saw the videos that came out, uh, just *** couple weeks ago when, um, when he was convicted and sentenced up to 50 years in prison when they saw just how brazen the attack was, how deep he got into the residence, the destruction that, uh, that took place, the fact that, you know. He pled guilty to trying to kill me. Um, I think that was *** shock to *** lot of people, you know, who hadn’t seen that video and didn’t realize just the extent of the damage and. And how, how much in danger my family and I were and uh I think that’s that that was *** shock to *** lot of people. I, I don’t want Pennsylvanians to be worried about me or our family or this or be burdened by it. I want them to go about their their daily lives and know I’m working my *** off for them to make their lives better. That’s my job and I love what I do and and I’m gonna keep doing it and and working incredibly hard for them. With everything that’s been happening, will you be, will you be excited when this place has all the construction equipment gone? I gotta say, I mean the construction has been *** challenge not just for our family but the wonderful people that work here. We’ve tried really hard to still be able to bring people in and have the events tonight we’re honored to host the state dinner. Um, which usually here state dinner you think *** bunch of insiders get to come to *** fancy meal. Actually my wife Laurie, our first lady changed that concept. We now honor 10 unsung heroes in in communities across Pennsylvania. We honor them. With the fancy dinner here and and give them the Governor’s Keystone Award for um their incredible contributions to to our commonwealth so we’re really excited to have that uh in here. I wish the gardens were put back together. I wish the outside looked *** little better but um it will and and I I also want all of our neighbors here to know that we realized this has been. Um, disturbing to them, it doesn’t look as pretty as it did before. It’s gonna look amazing when it’s done. We’re gonna plant *** lot more trees and, and beautify the area. We, we have *** commitment not just to our safety and security here for visitors but also to make it beautiful on the outside for for neighbors as well. So sure, I’d love for the construction to be over soon, but we’re not letting uh letting it hold us back. We’re gonna keep going forward. Do you think that’s when things might start to feel normal again? Maybe yeah yeah I think um. You know, no normal for you may maybe the ability to take *** bike ride or take *** walk and kinda just be able to blend in we, we don’t really have that ability right now and um particularly with so many people around so I think the fewer people that are around, the more we can get back. Our, uh, semblance of normalcy sure that’d be great, but I, I do have to say to the amazing people who have worked here, I mean they’ve been working almost nonstop since the moments after the police released this scene to us, um, and let us get going with the rebuild. So I, I have no complaints. The people here have worked really, really hard. I’m excited for them to finish their job and, and, and to get it, get it all back in tip top shape for the public. Governor, thank you.

    Governor relives firebomb attack, harrowing escape in exclusive walkthrough of home

    Updated: 4:02 AM PDT Nov 1, 2025

    Editorial Standards

    Pennsylvania Gov. Josh Shapiro spoke exclusively with Hearst sister station WGAL about the arson attack on the state governor’s residence earlier this year and walked the station through the grounds and residence to describe how it happened. Touring grounds, governor’s homeDuring a walkthrough of the gardens, Shapiro describes how the intruder, Cody Balmer, scaled what was then a six-foot fence, hid near a brick gazebo in a once-wooded area, and initially evaded troopers. “That’s where he climbed over (a fence) with relative ease,” Shapiro said, pointing out an area where a brick wall is now being built. “And he sort of hid back here in what used to be a pretty wooded area … after one of the troopers realized that there was a breach of the fence came to try to find him, and missed him.”Carrying a metal hammer and a bag of Molotov cocktails, Balmer moved deliberately to a window, smashed it, and hurled a firebomb that gutted the room. He then broke another window, climbed inside, and tried to reach double doors leading to the family’s living and work areas. The double doors had been locked just minutes earlier. “And this is the window that he smashed and climbed through, wielding this metal hammer that he admitted he was going to use to kill me if he found me,” Shapiro said.Balmer prowled about inside, kicking doors, but as the smoke thickened, he turned back.Shapiro called the incident a clear security failure but said state police have learned from it and upgrades are in place. He recounted his family’s evacuation down a back stairwell and his later return with firefighters, where dense smoke, water, and wreckage made it evident the blaze was intentional.”I remember as I was walking down the hallway in the house, you couldn’t see your hand in front of you. The smoke was so thick it was burning your nose, your eyes,” Shapiro said. “You could hear the water dripping. And obviously I’m no expert, but I had assumed up until that moment when I came back in here, whatever it was about, you know, two or three in the morning, that it was an accident, that something caught fire in the kitchen or, you know, something like that or a faulty wire. And then when I walked in this room and saw what it looked like … I realized, OK, I don’t think this was an accident. And then, sure enough, a few minutes later, I was informed it was an attack. And it was very purposeful.”You can watch the full tour of the grounds and residence with Shapiro in the video player below.Security improvements, costsRebuilding began immediately — ceilings, floors, windows, and a melted chandelier were replaced — and the room was restored to its original look, being prepared to host a state dinner honoring 10 Pennsylvanians. In a letter to the Pennsylvania House and Senate, the Department of General Services laid out how much it would cost to repair the governor’s residence and make various security improvements that were deemed necessary after numerous vulnerabilities were exposed. The total cost for the restoration and security enhancements totaled roughly $40 million. The Department of General Services provided the following breakdown as well as explanations for each expenditure. You can read the full letter here. $6.44 million: Estimated cost to restore the residence to pre-event condition. $14 million: Outer perimeter, barrier replacement.$6.3 million: Updated cameras, improved lighting motion sensors.$8 million: Retrofit existing windows with bulletproof, shatter-proof glass.$4 million: Fire suppression system.”The horrifying attack on the Governor, his family, and Commonwealth property, coupled with the unfortunate rise in political violence across our country, has made these updates necessary to protect the Governor and his family and ensure the continued operation of the executive branch of the Commonwealth. No family should have to live behind bulletproof glass or behind large walls – but the nature of the threats against elected officials today require us to take these important steps,” the letter said.Arsonist sentencedOn Oct. 14, Cody Balmer pleaded guilty to setting fire to the Pennsylvania governor’s residence in April. Balmer was convicted of attempted homicide, aggravated arson and terrorism. The judge sentenced him to 25 to 50 years in prison.Motive behind attackBalmer admitted to targeting the residence due to Shapiro’s stance on the war in Gaza.

    Pennsylvania Gov. Josh Shapiro spoke exclusively with Hearst sister station WGAL about the arson attack on the state governor’s residence earlier this year and walked the station through the grounds and residence to describe how it happened.

    Touring grounds, governor’s home

    During a walkthrough of the gardens, Shapiro describes how the intruder, Cody Balmer, scaled what was then a six-foot fence, hid near a brick gazebo in a once-wooded area, and initially evaded troopers.

    “That’s where he climbed over (a fence) with relative ease,” Shapiro said, pointing out an area where a brick wall is now being built. “And he sort of hid back here in what used to be a pretty wooded area … after one of the troopers realized that there was a breach of the fence came to try to find him, and missed him.”

    Pennsylvania Gov. Josh Shapiro walked WGAL step-by-step through what happened during the April 2025 arson attack at the governor’s residence.

    WGAL

    The governor points to the area where Balmer scaled a fence.

    Carrying a metal hammer and a bag of Molotov cocktails, Balmer moved deliberately to a window, smashed it, and hurled a firebomb that gutted the room.

    He then broke another window, climbed inside, and tried to reach double doors leading to the family’s living and work areas. The double doors had been locked just minutes earlier.

    “And this is the window that he smashed and climbed through, wielding this metal hammer that he admitted he was going to use to kill me if he found me,” Shapiro said.

    Balmer prowled about inside, kicking doors, but as the smoke thickened, he turned back.

    Shapiro called the incident a clear security failure but said state police have learned from it and upgrades are in place. He recounted his family’s evacuation down a back stairwell and his later return with firefighters, where dense smoke, water, and wreckage made it evident the blaze was intentional.

    “I remember as I was walking down the hallway in the house, you couldn’t see your hand in front of you. The smoke was so thick it was burning your nose, your eyes,” Shapiro said. “You could hear the water dripping. And obviously I’m no expert, but I had assumed up until that moment when I came back in here, whatever it was about, you know, two or three in the morning, that it was an accident, that something caught fire in the kitchen or, you know, something like that or a faulty wire. And then when I walked in this room and saw what it looked like … I realized, OK, I don’t think this was an accident. And then, sure enough, a few minutes later, I was informed it was an attack. And it was very purposeful.”

    You can watch the full tour of the grounds and residence with Shapiro in the video player below.

    Security improvements, costs

    Rebuilding began immediately — ceilings, floors, windows, and a melted chandelier were replaced — and the room was restored to its original look, being prepared to host a state dinner honoring 10 Pennsylvanians.

    In a letter to the Pennsylvania House and Senate, the Department of General Services laid out how much it would cost to repair the governor’s residence and make various security improvements that were deemed necessary after numerous vulnerabilities were exposed.

    The total cost for the restoration and security enhancements totaled roughly $40 million. The Department of General Services provided the following breakdown as well as explanations for each expenditure. You can read the full letter here.

    • $6.44 million: Estimated cost to restore the residence to pre-event condition.
    • $14 million: Outer perimeter, barrier replacement.
    • $6.3 million: Updated cameras, improved lighting motion sensors.
    • $8 million: Retrofit existing windows with bulletproof, shatter-proof glass.
    • $4 million: Fire suppression system.

    “The horrifying attack on the Governor, his family, and Commonwealth property, coupled with the unfortunate rise in political violence across our country, has made these updates necessary to protect the Governor and his family and ensure the continued operation of the executive branch of the Commonwealth. No family should have to live behind bulletproof glass or behind large walls – but the nature of the threats against elected officials today require us to take these important steps,” the letter said.

    Arsonist sentenced

    HARRISBURG, PENNSYLVANIA - APRIL 13: (EDITOR'S NOTE: This Handout image was provided by a third-party organization and may not adhere to Getty Images' editorial policy.)  In this handout provided by Dauphin County District Attorney's Office, Cody A. Balmer appears for a mugshot photo after being charged in connection with a fire at Pennsylvania Governor Josh Shapiro's residence on April 13, 2025 in Harrisburg, Pennsylvania. It was reported that on April 13, 2025, an individual attacked the Governor’s Residence in Harrisburg while Governor Shapiro and his family were within the residence. Video surveillance shows a perpetrator throwing a Molotov Cocktail into the residence, igniting a substantial fire within. Balmer is charged with attempted murder, aggravated arson, burglary, terrorism, and related offenses.  (Photo by Dauphin County District Attorney's Office via Getty Images)

    On Oct. 14, Cody Balmer pleaded guilty to setting fire to the Pennsylvania governor’s residence in April.

    Balmer was convicted of attempted homicide, aggravated arson and terrorism. The judge sentenced him to 25 to 50 years in prison.

    Motive behind attack

    Balmer admitted to targeting the residence due to Shapiro’s stance on the war in Gaza.

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  • Revisiting Saturday Night Live’s Spartan Cheerleaders 30 Years Later

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    Thirty years after they first chanted their way into pop culture history, Will Ferrell and Cheri Oteri’s Spartan Cheerleaders remain one of Saturday Night Live’s most iconic – and delightfully unhinged — sketches.

    Ferrell, 58, and Oteri, 63, were five weeks into their SNL careers when they burst onto a November 11, 1995, episode dressed as the relentlessly upbeat Spartans. As outsiders who didn’t make the official high school squad, Craig (Ferrell) and Arianna (Oteri) still wore the uniform as they cheered proudly at chess matches, bake sales, even at a theater showing Titanic — wherever spirit was in short supply.

    Written and performed by Oteri and Ferrell (with writer Paula Pell joining later), the nearly 20 sketches ran through 1999, giving Us timeless chants like “Who’s that Spartan in my teepee?” (“It’s me! It’s me!”) and characters we still dress up for on Halloween, even today.

    Ready? OK! Keep scrolling for Oteri and Pell’s look back at the unforgettable legacy of the Spartan Cheerleaders:


    Related: Adam Sandler Breaks Character With Chris Rock in Surprise ‘SNL’ Cameo

    Saturday Night Live’s hosts and musical guests are typically the center of attention each week — but sometimes more famous faces steal the show. Thank You! You have successfully subscribed. Subscribe to newsletters Please enter a valid email. Subscribe By signing up, I agree to the Terms and Privacy Policy and to receive emails from […]

    Who Was Involved?

    Oteri and Ferrell dreamed up the Spartans their first week on SNL while stomping on rehearsal floorboards. Oteri had been a high school cheerleader who admittedly had “no team spirit,” inspiring her to imagine kids who didn’t make the squad but “still cheered because it was in them, they were born to it.”

    “I never cared about if we won or lost,” Oteri recalls exclusively to Us Weekly of her own lack of teenage pep. “It was just a way for me to perform and be loud and feel like I was good at something because I wasn’t a great athlete or student. I was across the board mediocre at everything. And [back then], you didn’t have to be a gymnast or a dancer, so I was like, ‘Oh, I can do these moves!’ You’re on stage in a way, you got a cute little uniform. And if our team would lose, I would just be like, ‘There’s still going to be a party, though, right?’”

    Pell, however, instantly connected to the sketch for different reasons, telling Us that she “never” made her own high school squad despite auditioning every year.

    “I was a person who tried out for cheerleading every single year. Every summer, I worked on my backhand spring every year,” she says. “But I was a little fat girl, so I never, ever, made cheerleading. Never once. I was the one that held the gum in the mints and the purses, and was up in the stands. Everyone in cheerleading were all my best friends, so I would sit, being like their mama up there, like a dance mom. I’d know every cheer. So when they asked me to [write for the Spartans], I just remember being like, ‘Oh, my God, you have no idea how [much] this is up my alley.’”

    Why We Remember It

    Will Ferrell, Cheri Oteri Spartan Cheerleaders
    Edie Baskin / ©NBC / courtesy Everett Collection

    The Spartans were the ultimate lovable losers — sweet, sincere and bursting with misplaced confidence — putting a hilarious spin on the teenage experience.

    “High school is all about drama and that’s what cracked me up,” Oteri explains. “It was like, ‘Oh my god, are you saying I split ends?!’ Everything was so dramatic and the problems are so big, you’re just gonna die if it doesn’t happen. I think everybody can relate to that.”

    Key Details

    SATURDAY NIGHT LIVE, Will Ferrell, Cheri Oteri & host, Rosie O'Donnell, as the 'Spartan Spirit' Cheer
    NBC. Courtesy: Everett Collection

    Every Spartans sketch had its signature elements: spirit fingers, Arianna clashing with her offscreen frenemy, Alexis, and the “perfect cheer.” Of course, Craig and Arianna’s sensibilities were a little… off, as with their tournament riff on “Proud Mary”: They sang “Bowling, bowling, bowling down the river” while he mock-choked her and then ended with a breathless plea to “Stop spousal abuse!”

    Ferrell, Oteri and Pell were admittedly having a blast behind the scenes.

    “We’d be in that little tiny office crying laughing,” Pell warmly recalls, confessing that sometimes, they’d stretch out the creating process to avoid moving on to a more stressful sketch. “You’re supposed to write a number of things that night, all of you. And we’d be in there laughing so hard and doing cheers … And then the other people that want to write with us, actors or writers, would, like, knock and say, ‘Are you almost done?’ And we’re like, ‘Oh my God, we’re getting there!’”

    The hosts also loved to join in the fun, from Tom Hanks (as the angelic Spartan Spirit) and Jim Carrey (an exchange student cheerleader) to Pamela Anderson (in Baywatch mode) and Rosie O’Donnell (above). It was the type of sketch that came with a sense of security once it became a recurring series.

    “We really wanted to milk the joy, because we just knew that if we had to go into the writing the unknown. It was always more nerve wracking,” Pell says. “And [Spartans] was just pure joy.”

    The Aftermath

    The Spartan Cheerleaders didn’t just land laughs — they became a phenomenon, boosting SNL after a handful of lackluster seasons.

    Pell remembers things feeling fairly “maligned” when she, Oteri and Ferrell first joined the cast and writer’s room. “When I got hired, Kat Pettibone Lorne [Michaels] was saying, ‘The show has had to be a Phoenix many times, where it falls and then it comes back up. And this is one of those eras. That’s why we’ve gotten rid of so many people, and now we’re starting fresh.”

    Adds Oteri, “Everybody was so excited, nervous, grateful. We were like kids. We were all like excited kids, and to get us to go anywhere all they had to do was feed us food. Because we were all just coming off, not being poor, but struggling.”

    Pell admits that while the newbies initially had “no idea what we were doing,” they leaned into the character writing and pulling inspiration from their own lives – something that quickly paid off.

    When Oteri and Ferrell made the cover of Rolling Stone in 1997 alongside Molly Shannon as Mary Katherine Gallagher and Chris Kattan as one of The Night at the Roxbury’s Butabi brothers, it was clear that their infectious spirit had spread beyond Studio 8H.

    “It was just like, ‘Wow, SNL is back. We’re bringing it back!’” Pell exclaims.

    Oteri, meanwhile, realized the success much later: “I remember going to a kids’ swim party. They were doing the whole ‘Taco, burrito, what’s coming out of your Speedo?’ cheer!” she says.

    There was also an out-of-body experience at a Bed Bath & Beyond.

    “I was in L.A. and I’m waiting in line, and they have those little round displays with magnets. And I look over and there was a magnet of me and Will as the cheerleaders! I wanted so bad to tell the people in line, like, ‘Listen to me: That’s me! That’s me!’”

    The legacy of the Spartans continues on today. As recently as 2022, SNL host Miles Teller shared a childhood video of himself and his sister playing Spartan Cheerleaders.

    “All those Halloweens that people dressed up as us,” Oteri comments, “it really is the sweetest tribute I could ever imagine.”

    A New Perspective

    SATURDAY NIGHT LIVE, Will Ferrell, Cheri Oteri in 'Spartan Cheerleaders' sketch, (1996-Season 21), 1
    NBC/courtesy Everett Collection

    The trio got “a lot back” from their labors, Oteri says. “I’ve always loved playing people who don’t know how bad they have it.”

    While Oteri officially departed SNL in 2000, the comedian says she would have “loved to stay longer” and continue to create characters.

    “That was my dream job, and I always felt like it was the perfect fit for me and I had more to give,” she tells Us. She adds that looking back, she wishes she had known she wouldn’t be returning for another season so she could have had a proper farewell.

    “It’s very important to say goodbye and but I was so shocked that I had made that decision [to exit the show], and I really wish I would have said a goodbye,” she tells Us. “Because there’s a difference between leaving and running away. And I think saying goodbye is leaving. That’s my regret.”

    As for why she left, Oteri says it’s a “hard” thing to answer, “It can be a rough place. That’s no secret. And I felt like I had to take care of myself. I just felt like I had to do it,” she adds.

    SNL Saturday Night Live Stars Where Are They Now


    Related: Former ‘Saturday Night Live’ Stars: Where Are They Now?

    Saturday Night Live has catapulted the careers of many of today’s most popular comedians, including Will Ferrell, Eddie Murphy, Tina Fey and Adam Sandler. Murphy, for his part, appeared as a cast member from 1980 to 1984. He went on to become a lucrative movie star, but tension between him and the show arose after […]

    Pell remained a writer on SNL until 2013. And while she, Oteri and Ferrell were all present at the show’s 50th Anniversary special earlier this year, a Spartan cheer was nowhere to be seen — or heard. Pell says it was a “hard” decision figuring out what past sketches would be honored as who was attending remained up in the air until the very end.

    “I was involved in [SNL 50], because I wrote stuff, but I wasn’t really in the meetings of them discussing [what to do],” she says. “They didn’t know [who was coming] for a while, so it was all unsure. … It would have been fun if we did it.”

    Where Are They Now?

    Saturday Night Live - Season 49
    Will Heath/NBC via Getty Images

    Since their SNL days, Ferrell has become one of Hollywood’s biggest comedy stars, appearing in hit blockbusters like Anchorman, Elf and January’s You’re Cordially Invited. Oteri popped up on And Just Like That and has Scary Movie 6 and a guest spot on season 2 of NBC’s Happy’s Place upcoming. Pell created and starred in Girls5eva and The Mapleworth Murders, and is set for a 2026 remake of The Burbs with Keke Palmer. “I play a military lesbian that helps solve the murders [in town],” she teases. Consider Us tuned in!

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    Kat Pettibone

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  • Exclusive Interview: Open Bars With Jake Banfield

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    When someone says “open bar,” your brain probably jumps to a dusty little dive with a flickering neon beer sign and a jukebox that hasn’t forgiven anyone since ‘97 — but it’s also the title of Oklahoma-born artist Jake Banfield’s debut album. Instead of cheap shots, he’s serving a fresh country pour with lyrics that have you texting your mom “ily” one minute and drafting a mental health voice memo to your therapist the next. We caught up with Jake to talk about how a basketball court became a songwriting playground after a career-ending injury benched his first dream, the art of writing hits for other artists before stepping into his own spotlight, and everything in between.

    Most people know your career began in songwriting, co-penning ‘BOYSHIT’ with Madison Beer, but you also worked on ‘Kiss My (Uh Oh)’ with Anne-Marie and Little Mix. What did you take from those sessions—writing to reflect someone else’s voice—that’s helped you define and strengthen your own artistic identity?
    I learned so much from those early sessions. I didn’t even know co-writing was a thing before I started making music, so walking into a room with other writers for the first time was crazy in the best way. It taught me how to speak up, trust my ideas, and just let things flow. Everyone in there has the same goal, which is to make something great. Those sessions taught me how to stay open-minded and enjoy the process, and that’s something I still carry with me today.

    Image Source: Courtesy of Big Feat PR

    Basketball’s basically in your DNA—you played in college, and your grandpa’s in the Oklahoma Hall of Fame for coaching. If we took that court energy and matched it with your debut album Open Bars, which tracks would sink the free throw, nail the two-pointer, and absolutely drain the three-pointer for you personally?
    ‘Thought of You’ sinks the free throw because it closes the album and wraps everything up perfectly. It’s that shot you make when the game’s almost over, just to seal it. ‘Sunburn’ hits the two-pointer. It’s efficient, feels good, and just lands right every time. ‘Lasso’ drains the three. It’s the big moment, the one that gets the crowd on their feet. That song feels like pure energy to me, just fun and full of life.

    In your interview with All Country News, you mentioned there isn’t an official ‘Lasso’ dance—each city has its own original line dance. That kind of mirrors how people interpret your songs in their own ways. How important is that sense of individuality and interpretation to you, both as an artist and in creativity as a whole?
    It’s super important. I never want to box people in with my music. I love seeing how different crowds take a song and make it their own thing. It’s cool watching everyone connect to it in their own way because that’s what music’s supposed to do. It’s supposed to bring people together but still let them be themselves.

    What’s really cool about the ‘Lasso’ music video, directed by IMXSEBASTIAN, is how it weaves in those Americana snapshots and motifs. And then, separately, the album’s lyric visualizers bring in that same world with the neon signs. Is there a particular visual element from country aesthetics that you’re especially drawn to—or something you’d like to explore more in your own visual universe?
    I love dive bars. Jukebox, pool table, darts, regulars, karaoke, smoky haze. That’s home to me. Those spots have real stories in the walls, and I think that vibe runs through a lot of the visuals we’ve done. It reminds me of small-town Oklahoma nights with my buddies, just talking life and laughing. That’s the heart of what I do.

    ‘Boys Don’t Cry’—a collaboration with Jason Walker (‘Echo’), who produced and co-wrote the track—has exploded with over 4.8 million views on YouTube. The song originally came out two years ago, contrasting with the album’s 2025 release. What is it about that track that you think still resonates so strongly now?
    It’s one of those songs that’ll always matter because it’s real. Mental health’s something that never stops being important. I used to keep stuff bottled up, and it never helped. The song’s about being open and saying you’re not okay sometimes, and I think that honesty is what makes people connect with it. Seeing how much it’s helped others means the world to me.

    ‘Still Feels The Same’ is the only duet on the record, featuring RaeLynn. What was it about her that made her the perfect fit for this song, and how did you approach the vocal chemistry when writing/recording it?
    I’ve been a fan of her voice for a while, and when we wrote the song, I could just hear her on it. She’s got this tone that feels both strong and emotional, and it matched perfectly. We sent her the song, and she absolutely killed it. Even though we didn’t record it in the same room, her verse and harmonies brought the whole thing to life.

    ‘Open Bars,’ the title track of the album, carries this beautiful irony—it’s sad in tone but poetic in how it credits the muses behind the music, the people whose essence helped shape the songs. What were you trying to capture with that one that made it feel right as the album’s spotlight track?
    ‘Open Bars’ just felt like the heartbeat of the album. There are a lot of reasons people walk into a bar. Sometimes it’s to celebrate, sometimes it’s to forget, sometimes it’s just to be around people. That mix of emotion runs through the whole project, and this song ties it all together.

    Image Source: Courtesy of Big Feat PR

    ‘Hall of Fame’ is such a gorgeous tribute to your mom—it flips the idea of achievement to celebrate the people who supported that journey. Is there a particular lyric from that song that you’re especially proud of or that feels most personal to you?
    “Where momma fit a million memories inside 1100 square feet.” That one hits home every time. We didn’t grow up in the biggest house, but it was full of love, and that’s all that mattered. My mom’s the reason I’m who I am, and that song’s just a small way to thank her for everything she’s done.

    ‘What We Started’ has perhaps the sickest production, which mirrors the high energy in the opener, ‘Anywhere But Home.’ What was the atmosphere like in the studio during that production process?
    That one was pure fun. We wrote it quick because it just flowed. Everyone in the room was fired up, throwing ideas out, and the energy never dipped. It felt like we were in a bar having the time of our lives.

    Finally, you’ve just wrapped your tour—do you have a standout moment that comes to mind, even though we’re sure it shuffles around like a Myspace Top Five?
    Playing my first hometown show in Tulsa on the night the album dropped. That one was special. Having my family, friends, and fans all in the same room while celebrating something I’ve worked so hard for was unreal. I’ll remember that night forever.

    You’ve heard Jake’s play-by-play, now it’s your turn to take the shot. Which track off Open Bars are you calling the slam dunk? Drop your fave over on our socials — Twitter, Instagram, or Facebook — and flex that MVP taste. Then, head over to Jake’s website — he just announced he’ll be opening for George Birge on the Cowboy Songs Tour next year, and trust us, you’ll want courtside seats for that one. 🏀🤠

    TO LEARN MORE ABOUT JAKE BANFIELD:
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | YOUTUBE 

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    Rachel Finucane

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  • Exclusive Interview: Dogpark Discusses New York Influences, The Music Industry, And More!

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    Dogpark is taking to the streets of New York City and singing their heart out. Following their recent EP, Until The Tunnel Vision Melts, they’ve released two singles: ‘September’ and ‘I Don’t Mind.’ In case you needed convincing, these two songs tell us exactly why Dogpark is one to watch. ‘I Don’t Mind’ marries the idea of the corporate side of their beloved New York and the artistic. It also teases what’s to come with their music.

    Already, Dogpark has made themselves stand out in the rock scene by bringing a fresh perspective to a classic sound. Ahead of their The Corporate Pudding Tour, we chatted with them about their journey as a band, their new music, and their take on the music industry.

    Welcome to The Honey Pop! Would you mind introducing yourself to our readers?
    Hi, we’re Dogpark. We’re a rock band from New York City, our members are….

    • Eamon Moore, lead vocals, keys
    • Declan Harris, lead guitar
    • Billy Apostolou, rhythm guitar, background vocals

    We met in college at the University of Richmond, and formed around the end of 2022, and started releasing music in late 2023. We’ve done a lot of touring since leaving college, including opening slots for The Moss in Summer 2024, Headline U.S. tour fall of 2024, Opening for Marcus King Band in Spring of 2025, and now we are currently on our second nationwide headline tour. Our music is always evolving and is always at the center of band’s focus. We like to mess around and have a good time and try to spread that kind of energy with our music.

    Dogpark’s Journey

    You started out playing mostly covers at frat parties at the University of Richmond. Was it always the plan to evolve past that as a band?
    It’s hard to say that there was much of a “plan”. We initially were playing mostly to satiate our own desires to play music in a band, and slowly it became a good source of income for us, especially as college students. I’d say once we started to take off a bit on TikTok, it brought in all the suits and music industry people, and it all became more of a serious proposition. We went out to LA for a month in the summer of 2023 to write and record what ended up being our first EP, and that was really where it became clear this was a real possibility for us.

    You’ve come a long way in such a short time, going from college shows to selling out a headline tour and playing festivals. Has your approach to performing changed at all?
    I don’t think our approach really has changed at all. We still want to put on the most entertaining
    show we can for the crowd, and play music we’re interested in. Back then, we used to play a ton of covers during our frat sets because we didn’t have any originals, but now that we have a catalog, our shows are obviously centered around those now. And we’re definitely all much better musicians than when we were playing in frat basements. I think also early on there was a feeling of do or die with every show, now maybe there is a little less pressure on each individual show since we’ve played so many. It’s less exhilarating at times, but it allows you to enjoy it too a bit more, maybe.

    Coming up in the age of social media, a few of your viral TikToks catapulted you to widespread recognition quickly. What was it like to experience that shift so fast?
    It’s a bit strange because, for the most part, everything is the same in your life. It’s not like people recognize you on the street (for the most part), and you aren’t really “famous,” but simultaneously millions of people engage with your content. I think specifically with content that is based around pre-existing content, like song covers, for example, it’s especially strange because there really is more of a connection to these songs than there is to us covering them, that’s more so what is driving the engagement. So, breaking the barrier with original content was just a new challenge we faced.

    Photo Credit: Ilona Donovan

    Making The Music

    Between songs like ‘Breaking In Brooklyn’ and ‘Washington Square Park,’ a lot of your songs focus on places that seem important to you. How do you channel these settings and your feelings about them into your music?
    I think typically when we include a song about a setting, it involves either a memory, or a dream, or someone else’s memory that took place there. I think also, since people are aware of cities and their connotations, it’s just a way to provide a sort of backdrop and ambiance to a song, just by referencing it.

    We love your take on the indie-rock sound in your last EP, Until The Tunnel Vision Melts! What was the process for bringing that EP to life?
    The process for that EP took a while. We started writing some of the songs on that project over a year before we ended up getting to record them. When we finally had them written, we flew out to LA to work with our Producer, Carlos De La Garza. We all heard his credits before and knew he would do a great job. We recorded the songs in two sessions at Apogee Studios in LA. The recording didn’t take so long because we had been playing those songs for a while on stage, so we had a ton of reps.

    The first single off Corporate Pudding, ‘September’ sounds just like moving from the end of summer into the colder months, which matches the way the relationship seems to be going in the song. What does this song mean to you?
    The song is really about an ominous feeling. Knowing that the end of a relationship is coming before anyone has said anything about it. And usually in this situation, no one does say anything. and it drags out and it ends poorly. Thankfully for us, we’re all in happy relationships now, but when I wrote this, I (Eamon) had been single for a while, and this was a common experience for me where I could sense bad feelings but was unable to act and had to watch the unfolding of events, just like we are powerless to stop the seasons from changing.

    Dogpark’s Perspective

    Teasing your upcoming project, Corporate Pudding, you’ve mentioned that it’s inspired by your “frustrations with the music industry and the corporate world.” How do you think coming into the industry from the independent college scene has shaped your perspective on the music industry?
    I don’t know if it’s coming in from the college scene that’s shaped our perspective, but as people who enjoy music as fans and are obsessed with the craft, you quickly learn that dollar bills are the only thing that matters to the people in charge of curating today’s music. There is a pervasive issue that goes far beyond music in American culture that whenever a cool thing sprouts up organically, you must milk it dry for every dollar it’s worth, and in the process, drain the cool organic thing of everything that made it cool in the first place. That’s not to say no one in the A&R or label business has an ear for music; they need to. But I think their ear is honed in on music and promotional strategies that they think maximize their chances to earn the most money, naturally. And of course, we all want to make money, but it leads to conflict when most artists just want to make the music they make, and they feel uncomfortable altering the way they sound or are promoted to appease suits. I think it’s naturally inspired us to write some music that attacks and comments on greed in the U.S.

    You also mentioned that the sound of your next project is inspired by your life in New York City. How has the music scene in New York influenced your music?
    I think it’s more so the energy of the city and the hectic nature of it has inspired the sonics. Similar to the way bands like the Strokes and LCD Soundsystem were able to harness the energy of the city into their music, or at least that’s the mindset. It’s a bit hard to define what the NYC scene is since it’s so massive, but I do think the rock scene is becoming more defined now, though, and there does seem to be an influx of bands forming here that are getting a bit of traction at the same time, so it’s an exciting time to be.

    We imagine the scene is quite different in New York than in Richmond. How have you seen your music evolve since moving?
    Not really much evolution in that sense, we all grew up around the New York area, so we’ve all been familiar with that scene for a while, and it took root in our music early on. I think from the first two projects to this one, though, that the NYC influence has probably manifested itself most on this upcoming project. We recorded the first two EPs in LA with producers who live in LA, and with this upcoming project, we recorded in Pennsylvania, just a few hours from NYC, with Phil Joly, who has done a lot of amazing work in NYC; it all fits right.

    Photo Credit: Courtesy of Big Loud Rock

    Considering the way you started out, are there any up-and-coming artists you want to put us on to?
    We really love all the bands that are opening for us on the corporate pudding tour, but one that we’ve been listening to a ton recently is Rehash. Their music is evocative of a lot of our favorite influences and executed amazingly, especially for how young they are. We’re really excited to play some shows with them soon. Edgehill is another really great band that’s opening for us and on our label. I think we all loved watching Hans Williams at Mighty Roots festival last year, and also, there’s a Swedish band we’ve been listening to called Girl Scout, and they are excellent.

    Lastly, is there anything you want to tease about what you have coming up?
    We’re on tour right now until December, and we have a ton of new music on the way. Leaning a bit more into the Corporate Pudding theme, which should slowly unravel itself over the course of the year.

    And we’re obsessed. Between the nostalgic ‘September’ and the rebellious ‘I Don’t Mind,’ Dogpark’s next chapter is gearing up to be one you don’t want to miss. Recently, they’ve landed themselves on People’s Talented Emerging Artists list, and they’ve set off on their headline tour (buy tickets here). And they’ve made it clear they’re just getting started.

    So follow along on their journey, and let us know your thoughts at @thehoneypop on Twitter, Instagram, and Facebook!

    TO LEARN MORE ABOUT DOGPARK:
    INSTAGRAM | TIKTOK | WEBSITE | YOUTUBE

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    Caitlyn Tarney

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  • Busy Philipps Gives Behind the Scenes Details of Dawson’s Creek Reunion

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    Busy Philipps gave Us behind the scenes details of the recent Dawson’s Creek reunion — including how the cast pivoted when James Van Der Beek announced he wouldn’t be able to attend.

    “I think we were all really hoping that James was going to be able to make it even kind of up until the last second,” Philipps, 46, exclusively told Us Weekly while promoting her partnership with Supernus Pharmaceuticals. “We just had a contingency plan in place.”

    Philipps added, “Thankfully, Lin-Manuel Miranda knows the Richard Rogers Theatre very well.”

    The New York City venue is the same theatre where Hamilton is performed. Philipps added that it was an “easy call” to ask the Broadway star and creator of the hit musical, 45, to step in since he is close friends with Michelle Williams’ husband, Thomas Kail. The actress added that Miranda’s addition to the Dawson Creek family was a big win for Van Der Beek, 48, and his family.


    Related: Busy Phillips Details ‘Dawson’s Creek’ Reunion: ‘Unbelievably Special’

    Busy Phillips is opening up about the “unbelievably special” experience of reuniting with her fellow Dawson’s Creek stars in honor of James Van Der Beek. “It’s taken me far too long to post about our Dawson’s Creek Reunion show at the Richard Rogers Theater last week but the truth is, it was so unbelievably special […]

    “James was also very thrilled that Lin was able to step in. His kids and family were able to see Hamilton the day before,” she explained. “We just had to figure out how it was going to … be the best version of a thing.”

    Last month, Philipps, Williams, Katie Holmes, Joshua Jackson and more of the Dawson’s Creek cast gathered at the Richards Rogers Theatre for the highly anticipated reunion. The group reprised their roles from the beloved teen drama for a special reading of the pilot script. Miranda stepped in for Van Der Beek to portray lead character Dawson Leery. The event was raising funds for the charity F Cancer.

    Van Der Beek was initially scheduled to attend but had to cancel because he was sick. (The actor is also currently battling stage III colon cancer.) Although he was unable to attend himself, Van Der Beek’s wife, Kimberly Van Der Beek, still made an appearance. (The pair, who tied the knot in 2010, share daughters Olivia, 14, Annabel, 11, Emilia, 9, and Gwendolyn, 6, and sons Joshua, 13, and Jeremiah, 2.)

    GettyImages2236440887Busy Philipps Shares Behind the Scenes Details of Dawson Creek Reunion
    Cindy Ord/Getty Images for F Cancer

    In addition to acting out the show’s first episode, the cast performed a sing-a-long to the Dawson Creek theme song, Paula Cole’s “I Don’t Want to Wait.” James and Kimberly’s little ones also joined in to sing the tune. While speaking to Us, Philipps revealed that the surprise moment was arranged by Jason Moore, an “incredible theater director” who worked with the Dawson’s Creek cast on an episode back in the ‘90s.

    “We’d all worked with him before … We had been trying to figure out what the best way to do the song was,” Philipps told Us, adding that because James’ children are “really amazing singers,” it would be fun for them to be involved as well.

    “There was a lot of texting back and forth the week before between me, Tommy and Jason Moore about … what do we do with the song, and how do we make it special? I think it was Jason’s idea … and possibly Tommy too,” she shared.

    Philipps added that they thought it was a “great moment” to include.

    Best Moments From the Dawsons Creek 2025 Broadway Reunion


    Related: Best Moments From the ‘Dawson’s Creek’ 2025 Broadway Reunion

    If you weren’t one of the lucky fans to experience Capeside on Broadway, Us Weekly is taking you inside the 2025 Dawson’s Creek reunion. Michelle Williams, who played Jen Lindley on the beloved WB show, organized a one-night-only reading of the Dawson’s Creek pilot to raise money for F Cancer as former costar James Van […]

    “Everybody just came together, and everyone had great ideas and input, and [it was] all hands on deck,” she explained. “We just really wanted it to be special and something that, even though James wasn’t able to be there, he would feel the love from the Richard Rogers theater on Broadway all the way to Texas.”

    Philipps was actually one of the only actors who didn’t reprise her original role for the reunion, as her character, Audrey, doesn’t appear until the show’s fifth season. Instead, she took on the part of Tamara Jacobs (played by Leann Hunley in the series), the problematic teacher who takes 15-year-old Pacey Witter’s (Joshua Jackson) virginity..

    In a scene from the pilot, Jackson’s character kisses Tamara, which Philipps and Jackson recreated on stage to an eruption of claps and screams. Philipps admitted the pair — who played love interests later in the show — “didn’t have any conversations” about the smooch beforehand.

    “It’s a reading on stage. We just have to do it!” she said with a laugh, adding that the moment got exactly the reaction she expected. “I think anytime you kiss Josh Jackson, people are going to scream.”

    Dawson's Creek Cast


    Related: Joshua Jackson and Katie Holmes Hold Hands at Dawson’s Creek Reunion

    Joshua Jackson and Katie Holmes leaned on each other for support as they took their final bows following the Dawson’s Creek reunion. Jackson and Holmes, who portrayed Pacey Witter and Joey Potter, respectively, on the WB series, could be seen holding hands and placing their heads on each other’s shoulders as they wrapped up their […]

    While the Dawson’s Creek reunion was initially put together to raise money for F Cancer amid James’ cancer battle, Philipps is also focusing her philanthropic efforts toward ADHD awareness. The actress realized she had the condition later in life after her daughter Birdie was diagnosed first. Philipps has since teamed up with Supernus Pharmaceuticals to talk about her experience.

    “When I started to try to figure out what was the right path for me in terms of treatment. And I tried Qelbree, which is non-stimulant. It really worked for me, so it felt like a very natural fit,” she said of the partnership. “I’m able to talk about a thing that I really believe [in]. More people should be educated about, especially women and girls, ADHD, and getting a diagnosis that makes sense for them.”

    Philipps shared that both her and her daughter being diagnosed with ADHD together has helped them navigate the condition. (Philipps shares Birdie and daughter Cricket with ex-husband Marc Silverstein.)

    “I think it’s been a lot of figuring out ways to help her [and] me manage it, and then also having the understanding that her brain does work differently, and this is just part of it,” she told Us. “There’s nothing wrong with her. It’s just different. And I think it takes a lot of the shame and stigma away.”

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    Kaitlin Simpson

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  • Exclusive Interview: CVCHE Talks All Things Get Fluffy, And More!

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    If you’re looking for a new supergroup to dive into, look no further than one of our most recent musical obsessions, CVCHE! If you’re just now tuning in, you’ve done it at the perfect time! CVCHE’s debut album, Get Fluffy is due later this year, and we’ve just gotten their newest offering from the record, ‘The Star.’ We were lucky to chat with CVHCE about their upcoming record, ‘The Star,’ and so much more!

    Listen to CVCHE’s newest track, ‘The Starhere!

    Thank you so much for taking the time to chat with us! To start us off, if someone is tuning in for the first time, how would you describe the kind of music CVCHE makes? 
    No, thank YOU! We’d definitely describe ourselves as the pioneers of Rural Canadian Techno, since that genre did not previously exist – nor may it EVER exist – unless people want it to. You could also say “organic electronic jams that make you want to dance in your socks on a hardwood floor.”

     Get Fluffy is due later this year! What has the process of crafting your first album together as a group been like? 
    We set up four or five synths at one station for each of us. I would make a beat, then we’d all start dialing in sounds on our stations. Once we all had a good palette of sounds, someone would come up with a bass line or tonal starting point. Then we’d hit record and start laying in parts simultaneously, like a live jam, for about 20 minutes. We then edited the best parts into the final track. Some ended up tracking the record rather quickly, and on others, we spent a bit more time on arrangements.

     How far into the creative process of ‘Get Fluffy’ did ‘The Star’ come to be? Were you still actively crafting the album?
    It all happened very quickly from inception to completion because of the process I outlined above. It’s a great way to work, and we just know each other so well that there was very little mucking around and/or throwing things out. We actually have a bunch more tracks we really like that aren’t coming out on the record. The chord progressions are more vocal-friendly, so we saved them to experiment with that at some point. We basically got into a great flow state and just made a whole bunch of stuff with no ‘demographic’ or all the other things you’re supposed to think about – where it fits, who will like it, etc. We just made music, and all this stuff is what came out, with no fidgeting around with expectations. It was fun. And still is!

    When you’re in the midst of a jam session, and a song like ‘The Star’ starts to form, do you guys automatically realize you have something you want to dig into further and possibly release? 
    We actually aren’t jamming in the typical sense. It’s more about coming up with a beat we all like, then a bassline, or riff, or chord progression. If we like where the early stages are going, we start dialing in sounds we like on all of our respective synth stations and all sorts of approve of them or not as we’re working them up. Once we have a big palette of sounds and the framework of the track, THEN we “jam” in a structured way for 20 – 30 minutes as every synth patched into ProTools is in record. We then edit it down with the sections we feel are gelling the most.

     With CVCHE, when did the idea first spark to form this group? Were you all approached at once? 
    Liam and Jimmy started jamming a bit after tracking a Metric record, and then I came in. We drank wine, pulled out more synths, and then decided to make a record after we’d already finished making it. 

     Each of you comes from different groups that we are sure have their own creative processes. How do you bring each of those into this new group, and what works best for what you want to be creating? 
    I think all of our experience combined really helps in making navigating the technological aspect of things secondary to creativity, which can be a challenge for everyone. We know how to dial sounds up quickly, and we know how to get around our synth collections, arranging, mixing, etc., so it’s more about us playing off of each other rather than getting caught up in midi troubleshooting (which we’ve collectively probably spent 8 million hours doing). We all use Pro Tools, and it helps that Liam is a legit Pro Tools wizard.

     And speaking of what you want to be creating, it’s been said that you guys want to “make releasing music as fun as creating it.” What aspect of creating music do you think is lost in the stress of releasing said music? 
    Oh, wow, I could talk shit about algorithms all day! Making records is fun, spiritual, bonding, magical, and all the other feels, and then comes… algorithms, metadata, streaming companies, troubleshooting passwords, traffic light captchas. So romantic, isn’t it? So, we just said “fuck all this.” Yes, it has to be done, but what else can we do to keep it fun? That’s when we brought Jon Morris in as a member of CVCHE. He did Nine Inch Nails’ stage design, as well as designed for Lady Gaga and Metric, and has done loads of huge installations at Burning Man. Jon is the official-unofficial king of fun. He helped make an infinite scroller video game (it’s fun… check out www.heycvche.com), and we’re building out a super fun merch store. We’re planning a crazy, awesome live show as well. We tell more jokes on calls than we talk about business. We have no strategy to ‘beat the algorithms.’ We just have fun and, in between, fill out endless forms and upload to streamers and publishing info. Gotta keep it fun. 

     You recently released your single ‘Thumper.’ What inspired that song, and how did it come together?
    A super weird thumping sound that randomly started coming out of the MS-20… a ghost in the machine, as Sting would say. We made a track around the sound and then ended up muting it in the end — the track, as you hear it, remained.

     While crafting this upcoming album, Get Fluffy, was there a song that felt like lightning in a bottle? That once it started, you guys knew it was going to be one of the ones that made the record? 
    No, because we like all of them. We have more that aren’t on the record – more so because the chord progressions lend themselves to vocals – so we’re sitting on those for the right time.

     We have to talk about the video game! Where did the inspiration come from to include this in the process of putting out music? 
    Jon Morris brought that to the table, and his friend/coder, Sonny, dialed it all up. At the time of creating the game, with a new song release per level of the game… We are as certain as we can be that we were the first to do this in this way.

     Once again, thank you guys so much for your time! Before we let you go, what can fans look forward to as we close out 2025?
    More sock jams that make you wanna dance in your socks on a hardwood floor, live shows from us at some point, and hopefully vacations in the Caribbean when it starts to get cold — for both us and fans alike. Who wants to make a plan!? We’re SO IN. ⚡️

    Check out more of our exclusive interviews here!

    We would love to hear from you! What do you think of our interview with CVCHE? Let us know by commenting below or by tweeting @TheHoneyPOP! We are also on Facebook, Instagram, and TikTok!

    TO LEARN MORE ABOUT CVCHE:
    INSTAGRAM | WEBSITE

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    Hailey Hastings

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  • Exclusive Interview: We’re In ‘kansas’ With Nathalie Miller

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    Glitter catching on the studio floor in tiny mosaics — honestly, the perfect partner for indie-pop heartbreak. So it’s no surprise that five years ago, singer-songwriter Nathalie Miller booked her very first studio session on New Year’s Eve. Because what’s more indie than ringing in a fresh start while spiraling through an existential countdown? Since then, she’s ticked off each metaphorical second toward her debut EP, made especially for you, and now, her upcoming release, like you used to — a whirlwind of introspection that spins us right back into kansas. The lead single, ‘kansas,’ wrestles with the question: can men and women ever really just be, or are we all doomed to subconsciously audition for the role of “emotionally available mom” until a girlfriend steps in and takes over the job description?

    We caught up with Nathalie to talk all things gender dynamics, emotional labor, and the surreal new music video — where, in a painfully on-the-nose twist, a controlling male director literally hijacks her set. Spoiler: it’s as uncomfortable (and brilliant) as it sounds.

    ‘kansas’

    ‘kansas’ feels really fresh because it’s not about a friends-with-benefits breakup—it’s about the loss of a platonic friendship with a boy. What do you think it is about these kinds of friendships where boys lean on women to fill that almost maternal role in their lives?
    I noticed that in a lot of my friendships with straight men, they used friendships with women as placeholders for the emotional support that their girlfriends and moms give them. It took me a while to notice because I think emotional intimacy is so common within female friendships that I wasn’t even aware I was doing it with my guy friends. The difference I noticed was the reciprocation in that care. I remember a professor in college said (and this is off the top off my head so take it with a grain of salt) that boys are generally socialized to stop practicing emotional intimacy in friendships around ages 5 to 8 and girls never stop, so by the time you’re older, women have had tons of practice and men haven’t allowed themselves that.
    I think emotional vulnerability is less common between men because of the standards of masculinity that they’re under, so a lot of the time, the only time they practice emotional intimacy is in their romantic relationships with women. I would be in these friendships where I’m taking on a lot of their feelings, but not receiving that support back, and then being ghosted when they got into relationships because they viewed the emotional labor I was doing as a relationship thing. That would always make me feel so strange cause I truly viewed them as just friends, but they were associating emotional intimacy with romantic relationships, so I would get the boot when there was a love interest. It would make me question the whole friendship, like was that not platonic? Was I taking on the role of girlfriend without knowing it?

    Image Source: Tristan Zhu

    Do you have a favorite lyric from ‘kansas’—one of those lines that people can really angst over and sit with?
    I like “I think of the last time we talked and you told me you know where the guns are” cause it makes me giggle. It’s a blunt lyric in a really sparkly atmosphere; I think of it kind of like a lyrical jumpscare. I think it sums up the weight of being responsible for someone’s emotional state, playing with their external consciousness/moral compass, and the immense stress of that.

    What made ‘kansas’ the right song to lead with as the first tease for your upcoming EP, like you used to?
    Sonically, I felt it was an engaging start. It’s definitely an indie-pop song, but because we (my producer Brian Charles and I) were experimental and genre-less in the way we went about recording ‘kansas,’ it kinda catches your ear in a “what is that” kind of way. It’s also a good middle ground emotionally, sonically, and tempo-wise with the rest of the songs.
    There’s one that’s weirder and one that’s more commercial, and some that are sadder and some that are more upbeat. It’s hopefully a good toe dip into the rest of the EP. I also just realized earlier today that a lot of the songs on this EP are tied to the experience of being a girl, so it introduces that viewpoint too.

    The Making Of Music Videos

    The ‘kansas’ music video has this showgirl-esque energy, with a male figure directing the photoshoot—almost as a metaphor for the control he tries to have over your life. What metaphor did you most want to shine through in that video?
    We were kind of riffing off a “losing it” moment and wanted to play off that. Chris came up with the concept of a creepy director at a shoot after I explained what ‘kansas’ was about and Palmer [Wells, co-director] came onto the project a couple days before we shot, so it was a whirlwind of a shoot. We wanted to translate the feeling of hitting your breaking point with someone and not shy away from the anger of it.

    On your YouTube channel, the behind-the-scenes clip for the ‘mark like cain’ music video shows you building things from scratch—like painting a clown in your signature blue makeup and even crafting a moon—that would normally be handled by a big-budget production team. What’s something about making a music video that you wish more people realized, but usually never crosses their minds when they watch the final cut?
    I think that when your budget is really small and your team is just your friends, you have to get really creative about how you’re gonna make a music video. This last video for ‘kansas’ was the first time I hired a team and stepped back just a little, but especially for ‘mark like cain’ where I made all the set pieces/props from cardboard, music videos are so much work and so time consuming. I’m not sure I ever thought about it before I started releasing music, but you would think that since they’re shorter and the songs can do a lot of the storytelling, they would be easier (or at least quicker) than other shoots. But it’s really hard to strike the balance of making sure the song is the star and the video is still compelling, but not overshadowing the music.

    You lived in New York studying photography and working as a model, and that visual eye really comes through in your music—especially the animated drawings in the made especially for you visualizers. What elements from your photography background do you think have carried over into how you style your artwork and visuals now?
    Even though I quit all my photography jobs, I’m glad I have the degree and experience because I feel like visuals are really essential to music, especially with cover art. It’s like world-building and making an immersive place for the music to live, a face for the sound. I use those skills in every release because I’m kind of annoyingly specific about cover art. I’m a bit looser with music videos, but for made especially for you and the ‘kansas’ single art, I did everything by myself.

    'kansas' cover photo
    Image Source: Courtesy of Knyvet

    I had my brother, Max Miller, 3D render the cover art for like you used to, and he would probably tell you I was persnickety about it, cause I want to make sure it feels super me. Except I can’t see him using the word “persnickety.”
    With music videos, it’s more of a collaboration cause it’s different from photography, but I guess with photos I feel more in my element and able to take the reins. It’s nice to not have to rely on someone and decide “I’m gonna take cover art pictures right now” when an idea pops up. It’s a similar thing with the visualizers. A lot of times, music is super reliant on other people’s schedules, and it’s nice to be like, “I need this now, so I’m gonna make it now.” I also just like an excuse to draw.

    like you used to

    Both made especially for you and your new EP, like you used to, carry this “letter” vibe, with the recurring use of “you” in the titles. Why was that second-person framing something you wanted to emphasize?
    I’d never noticed that I had done that, but I like the idea of the titles being letter-ly. I got the name for made especially for you from these tags my Great-Grandma D would sew into clothing she made for people. They said “made especially for you by Charlotte” and I always thought that was so cute.
    I got like you used to from the title of one of the songs on the EP. It was a song I had the idea for for close to two years, but it only started flowing when I switched the perspective from talking about the experience to telling the experience like a story addressed to what I imagine as a younger me that the listener gets to play. I think that’s what I like about using second person, is including the listener as their own character, like it’s their EP or song, too.

    You’ve mentioned that you like “making it sound like there are a lot of people on the record,” even though at the core it’s really just you and producer Brian Charles. Why is creating that layered sense of community in the sound important to you?
    I love a stripped-back acoustic song, but when I’m in the studio – Rare Signals in Cambridge, MA – and Brian can play all these instruments, it’s like, why wouldn’t I add 10 layers of different guitars, a banjo, and a toy piano? I also think a lot of the music I listen to is made by bands, so my references sound like a lot of people. I always say I have an embellishment problem where I can’t stop adding little layers, though I’m not sure “problem” is the right word because I like how it sounds. I think I’m just a maximalist in all parts of my life: my decorating, my clothes, my makeup, my friendships, and my music.

    Image Source: Tristan Zhu

    Finally, you’ve also said that when fans or friends put themselves into your lyrics, their interpretations are often miles away from what you originally intended. Is there a particular song of yours where you’re happy to let their version of the story completely take over?
    I would love to hear how people interpret the song ‘witches don’t burn’ off of the new EP. I have a tendency to assign songs to a person, and ‘witches don’t burn’ is kind of about an archetype of person who pops up in my life from time to time, so it draws up specific memories. If it’s like that for other people, I’m excited to hear cause I love when people relate to their own lives and share that with me.
    In the past, ‘mark like cain’ seemed to mean a lot of different things to different people in a way I didn’t expect. I think women’s health in general is a sensitive topic, and there’s not a ton of media about it, so it covered a broad audience, and I was happy to hear it connected with people and how it applied to their specific situations.

    What ‘kansas’ line is currently ruining your life (but, like, aesthetically)? Drop your lyrical obsessions on our socials — Twitter, Instagram, Facebook — before like you used to officially wreck us all on October 24.

    TO LEARN MORE ABOUT NATHALIE MILLER:
     INSTAGRAM | TIKTOK | WEBSITE | YOUTUBE

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    Rachel Finucane

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  • Exclusive Interview: The Party Animals’ Jenane Lets You ‘Feel It (Heartbeat)’

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    Imagine this: you’re belting it out in a dimly lit bar, same as every week with your band, when suddenly you get scouted—not by a record label, but by a professional baseball team. Overnight, your tip jar is traded for a stadium full of face-painted, beer-waving, pom-pom-swaying fans. That’s the real-life plot twist for Jenane, lead singer of Party Down (yes, she had the name long before things blew up). She was spotted by none other than the Savannah Bananas of the Banana Ball Championship League—a team whose mascot is exactly what it sounds like: a banana with a furrowed brow, bat slung over one shoulder, looking like it’s about to knock one clean out of the park. Since then, Jenane has been swapping late-night gigs for ballpark anthems with The Party Animals, while sliding her solo music into the mix. Her latest, ‘Feel It (Heartbeat),’ is a pop gem that playfully wonders if her crush not only knows they like her, but feels the same spark. 

    We caught up with her to talk about the new track, her role as the Bananas’ resident cool-girl frontwoman, and what it’s like to go from dive bars to diamond lights.

    Your single ‘Feel It (Heartbeat)’ was co-written with Mark Demao and Alexander Johnson. What was that writing session like, and how did the song take shape?
    The writing session actually began as a song meant for sync! We wanted to write something emotion-driven that would work well for movies and TV, and it actually turned into something I really loved playing live!

    In the ‘Feel It (Heartbeat)’ music video, the color purple really stands out—from your shimmering eyeshadow to the purply-pink skies. What made you connect that color so strongly with the song?
    I’ve just been really drawn to the glamour feel of pinks and lavenders lately! It gives that soft, feminine feel, and paired with something silvery, it provides a bit of edge that I think really reflects in my music. 

    The lyric “Can you feel my heartbeat?” is such a poetic way of asking someone if they know you like them. In your own life, what are the little tells that give away when you’re feeling a spark?
    A lot of giggling and eye contact. If I’m into you, you’ll have my full attention.

    The way your band, Party Down, ended up teaming with the Banana Ball baseball team feels almost serendipitous, like being “scouted” mid-journey. Do you have a favorite memory from that collaboration so far?
    We have a lot of great memories with The Party Animals! I’d say St Paul was one of my favorite crowds – it was the first bananaball game played in Minnesota, and the crowd was so engaged and so incredibly fun to perform to.

    You’ve gone from playing local bars to suddenly performing in stadiums for rowdy sports crowds—skipping a lot of the “usual” steps singers take. How did you train yourself to feel at home on stages that massive?
    I think the trick is to think of it just like any bar stage, because your goal is the same: interact with the crowd and create the kind of energy on stage that they can’t help but engage with. It’s honestly a little easier with The Party Animals crowds because the fans LOVE to sing along!

    You’ve said you enjoy not just holding the mic but stepping behind it—sharing fun commentary about things fans might not always notice, like the differences between Sabrina Carpenter’s studio ‘Espresso’ and her Tiny Desk version. What’s another detail about performing live versus recording in the studio that you think most fans overlook?
    I think a lot of fans forget that recording is an ideal environment where you can take as many breaks and takes as you’d like. When you sing something live, you need to think about vocal health and endurance a lot more. So you may need to change the key, or choose some alternate parts to make sure your voice can last the whole show or tour!

    You recently brought ‘Feel It (Heartbeat)’ into the sports world by performing it for a Party Animals gig. What was it like merging your two worlds?
    It was an amazing feeling watching the fans dance to one of my own songs, even though they had never heard it before. I love singing covers, but when fans come up to me and tell me they loved my original, that really means the world to me.

    Image Source: Lawrence Dahl

    The onstage looks for the Party Animals baseball gigs are so striking—paint-splattered pants, bold logo tees, numbers on display. Is there a creative decision you’ve pushed for in the band that you’re especially glad worked out?
    We all had a lot of creative input when it came to our costumes, with each of us adding a little personal flair that still made us feel like a pop/rock band. I added the pink tutu to my costume in my second year with the Party Animals because I wanted something more eye-catching, and it definitely worked! I love seeing little girls dressed in tutus at games now.

    A lot of celebrities have taken notice of your work with The Party Animals—Leona Lewis and Kristen Bell, among them. Do you have a standout celebrity story that really stuck with you?
    I don’t have many celebrity stories related to The Party Animals, but I did get the opportunity to meet and sing background vocals for the Bacon Brothers a while back!

    You’re nearly off-season—how do you plan to spend this time, and what’s next for you in your solo music bubble?
    The goal in this off-season is to keep writing and making content around my original music! I’ll still be playing with Party Down in clubs pretty much every weekend, so I’ll definitely still be performing, but I really want to lock in on my own music in this coming year!

    Got a favorite line from ‘Feel It (Heartbeat)’ stuck in your head—or maybe you’re always one bass drop away from breaking into a full-on Party Animals routine the second you step on a baseball field? 👀 We need to see those moves. Tag us and show off on Twitter, Facebook, or Instagram—we’ll be cheering louder than the Bananas’ mascot with a bat on his shoulder. 🍌⚾

    TO LEARN MORE ABOUT JENANE:
    INSTAGRAM | TIKTOKYOUTUBE 

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    Rachel Finucane

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  • Exclusive Interview: Em Beihold Talks All Things ‘Hot Goblin,’  ‘Brutus,’ And More!

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    Em Beihold has been a mainstay on our playlists ever since her song ‘Numb Little Bug’ came out, so it is no surprise that her artistry is displayed in her newest song ‘Hot Goblin.’ We were lucky enough to chat with Em about ‘Hot Goblin,’ the thematic through lines of her recent music, ‘Numb Little Bug,’ and so much more!

    Stream ‘Hot Goblin’ here!

    Hi Em! Thank you so much for taking the time to chat with us! To start us off, how would you describe your music to someone who is tuning in for the first time? 
    Hello hello! Thanks for having me! I like to describe my music as quirky piano pop that talks about difficult things with a certain degree of levity. I’ve also been described as a popified Regina Spektor, and I really like that description. 

    ‘Hot Goblin’ is your latest track! The lyric video felt like stepping into a fairy tale book. When crafting this track, was the inspiration immediately tied to that aesthetic?
    Not really! When I was writing the song, I was initially thinking more along the lines of the experience of being a woman and how fickle our relationship with confidence can be. The fairytale stuff came after and felt obvious once the concept was solidified. 

    Something that immediately drew us to ‘Hot Goblin’ was the vulnerability hidden within this musically upbeat pop track, the understanding of insecurities, but the ability to still find confidence in that. What do writing sessions look like for a song that presents vulnerability in this way?
    I think my co-writers Nick Lopez, Jason Suwito, and I had a lot of fun figuring out what the term “hot goblin” means. As a girl who definitely feels the pressure to constantly present as put-together, fashionable, hot, etc. (especially from social media), it felt freeing to put a name to the feeling of embracing your insecurities and messy parts while still loving yourself completely and not feeling less than. 
    I also wanted the song to be about that feeling on top of the world one day and at the bottom the next, so ‘Hot Goblin’ became a way to give language to that cycle. Nick has been a close friend since we wroteNumb Little Bug’ together, and Jason came into my life during a rough patch in my career, so there was already a lot of trust in the room. After we laughed about the phrase “hot goblin,” which I brought into the session (kind of as a joke), they both got it and locked in immediately. That balance of humor and honesty made the writing process really special. I write my favorite songs when I’m laughing.

    ‘Brutus’ is another recent release of yours! This track features some of our favorite visuals from you yet! Where did the creative vision for this video come from? And what was that on-set experience like?
     I was really inspired by the movie Amadeus, which my mom showed me when I was going through an intense, unforgiving period of depression, where I couldn’t stop comparing myself to other female artists who were creatively unblocked and more successful than me. I related to the character of Salieri and thought it would be fun to bring that rivalry with Mozart as a vignette alongside a few others to tell the story of what I was feeling. The on-set experience is one I will never forget because it was a day full of fun and laughter with friends, which felt SO full circle after a year of essentially crying every day and hating being in my skin. I was so happy to be me and felt so proud of the art that came out of such a hard time. I also checked off two big goals of mine, which were: one, working with my co-director, Ethan Frank, whom I’ve been a huge fan of for years, and two, fencing in a music video since I was a competitive fencer for many years.

    With both ‘Hot Goblin’ and ‘Brutus,’ the themes around the visuals are locked into days of old, with fairy tales and gladiator times. Is there an intentional through line there? 
    You know what; accidentally yes. It wasn’t intentional, but I think the whole album has puzzle-pieced itself together more than I planned for. It’s whimsical, it has hints of classical music, and instruments like the harpsichord! There’s definitely some fun “historical” stuff in there. 

    Egg in the Backseat came out three years ago! Is there a song on that record that, for you, has just gotten better with time?
    I would say ‘Goo,’ because my fans have really taken to that one at my live shows. It’s kind of a sleeper, dare I say!

    We, of course, have to briefly touch on ‘Numb Little Bug!’ Now that you are three years separated from the release of the track, how has your relationship to this song changed as time has gone on? 
    Oh my gosh! I wrote that song about my unfortunate experience with antidepressants, and now (after lots of trial and error), I’ve found one that has absolutely changed my life. It’s a cool marker of where I was then, and how much I’ve grown. I will always appreciate the response to that song and how much it changed my life.

    Once again, thank you so much for chatting with us! Before we let you go, what can fans look forward to as we close out 2025?
    My debut album is coming out very soon in 2026! It’s the proudest I’ve ever been of anything I’ve made. It’s about my journey through depression, experiencing complete loss of self, and how I have come out on the other side to be the happiest and most me I have ever been. It’s fun and pop and silly, and I’m ready for 2025 to be done so I can finally share this new music with my fans!

    Check out more of our exclusive interviews here!

    We would love to hear from you! What do you think of our interview with Em Beihold? Let us know by commenting below or by tweeting @TheHoneyPOP! We are also on Facebook, TikTok, and Instagram!

    TO LEARN MORE ABOUT EM BEIHOLD:
    INSTAGRAM | TIKTOK | TWITTER

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    Hailey Hastings

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  • Exclusive Interview: Benjamin Steer Talks All Things Figuring It Out, And More!

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    If you’re looking for which artist is going to be the talk of the town before too long, look no further than Benjamin Steer! Benjamin Steer has just released his EP Figuring It Out, which showed us, clear as day, that we were looking at an artist who is going to have a long and prosperous career! We were lucky enough to chat with Benjamin all about the EP and so much more!

    Stream Figuring It Out here!

    Hello Benjamin! Thank you so much for taking the time to chat with us! To start us off, how would you describe your music to someone who is tuning in for the first time?
    It’s a pleasure, thank you! I would say my music is sort of a soundtrack to confusion in your 20s, a soundtrack to love, to heartbreak, and to figuring things out. I’d like to think it’s pretty cinematic but has some energy in it too!

    Figuring It Out is your debut EP! What feelings accumulate as you get ready to put your first collection of songs out?
    It is weird. I always feel a bit of anxiety before release days, but then as soon as the project is out, the anxiety disappears. I don’t hold emotional attachment to the songs once they are out. It then becomes a case of how many people can get their ears on it. But certainly, I am really proud of these songs. I feel like it sort of marks the end of my first chapter in the music world. I feel like each song serves a different purpose; the whole thing feels pretty dynamic.

    You described this record as “a hopeless romantic’s dream and downfall. What is one lyric throughout the project that best represents the dream aspect, and on the other hand, what lyric would you say best represents the downfall?
    I think the dreamer line is definitely the chorus of ‘No One Wants To Die Alone,’ “Live Big Love Fast and not Die Alone.” It is sort of the payoff line in a song that lyrically is frustrated in many senses, and encapsulates the sort of desire of the EP. There are many downfall lines in the EP, so I’ll give you three: ‘Oh Darling,’ “Many nights I try to find you in other eyes… Am I blind to all that makes you you?” ’5%,’ “It’s the 5% that is in the spotlight and the 95 that hides behind my eyes – So I’ll keep it out of mind and out of sight.” ‘Sweat Off Our History,’ “I’ll thread the needle between who I am and what you want from me.” I think all of these lines sort of summarize the pressure that you have to appear complete and confident and put together… But in reality, you are still figuring things out – trying to find a purpose. And you often hide these insecurities and fears in actions and facades that are not favorable to yourself – just to appease others or numb yourself to vulnerability.

    As we are writing this, the EP is officially out! What has the reaction to the record been like over the last few days? How are you feeling post-release? 
    Honestly, I think it went as well as I had hoped. I think these things take a journey themselves when they are out. I think hopefully it has legs to continue to connect with people and make an impact. People have been so supportive and kind, and I feel very unworthy. I always say this, and it is very cliche, but I am just a dude who writes about life and love in his bedroom, so it’s surreal that it is connecting so well!

    When you released ‘No One Wants To Die Alone’ last year, did you already know this track was going to be everyone’s first taste of this EP? Or was it added in as the creation of the EP went forward?
    No Idea. ‘NOWTDA’ always felt special. It was the first song that I wrote, and I was like, if this doesn’t become the biggest song, then I am not sure what will. It felt so right and felt so me. The EP was certainly not a manufactured Idea. It was sort of the collection of the best things I had written in the last 8 months, and it all felt rather cohesive. I think if I were to sit down with the intention of writing an ep, and with a certain goal and message, it would have almost felt like I wasn’t being authentic. That being said, ‘No One Wants To Die Alone’ was probably the first song I wrote out of the ones that made it on to the EP, so maybe in some way it did guide the sonic and messaging of the rest!

    Hailing six songs, half of the record was previously released, and half of the songs were saved for release day. How do you go about deciding which songs you want to hold onto and let fans discover all at once?
    I think there is a feeling that you get when you have a single, but that doesn’t necessarily mean that the non-single tracks are missing something. I feel like putting out a bigger body of work allows you to release songs that may never come out as a single, but you still want people to hear them. I think ‘Sweat off our History’ is a good example; this would never be a single, but that does not mean that it isn’t good. So I am glad I had the opportunity to release it.

    We want to go back a bit and talk about ‘Muted Colors,’ This track changed a lot for you! When you look back, what does your relationship with that song look like now vs two years ago when it was released?
    I think ‘Muted Colors’ was the unexpectedly perfect first song to put out. It served its purpose in the time that it was written for me personally, but also to show an audience the type of music and messaging I wanted to pursue. I look back positively on it now for sure. It was the first stepping stone in a long journey to cross the river, and I’m so grateful that I could have even had the chance to start or embark on that journey. I think it worked because I was just honest, it was one of the first songs I had ever written and I did not really have a reference point as to what was ok and what was not. I think I do naturally cringe a little bit looking back to it now because I think my style and tone have changed a bit, but it certainly was a fantastic first step!

    Once again, thank you so much for chatting with us! Before we let you go, is there anything coming up that fans can look forward to? Any live shows?
    Hopefully got a lot of exciting stuff coming up! Going to hopefully do another London headline before the end of the year, and then a bit more of a fuller tour in early 2026! I’m also really excited to open for Arthur Hill on his UK tour in September!

    Check out more of our exclusive interviews here!

    We would love to hear from you! What is your favorite song from Benjamin Steer’s EP, Figuring It Out? Let us know by commenting below or by tweeting @TheHoneyPOP! We are also on Facebook, Instagram, and TikTok!

    TO LEARN MORE ABOUT BENJAMIN STEER:
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    Hailey Hastings

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  • Kirsten Dunst on Why Her Kids Skip Jesse Plemons’ Movies

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    Kirsten Dunst and husband Jesse Plemons may be household names courtesy of their extensive Hollywood careers, but that doesn’t mean their own children are huge fans of their varied movie roles.

    “I mean, they’ve seen Jumanji and Spider-Man,” Dunst, 43, exclusively told Us Weekly while attending the Roofman premiere in Los Angeles on Monday, September 29. “Every time I’m like, ‘Do you want to watch Like Mike?’ they’re like, ‘No.’ So… Small Soldiers, my kids like, too.” (Plemons starred in 2002’s Like Mike, a kids comedy about a boy who dreams of becoming a famous basketball player.)

    She then clarified, “One of my kids likes [it].”

    The Civil War star shares Ennis Howard, born in May 2018, and James Robert, born in May 2021, with fellow actor Plemons. The pair got engaged in 2017 and expanded their family before eventually tying the knot in Jamaica in 2022.


    Related: Kirsten Dunst Doesn’t Allow Her Kids to Have Electronics at Home

    Kirsten Dunst is keeping her kids offline. Dunst, 41, shares two sons, Ennis, 5, and James, 2, with husband Jesse Plemons and told Variety that the kids are not allowed electronics while they’re at home. “We’ve got record players,” Dunst said. Dunst added that by keeping her children off the internet, she hopes they will […]

    Dunst and Plemons recently starred alongside one another in the hit film Civil War — a last-minute cameo on behalf of her husband that had the pair working opposite each other in what can be described as an intense exchange.

    “It happened during rehearsal that the actor dropped out, and Jesse was there [in Atlanta, where the movie was filmed] with the kids,” the actress told Seth Meyers during an April 10 appearance on Late Night with Seth Meyers. “And I suggested him.”

    She added at the time of her husband’s unruly character, “Nobody wants to play this role. It’s very intense.”

    GettyImages-2074191325 kirsten dunst on husband movie her kids dont watch

    Kirsten Dunst and Jesse Plemons
    John Shearer/WireImage

    “I will say, it helps that I feel like we’ve seen Jesse over the years, both play good guys and bad guys, and we know him to be a good guy,” Meyers responded at the time. “You’re right, if it was some actor I’d never seen before, I would be, like, repulsed every time I saw him ever since. So I feel like Jesse took one for the team.”

    “He really did,” Dunst agreed. “He’s a brilliant actor.”

    Dunst’s kids are likely to be unfamiliar with her latest film, Roofman, as well. Starring Channing Tatum as escaped convict and professional thief Jeffrey Manchester, the film follows Tatum’s character after he finds solace inside a Toys “R” Us, managing to evade arthritis for months before he falls in love with Dunst’s character, Leigh Wainscott, a divorced mom.

    When asked what drew her to the role, Dunst made it clear that it had less to do with the story itself and more to do with who was involved in telling it.

    “To be honest, working with Derek Cainfrance,” Dunst told Us of the chance to create alongside the film’s director. “I love his movies, and I love acting in his films and I wanted to be a part of that process. So he could have asked me to do anything, and I would have worked with him.”

    Kirsten Dunst Describes Very Tense and Emotional Civil War Scene With Husband Jesse Plemons


    Related: Kirsten Dunst Has ‘Very Tense’ Scene With Jesse Plemons in ‘Civil War’

    Kirsten Dunst is reflecting on sharing a very challenging scene with her husband, Jesse Plemons, in the upcoming dystopian film Civil War. In the futuristic movie, California and Texas have seceded and united to form the separatist “Western Forces” in an attempt to overthrow the established government. Dunst, 41, portrays Lee, a renowned photojournalist traveling […]

    Based on a true story, Dunst also had a chance to meet the real-life Leigh Wainscott in preparation for the role — an experience she said helped her better portray her in the film.

    “She has a lot of grace,” Dunst said. “And she’s so, you know, forgiving of what happened and still talks to Jeff. And she was just very giving of her presence — her natural presence. So that’s something that I could take with me in portraying Leigh.”

    Dust also dished on what it was like to work alongside Channing.

    “He’s lovely,” she gushed of her costar. “He’s a wonderful guy, and also just a very present actor and really kind.”

    Roofman hits theaters nationwide on October 10.

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    Danielle Campoamor

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  • Mira Sorvino Teases Romy and Michele Sequel With Dance Number (Excl)

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    Mira Sorvino has some updates on the highly anticipated sequel to Romy and Michele’s High School Reunion.

    “The plan is right now to shoot it late spring,” the actress, 57, exclusively told Us Weekly on Friday, September 26, while discussing her upcoming appearance on the game show Name That Tune. “The script is great. Robin Schiff, the original writer, wrote the sequel, and Lisa [Kudrow] and I have had a lot of input in it.”

    Sorvino added that not only are she and Kudrow, 62, reprising their roles, but they are also serving as executive producers.

    “It’s not like us just visiting and other people being [in] it,” she continued. “Romy and Michele again, and we’re seeing what they’re up to nowadays, and the whole gang is back.”

    In the 1997 cult classic, Sorvino starred as Romy, a former popular girl who works as a cashier after high school, while Kudrow played an unpopular classmate named Michele who is also down on her luck post-grad. After high school, the women end up being roommates. As their 10-year reunion approaches, they devise a plan to make their lives appear better than they actually are.

    “In the original, they have this hurdle where they re-examine their lives all of a sudden, based on some external benchmark, and that starts happening to them in this too,” Sorvino teased. “But it’s sort of all, what would they be thinking about now at this point in their life.”


    Lisa Kudrow, Mira Sorvino
    Buena Vista / Courtesy Everett Collection

    While Sorvino can’t share a lot about the sequel’s premise, she teased that the story is “really funny” and “moving”

    “I think part of Romy and Michele is that it has, like, a lot of emotion underneath it, and that’s why people have always related to it,” she told Us. “It’s about being yourself and loving your best friends, no matter what other people think of you, and just being your authentic self, even though they’re idiots.”

    Sorvino explained that while Romy and Michele had fun elements with its music, fashion and dancing, the “enduring” storyline helped it “become such a cult favorite.” She teased that fans can “of course” expect a big dance number just like the original had.

    Mira Sorvino Shares New Details About 'Romy and Michele' Sequel — Which Includes a Dance Number

    Mira Sorvino
    Courtesy of Chicago Broadway/Avery Brunk

    While fans have to wait a little longer for the Romy and Michele sequel, Sorvino will make her Broadway debut as Roxie Hart in Chicago and appear in an upcoming episode of Name That Tune. On the game show, Sorvino will face off against friend Aisha Tyler as the Oscar winner is playing for the charity End Human Trafficking.

    “It was really fun. It was a treat,” she recalled. “It was great to work with [host] Jane [Krakowski] and we actually shot it in Ireland, which was amazing. My husband and I got to take a little driving trip to the Cliffs of Moher.”

    Sorvino shared that she grew up watching Name That Tune so getting the chance to compete for a good cause was a dream come true. Her episode airs on Monday, September 29, on Fox at 8 p.m. ET.

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    Kaitlin Simpson

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