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Victoria Montalti
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The Emmys officially kick off television’s awards season, and we’re keeping tabs on the best-dressed stars hitting the red carpet tonight. Stars across genres will be out in full force: acting heavyweights, breakout newcomers, comedic talents, and auteurs alike will be in attendance at the 77th annual event, hosted by comedian Nate Bargatze at the Peacock Theater in Los Angeles.
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Tamar Willis
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“Sudanese women have been on the frontlines of every revolution in Sudan—2019 was even called a women’s revolution. I’m inspired by their resilience and determination, and wanted to pay tribute to them and help give their stories a platform for recognition,” Michaela Coel told Vogue on Monday after the Toronto International Film Festival (TIFF) premiere of The Christophers. On TIFF’s international stage, where the industry converges on Hollywood North and kicks off the unofficial start of awards season, Coel wasn’t vying for awards recognition or trying to drum up Oscar buzz. She was using her platform to shed light on the devastating atrocities in Sudan, in which 12 million people have been displaced, 150,000 (likely many more) have been killed, and the region is facing mass starvation caused by the ongoing civil war.
Joined by a team of Sudanese women, hand-picked by Coel and her friend, Ebaa Elmelik, co-founder of Media for Justice in Sudan, the multi-hyphenate pulled off the ultimate GRWM with intention. And Toronto-based Sudanese photographer Nabra Badr was there to document it all. Badr’s work is rooted in her Sudanese heritage, and as her bio reads, her “work goes beyond aesthetics, creating visuals that not only look beautiful but also resonate deeply.” Two days after Coel’s TIFF premiere look did exactly what she had hoped — make people stop scrolling and dedicate their timelines to learning more about what’s happening in Sudan — Badr and I got on the phone to talk about how the moment came together, what it was like to be in the room with Coel as she honored Sudanese women, and why the team was adamant that the photos had to be exceptional. Coel wanted them to be so good that Vogue would have no choice but to splash them everywhere. Featuring never-before-seen outtakes from the day, here’s how they pulled it off.
Tell me how this moment at TIFF with Michaela came to be.
Nabra Badr: It was a really quick turnover. I got a DM from the agency that’s working with her on the movie, The Christophers; they messaged me on Saturday and said that Michaela [had] requested to have me shoot this project that she’s working on.
Did you know Michaela before this?
NB: I’ve never had any contact with her. When I saw the DM, I was kind of taken aback. And I’m a huge fan of her work so I was like I don’t know if this is a real DM [laughs]. I was at work as well so I was like, okay, let me get my bearings together. I told them that I was interested and they were like, ‘Okay, great. We’ll get back to you with the details.’ Then they followed up and said that it was actually [Michaela] herself trying to push for [the shoot] to become a Vogue article. It just was surprise after surprise. They let me know that they needed it for the next day. So I got the DM Saturday and ended up meeting up with them on Sunday.
Did you know ahead of time that she was going to tribute Sudanese women and how did that inform your storytelling as you were taking pictures throughout the day?
NB: I wasn’t aware that she was even interested in showcasing the story of Sudan. It was more so that I always knew that she was socially conscious and she utilizes her platform to talk about things that she really cares about. And actually it wasn’t until I met her in person that I learned she was really, really passionate about it. She actually told me that she’s worn a traditional Sudanese garment, the toub, to the White House, and that gained some traction previously. After that happened, she said she wanted to do it again. With TIFF and her premiere, she had a lot more time to make it happen. I’m always willing to do anything in connection to Sudan. It informs my personal work. Even if this wasn’t someone in the public eye, but it was going to get eyes on it, period, I would do it. I was ready to take that on.
I just kept telling [Michaela], ‘this is so important.’ So many people would shy away and feel uncomfortable… but she’s willing to go above and beyond.
Nabra Badr on michaela coel
When you say Sudan informs your personal work, how so?
NB: Sudanese storytelling is often neglected, and the issues that happen in Sudan are kind of placed on the back burner, mainly because people think the problems that are arising in the country are insular and that there’s no way they can help. In reality, it’s not complicated. The people of Sudan just want to be able to live in a democratic environment and not risk their lives every single day, and especially back in 2019 when the revolution first started, it was spearheaded by a lot of Sudanese women. We saw a lot of Sudanese imagery featuring women at the forefront. Since then, anytime I have an opportunity to shoot with Sudanese women, especially my elders, I take it.
Unfortunately, during COVID, I had a lot of female figures in my family pass away, and it just made me realize that time is of the essence, and I only have this opportunity to be around my elders and my ancestors for so long that I want to be able to document it and share their stories and share how they feel about Sudan and what their aspirations are. I have spent more time outside of the beauty and the fashion stuff that I usually do to be able to just document the people around me and my community members. It informs me by me picking up the camera more often when I can.
That’s really beautiful. And I’m so sorry about your family. So when you found out the story that Michaela wanted to tell and and knowing that she wanted to put it in Vogue, did that knowledge inform the way that you approached the shoot?
NB: Michaela’s friend Ebaa [Elmelik, co-founder of Media for Justice in Sudan], was also the person who put everybody together. They were pretty adamant about trying to feature as many Sudanese women as possible. Her henna artist was Sudanese, the jewelry designer was Sudanese. They even got an older Sudanese lady to come in and teach her how to tie the toub. I communicated with Ebaa and what we wanted was really just capturing Michaela while she was getting dressed, but also making sure that I’m capturing details of the [Sudanese] aunt putting the garments on and the details of how she’s passing on this information to Michaela and everybody in the room, just making sure that we’re doing everything correctly.
[Michaela’s] henna artist was Sudanese, the jewelry designer was Sudanese… an older Sudanese lady came in to teach her how to tie the toub… everybody in the room [was] making sure we were doing everything correctly.
nabra badr
There were a lot of conversations around, oh, is this appropriate for this particular instance? There were a few jewelry pieces that are typically reserved for certain situations, like bridal wear [in Sudan]. And we were going back and forth. Maybe Michaela puts it on, maybe she doesn’t. But then it just came to a consensus from both her and everybody else in the room that if it’s not authentic to what the day is, then we’re not going to do it. So if it’s something that would be reserved for brides, then we’re going to take that away. It was a lot of having really authentic conversations and bouncing off of each other — what works and what doesn’t work — and making sure that I’m capturing every aspect of the outfit. It’s not just the toub but the hair piece, the jewelry, the henna that she had done before she even came to Toronto for the festival, by a South Sudanese artist in London. And there was just so much attention to detail about how that henna looked on her hands, and how the henna looked on her feet, and making sure that I was also getting those aspects of it. Because each detail is really important to the outfit as a whole.
It all seemed so intentional. And I love what Michaela said in the Vogue piece about how the color of the traditional toub was dark brown, because she wanted to bring attention to how dark-skinned women are treated specifically.
NB: I didn’t have as much conversation around the color choice of the garment, but I could definitely see why that was intentionally done. She did have a lot of conversations around the fact she was making sure to include [certain pieces] because West Sudan is the is currently the one in the most crisis, or she would say, ‘I want to make sure I’m amplifying these specific voices’ so I could definitely see why she made that particular choice, especially because a lot of traditional Sudanese toubs that are worn on an everyday basis, or to a special gathering, are usually super colorful and bright. So for her to choose something that’s not shimmery and not super textured, and go with something that’s very plain and a very specific color, it was a more modern take on the toub, from my perspective. It’s like bringing the toub to the everyday person.
Did Michaela say why she wanted to showcase this look in Vogue specifically? Was it that she wanted it on the biggest platform possible?
NB: Not specifically. But there was so much conversation [around], ‘Guys, we have to get these pictures done as well as possible and get as much traction as possible, because we don’t want them to pull the photos. When I was approached, I was told that Vogue was okay with iPhone photos, and [Michaela] wanted to reach out to me on her own accord, like, no, let’s get a Sudanese photographer in. Let’s make these pictures as amazing as possible, so that they don’t have any reason to not use them, or to not go ahead with this article. Let’s push them to like the pictures so much that they’ll put them on their social feed and they’ll put them on their story, just pushing to get eyes on Sudan and just making sure we’re utilizing our platform to the best of our abilities. From my understanding, she just wanted to utilize Vogue in particular because she knows how big of a platform it is.
The shots are stunning and you did make it undeniable. These are just so good that they had to run them. Can you talk to me about using art, fashion, and beauty as a way to make political and social statements? Why do you think that’s so effective?
NB: I would say that it’s kind of threaded through all my work., I’m a Black Muslim girl who doesn’t have any links to the fashion industry, doesn’t have any links to the photography industry, it’s really been a breaking of the wall, like the glass ceiling at every single stage possible. And I have always been pretty vocal about my personal beliefs and that I’m not willing to conform just so I can get the job, because at the end of the day my belief system and my moral system just says, Oh, this is just not worth it. I feel like the ability to be able to use fashion and art and all these things is just a more digestible way for people to understand and maybe get connected to it. I’ve grown up with the Teen Vogues [and], I remember reading these stories that were super impactful, but then they were always complimented by beautiful images. I was like, oh, okay, it’s possible for us to have these nuanced conversations, but then at the same time, we’re utilizing art to make a statement.
Is there anything you want to say to or about Michaela after having this experience with her?
NB: My respect for her has gone up tenfold. I truly did not get a sense that it was a performative act. She genuinely wants to learn about Sudan. When I first came into the room, she greeted me with a Sudanese greeting. She’s like, ‘I know it. I know how to do it!’ And it was just so charming. And she had a whole Sudanese playlist. Ebaa, who put everything together, is also her friend, and has been informing her on a lot of the issues, and she genuinely cares. When I first got introduced to this project, I thought maybe the movie was about Sudan, and so that’s how we were trying to relate. None of this has anything to do with Sudan. She just saw an opportunity to be able to be like, ‘Oh, I’m going to this big, huge premiere that I’m doing, and at the same time, I can do this activism at the same time.’ People will see it and they want to do more research so now they know.
We’re utilizing art to make a statement.
nabra badr
I think that was really exciting. I just kept telling her, ‘this is so important.’ So many people would shy away and feel uncomfortable because they don’t want to burn any bridges or ruin any relationships, but she’s willing to go above and beyond. That’s someone I really respect. I would say that she’s great at what she does in her artistry, but she also just has this incredible ability to empathize with other people, be compassionate, and utilize her platform for good, which you don’t always see nowadays because a lot of people fear backlash.
Like what you see? How about some more R29 goodness, right here?
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Kathleen Newman-Bremang
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Akers pushes your classic stripe way beyond basic: this fall, they’re stacked and layered for impact. Whether you’re mixing a rugby with a solid piece, or playing with two different stripes, the approach is straightforward but lands with a punch. For this look, she paired a Barrow rugby sweatshirt over a Marimekko button-down, added socks that echo the pattern, and finished with glossy Zara loafers. The magic is in the mashup — wide bands versus skinny stripes, color colliding with neutrals, sportswear mixed with tailoring.
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Laura Lajiness Kaupke
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Brooke DeVard Ozaydinli
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If you’re currently hoarding one (or maybe even a few) oversized shirts in your closet, you’re in a prime position to prove your style credo this season. While it’s true that oversized vintage tees or white button-down shirts are classic capsule items, how to style them can change with the seasons.
If you want to breathe new life into your oversized shirts, we’ve compiled some genuinely helpful styling tips that will allow you to moonlight as the fashion influencer.
Ahead, we’ve provided handy visual aids — care of some of the trendiest people on the Internet — to act as inspiration. These sweet fashionistas have truly blessed us with their inspired oversized shirt stylings; take notes, this is how to style an oversized shirt.
Elsa Hosk proves that no sleeve is too long for your oversized shirt. If you have a statement cuff—let it show! Style with jeans, or even a flowing, cotton skirt.
Try layering an oversized t-shirt over other items of clothing that are longer, such as a long button-up, cardigan or a dress. Styling the shirt like this creates a gradient of textures, patterns and colors as the eye scans the length of the outfit. Tip: try this trick with a smart pair of pants or a maxi skirt for additional drama like Jessi Regina.
Tailor the silhouette of an oversized shirt by tucking it into a waist-hugging skirt or pants, like Paola Locatelli here. It’ll create volume where you like it but keep you snatched in the places you need. You can also experiment with tucking-in one side only to give you the dimensions you want.
It’s easy to get lost in a giant shirt, which is why layering it with tailored outerwear can be a great way to add structure back into your outfit. Take Hodan Yousuf‘s ensemble for example; the fashion influencer has invested in a vintage men’s vest that’s still oversized but retains its structure, unlike the soft lines of the short-sleeved shirt she’s wearing underneath it.
If you’re football made like we are, you’ll be similarly prepared to invest in a wardrobe full of comfy athletic wear. Think: Oversized soccer shirts, nylon tracksuits and trendy trainers. Add touches of personality with your accessories like Tara Chandra and you’ve got yourself an expertly styled kit.
Trot on down to your favorite vintage shop and snag an oversized tee or button-down. It’ll add immediate drama to any outfit, even if you just chuck it over the top of some jeans. See: Ali Whittle‘s masterful vintage styling.
Worried wearing an oversized shirt is going to look sloppy? Find one that’s part of a co-ord set. The uniform color palette and fabric texture will look resort wear chic. Don’t believe us? Just look at how effortlessly luxurious model, Juny Breeze, looks in this three-piece set. It’s a chef’s kiss from us.
Want to wear an oversized shirt but still want to look chic? Try accessorising with chic closet staples like a simplistic handbag, a sleek pair of sunnies and an understated, classic pair of straight-leg jeans, like Malaan Ajang.
Try playing with proportions and styling an oversized shirt with long shorts and knee-length boots, like influencer Keely. It’s a blunt take on the rule of thirds.
Do a Donald Duck and ditch the pants, wearing an oversized shirt as a thigh-grazing mini dress. Style it with a pair of strappy heels or thigh-high boots like Shay Mitchell has here for a bit of extra coverage.
Sometimes, an oversized button-up or a T-shirt can feel wrong in a formal setting, which is where the humble tunic comes in. Styled over a smart pair of trousers or a voluminous maxi skirt, like Allana Davison has done here, provides an elevated solution to an oversized styling conundrum.
Like what you see? How about some more R29 goodness, right here?
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Briar Clark
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And before you ask, no, Taylor Swift is not attending the VMAs this year. Despite earning one nomination for Artist Of The Year, Swift has opted to forego this year’s awards ceremony. With her next studio album, ‘The Life Of A Showgirl’, dropping next month, 2026 is sure to be a bigger year for her.
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Rebecca Mitchell
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Adidas mini track shorts (recently worn by Zoë Kravitz and more fashion It girls) also just landed on Lyst Index’s Q2 hottest products list. Plus, cleats (spotted on Rosalía) are popping up as an unexpected streetwear choice, according to Style Analytics. But TikTok has crowned the ultimate summer MVP of the sporty trend: the soccer jersey.
I first noticed the look while scrolling on Pinterest and TikTok — girls styling soccer jerseys for more than just game day. Then I started spotting them IRL across NYC, worn to brunch, drinks, and just about everything in between. As someone who grew up watching and playing soccer, the resurgence made me nostalgic and sartorially intrigued.
Ahead, see how I styled a few jerseys for everyday settings, from casual errands to the office and even nights out. And no, these jerseys aren’t tied to specific teams or players — they’re pieces I picked up from my favorite retailers, like Urban Outfitters and Old Navy. Think: less fandom, more athletics-chic.
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Victoria Montalti
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Copenhagen Fashion Week opened with a dinner in the Nikolaj Art Gallery — a former church dating back to the 13th century. This season, it played host not only to the opening dinner but also to several shows, panels, and brand activations, including one from Instax. That first night in the church set the tone for the week in more ways than one. The main course was pasta made from leftover bread — a nod to the council’s commitment to sustainability, carrying a deeper symbol of the communal act of breaking bread. That sense of togetherness continued through the shows and the showgoers, who brought an energy that was impossible to miss.
Each show drew its own eager crowd. At Sunflower, held in the courtyard of their offices, a burned-out car sat on a square platform that models weaved around. Outside, the audience pressed in so tightly it was nearly impossible to see the clothes — which, in theory, defeats the purpose of a fashion show. But here, the draw was as much about soaking in the atmosphere as it was about spotting a fetching fireman jacket or sharply tailored, strong-shoulder suit. At Marimekko, which was staged outdoors with only a thin rope marking the perimeter, the crowd was equally lively — phones out, and ready to catch every moment.
Copenhagen as a fashion week can feel like the odd child out. Landing about four weeks before the marathon that is Fashion Month, which kicks off on September 11 with NYFW, it arrives a little too early to define overarching themes. A few emerged, though whether they carry through to the rest of the season remains to be seen.
For me, the word trend doesn’t quite sum up the week. Yes, there were recurring details — like the shoe of the summer, flip-flops — spotted at CMMN SWDN, Deadwood, and most notably Opera Sport, which sent out not only regular Havaianas but also 3D-printed versions that looked like they had been plucked from another dimension.
More broadly, the week felt defined by brands leaning into what they do best. Cecilie Bahnsen celebrated her 10-year anniversary with a show in an airplane hangar, where models drifted down the runway in white, cloud-like dresses as if they, too, were about to take flight. Nicklas Skovgaard continued his run of editorial, ‘80s-tinged silhouettes that struck the perfect balance between theatrical and wearable. These were pieces you wanted to own — not because they aligned with a trend, but because they looked irresistibly cool. Think an airy, voluminous Cecilie Bahnsen number, a lipstick-red Skall coat, or Sunflower’s fireman jacket.
Again, overarching trends weren’t exactly easy to pinpoint. Though a few major themes felt substantial and may gain momentum as we move through the rest of Fashion Month. Among the standouts: Pajamas styled for day, chemise-inspired dresses that go far beyond countryside frolics, and perhaps most exciting, a modern reimagining of ‘80s elements that felt decidedly innovative.
But the shoppable moments weren’t confined to the runway. Outside the shows, the street style was just as much a feast for the eyes. Much has been written about the Scandi girl aesthetic and the ability to look both laid-back and effervescent, which Copenhagen proved yet again. Styling touches like a pop of orange to brighten a look or unexpected finishes, like with a skull cap, felt instantly appealing and attainable.
From the runway to the streets, I left the week feeling inspired — and admittedly, with a case of the shoppies. Ahead, my breakdown of the top fashion takeaways, along with an edit worth adding to your cart to channel the best of Copenhagen.
The shoe of the summer isn’t going anywhere. On the runway, flip-flops brought ease to elevated looks. On the streets, they lent a nonchalance to showgoers’ outfits — your most effortless finish with slip dresses, linen pants, and beyond.
What balaclavas and bonnets were to winter, skull caps are to spring and summer. This compact accessory made a major impact, appearing daily at CPHFW and giving looks a distinctive finishing touch.
Designers leaned into loose, chemise-style dresses that evoked a European countryside sensibility (cue the daydream of wandering through a field of lilacs). Less TikTok milkmaid, more vintage cotton nightgown you’d stumble upon in a vintage shop — delicate, nostalgic, and surprisingly wearable.
Designers gave pajama sets daytime credibility by pairing them with bomber jackets and structured outerwear for a street-ready edge. The key to pulling it off? Embracing the art of the matching set or coordinating cotton poplins, then finishing with sporty trainers or sleek loafers to ground the vibe and keep it from feeling too precious.
The ‘70s boho influence is giving way to the excesses of the ‘80s. Bold, sometimes clashing prints, electric colors, and sculptural shoulder pads all appeared on the runways — reworked into fresh, wearable takes that made the decade’s more over-the-top elements feel exciting again.
The playful pattern that resurfaces season after season made its way onto the streets of Copenhagen, where showgoers embraced it for an added dose of flair. From statement dresses to playful accessories, polka dots proved they’re still a favorite for anyone looking to punch up an outfit.
At first glance, this outerwear shape recalls barn-style jackets we’ve seen in recent seasons. But it’s the signature metal clasp closures that give the fireman jacket its distinctive, namesake appeal. Prepare for plenty of iterations to start popping up in new arrivals sections.
For a few seasons, pops of red have been the go-to accent for injecting drama into an outfit. This time, orange took center stage. Whether as a small detail — like a shoe to brighten a neutral look, or a blouse to invigorate an entire ensemble — this color trend added energy and vibrance to the week’s street style.
Like what you see? How about some more R29 goodness, right here?
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Kelsey Stiegman
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Esther Newman
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“I discovered Knix probably about 10 years ago and was shocked at how comfortable and how discreet they were,” Bell exclusively tells Refinery29. “I do not like the bulk of a pad. I do not like the stress of a tampon. [Knix] checked every box that I needed. It was completely reliable, even on heavier days. And I was proud of myself for reducing my waste and not using disposable period products.”
Since Knix was founded in 2013, the brand has sold over 15 million pairs of its leakproof underwear, according to a press release, with customers generally buying more than five pairs at a time.
The underwear comes in a range of absorbency levels for every phase of your period and in several cuts. Bell shares that she likes the bikini and French-cut styles, but also opts for the boxer briefs overnight, even when she doesn’t have her period.
Bell says she’s never been embarrassed to talk about periods or menstrual hygiene, especially around her friends and daughters. “I just personally do not think this subject is any more taboo than any other subject in the world. And I don’t think it does anything good for a woman’s mind to feel like she has to keep this experience she has once a month a secret from everybody,” she explains, adding: “I hope when people look up at a billboard and see someone modeling period underwear in public in broad daylight, it reminds them it does not have to be taboo.”
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Victoria Montalti
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Kelsey Stewart
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Laura Lajiness Kaupke
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Laura Lajiness Kaupke
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Esther Newman
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Ebony-Renee Baker
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The jeans, on the other hand, were true to size. I’ve gotten used to sizing up in stiff denim (like the wide-leg denim in the Canadian tuxedo look), but the “1996 Semi-Stretch” in the item name for this pair had me checking out the fit notes closely. Between the added stretch and the curvy cut (which denotes more fitted at the waist but with room for hips and thighs), I felt confident ordering my usual J.Crew denim size. That turned out to be the right choice, because these fit perfectly. I wore them for a full day of errands and writing, and, even after sitting down for long periods of time, they never once pinched or squeezed me. When I looked at the tag again at the end of the day, I was surprised to find they are 99% cotton — that 1% of elastane is truly doing its job!
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Sarah Chiwaya
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But first, here’s the lowdown on the style: The lightly lined underwire style comes with four fully removable shoulder and back straps, plus an extender strap (for low-back styles). Meanwhile, the interior cups and wings feature silicone dots to help grip onto the skin and stay in place for trickier styles like strapless and open-back. Available in six of Skims’ signature neutral colors, the bra comes in cup sizes A through G.
After four editors tried the Skims Multi-Way Bra on, we agreed on one thing: With a lack of virtual try-on videos from the brand or a physical instruction manual in the package, this piece is a bit of a padded puzzle. We weren’t exactly sure how some of the styles were meant to be worn, or which straps were needed for each neckline. So we took this versatile bra on as a styling challenge to conquer. Ahead, read on for our reviews of the latest Skims bra.
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Victoria Montalti
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Sarah Chiwaya
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