ReportWire

Tag: visual arts

  • Say goodbye to Bodypainting Day, New York City’s annual celebration of nudity and artistry

    Say goodbye to Bodypainting Day, New York City’s annual celebration of nudity and artistry

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    It’s last call for New York City’s celebration of baring it all

    ByAYESHA MIR Associated Press

    A model painted by an artist poses during at Human Connection Arts Annual NYC Bodypainting Day in Union Square Park on Sunday, July 23, 2023, in New York. (AP Photo/Andres Kudacki)

    The Associated Press

    NEW YORK — If you’ve ever dreamed of standing naked in New York City with dozens of strangers while artists turn your skin into a work of art, you may have missed your chance.

    Sunday’s Bodypainting Day will be the final edition after more than a decade of artists turning nude bodies into works of art.

    Organizer Andy Golub expects more than 50 people will be painted over four hours in Manhattan’s Union Square. Golub decided this year’s event would be the last because it’s time to “move on and clear that plate.” He said he wants to find different ways of empowering and bringing people together, including a new event next spring.

    After Sunday’s body painting is finished, the participating artists and models will march through Greenwich Village, pose for a photo in Washington Square Park, ride a double-decker bus over the Manhattan Bridge and end the day with a party in Brooklyn, Golub said.

    Golub, an artist and free speech activist who’s been painting on nude models since 2007, started the annual body painting extravaganza to underscore that nudity for artistic purposes is legal in New York City.

    That hasn’t stopped police from trying to halt the event. In 2011, Golub said, he and two models were arrested and detained for 24 hours, but the charges were dropped once authorities determined they were doing nothing illegal.

    “You’ll find there’s a lot of people that have been really impacted positively,” Golub said. “Mostly models, but also artists, and feeling that they’ve come out of their skin. And it’s just been like a really positive experience of really celebrating freedom.”

    Past iterations of the event have been held in Columbus Circle, Times Square and other landmark locations across the city.

    All participants, models and painters must be age 18 or older, but Sunday’s event was no longer accepting applications.

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  • Say goodbye to Bodypainting Day, New York City’s annual celebration of nudity and artistry

    Say goodbye to Bodypainting Day, New York City’s annual celebration of nudity and artistry

    [ad_1]

    It’s last call for New York City’s celebration of baring it all

    ByAYESHA MIR Associated Press

    NEW YORK — If you’ve ever dreamed of standing naked in New York City with dozens of strangers while artists turn your skin into a work of art, you may have missed your chance.

    Sunday’s Bodypainting Day will be the final edition after more than a decade of artists turning nude bodies into works of art.

    Organizer Andy Golub expects more than 50 people will be painted over four hours in Manhattan’s Union Square. Golub decided this year’s event would be the last because it’s time to “move on and clear that plate.” He said he wants to find different ways of empowering and bringing people together, including a new event next spring.

    After Sunday’s body painting is finished, the participating artists and models will march through Greenwich Village, pose for a photo in Washington Square Park, ride a double-decker bus over the Manhattan Bridge and end the day with a party in Brooklyn, Golub said.

    Golub, an artist and free speech activist who’s been painting on nude models since 2007, started the annual body painting extravaganza to underscore that nudity for artistic purposes is legal in New York City.

    That hasn’t stopped police from trying to halt the event. In 2011, Golub said, he and two models were arrested and detained for 24 hours, but the charges were dropped once authorities determined they were doing nothing illegal.

    “You’ll find there’s a lot of people that have been really impacted positively,” Golub said. “Mostly models, but also artists, and feeling that they’ve come out of their skin. And it’s just been like a really positive experience of really celebrating freedom.”

    Past iterations of the event have been held in Columbus Circle, Times Square and other landmark locations across the city.

    All participants, models and painters must be age 18 or older, but Sunday’s event was no longer accepting applications.

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  • Music Review: ‘Barbie’ soundtrack delivers a dreamhouse of Kenergy and ballads alike

    Music Review: ‘Barbie’ soundtrack delivers a dreamhouse of Kenergy and ballads alike

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    “Barbie: The Album” by Various Artists (Atlantic/Warner/Mattel)

    The Barbie industrial complex has detonated, coating the planet in pink, sparkly fallout. For the blockbuster’s soundtrack, “Barbie: The Album,” film director Greta Gerwig and music producer Mark Ronson corralled a set of huge artists at the top of their games and have come away with a raucous, joyous and, occasionally, touching compilation.

    The soundtrack works because the contributors understood the assignment. Collectively, they deliver a dreamhouse of songs that are each at least a little better than they have to be. The tracks succeed both as cinematic elements and as standalone songs. The result is a worthy, danceable bookend to the classic “Saturday Night Fever” soundtrack of a generation before.

    Director Greta Gerwig has now delivered small, medium, large and stratospheric films with excellent soundtracks. Her commitment to quirky rock songs and contemporary classical spans, with this latest endeavor, a whole slew of disco, hip-hop, K-pop, and a half-dozen other genres meld together into an impressively coherent package.

    Lizzo gets the dance party started with the soundtrack’s opener, “Pink,” a bouncy confection that might be the most conventional movie song on the album. The artist sells it with her characteristic smiling effervescence.

    Dua Lipa’s “Dance the Night” throws her megahit “Levitate” in the blender with strings reminiscent of golden-era Bee Gees and comes out with a modern disco classic. Ronson’s production is razor-sharp and Lipa marches straight in with a casual self-assurance that deftly set the tone for the film in the early trailers.

    The brand architects at Mattel must have suffered a few sleepless nights after tapping Nicki Minaj and Ice Spice for the next track, a reimagination of Aqua’s “Barbie Girl.” The song is (openly) a little profane and (slyly) a little raunchy, but the collaborators take the edge off with humor and a sense of fun.

    Ken actor Ryan Gosling goes all in on “I’m Just Ken” with a hilariously earnest performance that somehow spans the arena rock of Journey and Broadway decadence of Andrew Lloyd Webber.

    On “What Was I Made For?,” Billie Eilish delivers a soft and surprisingly touching piano, um, Barb-ballad. Like “Hopelessly Devoted to You” in “Grease,” Eilish and brother/producer Finneas get the existential-crisis moment just right by going simple and raw. Eilish has never sounded better.

    The album closes with a surprise cover of the Indigo Girls’ fan-favorite “Closer to Fine.” Brandi Carlile and her wife, Catherine, stay respectful of the source material, delivering a lighter and more open interpretation that complements the original.

    There is plenty more good music within the 18 tracks. Sam Smith goes techno-glam on “Man I Am.” Charli XCX delivers an instant road-trip staple with the propulsive “Speed Drive.” Tame Impala provide a trippy dreampop interlude with “Journey to the Real World.” Dominic Fike warms it up with Malibu-infused sunshine on “Hey Blondie.”

    It would be a reach to frame a project with this scope and budget as an underdog, but Ronson and Gerwig have executed a small miracle creating an eclectic sprawl of a soundtrack that can be enjoyed from start to finish. Barbie has inspired millions of hours of pretend play over the decades, and the artists involved have evidently devoted real energy to celebrate this jewel of childhood.

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  • Anderson’s couture craftmanship captivates at Loewe for Paris men’s fashion week

    Anderson’s couture craftmanship captivates at Loewe for Paris men’s fashion week

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    PARIS — A sparkling mist of water from towering fountains cooled overheated VIP guests at Spanish luxury fashion house Loewe’s show on Saturday at Paris Fashion Week.

    Its Northern Irish designer Jonathan Anderson masterfully translated the essence of sculptor Lynda Benglis’ works into a spring collection that explored themes of sparkle and elongated form. It was a fitting showcase of his continual innovation for Loewe’s and underscored Anderson’s status among the Parisian design elite.

    Here are some highlights of the day’s spring-summer 2024 menswear collections, including an interview with a fashion teacher whose school was the site of a shocking explosion earlier this week:

    ANDERSON REIMAGINES MENSWEAR WITH ARTISTIC SPARKLE

    Against the backdrop of the monumental, water-spouting sculptures, Loewe’s latest Paris Fashion Week show was nothing short of a spectacle — and with Anderson at the helm, traditional menswear was reimagined and reshaped.

    High-waisted trousers bore a touch of vintage nostalgia, their surreal heights commanding attention and distorting perceptions of the human form. Mirroring the shimmering sparkle of the surrounding fountains, sequins and crystals added a festive disco-era energy to the collection.

    Anderson’s touch was evident in the deceptively ordinary blazers, coats, and knits — his cuts transformed the seemingly straightforward items into gestural art works. A suede tunic with a conjoined handbag created from the same leather tickled the fancy of the audience, including actor Brian Cox, and drew a flurry of camera clicks.

    The collection featured a subdued palette of soft pastels, blues, blacks and khakis, dramatically offset by accessories such as crystal-embellished sunglasses and a crystal hummingbird on a shredded brocade top. An array of footwear and oversized bags added a further dimension to Anderson’s study of proportions.

    The show proved that Anderson’s imaginative leadership at Loewe continues to show his prowess as an innovator, with a whimsical fusion of art and daring.

    ART AND FASHION: LYNDA BENGLIS’S SCULPTURES

    The runway at Loewe’s was also a stage for the artworks of Lynda Benglis. Three modernist fountains lined the catwalk, introducing an artistic pulse that echoed through the entire show. The sculptures, made from materials ranging from bronze to glitter, showcased Benglis’ skill in redefining conventional sculpture boundaries.

    From the dramatic form of “Crescendo,” a sculpture resembling a crashing wave, to the stacked flower-like forms of “Bounty, Amber Waves, Fruited Plane,” and the algae-rock essence of “Knight Mer,” they provoked a visceral response and a flurry of snaps.

    The art-infused runway showed again Anderson’s penchant for blurring the boundaries of fashion.

    ART TEACHER PLEADS FOR HELP AFTER BLAST AT PARIS FASHION SCHOOL

    The global fashion community was shocked by the suspected gas explosion earlier this week in Paris’ 5th district that partially destroyed a building and crumpled the façade of a private academy of design and arts, the Paris American Academy.

    Four people remain hospitalized in critical condition after Wednesday’s explosion, and at least 54 others suffered lighter injuries or psychological shock. One person, a teacher, remains unaccounted for.

    At the scene, Anna Barr, a 42-year-old merchandising teacher at the academy, fought back tears on Saturday.

    “It’s particularly upsetting because it’s such a small school, a family. I knew the director for 25 years. I even studied there,” she told The Associated Press. “Students flew from all over the world, including from the U.S. and Korea, to attend these couture courses.”

    Barr said the academy was now in the “immediate need of finding an atelier space” and called on the French fashion and couture federation for assistance, hoping the fashion community can rally together to overcome this devastating setback.

    Experts equipped with search dogs had to pause their sifting through the rubble on Rue Saint-Jacques until the site can be deemed secure, authorities said.

    HERMES: IF IT AIN’T BROKE DON’T FIX IT

    This spring-summer, under the expert hand of veteran designer Veronique Nichanian, the Hermes menswear show unfolded with an air of cool nonchalance and subtle, sophisticated luxury.

    The collection offered an inviting array of pastel hues. With a soft palette of shades of steam, light grey, sage, and others graced loose silhouettes, it reflected an airy and comfortable mood. Oversized bags and sandals featuring hole motifs contributed an off-kilter feel.

    Gentle geometry abounded, manifesting in stripes that danced across T-shirts and coats, drawing a bold link to Hermes’ emblematic openwork motifs.

    Amidst the gender-bending themes dominating many Paris high-fashion shows, Nichanian reinforced the classic realm of menswear, maintaining instead the timeless elegance Hermes has been synonymous with since her tenure began in 1988.

    Summer was anticipated in tunics and beach blazers, while the allure of the collection was unmistakably sensual, with heavy silks for summer nights and loose knits for cooler hours.

    Nichanian — Paris fashion’s longest-serving, non-founding designer since Chanel’s Karl Lagerfeld’s death — continues to present the Hermes man with an effortless sartorial elegance, all the while enhancing the brand’s reputation for understated, sellable fashion.

    The summer, under Nichanian’s guidance, promises to be serene, joyfully sensual, and unequivocally Hermes.

    OFFICINE GENERALE: PIERRE MAHÉO’S MENSWEAR HAS DASH OF EASYGOING MAGIC

    Officine Generale’s spring-summer 2024 menswear show was a study in controlled simplicity, as designer Pierre Mahéo presented a collection that was refreshing yet retained his signature sophistication.

    Starting with a monochromatic palette, the show evolved into a celebration of subtle historic elements. A knee buckle here and a neck scarf there revealed Mahéo’s fondness for bygone elements reinterpreted in a modern context.

    Loose white tapered pants and relaxed, pajama-like shirting, paired with tailored foulards, were both casual and elegant. Elasticized waistbands, knee-high socks and garters, painted a picture of comfortable chic.

    Mahéo balanced the line between undone and done-up, always sticking with simplicity. Ultraviolet and teal hues, and breezy tank tops and shorts were a surprise touch. The designer confessed to using these as a response to a “cold and rainy” Parisian winter, offering a touch of warmth and sunshine.

    The show encapsulated an easygoing mood — Mahéo proved that minimalism can be impactful and that less is more when done with flair and an eye for detail.

    KIDSUPER GIVES A THEATRICAL TWIST ON FASHION

    The KidSuper collection was exhibited in a novel fusion of fashion and theater. The show was the brainchild of Colm Dillane, the house founder, whose approach to fashion often defies convention.

    Held at the historic Théâtre de l’Odéon, the show was shaped by collaborations with artist Thierry Dreyfus, theater company The Big Funk, choreographer Leo Walk, and dance company La Marche Bleue. This unique presentation served to encapsulate Dillane’s vision in a narrative format.

    Embodying KidSuper’s distinctive style, the collection was characterized by its use of vibrant colors, prints, and collages. These elements found their place on a variety of pieces, ranging from streetwear staples to Dillane’s tailored garments.

    KidSuper’s latest outing continues the brand’s trajectory since its Paris Fashion Week entry in 2020. Dillane’s characteristic blend of fashion with various art forms was evident, once again confirming his alternative, multidisciplinary approach to the traditional fashion show format.

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  • Anderson’s couture craftmanship captivates at Loewe for Paris men’s fashion week

    Anderson’s couture craftmanship captivates at Loewe for Paris men’s fashion week

    [ad_1]

    PARIS — A sparkling mist of water from towering fountains cooled overheated VIP guests at Spanish luxury fashion house Loewe’s show on Saturday at Paris Fashion Week.

    Its Northern Irish designer Jonathan Anderson masterfully translated the essence of sculptor Lynda Benglis’ works into a spring collection that explored themes of sparkle and elongated form. It was a fitting showcase of his continual innovation for Loewe’s and underscored Anderson’s status among the Parisian design elite.

    Here are some highlights of the day’s spring-summer 2024 menswear collections, including an interview with a fashion teacher whose school was the site of a shocking explosion earlier this week:

    ANDERSON REIMAGINES MENSWEAR WITH ARTISTIC SPARKLE

    Against the backdrop of the monumental, water-spouting sculptures, Loewe’s latest Paris Fashion Week show was nothing short of a spectacle — and with Anderson at the helm, traditional menswear was reimagined and reshaped.

    High-waisted trousers bore a touch of vintage nostalgia, their surreal heights commanding attention and distorting perceptions of the human form. Mirroring the shimmering sparkle of the surrounding fountains, sequins and crystals added a festive disco-era energy to the collection.

    Anderson’s touch was evident in the deceptively ordinary blazers, coats, and knits — his cuts transformed the seemingly straightforward items into gestural art works. A suede tunic with a conjoined handbag created from the same leather tickled the fancy of the audience, including actor Brian Cox, and drew a flurry of camera clicks.

    The collection featured a subdued palette of soft pastels, blues, blacks and khakis, dramatically offset by accessories such as crystal-embellished sunglasses and a crystal hummingbird on a shredded brocade top. An array of footwear and oversized bags added a further dimension to Anderson’s study of proportions.

    The show proved that Anderson’s imaginative leadership at Loewe continues to show his prowess as an innovator, with a whimsical fusion of art and daring.

    ART AND FASHION: LYNDA BENGLIS’S SCULPTURES

    The runway at Loewe’s was also a stage for the artworks of Lynda Benglis. Three modernist fountains lined the catwalk, introducing an artistic pulse that echoed through the entire show. The sculptures, made from materials ranging from bronze to glitter, showcased Benglis’ skill in redefining conventional sculpture boundaries.

    From the dramatic form of “Crescendo,” a sculpture resembling a crashing wave, to the stacked flower-like forms of “Bounty, Amber Waves, Fruited Plane,” and the algae-rock essence of “Knight Mer,” they provoked a visceral response and a flurry of snaps.

    The art-infused runway showed again Anderson’s penchant for blurring the boundaries of fashion.

    ART TEACHER PLEADS FOR HELP AFTER BLAST AT PARIS FASHION SCHOOL

    The global fashion community was shocked by the suspected gas explosion earlier this week in Paris’ 5th district that partially destroyed a building and crumpled the façade of a private academy of design and arts, the Paris American Academy.

    Four people remain hospitalized in critical condition after Wednesday’s explosion, and at least 54 others suffered lighter injuries or psychological shock. One person, a teacher, remains unaccounted for.

    At the scene, Anna Barr, a 42-year-old merchandising teacher at the academy, fought back tears on Saturday.

    “It’s particularly upsetting because it’s such a small school, a family. I knew the director for 25 years. I even studied there,” she told The Associated Press. “Students flew from all over the world, including from the U.S. and Korea, to attend these couture courses.”

    Barr said the academy was now in the “immediate need of finding an atelier space” and called on the French fashion and couture federation for assistance, hoping the fashion community can rally together to overcome this devastating setback.

    Experts equipped with search dogs had to pause their sifting through the rubble on Rue Saint-Jacques until the site can be deemed secure, authorities said.

    HERMES: IF IT AIN’T BROKE DON’T FIX IT

    This spring-summer, under the expert hand of veteran designer Veronique Nichanian, the Hermes menswear show unfolded with an air of cool nonchalance and subtle, sophisticated luxury.

    The collection offered an inviting array of pastel hues. With a soft palette of shades of steam, light grey, sage, and others graced loose silhouettes, it reflected an airy and comfortable mood. Oversized bags and sandals featuring hole motifs contributed an off-kilter feel.

    Gentle geometry abounded, manifesting in stripes that danced across T-shirts and coats, drawing a bold link to Hermes’ emblematic openwork motifs.

    Amidst the gender-bending themes dominating many Paris high-fashion shows, Nichanian reinforced the classic realm of menswear, maintaining instead the timeless elegance Hermes has been synonymous with since her tenure began in 1988.

    Summer was anticipated in tunics and beach blazers, while the allure of the collection was unmistakably sensual, with heavy silks for summer nights and loose knits for cooler hours.

    Nichanian — Paris fashion’s longest-serving, non-founding designer since Chanel’s Karl Lagerfeld’s death — continues to present the Hermes man with an effortless sartorial elegance, all the while enhancing the brand’s reputation for understated, sellable fashion.

    The summer, under Nichanian’s guidance, promises to be serene, joyfully sensual, and unequivocally Hermes.

    OFFICINE GENERALE: PIERRE MAHÉO’S MENSWEAR HAS DASH OF EASYGOING MAGIC

    Officine Generale’s spring-summer 2024 menswear show was a study in controlled simplicity, as designer Pierre Mahéo presented a collection that was refreshing yet retained his signature sophistication.

    Starting with a monochromatic palette, the show evolved into a celebration of subtle historic elements. A knee buckle here and a neck scarf there revealed Mahéo’s fondness for bygone elements reinterpreted in a modern context.

    Loose white tapered pants and relaxed, pajama-like shirting, paired with tailored foulards, were both casual and elegant. Elasticized waistbands, knee-high socks and garters, painted a picture of comfortable chic.

    Mahéo balanced the line between undone and done-up, always sticking with simplicity. Ultraviolet and teal hues, and breezy tank tops and shorts were a surprise touch. The designer confessed to using these as a response to a “cold and rainy” Parisian winter, offering a touch of warmth and sunshine.

    The show encapsulated an easygoing mood — Mahéo proved that minimalism can be impactful and that less is more when done with flair and an eye for detail.

    KIDSUPER GIVES A THEATRICAL TWIST ON FASHION

    The KidSuper collection was exhibited in a novel fusion of fashion and theater. The show was the brainchild of Colm Dillane, the house founder, whose approach to fashion often defies convention.

    Held at the historic Théâtre de l’Odéon, the show was shaped by collaborations with artist Thierry Dreyfus, theater company The Big Funk, choreographer Leo Walk, and dance company La Marche Bleue. This unique presentation served to encapsulate Dillane’s vision in a narrative format.

    Embodying KidSuper’s distinctive style, the collection was characterized by its use of vibrant colors, prints, and collages. These elements found their place on a variety of pieces, ranging from streetwear staples to Dillane’s tailored garments.

    KidSuper’s latest outing continues the brand’s trajectory since its Paris Fashion Week entry in 2020. Dillane’s characteristic blend of fashion with various art forms was evident, once again confirming his alternative, multidisciplinary approach to the traditional fashion show format.

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  • High art becomes body art as visitors to Amsterdam’s Rembrandt House Museum get inked

    High art becomes body art as visitors to Amsterdam’s Rembrandt House Museum get inked

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    AMSTERDAM — Henk Schiffmaker’s needle whirrs as he tattoos the familiar lines of an elephant on Lilian Rachmaran’s back.

    “Highbrow to lowbrow” is how the famous Dutch tattoo artist describes his latest project — inking sketches by Rembrandt van Rijn onto the skin of visitors to the building the Golden Age master once called home.

    Or call it high art to body art.

    The Rembrandt House Museum has transformed one of its rooms into a tattoo parlor for a residency it calls “A Poor Man’s Rembrandt,” featuring Schiffmaker and other top Amsterdam tattoo artists for a week starting Monday.

    For between about 50 euros and 250 euros ($54 – $270), visitors can get their own permanent reminder of Rembrandt.

    “It’s a juxtaposition — a jump from high to low, from highbrow to lowbrow,” Schiffmacher told The Associated Press. “And it’s great that these two worlds can visit one another. Actually it’s really one world because it’s about art.”

    Museum Director Milou Halbesma said the event is a way of attracting new visitors to the historic house and getting people closer to the artist.

    “I think it’s a very good contemporary way to have your own Rembrandt,” she said.

    The workshop has already proved a hit. All appointments available online were filled within 10 minutes, she said, though there are still some slots available for people who walk into the museum and wait their turn.

    Schiffmacher and his colleagues have adapted some of Rembrandt’s sketches to make them suitable for tattooing — making lines thinner so they don’t grow together as the tattoo ages.

    They see similarities between their work and the artist’s quick sketches — but there is one key difference.

    “The canvas is different,” Schiffmacher said. “The canvas can talk to you, move too much, float, even faint. That didn’t happen for Rembrandt.”

    Rachmaran, who works at the museum, was the first person in Schiffmacher’s chair.

    She got his version of one of Rembrandt’s famous sketches of an Asian elephant believed to be Hansken, which first arrived in Amsterdam in 1633 on a ship from Ceylon — now Sri Lanka — as a gift for the Prince of Orange.

    “I love the animals, they’re so spiritual and smart and impressing and Rembrandt also made Hansken, the first elephant in Europe,” she said.

    Getting a work by Schiffmacher in between her other tattoos was also part of the attraction Monday.

    “I’m very honored to have one made by Henk himself,” she said.

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  • Giant rubber duck deflated in Hong Kong’s harbor amid fierce heat | CNN

    Giant rubber duck deflated in Hong Kong’s harbor amid fierce heat | CNN

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    CNN
     — 

    One of two giant rubber ducks on display in Hong Kong’s Victoria Harbor was deflated on Saturday to protect it from sweltering temperatures.

    Organizers said they made the decision to deflate the duck just one day after the pair arrived in the harbor, after an inspection found that its surface had stretched in the hot weather.

    The deflated duck will be sent for repairs, while its friend will remain in the harbor as part of a pop-art installation dubbed “Double Duck.”

    Locals and tourists had gathered at the waterfront in the scorching sun to catch a glimpse of the artwork – with some left disheartened at only seeing one duck.

    One Hong Kong resident, 35, explained that she had brought her child out specially to see the oversized bath toys.

    “Today, we originally planned to bring my child to see the yellow duck. We saw it 10 years ago as well. Back then, there was only one yellow duck, but today we came to see double ducks.

    “However, unexpectedly, there is only one duck now. We don’t feel disappointed though. As long as the children are happy, that’s enough.”

    A tourist from Thailand explained that her sister is a “big fan” of the giant ducks.

    “So, she was super sad, because she can see just only one.”

    Dutch artist Florentijn Hofman’s “Rubber Duck” initially appeared in Victoria Harbor a decade ago.

    Conceived in 2001 before debuting in France six years later, the installation appeared in cities including Osaka, Sydney and Sao Paolo before arriving in the semi-autonomous Chinese territory in May 2013.

    The artwork’s previous arrival in Victoria Harbour made a splash worldwide — in part because it mysteriously deflated overnight before being reinflated days later.

    The pop art installation returned to the harbor on Friday, this time with not one, but two ducks. At 18 meters (59 feet) tall, they are slightly larger than the one that made global headlines 10 years ago.

    “Double duck is double luck,” artist Hofman said in a statement. “The work emphasizes friendship and getting connected … ‘Double Ducks’ is not about looking into the past but enjoying the moment together!”

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  • Giant inflatable ducks make a splash in Hong Kong as pop-art project returns after 10 years

    Giant inflatable ducks make a splash in Hong Kong as pop-art project returns after 10 years

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    Two giant inflatable ducks are making a splash in Hong Kong’s Victoria Harbor, in the return of a pop-art project that sparked a frenzy in the city a decade ago

    ByKANIS LEUNG Associated Press

    Members of the public photograph an art installation called “Double Ducks” by Dutch artist Florentijn Hofman at Victoria Harbour in Hong Kong, Friday, June 9, 2023. Two giant inflatable ducks made a splash in Hong Kong’s Victoria Harbor on Friday, marking the return of a pop-art project that sparked a frenzy in the city a decade ago. (AP Photo/Louise Delmotte)

    The Associated Press

    HONG KONG — Two giant inflatable ducks made a splash in Hong Kong’s Victoria Harbor on Friday, marking the return of a pop-art project that sparked a frenzy in the city a decade ago.

    The two 18-meter-tall yellow ducks by Dutch artist Florentijn Hofman resemble the bath toys many played with in their childhood. Shortly after their launch, dozens of residents and tourists flocked to the promenade near the government headquarters in Admiralty to snap photos of the ducks.

    Hofman said he hopes the art exhibition brings joy to the city and connects people as they make memories together.

    “Double duck, double luck,” he said. “In a world where we suffered from a pandemic, wars and political situations, I think it is the right moment to bring back the double luck.”

    The inflatable ducks will stay in Hong Kong for about two weeks.

    Many Hong Kongers at the promenade recalled the happiness his work brought to the shopping district of Tsim Sha Tsui in 2013. Some were excited to see a pair of ducks on Friday instead of just one duck like the earlier exhibition.

    Among the visitors was artist Laurence Lai, who brought paint brushes to make watercolors of the ducks. Lai said the city was full of negative vibes in recent years during the COVID-19 pandemic and that it’s time for the city to move on.

    “With life returning to normal, the ducks can bring back some positivity,” the 50-year-old said.

    Shenzhen resident Eva Yang and her young daughters were also happy to see the ducks, saying they made their sightseeing in Hong Kong more memorable.

    “They’re spectacular,” Yang said.

    In 2013, residents and tourists packed streets near the Tsim Sha Tsui pier to catch a glimpse of Hofman’s duck.

    That duck’s stint in Hong Kong unintentionally turned political on the social media platform Weibo around the anniversary of Beijing’s Tiananmen crackdown in 1989. Chinese censors blocked searches for the term “big yellow duck” after netizens shared an image in which the tanks in the iconic “ Tank man” image were replaced with a line of oversized giant rubber ducks.

    Hofman’s rubber ducks have been on a world tour since 2007.

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  • Artist Françoise Gilot, acclaimed painter who loved and later left Picasso, is dead at 101

    Artist Françoise Gilot, acclaimed painter who loved and later left Picasso, is dead at 101

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    NEW YORK — Françoise Gilot, a prolific and acclaimed painter who produced art for well more than a half-century but was nonetheless more famous for her turbulent relationship with Pablo Picasso — and for leaving him — died Tuesday in New York City, where she had lived for decades. She was 101.

    Gilot’s daughter, Aurelia Engel, told The Associated Press her mother had died at Mount Sinai West hospital after suffering both lung and heart problems. “She was an extremely talented artist, and we will be working on her legacy and the incredible paintings and works she is leaving us with,” Engel said.

    The French-born Gilot had long made her frustration clear that despite acclaim for her art, which she produced from her teenage years until five years ago, she would still be best known for her relationship with the older and more famous Picasso, whom she met in 1943 at age 21, his junior by four decades. The union produced two children — Claude and Paloma Picasso. But unlike the other key women in Picasso’s life — wives or paramours — Gilot eventually walked out.

    “He never saw it coming,” Engel said of her mother’s departure. “She was there because she loved him and because she really believed in that incredible passion of art which they both shared. (But) she came as a free, though very, very young, but very independent person.”

    Gilot herself told The Guardian newspaper in 2016 that “I was not a prisoner” in the relationship.

    “I’d been there of my own will, and I left of my own will,” she said, then 94. “That’s what I told him once, before I left. I said: ‘Watch out, because I came when I wanted to, but I will leave when I want.’ He said, ‘Nobody leaves a man like me.’ I said, ‘We’ll see.’ ”

    Gilot wrote several books, the most famous of which was “Life with Picasso,” written in 1964 with Carlton Lake. An angry Picasso sought unsuccessfully to ban its publication. “He attacked her in court, and he lost three times,” said Engel, 66, an architect by training who now manages her mother’s archives. But, she said, “after the third loss he called her and said congratulations. He fought it, but at the same time, I think he was proud to have been with a woman who had such guts like he had.”

    Born on Nov. 26, 1921, in leafy Neuilly-sur-Seine in suburban Paris, Gilot was an only child. “She knew at the age of five that she wanted to be a painter,” Engel said. In accordance with her parents’ wishes, she studied law, however, while maintaining art as her true passion. She first exhibited her paintings in 1943.

    That was the year she met Picasso, by chance, when she and a friend visited a restaurant on the Left Bank, amid a gathering that included his then-companion, Dora Maar.

    “I was 21 and I felt that painting was already my whole life,” she writes in “Life With Picasso.” When Picasso asked Gilot and her friend what they did, the friend responded that they were painters, to which Picasso responded, Gilot writes: “That’s the funniest thing I’ve heard all day. Girls who look like that can’t be painters.” The two were invited to visit Picasso in his studio, and the relationship soon began.

    Not long after leaving Picasso in 1953, Gilot reunited with a former friend, artist Luc Simon, and married him in 1955. They had a daughter — Engel — and divorced in 1962. In 1970, Gilot married Jonas Salk, the American virologist and researcher famed for his work with the polio vaccine, and began living between California and Paris, and later New York. When he died in 1995, Gilot moved full-time to New York and spent her last years on the Upper West Side.

    Her art only increased in value over the years. In 2021 her “Paloma à la Guitare” (1965) sold for $1.3 million at a Sotheby’s auction. Her work has shown in many prominent museums, including the Metropolitan Museum of Art and the Museum of Modern Art. Her life with Picasso was illustrated in the 1996 movie “Surviving Picasso,” directed by James Ivory.

    Engel noted that although the relationship with Picasso was clearly a difficult one, it gave her mother a certain freedom from her parents and the constraints of a bourgeois life — and perhaps enabled her to pursue her true dream of being a professional painter, a passion she shared with Picasso above all else.

    “They both believed that art was the only thing in life worth doing,” she said. “And she was able to be her true self, even though it was not an easy life with him. But still she was able to be her true self.”

    And for Engel, her mother’s key legacy was not only her creativity but her courage, which was reflected in her art, which was always changing, never staying safe.

    “She was not without fear. But she would always confront her fears and jump in the void and take risks, no matter what,” Engel said.

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  • Sotheby’s buys modernist Breuer building from Whitney Museum, will move NYC galleries there

    Sotheby’s buys modernist Breuer building from Whitney Museum, will move NYC galleries there

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    The auction house Sotheby’s will buy the modernist Marcel Breuer-designed building that housed New York’s Whitney Museum of American Art for nearly 50 years

    ByKAREN MATTHEWS Associated Press

    FILE — The Whitney Museum of American Art, center, is shown on New York’s Madison Avenue, Jan. 25, 2005. The auction house Sotheby’s will buy the modernist Marcel Breuer-designed building that housed New York’s Whitney Museum of American Art for nearly 50 years, Sotheby’s announced Thursday, June 1, 2023. (AP Photo/Bebeto Matthews, File)

    The Associated Press

    NEW YORK — The auction house Sotheby’s will buy the modernist Marcel Breuer-designed building that housed New York’s Whitney Museum of American Art for nearly 50 years, Sotheby’s announced Thursday.

    Sotheby’s will start moving its New York sale room and galleries to the Breuer building on Madison Avenue in 2024 and will open to the public the following year, the auction house announced.

    “We are honored to acquire and write the next chapter of such an iconic and well-known New York architectural landmark,” Sotheby’s Chief Executive Officer Charles F. Stewart said in a statement.

    The cantilevered Madison Avenue building designed by the Hungarian-born Breuer opened in 1966 as the third home of the Whitney, which had been founded in 1930 to showcase American art. The five-story granite and concrete structure is considered an important example of the architectural style known as brutalism.

    The building was leased to the Metropolitan Museum of Art for five years after the Whitney’s 2015 move to its new Renzo Piano-designed building at the foot of the High Line, the elevated park on Manhattan’s west side. The Met operated the former Whitney building as the Met Breuer until 2020, and the Frick Collection has occupied the building since 2021 while its permanent home is being renovated.

    Sotheby’s is buying the building from the Whitney for an undicsclosed sum.

    “The iconic Breuer Building will always be a beloved part of the Whitney’s rich history,” Whitney Director Adam Weinberg said. “We are pleased that it will continue to serve an artistic and cultural purpose through the display of artworks and artifacts.”

    The art-loving public will retain access to the building after Sotheby’s moves in, as the auction house puts works on display before they are sold. The Breuer building a block from Central Park is more centrally located than Sotheby’s current global headquarters on York Avenue on Manhattan’s far east side.

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  • The average wedding just hit $29,000 | CNN Business

    The average wedding just hit $29,000 | CNN Business

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    New York
    CNN
     — 

    Weddings are back, in full force. That’s the good news. But engaged couples will pay a tad more to get hitched in 2023.

    The average cost of a wedding, nationally, this year is $29,000, up $1,000 from 2022, according to online wedding planning site Zola. And in some big US cities, the cost is $35,000 and above.

    The price tag for a happily-ever-after day is higher year-over-year for two reasons, said Zola – inflation and demand exceeding supply of wedding related goods and services. “Wedding industry vendors have had to raise their rates because they’re also paying more for goods and services like food, flowers and labor,” Emily Forrest, Zola’s director of communications, told CNN.

    Weddings started roaring back from a pandemic-triggered halt to all kinds of celebrations in 2022, and, ever since, the industry has seen a surge in demands for venues, photographers, wedding planners, florists and wedding cakes. Add to that a Gen-Z era desire for very customized weddings (hint: don your scuba suit), and prices are rising.

    The Zola report was based on a survey of 4,000 engaged couples getting married in 2023.

    The report ranked New York City at the top of the list among the most expensive cities in the US to have a wedding this year. A wedding in the Big Apple is expected to cost about $43,536, followed by San Francisco-Oakland-San Jose ($37,284), Boston ($35,902), Philadelphia ($34,111), Miami-Ft. Lauderdale ($33,622), Washington, DC ($33,199), Chicago ($32,281) and Los Angeles ($30,712).

    The average guest list, according to the report, is expected to include between 130 to 150 invitees.

    But Esther Lee, deputy editor at The Knot, a wedding planning and vendor marketplace company, said the guest list for some weddings might be getting tighter.

    “In 2022, we saw an average of 117 wedding guests, but in 2023, we discovered 39% of couples are trimming their guest list. It’s no surprise that people may be prioritizing more intimate ceremonies this year,” she said.

    Less traditional can sometimes mean less expensive, experts said. David’s Bridal, a leading wedding-dress retailer, said its business has been dented by the number of brides wearing casual or vintage dresses. But unique can also inflate costs.

    “Unique weddings are having a moment with the onset of hyper-personalization, meaning couples are drawing out influences most meaningful to them and infusing these touches into their wedding day details,” said The Knot’s Lee.

    “For example, history buffs are interested, as of late, in an antiquities-themed wedding or honeymoon that may involve an ancient book reading or coin motifs from the Byzantine or Roman Empires.”

    Pinterest said it has an indication of another trend. It said searches for alternative weddings – especially underwater weddings – have jumped 305% on its platform. “Underwater weddings are a great example of the unconventional wedding searches we see happening on the platform right now,” said Jenna Landi, director of brand research at Pinterest.

    “Though slightly challenging logistically, it should be interesting to see the data for underwater weddings in 2023,” she said. “It may be of sudden interest due to the live-action version of Disney’s The Little Mermaid. “

    Wedding photographer Kimber Greenwood, who specializes in underwater wedding photography, is booked to photograph 20 of them this year. “There’s been a huge jump in interest,” she said.

    Greenwood, a trained scuba diver based in Gainesville, Florida provides a package through her adventure photography business, Water Bear Photography, that includes an officiant, gown to wear for the event (but not to keep), flowers and photography for $3,000.

    “I have never had a couple say they’ve regretted the experience,” she said.

    When asked about who is footing the bill for weddings, the Zola report showed 33% of couples said they are contributing to their wedding budgets in some way, but another 16% said they are paying for the wedding completely on their own.

    The wedding industry should enjoy the recovery, because it may not last. Jewelers report that, because many fewer would-be brides or grooms met their partners during the Covid-19 quarantine era, the rate of recent engagements is way off.

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  • This 1960s trailblazer of erotic pop art died just as she was finding fame | CNN

    This 1960s trailblazer of erotic pop art died just as she was finding fame | CNN

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    Editor’s Note: Untold Art History investigates lesser-known stories in art, spotlighting pioneering artists who were overlooked during their lifetimes, as well as uncovering new insights into influential artworks that radically shift our understanding of them.



    CNN
     — 

    Throughout Evelyne Axell’s short but radical career, the Belgian artist revered the female body in psychedelic hues rendered in gleaming enamel. Nude women recline in acid green or cerulean blue fields under open skies; in one portrait, bodies and landscape become indistinguishable, with rings of colors forming the volume of a perm and tufts of grass the pubic hair.

    She delighted in double meanings. Axell’s most famous artwork, of a woman licking an ice cream cone, could be both a summery advertisement or an explicit pornographic scene. She named another painting, of red heels on a gas pedal, “Axell-ération” — an implied self-portrait, like many of her works.

    But the young actor-turned-Pop artist, who was working in the 1960s and early ’70s and had been trained by the famed surrealist artist René Magritte, had her career cut short. In 1972, only a handful of years into painting, she died in a car crash and faded into relative obscurity. Only in the past decade as curators have revisited the pop art movement beyond celebrated male artists — such as Andy Warhol, Roy Lichtenstein and Richard Hamilton — has Axell arisen as one of the many women co-opting mass media to engage with the social structures and politics of the ‘60s.

    “If you asked almost anybody to name a woman pop artist, you would probably get a blank stare,” said Catherine Morris, a curator at the Brooklyn Museum, which hosted the touring show “Seductive Subversion: Women Pop Artists, 1958–1968” in 2011. The landmark group show featured Axell and contemporaries including Pauline Boty and Chryssa.

    “(If this) period of emergence of women Pop artists had even been a couple of years later, we probably would have been more aware,” Morris continued, pointing to the 1970s as a turning point for women artists in the wake of second-wave feminism. “This whole group of women who covered this decade were dramatically overlooked.”

    Since “Seductive Subversion,” which first exhibited at The University of the Arts in Philadelphia, Axell’s work has been included in a host of significant group shows that take a more expansive, international view of pop art and foreground women. And in 2021, she achieved a significant posthumous milestone, with the Museum of Modern Art in New York adding “Axell-ération” to its collection. But institutional solo exhibitions remain few and far between, with retrospectives hosted by Museum Abteiberg in western Germany and the remote Swiss Alps art center Muzeum Susch 10 years apart. (Perhaps, in part, because of her limited output.)

    Now, two of Axell’s playful, erotic artworks— both painted with her signature application of enamel on plexiglass — are poised to make history at Christie’s, in her first major New York sale. “Paysage” a dreamy pastoral nude, is expected to surpass her record of $140,000, set in 2017, with a high estimate of $200,000; “L’Amazone”, a sensual blue-ombre hued portrait, could also come close at $120,000. But such sales for Axell are infrequent, according to Sara Friedlander, Christie’s deputy chairman of post-war and contemporary art.

    “She made very little work — she was 37-years-old when she died,” Friedlander said in a phone call. “So, in a way, the market doesn’t have enough to know what to do with her. These (paintings) are very special and very rare.”

    The decade following Axell’s death saw the emergence of a number of women artists who unabashedly expressed female sexuality, painting and photographing their own bodies, and subverting erotic or pornographic imagery. Artists such as Joan Semmel and Marilyn Minter believed that feminism should be inclusive of sexual agency, but as Morris explained, they faced criticism for doing so.

    Many of Axell's works are self-portraits, though she often obscured her identity by signing only with her last name.

    “The feminist artists who emerged in the 1970s and into the 1980s and 90s were very much taken to task by orthodox feminism in relationship to them utilizing their own sexuality, their own bodies, their own beauty,” she said.

    Axell might have been part of this crucial wave; curators and scholars are still unpacking her prescient feminist ideas, and the paradisical world she set them in. Instead, she hid her identity, signing her works with only her last name, after facing derision from male art critics, according to the exhibition at Muzeum Susch. Her stylistic approach — a mix of pop art influences and dreamy surrealist settings — is still underrecognized, according to Morris.

    “She acts as a historical bridge (between surrealism and pop art),” she said. “And I think that that’s something that’s dramatically unexplored.”

    Axell experimented with materials, applying enamel paint to plexiglas to heighten the dreamlike qualities of her work, as in this painting,

    Skilled at challenging expectations around her own beauty, sexuality and sense of self in her work, Axell was also politically engaged, producing portraits of the African American activist Angela Davis and a painting responding to the Kent State campus shootings in 1970.

    “Despite all aggressiveness, my universe abounds above all in an unconditional love for life,” Axell said in her only interview in 1970, according to a publication by Muzeum Susch. “My subject is clear: nudity and femininity experiment in the utopia of a bio-botanical freedom; that means a freedom without frustration nor gradual submission, and that tolerates only the limits that it sets itself.”

    One of Morris’ favorite works, shown at the Brooklyn Museum, embodies this spirit: an abstracted view of a woman’s torso, the curves of her body like peaks and valleys, her vulva covered in a real tuffet of green fur. Called “Petite fourrure verte” or “Small green fur,” the intimate perspective was based on a photograph Axell’s filmmaker husband, Jean Antoine, had taken of her.

    “It’s from 1970, just a couple years before her death,” Morris said. “So for me, it really epitomizes what would have been — what was to come.”

    Top image: “Axell-ération” from 1965.

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  • Kehinde Wiley is taking his art everywhere, all at once

    Kehinde Wiley is taking his art everywhere, all at once

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    NEW YORK — NEW YORK (AP) — Kehinde Wiley was already well into his influential art career when his portrait of Barack Obama — arms crossed, perched on a chair amid brilliant foliage — was unveiled in 2018. But there’s no doubt it changed the artist’s life.

    Here’s one way he describes the shift: Now, should he ever show up at the bank and realize he’s forgotten his ID — which hasn’t happened yet, but still — he could say: “You know that portrait of Obama? I’m that guy, and I didn’t bring my ID, so if you could just Google that…”

    But Wiley, proud as he is of the groundbreaking work — an official portrait of a Black president by a Black artist — does wonder how long he’ll be referred to in that context.

    “I wonder if I will ever be able to do anything that lives up to the gravity of that moment,” he says. “Everybody wants to be seen in a number of different contexts … but I mean, what a great project to be involved in. So, come on, here’s the world’s smallest violin, playing just for me.”

    If Wiley, 46, is on a mission to make sure he’s remembered for a lot more, he seems well on his way. With shows currently on both U.S. coasts, another headed to Paris, and growing artistic bases in Africa, he truly seems to be everywhere all at once.

    Just take the last few months. In March, he was in San Francisco for the U.S premiere of “Kehinde Wiley: An Archaeology of Silence” at the de Young Museum, a powerful display of massive paintings and sculptures exploring anti-Black violence in a global context. The museum has set up dedicated spaces for attendees who need a breather from the intensity of the show, which runs until Oct. 15.

    Meanwhile, at the Sean Kelly gallery in New York, he’s just opened “HAVANA,” running through June 17, focusing on circus performers and carnival street dancers in Cuba.

    In between, he was in Africa, where he’s been doing everything from negotiating prices with vendors to selecting stone for the floors while building his second artist residency campus on the continent, Black Rock Nigeria, in Calabar (the first is in Senegal).

    Wiley is also at work on a new portrait show on Black heads of state at the Musée du Quai Branly in Paris, scheduled for September.

    With homes in Senegal, Nigeria, New York City and the Catskills, plus a studio in Brooklyn, not to mention roots in his native Los Angeles — including his mother and twin brother — Wiley is not an easy man to pin down for an interview. But he was generous with his time — and anecdotes — as he recently showed The Associated Press around “HAVANA.” Later that night, a passerby peering into the gallery would have seen the airy space packed to the gills with admirers for an opening reception.

    Wiley had just returned from Ethiopia, and before that Nigeria. The rhythm of his travels, he says, goes like this: “You’ll be on the road working on something and you’ll be in some amazing place and there’s a couple of down days, and then you’re (again) in some extraordinary part of the world. I guess work and play are all kind of intertwined. But I’m also incredibly hungry for new experiences.”

    Wiley’s projects often overlap and intersect over a number of years. His current Cuba show stems from two visits there, in 2015 and in 2022.

    It features new paintings, works on paper and a three-screen film downstairs, exploring the phenomenon of the “carnivalesque.” On this particular day, with the opening only hours away, he was still actively discussing changing the font for the film’s subtitles.

    During his 2015 visit, Wiley visited the Escuela Nacional de Circo Cuba — a circus school. He became intrigued by the idea of “not fully formed technicians, this metaphor of not quite being quite perfect at creating magic.” During his second visit, he met with performers from Raices Profundas, a nearly 50-year-old dance ensemble that performs in the Yoruba tradition.

    Just like Obama’s portrait features, in its background, flowers from places of significance in the president’s life, the backgrounds of the Cuba paintings are comprised of “things from Africa that found their way to the Americas like sugar cane, yams, cola nut, okra … All of these fit into the narrative of African presence in the Americas.”

    Wiley’s method of working has been much discussed — he has studio assistants work on the backgrounds, and then he comes in to execute the figure, or figures. There are variations, though, “moments when I’m super excited about doing that figure and the crew is already working on something else, so I’ll just go ahead and they’ll catch up with me. Now that I’ve got studios all over the place, you can swing it both ways.”

    This gallery show is more intimate than his massive show in San Francisco, which has drawn significant attendance, museum officials say. In that show, portraits of young Black people in positions of rest (or in some interpretations, death) inhabit settings that recall famous artworks of the Western world. On the audio track, one of the most moving sections is commentary from Wanda Johnson, the mother of Oscar Grant, who was killed by police at a BART station in Oakland in 2009.

    Museumgoer La Tanya Carmical, 66, of Castro Valley, was struck by that commentary, particularly “the tragedy in her voice.” Carmical took a Friday in March to see the show, where she spent four hours. She was particularly moved by an image of a man laying on rocks.

    “For me it was the hands, the way they’re positioned,” she said. “I took a couple of pictures. And then (Wiley’s) color — these are just beautifully colored, the skin tones. It’s the hands, it’s the color, it’s the lighting.”

    The show is not only about anti-Black violence in the United States.

    “It’s a story of anti-Blackness globally,” says Abram Jackson, director of interpretation at the de Young. “It’s not limited to a particular country or region. There’s a universality to the ways in which Black people have been mistreated and the violence that has happened to us from colonialism forward.”

    For this show, models were found in Senegal, Jackson says. The way Wiley chooses his models depends on the project —sometimes he recruits them on the streets, whereas in Cuba it took research and outreach.

    Does he remember everyone? The artist laughs.

    “That’s a lot to ask,” he notes, standing amid his Cuba portraits. “But yeah, certain people stand out.”

    He points to a woman in yellow, a street dancer.

    “I remember her being much more timid in her self-presentation, but then this radical transformation happening when she was onstage,” he says. When a visitor says she looks wary, he notes that “a lot of it is direction, right? There’s me telling them what to do, and there’s how every human being is going to respond. Portraiture in some ways reveals how different people respond to the same direction.”

    Which brings us back to Obama.

    When Wiley was photographing the former president, the artist did what he always does: He directed. “Turn this way.” “Look here.”

    But Obama soon grew impatient. “I’m trying to box him into this set of formulaic poses,” Wiley says, “and he’s like, ‘You know what? Stop. Let me take care of this.’ And the pose that you see him in, is when he starts to take over. And there’s a fluidity to the photo shoot.”

    “And when I got to the editing,” the artist chuckles, “it was like, ‘Yeah. I should have just let him handle it!’”

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  • Where to travel in 2023: The best destinations to visit | CNN

    Where to travel in 2023: The best destinations to visit | CNN

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    CNN
     — 

    As peak vacation season sails into view and the world shakes off the last shackles of the pandemic, it feels like the appetite for hitting the road has never been greater.

    International tourism reached 80% of pre-pandemic levels in the first quarter of 2023, according to the United Nations World Tourism Organization, with an estimated 235 million tourists traveling internationally in January, February and March. And experts are cautiously optimistic about a continued travel rebound.

    Demand is high, with many popular destinations booking out earlier in the year.

    Thankfully, there’s so much out there still to see and do.

    Travel expert explains why you should book your dream vacation now

    Here are 23 destination ideas from CNN Travel to get you started:

    From the main square in Krakow, pictured, to forests, lakes and mountains, Poland invites exploration.

    We could list new openings in Poland – such as Hotel Verte, the new Autograph Collection property in Warsaw, which threw open its gilded doors (it’s in a humongous Baroque palace) last August. But the reason you should visit Poland in 2023 isn’t for the chance to stay in a place fit for royalty. It’s to show solidarity with a country which has, in turn, shown solidarity to the people of Ukraine.

    Sharing a 300-plus-mile border with a country under attack has meant that Poland has taken in more Ukrainian refugees than anywhere else. Add to that plummeting tourist numbers (though they’re on the rise again), and you have a tricky situation.

    So whether you fancy that Warsaw palace, a city break to the likes of Krakow, Gdansk, Wrocław or Poznań – all hundreds of miles from the Ukrainian border – or to get away from it all in the forests, lakes and mountains of the countryside – now’s your chance to do some good by taking a vacation. – Julia Buckley

    A full solar eclipse will be visible in April in Exmouth, Western Australia. The landscape is worth a long look, too.

    Back in April, thousands of people descended on the town of Exmouth and the greater Ningaloo Peninsula, to witness a rare total solar eclipse as it became visible over the northwestern edge of Australia.

    Organizers spent more than a year planning for the event, which lasted about a minute, and featured musical performances, educational opportunities to learn about science and astronomy, and a three-day festival.

    But the state of Western Australia offers much more than some 60 seconds of wonder.

    Spanning one-third of the entire continent of Australia, it stretches from the lively, growing state capital of Perth across deserts including the Great Victoria and Great Sandy to the wine country of Margaret River, the dramatic clifftops of the Kimberley and the quokka-covered Rottnest Island. – Lilit Marcus

    Mersey paradise: Liverpool.

    England’s port city of Liverpool, best known around the world as the birthplace of The Beatles, has added another chapter to its musical legacy.

    It’s the host city of Eurovision 2023, the spangly extravaganza of song that brings an influx of thousands of flag-waving fans from across the continent. The annual event is an opportunity for the city to bounce back after the ignominy of being stripped of its UNESCO World Heritage status in 2021.

    In June, the city will celebrate 25 years of the Liverpool Biennial contemporary visual arts festival, as more than 30 international artists and collectives take over spaces in the city until September.

    England is also marking the Year of the Coast in 2023, with food festivals and beach cleans taking place along the country’s shores. Just a half hour from Liverpool city center by train, Crosby Beach is the permanent home of sculptor Antony Gormley’s “Another Place,” where 100 cast-iron figures stand facing out to sea. – Maureen O’Hare

    Charleston, a city of undeniable refined, historic beauty, is also looking more closely at its troubled past.

    Charleston parades its past like no other US city, but it often glossed over the history of its Black residents. It’s been taking steps to fix that.

    Enter the much-delayed International African American Museum, which is now expected to open in late June.

    Located on the shoreline of the Cooper River in the spot where many Africans first set foot in North America, it will explore the lives of slaves and their descendants.

    Visitors in late May and early June can enjoy the world-renowned Spoleto Festival featuring opera, theater, dance, musical acts and artist talks.

    In March, foodies headed to the Charleston Wine and Food Festival to sample Lowcountry favorites.

    For fancy Southern fare, try Magnolias. Opened in 1990, it helped spur the city’s culinary renaissance. For something informal, try Bertha’s Kitchen in North Charleston, where red rice with sausage, fried chicken and lima beans rule. The eatery even caught attention of “Roadfood” author Michael Stern. – Forrest Brown

    Self-effacing Vilnius admitted in an ad campaign this year that nobody really knows where it is. If their brilliant video didn’t make you want to book a trip there immediately, perhaps this will: the capital of Lithuania celebrated its 700th anniversary on January 25, 2023.

    To mark the milestone, a packed program of events, including music festivals and exhibitions, are being held throughout the year. But use the anniversary as a push to visit rather than following a program religiously.

    The entire city center is a UNESCO World Heritage Site – putting it up there with its fellow V-cities, Venice and Vienna. Vilnius makes it on the list thanks to its Gothic, Renaissance and Baroque buildings, all sitting on a medieval street plan, but it’s best known for its Baroque architecture.

    Don’t miss the frothy bell tower of St. John’s church (you can climb it for sweeping city views) or the church of St. Casimir, topped by a giant crown. Got an eye for social media? This is Europe’s only capital city that allows hot air balloons to cruise over the city skyline. – JB

    Scenes like this await visitors to Fiji.

    Brilliant blue waters, expansive coral reefs and hundreds of peaceful islands: Fiji is not a hard sell. But why go there in 2023? For one, the country only reopened post-Covid at the end of 2021, meaning that visitor numbers to the South Pacific paradise have yet to fully rebound.

    While the country is spoiled for underwater beauty, take an opportunity to explore its above-ground treasures, too. The country’s lone UNESCO World Heritage site is the town of Levuka, a former capital and an important port, which is studded with British colonial-era buildings amid coconut and mango trees.

    To learn about the local Indigenous communities, travelers can take part in a kava welcoming ceremony – named for the traditional drink at its center – or enjoy a lovo, a meal cooked by hot coals in an underground pit covered with banana leaves.

    Fiji Airways now has direct flights from Los Angeles and San Francisco, making it relatively easy to get to the islands. As the Fijians say, bula! – LM

    As the fate of the Amazon rainforest hangs in the balance, two eco-lodges around Manaus – the capital of Brazil’s Amazonas state, and gateway to the river – have used their pandemic pause to get even more environmentally friendly.

    Juma Amazon Lodge, about 50 miles south of the city, is now fully powered by a new $400,000 solar plant, whose 268 double panels swagger nearly 40 feet into the air above the canopy (meaning no trees had to be cut). They’ve also built a biogas system to increase the efficiency of organic waste treatment, reducing annual carbon emissions by eight tons.

    Meanwhile, Anavilhanas Jungle Lodge, northwest of Manaus on the Rio Negro river, opened an off-grid “advanced base” during the pandemic that’s 30 miles from the main lodge and accessible only via river.

    Guests can take long jungle hikes through territory home to jaguars, pumas and giant armadillos in what’s one of the Amazon region’s most remote hotel facilities, then spend the afternoon in a hammock or by the pool. For 2023, the lodge is planning overnight stays in a creekside tent for small groups.

    Don’t miss Manaus itself – eating behemoth Amazonian fish outside the pink 1896 opera house is a bucket list experience. – JB

    Enticing flavors, history and proximity to beaches and mountains are just a few factors working in this Greek city's favor.

    There’s been no shortage of reasons to visit Greece’s second city in recent times, with a UNESCO-endorsed local food scene that recently celebrated the refurb and reopening of its century-old Modiano food market.

    Throw in a popular waterfront and proximity to beautiful beaches and inland mountains, Thessaloniki is surely a contender for one of Europe’s best city-break destinations.

    What could make it even better? How about a gleaming new metro system? All being well, November 2023 should see the opening of the main line of an infrastructure megaproject that will eventually connect the city’s downtown to its international airport. Driverless trains will whisk passengers through tunnels whose excavation has added to Thessaloniki’s already rich catalog of archeological discoveries, many of which will be on display in specially created museum stations. – Barry Neild

    January 2023 saw the official opening of Rwanda’s most exciting hotel yet: Sextantio Rwanda, a collection of traditionally crafted huts on an island on Lake Kivu, one of Africa’s largest lakes.

    It’s the first project outside Italy for Daniele Kihlgren, whose part-hotel, part-living history projects keep local tradition alive. A nonprofit delivering money straight to local communities, Sextantio sees guests fishing on the 1,000-square-mile lake, paddling in dug-out canoes, trying local banana beer and wildlife-spotting – and not just the chickens, cows, pigs and goats that roam around the property.

    Of course, you’ll want to see gorillas. Adjoining Volcanoes National Park, the Dian Fossey Gorilla Fund opened the 4,500-square meter Ellen DeGeneres Campus in 2022. Its visitor center includes exhibits, virtual reality gorilla “encounters” and nature trails.

    Over in Akagera National Park, white rhinos – transferred from South Africa in 2021 to aid conservation – are already calving. It’s easier to get there, too. A new route from London joins Brussels, Dubai, Guangzhou and Mumbai as the only direct flights to Kigali from outside the African continent. – JB

    Voted the world’s most sustainable destination in the world for six years running, Sweden’s second-biggest city is finally emerging from the shadow of Stockholm.

    Once a major trading and shipping town, Gothenburg is now considered to be one of the greenest destinations in Europe, with 274 square meters (2,950 square feet) of green space per citizen, while 95% of its hotels are certified as eco-friendly.

    Although Gothenburg officially turned 400 in 2021, the celebrations were put on ice because of the global pandemic. But they’re finally taking place in 2023, so it’s a great time to visit.

    Sweden’s King Carl XVI Gustav, who celebrates 50 years on the throne this year, will be in town on June 4, Gothenburg’s official birthday, and the city’s major anniversary festival is being held in the Frihamnen port district from June 2 to 5, with concerts and art events among the activities on offer.

    The festivities will continue throughout the summer until the September 3 kick off of Göteborgsvarvet Marathon, a new 26-mile race following on from the city’s popular half marathon on May 13. – Tamara Hardingham-Gill

    The Dhayah Fort in Ras al-Khaimah is one of the few remaining hill forts in the United Arab Emirates.

    When travelers think of the United Arab Emirates, the dazzling skyline of Dubai is usually what springs to mind.

    But the UAE has a lot to offer nature lovers too – particularly the northernmost emirate Ras al-Khaimah, which is aiming to become the Middle East’s most sustainable destination by 2025 thanks to a new “Balanced Tourism” strategy.

    Just 45 minutes from Dubai, it’s often called the “adventure Emirate,” and for good reason. Offering beaches, deserts and mountains, outdoor attractions abound, such as sand boarding, trekking, wakeboarding, skydiving, scuba diving and even the world’s longest zipline.

    But it’s not all about the adrenaline rush. Ras Al Khaimah is where you’ll find the highest restaurant in the United Arab Emirates, 1484 by Puro, which sits in the emirate’s Jebel Jais Mountains. Culture seekers can head for the historic Dhayah Fort, which dates back to the Late Bronze Age (1600-1300 BC).

    Where to stay? Luxury hospitality brand Anantara is opening a fabulous new resort there later this year that will offer 174 guestrooms, suites and overwater villas along with specialty restaurants and a spa. – Karla Cripps

    Three-tiered Kuang Si Falls is just south of UNESCO-listed Luang Prabang.

    Sharing borders with Thailand, Cambodia, Vietnam, China and Myanmar, landlocked Laos has long been a must-hit spot for time-rich travelers making their way through the Southeast Asia circuit.

    But now, thanks to the 2021 opening of a semi-high-speed railway, it’s easier than ever to get around the country at a quicker pace, shaving hours off journeys that previously took full days to travel.

    You’re still going to have to make some hard choices – there’s a lot to see in Laos.

    Towering karst peaks await visitors to adventure-haven Vang Vieng, while UNESCO-listed Luang Prabang is filled with French-colonial heritage, Buddhist ritual and natural beauty. (Luxury seekers will want to check into the Rosewood Luang Prabang, with its stylish hilltop tents)

    The mysterious Plain of Jars, a megalithic archaeological site, can be found in the Xiangkhoang Plateau. For a once-in-a-lifetime experience that makes a difference, head for Bokeo Province and join one of the Gibbon Experience’s overnight treks. Guests of this tourism-based conservation project spend the night in the world’s tallest treehouses – only accessible by zipline – among wild, black-crested gibbons. – KC

    Rolling hills, medieval buildings – and the officially crowned world’s best cheese. Welcome to Gruyères, Switzerland.

    Everywhere you look in this tiny, hilltop town, there’s a different picture-perfect view – from the medieval market square to the turreted 13th-century castle. A doable day trip from Geneva, summer promises hiking opportunities aplenty, while winter allows for venturing to the nearby Moléson-sur-Gruyères ski resort.

    To taste Gruyères’ namesake fromage, stop off at the wood-lined Chalet de Gruyères. And to learn how cheesemakers perfect this creamy goodness, head to La Maison du Gruyère factory. For further foodie delights, there’s the Maison Cailler chocolate factory – from the outside it looks like something from a Wes Anderson movie, inside it offers a glimpse into the secrets of Swiss chocolate making.

    Gruyères is also home to the surreal HR Giger Museum, celebrating the work of the acclaimed Swiss artist behind the eponymous alien in the 1979 movie “Alien.” A drink at the museum’s bar, designed by Giger in an eerie skeletal aesthetic, offers an antidote to Gruyères’ fairytale vibe. – Francesca Street

    A modern Indigenous restaurant in Minneapolis has earned one of the culinary world’s highest honors, and it’s not alone in shining light on Native communities in the area.

    At Owamni, a James Beard Award winner for best new restaurant, Indigenous ingredients – trout, bison, sweet potatoes and more – make up “decolonized” menus where ingredients such as wheat flour and beef are absent. The restaurant is a partnership between chef Sean Sherman, Oglala Lakota and Dana Thompson, who is a lineal descendant of the Wahpeton-Sisseton and Mdewakanton Dakota tribes.

    Earlier this year, one of the pair’s community-owned initiatives, Indigenous Food Lab, opened a market in Minneapolis’ Midtown Global Market, a former Sears building housing businesses that represent more than 22 cultures.

    The open-air Four Sisters Farmers Market (Thursdays June through October) also focuses on Indigenous products. And at the Minnesota History Center in neighboring St. Paul, the exhibit “Our Home: Native Minnesota” looks at thousands of years of Native history in the state. – Marnie Hunter

    While Colomia's busy capital can be congested, it's also home to the historic neighborhood of La Candelaria.

    Caribbean coast destinations such as the Rosario archipelago or the UNESCO heritage list city of Cartagena are rightly top of most Colombia travel wish lists, but also deserving a look-in is the country’s somewhat unsung capital of Bogotá.

    Yes, it’s a messy, traffic-snarled urban sprawl, but it’s also a high-altitude crucible of culture and cuisine. There are tours that chart the city’s transformation from graffiti wild west to incredible street art gallery.

    Equally colorful are the restaurants that make the most of Colombia’s diverse natural larder of flora on menus that range from delicious peasant dishes to mind-blowing Michelin-level gastronomy. And then there’s the coffee!

    The congestion (except on regular cycle-only days) thins quickly on its outskirts, allowing day trips to see historic and modern treasures. Itineraries include Lake Guatavita, where conquistadors once plundered sunken gold offerings left by indigenous Muisca people, or the majestic subterranean Zipaquirá salt cathedral. – BN

    Famed for its mountain treks through ancient trails that once facilitated trade between the Himalayas and India, Nepal’s stunning Mustang Valley sits on the doorstep of Tibet.

    Expect to hear a lot more about this remote destination in the coming months thanks to the arrival of the soon-to-open Shinta Mani Mustang. Part of the Bensley Collection, this all-inclusive resort perched above the small town of Jomsom in the Lower Mustang will offer luxury seekers 29 suites inspired by traditional Tibetan homes.

    In addition to trekking, Mustang visitors can explore ancient villages and Buddhist monasteries. Also not to be missed, the man-made Mustang Caves sit above the Gandaki River and are filled with 2,000-year-old Buddhist sculptures and paintings.

    Getting to the Mustang Valley is part of the adventure. Travelers will need to take a 25-minute flight from capital Kathmandu to Pokhara then hop on another plane for the 20-minute journey to Jomsom. The views alone might make this option more pleasing to some than the alternative – a 12-hour drive from Kathmandu. – KC

    From the spectacular wildlife to the beautiful national parks and beaches, Tanzania is absolutely bursting with visual splendor.

    The East African country holds a seemingly endless list of incredible sights, with Mount Kilimanjaro, Africa’s highest mountain, UNESCO world heritage site Serengeti National Park, and the Zanzibar Archipelago, among its many highlights.

    This year, flag carrier Air Tanzania will launch new routes to West and Central Africa, along with the UK, in a bid to transform the country’s largest airport in Dar es Salaam into a transport and logistics hub, while construction on the country’s first toll expressway is also scheduled to begin.

    Meanwhile, the Delta Hotels by Marriott brand made its Africa debut with the opening of its Dar es Salaam Oyster Bay property earlier this year. –– THG

    Cairo is pulsing with life and a rich blend of cultures.

    Could this finally be the year tourists can see the Grand Egyptian Museum? After delay upon delay, the museum is expecting a 2023 opening.

    GEM will be the largest museum dedicated to a single civilization, costing around $1 billion and holding the entire King Tut collection. See video here of a CNN insider visit.

    If you arrive in Cairo before it opens, the Egyptian Museum in Tahrir Square can still scratch your antiquity itch.

    While the Pyramids of Giza are the city’s tour-de-force, there’s still more to see. Start with Islamic Cairo. This area has one of the largest collections of historic Islamic architecture in the world. While there, visit the Al-Azhar mosque, which dates back to 970.

    The city also has a rich Christian tradition. Coptic Cairo, part of Old Cairo, has a concentration of Christian sites that pre-date the arrival of Islam.

    If you need a respite from Cairo’s cacophony, Al Azhar Park has a nice expanse of greenery and a design inspired by historic Islamic gardens. And the affluent neighborhood of Zamalek, which sits on an island in the Nile River, serves up restaurants, antique stores and swanky hotels. – FB

    Yayoi Kusama has the distinction of being the best-selling living female artist on the planet. In particular, she has become a global icon for her sculptures of giant polka-dotted pumpkins, one of which was reinstalled at the pier of Naoshima, one of Japan’s “art islands,” in 2022 after being swept into the sea the year before.

    However, Naoshima is so much more than its famous yellow gourd or its works by Kusama.

    There are five small, walkable “art islands” in the Seto Inland Sea, which is located between the main islands of Honshu, Kyushu and Shikoku in southeastern Japan. The largest collection of things to see – not to mention the only hotel – is on Naoshima. Together, the five champion modern and contemporary art, with emphasis on Japanese artists.

    Don’t come here expecting calligraphy and other classical forms. Instead, be awed by Tadao Ando’s massive stone monoliths, a tiny gallery where patrons can listen to nothing but the beats of human hearts, a makeshift thunderstorm created inside a wooden house and an exhibit where jumping in and taking a bath is intended to be part of the artistic experience. – LM

    With direct flights to Belize City from about a dozen North American airports, this Central American country is a low-hassle hop for many travelers during the November to April high season.

    Most visitors head directly to Belize’s Caribbean coastline. The country’s largest island, Ambergris Caye, sits next to Belize Barrier Reef – the world’s second largest coral reef system. Margaritaville Beach Resort opened on the island in March, and “eco-luxury” resort Alaia Belize opened in 2021.

    Farther south, the Great Blue Hole – a massive underwater sinkhole – is an aquatic magnet for both scuba divers and aerial photographers.

    But Belize offers way more than its enticing islands.

    Lush rainforests, cave networks, winding rivers and rich Mayan archaeological sites invite exploration in a country that’s had an evolving sustainable tourism master plan since 2012. Ruins of the Mayan city of Altun Ha are just about an hour north of Belize City. Or farther west, Lamanai is one of Belize’s largest and most fascinating Mayan sites. – MH

    Mexico is arguably as rich in culinary heritage as it is in Mesoamerican archaeological treasures, and Eva Longoria explores many distinctive flavors in her series “Searching for Mexico,” which aired on CNN this year.

    The state of Oaxaca, which Longoria visits, has an especially deep well of culinary traditions. Plus, Oaxaca produces most of the world’s mezcal.

    Tlayudas, known as Oaxacan pizzas, are a street food staple. A large corn tortilla is typically layered with lard, beans, traditional Oaxacan cheese, pork and other toppings such as avocado and tomato. The state is also renowned for its seven mole sauces, with recipes that may call for dozens of ingredients from chiles and sesame seeds to chocolate and dried fruit.

    In the city of Oaxaca, Mercado Benito Juárez is one of many markets across the state selling items such as dried chiles, fresh produce, handicrafts and crunchy grasshoppers. To sample the state’s increasingly popular beverage, the town of Santiago Matatlán is the place for mezcal distillery tours and tastings. – MH

    In the winter, the frozen Rideau Canal in Ottawa becomes the world's largest skaing rink.

    It doesn’t have Montreal’s French flair or Toronto’s international oomph, so the Canadian capital can get overlooked. That would be a mistake. Graceful and understated, Ottawa has its own draws.

    Music lovers should take note of two Ottawa Jazz Festivals. The winter edition took place in February, and the summer edition will run from June 23-30.

    If you love hockey, watch the Ottawa Senators do their NHL thing at the Canadian Tire Centre in the western suburbs. If that ticket is too pricey, check out the Ottawa 67’s, a more affordable option of junior men’s hockey games at downtown’s TD Place Arena.

    The Rideau Canal turns into the world’s largest skating rink from sometime in January to late February or early March, depending on ice thickness. It’s free and accessible 24/7. When it’s warmer, it’s a great spot for people and boat watching.

    A don’t-miss is Parliament Hill, home to Canada’s federal government and the visually striking Parliament buildings on a promontory overlooking the Ottawa River. – FB

    Treks through the Bwindi Impenetrable Forest are among Uganda's highlights.

    There’s considerable change brewing in Uganda’s travel offerings at the moment with the East African country looking beyond the traditional staples of safari and wildlife spotting to appeal to both regional and international visitors.

    Keen to revitalize post-Covid tourism in all corners of the country, not just the big-ticket businesses offering wealthy visitors a glimpse of the Big Five beasts or mountain gorillas, it’s turned to marketing its other attributes.

    And why not? From the expansive shores of Lake Victoria to the snowy Rwenzori Mountains, Uganda is a beautiful wilderness playground, with opportunities for adventure including treks through the Bwindi Impenetrable Forest or up to the craters of the Virunga volcano chain or whitewater rafting along the Victoria Nile.

    There’s also an emphasis on connecting visitors with Ugandan communities – promising tastes of Ugandan food, music and culture. Last year saw the launch of the Uganda Cycling Trail, a 1,600-kilometer mainly unpaved 22-stage route designed to appeal to all levels of cyclist from hardcore solo bikepackers to fully-guided easy riders. – BN

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  • This photographer is creating surreal, dramatic images of Dubai’s stunning skyline | CNN

    This photographer is creating surreal, dramatic images of Dubai’s stunning skyline | CNN

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    Editor’s Note: This CNN Travel series is, or was, sponsored by the country it highlights. CNN retains full editorial control over subject matter, reporting and frequency of the articles and videos within the sponsorship, in compliance with our policy.



    CNN
     — 

    Dubai is known for its breathtaking architecture and iconic skyline. Now, artist Baber Afzal is capturing the city-state’s famous towers and spires in a new light through a series of stunning images that marry architecture, environment, and atmosphere.

    “There are many places that I love out here in Dubai, especially the architectural landscape as it keeps evolving every year – and that evolution inspires me (because I’m) able to shoot from unique vantage points to share a different perspective of the city,” explains Afzal.

    Afzal, 40, uses a combination of landscape and architectural photography, and visual art techniques, to illustrate the city of Dubai as he sees it.

    “One thing that has remained constant in my work, whether it be capturing the cityscape or the dunes, is the hazy sunsets and sunrises in this region,” he says. “Awareness of the climatic conditions gave birth to a unique editing style and technique to express my visions.”

    A Pakistani native, Afzal first started making art in 2007. “My interest in art grew after I experienced capturing and editing the beautiful landscape of Margalla Hills in Islamabad, Pakistan,” he says. “I gravitated toward the editing aspect since shifting color and contrast values really fascinated me.”

    Afzal scouts locations prior to a shoot, and says it often takes him many hours to capture the perfect image. He then spends a few days in post-production, manipulating the image and executing his vision to create ethereal, striking pictures.

    “Art provides a powerful means of expressing human emotion and experience, and it can be used to communicate complex ideas and feelings that might otherwise be difficult to express,” he says. “I aim to enhance this experience by showcasing visual concepts from a different light that will highlight the unseen beauty that exists in city life and in nature too.”

    Afzal’s work has received awards from around the world and has been published both locally and internationally in magazines and photography books. Last month, his artwork “LUMINOUS” was showcased in New York City at the prestigious “NFT NYC 2023.”

    He produces much of his work as NFTs (non-fungible tokens), capitalizing on the digital format to add animation and complex imagery to create one-of-a-kind dreamlike moving pictures.

    He believes that technology will play a significant role in the future of the art scene in Dubai. “I expect to see more artists, including myself, experimenting with technology and incorporating it into our work in new and innovative ways in the years to come,” says Afzal.

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  • US, UK galleries buy masterpiece ‘Portrait of Mai’ for $62M

    US, UK galleries buy masterpiece ‘Portrait of Mai’ for $62M

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    LONDON — One of the earliest portraits of a person of color by a British artist will remain on public display after London’s National Portrait Gallery and the J. Paul Getty Museum in Los Angeles struck a 50 million-pound ($62 million) deal to buy it.

    The two institutions announced Wednesday they had each pitched in 25 million pounds to acquire Joshua Reynolds’ depiction of an 18th-century Polynesian man, “Portrait of Mai.” The seven-foot high (2.1-meter) painting is considered a masterpiece by the renowned portrait artist and is the first known grand depiction of a nonwhite subject in British art.

    “It’s undisputed how important this is in terms of British art history,” National Portrait Gallery director Nicholas Cullinan said. He said it would have been a “tragedy” if the painting had disappeared into private hands.

    Under the deal, Getty and the London gallery will share the painting. It will go on display at the National Portrait Gallery when it reopens in June after a three-year refurbishment and will tour the U.K. before moving to Los Angeles in 2026.

    The first known Polynesian visitor to Britain, Mai came from the island of Raiatea near Tahiti and traveled to England with explorer Captain James Cook in 1774. He was figure of fascination and became a celebrity — granted an audience with King George III, invited to Parliament and a guest at literary soirees hosted by novelist Fanny Burney and writer Samuel Johnson.

    He returned to his homeland in 1777 and died there two years later.

    Reynolds was one of Britain’s leading society artists, and his painting of Mai, which shows him as a dignified figure in flowing robes, caused a sensation when it was first exhibited in 1776. Reynolds never sold it, and it remained in his studio when he died in 1792.

    Getty museum director Timothy Potts said the painting — formerly known as ”Portrait of Omai,” the name by which the prince was known in Britain — “is not only one of the greatest masterpieces of British art, but also the most tangible and visually compelling manifestation of Europe’s first encounters with the peoples of the Pacific islands.”

    After Reynolds’ death in 1792, the painting was bought by the artist’s friend the Earl of Carlisle and remained at his stately home, Castle Howard, until it was sold to a private collector in 2001 for $16.5 million, at the time one of the highest prices ever paid for a British painting.

    The U.K. government blocked its export, and British institutions have been battling for two decades to raise the money to keep the portrait in the country.

    Cullinan acknowledged that saving the painting had cost “a huge amount of money” at a time when Britons are feeling the pinch from a cost-of-living crisis. But he said it was worth it.

    “What none of us wanted was that in 100 years’ time people would be lamenting that we let this go because we were quibbling about the price,” he told the BBC.

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  • Man agrees to plead guilty in Basquiat artwork fraud scheme

    Man agrees to plead guilty in Basquiat artwork fraud scheme

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    LOS ANGELES — A former Los Angeles auctioneer has agreed to plead guilty in a cross-country art fraud scheme where he created fake artwork and falsely attributed the paintings to artist Jean-Michel Basquiat, federal prosecutors said Tuesday.

    The paintings ultimately wound up at the Orlando Museum of Art in Florida before they were seized by federal agents last year in a scandal that roiled the museum and led to its CEO’s departure after he threatened an art expert and told her to “shut up.”

    Basquiat, a Neo-expressionist painter whose success came during the 1980s, lived and worked in New York before he died in 1988 at age 27 from a drug overdose. The Orlando Museum of Art scandal came in 2022 when a federal raid ended in the seizure of 25 paintings whose authenticity had been in question for a decade. The museum had been the first to display the artwork, and its former director had previously insisted the artwork was legitimate.

    Defendant Michael Barzman, 45, was charged Tuesday in federal court in Los Angeles with making false statements to the FBI during an interview last year, the U.S. Attorney’s Office said in a news release. He has agreed to plead guilty and faces up to five years in prison.

    Barzman’s court date has not been scheduled. Barzman admitted that he and another man, identified only as “J.F.” in court papers, had created the bogus paintings and agreed to split the sales’ proceeds.

    “Mr. Barzman was drowning in medical debt after battling cancer for decades,” his attorney Joel Koury said in a statement Tuesday. “In desperation, he participated in this scheme because he was afraid of losing his health insurance. Since then, he has cooperated and done everything asked of him to compensate for his poor judgement.”

    Mark Elliott, the chairman of the Orlando museum’s board of trustees, said in a statement that the museum “has recommitted itself to its mission to provide excellence in the visual arts with its exhibitions, collections, and educational programming” in the wake of the scandal.

    Barzman admitted to the FBI — after repeated denials in interviews with federal agents, leading to Tuesday’s felony charge — that he made a false provenance for the paintings by claiming in a notarized document that they had been found in television writer Thad Mumford’s storage locker.

    Barzman previously ran an auction business where he bought and resold the contents of unpaid storage units. He bought Mumford’s locker in 2012.

    Mumford, who died in 2018, told investigators he had never owned any Basquiat art, and the paintings were not in the unit the last time he had opened it.

    Experts pointed out that the cardboard used in at least one of the pieces included FedEx typeface that wasn’t used until 1994, about six years after Basquiat died, according to a federal search warrant. The artwork had been marketed as painted in 1982.

    Barzman and “J.F.” would make the paintings on cardboard with various materials and then “age” them outdoors so the artwork would look like it was painted in the 1980s, according to Barzman’s plea agreement.

    But on the back of one of the paintings seized from the Orlando museum, a crucial clue remained: A mailing label bearing Barzman’s name, painted over.

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  • Light, sound show transforms Berlin museum’s exhibits

    Light, sound show transforms Berlin museum’s exhibits

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    BERLIN — Hadad, the ancient weather god at Berlin’s Pergamon Museum, growls deeply as he casts his neon-blue gaze on visitors, his body bathed in pulsating orange light.

    What seems like a scene from a horror movie is in fact the product of a light and sound installation by British contemporary artist Liam Gillick, part of the show Filtered Time that opened Tuesday at one of the German capital’s most popular museums.

    The exhibition at the Museum of the Ancient Near East in the south wing of the Pergamon Museum uses unexpected layers of sound, light and color to breathe new life into iconic sculptures and artifacts that are thousands of years old.

    It comes as the Pergamon Museum, which is based on the city’s famous Museum Island, prepares to close its gates for several years on October 23 for renovation. The show Filtered Light will end a week before the museum’s closure.

    While the north wing of the Pergamon Museum is expected to open again in 2027, the south wing will only be open to the public again in 2037.

    The weather god from Sam’al in what is today Turkey’s Gaziantep Province, is 3.4 meters (11 feet) tall and was created from black basalt in the 8th century BC. It is the first object to capture visitors with its unusual colors and sounds as they enter the museum’s galleries.

    Gillick, who was present at the opening of his show, said he wanted to bring “an emotional quality to life in this object and gently bring warmth back,” as originally the weather god would have been standing outside in the sun.

    He created the soundscape with the noise of shipping and construction from contemporary Syria and Iraq.

    “But it’s slowed down. It’s made unclear. It’s sort of rendered into this soundscape, which becomes more emotional, suggestive of movement of machinery, of construction,” Gillick explained.

    “But it could also be the sounds of an ancient God moaning and murmuring,” he added.

    Gillick also attached a shining blue light above the museum’s renowned Ishtar Gate from the ancient city of Babylon with its characteristic blue-glazed bricks and depictions of lions, bulls and dragons. The light rises and fades while faint thunderclaps can be heard — sounds that in fact are a slowed-down recording of clay being knocked out of brick molds, the artist explained.

    Gillick’s show was curated by the Museum of the Ancient Near East in cooperation with the city’s museum for contemporary art, the Hamburger Bahnhof.

    Sam Bardaouil, the director of the Hamburger Bahnhof, explained how the sound installations help bring back energy to some of the antique objects.

    “Many times when we come to these museums, the objects, unfortunately, become relics,” though they once existed in cities as living space, on avenues where people used them in different ways, walked through them or sat on them, Bardaouil said.

    “So the sound, in a sense, is a way of bringing back some of the commotion, some of the energy, some of the life in which these objects existed,” he added.

    The curators of the exhibition said they also wanted to make a point of showing that the artifacts Gillick engaged with come from places such as Syria and Iraq to which civilization owes much — even if today they’ve become associated with conflict and grief.

    Visitors planning to catch a glimpse of Gillick’s show and the Pergamon’s treasures before it closes for renovation should book online tickets as waiting times can last up to two hours, according to the museum.

    Built between 1910 and 1930, the museum and four others nearby were designated a UNESCO World Heritage site in 1999.

    Even before the Pergamon Museum’s temporary closure was announced, it attracted more than a million visitors each year. During the renovation period, the museum is planning to show some of the objects in other exhibition spaces and will also offer virtual tours.

    However, the Ishtar Gate, which was built in 575 BC, will be wrapped up and closed to the public until 2037.

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  • Italian Museum Invites Florida Students To See Some Real Porn

    Italian Museum Invites Florida Students To See Some Real Porn

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    FLORENCE, ITALY—After a Tallahassee parent complained that pictures of Michelangelo’s David shown to a sixth-grade art class were “pornographic,” causing a principal to lose her job, officials from Italy’s Galleria dell’Accademia invited Florida students to come see some real porn Thursday. “If you thought David was obscene, just wait until you get a load of the sick shit we show our patrons after hours,” said Cecilie Hollberg, the museum’s director, who explained that in a darkened, curtained-off gallery at the back of the building, her institution housed a permanent collection of hardcore pornography that, unlike the famed Renaissance masterpiece, had absolutely no redeeming social value. “We’ve got something for everyone, including some real nasty stuff—porn with more jizz and more sloppy, stretched out holes than you’ve ever seen in your life. Let’s just say it’ll get you harder than any marble statue.” Hollberg went on to acknowledge that of the approximately 1.5 million people who visited the Galleria dell’Accademia each year, fewer than 5% even bothered to stop and see the David.

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  • Indigenous artists help skateboarding earn stamp of approval

    Indigenous artists help skateboarding earn stamp of approval

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    PHOENIX — Years ago, skateboarding was branded as a hobby for rebels or stoners in city streets, schoolyards and back alleys. Those days are long gone.

    Skateboarding, which has Native Hawaiian roots connected to surfing, no longer is on the fringes. It became an Olympic sport in 2020. There are numerous amateur and professional skateboarding competitions in the U.S. And on Friday, the U.S. Postal Service is issuing stamps that laud the sport — and what Indigenous groups have brought to the skating culture.

    Di’Orr Greenwood, 27, an artist born and raised on the Navajo Nation in Arizona whose work is featured on the new stamps, says it’s a long way from when she was a kid and people always kicked her out of certain spots just for skating.

    “Now it’s like being accepted on a global scale,” Greenwood said. “There’s so many skateboarders I know that are extremely proud of it.”

    The postal agency is debuting the “Art of the Skateboard” stamps at a Phoenix skate park. The stamps feature skateboard artists from around the country, including Greenwood and Crystal Worl, who is Tlingit Athabascan. William James Taylor Jr., an artist from Virginia, and Federico “MasPaz” Frum, a Colombian-born muralist in Washington, D.C., round out the quartet of featured artists.

    The stamps underscore the prevalence of skateboarding, especially in Indian Country where the demand for skate parks is growing.

    The artists see the stamp as a small canvas, a functional art piece that will be seen across the U.S. and beyond.

    “Maybe I’ll get a letter in the mail that someone sent me with my stamp on it,” said Worl, 35, who lives in Juneau, Alaska. “I think that’s when it will really hit home with the excitement of that.”

    Antonio Alcalá, USPS art director, led the search for artists to paint skate decks for the project. After settling on a final design, each artist received a skateboard from Alcalá to work on. He then photographed the maple skate decks and incorporated them into an illustration of a young person holding up a skateboard for display. The person is seen in muted colors to draw attention to the skate deck.

    Alcalá used social media to seek out artists who, besides being talented, were knowledgeable about skateboarding culture. Worl was already on his radar because her brother, Rico, designed the Raven Story stamp in 2021, which honored a central figure in Indigenous stories along the coast in the Pacific Northwest.

    The Worl siblings run an online shop called Trickster Company with fashions, home goods and other merchandise with Indigenous and modern twists. For her skate deck, Crystal Worl paid homage to her clan and her love of the water with a Sockeye salmon against a blue and indigo background.

    She was careful about choosing what to highlight.

    “There are certain designs, patterns and stories that belong to certain clans and you have to have permission even as an Indigenous person to share certain stories or designs,” Worl said.

    The only times Navajo culture has been featured in stamps is with rugs or necklaces. Greenwood, who tried out for the U.S. Women’s Olympic skateboarding team, knew immediately she wanted to incorporate her heritage in a modern way. Her nods to the Navajo culture include a turquoise inlay and a depiction of eagle feathers, which are used to give blessings.

    “I was born and raised with my great-grandmother, who looked at a stamp kind of like how a young kid would look at an iPhone 13,” Greenwood said. “She entrusted every important news and every important document and everything to a stamp to send it and trust that it got there.”

    Skateboarding has become a staple across Indian Country. A skate park opened in August on the Hopi reservation. Skateboarders on the Fort Apache Indian Reservation in eastern Arizona recently got funding for one from pro skateboarder Tony Hawk’s nonprofit, The Skatepark Project. Youth-organized competitions take place on the Pine Ridge Indian Reservation in South Dakota.

    Dustinn Craig, a White Mountain Apache filmmaker and “lifer” skateboarder in Arizona, has made documentaries and short films on the sport. The 47-year-old remembers how skateboarding was seen as dorky and anti-establishment when he was a kid hiding “a useless wooden toy” in his locker. At the same time, Craig credits skateboarding culture as “my arts and humanities education.”

    So he is wary of the mainstream’s embrace, as well as the sometimes clique-ish nature, of today’s skateboarding world.

    “For those of us who have been in it for a very long time, it’s kind of insulting because I think a lot of the popularity has been due to the proliferation of access to the visuals of the youth culture skateboarding through the internet and social media,” Craig said. “So, I feel like it really sort of trivializes and sort of robs Native youth of authenticity of the older skateboard culture that I was raised on.”

    He acknowledges that he may come off as the “grumpy old man” to younger Indigenous skateboarders who are open to collaborating with outsiders.

    The four skateboards designed by the artists will eventually be transferred to the Smithsonian National Postal Museum, said Jonathan Castillo, USPS spokesperson.

    The stamps, which will have a printing of 18 million, will be available at post offices and on the USPS website beginning Friday. For the artists, being part of a project that feels low-tech in this age of social media is exciting.

    “It’s like the physical thing is special because you go out of your way to go to the post office, buy the stamps and write something,” Worl said.

    ___

    Terry Tang is a member of The Associated Press’ Race and Ethnicity team. Follow her on Twitter at https://twitter.com/ttangAP

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