ReportWire

Tag: Satire

  • Mike Luckovich for Oct 22, 2023 – Mike Luckovich, Humor Times

    Mike Luckovich for Oct 22, 2023 – Mike Luckovich, Humor Times

    [ad_1]

    Mike Luckovich of the Atlanta Constitution received two amazing honors in 2006, winning both a Pulitzer Prize and the Reuben award for Outstanding Cartoonist of the Year. This was the second Pulitzer for Luckovich; his first was awarded in 1995. He had previously received the Reuben award for Editorial Cartooning in 2001, but this was his first time to be named the overall outstanding cartoonist by a group of his peers. The Reuben awards are distributed each year by the National Cartoonists Society and are considered professional cartooning’s highest honor.

    Impressive as these achievements are, they are only the latest in a long line of awards for Luckovich. He was a runner-up for the Pulitzer in 1987 before garnering the 1995 win.  In 1989, he won the Overseas Press Club’s award for the “Best Cartoons on Foreign Affairs for 1989,” and in 1991, he was awarded the National Headliners award for editorial cartoonists. In 1994, a Luckovich cartoon was selected by voters in a Newsweek magazine poll as one of the four best editorial cartoons of the year.

    After freelancing and selling life insurance to make ends meet following his graduation from the University of Washington in 1982, Luckovich landed his first cartooning job at the Greenville News in South Carolina. After nine months at the News, Luckovich was hired by The Times-Picayune in New Orleans, where he stayed for four years before moving on to Atlanta.

    Luckovich’s cartoons, syndicated nationally by Creators Syndicate, appear in more than 350 daily publications, including The Washington Post,The San Diego Union-Tribune, The Denver Post, Newsday, New York Post, The Cleveland Plain-Dealer, The Dallas Morning News, the Boston Globe, the Seattle Times, the Los Angeles Times, the Chicago Tribune, the Nashville Tennessean and the Houston Chronicle, and are reprinted regularly in Time, Newsweek and the New York Times.

    Luckovich and his wife, Margo, have four children. His hobbies include exercising and collecting unique ties.

    [ad_2]

    Mike Luckovich

    Source link

  • John Deering for Oct 21, 2023 – John Deering, Humor Times

    John Deering for Oct 21, 2023 – John Deering, Humor Times

    [ad_1]

    John Deering is chief editorial cartoonist for the Arkansas Democrat-Gazette, the state’s largest newspaper. Five times a week, his cartoon comments entertain (or sometimes enrage) readers throughout Arkansas, in Washington, D.C., and across the country.

    Winner of the National Press Foundation’s 1997 Berryman Award, Deering also gained top honors in the 1994 national John Fischetti Cartoon Competition and was the seven-time winner of the Arkansas Press Association’s Best Editorial Cartoonist award.

    Deering’s work is collected in two books: Deering’s State of Mind (1990) and We Knew Bill Clinton … Bill Clinton Was a Friend of Ours (1993, with Vic Harville). He is a 14-year member of the American Association of Editorial Cartoonists.

    Born in 1956 in Little Rock, Deering has been drawing since his childhood fascination with science fiction and dinosaurs — subjects he made into comic books. After studying art with Truman Alston, Deering focused on commercial and fine art at the University of Arkansas at Little Rock. Along the way, he found his strength in interlocking art with comment.

    At the Democrat-Gazette, Deering advanced from layout artist to editorial cartoonist in 1981-82. His promotion to chief editorial cartoonist in 1988 made his cartoons the state’s best-known. Deering also creates the comic panel Too Much Coffee.

    He and his wife, Kathy, have a daughter and two sons, and live in Little Rock. He still draws dinosaurs.

    Check out his comic strips, Zack Hill and Strange Brew.

    [ad_2]

    John Deering

    Source link

  • Speakership: Gym Jordan’s Major Fail – Bill Tope, Humor Times

    Speakership: Gym Jordan’s Major Fail – Bill Tope, Humor Times

    [ad_1]

    Rep. Jim Jordan fails to gain House Speakership, as the Republican sh*t show rambles on. Rep. Jim Jordan (R. OH) failed in his benighted quest for Speakership of … Read more

    Thanks for reading. Subscribe to our monthly Humor Times magazine here, available worldwide, in print or digital format. Read a Free Sample of the magazine online here, and order a Free Trial (3 issues) here!

    [ad_2]

    Bill Tope

    Source link

  • Saving Face: 10 Easy Suggestions! – Marilyn Sands, Humor Times

    Saving Face: 10 Easy Suggestions! – Marilyn Sands, Humor Times

    [ad_1]

    saving face

    Fights break out in Congress as Jim Jordan tries saving face by ordering a Half-Nelson/Half Baloney on a cute bun!

    saving facesaving face

    TOP 10 EASY SUGGESTIONS for SAVING FACE:

    10.  YOU CAN’T!  Your past proceeds you!

    9.   WRESTLE YOUR WIFE FOR THE ARSENIC!

    Gym JordanGym Jordan

       8.  ADMIT THAT PINOCCHIO IS YOUR FAVORITE DWARF!

    7.   SUCK IT UP & JUST TAKE THAT MEN’S ROOM ATTENDANT’S GIG!

    saving face, wash handssaving face, wash hands

    6.   ENLIST IN THE ISRAELI ARMY!

    5.   REWIND JAN 6TH CAPITOL RIOT VIDEO & THIS TIME WATCH IT WITHOUT POPCORN!

    4.   KISS TRUMP’S RING ONE MORE TIME & WHILE YOU’RE DOWN – CHECK THE OIL!

       3.   WRITE YOUR OWN FRIGGIN’ TOP 10 LIST!

    I am not running out of ideas!  haha

    2.   ASK GIULIANI FOR BEST WHISKEY RECOMMENDATIONS!

    Well, maybe I am!

    AND the #1 ‘Save Face’ Suggestion: 

    ADMIT YOUR REAL PENIS SIZE!

    saving face, penis sizesaving face, penis size

    Marilyn SandsMarilyn Sands
    Latest posts by Marilyn Sands (see all)
    ShareShare

    [ad_2]

    Marilyn Sands

    Source link

  • Mike Luckovich for Oct 19, 2023 – Mike Luckovich, Humor Times

    Mike Luckovich for Oct 19, 2023 – Mike Luckovich, Humor Times

    [ad_1]

    Mike Luckovich of the Atlanta Constitution received two amazing honors in 2006, winning both a Pulitzer Prize and the Reuben award for Outstanding Cartoonist of the Year. This was the second Pulitzer for Luckovich; his first was awarded in 1995. He had previously received the Reuben award for Editorial Cartooning in 2001, but this was his first time to be named the overall outstanding cartoonist by a group of his peers. The Reuben awards are distributed each year by the National Cartoonists Society and are considered professional cartooning’s highest honor.

    Impressive as these achievements are, they are only the latest in a long line of awards for Luckovich. He was a runner-up for the Pulitzer in 1987 before garnering the 1995 win.  In 1989, he won the Overseas Press Club’s award for the “Best Cartoons on Foreign Affairs for 1989,” and in 1991, he was awarded the National Headliners award for editorial cartoonists. In 1994, a Luckovich cartoon was selected by voters in a Newsweek magazine poll as one of the four best editorial cartoons of the year.

    After freelancing and selling life insurance to make ends meet following his graduation from the University of Washington in 1982, Luckovich landed his first cartooning job at the Greenville News in South Carolina. After nine months at the News, Luckovich was hired by The Times-Picayune in New Orleans, where he stayed for four years before moving on to Atlanta.

    Luckovich’s cartoons, syndicated nationally by Creators Syndicate, appear in more than 350 daily publications, including The Washington Post,The San Diego Union-Tribune, The Denver Post, Newsday, New York Post, The Cleveland Plain-Dealer, The Dallas Morning News, the Boston Globe, the Seattle Times, the Los Angeles Times, the Chicago Tribune, the Nashville Tennessean and the Houston Chronicle, and are reprinted regularly in Time, Newsweek and the New York Times.

    Luckovich and his wife, Margo, have four children. His hobbies include exercising and collecting unique ties.

    [ad_2]

    Mike Luckovich

    Source link

  • Hollywood’s Eat-the-Rich Satires Need Sharper Teeth

    Hollywood’s Eat-the-Rich Satires Need Sharper Teeth

    [ad_1]

    Spoiler alert for plot points about fools and their money.

    This was the year that the rich were supposed to get eaten—on film, anyway. Several movies, and at least one TV show, set their sights on the oligarchy pulling the strings of the world, promising brutal, if only imagined, comeuppances that us plebs could cheer on from the pit. The results, alas, have been less than satisfying. 

    Back in May, Swedish director Ruben Östlund won the top prize at the Cannes Film Festival for Triangle of Sadness, a sprawling, dyspeptic comedy that advertised the good old-fashioned fun of watching zillionaires go to ruin. The film does deliver on that premise, to a point. The central set piece, an operatic spew of vomit and other fluids on a doomed private cruise ship, is grotesquely amusing—even cathartic. As is the sight of a kindly old couple, made rich from arms manufacturing, getting blown up by one of their own products. Östlund’s rage is concentrated and in the right place; it was an ironic (and maybe hypocritical) thrill to watch these fat cat dopes get sloshed around while at a festival as absurdly opulent as Cannes.

    The Triangle of Sadness team at Cannes.  

    Stephane Cardinale – Corbis/Getty Images

    And yet, the third part of Triangle of Sadness begins to pull its punches. Or, rather, starts punching in all directions. The movie dulls itself into a nihilist, South Park–ian shrug, suggesting that everything and everyone turns corrupt eventually, so what good are ideals, or principles, or whatever us sensitive snowflake dorks are always harping on about? I’ve no doubt that Triangle of Sadness despises witless, unfeeling wealth as much as it says it does, but it has disdain for everyone else too. That’s not really the righteous us vs. them fantasy I went looking for. I realize that may be the point, but still. 

    Really, the most biting, and viscerally enjoyable, part of the film is its opening, which skewers the ludicrous pretensions of the fashion world. It captures a huddle of model himbos as they stand slack-jawed and cow-eyed, barraged by questions from a flouncy reporter. It’s a lark, but also a familiar target. It may also be the teensiest bit homophobic. Oh, well. It made this gay guy laugh, anyway. 

    Maybe particular luxury niches, like fashion or food, are the right avenue into a broader immolation of the ruling class. That, I think, was the intended approach of The Menu, director Mark Mylod’s film about an isolated, ultra-fine-dining restaurant (probably based on the now defunct Fäviken), where the chef and his assistants have a deadly meal prepared. Thousand-dollar tasting menus are a perfect example of the world’s great financial inequities, and the idea—from screenwriters Seth Reiss and Will Tracy—to turn such a milieu into a murderous moral lesson was a sharp one. In execution, though, The Menu falters, it demurs, it turns Ralph Fiennes’s lauded psychopath chef into a mess of personal grudges, when the setup suggests he is going to avenge on behalf of billions of people. 

    Fiery as the finale of The Menu may be, it feels awfully narrow, even safe. The film strides up to the idea of bloody rebellion and then gets scared of its deepest implications. So, the movie shrinks itself into a confusing, illogical tale of a specific grudge, held bitterly and unfairly. It entertains the idea of class revenge, but only so far. 

    Photo by Eric Zachanowich. Courtesy of Searchlight Pictures.

    It may be true that, in the real world, extreme retributional impulses are best kept in check. But why can’t dangerous notions of upheaval at least be explored on film? Hollywood influence is no doubt partly to blame. The people behind The Menu are pretty well-ensconced in the machine (as is this writer to some extent, to be fair) and thus might not want to disrupt their own comfortable surroundings too drastically. And, on a studio level, there is an aversion to controversy—and to insulting one’s social circle.

    Three years ago, I went to a screening of Knives Out at a film festival in the Hamptons. The swells in the crowd roared with laughter for the first hour or so of Rian Johnson’s whirring contraption of a whodunit. But when it became clearer that the film was, in its arch way, making a case against inherited family wealth, that laughter conspicuously died down. I’m sure I was projecting a little of that—did it really go as quiet as I remember?—but there was a distinct shift in the room, one that my viewing companion noticed as well. 

    [ad_2]

    Richard Lawson

    Source link

  • Critically Acclaimed Bluegrass Musical Comedy is Making the Jump From Stage to Screen

    Critically Acclaimed Bluegrass Musical Comedy is Making the Jump From Stage to Screen

    [ad_1]

    Paradise, a Town of Sinners & Saints, combines the comedic sensibility of National Lampoon with toe-tapping tunes to create an entertaining, sinfully funny and memorable musical.

    Press Release
    –

    Oct 4, 2022


    LOS ANGELES, October 4, 2022 (Newswire.com)
    –
    After earning critical and audience acclaim during three successful runs spread between Los Angeles and Austin, Texas, Paradise The Movie, LLC announces that the bluegrass musical Paradise, a Town of Sinners & Saints has been transformed into a high-quality cinematic experience.

    Paradise, a Town of Sinners & Saints is a collaboration between writer/producers Tom Sage and Bill Robertson, both alumni of National Lampoon Magazine, and composer/lyricist/musical director Cliff Wagner, who found national fame when he and his band The Old #7 (“Hobo’s Lullaby”) performed on Fox’s The Next Great American Band.

    Drawing comparisons to Book of Mormon, Avenue Q, and Once, among other musicals, Paradise, a Town of Sinners & Saints is a bluegrass musical comedy where good and evil fight for the soul of a dried-up coal mining town. The stage production was described by Austin 360 as “Simultaneously smart, funny and pointedly critical of the hypocrisies of much of our current culture,” while the Santa Monica Daily Press declared, “It’s a foot-stomping, hilarious, naughty musical that will leave you smiling throughout.”

    Regarding the music, Jesse Griffith offered the following rave on Broadway World Austin:

    “The book is chock-full of clever one-liners and each character has at least one song with which to showcase their talents. One of the complaints I’ve heard from those who claim they don’t like musicals is that the songs are too long. Not so with Paradise. They are just right and skillfully placed to help further the plot. All in all, Paradise is a thoroughly entertaining show with something for everyone. Musicals this charming just can’t be beat.”

    Paradise, a Town of Sinners & Saints, which stars Mary Sarah, a finalist on The Voice, as well as Diane Delano (Me Time), Raquel Castro (Jersey Girl), Dave Florek (NCIS), Jon Root (Avenue Q), Casey Ford Alexander (Dopesick) Edward Singletary Jr. (American Crime Story) and Eric Casalini (88). It was directed by Justin Ward, co-writer/director of The Meanest Man in Texas and writer/director/producer of Relish. The latter film recently won Best Feature Film and Best Original Screenplay at the Madrid International Film Festival, and Ward is currently in post-production on his latest film, The Furry Fortune, which has already found distribution. Working behind the scenes on Paradise is producer Brad Wilson, whose 11-year alliance with Oscar-winning actor Robert Duvall led the two gentlemen to collaborate on 18 films together, including Colors and Days of Thunder.

    “With the help of Justin and Brad, we were able to take a successful stage production and create a low-budget feature film so we could reach more people with our toe-tapping, crazy funny, musical,” said Sage and Robertson. “It’s an irreverent, heartfelt bluegrass comedy that brings everyone together.”

    Paradise, a Town of Sinners & Saints is currently in post-production, with a release date still TBD. For more information as the film works its way toward theaters, visit the official website or follow the musical on its various social media platforms: Facebook, Instagram and Twitter. 

    The stage productions were produced by Kevin & Geric Frost, along with the Ruskin Group Theatre.

    Boilerplate: 
    Tom Sage, Bill Robertson, Cliff Wagner and Justin Ward are a group of creatives who strive to reach as many people as possible with edgy, thought-provoking material made into high-quality productions. Their film collaboration, Paradise, a Town of Sinners & Saints, is a bluegrass musical comedy in the tradition of Book of Mormon, Avenue Q, and Once, about the fight between good and evil for the soul of a dried-up coal mining town. Writers Sage and Robertson imbue the film with the comedic talents they developed at National Lampoon and in movie scripts for Lifetime network and other productions, while Wagner, the Mississippi-born composer, lyricist and musical director, is nationally known for a deep run on FOX TVs “The Next Great American Band” and his Americana album Hobo’s Lullaby, which charted in the United States and Europe. Ward, the director, has worked under Robert Redford, Terrence Malick and Norman Jewison. Ward’s films “The Meanest Man In Texas” and “Relish,” have won dozens of awards, including Best Feature Film and Best Original Screenplay at the Madrid  International Film Festival, and Best Drama Feature at the Burbank International Film Festival. Paradise, a Town of Sinners & Saints is now in post-production and is expected to be released in 2023.

    Source: Paradise The Movie, LLC

    [ad_2]

    Source link