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Madison Beer opens up about perseverance in her music career: “It’s inspiring to me now”
[ad_2]Madison Beer opens up about perseverance in her music career: “It’s inspiring to me now” – CBS News
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Phil Collins now requires 24-hour medical care following years of mounting health issues
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Phil Collins says years of health setbacks have left him dependent on round-the-clock medical care.
The musician says he’s now under 24-hour care after a brutal stretch of health crises that included five knee surgeries, kidney problems and a long hospital stay.
“It’s an ongoing thing,” Collins told BBC Two’s Zoe Ball in a new interview, per Variety. “I have a 24-hour live-in nurse to make sure I take my medication as I should do. I’ve had challenges with my knee — I had everything that could go wrong with me, did go wrong with me … I mean, I got COVID in [the] hospital, my kidneys started to back up … everything that [started], that could [have] all seemed to sort of converge at the same time.”
PHIL COLLINS ISN’T ‘HUNGRY’ TO MAKE NEW MUSIC WHILE HE’S ‘VERY SICK’
Phil Collins said in a new interview that he now requires care around the clock. (Dave J Hogan/Getty Images)
The remarks come as part of “Phil Collins Eras: In Conversation,” a five-part BBC Two series that wraps on Jan. 26 and gives a glimpse into why the Rock and Roll Hall of Famer walked away from touring after Genesis’ farewell run in 2022.
The Grammy-winning musician explained that his knee problems alone required repeated surgeries before he was finally able to regain some mobility.
“I’ve had five operations on my knee. Now I’ve got a knee that works and I can walk, albeit with assistance — crutches or whatever,” he said.
In 2007, Collins suffered a spinal injury, which resulted in severe nerve damage. His health battles continued to pile on after a back operation left him with drop foot, a condition that significantly impairs walking and ultimately ended his ability to play the drums.
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Collins previously revealed that he can no longer play the drums. (Elena Di Vincenzo/Archivio Elena Di Vincenzo/Mondadori via Getty Images)
Collins also addressed how alcohol played a role in his declining health, acknowledging that his drinking habits ultimately contributed to serious kidney problems and prolonged hospitalizations. He recently marked two years of sobriety.
“I’d probably been drinking too much, and so my kidneys were messed up … I mean, I enjoyed coming off tour, coming off the road, but I thought, ‘Right, I’m going to do all those things that I couldn’t do,’” he said.
The singer explained that while he didn’t drink “all night” or to the point of getting drunk, the effects still eventually took a toll on his body.
“I stopped drinking at six o’clock in the evening. I wasn’t one of those guys that sort of stayed up all night drinking — I’d drink during the day, but I guess I had too much of it. I was never drunk, although I fell over a couple of times. But it is just one of those things that happened, and it all caught up with me, and I spent months in hospital.”
Collins said that while he’s faced his fair share of health issues the past few years, “it’s all right now.” (Gin Wetzler/Redferns)
Collins has also been battling with type 2 diabetes, in addition to his other health conditions.
“It’s just been a difficult, interesting, frustrating last few years. But it’s all right now.”
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Fox News Digital has reached out to Collins for comment.
(Dave Hogan/Getty Images)
Last summer, Collins’ health once again became the subject of intense public scrutiny after online rumors claimed he had been placed in hospice care.
Those claims were shut down by his team, who clarified that Collins had been hospitalized for knee surgery and was not terminally ill. Any suggestion that he was in hospice was described as “completely incorrect.”
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The Rock and Roll Hall of Famer’s last album of original material was 2002’s “Testify.” He released a Motown covers album, “Going Back,” in 2010.
Collins joined Genesis in 1970 when the band was led by Peter Gabriel, later stepping into the role of frontman after Gabriel’s departure in 1975.
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How Duckwrth’s Imaginary Grammy Button Led to a Real Grammy Nomination
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LOS ANGELES (AP) — Duckwrth manifested a 2026 Grammy nomination for his album while in the recording studio. He just didn’t know it.
The singer, songwriter and producer would pretend to press an imaginary Grammy button whenever he and his friends finished a new track.
“It would be certain moments when we’ll be done with the song, and we’ll come up with this thing called ‘Grammy button.’ It’s an invisible Grammy button — we’ll be like, ‘Grammy, Grammy.’ And we said that over and over again … it was an interesting, beautiful manifestation,” the artist told The Associated Press.
The 37-year-old musician first started turning heads with his genre-fluid debut mixtape “I’m Uugly” in 2016. Soon his eclectic sound could be heard across films and television shows like “Spider-Man: Into the Spider-Verse” and HBO’s “Insecure.” Since then, Duckwrth’s music has gone against the grain, seamlessly blending elements of hip-hop, funk, rock and soul throughout his projects.
Immersive sound for a unique project
Duckwrth’s latest album, “All American F—Boy,” is nominated at the 68th annual Grammy Awards on Feb. 1 for best immersive audio album, a category that honors the technical work of albums mixed using multichannel audio recordings.
If they win, the trophy will be awarded to immersive mix engineer Andrew Law, who formatted the album’s previously mixed stereo recording for Dolby Atmos surround sound, a three-dimensional experience that allows listeners to feel as if they are at the center of the songs’ layered instruments and melodies.
“The difficult part is you have to keep the essence of the actual song so that when people listen to it on headphones or on other mediums, and not like in the (Dolby Atmos) studio, that it still sounds like the song without making it too crazy,” said Law. “I try to take the approach of keeping the song how it was meant to be heard. And then turn it into a big soundscape and something really, really fun when you’re sitting in an Atmos studio.”
The project is immersive in more ways than one. While brainstorming his next project, Duckwrth knew he wanted to center it on a character who was a bit more “brash and more a Sid Vicious type.”
“So, I feel I had to find a way to blend what they already knew me for,” he said. “I told my friend I gotta trick people, I gotta secretly drop a rock album, but people not know it’s a rock album.”
At the time, he was listening to audiobooks, like George Orwell’s “1984,” and wanted the album to feel like the layered soundscapes in a film or audiobook. So, he sat down and, over the course of 2 ½ years, created his own audio drama within the album, starring himself and featuring narration from actor LaKeith Stanfield. The album was produced alongside BLK ODYSSY and 2Fresh, featuring artists like Tanerélle, Sherwyn, Tommy Newport and IDK.
The album follows the titular “All American F—Boy” as he navigates the ups and downs of dating while grappling with a fear of commitment. His character ultimately is forced to confront his toxic playboy tendencies and break the patterns that have kept him in a constant loop of failed relationships. The loosely autobiographical project weaves into its coming-of-age story the invitation to explore the ways generational trauma, patriarchy and toxic masculinity affect romantic relationships.
“I was highly uncomfortable dropping this album, but I think when the wind pushes you so hard, it’s like when you’re like a child throwing a tantrum, and you’re just like, ‘No, I don’t wanna, I don’t wanna go to school,’ but then your mom is like pushing you out the door, like ‘Boy, if you don’t get in that car,’” said Duckwrth. “So I think making this album, it was a strong wind against my back, pushing me forward to go as deep as possible and be as vulnerable as possible.”
When looking back at the album’s journey, both Law and Duckwrth knew they had something great on their hands. For Law, it was an instant win from the narration to the music.
“I was like, this is the one,” he said.
Duckwrth says the album and Law’s immersive engineering work receiving a Grammy nomination is rewarding and a reminder to trust himself, his creative intuition and to be just as vulnerable with future projects.
“Yeah, to get a Grammy nomination for just being all out rebellious is pretty cool,” he said with a smile on his face. “And I’m excited for the kids who come after me to see that, whether we win or not, just having a nomination, especially for my album.”
Copyright 2026 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Photos You Should See – January 2026
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Taylor Swift makes history as Songwriters Hall of Fame inductee: See the full class of 2026
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“CBS Mornings” exclusively revealed the star-studded roster of 2026 inductees to the Songwriters Hall of Fame, celebrating artists whose work has left a lasting mark on music history, with some making history themselves.
At 36 years old, Taylor Swift has become the youngest woman by nearly a decade to be bestowed with the honor. Swift is joining a long list of legends in the coveted Hall of Fame.
Here are this year’s new inductees, many of whom have written the soundtrack to our lives.
2026 Songwriters Hall of Fame inductees
- Gene Simmons and Paul Stanley
- Christopher “Tricky” Stewart
- Alanis Morissette
- Terry Britten and Graham Lyle
- Kenny Loggins
- Walter Afanasieff
- Taylor Swift
Meet the members
Leading the class of 2026 is Gene Simmons and Paul Stanley, who came together in 1973 to form the unlikely creative partnership that became KISS.
“No, I didn’t like [Simmons] at all. There’s days he annoys me now,” joked Stanley in a 2014 interview with CBS News special correspondent Anthony Mason.
But the two Jewish New Yorkers bonded over their backgrounds and shared work ethic. With Stanley, Simmons said, “One and one is three.”
Next is Christopher “Tricky Stewart,” who co-wrote and co-produced Beyoncé’s blockbuster hit “Single Ladies (Put a Ring on It).” Raised in a musical family in Markham, Illinois, Stewart was writing songs by age 12.
His big break came in 2007, with what he calls the “single most important song” he’s ever written: Rihanna’s “Umbrella.” He once told MTV about the song’s success, “When she recorded the ‘ellas,’ you knew your life was about to change if you had anything to do with that record.”
You oughta know the next artist on the list: Alanis Morissette.
Morissette’s breakup anthem, “You Oughta Know,” was written from what she described as fractured devastation. With her blistering lyrics, the Canadian singer set off a cultural earthquake. Her 1995 album, “Jagged Little Pill,” sold 33 million copies worldwide.
“When I write songs, everything that jumps to the fore – lyrically and musically – is that which I have sublimated or repressed. So, it’s all my unconscious writing,” she told “CBS Mornings” featured host Vladimir Duthiers in November.
Other Hall of Famers, Terry Britten and Graham Lyle helped lift Tina Turner from soul singer to superstar, writing many of Turner’s greatest hits, including “What’s Love Got To Do With It” and “We Don’t Need Another Hero.”
Britten also wrote many hits for Cliff Richard, like “Devil Woman.” Meanwhile, Lyle – and his bandmate Benny Gallagher – wrote “A Heart in New York,” famously performed at Simon & Garfunkel’s 1981 concert in Central Park.
Kenny Loggins’ songwriting career has had many chapters, from performing in the 70s with Jim Messina to going solo to writing with Michael McDonald. In the 80s, he became the king of soundtracks with music featured in “Caddyshack,” “Footloose” and “Top Gun.”
“There’s just a part of my brain that’s kind of scoring everything,” Loggins said in a 2022 PBS interview.
Then there’s Walter Afanasieff, who co-wrote and co-produced Mariah Carey’s No. 1 smash, “Hero.” And then again, for the holiday classic, “All I Want For Christmas is You.”
“We’d play musical ping pong,” he’s said of his more than 11-year collaboration with Carey.
Raised in San Francisco, Afanasieff played keys with Narada Michael Walden, co-writing a James Bond theme for Gladys Knight.
Last but not least, there’s Taylor Swift.
Since signing a publishing deal at 14 years old, Swift has gone on to land 69 songs in the Top 10. Thirteen of those – her favorite number – have hit No. 1 on the Billboard chart.
Swift’s newest album, “The Life of a Showgirl,” became Spotify’s most streamed album in a single day in 2025.
In a 2019 interview with “CBS Sunday Morning,” Swift said many of her songs are written overnight, when inspiration unexpectedly strikes
“It’s usually in the middle of the night. Or if I’m trying to get to sleep and I can’t and then I get an idea. And I’m, like, ‘Well, I’m not tired anyway!’ And then kind of wander over here,” she told correspondent Tracy Smith, gesturing to her piano.
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How to watch the 2026 Grammys, where Kendrick Lamar, Bad Bunny and Lady Gaga go head-to-head
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NEW YORK — 1. The 2026 Grammy Awards are right around the corner. Who will win big?
The 68th annual Grammy Awards will take place Feb. 1 at the Crypto.com Arena in Los Angeles. This year marks a return to normalcy after the 2025 award show was altered to focus on supporting relief efforts following the devastating Los Angeles-area wildfires.
“I think we will see some history-making moments,” Recording Academy CEO and President Harvey Mason jr. told The Associated Press. “With artists being nominated in categories they haven’t been previously nominated in, and a new crop of talent coming through the system this year — I think we’re going to see some really exciting results.”
Here’s what you need to know about the 2026 Grammys, including how to stream and where you can see music’s biggest stars walking the red carpet.
The main show will air live on CBS beginning at 8 p.m. Eastern on Feb. 1.
The Grammys can also be watched through live TV streaming services that include CBS in their lineup, like Hulu + Live TV, YouTube TV and FuboTV.
Paramount+ premium plan subscribers will be able to stream the Grammys live; Paramount+ essential subscribers will have on-demand access the next day.
The premiere ceremony will take place just ahead of the Grammys’ ceremony at 3:30 p.m. Eastern, 12:30 p.m. Pacific at the Peacock Theater in Los Angeles. It can be streamed at the Recording Academy’s YouTube channel and on live.GRAMMY.com.
Comedian Trevor Noah will host the show for the sixth consecutive time — and it will be his last.
“I am beyond thrilled to welcome Trevor Noah back to host the Grammys for his sixth, and sadly, final time,” Grammys’ executive producer Ben Winston said in a statement. “He’s been the most phenomenal host of the show. He’s so smart, so funny, and such a true fan of the artists and music. His impact on the show has been truly spectacular, and we can’t wait to do it together one last time.”
The only other people to host six or more Grammy telecasts were musical artists: Andy Williams hosted seven shows, followed by John Denver with six. Noah previously tied LL Cool J, with five.
Noah himself is a four-time Grammy nominee and is up this year in the audio book, narration, and storytelling recording category for “Into The Uncut Grass,” a children’s story.
“He’s a special host. He really finds the right balance between being funny and smart and knowledgeable but also being a fan of music. And I love that. It’s so hard to find that combination,” Mason jr. said.
As for his departure? “Every person at some point in their career, they decide they want to do something else,” Mason jr. said. “And we’re so appreciative of the years that we got from Trevor. He’s really helped define the show and make the show what it’s become over the last six years.”
The Associated Press will stream a four-hour red carpet show with interviews and fashion footage. It will be streamed on YouTube and APNews.com.
Kendrick Lamar leads the nominations with nine total. He’s up for record, song and album of the year — marking the third time he’s had simultaneous nominations in those big categories — as well as pop duo/group performance, melodic rap performance, rap song and rap album. He’s also nominated twice in the rap performance category.
Lady Gaga, Jack Antonoff and Canadian record producer/songwriter Cirkut follow Lamar with seven nominations each.
Sabrina Carpenter, Bad Bunny, Leon Thomas and Serban Ghenea all boast six nominations. Andrew Watt, Clipse, Doechii, Sounwave, SZA, Turnstile and Tyler, the Creator have five each.
And in the best new artist category, Thomas, global girl group Katseye, Olivia Dean, The Marías, Addison Rae, sombr, Alex Warren and Lola Young will go head-to-head.
There are a number of first-time nominees as well this year, including Tate McRae, Zara Larsson, PinkPantheress, JID and … Timothée Chalamet. You read that correctly.
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For more coverage of this year’s Grammy Awards, visit: www.apnews.com/hub/grammy-awards
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What to Stream: ‘The Smashing Machine,’ Louis Tomlinson, ‘The Beauty’ and Bruce Springsteen biopic
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Dwayne Johnson transforming into MMA pioneer Mark Kerr for “The Smashing Machine” and Louis Tomlinson releasing his third solo album are some of the new television, films, music and games headed to a device near you.
Also among the streaming offerings worth your time this week, as selected by The Associated Press’ entertainment journalists: Ryan Murphy’s new series “The Beauty” tackles beauty standards with some horror mixed in, Jeremy Allen White plays The Boss in “Springsteen: Deliver Me From Nowhere” and Megadeth going out with a bang with their final, self-titled album.
— Dwayne Johnson transformed into MMA pioneer Mark Kerr for “The Smashing Machine,” a surprisingly gentle drama about winning, addiction and self-worth, which is set to debut on HBO Max on Friday, Jan. 23. In his review, Associated Press Film Writer Jake Coyle wrote that the potency of Johnson’s performance is “let down by a movie that fails to really grapple with the violent world around Mark, resorting instead for a blander appreciation of these MMA combatants. What does resonate, though, is the portrait of a human colossus who learns to accept defeat.” Filmmaker Benny Safdie won a directing prize for his efforts at the Venice Film Festival, though the awards season spotlight has shifted to his brother, Josh, who made “Marty Supreme.”
— HBO Max also has Judd Apatow’s “Mel Brooks: The 99-Year-Old Man!” arriving on Thursday. The two-part documentary includes interviews with Brooks himself as well as the likes of Ben Stiller, Jerry Seinfeld, Adam Sandler and Conan O’Brien.
— The Bruce Springsteen biopic “Springsteen: Deliver Me From Nowhere” is also making its streaming debut on Hulu and Disney+ on Friday, Jan. 23. Written and directed by Scott Cooper, the film stars Jeremy Allen White as The Boss during the making of the soulful “Nebraska” album. In his review for the AP, Mark Kennedy called it “an endearing, humbling portrait of an icon,” adding that it is almost a mirror of the album itself, “unexpected, complicated and very American gothic.”
— A few other film festival gems are coming to more niche streamers too. The documentary “Mr. Nobody Against Putin,” a 2025 Sundance selection about a Russian teacher who secretly documents his classroom’s transformation into a military recruitment center during the invasion of Ukraine, is streaming on KINO Film on Thursday. And Mubi has Paolo Sorrentino’s “La Grazia” starting on Friday, Jan. 23. Star Toni Servillo won the best actor prize at Venice for his turn as a fictional Italian president.
— You’d be right to call it a symphony for dissolution. Last summer, American thrash metal giants Megadeth announced they were going out with a bang. They’ll soon embark on a farewell tour, but before that, they will release their final album, the self-titled “Megadeth.” Pressure’s on, and they’re answering the call with their characteristically complex guitar work.
— Perhaps best known as a candid and cool force in the gargantuan boy band One Direction, the Englishman Louis Tomlinson will release his third solo album on Friday, the existential “How Did I Get Here?” His work usually pulls from his most direct influences, Britpop chiefly among them on 2020’s “Walls” and 2022’s “Faith in the Future.” The “How Did I Get Here?” singles “Lemonade” and “Palaces” seem to suggest those influences are still present, but subtle now in favor of sunny, pop-rock choruses.
— The great Lucinda Williams has returned with a new one titled “World’s Gone Wrong.” It is, of course, uniquely Williams — at the intersection of rock, Americana, country and folk — and stacked with inspirational collaborations from Norah Jones, Brittney Spencer and more. Those, partnered with a powerful rendition of Bob Marley’s “So Much Trouble In The World” with Mavis Staples, makes for a must-listen.
— AP Music Writer Maria Sherman
— FX’s new series cocreated by Ryan Murphy tackles beauty standards with some horror mixed in. “The Beauty” features an all-star cast including Evan Peters, Ashton Kutcher, Rebecca Hall, Jeremy Pope, Anthony Ramos and Isabella Rossellini. Bella Hadid also guest stars. Kutcher plays a tech billionaire who has created a drug that can lead to so-called physical perfection but not without dangerous consequences. “The Beauty” is based on a comic book of the same name and premieres Wednesday on Hulu and Disney+ internationally.
— “Drops of God” also returns Wednesday to Apple TV for its second season. It’s about two estranged siblings (played by Fleur Geffrier and Tomohisa Yamashita) competing to inherit their late father’s estate that comes with a massive wine collection. In Season 2, they must search for the source of an unlabelled bottle of wine believed to be the best in the world.
— On the heels of the “Heated Rivalry” phenomenon, Netflix has its own love story to heat up the ice that premieres on Thursday. Where “Heated Rivalry” is based on a steamy romance book series, “Finding Her Edge” is adapted from a YA novel. It’s about a figure skater training for the world championships, who finds herself in a love triangle with her current and former skating partners.
— Scott Foley and Erinn Hayes star in a new faith-based family drama called “It’s Not Like That,” coming to Prime Video on Sunday, January 25. Foley plays Malcolm, a pastor and father of three whose wife recently died and Hayes is Lori, a divorced mother of teenagers. Their families were always close but Malcolm and Lori find themselves relying on each other more and more as they navigate being single parents.
— Flynt Buckler, the hero of Escape from Ever After, lives in a storybook world. But that fantasy goes sour when a greedy corporation invades those books, turning them into cyberpunk dystopias and Lovecraftian nightmares. Can Flynt swashbuckle his way to the top, or will he settle for a crummy office cubicle? Developer Sleepy Castle Studio says it was inspired by Nintendo’s classic Paper Mario games, and the cartoonish 2D settings show off that influence. Turn the page Friday, Jan. 23, on Switch, Xbox X/S, PlayStation 5 or PC.
— MIO: Memories in Orbit is another 2D adventure rooted in a Nintendo classic — in this case, Metroid, the mother of an entire subgenre. You are a small robot in an enormous starship called the Vessel, but your AI bosses have stopped working. It’s up to you to figure out what went wrong while fighting off rogue machines, and the more you explore, the more skills you gain. The ship’s sprawling innards have a hand-drawn, pastel look that you might not expect in a sci-fi game. Blast off Tuesday on Switch, Xbox X/S, PlayStation 5 or PC.
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Legendary Bay Area rock act to perform Super Bowl Sunday concert at Levi’s
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Green Day, one of the most successful acts in Bay Area music history, is getting in on the Super Bowl Sunday fun.
The East Bay pop-rock band, which formed in Rodeo in 1987, will perform an opening ceremony set just moments prior to the big game taking place at Levi’s Stadium in Santa Clara on Feb. 8.
The performance by Green Day — the multiplatinum trio consisting of vocalist-guitarist Billie Joe Armstrong, bassist Mike Dirnt and drummer Tré Cool — celebrates the Super Bowl’s 60th anniversary and will be used as the soundtrack to usher generations of Super Bowl MVPs onto the field.
“We are super hyped to open Super Bowl 60 right in our backyard!” Armstrong said in a press release. “We are honored to welcome the MVPs who’ve shaped the game and open the night for fans all over the world. Let’s have fun! Let’s get loud!”
Fans including Ashley Lim, of Pleasanton, center, react as Green Day performs during their Saviors Tour at Oracle Park in San Francisco, Calif., on Friday, Sept. 20, 2024. Lim got up on stage to briefly sing with frontman Billie Joe Armstrong. (Jane Tyska/Bay Area News Group) The Green Day news was announced during halftime of the NFC Divisional Playoff matchup between the Los Angeles Rams and Chicago Bears on Sunday. This opening ceremony/performance will be aired live at 3 p.m. during the Super Bowl TV broadcast, which is being carried by NBC and Telemundo.
The game itself is set to start at 3:30 p.m.
“Celebrating 60 years of Super Bowl history with Green Day as a hometown band, while honoring the NFL Legends who’ve helped define this sport is an incredibly powerful way to kick off Super Bowl LX.” said Tim Tubito, NFL senior director, event and game presentation. “As we work alongside NBC Sports for this opening ceremony, we look forward to creating a collective celebration for fans in the stadium and around the world.”
Green Day is also set to perform an invitation-only Super Bowl week concert — with fellow Bay Area act Counting Crows — at the The FanDuel Party Powered by Spotify event on Feb. 6 at Pier 29 in San Francisco. The event is not open to the general public, nor are tickets being sold, but rather is an “invite-only” function.
Green Day performs during their Saviors Tour at Oracle Park in San Francisco, Calif., on Friday, Sept. 20, 2024. (Jane Tyska/Bay Area News Group) [ad_2]
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Bruce Springsteen Dedicates Performance of ‘The Promised Land’ to Renee Good
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Photo: Rodin Eckenroth/Getty Images for AFI
At the Light of Day festival in New Jersey, Bruce Springsteen dedicated his song about the American promise to slain ICE watcher Renee Good. “This next song is probably one of my greatest songs,” Springsteen said of “The Promised Land” Saturday night, per NJ Arts. “I wrote this song as an ode to American possibility … both to the beautiful but flawed country that we are, and to the country that we could be.” Springsteen said that American possibility and purported values “have never been as endangered as they are right now,” referring to ICE raids on cities like Los Angeles, Chicago, Portland, and most recently Minneapolis. Springsteen decried ICE’s “Gestapo tactics,” saying “if you believe you don’t deserve to be murdered for exercising your American right to protest … then send a message to this President. And as the Mayor of that city has said, ICE should get the fuck out of Minneapolis. So this one is for you, and the memory of the mother of three and American citizen Renee Good.”
On January 7, ICE agent Jonathan Ross shot and killed Renee Good, who was participating observation of ICE’s operations in Minneapolis. Footage appears to show Ross call Good a “fucking bitch” after killing her. Good was reportedly denied medical attention after the shooting. Good was labeled a “domestic terrorist” by the Trump administration. Since the incident, ICE favorability polls have been at an all-time low.
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Bethy Squires
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Thousands of fans celebrate life of legendary Grateful Dead guitarist Bob Weir in San Francisco
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SAN FRANCISCO — Thousands of mourners gathered Saturday at San Francisco’s Civic Center to celebrate the life of Bob Weir, the legendary guitarist and founding member of the Grateful Dead who died last week at age 78.
Musicians Joan Baez and John Mayer spoke on a makeshift stage in front of the Bill Graham Civic Auditorium after four Buddhist monks opened the event with a prayer in Tibetan. Fans carried long-stemmed red roses, placing some at an altar filled with photos and candles. They wrote notes on colored paper, professing their love and thanking him for the journey.
Several asked him to say hello to fellow singer and guitarist Jerry Garcia and bass guitarist Phil Lesh, also founding members who preceded him in death. Garcia died in 1995; Lesh died in 2024.
“I’m here to celebrate Bob Weir,” said Ruthie Garcia, who is no relation to Jerry, a fan since 1989. “Celebrating him and helping him go home.”
Saturday’s celebration brought plenty of fans with long dreadlocks and wearing tie-dye clothing, some using walkers. But there were also young couples, men in their 20s and a father who brought his 6-year-old son in order to pass on to the next generation a love of live music and the tight-knit Deadhead community.
The Bay Area native joined the Grateful Dead — originally the Warlocks — in 1965 in San Francisco at just 17 years old. He wrote or co-wrote and sang lead vocals on Dead classics including “Sugar Magnolia,” “One More Saturday Night” and “Mexicali Blues.” He was generally considered less shaggy looking than the other band members, although he adopted a long beard like Garcia’s later in life.
The Dead played music that pulled in blues, jazz, country, folk and psychedelia in long improvisational jams. Their concerts attracted avid Deadheads who followed them on tours. The band played on decades after Garcia’s death, morphing into Dead & Company with John Mayer.
Darla Sagos, who caught an early flight out of Seattle Saturday morning to make the public mourning, said she suspected something was up when there were no new gigs announced after Dead & Company played three nights in San Francisco last summer. It was unusual, as his calendar often showed where he would be playing next.
“We were hoping that everything was OK and that we were going to get more music from him,” she said. “But we will continue the music, with all of us and everyone that’s going to be playing it.”
Sagos and her husband, Adam Sagos, have a one-year-old grandson who will grow up knowing the music.
A statement on Weir’s Instagram account announced his passing Jan. 10. It said he beat cancer, but he succumbed to underlying lung issues. He is survived by his wife and two daughters, who were at Saturday’s event.
His death was sudden and unexpected, said daughter Monet Weir, but he had always wished for the music and the legacy of the Dead to outlast him.
American music, he believed, could unite, she said.
“The show must go on,” Monet Weir said.
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A K-pop dance party is coming to the Philadelphia Art Museum
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January 17, 2026
The after-hours event celebrates Lunar New Year with a live DJ and artmaking inspired by Korean art.
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Julio Iglesias calls assault allegations ‘absolutely false’ after accusers come forward
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Julio Iglesias denies physical and sexual assault allegations made against him by two former employees.
ElDiario.es and Univision Noticias published a joint interview of two women accusing the Spanish singer of assaulting them while working as live-in employees at his Caribbean homes.
The alleged assaults occurred between January 2021 and October 2021, according to The Associated Press.
Iglesias called the allegations “absolutely false” in a statement posted on Instagram.
Spanish singer Julio Iglesias has been accused of sexual assault by two women. (Getty Images)
“With deep regret, I respond to the accusations made by two people who previously worked at my home. I deny having abused, coerced or disrespected any woman. These accusations are absolutely false and cause me great sadness,” Iglesias’s statement, originally posted in Spanish, began.
TYLER PERRY HIT WITH NEW $77M SEXUAL ASSAULT LAWSUIT FROM MALE MODEL
“I had never experienced such malice, but I still have the strength for people to know the full truth and to defend my dignity against such a serious affront.”
“These accusations are absolutely false and cause me great sadness.”
The “Spanish Girl” singer thanked the “many dear people who have sent me messages of affection and loyalty.”
“I have felt great comfort in them,” Iglesias wrote.
Julio Iglesias has denied any physical or sexual assault allegations. (Getty Images)
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The Spanish prosecutors’ office told The Associated Press it received formal allegations against Iglesias by an anonymous person Jan. 5.
Women’s Link Worldwide, a nonprofit organization, is representing the two accusers. The women are going by the pseudonyms Rebecca and Laura.
Julio Iglesias, 82, is a two-time Grammy winner. (Getty Images)
In a statement shared with the organization and obtained by AP, Rebecca noted she’s coming forward “to get justice for three reasons.”
“The first is for myself: for how difficult this process has been and for everything I have had to face in order to overcome it. The second is for the women who work in his homes: I want to tell them to be strong, to raise their voices, to remember that he is not invincible. And the third, for my country [the Dominican Republic]: so that something like this never happens again and so that he understands that he cannot come and do whatever he wants without facing the consequences,” Rebecca wrote.
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Laura added, “My goal is to ensure that no woman ever suffers this kind of abuse from him again. I want to send the message that women are victims and survivors, not perpetrators or guilty parties.”
Julio Iglesias is the father of Enrique Iglesias. (Getty Images)
Iglesias, the father of famed singer Enrique Iglesias, is a two-time Grammy-winning artist. He has been inducted into the Latin Songwriters Hall of Fame.
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‘Mute Is Off’ For Inseong’s 1st Mini-Album, Crossfade:
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Fantasy, the time has come! Inseong has released his 1st Mini album, titled Crossfade:.
With Crossfade:, Inseong introduces his first mini album as a solo artist, offering a project that feels really personal. Following SF9’s world tour, this release arrives at a moment where he appears ready to explore his own sound and perspective in a more focused way.
Rather than aiming for a bold statement, Crossfade: leans into sincerity. Across five tracks, Inseong reflects on self-expression, connection, and memory, creating an album that feels cohesive and intentional.
The Tracklist
- ‘Mute is Off’
- ‘Feast of the Night’
- ‘Trying To Love’
- ‘Stained Memory’
- ‘Still You, Now Me’
‘Mute Is Off’
From the very first moments, ‘Mute is Off’ feels like a declaration.
The music video keeps Inseong front and center, surrounded by color yet grounded in intimacy. It’s a fitting choice for Inseong’s first mini-album, putting all attention where it should be: on him, his voice, and the message he’s trying to deliver. Visually, it’s simple but effective, and symbolically, the scenes with the typewriter feel especially telling. They read as moments of him pouring his thoughts out, unedited, before finally stepping forward with more confidence in who he is.
The song speaks about shedding fear and standing unhidden as one’s true self. It’s about choosing to be heard after staying silent for too long. Consequently, the track feels quietly brave. The melody stays upbeat, but the words cut deep — a contrast that works incredibly well here.
Knowing that Inseong took part in writing and composing the song makes it hit even harder. His vocal tone carries a warmth that turns the lyrics into something almost healing. It doesn’t just tell you to be brave—it makes you feel braver too.
Before I know it, I’m standing
As myself, unhidden
‘Feast Of The Night’
‘Feast of the Night’ leans into the idea of quiet comfort rather than emotional intensity.
The song speaks to exhaustion, to days filled with restraint and unspoken feelings, and to the need for rest after enduring more than expected. Instead of offering solutions, the lyrics focus on presence: sitting together, sharing both sadness and joy, and allowing the night to hold those feelings for a while.
This musical approach is reflected in Inseong’s delivery. His voice remains warm and slightly husky in the verses, creating a sense of closeness and some comfort. As the chorus opens up, the vocals rise with more strength, but never overwhelm the message. Consequently, the song feels steady and reassuring, framing comfort as something simple and shared rather than dramatic.
Even if tears fall, I will shine more light on those overwhelming days coming to you
‘Trying To Love’
‘Trying To Love’ shifts the mood again, this time into something tender and sweet.
Centered around the early stages of romantic feelings, the track captures uncertainty and hesitation rather than grand emotion. The lyrics focus on wanting connection while struggling with self-doubt, which gives the song a relatable quality.
The song stays light and gentle, with Inseong’s vocals sounding warm and steady throughout. As a result, ‘Trying To Love’ feels like one of the album’s easiest listens, adding a sweeter contrast to the more reflective tracks around it.
Hate being alone on this night I want to be with you
I hate hate hate myself for having no courage
‘Stained Memory’
In ‘Stained Memory’, Inseong focuses on lingering feelings that refuse to fade, even after some time has passed.
The lyrics describe memories resurfacing unexpectedly—warmth, a flood of emotions once pushed aside, and moments that remain vivid despite repeated attempts to forget. It centers on persistence: memories filling every part of the narrator, stained with someone’s presence and color.
Most importantly, the longing here is unresolved. The repeated wish to meet “just once” suggests not closure, but the hope that even a brief encounter might finally allow those memories to be released. As a result, the song feels like a healing heartbreak, capturing what it means to live alongside memories that no longer belong to the present.
The laughter and the tears, the memories and the recollection
Hoping to meet you again at least once
I live like this today too, in the memories stained with you
‘Still You, Now Me’
‘Still You, Now Me’ focuses on how memory becomes part of everyday routine.
The lyrics follow repeated actions—waking up, revisiting familiar places, replaying the same song—showing how habits tied to someone else can persist over time. The contrast between “you were there then” and “I am here now” frames the song’s emotional core. Rather than searching for answers or closure, the narrator simply observes the distance that now exists, continuing to trace it through memory.
By the end, the song remains suspended between past and present. ‘Still You, Now Me’ captures the feeling of moving on in life while emotionally circling around the same moment, where memory continues to guide the way back.
Your touch that used to embrace me so warmly
Like yesterday and like today, I cannot remember you saying goodbye
Believing that it is just a dream and that it is not true
Inseong’s Solo Era Starts Strong
What we like most about Inseong’s first mini-album Crossfade: is that it feels clear and consistent. It’s a focused debut that highlights mood, message, and Inseong’s voice as the main thread throughout the tracklist. As a result, Crossfade: works best as a full listen. It’s a solid introduction to his solo direction, and it leaves a clear impression of what Inseong wants to explore moving forward.
Now we want to hear from you: which song connected with you the most, and why? Share your thoughts in the comments or tag us on X at @thehoneypop. And don’t forget to follow us on Instagram and Facebook for more coverage of your faves.
For more comeback reviews, new releases, and fresh K-Pop obsessions, check out The Honey(K)Pop!
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Neža V.
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Julio Iglesias denies sexual abuse allegations, calling them ‘absolutely untrue’
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MADRID — Grammy-winning singer Julio Iglesias on Friday denied allegations that he sexually assaulted two former employees, calling the accusations “absolutely untrue.”
Media reports from earlier this week alleged Iglesias had sexually and physically assaulted two women who worked at his residences in the Dominican Republic and the Bahamas between January and October 2021. A day later, Spanish prosecutors said they were studying the allegations.
“With deep sorrow, I respond to the accusations made by two people who previously worked at my home. I deny having abused, coerced or disrespected any woman. These accusations are absolutely false and cause me great sadness,” Iglesias said on Instagram.
Spanish online newspaper elDiario.es and Spanish-language television channel Univision Noticias published the joint, three-year investigation on Jan. 13 into Iglesias’ alleged misconduct.
A Spanish high court received formal allegations against Iglesias by an unnamed party on Jan. 5, according to officials there. Iglesias could potentially be taken in front of the Madrid-based court, which can try alleged crimes by Spanish citizens while they are abroad, according to the court’s press office.
The 82-year-old Iglesias is one of the world’s most successful musical artists, having sold more than 300 million records in more than a dozen languages. After making his start in Spain, he won immense popularity in the United States and wider world in the 1970s and ’80s. He’s the father of pop singer Enrique Iglesias.
In 1988, he won a Grammy for Best Latin Pop Performance for his album “Un Hombre Solo.” He also received a Lifetime Achievement Award at the Grammys in 2019.
“I had never experienced such malice, but I still have the strength for people to know the full truth and to defend my dignity against such a serious affront,” Iglesias said on social media.
He also thanked those who had sent messages of support.
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Kenny Chesney says he does ‘a lot of witchcraft’ to his body for health benefits
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While discussing his personal sauna and intermittent infrared sauna use, Kenny Chesney revealed this week he “does a lot of witchcraft stuff to my body.”
“Cold plunge, heat and ice. I do a lot of IV stuff. I do plasma exchange,” the country star told Rob Lowe on his “Literally!” podcast Thursday.
He explained that plasma exchange is “really intense, but you feel fantastic.”
Lowe joked that Chesney should start selling plasma exchanges, saying, “I’ve got my homework. Kenny Chesney’s plasma exchange. ‘Hi, I’m Kenny Chesney, get your very own bag.’”
ROCK STAR FITNESS ROUTINE: COULD YOU SURVIVE MICK JAGGER’S BRUTAL WORKOUT?
While discussing his personal sauna and intermittent infrared sauna use, Kenny Chesney admitted he “does a lot of witchcraft stuff to my body.” (Michael Buckner/Billboard via Getty Images)
“It’s really great for you,” Chesney laughed.
Plasma exchange involves blood being taken from a patient and the plasma removed and exchanged for a replacement fluid, usually donor plasma or another protein solution, according to the Cleveland Clinic. It is often used in blood cancers, disorders or after organ transplants.
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In 2015, Chesney partnered with the Love Hope Strength Foundation’s Get on the List Campaign while on tour to create locations at his shows where fans to do cheek swabs to see if they were matches to be bone marrow donors, according to Cat Country 107.3.
Chesney said he does plasma exchange. (Erika Goldring/Getty Images for BMI)
“When Kate McMahon, with our tour promoter, explained it to me, it seemed not only so simple, but the kind of thing the No Shoes Nation is all about,” Chesney said in a press release at the time. “Give back to others, help where you can, live to the fullest and make a difference. I can’t believe they’ve found 25 matches, but I couldn’t be prouder for the fans who come out and live these songs with us.”
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In 2016, the “She Thinks My Tractor’s Sexy” singer delved into his late 40s wellness routine with GQ.
He said he got a new manual treadmill and stopped drinking beer on the road.
Chesney lifting weights in 2005. (Ronald C. Modra/Getty Images)
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“There’s no plugging it in,” he told the magazine of the treadmill. “Your body does the work and moves the belt. Walking on it is hard, much less sprinting. Running on the Curve got me in better shape than I’ve ever been in.”
On giving up beer, the 57-year-old said: “Once I make up my mind to do something, that’s what I’m gonna do. I have that mental makeup. I can go down and hang out on the boat in the island and stay for an overextended vacation, enjoy it, then come home and cut it off.”
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Harry Styles’s New Album Title Sounds Like Solid Life Advice
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With gratitude to Benson Boone for keeping the seat warm these past few years, Harry Styles appears to be ready to reclaim his rightful place as crown prince of the pop girlies (who also happens to dance like a car dealership blowup guy who has been freed of tethers for flip mobility purposes, which, to be clear, is a positive thing). Styles announced the title, cover art, and release date of his new album, Kiss All the Time. Disco, Occasionally, on Thursday via an Instagram post.
The album, his first since 2022’s Harry’s House, will be released on March 6. The cover art he shared features Styles with a cropped haircut putting on sunglasses in the lower left corner, while at the center of the image, a disco ball hangs from the heavens, illuminating a dusky outdoor vista.
According to Rolling Stone, the album will have 12 tracks, and is produced by Kid Harpoon. According to one reddit commentor, it is a “Lana del Rey ass title.”
The new album announcement comes hot on the heels of Monday’s reveal that Styles has booked a second Madison Square Garden residency, though details such as timing and number of shows have not yet been announced. In late summer 2022, Styles played 15 sold out concerts at the arena as part of his Love On Tour shows.
Most importantly of all, this Harry-ssance is another proof point in the working theory that time is a flat circle and that 2026 is, in fact, just 2016: The Sequel. Consider: In 2016, Styles was gearing up for a solo album (his first). 2026: New solo album coming. 2016: The year that his signature flowing mane of hair got the chop, to many fans’ dismay. 2026: That album photo has a breezy lil short ‘do, no? 2016: Styles was in Dunkirk. 2026: Real life has us teetering on the brink of civil and/or international warfare pretty much every day. 2016: Benny Boone turned 14. 2026: Thanks for keeping the throne warm, champ. We owe you one.
Representatives for Harry Styles did not immediately respond to a request for comment.
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Kase Wickman
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Guess who’s back? It’s Pitbull and he’s headed our way
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Pitbull is heading back to Northern California.
Yes, Mr. Worldwide himself has announced plans to bring the I’m Back Tour to Toyota Amphitheatre at Wheatland on June 6 and Shoreline Amphitheatre at Mountain View on June 7.
And he’s bringing Lil Jon along for the ride.
Tickets go on sale to the general public at 10 a.m. Jan. 30, livenation.com.
There is also an artist presale, but fans need to register in advance — by 10 p.m. Jan. 26 at livemu.sc/pitbull — in order to participate
PITBULL I’M BACK TOUR NORTH AMERICA DATES:
Thu May 14 – West Palm Beach, FL – iTHINK Financial Amphitheatre
Sat May 16 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
Sun May 17 – Charleston, SC – Credit One Stadium
Tue May 19 – Raleigh, NC – Coastal Credit Union Music Park
Wed May 20 – Charlotte, NC – Truliant Amphitheater
Fri May 22 – Houston, TX – The Cynthia Woods Mitchell Pavilion
Sat May 23 – Dallas, TX – Dos Equis Pavilion
Wed May 27 – Phoenix, AZ – Talking Stick Resort Amphitheatre
Fri May 29 – Chula Vista, CA – North Island Credit Union Amphitheatre
Sat May 30 – Los Angeles, CA – Hollywood Bowl
Wed June 3 – Salt Lake City, UT – Utah First Credit Union Amphitheatre
Sat June 6 – Wheatland, CA – Toyota Amphitheatre
Sun June 7 – Mountain View, CA – Shoreline Amphitheatre
Wed Aug 19 – Bristow, VA – Jiffy Lube Live
Fri Aug 21 – Virginia Beach, VA – Veterans United Home Loans Amphitheater at Virginia Beach
Sat Aug 22 – Hershey, PA – Hersheypark Stadium
Tue Aug 25 – Wantagh, NY – Northwell at Jones Beach Theater
Wed Aug 26 – Syracuse, NY – Empower Federal Credit Union Amphitheater
Fri Aug 28 – Hartford, CT – The Meadows Music Theatre
Sat Aug 29 – Mansfield, MA – Xfinity Center
Mon Aug 31 – Bangor, ME – Maine Savings Amphitheater
Wed Sep 2 – Saratoga Springs, NY – Saratoga Performing Arts Center
Thu Sep 3 – Holmdel, NJ – PNC Bank Arts Center
Sat Sep 5 – Toronto, ON – RBC Amphitheatre
Wed Sep 9 – Clarkston, MI – Pine Knob Music Theatre
Thu Sep 10 – Grand Rapids, MI – Acrisure Amphitheater
Sat Sep 12 – East Troy, WI – Alpine Valley Music Theatre
Sun Sep 13 – Tinley Park, IL – Credit Union 1 Amphitheatre
Tue Sep 15 – Cincinnati, OH – Riverbend Music Center
Wed Sep 16 – Cuyahoga Falls, OH – Blossom Music Center
Fri Sep 18 – St. Louis, MO – Hollywood Casino Amphitheater
Sat Sep 19 – Noblesville, IN – Ruoff Music Center
Tue Sep 22 – Rogers, AR – Walmart AMP
Fri Sep 25 – Kansas City, MO – MORTON Amphitheater
Sat Sep 26 – Shakopee, MN – Mystic Lake Amphitheater
*with Special Guest Lil Jon
PITBULL I’M BACK TOUR EUROPE / UK DATES (on sale now):
Tue Jun 23 – Stockholm, SE – 3Arena
Sat Jun 27 – Werchter, BE – Werchter Boutique*
Tue Jun 30 – Belfast, UK – Ormeau Park (Belsonic)
Wed Jul 01 – Glasgow, UK – Glasgow Summer Sessions, Bellahouston Park
Fri Jul 03 – Leeds, UK – American Express Presents Roundhay Park *
Tue Jul 07 – Dublin, IE- Marlay Park
Wed Jul 08 – Limerick, IE- Thomond Park Stadium
Fri Jul 10 – London, UK – American Express Presents BST Hyde Park London*
Sat Jul 12 – Nice, FR – Allianz Arena
Wed Jul 15 – Arnhem, NL – GelreDome
Sun Jul 19 – Dusseldorf, DE – Arena Im Open Air Park
Tue Jul 21 – Budapest, HU – Puskas Arena
Thu Jul 23 – Warsaw, PL – PG Narodowy
Sun Jul 26 – Prague, CZ – Airport LetnanyWed
Jul 29 – Riga, LV – Mezaparks Great Bandstand
Fri Jul 31 – Kaunas, LT – Darius and Girenas Stadium
* Festival Date
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Jim Harrington
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Stray Kids Concert Movie Sells Over $1.4M in Ticket Sales in Less Than 24 Hours (Exclusive)
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Stray Kids, the popular K-pop boy group, spent much of 2025 drawing people to stadium’s around the world, and now they’re drawing fans to theaters for their concert film.
Stray Kids: The dominATE Experiene, acquired by Bleecker Street’s event cinema division Crosswalk and Universal Pictures Content Group (UPCG) and produced by Live Nation Studios, has sold over $1.4 million in ticket sales in U.S. in less than 24 hours, The Hollywood Reporter has exclusively learned.
The concert film, which combines footage from their Los Angeles date at SoFi Stadium and behind-the-scenes material, is heading to theaters on Feb. 6. IMAX early access fan screenings take place on Feb. 4, and account for $400,000 of those ticket sales.
The film was slated to only play four showings per venue but will now be expanding to more showtimes due to the demand.
Stray Kids: The dominATE Experience was directed by Paul Dugdale, with documentary segments directed by Farah X. The North American leg of the tour the film will follow grossed about $76.2M, according to Billboard, making it the best-selling and highest-grossing North American leg for any K-pop tour.
Stray Kids — an eight-member boy group consisting of members Bang Chan, Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin and I.N — hail from Korean agency JYP Entertainment. The group has risen to become one of the largest in the space over their nearly eight years together. Members Bang Chan, Changbin and Han, known collectively as 3Racha, serve as the group’s main production team.
Last week, it was announced that Stray Kids would be headlining New York-based music festival Governors Ball alongside Lorde and A$AP Rocky. The group previously headlined Lollapalooza in 2024.
More details on Stray Kids: The dominATE Experience can be found on the film’s website, which will add new screenings on a rolling basis.
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Nicole Fell
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DxS From SEVENTEEN Have Blessed Our Ears With Serenade
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Two of the greatest vocal powerhouses of K-Pop are indisputably DK and Seungkwan of SEVENTEEN, and the duo decided to remind us of that once again with the release of their first project as DxS. The mini-album Serenade takes us through the emotional arc of a relationship, from the first meeting to the heartbreaking end.
The angelic voices of DK and Seungkwan bring the absolute best of this love story to life and comfort us through it as well. From the thrill of DK’s solo, ‘Rockstar,’ which narrates the “butterflies in your stomach” feeling of first meeting someone to the gut-wrenching feeling of seeing that person slip away in ‘Silence,’ Serenade is a perfect showcase of DxS’s vocal and storytelling abilites. Honestly, there’s a little something for everyone waiting to be discovered in this album.
‘Blue’
‘Blue’ is the lead single of Serenade and one of the tracks that got us crying the most while we listened… and then again when we watched the music video. A 7-minute music video, by the way. Starring actors Yoo-mi Lee and Steve Sanghyun Noh, the MV feels like a short film that, much like the lyrics, depict “love moving at different paces,” causing the couple to drift apart.
We could spend hours talking about the masterpiece that is this MV. After showing us Sanghyun as a man whose wounds seem too deep to overcome and Yoo-mi as the devoted lover who grows weary of this relationship, we are left wondering what will happen to these two. Will they overcome the difficulties or drift apart forever? Well, seems like we’ll find out on January 19, when an epilogue version of the music video is set to be released.
You can check out the 7-minute cinematic music video for ‘Blue’ below and join us as we sob our way through this beautiful track (again).
The Kings of Musical Versatility
It’s not like we didn’t know that already, but seeing DxS deliver a whole mini album actively showing us how much range they have is honestly very nice. The six songs present in Serenade range from pop-rock to ballad to R&B and we love it!
Like we’ve mentioned, Serenade opens with DK’s solo track, ‘Rockstar,’ and towards the end we also have Seungkwan’s solo, ‘Dream Serenade,’ a direct contrast to the upbeat vibes of DK’s solo. This one explores the concept of finding mutual closure through understanding. Also, DxS were involved in writing and composing these tracks, which is probably why we enjoy them so much.
Beyond the solos, we’re also obsessed with ‘Guilty Pleasure,’ with its R&B sound and irresistible lyrics about being curious enough to face the possible dangers. ‘Silence’ captured our hearts as well with its depiction of the emptiness that follows a breakup we all saw coming but still hurts anyway. And what can we say about the album closer ‘Prelude of love?’ Insipiring to say the least, and a reminder that there’s always a new beginning at the end of every journey.
We already knew DK and Seungkwan are incredibly talented artists from group releases, previous solo tracks and covers, that’s not news. However, Serenade feels like a step further into that talent. And we cannot wait to see what comes next!
What was your favorite track off of Serenade? Let us know by tweeting us @TheHoneyPOP. Or you can also find us on Instagram and Facebook!
Want more K-POP content? Don’t worry, we got you!
TO LEARN MORE ABOUT SEVENTEEN:
FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | WEBSITE | YOUTUBETO LEARN MORE ABOUT DxS:
DK’S INSTAGRAM| SEUNGKWAN’S INSTAGRAMRelated
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Anna Bastos
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Music streams hit 5 trillion in 2025. Christian, rock and Latin lead growth in the US
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NEW YORK — The global music industry hit 5.1 trillion streams in 2025. It’s a new single-year record, up 9.6% from 2024, which held the previous record.
That’s according to a 2025 Year-End Report from Luminate, an industry data and analytics company that provides insight into changing behaviors across music listenership.
In the U.S., on-demand audio streams hit 1.4 trillion, a 4.6% increase from last year.
But attention is on older music. Less than half all U.S. on-demand audio streams — 43% — were from tracks released in the last five years (2021 – 2025).
One exception? Taylor Swift’s “The Life of a Showgirl” and Morgan Wallen’s “I’m the Problem,” both of which surpassed 5 million album equivalent units in a single year. That’s a combination of sales and streaming combined.
Luminate’s 2025 Mid-Year Report revealed that though streams of new music — music released in the last 18 months — were slightly down from the same time last year in the U.S., new Christian/gospel music defied the trend, said Jaime Marconette, Luminate’s vice president of music insights and industry relations, led by acts like Forrest Frank, Brandon Lake and Elevation Worship.
In the year-end report, it is clear that Christian/gospel music has continued to grow stateside: up 18.5% in on-demand audio volume change compared to 2024.
Other genres that saw an uptick? Rock grew 6.4% and Latin grew 5.2%.
“Rock is the largest growth genre this year, meaning it grew its share of the streaming pie the most,” said Marconette in a statement. “Though rock streaming in general leans catalog (tracks older than 18 months), the genre posted the second highest total of new current streams this year.”
For Latin music’s growth, Bad Bunny is responsible. His on-demand audio streams totaled 5.3 billion — 4.38% of all Latin on-demand audio streams.
“The Latin genre continues to be one of the highest growth-genres in the U.S.,” adds Marconette. “Bad Bunny was a key driver of the growth this year with his new album “Debí Tirar Más Fotos” generating 2.97 billion U.S. on-demand audio streams in 2025.”
The introduction of high-profile artificial intelligence artists became a leading music story in 2025. Those include Xania Monet and the rock band The Velvet Sundown.
Monet went on to become the first AI act to debut on a Billboard radio chart, reaching No. 3 on the organization’s Hot Gospel Songs and No. 20 on the Hot R&B Songs.
There have been quite a few AI country artists as well, including Aventhis, Cain Walker and Breaking Rust. The latter had a song called “Walk My Walk” hit No. 1 on Billboard’s country digital song sales chart in November. The vocal phrasing, melodic shape and stylistic DNA came from the Grammy-nominated country artist Blanco Brown, an artist who has worked with Britney Spears, Childish Gambino and Rihanna.
These artists serve as examples of generative AI continuing to upend the music industry, giving anyone the ability to instantly create seemingly new songs by typing prompts into a chat window, often using models trained on real artists’ voices and styles without their knowledge.
And according to Luminate, they’re having real success. Monet earned 125 million global on-demand audio streams last year. Breaking Rust brought in roughly 72.8 million streams followed by Walker with 48.1 million, Enlly Blue with 34.8 and Juno Skye with 15.5 million.
The top songs, globally, as determined by on-demand audio streams are the following:
1. Lady Gaga and Bruno Mars, “Die With a Smile” — 2.858 billion
2. HUNTR/X (Ejae, Audrey Nuna, Rei Ami) from “Kpop Demon Hunters,” “Golden” — 2.430 billion
3. Alex Warren, “Ordinary” — 2.403 billion
4. Rosé and Bruno Mars’ “APT.” — 2.236 billion
5. Billie Eilish, “Birds of a Feather” — 2.133 billion
6. Bad Bunny, “DtMF” — 1.701 billion
7. Kendrick Lamar and SZA, “Luther” — 1.672 billion
8. Benson Boone, “Beautiful Things” —1.630 billion
9. sombr, “Back to Friends” — 1.587 billion
10. Gracie Abrams, “That’s So True” — 1.544 billion
Seven of the top 10 tracks were released in 2024. The exceptions are “Golden,” “Ordinary” and “DtMF.”
Just like last year and the year before it, when it comes to overall music streaming in the U.S., R&B and hip-hop still lead, once again accounting for more than one in every four streams stateside.
In 2025, rap and R&B accounted for 349.9 billion on-demand audio streams, up from 341.63 billion last year.
It is followed by rock with 260.5 billion (up from 234.22 billion last year) and pop with 167.2 billion (up from 165.49 billion).
Rounding out the top five is country with 122.5 billion (up from 117.58 billion) and Latin with 120.9 billion (up from 113.02 billion.)
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