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Tag: star wars

  • A New Look at ‘Star Wars: Starfighter’ Reveals an Essential Ingredient: Tight Pants

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    What binds the Star Wars galaxy together? Is it the Force? The desire for injustice to be rebelled against, for the light to rise against the dark? Well, in the case of a certain kind of ne’er-do-well in pockets of the galaxy… it’s a real tight pair of pants, and now Ryan Gosling stands among their wearers.

    We previously got a shadowed glimpse at Gosling’s new Star Wars character when Lucasfilm officially unveiled Star Wars: Starfighter‘s beginning of production a few weeks ago. But now director Shawn Levy has brought his star and newcomer Flynn Gray into the light with a new image shared to Instagram from filming on the island of Sardinia.

    The new look gives us our best looks yet at Gosling and Gray’s character costumes, and Gosling in particular is cutting a very smuggler-vibes figure in a long-sleeved shirt, padded work gloves, and, of course, a cool belt and some swanky tight pants.

    There’s no Corellian Bloodstripe to be found here like Han Solo’s legendary look, but the red panelling definitely feels evocative of trying to have this look feel cut from the same cloth. Next to Gray’s character in the baggy work pants and thick fingerless gloves, we’re getting a very good rough-and-ready Star Wars feel out of this latest tiny glimpse.

    Star Wars: Starfighter is currently set to hit theaters May 28, 2027.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    James Whitbrook

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  • ‘Star Wars’ Actor Teases ‘Clone Wars’ Favorite May Be Poised to Return

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    The sprawling Star Wars universe is in a little bit of a “calm before the storm” moment, with a huge slate of upcoming films, shows, novels, and video games looming on the horizon like a binary sunset. And to add to the melee, an actor from the franchise’s TV darling, The Clone Wars, is teasing the return of a fan-favorite character.

    Speaking with The Direct, voice actor Jim Cummings appeared to confirm that his Clone Wars character, Hondo Ohnaka, will be making a return to the series.

    “I think you’re gonna have to stay tuned, because Hondo is not done yet,” Cummings told The Direct.

    Hondo Ohnaka has also appeared in other Star Wars IP, including Rebels where is appears hero Ezra Bridger, as well as in theme parks like Star Wars: Galaxy’s Edge at Disneyland in Anaheim, California. A Weequay pirate and outlaw, his past exploits include tussles with Jedi like Anakin Skywalker, Obi-Wan Kenobi, and Ahsoka Tano. At the same time, the pirate made a name for himself galavanting across the galaxy—the kind of swindler fans couldn’t help but love. The Direct also notes that among Hondo’s exploits are his fights with the Sith, key among them his kidnapping of Count Doku and making an enemy out of Darth Maul.

    Cummings was hush-hush about the specific nature of the Clone Wars-era character’s return and whether he will appear in the upcoming sequel animated series, Maul: Shadow Lord. But the actor heaped praise on the adored character as one of his own favorites.

    “He’s one of my favorites, because he’s a lovable rogue. You could probably actually trust him,” Cummings said. “He looks out for Ezra, and he looks out for the younglings, as they call them, and he won’t do anything to harm anybody. But I wouldn’t want to play cards against him.”

    While fans will have to wait and see if Hondo will, in fact, make his return in the Maul animated series, they can get to know the lovable rogue in the meantime in game developer Ubisoft’s latest Star Wars: Outlaws’ DLC, A Pirate’s Fortune. In it, hero smuggler Kay Vess and her cute animal companion, Nix, form an alliance with Hondo in their search for hidden treasure in the Khepi system while butting heads with Stinger Tash and her Rokana Raiders.

    Should the above adventure prove tantalizing, folks can play Star Wars: Outlaws on Xbox, PlayStation 5, and PC, and see what all the hype about Hondo is firsthand.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Isaiah Colbert

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  • Star Wars: Fan-Favorite Character Will Return in Future Lucasfilm Project

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    A fan-favorite character from Star Wars: The Clone Wars is set to make a return sometime in the future, according to the voice actor of the character.

    What fan-favorite Star Wars: The Clone Wars character is set to return?

    Speaking to The Direct in a recent interview, legendary voice actor Jim Cummings confirmed that his character Hondo Ohnaka will return in some capacity. Cummings told fans to “stay tuned” on future information on Ohnaka, but did tease that he’s from far done in the world of Star Wars.

    “I think you’re gonna have to stay tuned, because Hondo is not done yet,” teased Cummings, who went on to say Ohnaka is a favorite performance of his. “He’s one of my favorites, because he’s a lovable rogue. You could probably actually trust him… He looks out for Ezra, and he looks out for the younglings, as they call them, and he won’t do anything to harm anybody. But I wouldn’t want to play cards with him.”

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    For those unaware, Ohnaka is a pirate and outlaw who crosses paths with Obi-Wan Kenobi and Anakin Skywalker after being kidnapped by Count Dooku. He also reappeared in Star Wars: Rebels, crossing paths with Ezra Bridger.

    Just what the future holds for Ohnaka is unknown, but with the world of Star Wars continuing to grow, anything is possible for everyone’s favorite pirate.

    Originally published by Anthony Nash on SuperHeroHype.

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    Evolve Editors

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  • A New Graphic Novel Will Chronicle How ‘Star Wars’ Got Made

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    For anyone who wants to read about the history of the original Star Wars, a new graphic novel is coming.

    That would be Lucas Wars, the newly translated version of a story originally published in 2023 by French journalist Laurent Hopman and illustrator Renaud Roche. The graphic novel tells of George Lucas’ decade-long journey to get the classic sci-fi film made, starting from him surviving a car accident to his journey through film school and clashes with 20th Century Fox. In an email to the Hollywood Reporter, Hopman explained only “the bare minimum of liberties” were taken here, which should appease anyone like him who get annoyed when that happens in biopics.

    “Every time a reader asks themselves, ‘Did this really happen?’ the answer is yes,” he continued. “My role was … to decide how to stage [the facts], to bring certain moments into the spotlight more than others, in order to build a gripping story—but without inventing anything, without changing the chronology, without creating conflicts or drama out of thin air.”

    Disney’s Star Wars comics have art that keeps the original trilogy characters as close to their live-action versions as possible, for better and worse. If that turns you off, you’ll be pleased to hear Lucas Wars doesn’t have to deal with that, and Lopman highlighted Roche’s talent to “stylize his characters so they’re both highly recognizable and highly expressive.” Roche told THR the most trouble he had when drawing people actually came from the late Carrie Fisher—her hair, makeup, and lighting in reference photos mean her look “changes a lot,” to the point he felt like he was looking at two completely different people.

    You can see for yourself in the excerpt above highlighting the casting process and pick up Lucas Wars when its hardcover releases September 16.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Justin Carter

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  • Darth Vader’s Lightsaber Sells for $3.6M at Auction

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    The iconic red lightsaber broke records at auction on Thursday.

    Credit: nnerto via Adobe Stock

    An original Darth Vader lightsaber used in the “Empire Strikes Back” and “Return of the Jedi” sold at auction Thursday for over $3.6 million. Breaking the record for the highest-priced item to come from the Star Wars franchise. 

    The bidding for the iconic red lightsaber began yesterday at 10 a.m. PST from propstoreauction.com, and was expected to sell from anywhere between $1 million to $3 million. The starting bid was set at $500,000, and with 31 bids, the prop sold for $3,645,000. 

    Wielded by David Prose and stunt performer Bob Anderson, the prop was constructed from a 1950s English camera flash attachment. Complete with scrapes and imperfections, the prop was used extensively during the filming for both movies of the original trilogy, and used in the iconic “I am your father” scene from “The Empire Strikes Back.”

    This broke the record for the highest-priced Star Wars item to sell at auction. Followed by the original X-wing model, “Red Leader,” which sold for $3 million last year, and Han Solo’s blaster, used by Harrison Ford, which sold for $1 million in 2022. 

    The lightsaber was a part of a large auction in Los Angeles, with over 1,000 items up for auction from various films and tv shows. Including memorabilia like costumes from Harry Potter, and swords from HBO’s Game of Thrones. 

    The auction first took place in person on Sept. 4 at the Petersen Automotive museum, and is going to continue online until Sept. 6, beginning at 10 a.m. PST each day.

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    Tara Nguyen

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  • Darth Vader lightsaber goes for more than $3.6M at auction – National | Globalnews.ca

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    A lucky buyer now knows the power of the dark side, having become the owner of a lightsaber used by Darth Vader in the Star Wars films The Empire Strikes Back and Return of the Jedi.

    The iconic Star Wars prop was sold at an auction on Thursday, fetching more than US$3.6 million.

    It had been estimated that the iconic movie prop would sell for between $1 million and $3 million, according to the auction website Propstore, where interested buyers could place their bids.

    There were 31 bids in total for Darth Vader’s lightsaber, and the winning one was placed at $3,654,000.

    “Wielded by both David Prowse and stunt performer Bob Anderson, this is the primary dueling prop created for Vader’s character in both Empire and Jedi. It saw extensive use during the filming of both movies and is one of the most memorable film props from the original trilogy,” the description on the website reads.

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    The prop is reportedly the only lightsaber from the original Star Wars trilogy ever to hit the auction block.


    The screen-matched lightsaber prop, used by Darth Vader in the Star Wars films ‘The Empire Strikes Back’ and ‘Return Of The Jedi,’ is displayed ahead of an auction of entertainment memorabilia by Propstore, on Aug. 6, 2025, in London, England.

    Leon Neal/Getty Images

    “The result marks a landmark moment not just for Propstore, but for the entire world of film collecting. To see a Star Wars lightsaber — the symbol of one of cinema’s greatest sagas — become the highest-valued piece of the franchise ever sold at auction is incredibly special,” Brandon Alinger, Propstore COO, told Variety.

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    “It speaks to the enduring cultural power of Star Wars and the passion of fans and collectors who see these artifacts as touchstones of modern mythology,” he added.

    Another major item sold during the auction, which is ongoing through Saturday, included Indiana Jones‘ bullwhip, belt and whip holster from Steven Spielberg’s Indiana Jones and the Last Crusade, the third instalment in the series. The items sold for $475,650.

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    Indiana Jones’ bullwhip and belt on display at The Dorchester in London on Aug. 6, 2025, ahead of an auction in Los Angeles in September.

    James Manning/PA Images via Getty Images

    Another big item that sold during the auction was Rick Dalton’s flamethrower tank and backpack, worn by Leonardo DiCaprio in Once Upon a Time in Hollywood, which collected $346,500.


    A flamethrower used in the film ‘Once Upon a Time in Hollywood.’.

    Propstore

    The auction took place at the Petersen Museum in Los Angeles.

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    Other items included the famous Platform 9 3/4 sign from the Harry Potter franchise, which sold for $138,600, the shark tooth clapperboard from Jaws, released in 1975, for $94,500, and Men In Black‘s screen-matched light-up hero close-up neuralyzer for $315,000.


    &copy 2025 Global News, a division of Corus Entertainment Inc.

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    Katie Scott

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  • Darth Vader’s lightsaber sells at auction for over $3.6 million

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    A lightsaber Darth Vader used in the Star Wars films “The Empire Strikes Back” and “Return of the Jedi” sold at auction Thursday for more than $3.6 million.

    The iconic prop had been estimated to sell for between $1 and $3 million, according to the auction site Propstore, which hosted the bidding. There were 31 bids, with the winning one at $3,654,000.

    “Wielded by both David Prowse” — the Darth Vader actor — “and stunt performer Bob Anderson, this is the primary dueling prop created for Vader’s character in both Empire and Jedi,” the site says. “It saw extensive use during the filming of both movies and is one of the most memorable film props from the original trilogy.”

    The lightsaber was sold in a Los-Angeles based auction of over 1,000 Hollywood costumes, props and more. Brandon Alinger, the CEO of Propstore, said they received a “cold call” about the lightsaber on a Friday afternoon — a “gentleman called in and said, ‘I have a lightsaber.’”

    “We were able to work out not only which character used it, but exactly how it’s used,” Alinger told CBS News, “and you can see the small steel post that comes out of the top of it here, that’s how they actually mounted the blade on it.”

    Darth Vader’s lighstaber shown on Aug, 6, 2025. 

    NIKLAS HALLE’N/AFP via Getty Images


    Propstore says the lightsaber was made from a 1950s camera flash bulb attachment and “expertly modified by the production team into a lightsaber.” It says the piece “bears authentic signs of wear” that “serve as compelling evidence of the lightsaber’s direct involvement in the action — testament to its film-used authenticity.”

    “It’s really an unprecedented piece,” Alinger said.

    The auction, which is ongoing through Saturday, was offering virtual and in-person bidding at the Petersen Automotive Museum in Los Angeles. It was expected to net around $10 million.

    contributed to this report.

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  • Darth Vader’s Lightsaber Auction Sale Sets Record for ‘Star Wars’ Item

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    A lucky Star Wars fan is embracing the dark side, as Darth Vader’s lightsaber from the franchise’s initial trilogy has sold at auction for an astronomical sum.

    The iconic character’s screen-matched primary dueling lightsaber that was used in the films The Empire Strikes Back and Return of the Jedi sold for $3,654,000 when it hit the block from Propstore in Los Angeles on Thursday, becoming the highest-valued piece from the Star Wars franchise ever up for auction. The winning bid came in at a franchise record of $2,900,000 and reached the final total with the additional buyer’s premium that is paid to the auction house.

    Star Wars actor David Prowse and stunt double Bob Anderson both held the item onscreen. It carried a presale value estimate ranging from $1 million to $3 million.

    This is said to be the only hero lightsaber from the original Star Wars trilogy to ever hit an auction. The Entertainment Memorabilia Live Auction coincides with this year marking the 45th anniversary of the release of The Empire Strikes Back.

    Darth Vader’s lightsaber was sold at auction from Propstore.

    Courtesy of Propstore

    The Star Wars buying force was strong with the auction, as Anakin Skywalker’s stunt dueling lightsaber for Hayden Christensen’s character from the prequels went for $126,000, with the buyer’s premium. This was nearly twice the presale estimate.

    Among the other items sold during the auction included Indiana Jones’ bullwhip and belt that Harrison Ford used in Steven Spielberg’s Indiana Jones and the Last Crusade, with the pair selling for $475,650. Also, Jean-Luc Picard’s Ressikan flute, which belonged to Patrick Stewart’s Star Trek: The Next Generation character, went for $403,200.

    Additionally, Rick Dalton’s flamethrower tank and backpack, as Leonardo DiCaprio wore in Once Upon a Time in Hollywood, sold for $346,500.

    Earlier this summer, The Hollywood Reporter reported exclusively that Darth Vader’s lightsaber would be hitting the auction block.

    “Surviving genuine lightsaber props from the original trilogy of films are exceedingly rare, and Propstore is honored to present this historic artifact in our September sale,” Propstore COO Brandon Alinger said in a previous statement. “It is a grail-level piece, worthy of the finest collections in the world.”

    In-person bidding took place at L.A.’s Petersen Automotive Museum on Thursday. Items will continue to be sold via online, telephone and absentee bidding as the auction continues through Saturday.

    Back in 2022, Propstore sold a screen-matched model miniature X-wing fighter that is 22 inches long and was created for director George Lucas‘ original Star Wars film. The item went for more than $2.3 million.

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    Ryan Gajewski

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  • New Star Wars Trilogy Teased By Writer, Reveals Inspiration

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    Simon Kinberg recently opened up about what inspiration he’s drawing on to create a new Star Wars film trilogy.

    What do we know about the new Star Wars trilogy?

    Speaking to ScreenRant in a new interview, Kinberg stressed the importance of striking a balance when it comes to Star Wars. With that in mind, Kinberg teased that projects like Andor and Star Wars: Episode V – The Empire Strikes Back are some of his favorite Star Wars projects.

    “My favorite of the Star Wars movies is Empire Strikes Back, and it’s because the balance between the epic and the intimate is so strong in that they’re such personal stories,” Kinberg said. “The stakes are really personal, and yet, obviously, there’s all kinds of great science fiction. I think Andor did an extraordinary job of that, as well. It was such an emotional, intense, personal show that also had, obviously, massive stakes to it, and politics, and all of that.”

    As it stands, little to nothing is known about Kinberg’s trilogy of films. The filmmaker is best known for directing films like Sherlock Holmes, The 355, and more.

    The next Star Wars movie will be The Mandalorian and Grogu, which arrives on May 22, 2026. A continuation of The Mandalorian Disney+ show, the film is being directed by Jon Favreau and produced by Dave Filoni. Pedro Pascal will reprise his role as Din Djarin, while the cast also includes Sigourney Weaver and Jeremy Allen White.

    After that, Star Wars: Starfighter will be released on May 28, 2027. Shawn Levy directs the film starring Ryan Gosling, which will be set after the events of The Rise of Skywalker. 

    (Source: ScreenRant)

    Originally reported by Anthony Nash on SuperHeroHype.

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    Evolve Editors

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  • Peek Inside the Sacred Jedi Texts From ‘Star Wars: The Last Jedi’

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    The Star Wars sequel trilogy remains a hot topic for Star Wars fans, young and old. No matter where you stand on the three films, though, one thing we can probably all agree on is the one prop from the series that we’d most like to hold in our hands and explore: the sacred Jedi texts.

    Revealed in Star Wars Episode VIII: The Last Jedi, the Jedi texts are stored on Ahch-To and watched over by Luke Skywalker after he leaves the Jedi order and the Force behind him. They’re the last remnants of the teachings and history of the Jedi way, something that has long been discussed and battled over in the course of the series. Luke himself remains unclear about their teachings and, despite trying to destroy them, they end up in Rey’s possession by the end of the film. What’s next for those texts, we do not yet know but we now can finally get a good glimpse inside them.

    The official Star Wars website recently posted about the props that were created for the films. Forty different books were designed and conceived, from which director Rian Johnson selected 10 for the actual movie. Of those, only one gets shown off in the film, and that book itself took about two weeks to make. It not only includes the page we briefly see in the film but several others too. Pages that existed on set but were never seen. Until now.

    Here are a few images of the sacred Jedi texts and their interior pages from StarWars.com.

    An image of the Jedi text prop. – Lucasfilm
    Star Wars Jedi Texts 2
    Concept art of some of the interior pages. – Lucasfilm
    Star Wars Jedi Texts 3
    Jedi text concept art. – Lucasfilm
    Star Wars Jedi Texts 4
    The prop from the film. – Lucasfilm

    The prop clearly still exists, so the question then becomes, will we see it again? Will these texts, which we last saw in Rey’s possession, play a role in how she aims to start a New Jedi Order? Or will Rey’s New Jedi Order go against the teachings in these books? Those clearly didn’t work, as now, almost every Jedi is extinct.

    To read more and see more images, head over to StarWars.com. Daisy Ridley’s return to the Star Wars universe, directed by Sharmeen Obaid-Chinoy, is still without a release date.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Germain Lussier

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  • Hasbro’s Great ‘Star Wars’ SDCC Figures Are Going to Be Easier to Get—But With Some Big Caveats

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    Earlier this summer, Hasbro wowed SDCC with an exclusive Star Wars two-pack celebrating Revenge of the Sith‘s 20th anniversary. The good news is, if you just want the figures that were included of Anakin and Obi-Wan, they’re coming. The bad news is… well, you’re losing a lot in the process if you missed out on the now-sold-out set.

    Over the weekend at Fan Expo Canada, Hasbro confirmed that the newly updated Black Series figures of Anakin and Obi-Wan that were first released in the SDCC-exclusive two-pack earlier this summer will receive standard retail releases later this year. Set to retail for $25, the new Anakin and Obi-Wan figures each come with their respective lightsabers, and… that’s it.

    Now, don’t get me wrong; as is, these are arguably some of the best versions of the Revenge of the Sith versions of these characters Hasbro has ever done. The new headsculpts are fantastic; the plastic material of their Jedi tunics no longer gets in the way of the enhanced range of motion given by the updated butterfly shoulder joints, so your Jedi can comfortably actually hold their lightsabers in two-handed grips. It’s taken over a decade of Black Series figures—Revenge of the Sith versions of Obi-Wan and Anakin were some of the very first in the Black Series line, releasing the year after it debuted in 2013—and there have been many Anakins and Obi-Wans in various forms in that time, but it’s great that the 20th anniversary of the film is delivering this iteration of the characters the figures they deserve.

    And yet… you really are losing out on a lot more in comparison to the original two-pack. Even beyond the massive display pieces of the Mustafarian lava platforms (and that poor droid Anakin sled around the lava flow on in the movie), the SDCC two-pack came with alternate hands to recreate Anakin and Obi-Wan pushing against each other with the Force and alternate lightsaber blade parts to create the effect of them being swung mid-motion. There was even a nifty little “clash” piece that you could slot the blades into to make it look like a flash of light as the sabers landed blows on each other. I was lucky enough to nab the set earlier this month and had a lot of fun futzing around with them—not just because the figures are great, but for all the extras they came with:

    Maybe the biggest loss, however, are the two alternate heads that were included. Well, one more than the other: the battle-worn Obi-Wan head was great, but it was also just a more-distressed-looking Obi-Wan with his hair not as immaculately coiffed. The alternate Anakin head, meanwhile, was full on his descent into the dark side made manifest—a proper Vader head, with the orange eyes and angry glower to match and maybe actually Hasbro’s best take on Hayden Christensen so far. Back in 2014, the first Revenge of the Sith Anakin came with a similar head, so why couldn’t the standalone release do the same all these years later?

    Don’t get me wrong, in losing so many extras, you’re also getting two great figures for much cheaper. It’s $50 for the standalone Anakin and Obi-Wan compared to the hefty $110 of the SDCC; a pretty fair trade-off, especially with the platform display pieces making up the bulk of that extra price tag. And it does mean, from the point of view of certain collectors, that the SDCC exclusive set remains more “exclusive” (never mind the fact that they sold it online as well during the convention). But would any value have really been lost if the regular versions of these figures at least came with the alternate heads? In the age of tariff uncertainty, would that have been too much to offset the Black Series’ current standard pricing, or would it have made the SDCC set sufficiently less “special”?

    At the end of the day, at least anyone who missed out or didn’t want to pay the hefty price tag during Comic-Con can still get the bits that really matter: the figures themselves. The new Black Series Anakin and Obi-Wan figures will go up for pre-order tomorrow, August 26, from 1 p.m. ET at Hasbro Pulse and other retailers.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    James Whitbrook

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  • Katee Sackhoff Talks ‘The Mandalorian’ and Acting Struggles

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    Battlestar Galacta alum Katee Sackhoff has been in genre TV for years. After voicing cultist turned mercenary/freedom fighter Bo-Katan Kryze for Star Wars: The Clone Wars and Rebels, she reprised the role in the live-action series The Mandalorian. She’s gotten to play Bo several times since then, but as the actor herself tells it, coming back to that role hasn’t been without its challenges.

    In the latest episode of her podcast, Sackhoff told her Battlestar co-worker Tahmoh Penikett how she lost “all of my confidence” after filming The Mandalorian. “I’ve always played two steps removed from myself, [and] it always felt grounded in some part of my belly, of who I was,” she explained. Her usual acting method has been to go with her “first instinct, play the reality of the situation,” but that wasn’t the case with Bo-Katan. Playing the character in live-action made her realize how much Bo is “nowhere near who I am as a human being. As much as I stood her, I never identified with her, and I didn’t know how to find her.”

    Sackhoff went on to say Bo-Katan “broke” her, enough to keep her from further acting in the past three years. She credits an acting coach and a new manager with helping her turn things around; the former reaffirmed her talent and said she just “need to get you back in your belly. You just need to find your confidence again.” As of this year, Sackhoff’s done voice work for Warner Bros.’ animated Watchmen duology and showed up in this year’s Fight or Flight, and she’s also in Prime Video’s upcoming Carrie series.

    Star Wars-wise, it’s unclear whether she’ll appear in The Mandalorian & Grogu or the second season of Ahsoka, both of which Bo-Katan is some connections to. The show is currently in production, while the film is due May 22, 2026.

    [via Variety]

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Justin Carter

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  • ‘Star Wars: Visions’ Season 3 Puts a Stormtrooper on Death’s Door

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    Over its currently two-season run, Star Wars: Visions has shown audiences the adventures of Force users, droids, and rebels. One viewpoint we’ve not seen much of is the Imperial forces, despite their repeatedly turning up in the show’s various shorts—but that’s changing with the new season, and things will get pretty cerebral.

    During this weekend’s Anime NYC, panelists got a look at “Black,” a short for the next set of episodes dropping in October. Developed by david production (Fire Force), the episode centers on an Imperial Stormtrooper on the verge of losing a battle and what’s going on in their head during their final moments. According to the Star Wars description, “Black” will be something special and ” present a psychedelic battle between past and present, light and dark, and life and death.”

    “Black” is directed by Shinya Ohira, who’s previously directed and done animation work for One Piece and The Boy and the Heron. In a pre-recorded video, he talked about the short’s “fine details,” such as “super detailed” Death Star and extending action in the battle scenes to convey the stormtrooper’s “haunted psyche.” Visually, the film was also inspired by Ohira’s want to put “intense battles” against the vocals of Japanese singer/songwriter Sakura Fujiawara.

    Ohira went on to describe “Black” as something “nobody’s ever seen before,” and an “arduous task” for the animators that he hopes is worth all the trouble. The article on the Star Wars website doesn’t provide any clips or further story info, but Ohira promised the short “really speaks for itself”—and we’ll see how well it talks when the third season of Star Wars: Visions hits Disney+ on October 29.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Justin Carter

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  • Tony Gilroy Is Very Sad at How Relevant ‘Andor’ Has Become

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    When Tony Gilroy began his Andor journey, his original pitch was deemed “pretty mad and undoable” by Lucasfilm head Kathleen Kennedy. In a new interview with The Hollywood Reporter, the showrunner revealed how that initial take would later get revisited after Lucasfilm gave it some thought.

    “They came back to me and said, ‘We looked at this memo from a year and a half ago, and it makes a lot more sense to us now,’” he recalled. That, of course, led to a series expanding on the very foundation that Star Wars creator George Lucas had in mind when he began the beloved saga: Space Nazis are bad, and the rebellion is coming.

    Around the time award nominations were announced for the show’s critically acclaimed second season, real-world headlines eerily mirrored events seen in Andor. In particular, a scene in the Emmy-nominated episode “Welcome to the Rebellion,” which depicts a Ghorman senator being carted off by stormtroopers as he says, “My people today and yours tomorrow; remember Ghorman!” struck a very timely nerve.

    It’s a devastating series of events that’s not lost on Gilroy. “When I started on the show, the parallels between what was happening in the world and what was happening in the galaxy and the Empire—those were already obvious.” He explained that his inspiration came from a love of history and using that to embed the seeds of how totalitarianism has taken root in Star Wars.

    “But over the six years we’ve been doing the show, that little monster got on its feet and learned how to run,” he said. “When [U.S. Senator for California Alex Padilla] was pulled out of the ICE meeting, like in the episode about the Ghorman senator being pulled out, there was a big text chain in our group like, ‘Oh my God. It looked like the show.’ It’s very sad for us how much it rhymes.”

    While we continue to live in unprecedented times, the filmmaker notes that Andor feels like something he can’t see himself doing again. It’s disappointing, but as the state of the entertainment industry continues to evolve, it makes sense.

    “For five and a half years, every single day of my life, I had a maximally imaginative involvement that was never complete—writing, designing, music, casting, all of it,” Gilroy said of the pandemic-era-born production. “Every demand on your imagination that could ever be asked was screaming for your attention. That’s a pretty heady place to live. I grew to love it. But I can’t imagine that I would ever be that fully engaged again,” he concluded, but we hold out hope the vast galaxy makes space for his return; we need these stories now more than ever.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Sabina Graves

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  • These Star Wars Strains Will Give You The Perfect Escape

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    Looking for something to distract you and make you feel good? These classic Star War strains will help you kick back and enjoy the wonder of the universe.

    Need a little escape from the world around you? Want to slip in a new yet familiar environment? As of 2023, the Star Wars universe had a worldwide box office revenue of about $10.3 billion. Star Wars: Episode VII – The Force Awakens (2015) is the highest-grossing Star Wars movie of all time. It is ranked number one on a list of fandoms, ahead of Marvel. Will, the Star Wars strains will give you the perfect escape to let you take a breather from the world?

    Be a Skywalker

    Skywalker was created by the Dutch Passion Seed Company. They crossed two of their award-winning Indicas – Blueberry and Mazar – to produce Skywalker, which they intended to be “one of the best Indicas in the world.” The top flavors and aromas of Skywalker are earthy, woody, and spicy, with hints of sweetness and fruitiness.

    Skywalker OG is a Sativa dominant, marijuana hybrid. Skywalker OG is well-known for its relaxing and euphoric effects, making it an excellent choice for stress relief and pain management. This strain is often used to alleviate symptoms of anxiety, depression, and insomnia. The Kush is highly potent, with THC levels up to 21%, on average.

    Skywalker OG Kush (“No. There is another… Sky… walk…errrr.”) is an Indica derived from Skywalker crossed with an OG Kush. Vape it with a Skywalker OG 710 KingPen.

    RELATED: Great Fall Whiskeys

    Sour Skywalker (“That name no longer holds any meaning for me.”) is a half and half Sativa/Indica strain. Its ancestry is Sour Diesel crossed with Skywalker OG. It has a dank, pungent smell of earth and lemon, as well as a sour flavor with fruity notes of citrus and lemons. It has an intense yet calming, indica-driven body buzz matched with intense, euphoric cerebral effects. It’s an effective treatment for muscle spasms, chronic pain, insomnia, and stress.

    Photo by Flickr user Irudayam

    Favorite Characters

    C-3PO is a Humboldt County hybrid that was created by Petrolia Farms. With the smell of fresh pine, C3PO delivers relaxing effects with mental clarity due to its high CBD. It has low 1% THC count and high 12-15% CBD count. C-3PO’s levels making it an excellent choice for medical marijuana patients suffering from depression and stress, just like its robotic, neurotic namesake.

    R2-D2 Kush is an Indica-dominant hybrid strain, that smells reminiscent of Pine Sol, which come to think of it, is probably what R2-D2 smells like when he needs an oil bath. It is hard and quick hitting to really whisk you into a different place.

    RELATED: Marijuana Use And Guy’s Member

    The Jedi Masters

    OG Darth Vader is a strong, Indica marijuana hybrid that induces an intellectual high, combined with an opiate-like body relaxation. The effect is deep and long lasting. The Vader Force force comes through in its effects, which provide complete body relaxation and sleepiness. Ideal for treating insomnia, this strain may not knock you out immediately, but it will definitely quiet the mind and put all major productive plans on hold.

    OG 1 Kenobi is an is an 80/20 Indica-dominant marijuana hybrid, with 18-23% THC levels. It is a cross between Master Kush and Skywalker OG hybrid, and is often mistaken for Skywalker OG. The force is strong with Kenobi. This strain is not for pot padawans. It might knock you out, just like Kenobi knocked out Anakin Skywalker before he fell into the lava pit. Although, if you have serious, chronic pain, you might say, “Help me, OG 1 Kenobi, you’re my only smoke!”

    Master Yoda is cross between OG Kush and Master Kush. Yoda is an Indica dominant marijuana hybrid. he original Master Yoda would know, and the sativa side of this mostly indica buzz has just enough of an uplifting balance to please just about anyone.  Relax you will!

    Jedi Kush (aka OG Jedi) is a pure Indica marijuana, with a 2% CBD count and THC levels between 19-25%, on average. Jedi buds are spade-shaped, like Star Destroyers, with orange and purple undertones, like Mace Windu’s lightsaber. The effects are almost comparable to micro-dosing.

    And of course…the ultimate

    Death Star is a fully operational 75/25 Indica dominant hybrid with a high THC content. It is a cross between Sensei Star and Sour Diesel. Just like the DS-1 Orbital Battle Station, this hybrid hits hard, so it is better for evening and nighttime use. Crush it up in a Death Star inspired grinder.

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    Anthony Washington

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  • What was your BEST ringtone? (28 tones)

    What was your BEST ringtone? (28 tones)

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    Regretfully, the golden age of the ringtone is behind us.
    Now everyone is on full vibrate 24/7 but back when cell phones were were starting out, your custom ringtone was a form of self expression. (And a way to overspend on an mp3 chunk of song.) How were people supposed to react when you got a call in the grocery store? Did you want a jam? A joke? A knowing nod?

    We asked our followers on Facebook, X, and Threads and here are your answers.

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    Joe

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  • Greg Hildebrandt, iconic Star Wars and Lord of the Rings artist, has died at 85

    Greg Hildebrandt, iconic Star Wars and Lord of the Rings artist, has died at 85

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    One of fantasy and sci-fi’s all-time greats has passed away. Artist Greg Hildebrandt, known for his iconic work on Star Wars, Lord of the Rings, Marvel and Magic: The Gathering, died on Thursday at 85. He and his twin brother Tim, who died in 2006, were a powerhouse duo — the Brothers Hildebrandt — until they decided to pursue solo careers in 1981.

    The duo was perhaps best known for their “Style B” poster (above) for the original Star Wars in 1977. Released in the UK (Tom Jung’s “Style A” was the original US poster), the art shows Luke Skywalker heroically hoisting his lightsaber high above his head like King Arthur wielded Excalibur. He’s flanked by a blaster-toting Princess Leia, with C-3PO and R2-D2 looking on from behind. Darth Vader’s imposing mask peers down on them in the background among a sea of stars, the Death Star and starfighters.

    As for Luke and Leia’s noteworthy lack of resemblance to Mark Hamill and Carrie Fisher, neither the Brothers Hildebrandt nor Jung had access to the actors’ photos. So, they made do with generic hero images that could have been ripped from 1970s fantasy book covers. (Still rad, if not screen-accurate.) The Hildebrandt poster was used in the UK until January 1978, when it was replaced by Tom Chantrell’s “Style C” poster, which depicted the actual cast.

    Greg Hildebrandt in a snazzy black hat, which he’s pulling on while looking into the camera with his best sexy face.

    Greg Hildebrandt / X

    The brothers were also strongly associated with a series of The Lord of the Rings calendars. Decades before Peter Jackson brought the films to live action (and even before the 1978 animated version), their art — which drew on their influence from classic Disney films — was the most prominent visualization of Tolkien’s epic for many a 1970s fantasy reader.

    Among Hildebrandt’s many other projects were comics for Marvel and DC, illustrations for Wizards of the Coast (Magic: The Gathering and Harry Potter), magazines Omni, Heavy Metal and Amazing Stories, album art for the Trans-Siberian Orchestra and Black Sabbath and a long list of book covers.

    Hildebrandt also fought for freedom with his artistic gifts. After Russia’s 2022 invasion of Ukraine, he contributed illustrations for Operation USA’s benefit anthology comic book series. Profits were donated to Ukrainian refugee relief efforts. Explaining his decision, he wrote, “Any project that I can lend my art to that will thwart Putin is a project I will join with all my heart, soul and mind.”

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    Will Shanklin

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  • ‘Fans are going to retaliate:’ Studios are creating superfan focus groups, and can we just not? | The Mary Sue

    ‘Fans are going to retaliate:’ Studios are creating superfan focus groups, and can we just not? | The Mary Sue

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    It is another day online which means another frustrating move by studios and outlets. According to Variety, Hollywood is battling “toxic” fandoms. Actually, you’re battling about 6 YouTubers you let continually drive a narrative who you refuse to call out. The response to the toxicity is frustrating.

    Many of us have been repeatedly attacked by the same 6 accounts, parading themselves as “fans” of something and using their platforms to send hate to performers, real fans, and creatives. It has made talking about things like Star Wars, The Rings of Power, or the Marvel Cinematic Universe near impossible. And yet the real fans persevere and continue to talk about the things they love.

    In Variety’s deep dive, it was revealed that there will be a new superfan focus group for projects that help studios know what fans will enjoy and what they won’t. Okay, cool, who are these superfans? If you tell me that men like Star Wars Theory are in a group setting telling Lucasfilm what works for this franchise, I might throw my laptop out a window. If someone like the Critical Drinker is talking about a franchise, you’ve made a mistake.

    My point is that certain “fans” are not actually fans of the thing. They’re grifters who use the success of said property to get little minions to do their bidding. They think fandom is owning merch about something but misunderstand every single thing about a character. They’re not people you want to listen to.

    According a studio executive, the idea is to just get the approval from fans on a project before it is finished. “They will just tell us, ‘If you do that, fans are going to retaliate’ … If it’s early enough & the movie isn’t finished yet, we can make those kinds of changes.”

    This is a horrible idea all around

    Fans don’t know what is best for a project. Sorry to say, that’s not how the creative process works. Joe from down the street who loved Star Wars as a kid is not the best source for what works creatively with something. Actual writers and actors know what works from a story standpoint. Bending to the toxic fans and making sure they’re happy is a surefire way of ruining the artistic value or something.

    The reality is that these franchise have always had horrible fans attached to them. These new crop of YouTubers have always been there, thinking they know the most. They are the first men to say they got mocked for loving nerdy things. But they didn’t get mocked for loving nerdy things. They got mocked for being horrible people.

    Giving a platform to “superfans” is dangerous. How do you know the people you’re asking are actually good-willed fans of something and not these grifters? Are you going to look through everyone’s history with a property and check their social media? What exactly is a superfan?

    All this is doing is feeding further into these angry voices and giving them agency. They are not the kind of fans you want to cater to. They ruin franchises and mock real fans who like something. Maybe if we just stopped letting these voices overpower actual fans, we wouldn’t be dealing with this. But please, do not let “superfans” call the shots.


    The Mary Sue is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy

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    Rachel Leishman

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  • American Actor And Mississippi Native James Earl Jones Has Died

    American Actor And Mississippi Native James Earl Jones Has Died

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    James Earl Jones, whose career on stage, film and television spanned over six decades, died on Monday, September 9, at the age of 93.

    Known the world over as the voice of Darth Vader in the Star Wars franchise and as Musafa, King of the Pride Lands in the animated film The Lion King, Jones was one of the rare actors to have garnered EGOT status, winning Emmy, Grammy, Oscar, and Tony awards in his lifetime.


    With nearly 200 screen credits to his name, Jones was instantly recognizable by his distinctive, mellifluous voice. Beyond Star Wars and The Lion King, he lent his dulcet tones to numerous commercials for many of America’s blue chip companies. He was especially known for: “Thank you for using a Verizon payphone.”

    A great deal of his life was spent onstage. Lucky audiences would have seen him on Broadway as Howard Sackler’s The Great White Hope, in which he played Jack Jefferson, a character based on the Black boxing legend Jack Johnson; South African playwright Athol Fugard’s A Lesson from Aloes and MASTER HAROLD…and the Boys; August Wilson’s Fences; and D. L. Coburn’s The Gin Game. Off-Broadway work included many appearances in plays by Shakespeare, Chekov, and Brecht.

    His work in the theatre garnered Tonys, Obies, Drama Desk and Outer Circle Critics’ Awards. His shelf of prizes also includes Emmys, a Grammy, a Golden Globe, a Screen Actors Guild Lifetime Achievement Award and, in 2011, an Honorary Oscar.

    His film appearances run the gamut from the sublime (he made his cinematic debut in Kubrick’s Dr. Strangelove) to the ridiculous (wild-eyed British comedian Marty Feldman’s The Last Remake of Beau Geste). That miraculous bass voice still appears in dozens of commercials and video games and cartoons.

    Over the course of his life, James Earl Jones was devoted to civil rights. Growing up in a segregated America, he experienced firsthand the injustices of racial discrimination. He spoke out against racism and inequality and worked to promote diversity and inclusion in American theater.

    – YouTubewww.youtube.com

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    Popdust

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  • James Earl Jones, iconic voice of Darth Vader in ‘Star Wars’ and Mufasa in ‘The Lion King,’ dead at 93

    James Earl Jones, iconic voice of Darth Vader in ‘Star Wars’ and Mufasa in ‘The Lion King,’ dead at 93

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    (CNN) — You can’t think of James Earl Jones without hearing his voice.

    That booming basso profundo, conveying instant dignity or menace, was Jones’ signature instrument. It brought power to all his stage and movie roles, most indelibly as Darth Vader in “Star Wars,” Mufasa in “The Lion King and as the voice of CNN.

    That remarkable voice is just one of many things the world will miss about the beloved actor, who died Monday, according to his agent. He was 93.

    Jones was with family when he died, according to his representative. No cause of death was shared.

    Jones had a distinguished career that spanned some 60 years and took him from a small-town theater in northern Michigan to the highest reaches of Hollywood, where he appeared in dozens of movies and TV series.

    Voicing Darth Vader

    In the mid-1970s “Star Wars” creator George Lucas cast towering British actor David Prowse as the guy inside Darth Vader’s black suit, but decided he wanted someone else to voice the character.

    “George thought he wanted a – pardon the expression – darker voice,” Jones once told the American Film Institute. “I lucked out.”

    Back then nobody imagined “Star Wars” would become a blockbuster, let alone an enduring franchise and cultural phenomenon. Jones recorded all his lines in a few hours and was not listed in the film’s credits. He said he was paid just $7,000 for the movie, “and I thought that was good money.”

    The actor and Lucas had disagreements about how he should voice the villainous Vader.

    “I wanted to make Darth Vader more interesting, more subtle, more psychologically oriented,” Jones said. “He (Lucas) said, ‘No, no … you’ve got to keep his voice on a very narrow band of inflection, ‘cause he ain’t human.”

    Darth Vader’s climactic duel with Luke Skywalker in 1980’s “The Empire Strikes Back” became a dramatic high point in the “Star Wars” series – punctuated by Jones’ delivery of one of the most famous lines in movie history: “No, I am your father!

    Jones said that almost two decades later, when he was voicing the dignified Mufasa for Disney’s animated “The Lion King,” it took him a while to strike the right tone.

    “My first mistake was to try and make him regal,” Jones said of the 1994 film.  “And what they really needed was something more like me. “They said, ‘What are you like as a father?’ and I said, ‘Well, I’m really a dopey dad.’

    “And so they began to impose my facial expressions onto Mufasa, and a different tone of voice. Yeah, he was authoritative, but he was just a gentle dad.”

    A prolific career

    Jones was born in 1931 in Mississippi. His father, Robert Earl Jones, left the family before James was born to become an actor in New York and Hollywood, working with playwright Langston Hughes and eventually earning supporting roles in hit movies including “The Sting.”

    Jones’ family moved from Mississippi to Michigan when he was 5, a traumatic upheaval that caused him to develop a stutter. His fear of speaking rendered him almost mute until he got to high school, where a poetry teacher helped him overcome his disability by encouraging him to read his poems aloud.

    “He began to challenge me, to nudge me toward speaking again … toward acknowledging and appreciating the beauty of words,” Jones said.

    Jones studied drama at the University of Michigan, served as an Army Ranger and then moved to New York, where he soon landed lead roles in Shakespearean stage productions. He made his film debut in 1964 as a bombardier in Stanley Kubrick’s “Dr. Strangelove.”

    In 1967 Jones was cast as troubled boxer Jack Johnson in a theatrical production of “The Great White Hope,” a career-changing role that won him a Tony. He reprised the role three years later in the film adaptation, becoming only the second African American man, after Sidney Poitier, to be nominated for an Academy Award.

    By the mid-1970s Jones was working steadily in movies and TV – a prolific run that never slowed. Over the next five decades he appeared in many memorable roles: As Alex Haley in TV’s “Roots:The Next Generations,” warlord Thulsa Doom in “Conan the Barbarian,” an African king in “Coming to America,” Kevin Costner’s reluctant recruit in “Field of Dreams,” Admiral Greer in “The Hunt for Red October” and “Patriot Games” and a South African preacher in “Cry, the Beloved Country.”

    The power of speech

    In 2019 he again voiced Mufasa in Disney’s remake of “The Lion King,” becoming the only cast member to reprise his role from the first film.

    Over the years he also guest-starred in dozens of TV series, from “L.A. Law” to “Sesame Street,” appeared regularly on the stage and lent his deep, rumbling voice to everything from “The Simpsons” to a popular audio recording of the King James version of the Bible.

    Jones said people in public sometimes didn’t recognize him until they heard his voice.

    “When you don’t talk it’s like going ninja,” he told Rachael Ray in 2016. “You get in the taxi and say where you’re going and the guy turns around and says, ‘Hey, aren’t you that Darth Vader guy?’”

    Over his long and prolific career Jones won three Tonys, two Emmys, a Grammy, a Golden Globe and numerous other awards. He also lent his voice to CNN’s tagline, “This is CNN,” complete with a dramatic pause after “This …”

    “It wasn’t acting. It was language. It was speech,” he said when asked what aroused his passion for acting. “It was the thing that I’d … denied myself all those years (as a boy). I now had a great — an abnormal — appreciation for it.

    “And it was the idea that you can do a play — like a Shakespeare play, or any well-written play, Arthur Miller, whatever — and say things you could never imagine saying, never imagine thinking in your own life,” he told the Academy of Achievement in 1996.

    “You could say these things! That’s what it’s still about, whether it’s the movies or TV or what. That what it’s still about.”

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    CNN

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