While a Horizon multiplayer game felt all but inevitable, Guerrilla Games finally made the news official on Friday by way of a new job advertisement. The Sony studio behind the open world RPG series wants to take the post-apocalyptic robot combat online with an upcoming project featuring new characters and a different art-style.
“A new internal team is developing a separate Online Project set in Horizon’s universe,” Guerrilla Games wrote on Twitter. “Featuring a new cast of characters and unique stylized look, friends will be able to explore the majestic wilds of Horizon together.” So don’t expect to teaming up with Aloy and her other friends this time around.
Job listings for the new game include character, quest, and combat designers, as well as “stylized” world artists and character animators. From the descriptions, it sounds like what you’d expect from the creators of Horizon Zero Dawn and Forbidden West, but with a multiplayer twist. The references to a new art direction, meanwhile, might hint at a different set of visual tradeoffs from a studio traditionally at the forefront of visual fidelity, in order to accommodate the new cooperative gameplay.
Guerrilla also makes clear that it’s still working on a new single-player installment in the Horizon series, in addition to the PSVR2 spin-off, Horizon Call of the Mountain, and Forbidden West DLC, Burning Shores, the latter two both due out early in 2023. There are also job listings for an external project, though it’s not clear exactly what that is.
Rumors of a Horizon multiplayer project have been swirling around for a while now, including a report of a Horizon MMO being licensed out to Guild Wars publisher NCsoft. The multiplayer push comes as other major Sony first-party franchises have made the jump to online, including Ghost of Tsushima’s co-op raid update, and an upcoming multiplayer-only Last of Us spin-off.
Following its $3.6 billion acquisition of Bungie, whose successful MMO shooter Destiny 2 has become one of the gold standards in live-service gaming, Sony revealed plans to release over a dozen more live-service games by 2025. If the past few years have been any indication, not all of them will succeed, and few if any will reach the levels of Apex Legends, Genshin Impact, and other recent breakout hits. With a growing majority of all gaming companies’ revenue coming from microtransactions and other “recurrent player spending,” it’s easy to see why Sony would try.
Popular free-to-play mobile game Brawl Stars is doing something a bit different. In an era where it seems every game is trying to nickel and dime you with more and more stuff to buy, instead it’s removing loot boxes and all random rewards entirely from the game. It’s yet another sign that loot boxes are likely to become a relic of the past as lawmakers and players push back on the random rewards. But that doesn’t mean Brawl Stars players are universally happy about their removal.
Released in 2019 for phones and tablets, Brawl Stars mixed cute characters with MOBA-like gameplay and some battle royale elements. The end result was a fun top-down competitive action game that I played for weeks and weeks. But since I stopped playing, millions have continued to enjoy it: Brawl Stars has made over a billion dollars in profit for Supercell and still has an active player base and community. Now, Supercell has removed all loot boxes from the game, and reaction to the change is oddly mixed.
Announced in a Brawl Talk video posted last week, Supercell’s latest update to Brawl Stars has removed all random rewards from the game. These boxes were mainly used to unlock new characters in the game. Since its release three years ago, Brawl Stars has heavily featured loot boxes as part of its rewards. But with yesterday’s update, that’s no longer the case.
Supercell / Brawl Stars
“No more probabilities, no more random rewards, and no more playing the guessing game when you unlock Brawlers,” said the game’s lead designer Frank Keienburg in Supercell’s Brawl Talk video.
Yesterday, as part of this update, all unclaimed boxes were automatically opened and all the rewards were given to players accordingly. Moving forward, Keienburg and Supercell say that all rewards—including its battle passes—will be replaced with “different, deterministic rewards, some of which are new to the game.” Now, players have a new battle pass-like feature, The Starr Road, which lets them unlock all characters for free via grinding. Players can now just buy any brawler they want with gems, instead of randomly buying dozens of loot boxes to maybe get a specific hero.
“We’re making this change for a few reasons,” continued Keienburg. “Mainly, moving away from probabilities and chance, which will make things more fair and predictable for you. It also gives you clear and exciting goals every time you play the game.”
While I think removing loot boxes is a good thing and something worth celebrating—especially as mobile games continue to be some of the worst offenders with even good games like Marvel Snap including predatory purchases of over $100 or more—the community reaction is far less positive. While some players seem happy about the removal of random reward crates, others expressed disappointment. The comments on the Brawl Talk video has players rallying against the devs and demanding boxes return to Brawl Stars.
Why? For some it seems that the excitement of a loot box outweighed the frustration that often accompanies them. Others suggested they now have little interest in playing the game since random rewards are being removed. (I think some of these people need to stop and think if they really like Brawl Stars or just like pulling a virtual lever on a slot machine…) We saw something similar to this happen with Overwatch 2’s release, where some players were angry at the removal of loot boxes and demanded they be returned to the game. And while I agree that progression in Overwatch 2 sucks at the moment, I’d rather Blizzard figure out a way to fix that doesn’t involve bringing back loot boxes, even if it did give you a lot of free ones before.
The reality is that as games continue to become more and more popular, more countries will begin investigating the industry and how it makes money. And loot boxes are likely never to return in vogue as long as so many governments are leading crusades to regulate or outlaw them.
Valve’s classic Portal was recently re-released on Steam with some very fancy new visuals, including ray-tracing and DLSS support. That was great news for Portal fans, but it’s also great news for fans of all kinds of old PC games.
Before we go any further, I’ll explain the tech we’re talking about. RTX is the name given to a set of technologies used by graphics card company Nvidia that uses “ray tracing and AI technologies” to, very simply, make PC games look incredible. Here’s a trailer for Portal With RTX, the re-release of the game made with this tech, showing the improvements made to a game that most of us remember looking very 2007:
Portal with RTX | World Premiere
Now, the thing with RTX is that while in this case (and with Quake and Minecraft) it had to be put into the game by developers, Nvidia are also releasing a version of the tech with modders in mind. It’s called RTX Remix:
With RTX Remix, the game runs in the background and we replace the old rendering APIs and systems with RTX Remix’s 64-bit Vulkan renderer. This enables the addition of ray-tracing to classic games and it all updates in real-time as lights and objects move. Light can be cast from behind the player, or from another room, and in Portal with RTX, light even travels through portals. Glass refracts light, surfaces reflect detail based on their glossiness, reflections can be cast into the scene from behind the player, objects can self-reflect, and indirect light from off-screen illuminates and affects what you see.
Compared to Quake II RTX and Minecraft with RTX, the path-traced ray tracing introduced by RTX Remix is even more advanced, bouncing light four times instead of once, improving quality, immersion, and the simulation of real-world light. Additionally, we’ve also introduced several new ray tracing techniques that further improve quality while also being more performant.
Nvidia says that RTX Remix is “a modding platform” that will allow “modders of all ability levels to bring ray tracing and NVIDIA technologies to classic games”. Given it’s not out until 2023 I was expecting we were still months away from seeing what benefits it could bring to older games, but nope!
Modders like LordVulcan have found you can add RTX to some classic titles, right now, just by…dropping some files from Portal with RTX into another game’s folder on your hard drive and enabling some developer stuff in the console. That’s it. And it’s working on games like SWAT 4 and the original Max Payne.
Here’s some footage of SWAT 4taken by EiermannTelevision, which was released in 2005 and most definitely did not look like this at the time:
SWAT 4 RTX Remix
And here’s Half-Life 1, along with a little explainer on how it was done:
How To Get RTX in Half-Life: Source ~ RTX 4090 [RTX Remix] [4K]
None of those examples are perfect, but it’s incredible they work this well given how quick their implementation was. This is going to be so good when the actual RTX Remix is released in 2023, but until then it’s going to be cool seeing what other classic titles this slapdash workaround is compatible with!
You may have already seen, but Street Fighter 6‘s June 2, 2023 release date leaked late in the day on December 8. Apparently Sony, whether accidentally or intentionally, published the date on the PlayStation Store, alongside three different editions that will be available come launch. Now, during Geoff Keighley’s The Game Awards, Capcom confirmed the date is in fact real. Mark your calendars, folks: Street Fighter is coming back next year.
Street Fighter 6 – Pre-Order Trailer
The Game Awards dropped a new trailer for Street Fighter 6 during the pre-show, where we saw fighters travel around the (digital) world: France, Italy, the United States, and the like. There were also some minigames, including bottle chopping, board breaking, and basketball blocking. Weird stuff. We also saw some new characters, such as the capoeira fighter Dee Jay and the gladiator brawler Marisa, alongside a cool-looking 2v2 mode where a player-created fighter and Ryu battled against two other fighters on the same screen at the same time.
Street Fighter 6 is looking wild.
The June 2023 release date slip-up was spotted on the PlayStation Store by Twitter users bestprosplay3 and SurpriseBum. It then proliferated on gaming forum website ResetEra, with preorder pages allegedly corroborating the date. There appear to be three editions of the game: Standard, Deluxe, and Ultimate. The Standard Edition will apparently come with the base game, one outfit color for six unspecified characters, and “special titles and stickers.” The Deluxe and Ultimate versions feature the same stuff, with the only difference being the Deluxe packages the Year 1 Character Pass, whereas the Ultimate houses the Year 1 Ultimate Pass. Prices for these editions weren’t disclosed at the time.
More than seven years after Street Fighter V came out in February 2016, Street Fighter 6 is Capcom’s latest entry in the long-running fighting game series. It’ll feature all the usual characters—Chun-Li, Guile, Ken, Ryu, etc.—as well as some new faces, such as the fire-fisted Luke and (my personal fave) the kunoichi Kimberly. There are some new elements introduced in the upcoming entry, too, including the combo-breaking Drive Impact move, a robust character creator you can use in the single-player open world, and the incredible training mode that actually teaches you fighting game lingo. It’s an exciting release I’m stoked to get whooped in.
G/O Media may get a commission
You don’t have to wait long to get your hands on the game. Yes, it does drop in June 2023, which is about six months away. But if you were part of Street Fighter 6‘s first closed beta, you can check out the second one that runs from December 16 to 19. Even if you didn’t get an invitation to play the first beta, you can still submit an application to get in on the second one through the game’s website. Two caveats here, though. The first is you must have a registered Capcom ID account. The second is that account must then be linked to whatever platform you’re applying to play on. Once you meet that criteria, and should you be selected, you will gain access to Street Fighter 6.
If you weren’t lucky enough to be picked for access to the game’s second closed beta, however, you will just have to wait until Street Fighter 6 launches in full on June 2, 2023. The game will land on PlayStation 4 and 5, Xbox Series X/S, and PC via Steam.
The CEO of the company behind some of the best retro consoles on the market has announced on their website than an entire shipment of units, due for release all over the world, has been stolen in a robbery in the UK.
Byatt says that “in the early hours” of December 6 a truck “carrying Evercade EXP Limited Edition stock was subject to a suspected targeted robbery”, and that while “nobody was hurt in this criminal act”, the stolen units had been intended “for despatch to all UK, USA, and rest of world customers”.
European customers are unaffected, as are those buying the regular edition of the Evercade EXP, since it was only the limited edition units that were stolen. Byatt adds that they’re currently working with British police, and are “hopeful of recovering the stock”, but in case that doesn’t pan out they have already begun the process of manufacturing replacement units.
To compensate those whose are now going to have to wait for their orders, Byatt also says that they’re creating a “Heroes” list “which will be added to our EXP console credits, thanking those people that stuck by us at this time”. Since the consoles were only available for sale on their official site, and are now sold out, Byatt is reminding people that any units turning up for sale elsewhere are “likely stolen goods”.
G/O Media may get a commission
The full statement is below:
Dear Evercade customers and fans,
I’m writing to inform you of some very sad news. In the early hours of yesterday morning, a lorry carrying Evercade EXP Limited Edition stock was subject to a suspected targeted robbery. Nobody was hurt in this criminal act, but a theft of our Limited Edition stock was carried out.
This stock was moving between warehouses for despatch to all UK, USA, and rest of world customers – all of the stock was taken in this terrible, possibly organised attack. EU stock was not affected and has arrived in Funstock’s European warehouse successfully.
Since learning of the crime, we have been tirelessly working behind the scenes, liaising with the Police, evaluating the situation, and defining a plan of action that we can communicate to our customers and fans as accurately and as quickly as possible.
This is especially devastating for our most committed fans who supported us with their pre-orders for our special Limited Edition version of the Evercade EXP. We feel this impact keenly and are determined to not let this situation overshadow the excitement around our new product launch. This is an unprecedented situation in the history of Blaze and Funstock and we deeply sympathize with all our fans and customers who are the victims of this theft.
We at Blaze are hugely frustrated and angry that this has occurred, and with these products so close to release the timing could not be worse. We have shared all the information, including evidence of theft, with the UK Police and we await news of their investigations. Whilst we are hopeful of recovering the stock, we expect this to be challenging and time consuming. We are working hard on making this right for Limited Edition customers. Please be aware that the EXP Limited Edition could only be purchased from Funstock.co.uk and is no longer on sale. Any other sources are likely stolen goods.
What happens next?
I have immediately started production on replacements for this stock at our factory and we will endeavour to get these into your hands as fast as humanly possible. We recognise that this will be disappointing for our customers and as a mark of our gratitude for their patience while we remanufacture the goods, we will be creating a list of “Heroes” which will be added to our EXP console credits, thanking those people that stuck by us at this time. We will also add a screen protector set into the reproduced goods and Funstock will include a 20% off voucher on a future order.
We firmly believe that the customers of Blaze and Funstock are victims here and we apologise for the impact this event will cause. We hope all our customers can join us in condemning the actions of these criminals and ensuring this event will not be allowed to stop our enjoyment of the classic gaming experience that Evercade provides.
It was only three weeks ago that we reported the astonishing news that Yuji Naka, the creator of Sonic The Hedgehog, had been arrested over allegations of insider training in relation to Dragon Quest. Now, it’s being reported that he’s been arrested again for similar charges, this time allegedly regarding shares bought before the 2021 announcement of mobile battle royale Final Fantasy VII: The First Soldier.
Yuji Naka, a name behind some of the most iconic Japanese game franchises of the last 30 years, could be in a whole heap of trouble. The man who took Sonic from a high school notebook doodle to one of the most famous gaming characters in existence was arrested in November, along with others, allegedly accused of buying shares in developer Aiming, shortly before it was announced in 2020 that the studio would be making Dragon Quest Tact.
Less than a month later, it’s being reported by Asahi that it’s happening all over again, but this time in regards to his allegedly purchasing shares in ATeam Entertainment, just before it was made public in 2021 that they’d be creating Square Enix’s ill-fated mobile game, Final Fantasy VII: The First Soldier. According to Asahi, he’s alleged to have paid 144.7 million yen ($1,051,000) for 120,000 shares in ATeam. It’s claimed he was arrested alongside another former Square Enix employee, Taisuke Sasaki, who was also said to have been arrested over Aiming shares last month.
Were this to be a thing someone had done, it would of course be an attempt to profit from the increased share value such an announcement would cause, but given it would be based on non-public confidential information, that counts as insider trading.
Most recently, Naka had been working on Square Enix’s dreadfulBalan Wonderworld, before being let go by the studio six months before its release. He says he later sued Square Enix over this, but has never disclosed the resolution.
G/O Media may get a commission
In February last year, Squenix announced Final Fantasy VII: The First Soldier would be jointly developed with ATeam, before releasing it for mobile in November last year. Then, less than a year later, announced they were killing it dead. ATeam shares are now worth about half their value in 2021, and a fraction of their peak in 2013.
England goalkeeper Jordan Pickford has made a few handy saves so far at this World Cup, but between waiting around for large parts of a game and then having days between matches, there’s a lot of spare time to fill. Which he has duly done by getting an enormous gaming setup shipped over from home.
Pickford, who plays his club football for Everton, revealed the power move as part of this promotional interview below, which runs for over 20 minutes but which I’ve set to autoplay at the relevant moment:
Pickford Chats GK Union, Gaming Setups and Golf Dream Teams 🎮⛳️ | Ep.20 | Lions’ Den With M&S Food
Seems the guy really likes playing Fortnite, and had previously taken gaming laptops with him while on national duty so he could play on his off days. But switching between those cramped confines and his regular setup had proved too much for the Euro 2021 Golden Glove winner, so for Qatar he just figured, fuck it, and got something more heavy duty shipped over.
Screenshot: YouTube
The monogrammed container it arrived in is, indeed, a “proper bit of kit”. Inside it’s still a laptop, but with a custom-built, full-size TV/monitor/screen included so that the visual experience on the road matched what he was used to at home.
G/O Media may get a commission
As for Fortnite, it’s not just Pickford playing; as he says above it’s something he plays with the lads, and four years ago at the last World Cup the England squad were famously, absolutely hooked on it:
Aside from their inspired celebrations, England players have been very forthcoming about their own Fortnite escapades in the camp. It’s no surprise that team youngsters Marcus Rashford and Alli play religiously, or that young-at-heart Raheem Sterling and Lingard log on to Epic Games’ best-seller, but the true revelation has been star striker Kane.
Kane, or should we say “hkane23”, has racked up an astonishing 110 matches while in Russia, closely followed by Tottenham (and evidently Fortnite) teammate Alli, also known as “Delstroyer14”, who has played 82 times, according to reports. The pair have previously livestreamed their matches, including one against defender and teammate Harry Maguire.
This being 2022, and with the World Cup running (for some countries at least) for almost a month, he’s far from the only person there playing Fortnite in his downtime. But he is, surely, the only one “just tryin to get the best frames, trying to get the upper hand” with a monogrammed, armoured computer case.
It’s also lovely to see that, since switching to a PC laptop, he’s having more luck with his power supply.
Ever since mankind figured out various pigments could be smeared on cave walls, humans have drawn cocks on stuff. From the Cerne Abbas Giant to your mom’s bathroom wall, winky and winky-shaped creations appear anywhere anything can be crafted. So it is that the Sims 4 Gallery has been as replete with dicks as the underside of any bridge. Until now.
“We are aware of and have seen some select instances of wholly unacceptable content that has been uploaded to The Sims 4 Gallery,” begins the post, like a disappointed principal speaking to the whole school. “Our team has reviewed, and made critical updates to, the profanity filter to help prevent this from happening again in the future.” They’re not asking for pupils to put up hands, but if anyone would like to come forward and confess before they’re caught, it’ll make life easier for all involved.
The Sims 4 Gallery is a place where players of the recently made free-to-play game can share their creations, allowing others to download them and add them to their own game. This might be beautiful pieces of hand-crafted architecture, a specific room to add to a house, or a Sims lady with big boobs and a nice suit. And where creativity is allowed to flourish, rude stuff will appear.
My favorite example of this was when another Will Wright game, Spore, released its free character creator, and immediately “Sporn” was born. Sims creator, Wright, even praised such endeavors, calling them “amazingly explicit.” However, that’s not something The Sims, with its family-friendly image, could ever lean into. No matter how depraved you might be when you play it in the comfort of your own hovel.
Cyber Monday Deals Start Now Of the three major consoles on the market today, the Nintendo Switch remains the most approachable and appealing to a wide range of gamers. From casual to more serious players, there is something for everyone.
So it is that Sims 4‘s profanity filters have been given an overhaul, in an attempt to make its Gallery a safe place for kids to browse. EA continues to call on the community for help in policing this, flagging naughty uploads, while the promise “to do our part by quickly taking down objectionable content that surfaces.” They also say they’ll “remove” repeat offenders, and keep “regularly reviewing the profanity filter in case any updates need to be made.”
Note that I don’t make that statement as a criticism. Battlefield 2042 was released in the middle of the pandemic, with almost two whole years of its development affected, and as a long-time series fan—but also a video game journalist familiar with how this stuff works—I’ve made peace with the fact the game was clearly rushed out the door by executives to meet a short-term financial goal, regardless of the damage it has done to the brand’s long-term standing.
Well, we’re now at that “months of updates” point, which in previous Battlefields would have been the stage where the game had been added to substantially, but in 2042’s case is just where it’s within touching distance of par.
This week saw the release of Season 3, which adds a huge new map (set in Sweden around two boxy robot arms factories), a new anti-tank vehicle, a railgun and a new specialist, whose unique weapon is a miniature air-bursting explosive rifle.
Battlefield 2042 | Season 3: Escalation Gameplay Trailer
It’s all good! The map, Spearhead, is a big one, and like Stranded before it is cleanly differentiated by having two big indoor playgrounds for close-quarters combat, surrounded by wide-open spaces for snipers and vehicles. I’ve been having a great time with it, as its long design and rocky terrain between the two buildings means games often turn into meatgrinders over the central control points, leading to huge, explosive battles.
The new Specialist, Rasheed Zain, is also something the game has needed; his air-bursting rifle is able to kill enemy forces bunkered down in cover or around corners, giving infantry the kind of space-clearing ability that was previously only available to vehicles or the rare few who can actually use grenades properly.
I’m not quite as sold on the other two main additions, the railgun and anti-armour tank. The latter, the EMKV90-TOR, plays like StarCraft’s Siege Tank; you can drive it around for a bit with limited firepower but when you really want to mess stuff up, you can lower its suspension and snipe enemy tanks from across the map.
The railgun, meanwhile, is all about timing; it’s useful as both a medium and long-range weapon, but only if you can master the way it charges itself then discharges automatically when ready. Nearly all of the game’s current roster of weapons and vehicles feel somewhat contemporary, with gentle concessions made to the fact this game is set 20 years in the future; these two additions look, sound and feel more like Halo weapons.
Image: EA
When you look back at all the work and updates the game has received since launch—not just new stuff but revisions of old maps and tweaks to things like Specialist appearance and their soundbytes, giving the game a more cohesive tone—it’s clearly a much-improved experience!
I think when the unpopular Specialist system is reworked next month to revert to traditional Battlefield classes, that year-long effort to make this the game it should have been will be done. Which, given how disastrous the game’s launch was, will be one hell of an achievement.
And yet, it also can’t have us help but wonder: what could this game have been if the last 12 months had been free to add to the game, rather than just perform emergency repairs? I really like the setting of 2042, one of the few blockbusters to ever take the threat of climate change seriously, and its near-future arsenal has been so much more fun to use than the historical gear available in the last few games.
We’ll never know! A pandemic and the investor class conspired to curse this game, and so if all we can look forward to is one last Season 4 update before the whole thing gets binned and everyone moves onto the next Battlefield, then that’s what I’ll be looking forward to. Me and the other people who have been enjoying the game since launch. There are dozens of us! Dozens!
Callisto Protocol, out next month on consoles and PC, is a horror game that looks and plays a lot like the beloved Dead Space franchise. And like Dead Space, Callisto Protocol will feature some gnarly-looking deaths, both for you when you screw up and bite it, and for your alien foes when you slaughter them. But some of these gruesome and chilling death animations will be locked behind the game’s season pass according to new details spotted on the game’s Steam store page. And that’s kinda dumb and weird.
In the year of our lord two-thousand and twenty plus two, nearly every big and small game released includes some mix of DLC, paid expansions, and season passes. This is just how things work these days. It’s been like this for so long that most of us barely even recognize just how much shit publishers are trying to sell us all beyond the actual game. But then a company sticks death animations behind a paywall and it’s a good reminder of just how silly and greedy the game industry can be some days. Case in point, yeah, apparently some death animations in the upcoming horror game Callisto Protocol are only available to players who buy the season pass.
As spotted by VGC, over on the horror game’s Steam page, you can find updated details about what you get when you buy the various versions of the game and its season pass. And according to the details listed on Steam, 25 different death animations are being sold via two different DLC packs. 13 of these animations are for the main character of Issac Clarke Jacob while the other 12 are additional enemy death animations. The season pass is included with the digital deluxe edition, which costs $80 on PC. (The base game is $60.)
Here’s what the text currently says on the game’s Steam page:
The Season Pass includes:
Outer Way Skin Collection: Bear the armor of the Outer Way, an underground insurgency pitted against the UJC, as you fight to survive the horrors of Callisto.
Contagion Bundle: Discover the ultimate survival horror experience with a new mode, Contagion. With reduced ammo and health drops, a customized difficulty and permadeath – there are no second chances to escape Black Iron Prison or the horrors lurking beneath the surface of Callisto. The Contagion Bundle also includes thirteen new Jacob death animations and the Watchtower Skin Collection.
Riot Bundle: Venture into a previously undiscovered area of Black Iron Prison and battle through waves of brutal enemies. Gather credits to upgrade your weapons, or forge new ones, and survive the onslaught as long as you can in Riot, an all-new mode. The Riot Bundle also includes twelve new enemy death animations and the Engineer Skin Collection.
Story DLC: Dig deeper into the horrifying secrets of The Callisto Protocol.
Now to be clear: The season pass DLC comes with more than just death animations and the game is shipping with its own unknown amount of grisly kills. So it’s not like folks who buy just the base game and skip the DLC will be missing out completely. But it does seem very silly to lock death animations of all things behind a paywall, especially in a horror game that has spent much of its marketing showing off how violent and gory its kills will be in the full game.
Some may not care, or may suggest that it’s just a minor bit of content locked away from folks who only buy the vanilla game. But I can’t help but wonder what happens if this, like DLC and season passes more broadly, becomes the norm moving forward. This isn’t even the first time a publisher has charged players for extra animations. Sega did it earlier this year as part of the release of Sonic Origins.
What happens if this becomes yet one more thing we all put up with? What other “small” parts of the game can be cut from the main release and sold separately? Extra reload animations? Extra idle dialogue? Bonus pieces of scenery to help levels look less boring? Seems silly, but we are literally watching publishers lock animations behind DLC and paywalls. What’s next? I’m scared to find out.
Callisto Protocol is out December 2 on PS5, PS4, Xbox Series X/S, Xbox One, and PC.
A group of Call of Duty: Modern Warfare II players have been breaking the game’s movement system and their latest creation is something they’re calling the “G Walk.” The trick looks very frustrating to play against, leading to some controversy among the game’s community over the new exploit.
Call of Duty: Modern Warfare II was released last month across nearly all platforms and quickly became one of the biggest games of the year. And just this month, the game’s highly anticipated Warzone 2.0 spin-off mode launched to similar praise and player hype. Sure, the campaign seems bad and filled with some terrible moments—like a section where players point their rifle at an unarmed person to “deescalate” the situation—but the online portion of this year’s edition of the annual Activision shooter seems to be a hit with fans. And one group of players is using Modern Warfare II’s movement controls to create impressive, scary, and very fast techniques to up the competitive ante.
As spotted by Jake Lucky on Twitter, Modern Warfare II clan “Euphoria” are breaking the game right now. Their latest creation, which they’re calling “G Walking,” turns the normally human soldiers in Call of Duty into wild, speedy goblins that hop and crawl around maps like kids who have had way too much sugar on Halloween night. As you might expect, moving around this fast at such a weird posture makes it challenging for other players to land a shot on these out-of-control monsters. (As of now, the group has yet to share publicly how to pull off this new move.)
And just as quickly as the goblins themselves, players have begun responding to the videos of Euphoria members G Walking. Some find it funny, others find it scary. But many are annoyed by what Euphoria is doing, claiming that it ruins matches and makes it harder for casual players to just hop on for a few hours and play. Members of Euphoria have mostly laughed at the complaints–and in their defense, they are just using controls and mechanics that exist in the game to do this wild shit. If anything, developers Infinity Ward need to patch these exploits out of the game if the studio doesn’t want this to become the new meta.
I personally remember playing the original MW2 back in 2009 and running around doing the annoying Javelin suicide glitch that would kill everyone around you when you died. It was very annoying and was quickly patched out of the game. And before all that nonsense, I remember getting into weird spots on Crash in Call of Duty: Modern Warfare 4 using janky-level geometry and tricky jumps. If anything, stuff like G Walking and the groups’ other movement exploit— Superman Hopping— is just tradition at this point.
Have you ever played Broforce? Or even heard of it? You’d be forgiven for answering “no” to both those questions because, as I flip tragically backwards through my desktop calendar, I can see that the game came out eight years ago.
I absolutely loved it back then, not just for its “you can’t sue us these are technically different” roster of characters (all drawn from popular action movies and TV shows, mostly from the 80s, ranging from Die Hard to Rambo to The Terminator to Aliens) but for its gleefully explosive platforming, which played like Metal Slug if the level designers had chugged five beers before going to work and thought blowing up half the levels was the best idea ever (it is).
When evil threatens the world, the world calls on Broforce – an under-funded, over-powered paramilitary organization dealing exclusively in excessive force. Brace your loins with up to four players to run ‘n gun as dozens of different bros and eliminate the opposing terrorist forces that threaten our way of life. Unleash scores of unique weapons and set off incredible chain reactions of fire, napalm, and limbs in the name of freedom.
When I say blowing up levels, I mean it. Look at this 2014 trailer, in which I think even the blood explodes:
Bamboo for better skin. 1.5 times smoother than traditional cotton pillowcases, Silvi’s bamboo pillowcases have a sateen finish—and work like a silk pillowcase would.
But no! Now, when we need them the most, the Bros are back. Publishers Devolver Digital dropped this trailer over the weekend, teasing Broforce Forever, an update for the game that’s coming in “Early 2023″.
Broforce Forever | Teaser Trailer | Coming Early 2023
Actual details are sadly thin on the ground, with Devovler simply saying Broforce Forever will be “the Biggest Update to Broforce Yet”, and will feature “new Bros, new missions” and, most importantly of all, “new freedoms”.
The mad lads at GameFreak have done it again. Pokémon Scarlet and Violet push the series’ overall Pokédex into four figures, and the special 1,000th Pokémon turns out to be a gold coin surfing freak with a fanny pack called Gholdengo. Is it going to sell me crypto? Is it made of crypto?? I can’t wait to find out.
I first learned about the Gholdengo from IGN, who noted the coin entity’s striking resemblance to a General Mills cereal mascot but was otherwise effusive in its praise. Gholdengo, it turns out, is the evolved form of Gimmighoul, a Dungeons & Dragons-style mimic chest revealed by Nintendo earlier in the month. How that evolution takes place is the real magic. YouTuber nickcucc described it as, “Probably one of the most tedious yet rad evolutions you’ll ever experience in your entire life.”
When you defeat a Gimmighoul it drops gold coins. Once you’ve picked up 1,000, your Gimmighoul will evolve into Gholdengo on its next level up. “Its body seems to be made up of 1,000 coins,” reads the Pokédex entry. “This Pokémon gets along well with others and is quick to make friends with anybody.”
I’m sure it is quick to make friends. One moment you’re feeding Gholdengo a Bocadillo de Jamón, the next it’s talking your ear off about how you can yield farm Dengo Coin at 16 percent and you should buy the dip on that FTX token that just blew up. Web 3.0 ain’t going to make itself. Now be a good Pokémon trainer and ditch those TMs for some NFTs.
G/O Media may get a commission
To the extent that Gholdengo looks like a walking Ponzi scheme, it’s a lowkey testament to the series’ own unflagging durability through the decades. Pokémon is too big to fail. Scarlet and Violet’s performance issues can’t stop it from being the most pre-ordered game in franchise history. So what if the series’ 1,000th creature looks like it just got back from making DeFi TikToks at Burning Man?
At the end of the day, good or bad, millions of people, myself included, will do whatever it takes to get another shot at catching these adorable abominations and run them through a spreadsheet calculus so obtuse it would make even your H&R Block accountant weep. Even if the Pokémon in question is a literal keychain, ice cream cone, or in this case, Gholdengo. I’m going to catch so many of these goddamn things, and we’re going to hold our diamond hands until the seas rise and swallow us whole.
Ever since Arceus made the world in its image, Pokémon fans have had to grapple with a huge choice for every mainline game: which version to get. That quandary will remain in place for the latest games, Pokémon Scarlet and Violet, with many more unique features than usual, some even pertaining to the distant past or the far-flung future. We’re breaking down every difference between the two, to help you know which version to pick up.
Every generation of Nintendo’s monster-hunting RPGs splits up some of its roster of Pokémon, with a handful showing up in one game while remaining absent from the counterpart (and vice versa). This strategy makes a certain degree of sense, if somewhat cynically. Making some Pokémon available in one version but not the other certainly drives some to buy two copies of essentially the same game. Or, less cynically, it forces players to actually engage with each other and trade. But in Scarlet & Violet, there are many other core differences that might influence your decision, including whether you want things prehistorically themed, or perhaps decorated by the distant future.
The Pokémon Company / Kotaku
Screenshot: Game Freak
Pokémon Scarlet Legendary Exclusive
Koraidon (“ride-on,” geddit?) will be the motorcycle-inspired dragon beast that comes with Scarlet. Like it’s partner Poké Miraidon, it’s described as having “powers that far surpass those of other Pokémon,” but Nintendo has deliberately kept much about them both a mystery.
G/O Media may get a commission
Ease your holiday stress Vida Optima’s Delta 8 line includes gummies, caramels, and fruit chews, to kick back and chill out. The gummies and fruit chews in particular are a higher strength—25mg of hemp-derived THC in each vegan bite.
Koraidon is, as you might imagine, a mostly red monster, sporting what unquestionably look like a pair of wheels. Wheels it…doesn’t use. Instead, Koraidon gallops on its legs, which raises so many evolutionary questions. It has a feathery appearance, a bit like a prehistoric bird. Rideable, this Legendary can also fly and swim, making it quite the means of transport as you explore Scarlet’s open world.
Screenshot: Game Freak
Pokémon Violet Legendary Exclusive
Miraidon is Violet’s far more futuristic Legendary, and as you’d expect, it’s predominantly purple. Like Koraidon, it can take three different forms (formes?), using Drive Mode, Aquatic Mode, and Glide Mode. It too has a vehicular style, also sporting (albeit more subtle) vestigial wheels. Seeming like the lovechild of Pokémon and a Transformer, it has a metallic sheen, and a pixel display for eyes.
Quite where either Legendary will appear in the game is unclear, given we’ll now be able to tackle the game’s gyms in any order—perhaps they’ll simply trigger once you’ve done whichever proves to be your eighth. Or maybe we’ll get lucky, and they’ll be introduced earlier to make movement around the large game easier.
Image: Game Freak
Pokémon Scarlet Pokémon Exclusives
Larvitar, a rock-ground-type lizard creature who first debuted in Pokémon Gold and Silver.
Pupitar, the second-stage evolution of Larvitar. It floats for some reason. Though Pupitar hasn’t been officially confirmed, we’re including it since it evolves from a confirmed Pokémon. (One caveat though: In Pokémon Sword and Shield, Slowpoke, who has been part of the series since the days of Red and Blue, could not evolve unless you picked up the expansions.)
Tyrannitar, the final stage of Larvitar’s evolution chain. Unlike the prior two evolutions, Tyrannitar drops the ground-type affiliation and is rock-dark-type.
Stonjourner, a rock-type from Pokémon Sword and Shield who, I guess, is supposed to be a play on the famous Stonehenge monument in England.
Armarouge, a fire/psychic-type, brand new for Gen 9, with the appearance of a knight.
Koraidon, Scarlet’s legendary Pokémon and cover model.
Screenshot: Game Freak
Pokémon Violet Pokémon Exclusives
Bagon, a dragon-type Pokémon who debuted in Pokémon Ruby and Sapphire
Shelgon, the second-stage evolution of Bagon. The same logic that applies to Larvitar’s evolution chain applies to Bagon’s, too.
Salamence, a dragon-flying type Pokémon and the final stage of Bagon’s evolution chain. Some people (guilty as charged) are convinced Salamence is the coolest Pokémon of all time, ever.
Eiscue, an ice-type penguin Pokémon with a giant ice cube for a face.
Ceruledge, not a relation of Honege, but a brand-new bipedal Pokémon with dual types, fire and ghost. With blades for arms, it’s a terrifying futuristic counterpart to Scarlet’s more Medieval Armarouge.
Miraidon, Violet’s legendary Pokémon and cover model.
For Scarlet players, you’ll be guided through your times in Paldea by Professor Sada. Given the Spanish influences on Paldea, it’s no coincidence that the Spanish for “past” is “pasada”—in other translations, her name varies between other words for “past” and “ancient,” while the Japanese original is Olim, the Latin for “once upon a time.”
Sada, like her partner Professor, Turo, is involved in researching Terastal Pokémon, and the phenomena of Terastallisation. She also appears to be dressed like a scientist from The Flintstones.
Pokémon Violet Professor Exclusive
Meanwhile, Violet players will be accompanied by ol’ smoothy-chops, Professor Turo. Again, the Spanish for “future” is “futuro,” and his name in the Japanese version is Futu, seemingly derived from the Latin for “future”, “futūrum.”
While Sada is dressed in cavewoman clothing, Turo is garbed in a space-age bodysuit beneath his lab coat. He too is studying the crystalline nature of Terastal Pokémon. Hmmmm, might time travel also come into this story in some way?
Image: Game Freak
Pokémon Scarlet & Violet Outfit Exclusives
As you set out in the world of Pokémon Scarlet or Violet, you’ll discover that your own character’s clothing is determined by the version you bought. If you get Scarlet, you’ll be dressed in orange, but if you picked up Violet you’ll be decked out in purple. Both are uniforms for the school you’ll attend.
You can change your outfits in the game, however, once you find a shop to buy new clothes from.
Image: Game Freak
Pokémon Scarlet & Violet School Exclusives
Even the school you’ll attend is determined by the version you buy. Your school, where you’re taught about Pokémon, is in the largest town of Paldea, Mesagoza. However, if you get Scarlet it will have a different name, emblem and color-scheme than if you got Violet.
In Scarlet,the school is called the Naranja Academy, with an orange emblem featuring a spoked orange shape on its shield. (Naranja is, of course, Spanish for Orange.)
In Violet, you’ll instead go to the Uva Academy, where the emblem is purple, featuring some grandly displayed grapes. (And yes, Uva is Grape in Spanish.)
Funnily enough, both academies are run by the same person—Clavell—but he’ll be in orange or purple depending on the version.
And why orange and not red? Well, it’s Nintendo.
Pokémon Scarlet and Violet are set to reimagine other long-standing aspects of the series. Set in a region called Paldea, inspired by the IRL Iberian Peninsula, these games are fully open-world for the first time in series history. There’s four-player co-op. Gyms are back, with one leader in particular leaving many fans sexually confused. And in lieu of debatably silly features like “Mega Evolution,” some Pokémon are capable of a thing called—this is a very real word, by the way—“terastallizing,” which means they cover themselves in crystals and can change their type on the fly.
Updated: 11/18/2022, 11:15 a.m. ET: Well, Scarlet and Violet are now upon us. If you’re venturing out into the Paldea region, we wish you happy hunting. If you’re still on the fence about which version to buy or whether you even want to take the plunge into the latest Pokémon adventure, you should know that, although the gameplay fundamentals seem more than sound, Nintendo’s five-year-old hybrid console sure seems to be struggling with the game on a technical level.
Over the past 24 hours a number of people in Japan—including a Square Enix employee—have been arrested on insider trading charges related to a Dragon Quest game announcement. Legendary Sega designer Yuji Naka is reportedly among them.
The scandal centers around a studio called Aiming, which in 2020 was announced as the developer of a new Dragon Quest game, called Tact. Last night, it was first alleged that 38-year-old Square Enix employee Taisuke Sazaki, who has worked on Final Fantasy and Kingdom Hearts games, knew of the deal before it was publicly announced, and along with a friend purchased a ton of shares in Aiming, hoping to profit when their share price (presumably) went up.
Naka, 57, who is credited as one of the main creators of Sonic the Hedgehog and who has also worked on everything from NiGHTS Into Dreams to Phantasy Star, has since been arrested on similar charges. According to this FNN report, Naka is accused of also knowing about the Aiming deal before it was public news, and taking the opportunity to purchase 10,000 shares in the company.
While most famous for his work with Sega, Naka had most recently teamed up with Square Enix on the ill-fated 3D platformer Balan Wonderland. He parted ways with the company in April 2021; these allegations stem from 2020, when he was still working with the publisher.
Naka was arrested by the Tokyo District Public Prosecutors Office, which is continuing its investigation. Naka is alleged to have purchased 10,000 shares, worth ¥2.8 million, or around USD$20,000. (Sazaki, meanwhile, is accused of buying ¥26.4 million worth, or around USD$188,000.) Authorities have yet to disclose whether any of the three men arrested so far still owned those shares, or whether they had been sold off for profit prior to the investigation.
G/O Media may get a commission
Ease your holiday stress Vida Optima’s Delta 8 line includes gummies, caramels, and fruit chews, to kick back and chill out. The gummies and fruit chews in particular are a higher strength—25mg of hemp-derived THC in each vegan bite.
I sure as shit did not! But since 2009 she has been posting photos online as TommyBoy, to a website cataloguing photos of abandoned spaces in locations as diverse as Japan, Alaska, Bali and Mexico. The site’s bio simply says
Hi! I’m Japansese urban explorer ‘Tommy’. I enjoy urban exploration all over the world.
But today publisher Read-Only Memory announced that TommyBoy was actually Nakamura, and did so because they’ve decided to release a book together, collecting some of her favourite photos in print for the first time ever. That book is called Project UrbEx, and it looks gorgeous.
Sounds good These headphones have stunning sound range and quality, up to 15 hours of playtime, can switch between two Bluetooth devices at a time, and look great.
Described as “a thrilling photographic adventure around an offbeat selection of the world’s abandoned buildings, captured by one of the videogame industry’s most beloved creatives”, it’s 256 pages of photos and diary excerpts by Nakamura, and is available in a number of different formats.
Famed videogame creator Ikumi Nakamura became widely known after she gave a speech about a “spooooky” game, Ghostwire: Tokyo, at the prestigious E3 conference. Her talent, infectious personality and strong sense of wonder for the world – “I think I haven’t changed much since I was a kid” – has attracted a global cult following. What many fans don’t know, however, is that Nakamura has a secret alter ego in the form of ‘TommyBoy’ – a fearless urban explorer.
For years Nakamura has been traversing the planet to go to under-the-radar abandoned buildings, from the Igloo Hotel in Alaska, a magnificent dome structure housing an intricate carousel-like wooden framework, to a mysterious liquor factory in Mexico with a giant replica bottle on its roof and the disused Blue Horizon Boxing Ring, where Rocky (1976) was filmed. Working in the gaming industry for nearly two decades, Nakamura has dreamt up many imagined worlds, but it’s these forgotten corners of the real world that truly fire her creative vision. Her photographic eye evokes the survival-horror feel of her own dystopian videogames.
With Google Maps at our fingertips, it can often feel impossible to get lost or discover anything novel, but through her daring escapades Nakamura taps into a lost spirit of true adventure. Hers is an enthusiastic brand of tour guiding, taking the reader to eye-opening spaces and atmospheres through exceptional photography and transporting – and sometimes amusing – stories.
Her pictures, gathered here in print for the first time, reveal that, from Japan and the United States, from Belgium to Taiwan, and from Spain to Bali, our planet is teeming with human-made structures lying derelict and undisturbed, waiting to be discovered by intrepid explorers.
The original Tactics Ogre proved that RPG chess was not only fun, it could also be morally ambiguous, beautifully written, and deeply compelling. Nearly 30 years later, Tactics Ogre: Reborn has managed to safely transport a masterpiece into the modern era while sprucing it up enough so that it’s still a joy to play. I was worried the remaster, with its smoothed-over pixel art and other tweaks, would tarnish what I love about the classic tactics game. Instead, I’m hooked all over again.
Tactics Ogre: Reborn, out Friday on PlayStation, PC, and Switch, is the grittier, more granular predecessor to Final Fantasy Tactics(both were directed by Yasumi Matsuno of Vagrant Story and Final Fantasy XII acclaim). Where Final Fantasy Tactics—released in the U.S. in January 1998—focused on manipulating an over-powered job system to break the game with dual-wielding ninjas and massive summons, Tactics Ogre (which hit U.S. shores soon after despite first releasing in Japan a few years earlier) reveled in slower-moving battles of attrition where positioning and terrain matter as much as character classes. And while both offer surprisingly mature tales of class politics and the corruption of power, Tactics Ogre lets players make a handful of choices along the way and then sit with the consequences at the end of the game. It’s not as approachable as Final Fantasy Tactics, but its Realpolitik approach to war and revolution resonate as strongly as ever.
If you’re completely unfamiliar with the game and the tactical RPG subseries it hails from, Tactics Ogre spends most of its time on isometric battlefields divided into squares. Units on one side, consisting of knights, archers, wizards, dragons and other classes, fight against enemies on the other. You play as a trio of downtrodden youths trying to take back their land from neighboring occupiers, tinkering with your roster of troops and feasting on wonderfully written scenes in-between battles as dukes, kings, and other leaders decide your fate like pawns on a chessboard.
The writing in Tactics Ogre remains full of great lines and no nonsense. Screenshot: Square Enix / Kotaku
You would have gotten most of this from the original game as well, but Reborn is a remaster of a remaster, building on the improvements that were already made in the PlayStation Portable version released in 2010. Each scene is fully voiced now, and with minimal cringe as well. While I ultimately preferred to stick with the Japanese voice acting, the English cast is surprisingly excellent and a worthwhile addition that helps add a whole new dimension and emotional subtext to the story.
G/O Media may get a commission
Reborn also introduces orchestral arrangements of all the original music. On paper that seemed like a neat addition, but in practice it’s transformative. As with the voice acting, it brings out a whole new level of depth in Hitoshi Sakimoto and Masaharu Iwata’s fantastic score. Each battle feels heightened, each betrayal more sinister. The returning Wheel of Fortune system, meanwhile, let’s you revisit earlier points in the branching story.
The remaster makes a number of other changes and additions as well. Unlike in the PSP version, characters level up rather than their classes, freeing you to play around more with different party compositions and loadouts. Random encounters on the map while traveling from one story beat to another are gone. Instead, the training mode has returned where you can set your troops to spar on auto-pilot. But don’t think you can grind your way to success. A “party level” limits how far any one unit can level up until you progress further in the game.
The new Tarot cards quickly start to litter the battlefield. Screenshot: Square Enix / Kotaku
Another big departure is the tarot card system. In addition to vanquished enemies dropping green cards that permanently boost a unit’s stats, blue and red cards also randomly spawn throughout a battle. The blue ones bestow buffs like higher critical hit rates, stronger magic, or higher defense, while the red cards remove them. The card bonuses only last as long as each battle, and can swiftly turn the tide depending on who gets them first.
It’s a way to help make Tactics Ogre’s combat hit heavier and resolve more quickly, helping you dispatch an enemy in three hits rather than six (unlike, say, Fire Emblem where it almost never takes more than two). On the whole, it can help cut down on some of the game’s more tedious moments as you try to break an enemy’s hold on the high ground or take down an especially powerful boss unit (a turn do-over system and fast-forward option also help). At the same time, as a purist with a soft spot for Tactics Ogre’s slower pace and longer battles, I wish there was a way to turn it off, as you have the choice of doing with the voiceovers.
My lowkey favorite improvement in Reborn is the addition of sight lines for long range attacks. No more shooting magic into bushes!Screenshot: Square Enix / Kotaku
Most of the changes are clear improvements though. You can now scout battles ahead of time to see what units and terrain you’ll be facing and how best to counter them. You can also customize up to five battle rosters, letting you easily swap from one team to another depending on the situation. Character customization has also been streamlined, with each unit allowed to equip four items, four skills, and four magic abilities depending on their class and repertoire (character stats have also been rebalanced to scale more rewardingly). The equipped items even automatically restock from your reserves after each battle. It sounds small, but it’s a huge time saver that lets you spend more time focusing on the cool stuff rather than constantly fiddling with healing herbs and resurrection stones.
The only part of Reborn that doesn’t feel like a coup is the pixel art, which was notoriously lampooned when it first leaked online. This is the first version of the game in HD, and the sprites and environments have been blown-up to compensate. The result is a “smoothed over” look that can make things look slightly muddy or washed out. The effect is especially noticeable at close range. Zoom in and things will occasionally look, at the very least, not great. I don’t know how feasible it would have been to try and give Reborn the Octopath Traveler or Triangle StrategyHD-2D pixel art look, but I wish the game felt as beautiful to look at as it is to play and listen to (or at least included the option to revert to the old look).
Fortunately, I spent most of my five hours with the Switch version so far easily overlooking it. In motion, it’s hardly noticeable, especially when you’re busy calculating hit percentages and damage tradeoffs. As with everything else on the OLED screen, the colors really pop, and the package as a whole feels meaningfully improved from the PSP version in every other way. Some old games take you back to the past, but Reborn feels like it’s transporting Tactics Ogre into the present, where it belongs.
Fantasy medieval game Blacktail, Krakow-based studio The Parasight’s debut, lets you play as folktale witch Baba Yaga in her bow-and-arrow-carrying youth. You command her fate, if she’s a good witch or a bad witch, depending on how you navigate the magical, dangerous forest she roams.
“When living memories of her past return as foul, walking spirits,” Blacktail’s website says. “Yaga is faced with no other option than to hunt them down in hopes of unraveling her own mystery.”
I’m excited by Blacktail’s premise—I’m a former little kid with vivid imagined memories of Baba Yaga’s gnarled hands and battered cabin in the woods. Though, I am a little annoyed that Yaga’s voice actress sounds British despite the character growing up isolated from everyone except, like, early Belarusians. I’m hoping the game’s story is so mythic and compelling that I’m distracted by the Anglo-Saxon intrusion.
Release date: December 15
Compatible with: PC, Xbox Series X/S, PS5
What 2022 game release are you most looking forward to? Or are you keeping your sights set squarely on next year?
– Journalist and author Simon Parkin travels to Tokyo, Japan to speak with Fumito Ueda (Shadow of the Colossus, Ico,The Last Guardian), exploring the themes and philosophies behind both his iconic games and his working practice.
– Grace Curtis explores the history of early web games with a focus on Nitrome, a British independent games studio that started out making online browser games.
– Rodney Greenblat (PaRappa the Rapper) is interviewed by Kyle Bosman about his approach to both his fine art and character design, and how he hopes his work inspires joy in others.
– Tim Schafer (Psychonauts,Grim Fandango) talks to Ben Bertoli about how to manage your outlook and take care of your mind when creating and working on videogames.
– Journalist and author Matt Leone chronicles the early history of Street Fighter and the birth of fighting game combo analysis in Japan.
While the features have been (and look in this case to be) fantastic, one of the big selling points of the magazine has been its production. The art leaps off the page, and for this issue in particular the fancier edition of the Last Guardian-themed cover is going all out:
The Special Edition of Issue 3 features a different colour pallette and a special thermo-chromatic ink layer, allowing you to banish the darkness and reveal Trico underneath by simply touching the cover with your hands. Touch and tactility is such a prominent concept in the games of Ueda and his team, so it felt fitting to have that referenced in the cover with this unique production process
G/O Media may get a commission
If you want to order a copy, you can get it—and previous issues—here.
