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Tag: music

  • The Home Team’s Los Angeles Show Was Definitely ‘Loud’!

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    The last time we saw Seattle-based band, The Home Team, was on the idobi Summer School Tour last year. Sunday, we finally got to see them again at The Belasco in Los Angeles on The Crucible of Life Tour. The Belasco isn’t a huge venue, so it’s a place where you can feel every cheer, clap, and scream.

    When the lights dimmed, the crowd went wild! Opening with ‘Turn You Off,’ a song off the band’s most recent album, which shares the same name as the tour. The night had a natural rhythm, shifting between high-energy bursts with songs like ‘Hell’ and quieter, more reflective moments with songs like ‘Walk This World With Me.’

    One of the most OMG moments we caught was when Brian paused to address the crowd: “This is the biggest headlining show of our entire tour.” To be a part of this monumental crowd for a band we have seen grow has brought so much joy to our lives. For the OG fans who have seen them grow in the last 12 years, it must be such a surreal feeling. We can only imagine what it feels like to be in the band!

    The crowd carried the night from start to finish, helping sing every lyric to every song. And let us just say, we appreciate that THT kept some of those OG bangers on the setlist, as well! ‘Fashion Forward’? ‘She’s Quiet’? Keep those on there forever!!! Please!!!!

    If you have the chance to see The Home Team on the rest of their tour, please make sure you do! You’re not going to want to miss this one!

    Check out the full gallery below!

    If you caught THT this tour or plan on seeing them soon, let us know in the comments, on Twitter, Instagram, or Facebook, where we’re always buzzing about something!

    TO LEARN MORE ABOUT THE HOME TEAM:
    FACEBOOK | INSTAGRAM | TIKTOK | WEBSITE

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    Jay Flores

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  • Exclusive Interview: Paris WYA Talks Global Storytelling, ‘Treat Me Right,’ and Shifting Perspective

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    Looking for the next destination for a fresh face in pop music? Paris WYA just might be your next ticket to book. From New York to Shanghai to Paris, pop artist Paris WYA is all over the globe. Amidst her studies at Cornell University and travels, we caught up with her, chatting about her newest single, ‘Treat Me Right,’ being a real-life Hannah Montana, growth and gratitude, and what’s next for her.

    IMAGE SOURCE: COURTESY OF TREND PR

    Welcome to The Honey POP! We’re so excited to have you here with us today. To get us started, please introduce yourself to our readers, letting us know a little bit about your sound and what makes your artistry stand out.
    Hello! I’m Paris WYA, and I’m so excited to be here. I like to joke that I’m living my real-life Hannah Montana era — balancing a double life as a full-time college student at Cornell while building my career as a pop artist. This year, I’ve stepped into the dream-pop world. My sound exists somewhere between dreamy, cinematic, and nostalgic. Growing up between Asia, Europe, and the U.S. shapes how I understand emotion and storytelling, and I try to bring that perspective into every song. For me, it’s about creating something timeless: music that’s a little heartbreaking and vulnerable, but also deeply empowering.

    For our readers who have never heard your music before, what is one song from your discography that you would recommend they listen to first?
    If you’ve never heard my music before, I’d recommend starting with ‘Only Time Will Tell.’ It marks the beginning of this new era for me and really sets the tone for my upcoming EP. I think it captures who I am in these early stages as an artist, both sonically and emotionally.

    If you could only choose six emojis to describe your new song, ‘Treat Me Right,’ which six would they be?
    đŸȘžđŸŒ«ïžđŸŒčđŸ’ŒđŸ’«đŸŽ†

    You stated recently that you want to “bring a cosmopolitan look” to your music. Can you explain this further?
    When I talk about bringing a “cosmopolitan look” to my music, I’m thinking beyond sound. I want to craft a world that feels global, cinematic, and borderless. My work reflects the cities and cultures that shaped me — from the chaos of Asia to the elegance of Europe and the energy of the U.S. I want my art to live in that intersection: modern yet timeless, intimate yet universal. It’s about building a universe where fashion and sound coexist, something deeply personal yet endlessly expansive; something you can connect to whether you’re in New York, Shanghai, or Paris.

    ‘Treat Me Right’ is all about giving your heart up to someone who doesn’t reciprocate. What are some ways that you show love to yourself during life’s more challenging moments?
    I think real self-love comes from how you choose to see the hardest moments. For me, a lot of resentment eventually turned into gratitude. I’ve realized that mindset is everything; if you can shift your perspective, you can turn pain into purpose. When the world feels heavy, I lean into the things that make me feel most alive — whether that’s creating, traveling, hitting the gym, or just taking a day to rest. Growth isn’t always glamorous, but it’s always worth it.

    What does a typical studio day look like for you?
    Studio days are my favorite kind of chaos. No two ever look the same, and that’s what I love most about it. Some days we’ll build a song completely from scratch: writing, producing, and recording the whole thing in one burst of energy. Other times, I’ll walk in with an idea we’ve been bouncing back and forth for weeks that’s ready to go, and we’ll bring it to life in the booth. There’s no “correct” way, just moments where everything clicks. We usually start around 10 a.m., laying down a hook and finding the right direction. By noon, we’re ordering food, because good meals and snacks are non-negotiable. Between takes, we talk about life, trade stories, and somehow that always ends up fueling the music. It’s a mix of spontaneity and intention; the best kind of creative chaos.

    One look at your Instagram feed and we’re already in love. How do you decide which visuals to keep or scrap for new single releases, and how important are visuals to you during this process?
    I’ve always been obsessed with the visual side of things. I make moodboards for almost every song before it’s even finished. While I’m writing, I’m already imagining the visuals: the colors, the mood, the world we’re building. When it comes to deciding what makes the cut, it’s all about what feels right for the current world I’m in. If something doesn’t fit, I don’t force it; I save it, because it might be perfect for the next chapter. Visuals aren’t just part of the process for me — they are the process. They’re how I invite people into the universe I’m creating. The music is the feeling, but the visuals are the world you get to live in.

    IMAGE SOURCE: COURTESY OF TREND PR

    Once again, thank you so much for chatting with us! Before we let you go, what can fans look forward to as we close out 2025?
    Thank you for having me! I’m so excited for everything that’s ahead. I have a holiday cover dropping soon — something classic, but reimagined through my own universe — and then my upcoming EP, which is definitely my biggest and most personal project yet. I’ve never felt so aligned with what I’m creating, and honestly, it’s just the beginning.

    Listen to ‘Treat Me Right’ now and let us know what you think about Paris WYA’s new song in the comments down below. You can also buzz with us on Facebook, Instagram, and Twitter!

    Find more exclusive interviews here, honeybee!

    TO LEARN MORE ABOUT PARIS WYA:
    INSTAGRAM | TIKTOK | WEBSITE | YOUTUBE

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    Alana

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  • New coin honors Freddie Mercury and his 4-octave range

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    LONDON (AP) — Britain’s Royal Mint is celebrating Freddie Mercury with a new coin design that marks 40 years since his iconic Live Aid concert performance.

    The coin features an image of the Queen front man, head thrown back and holding the microphone stand midperformance. A musical stave that runs around the edge of the coin represents his four-octave vocal range.

    The first coin was struck by Mercury’s sister Kashmira Bulsara at the Royal Mint in Wales last week.

    “As Freddie died young, he didn’t get the chance of being awarded a royal medal for his talents in the music world. So to have a royal coin this way is wonderful and very fitting,” she said.

    “The coin perfectly captures his passion and the joy he brought to millions through his music,” she added. “I think the design is very impressive and they managed to catch the most iconic pose of Freddie, which is so recognizable worldwide.”

    The Royal Mint’s director of commemorative coin, Rebecca Morgan, said the timing was perfect for Mercury to be celebrated with his own coin. She said fans had been “calling out” for it and “this felt like the year to do it,” because it’s 40 years since he captivated audiences at the 1985 Live Aid concert, hailed by many as the greatest live gig of all time.

    This year also marks the 40th anniversary of Mercury’s solo studio album, “Mr Bad Guy.”

    Mercury died at age 45 in 1991, just one day after he publicly announced he was HIV positive.

    The Royal Mint has issued special coins to celebrate other music legends including David Bowie, George Michael, Shirley Bassey and Paul McCartney.

    The coins go on sale on the Royal Mint website on Tuesday. Prices start at 18.50 pounds ($24.4) for an uncirculated 5-pound denomination version. A 2 oz. gold proof coin costs 9,350 pounds ($12,315.)

    The Royal Mint said it will donate a special gold edition of the coin to the Mercury Phoenix Trust, a charity that was started in the singer’s memory and donates funds to those living with AIDS and HIV.

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  • New coin honors Freddie Mercury and his 4-octave range

    [ad_1]

    LONDON — Britain’s Royal Mint is celebrating Freddie Mercury with a new coin design that marks 40 years since his iconic Live Aid concert performance.

    The coin features an image of the Queen front man, head thrown back and holding the microphone stand midperformance. A musical stave that runs around the edge of the coin represents his four-octave vocal range.

    The first coin was struck by Mercury’s sister Kashmira Bulsara at the Royal Mint in Wales last week.

    “As Freddie died young, he didn’t get the chance of being awarded a royal medal for his talents in the music world. So to have a royal coin this way is wonderful and very fitting,” she said.

    “The coin perfectly captures his passion and the joy he brought to millions through his music,” she added. “I think the design is very impressive and they managed to catch the most iconic pose of Freddie, which is so recognizable worldwide.”

    The Royal Mint’s director of commemorative coin, Rebecca Morgan, said the timing was perfect for Mercury to be celebrated with his own coin. She said fans had been “calling out” for it and “this felt like the year to do it,” because it’s 40 years since he captivated audiences at the 1985 Live Aid concert, hailed by many as the greatest live gig of all time.

    This year also marks the 40th anniversary of Mercury’s solo studio album, “Mr Bad Guy.”

    Mercury died at age 45 in 1991, just one day after he publicly announced he was HIV positive.

    The Royal Mint has issued special coins to celebrate other music legends including David Bowie, George Michael, Shirley Bassey and Paul McCartney.

    The coins go on sale on the Royal Mint website on Tuesday. Prices start at 18.50 pounds ($24.4) for an uncirculated 5-pound denomination version. A 2 oz. gold proof coin costs 9,350 pounds ($12,315.)

    The Royal Mint said it will donate a special gold edition of the coin to the Mercury Phoenix Trust, a charity that was started in the singer’s memory and donates funds to those living with AIDS and HIV.

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  • Deep Dive: Yeonjun Unapologetically Realizes His Artistic Vision In NO LABELS: PART 01

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    It’s here! Yeonjun has released NO LABELS: PART 01, and neither us nor our playlists will ever be the same again. We’ll be the first to admit that we had very, very high hopes for Yeonjun’s debut solo album, but we’ll also hold our hands up and say that he exceeded every single expectation. Rather than a perfect, sparkling pop album (which we all know Yeonjun is capable of, too), NO LABELS is bold, untamed, and disruptive.

    Throughout NO LABELS: PART 01, Yeonjun provocatively dares the listener to try and categorize him, whilst proving time and time again that it’s impossible. Every aspect of the album is rebellious yet calculated.

    However, as thought-out as NO LABELS: PART 01 is, it never comes across as inauthentic. Yes, Yeonjun has a point to prove, but that point is so intrinsically tied to him and his artistic self that it never feels deliberate. Yeonjun can’t help but demonstrate just how dynamic and enigmatic he is, because that’s just him.

    From now on, too, through my music, I’ll keep showing you the honest and new sides of myself.

    Yeonjun on the NO LABELS: PART 01 listening party CDs.

    There’s no doubt that K-Pop’s formula to promote upcoming releases works incredibly; from concept photos to MV teasers to tracklist announcements, with something happening pretty much every day at 00:00 KST, it’s a surefire way to get audiences hyped for a comeback or debut. With NO LABELS: PART 01, Yeonjun rebelled even against that process, announcing and promoting the album on his own social media, including setting up a Pinterest account specifically for the concept photos, and giving MOAs sneak peeks at almost every track on the album. Plus, throughout TXT’s career, Yeonjun has been notorious for dropping spoilers, and he seriously weaponized that talent for NO LABELS.

    Even the very notion of a PART 01 is disruptive. We already (especially after that teaser at the end of the music video) know we can expect a PART 02, but when and what that looks like is on Yeonjun’s terms. And he’s always one step ahead!

    My very presence speaks for me, and it will not be silenced. I exist on my own terms. Outside of words, this is just me.

    Text in Yeonjun’s NO LABELS: PART 01 packaging

    Track By Track

    Now, let’s get stuck into the details, and how each NO LABELS track proves Yeonjun’s artistry is limitless.

    ‘Talk To You’

    Once upon a time, we had ‘LO$ER=LOVER,’ which opened with Soobin kicking us in the face; now we have ‘Talk To You’ opening with Yeonjun getting punched. Unlike the music video, which has it as the grand finale, Yeonjun opens NO LABELS: PART 01 with ‘Talk To You,’ the title track. Like the rest of the album, this song toes the line of just-weird-enough, and on first listen reminded us of another album that straddles that line: RM’s RPWP. ‘Talk To You’ builds on a duality that Yeonjun is already well known for: the potent mix of rock and hip-hop. Both genres are rife with anarchy, which is exactly the energy that Yeonjun attacks them with.

    If there were ever any doubt that Yeonjun’s personal mark is all over this album, then ‘Talk To You’ alone would prove that theory wrong. Yeonjun is credited for both the lyrics and composition (he’s credited on five out of the six NO LABELS tracks), and further contributed to its creative direction through the choreography and performance. In fact, the choreography itself is some of the hardest we’ve ever seen, to the point where, in behind-the-scenes content, Yeonjun has been warning fans not to try it out! We’d expect nothing less from the 4th Gen It Boy, but he still exceeded all our expectations.

    ‘Forever’

    If ‘Talk To You’ reminds us of RM’s RPWP, then ‘Forever’ reminds us of another of RM’s previous collaborators, Anderson .Paak. Where so much of this album is deliberately disruptive, ‘Forever’ is its sleekest moment. A simple (in comparison!), bright hip-hop track contrasts with the nonchalant delivery of Yeonjun’s all-English rap, and we love this low-pressure version of a seize-the-day mentality. Yeonjun mentioned that a lot of his friends picked this track as their fave when he gave them a sneak preview of NO LABELS: PART 01, and we can totally appreciate why.

    ‘Let Me Tell You (featuring Daniela of KATSEYE)’

    This is the track for the 00s R&B lovers! With two of K-Pop’s best dancers, we knew the choreography of this track would hit, and it still blew us away. The sensual nature of ‘Let Me Tell You’ suits both Yeonjun and Daniela so well, and we need a full performance ASAP!

    And, once again, Yeonjun rebels against the limitations placed on idols, who often face massive backlash (think ENHYPEN’s ‘Bite Me’) for performing with people of other genders. Of course, male and female idols singing and dancing together shouldn’t be controversial, but it is, and Yeonjun and Daniela do a beautiful job of pointing out the absurdity of that, simply by not acknowledging it at all.

    ‘Do It’

    ‘Do It’ is an underrated gem on NO LABELS: PART 01, and we can totally see this track having some serious longevity. The song is full of confidence and charisma, but in a completely unexpected way; it’s not brash or loud. In fact, the live band style and jazz influences make ‘Do It’ feel like a very intimate listen, and this nonchalance adds to its effectiveness. Yeonjun doesn’t need to shout to be heard, or for everyone to stop what they’re doing and pay attention.

    In the second half of the album, which ‘Do It’ kicks off, Yeonjun responds to the question of NO LABELS more directly, speaking about his persona and the criticism that he has faced. Throughout ‘Do It,’ he teaches his critics how to be “YJ’s miniature,” but even when he plots out the most basic steps for them, they can’t manage it. All of this goes to show that just because Yeonjun makes something look easy, that doesn’t mean it is. That’s just his talent.

    ‘Nothin’ ‘Bout Me’

    Like ‘Do It,’ ‘Nothin’ ‘Bout Me’ tackles the album’s themes head-on. With lyrics like “you can’t fit me in any kind of frame,” and “I’m my own product,” Yeonjun speaks directly to people who try to contain him as any one specific thing. Moreover, whilst “you” try to box him in, he’s not even paying attention to your failed efforts; he’s busy “snoring in a Carnival.” A Carnival is the car most commonly used by idols, and it’s not the first time they’ve been used as a status symbol in a diss track, just look at the way ATEEZ belittle their stalkers in ‘MATZ.’

    Yeonjun co-wrote and composed Nothin’ ‘Bout Me,’ and you can definitely feel that raw, untamed energy come through in this hip-hop track. On an album full of self-assuredness, ‘Nothin’ ‘Bout Me’ still takes the crown for the most provocative and defiant moment.

    I rip off any label put on me, even if it gets sticky, sticky, sticky, I still go.

    Yeonjun, referencing NO LABELS and ‘GGUM’ on ‘Nothin”Bout Me’

    ‘COMA’

    ‘COMA’ is Yeonjun’s favorite track on NO LABELS: PART 01, and we’re inclined to agree with him. The production on this hip-hop track is deliberately disorienting, as Yeonjun displays how much power he has over his rapt audiences. In addition to creating the choreography for ‘COMA,’ Yeonjun co-wrote the lyrics. As a result, ‘COMA’ brings us one of our favorite Yeonjun trademarks: wordplay. When rapping “The ‘GGUM’ you were chewing on,” Yeonjun uses ì”čë‹€, which means both ‘to chew’ and ‘to belittle’ (source: TranslatingTXT), so this line can also be taken as a reference to the haters’ reactions to his 2024 mixtape.

    Yeonjun then goes on to say that he has “Fed this scene a new topic, eyes on me, all them eyes on me.” Yeonjun’s name is often mistranslated as ‘fed,’ so it’s like he already knows that everyone will be talking about NO LABELS: PART 01, and about Yeonjun himself too. With an album this iconic, can you blame us?

    It’s clear in every aspect of NO LABELS: PART 01 that Yeonjun has uncovered a true artistic vision, and as fans, we couldn’t be happier for him (or happier to reap the benefits!). From the lyricism to the aesthetic and everything in between, NO LABELS: PART 01 is completely undefinable, except for the only label it needs: Yeonjun.

    What’s your favorite track on the album? And tell us your predictions for NO LABELS: PART 02! Let us know over on Twitter @TheHoneyPOP! You can also find us on Facebook and Instagram.

    And if you want more TOMORROW X TOGETHER in your life, you’ve come to the right place


    TO LEARN MORE ABOUT TXT AND YEONJUN:
    FACEBOOK | INSTAGRAM | YEONJUN’S INSTAGRAM | TIKTOK | TWITTER | WEBSITE

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    Anna Marie

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  • DJ Khaled on new music and collaborations:

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    For more than two decades, DJ Khaled has collaborated with the biggest names in music. He’s now releasing his first two singles in three years. He speaks to “CBS Mornings” about his new music, collaborations on his upcoming album and his family.

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  • Nathan & the Zydeco Cha Chas performs Saturday

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    NEWBURYPORT — Grammy Award nominee Nathan & the Zydeco Cha Chas performs Saturday at 8 p.m. as part of the Belleville Roots Music Series.

    Nathan Williams is regarded as a zydeco legend and Creole music pioneer who has performed for more than three and a half decades, according to a news release.


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  • What to Stream: ‘Wicked: For Good’ soundtrack, Ted Danson, ‘The Bad Guys 2’ and Black cowboys

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    Ted Danson’s “A Man on the Inside” returning to Netflix for its second season and Ariana Grande and Cynthia Erivo belting out the “Wicked: For Good” soundtrack are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time this week, as selected by The Associated Press’ entertainment journalists: Aerosmith teaming up with Yungblud on a new EP, “The Bad Guys 2” hitting Peacock and Jordan Peele looking at Black cowboys in a new documentary series.

    New movies to stream from Nov. 17-23

    — “Train Dreams,” (Friday, Nov. 21 on Netflix), Clint Bentley’s adaptation of Denis Johnson’s acclaimed novella, stars Joel Edgerton as Robert Grainier, a railroad worker and logger in the early 20th century Pacific Northwest. The film, scripted by Bentley and Greg Kwedar (the duo behind last year’s “Sing Sing” ), conjures a frontier past to tell a story about an anonymous laborer and the currents of change around him.

    — The DreamWorks Animation sequel “The Bad Guys 2” (Friday, Nov. 21 on Peacock) returns the reformed criminal gang of animals for a new heist caper. In the film, with a returning voice cast including Sam Rockwell, Awkwafina, Craig Robinson, Anthony Ramos and Marc Maron, the Bad Guys encounter a new robbery team: the Bad Girls. In his review, AP’s Mark Kennedy lamented an over-amped sequel with a plot that reaches into space: “It’s hard to watch a franchise drift so expensively and pointlessly in Earth’s orbit.”

    — In “The Roses,” Jay Roach (“Meet the Parents’), from a script by Tony McNamara (“Poor Things”), remakes Danny DeVito’s 1989 black comedy, “The War of the Roses.” In this version, Olivia Colman and Benedict Cumberbatch star as a loving couple who turn bitter enemies. In his review, Kennedy called “The Roses” “an escalating hatefest that, by the time a loaded gun comes out, all the fun has been sucked out.”

    — AP Film Writer Jake Coyle

    New music to stream on Nov. 21

    — Musical theater fans, your time has come
 again. “Wicked: For Good” is upon us, and with it comes the release of its official soundtrack. On Friday, after or before you catch the film in theaters, stream its life-affirming compositions to your heart’s content. Might we suggest Ariana Grande’s “The Girl in the Bubble?” Or Cynthia Erivo’s “No Place Like Home?” And for the Jeff Goldblum and Jonathan Bailey lovers, yes, there’s gold to be unearthed, too.

    — Rock this way: Aerosmith is back with new music. Following their 2023 “Greatest Hits” collection and just a few months after the conclusion of their “Peace Out: The Farewell Tour” (the band said it would no longer hit the road due to singer Steven Tyler’s voice becoming permanently damaged by a vocal cord injury ) they’re teaming up with next gen rock ‘n’ roller Yungblud. It’s a collaborative EP called “One More Time,” out Friday. The anthemic opening track, “My Only Angel” sets the tone. What’s another one for the road?

    — AP Music Writer Maria Sherman

    New series to stream from Nov. 17-23

    — Raise your hand if you still miss “Succession” Sundays on HBO. An acclaimed Swedish drama called “Vanguard” debuts Tuesday on Viaplay that’s of the same vein. It’s a dramatization about Jan Stenbeck, one of Europe’s most influential media moguls. There’s ambition, betrayal and yes, sibling rivalry.

    — Ted Danson’s “A Man on the Inside” returns to Netflix for its second season on Thursday. Danson plays a widower named Charles who has found a new sense of purpose as an amateur private detective. In Season One, Charles moved into a retirement home to catch his culprit. In Season Two, he goes back to college to solve a case. Danson’s real-life wife, Mary Steenburgen, joins the cast as Charles’ love interest as he explores the idea of a second chance at romance.

    — Keeley Hawes and Freddie Highmore co-star in “The Assassin” for AMC+. Hawes (“Bodyguard”) plays a retired assassin living in solitude on a Greek island whose peaceful life is turned upside down when her estranged son (Highmoore) comes to visit. When the two find themselves in danger they must work together to stay alive. It premieres Thursday.

    — Jordan Peele has a new documentary series called “High Horse: The Black Cowboy” coming to Peacock on Thursday. The three-part series examines how stories of Black cowboys have been erased from both pop culture and history books.

    New video games to play from Nov. 17-23

    — If you bought Mario Kart World when Nintendo launched the Switch 2 back in June, you may be wondering: Do I really need another racing game? Kirby Air Riders comes from designer Masahiro Sakurai, the mastermind behind Super Smash Bros., so it adds that franchise’s chaotic combat to the mix. Each of the competitors has different weapons and each of the vehicles has different benefits and drawbacks. And everyone can use Kirby’s signature “inhale” technique, which lets you absorb an opponent’s skills by, well, swallowing them. So if you like your racing weird, get your motor running Thursday.

    — Lou Kesten

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  • What to Stream: ‘Wicked: For Good’ soundtrack, Ted Danson, ‘The Bad Guys 2’ and Black cowboys

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    Ted Danson’s “A Man on the Inside” returning to Netflix for its second season and Ariana Grande and Cynthia Erivo belting out the “Wicked: For Good” soundtrack are some of the new television, films, music and games headed to a device near you.

    Also among the streaming offerings worth your time this week, as selected by The Associated Press’ entertainment journalists: Aerosmith teaming up with Yungblud on a new EP, “The Bad Guys 2” hitting Peacock and Jordan Peele looking at Black cowboys in a new documentary series.

    — “Train Dreams,” (Friday, Nov. 21 on Netflix), Clint Bentley’s adaptation of Denis Johnson’s acclaimed novella, stars Joel Edgerton as Robert Grainier, a railroad worker and logger in the early 20th century Pacific Northwest. The film, scripted by Bentley and Greg Kwedar (the duo behind last year’s “Sing Sing” ), conjures a frontier past to tell a story about an anonymous laborer and the currents of change around him.

    — The DreamWorks Animation sequel “The Bad Guys 2” (Friday, Nov. 21 on Peacock) returns the reformed criminal gang of animals for a new heist caper. In the film, with a returning voice cast including Sam Rockwell, Awkwafina, Craig Robinson, Anthony Ramos and Marc Maron, the Bad Guys encounter a new robbery team: the Bad Girls. In his review, AP’s Mark Kennedy lamented an over-amped sequel with a plot that reaches into space: “It’s hard to watch a franchise drift so expensively and pointlessly in Earth’s orbit.”

    — In “The Roses,” Jay Roach (“Meet the Parents’), from a script by Tony McNamara (“Poor Things”), remakes Danny DeVito’s 1989 black comedy, “The War of the Roses.” In this version, Olivia Colman and Benedict Cumberbatch star as a loving couple who turn bitter enemies. In his review, Kennedy called “The Roses” “an escalating hatefest that, by the time a loaded gun comes out, all the fun has been sucked out.”

    — AP Film Writer Jake Coyle

    — Musical theater fans, your time has come
 again. “Wicked: For Good” is upon us, and with it comes the release of its official soundtrack. On Friday, after or before you catch the film in theaters, stream its life-affirming compositions to your heart’s content. Might we suggest Ariana Grande’s “The Girl in the Bubble?” Or Cynthia Erivo’s “No Place Like Home?” And for the Jeff Goldblum and Jonathan Bailey lovers, yes, there’s gold to be unearthed, too.

    — Rock this way: Aerosmith is back with new music. Following their 2023 “Greatest Hits” collection and just a few months after the conclusion of their “Peace Out: The Farewell Tour” (the band said it would no longer hit the road due to singer Steven Tyler’s voice becoming permanently damaged by a vocal cord injury ) they’re teaming up with next gen rock ‘n’ roller Yungblud. It’s a collaborative EP called “One More Time,” out Friday. The anthemic opening track, “My Only Angel” sets the tone. What’s another one for the road?

    — AP Music Writer Maria Sherman

    — Raise your hand if you still miss “Succession” Sundays on HBO. An acclaimed Swedish drama called “Vanguard” debuts Tuesday on Viaplay that’s of the same vein. It’s a dramatization about Jan Stenbeck, one of Europe’s most influential media moguls. There’s ambition, betrayal and yes, sibling rivalry.

    — Ted Danson’s “A Man on the Inside” returns to Netflix for its second season on Thursday. Danson plays a widower named Charles who has found a new sense of purpose as an amateur private detective. In Season One, Charles moved into a retirement home to catch his culprit. In Season Two, he goes back to college to solve a case. Danson’s real-life wife, Mary Steenburgen, joins the cast as Charles’ love interest as he explores the idea of a second chance at romance.

    — Keeley Hawes and Freddie Highmore co-star in “The Assassin” for AMC+. Hawes (“Bodyguard”) plays a retired assassin living in solitude on a Greek island whose peaceful life is turned upside down when her estranged son (Highmoore) comes to visit. When the two find themselves in danger they must work together to stay alive. It premieres Thursday.

    — Jordan Peele has a new documentary series called “High Horse: The Black Cowboy” coming to Peacock on Thursday. The three-part series examines how stories of Black cowboys have been erased from both pop culture and history books.

    — If you bought Mario Kart World when Nintendo launched the Switch 2 back in June, you may be wondering: Do I really need another racing game? Kirby Air Riders comes from designer Masahiro Sakurai, the mastermind behind Super Smash Bros., so it adds that franchise’s chaotic combat to the mix. Each of the competitors has different weapons and each of the vehicles has different benefits and drawbacks. And everyone can use Kirby’s signature “inhale” technique, which lets you absorb an opponent’s skills by, well, swallowing them. So if you like your racing weird, get your motor running Thursday.

    — Lou Kesten

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  • Here’s The Setlist For KATSEYE’s Debut ‘BEAUTIFUL CHAOS’ Tour

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    EYEKONs, do you have your tickets to KATSEYE’s BEAUTIFUL CHAOS Tour yet? If not, we’re about to convince you that you need them. Daniela, Lara, Manon, Megan, Sophia, and Yoonchae kicked off their debut tour on November 15th and this setlist is truly hit after hit. It’s a celebration of how far they’ve come as a group in just a few years and really feels like a victory lap following their GRAMMY nominations for Best New Artist and Best Pop Duo/Group Performance for ‘Gabriela.’ Add some mesmerizing vocals, fierce costumes that exemplify their edgy-chic style, and passionate crowds that know nearly every word, and you have a ‘Gnarly’ recipe for the perfect show. 

    We say nearly every word because the opening show in Minneapolis, MN introduced a whole new KATSEYE song: ‘Internet Girl.’ If your show is coming up, make sure you watch as many ‘Internet Girl’ fancams as possible to learn the lyrics! Then use this article as your official study guide for KATSEYE’s BEAUTIFUL CHAOS Tour setlist.

    Image Source: Rahul Bhatt

    Setlist

    • ‘Debut’
    • ‘Gameboy’
    • ‘I’m Pretty’
    • ‘Mean Girls’
    • ‘Tonight I Might’
    • ‘Internet Girl’
    • ‘Milkshake’ dance break
    • ‘Gabriela’
    • ‘Girls Don’t Like’
    • ‘Dirty Water’
    • ‘All The Same’
    • ‘Time Lapse’
    • ‘Flame’
    • ‘Monster High Fright Song’
    • ‘M.I.A’
    • ‘Gnarly’
    • ‘Touch’
    • ‘My Way’

    Wow, what a setlist! EYEKONs, the girls are truly keeping us fed with this tour. Which song are you most excited to see them perform? Do you have tickets to their sold-out tour yet? Let us know in the comments below or hit us up on Facebook, Instagram, and Twitter! You can also buzz on over to our Reddit community to chat with us.

    Get hyped up for your show with more sweet KATSEYE content! 

    TO LEARN MORE ABOUT KATSEYE
    FACEBOOK | INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

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  • Yungblud cancels remaining tour dates on doctor’s orders after concerning health test results

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    British musician Yungblud canceled the rest of his tour on doctor’s orders after receiving concerning test results.

    During downtime from the road, Yungblud – whose full name is Dominic Richard Harrison – said he pursued normal testing, and elevated numbers caused concern from his medical team.

    “This year has been truly unbelievable and I feel so lucky and honored from everything that has happened,” he shared online. “This week when I got home off the road, and went to have some tests done (like I usually do) and my voice and blood tests have raised some concerns. 

    COUNTRY STAR CODY JOHNSON CANCELS ENTIRE 2025 TOUR AFTER MEDICAL EMERGENCY REQUIRES IMMEDIATE SURGERY

    Yungblud performs onstage during a concert at Palacio Vistalegre arena on Oct. 11, 2025, in Madrid. (Mariano Regidor/Getty Images)

    It was not immediately clear what health issues the “Strawberry Lipstick” singer faced. 

    “I have been ordered by my doctor to take a break from touring until the end of the year,” Yungblud told fans on Instagram.

    STEVEN TYLER PERFORMS OZZY OSBOURNE TRIBUTE AFTER VOCAL CORD INJURY FORCED AEROSMITH TO RETIRE FROM TOURING

    “It is in my nature to run and run until I run myself to the ground without giving a f— about anything apart from the music and you guys, but this time I’ve been told I have to take it seriously and I can’t f— around.”

    Yungblud sings shirtless on stage

    Yungblud performs at Palacio Vistalegre on Oct. 11, 2025, in Madrid. (Mariano Regidor/Getty Images)

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    The “Abyss” singer admitted he was “heartbroken” over the decision to cancel a handful of shows, including stops in Philadelphia, Cleveland, Washington, Mexico City and Latin America.

    “I’m so sorry to do this. But reluctantly I have to cancel the shows through the end of the year,” he wrote. “I don’t want any lasting damage to myself, we are on a journey that I want to last forever. I understand that some of you will be frustrated. I just want you to know that this is so hard for me to do but I promise I will make it up to you.”

    Steven Tyler performs at 2025 MTV VMAs

    Yungblud joined Steven Tyler and Joe Perry at the 2025 MTV Video Music Awards in September to perform a tribute to Ozzy Osbourne. (Arturo Holmes/Getty Images for MTV)

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    Yungblud wrote that all U.S. tickets would be refunded before expressing gratitude toward his fans. 

    “I never take anyone’s love support or energy for granted,” he stated. “You know you are everything to me. But I need this time. USA I will see you next year. Mexico and LATAM we are already looking into my own shows down there that will be more affordable for next year too. It’s gonna be unbelievable. I can’t wait.”

    Representatives for Yungblud did not immediately respond to Fox News Digital’s request for comment.

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  • Jelly Roll battles severe isolation and illness during grueling foreign tour

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    Jelly Roll hit a breaking point on his music tour.

    During the Australia leg of his tour, the country star admitted he has reached one of the lowest points he’s faced in years — while thousands of miles away from his family and support system.

    The 40-year-old singer, born Jason Bradley DeFord, spoke candidly during an appearance on the “No Filter with Kate Langbroek” podcast, sharing that the long-distance trip challenged him in ways he didn’t expect.

    “I’m falling apart. It’s a horrible week. I’m doing the worst mentally I’ve done in a long time,” the “I Am Not Okay” crooner shared.

    JELLY ROLL AND WIFE REMAIN FAITHFUL DURING DIFFICULT JOURNEY TO GET PREGNANT: ‘WE PUT IT IN GOD’S HANDS’ 

    Jelly Roll performs onstage during Country Thunder Wisconsin on July 19, 2025, in Twin Lakes, Wisconsin. (Joshua Applegate/Getty Images)

    “I’m really far from home and it’s really hitting me that I’m really far from home, like in an anxious way 
 I’m not having fun and I want to go home.”

    Jelly Roll performed six shows across Australia from Oct. 25 to Nov. 4 — his debut run in the country — before a scheduled final concert in Auckland, New Zealand, on Nov. 8.

    He canceled the Auckland show at the last minute due to illness, marking a rare instance of him missing a performance.

    JELLY ROLL’S WIFE BODY SLAMS HIM IN PLAYFUL TIKTOK VIDEO AFTER SINGER SHEDS 200 POUNDS

    On the podcast, Jelly Roll explained that his physical sickness had a domino effect on his mental state as the demanding travel schedule continued.

    He said the trip abroad had “f—ed my stomach up,” adding that his health issues quickly hit his overall well-being.

    “When my stomach’s not right, nothing’s right. My mind’s not right. Everything. I’m just not thinking clear,” he said.

    Jelly Roll

    Jelly Roll reaches lowest point in years while touring Australia, sharing candid details about health issues and missing his family support system. (Jelly Roll Instagram)

    JELLY ROLL CLAIMS LOUIS VUITTON EMPLOYEES TREATED HIM LIKE A ‘CRIMINAL’ DURING SYDNEY SHOPPING TRIP

    Jelly Roll additionally said the logistics of the Australia trip — especially the lack of tour buses — intensified his sense of feeling alone.

    “I’m having to be super isolated. I don’t like it,” he revealed. “I’m spending a lot of time in my hotel room by myself, just in my head. I don’t like it. I miss my family a ton.”

    He shared that he was using breathing exercises to steady himself and “talking myself through” the illness, but admitted that every part of him wanted to return to Tennessee.

    “Everybody wants to go home when they’re sick. That’s just in us,” he said. “I just don’t feel good, so I just want to go home.”

    The grueling tour also coincided with another tense moment overseas.

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    Jelly Roll

    Jelly Roll said he was treated like a “criminal” while shopping at a Louis Vuitton store. (Getty Images/Jelly Roll Instagram)

    Jelly Roll recently claimed Louis Vuitton employees in Sydney treated him “like a criminal” during a shopping trip, sharing a video on social media describing the experience.

    Earlier this month, the Grammy-nominated star said employees looked at him as if he were about to “rob” the store.

    “Hey man, the Louis Vuitton in Sydney legitimately just treated us like we were finna [sic] come in and rob that place,” the musician, wearing a backward ball cap, said in the clip.

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    “I have never been looked at more like a crim 
 Listen, the last time I was looked at like a criminal this bad 
 I was an actual criminal this bad,” he said.

    The “Save Me” singer has never shied away from discussing the darker chapters of his past, including legal troubles and previous addiction struggles.

    A before and after split of Jelly Roll

    Jelly Roll previously served more than a year behind bars, followed by seven years of probation. (Getty Images)

    In 2023, Jelly Roll said his first major run-in with the law happened as a teenager.

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    He was 16 when he was arrested and charged as an adult with aggravated robbery and possession with intent to sell.

    Jelly Roll served more than a year behind bars, followed by seven years of probation.

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  • Americana troubadour Todd Snider, alt-country singer-songwriter, dies at 59

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    NASHVILLE, Tenn. — NASHVILLE, Tenn. (AP) — Todd Snider, a singer whose thoughtfully freewheeling tunes and cosmic-stoner songwriting made him a beloved figure in American roots music, has died. He was 59.

    His record label said Saturday in a statement posted to his social media accounts that Snider died Friday.

    “Where do we find the words for the one who always had the right words, who knew how to distill everything down to its essence with words and song while delivering the most devastating, hilarious, and impactful turn of phrases?” the statement read. “Always creating rhyme and meter that immediately felt like an old friend or a favorite blanket. Someone who could almost always find the humor in this crazy ride on Planet Earth.”

    Snider’s family and friends had said in a Friday statement that he had been diagnosed with pneumonia at a hospital in Hendersonville, Tennessee, and that his situation had since grown more complicated and he was transferred elsewhere. The diagnosis came on the heels of the cancellation of a tour after Snider had been the victim of a violent assault in the Salt Lake City area, according to a Nov. 3 statement from his management team.

    But Salt Lake City police later arrested Snider himself when he at first refused to leave a hospital and later returned and threatened staffers, the Salt Lake Tribune reported.

    The scrapped tour was in support of his most recent album, “High, Lonesome and Then Some,” which released in October. Snider combined elements of folk, rock and country in a three-decade career. In reviews of his recent albums, The Associated Press called him a “singer-songwriter with the persona of a fried folkie” and a “stoner troubadour and cosmic comic.”

    He modeled himself on — and at times met and was mentored by — artists like Kris Kristofferson, Guy Clark and John Prine. His songs were recorded by artists including Jerry Jeff Walker, Billy Joe Shaver and Tom Jones. And he co-wrote a song with Loretta Lynn that appeared on her 2016 album, “Full Circle.”

    “He relayed so much tenderness and sensitivity through his songs, and showed many of us how to look at the world through a different lens,” the Saturday statement from his label read. “He got up every morning and started writing, always working towards finding his place among the songwriting giants that sat on his record shelves, those same giants who let him into their lives and took him under their wings, who he studied relentlessly.”

    Snider would do his best-known and most acclaimed work for Prine’s independent label Oh Boy in the early 2000s. It included the albums “New Connection,” “Near Truths and Hotel Rooms” and “East Nashville Skyline,” a 2004 collection that’s considered by many to be his best.

    Those albums yielded his best known songs, “I Can’t Complain,” “Beer Run” and “Alright Guy.”

    Snider was born and raised in Oregon before settling and making his musical chops in San Marcos, Texas. He eventually made his way to Nashville, and was dubbed by some the unofficial “mayor of East Nashville,” assuming the title from a friend memorialized thusly in his “Train Song.” In 2021, Snider said a tornado that ripped through the neighborhood home to a vibrant arts scene severely damaged his house.

    Snider had an early fan in Jimmy Buffett, who signed the young artist to his record label, Margaritaville, which released his first two albums, 1994’s “Songs for the Daily Planet” and 1996’s “Step Right Up.”

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  • Americana Troubadour Todd Snider, Alt-Country Singer-Songwriter, Dies at 59

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    NASHVILLE, Tenn. (AP) — Todd Snider, a singer whose thoughtfully freewheeling tunes and cosmic-stoner songwriting made him a beloved figure in American roots music, has died. He was 59.

    His record label said Saturday in a statement posted to his social media accounts that Snider died Friday.

    “Where do we find the words for the one who always had the right words, who knew how to distill everything down to its essence with words and song while delivering the most devastating, hilarious, and impactful turn of phrases?” the statement read. “Always creating rhyme and meter that immediately felt like an old friend or a favorite blanket. Someone who could almost always find the humor in this crazy ride on Planet Earth.”

    Snider’s family and friends had said in a Friday statement that he had been diagnosed with pneumonia at a hospital in Hendersonville, Tennessee, and that his situation had since grown more complicated and he was transferred elsewhere. The diagnosis came on the heels of the cancellation of a tour after Snider had been the victim of a violent assault in the Salt Lake City area, according to a Nov. 3 statement from his management team.

    But Salt Lake City police later arrested Snider himself when he at first refused to leave a hospital and later returned and threatened staffers, the Salt Lake Tribune reported.

    He modeled himself on — and at times met and was mentored by — artists like Kris Kristofferson, Guy Clark and John Prine. His songs were recorded by artists including Jerry Jeff Walker, Billy Joe Shaver and Tom Jones. And he co-wrote a song with Loretta Lynn that appeared on her 2016 album, “Full Circle.”

    “He relayed so much tenderness and sensitivity through his songs, and showed many of us how to look at the world through a different lens,” the Saturday statement from his label read. “He got up every morning and started writing, always working towards finding his place among the songwriting giants that sat on his record shelves, those same giants who let him into their lives and took him under their wings, who he studied relentlessly.”

    Snider would do his best-known and most acclaimed work for Prine’s independent label Oh Boy in the early 2000s. It included the albums “New Connection,” “Near Truths and Hotel Rooms” and “East Nashville Skyline,” a 2004 collection that’s considered by many to be his best.

    Those albums yielded his best known songs, “I Can’t Complain,” “Beer Run” and “Alright Guy.”

    Snider was born and raised in Oregon before settling and making his musical chops in San Marcos, Texas. He eventually made his way to Nashville, and was dubbed by some the unofficial “mayor of East Nashville,” assuming the title from a friend memorialized thusly in his “Train Song.” In 2021, Snider said a tornado that ripped through the neighborhood home to a vibrant arts scene severely damaged his house.

    Snider had an early fan in Jimmy Buffett, who signed the young artist to his record label, Margaritaville, which released his first two albums, 1994’s “Songs for the Daily Planet” and 1996’s “Step Right Up.”

    Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

    Photos You Should See – Oct. 2025

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  • Bad Bunny wins album of the year at the 2025 Latin Grammys, capping an electric night

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    It should come as a shock to no one: The 2025 Latin Grammy Awards were all about Bad Bunny. The Puerto Rican superstar won album of the year for his landmark release “Debí Tirar Más Fotos.” After thanking his family and all those who worked on the album, he ended his speech with “Puerto Rico, I love you, thank you.”

    Those are powerful words honoring a record that doubles as a love letter for his island.

    “I want to dedicate this award to all the children and young people of Latin America, especially those of Puerto Rico. Never stop dreaming, never stop being yourselves, no matter where you come from. Never forget where you come from, but never forget where you are going,” he said. “There are many ways to show patriotism and defend our land: we choose music.”

    The artist born Benito Antonio MartĂ­nez Ocasio was destined to dominate from the jump. He also won the first award of the night, for mĂșsica urbana album. Halfway through the show, the singer found himself back on stage accepting the mĂșsica urbana song trophy for “DTmF.” “I never practice my speeches,” he said in Spanish. And then he showed up for a third time: to perform “Weltita” with Chuwi.

    He wasn’t the only one with reason to celebrate: Song of the year went to Karol G, AndrĂ©s Jael Correa RĂ­os and Édgar Barrera for “Si Antes Te Hubiera Conocido.” And Alejandro Sanz took home record of the year for “¿Y Ahora QuĂ©?”

    Live from Sin City, the 26th annual Latin Grammys were both energetic and eclectic. Take Raphael, the 2025 Person of the Year, who launched into an emotive rendition of “QuĂ© Sabe Nadie” and “Mi Gran Noche,” inviting the crowd to sing along.

    That was after Santana kicked things off — specifically, Maluma singing Santana’s 1970 hit “Oye Como Va” with the guitar legend himself.

    It was just the beginning of a memorable medley, talents of today celebrating Santana — Christian Nodal joining in for “Corazón Espinoza” and Grupo Frontera for their 2025 collaboration with the virtuosic musician, “Me Retiro.”

    Performances hit hard and fast: Aitana brought her dreamy electro-pop, Sanz delivered a medley of “El Vino De Tu Boca” and “Las Guapas,” Rauw Alejandro channeled Puerto Rico in Vegas with “KhĂ©?,” the bachata “Silencio,” “Falsedad” and “Carita Linda.” Then: Danny Lux, Kakalo and Ivan Cornejo brought contemporary Mexicana sounds. Pepe Aguilar followed, with his life-affirming mariachi — “El Cihualteco” into “El Fuereño.”

    Elena Rose slowed things down with “Me Lo Merezco.” Karol G and the legendary Mexican singer Marco Antonio Solís dueted the romantic ballad “Coleccionando Heridas.”

    Two of the biggest groups in regional Mexican music – Grupo Frontera and Fuerza Regida – launched into their joint hit, “Me Jalo,” before the latter took over for “Marlboro Rojo.” That’s a cut from their record-breaking 2025 album “111xpantia.” CarĂ­n LeĂłn’s lovely raspy vocal tone carried throughout “AhĂ­ Estabas TĂș”; then he was joined by Kacey Musgraves for “Lost in Translation.” Not long after, LeĂłn took home the trophy in competitive contemporary Mexican album category for “Palabra De To’s (Seca).”

    Morat brought the pop-rock with “Faltas TĂș” and Ca7riel and Paco Amoroso brought a kind of outsider, artistic spirit. Joaquina delivered a full-bodied “Quise Quererte.” Any aspiring artists watching would be wise to take a page out of the Brazilian singer Liniker’s book; “Negona Dos Olhos TerrĂ­veis” was one of the night’s most joyful. The same, of course, should be said about norteño band Los Tigres del Norte.

    The coveted best new artist trophy was handed out to Paloma Morphy.

    Traditional tropical album went to Gloria Estefan for “Raíces.” Not long afterward, she hit the stage for “La Vecina” and “Chirriqui Chirri,” joined by Nathy Peluso for the latter.

    Then ranchero/mariachi album went to Christian Nodal for “¿QuiĂ©n + Como Yo?”

    Most of the evening’s awards were handed out during a pre-televised Premiere Ceremony. That included: Bad Bunny’s “Voy A Llevarte Pa Pr” winning for reggaeton performance. Argentinian duo Ca7riel and Paco Amoroso cleaned house then, too: taking home their first Latin Grammys for short and long form music video, alternative song, as well as alternative music album for “Papota,” and pop song for “El dia del amigo.” That’s five wins, making them the most awarded act at the 2025 show.

    The three-hour award show aired live from Las Vegas’ MGM Grand Garden Arena. It was hosted by the dynamic duo of Maluma and actor, producer and musician Roselyn Sánchez.

    ___

    This story has been updated to correct that Maluma helped open the Latin Grammys, not Miguel.

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  • As AI-Artist Xania Monet Climbs the Charts, Victoria MonĂ©t’s Caught in the Uncanny Valley

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    Grammy-winning singer, songwriter, and producer Victoria MonĂ©t has built her career on turning emotion into melody, writing hits for stars like Ariana Grande, Blackpink, and Coco Jones, as well as recording her own deeply personal records. Her songs are intimate, intentional, and overtly shaped by her voice, vision, and human collaboration. So when Xania Monet, an AI-powered R&B “artist” bearing a similar name, reportedly landed a $3 million record deal with Hallwood Media and started charting, the corporeal MonĂ©t felt uneasy. “Monet” also sonically evokes the name of another musician, Janelle MonĂĄe, adding an additional layer to the confusion. (Hallwood Media did not respond to a request for comment.)

    MonĂ©t can’t definitively say that the AI artist was trained on her music, but the resemblance feels uncanny. “It’s hard to comprehend that, within a prompt, my name was not used for this artist to capitalize on,” she tells Vanity Fair. “I don’t support that. I don’t think that’s fair. When that name starts to ring bells in a certain way, it can easily be mixed up with my brand. It’s not ideal.”

    Even if the similarity is just a coincidence, that’s beside the point. MonĂ©t says when one of her friends typed a random prompt into ChatGPT, asking it to create a photo of “Victoria MonĂ©t making tacos” in a fictional setting, the image generator produced a woman who looked eerily like the emerging AI artist.

    As the first AI artist to hit a US radio airplay chart, Xania Monet has been met with heavy pushback. In an interview last Wednesday with CBS Mornings, Telisha “Nikki” Jones—the woman and lyricist who created the artificial artist and her sound—defended her practice. “Xania is an extension of me, so I look at her as a real person,” she said. “I just feel like AI
it’s the new era that we’re in. And I look at it as a tool, as an instrument, and utilize it.” (Jones has not yet responded to Vanity Fair’s request for comment.)

    The anxiety surrounding AI’s role in music isn’t new: In September, Kehlani decried Xania MonĂ©t landing a record deal. Last fall, BeyoncĂ© told GQ an AI song mimicking her voice “scared” her; the year before that, Cher blasted the tech for using her voice. In a January BBC interview, Paul McCartney said AI isn’t all bad, but it shouldn’t “rip creative people off.” Last year, in a public show of solidarity, more than 200 musicians—including Billie Eilish, Stevie Wonder, Kacey Musgraves, and the estates of Frank Sinatra and Bob Marley—signed an open letter demanding protection against AI systems that imitate artists’ likeness, voice, and sound.

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  • In Taylor Swift’s ‘End of an Era’ Trailer, Mama Swift Says What We’re All Thinking: “That’s Complicated”

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    “So it goes ‘New Year’s Day’ verse and chorus, ‘Manuscript’ bridge into ‘Long Live’ bridge, into the down verse of ‘Long Live,’ into ‘Hold on to the memories, they will hold on to you,’ into ‘Long Live’ chorus but slowed down to half time, ‘New Year’s Day’ chords underneath it, into the last verse of ‘The Manuscript,’” Swift rattles off in the trailer’s final clip as her mother watches with a stunned expression that may be one of horror or one of admiration, but is probably both.

    After a beat, Andrea says, “That’s complicated,” not even bothering to remove her balled-up fist from where it’s resting on her chin as she listens to her daughter’s grand plan for the supersized surprise song mash-up that she performed for the final night of the tour in Vancouver on December 8, 2024.

    An incredibly successful artist, Swift occupies a singular position in our cultural consciousness, with her work and very life drawing just as much public criticism as they do fervent fan adoration. She’s incredibly private about her personal life—remember the rumor that she left her apartment building in a gigantic suitcase so as not to be photographed outside? I sure do!—while sharing other experiences and feelings in painstaking detail, whether through her song lyrics and letters or documentaries and interviews. Consider that she spent nearly two hours chatting with then boyfriend Travis Kelce and his brother, Jason Kelce, on their New Heights podcast in August—sharing not only the title, cover art, and release date for her newest album, The Life of a Showgirl, but also Travis’s dream pet, a “really specific type of otter.” (In short: a wild one he rescues, thus earning its unending devotion.)

    After the recording, later in the day, Travis proposed to her. A few short weeks later, she shared that too.

    All of this is to say that just when it seems like Swift has shown all her cards and there’s nothing left to reveal, the singer produces yet more compelling work. The original Eras Tour concert film had its theatrical run extended, then extended again, and you’d think, perhaps, that the appetite for a three-plus-hour filmed show would be sated, but here comes The Eras Tour | The Final Show, another full-length filmed concert, this one including the Tortured Poets Department set that Swift added to the tour after that album’s release. The new concert film will be released on December 12 on Disney+, as will the first two of episodes of the six-installment docuseries, just in time for Swift’s 36th birthday on December 13.

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    Kase Wickman

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  • Kid Rock honors Charlie Kirk by adding religious verse to country hit during rodeo performance

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    NEWYou can now listen to Fox News articles!

    Kid Rock brought an unexpected yet powerful moment of faith and remembrance to the stage.

    During his concert at the Hondo Rodeo Fest in Arizona over the weekend, Kid Rock honored the late conservative activist Charlie Kirk with a brand-new verse added to Cody Johnson’s chart-topping hit, “’Til You Can’t.”

    The country rocker, who filled in for Johnson as the singer recovered from surgery for a burst eardrum, took the stage before a packed arena.

    KID ROCK CRITICIZES MAINSTREAM MEDIA ‘NUTHOUSES’ AFTER KIRK’S ASSASSINATION

    Kid Rock delivered an emotional tribute to Charlie Kirk during his performance at the Hondo Rodeo Fest in Arizona. (Andrew Harnik/Getty Images; Chip Somodevilla/Getty Images)

    What began as a standard set quickly turned into a moving tribute.

    “Now, a few weeks ago, I woke up alone early on a Sunday morning and had this song stuck in my head,” Kid Rock said, according to a fan video. “And in that moment, someone or something spoke to me and told me there was still a verse missing from this song and to get up and write it down. So I did.”

    As Kid Rock addressed the crowd, the large video screens behind him suddenly lit up with Kirk’s image during his tribute.

    “And now I know exactly who was speaking to me that morning,” Rock continued, his voice heavy with emotion.

    LEADERS AND INFLUENCERS FLOOD SOCIAL MEDIA WITH TRIBUTES TO CHARLIE KIRK AS THOUSANDS PACK ARIZONA MEMORIAL

    Kid Rock smiles while wearing dark sunglasses and a white hat at the White House.

    Kid Rock filled in for Cody Johnson and added a new verse about faith to the chart-topping song, “‘Til You Can’t.” (Al Drago/Bloomberg via Getty Images)

    The new verse focused on faith and forgiveness.

    “There’s a book that is sitting in your house somewhere that could use some dusting off / There’s a man that died for all our sins / Hanging from the cross /

    “You can give your life to Jesus / And He’ll give you a second chance /

    “’Til you can’t, ’til you can’t.”

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    Charlie Kirk speaking

    Turning Point USA founder Charlie Kirk was assassinated on Sept. 10. (Joe Raedle/Getty Images)

    The audience was heard cheering loudly in response to Kid Rock’s new lyrics and special tribute to Kirk. 

    The Turning Point USA founder was assassinated on Sept. 10.

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    Charlie Kirk smiles onstage ahead of the Republican National Convention

    Kirk is remembered for his outspoken political commentary and deep faith. (Andrew Harnik/Getty Images)

    Kirk was remembered for his outspoken political commentary and deep faith.

    Shortly after his death, Kid Rock criticized the mainstream media as “nuthouses” for continuing to fuel division.

    CLICK HERE TO DOWNLOAD THE FOX NEWS APP

    “The mainstream media is fricking public enemy number one right now,” he previously argued on “Jesse Watters Primetime.”

    Kid Rock’s comments come following national debate over what drove Tyler Robinson, the suspect in Kirk’s death, to allegedly want to kill the conservative activist.

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  • Marcus Mumford Says Taylor Swift Was ‘Phenomenal Houseguest’

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    Taylor Swift was a dream houseguest while she recorded her hit 2020 album Evermore at Marcus Mumford’s home studio.

    Speaking on the Wednesday, November 12, episode of the “Table Manners With Jessie and Lennie Ware” podcast, the Mumford & Sons frontman recalled how Swift’s producer, Aaron Dessner, reached out to him to ask if the pop superstar could use his personal studio, which is situated on the farm Mumford and wife Carey Mulligan own in Devon, England.

    “Aaron called me and said, ‘I’ve got someone I’m working with that needs a studio in the U.K.’ And I was like, ‘Cool. Well, if it’s one of your homies, then I’m sure it’ll be fine. Like, what is it? BeyoncĂ© or something?’” Mumford, 38, recalled. “He was looking for a discreet studio in London. I was like, ‘I don’t think there really are any.’ And he was like, ‘Can they come and use yours?’”

    “And it was Taylor Swift. She came down right at the end of COVID, and was the most phenomenal houseguest,” Mumford praised the “Fate of Ophelia” singer. “Burned a lot of vegetables for her. And she brought a killer candle. Her candle game was excellent. And she finished the second half of Evermore in our studio, which was really sweet.”

    “And then she asked me to sing on one [of the songs] and I said yes,” he added, referring to performing backing vocals on the Evermore track “Cowboy Like Me.”

    While Swift, 35, was an ideal houseguest, the singer’s pal ZoĂ« Kravitz recently revealed how she and mom Lisa Bonet “completely destroyed” Swift’s bathroom when they took shelter at her Los Angeles home amid the California wildfires in January.

    The drama occurred when Bonet’s pet snake, Orpheus, went missing in Swift’s house.

    “I was packing up my things and I was saying to my mom, ‘I wanna be a good houseguest. I like to leave places better than I found them. I don’t want her to even know we were here,’” Kravitz, 36, recalled on Late Night With Seth Meyers in August.

    “So, I was kind of going around and cleaning up, and I’m downstairs, and she’s upstairs, and my phone rings. It’s my mom. I’m like, ‘That’s weird because we’re in the same house,’” Kravitz continued. “I answer the phone and she goes, ‘Hi,’ and I’m like, ‘Your voice is super high.’ And she’s like, ‘I’m in a little bit of a pickle. Can you come upstairs?’ I go upstairs and the bathroom door is closed, so I open the bathroom door, and she’s, like, crouched in the corner in this weird way.”

    “I’m like, ‘What’s going on, dude?’” Kravitz explained. “And she’s like, ‘So 
 I was washing my face and I had Orpheus, and I just put her down for a second, closed the door, and she found this little hole in the corner.’”

    “My mom’s holding the snake’s tail. They’re all muscle, they’re very, very strong. I don’t know what to do. I’m like, ‘OK, maybe this hole goes into the drawers.’ So I get down on the ground, I take the drawers out. No,” she said. “Start to panic. As it’s happening, the snake is getting further and further [into the hole]. I was panicking so much that my mom likes to say, ‘If I had both hands, I would have slapped you.’ I was freaking out. I’m like, ‘Mom, I can’t bring you anywhere!’”

    Swift’s house manager eventually helped out, Kravitz revealed.

    “He gets a crowbar and starts having to tear apart this banquette. We’re ripping up the tile. We’re scratching the walls,” the actress said. “Completely destroyed Taylor’s bathroom and there was this moment where I was like, ‘Either we destroy her bathroom or I have to tell her that there’s a snake somewhere in her house.’”

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    Tufayel Ahmed

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  • How Gary Sinise is helping the nonprofit CreatiVets build ‘a place to go when the PTSD hits’

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    NASHVILLE (AP) — Richard Casper shakes his head as he touches one of the boarded-up windows in the once-abandoned church he plans to transform into a new 24-hour arts center for veterans.

    The U.S. Marine Corps veteran and Purple Heart recipient said he was an arm’s length away from military officials, including Defense Secretary Pete Hegseth, at Marine Barracks Washington when he learned the former church his nonprofit CreatiVets just purchased had been vandalized.

    The physical damage to the building and its stained glass windows saddened Casper. But what worried him more was that the church had remained empty since 2017 without damage. That vandalism came just weeks after CreatiVets bought it, suggesting that maybe he and the veterans in his program were not welcome.

    “I almost just left,” Casper said. “It put me in a weird headspace.”

    However, Casper, 40, a CNN Heroes winner and Elevate Prize winner, needed more support for the center — “a place to go when the PTSD hits.” Like so many veterans, he said his PTSD, caused by seeing a close friend die on patrol in Iraq, would generally come in the middle of the night, when the only places open are bars and other spaces that can be ”destructive.”

    He figured a 24-hour center where veterans could engage in music, painting, sculpture, theater and other arts could help. It could “turn all that pain into something beautiful.” The artistic element factored in when Casper, who suffered a traumatic brain injury while serving in Iraq, returned home and found it hard to be in public — unless he was listening to live music.

    So he completed his mission that night in Washington, introducing new people to CreatiVets’ work. Then, Casper returned to Nashville to practice what he has preached to hundreds of veterans since his nonprofit opened in 2013. He asked for help.

    And help came.

    Within weeks, CreatiVets’ Art Director Tim Brown was teaching a roomful of volunteers how to create stained glass pieces to replace those that were vandalized. Brown said the volunteers wanted to give back to the organization, “but also because of the impact that these activities have had on them.”

    Gary Sinise believes in art’s impact

    Gary Sinise values that impact. The actor, musician and philanthropist had already signed on to donate $1 million through his foundation to help CreatiVets purchase the building. Sinise’s involvement encouraged two other donors to help finalize the purchase.

    The “CSI: NY” star said he believed in CreatiVets’ work and had already seen a similar program in his hometown of Chicago help veterans process their wartime experiences.

    “In the military, you’re trained to do serious work to protect our country, right?” Sinise said. “If you’re in the infantry, you’re being trained to kill. You’re being trained to contain any emotion and be strong.”

    Those skills are important when fighting the enemy, but they also take a toll, especially when veterans aren’t taught how to discuss their feelings once the war is over.

    “Quite often, our veterans don’t want any help,” Sinise said. “But through art – and with theater as well – acting out what they are going through can be very, very beneficial.”

    David Booth says he is living proof of how CreatiVets can help. And the retired master sergeant, who served 20 years in the U.S. Army as a medic and a counterintelligence agent, wishes he participated in the program sooner.

    “For me, this was more important than the last year and a half of counseling that I’ve gone through,” said Booth. “It has been so therapeutic.”

    After years of being asked, Booth, 53, finally joined CreatiVets’ songwriting program in September. He traveled from his home in The Villages, Florida, to the historic Grand Ole Opry in Nashville, to meet with two successful songwriters – Brian White, who co-wrote Jason Aldean’s “Blame It on You,” and Craig Campbell, of “Outskirts of Heaven” fame – to help him write a song about his life.

    Booth told them about his service, including his injury in Iraq in 2006 when the vehicle he was in struck an improvised explosive device and detonated it.

    He suffered a traumatic brain injury in the explosion, and it took months of rehab before he could walk again. His entire cervical spine is fused. He still gets epidurals to relieve the nerve pain. And he still suffers from nightmares and PTSD.

    In Iraq, Booth’s unit was once surrounded by kids because American soldiers used to give them Jolly Rancher candies. Snipers shot the children in hopes the soldiers would become easier targets when they tried to help.

    “Things like that stick in my head,” Booth said. “How do you get them out?”

    He also told them about his desire for a positive message and Combat Veterans to Careers, the veteran support nonprofit he founded. Those experiences became the song “What’s Next.”

    Booth hopes “What’s Next” becomes available on music streaming services so others can hear his story. CreatiVets has released compilations of its veterans’ songs since 2020 in cooperation with Big Machine Label Group, Taylor Swift’s first record label. This year’s collection was released Friday.

    “It’s almost like they could feel what I was feeling and put it into the lyrics,” said Booth, after hearing the finished version. “It was pretty surreal and pretty awesome.”

    Why Lt. Dan from ‘Forrest Gump’ launched a nonprofit

    Sinise has seen the unexpected impact of art throughout his career. His Oscar-nominated role as wounded Vietnam veteran Lt. Dan Taylor in “Forrest Gump” in 1994 deepened his connection to veterans. His music with the Lt. Dan Band expanded it. In 2011, he launched the Gary Sinise Foundation to broadly serve veterans, first responders and their families.

    “I think citizens have a responsibility to take care of their defenders,” he said. “There are opportunities out there for all of us to do that and one of the ways to do it is through multiple nonprofits that are out there.”

    Sinise immediately connected with CreatiVets’ mission. When the idea came to dedicate the performance space at the new center to his late son Mac, who died last year after a long battle with cancer, Sinise saw it as “a perfect synergy.”

    “Mac was a great artist,” he said. “And he was a humble, kind of quiet, creative force
 If Mac would have survived and not gone through what he went through, he’d be one of our young leaders here at the foundation. He would be composing music and he’d be helping veterans.”

    Mac Sinise is still helping veterans, as proceeds of his album “Resurrection & Revival” and its sequel completed after his death, are going to the Gary Sinise Foundation. And Gary Sinise said he discovered more compositions from his son that he plans to record later this year for a third album.

    After the new center was vandalized, Casper said he was heartbroken, but also inspired knowing part of the center was destined to become the Mac Sinise Auditorium. He decided to take pieces of the broken stained glass windows and transform them into new artwork inspired by Mac Sinise’s music.

    “I told you we’re going to go above and beyond to make sure everyone knows Mac lived,” Casper told Sinise as he handed him stained glass panes inspired by Mac Sinise’s songs “Arctic Circles” and “Penguin Dance,” “not that he died, but that he lived.”

    Sinise fought back tears as he said, “My gosh, that’s beautiful.”

    As he examined the pieces more closely, Sinise added, “I’m honored that we’re going to have this place over there and that Mac is going to be supporting Richard and helping veterans.”

    _____

    Associated Press coverage of philanthropy and nonprofits receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content. For all of AP’s philanthropy coverage, visit https://apnews.com/hub/philanthropy.

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