On February 12, Rihanna took the stage for the first time since 2016 to perform at the highly coveted Super Bowl Halftime Show. Sporting a red jumpsuit and exposing her baby bump – the world’s best kept secret for the past few months – our Fenty queen quite literally emerged from the sky. Opening with her single “Bitch Betta Have My Money,” it didn’t take long for the world to understand that Rihanna is back.
Rumors began to swirl weeks prior to her Super Bowl performance: who would she bring out as a special guest? What would she wear? Where will A$AP Rocky fit into all of this? Will she finally reveal new music?
Some viewers expressed disappointment in the lack of movement from Rihanna herself. Since previous acts like Beyonce were known for elaborate dance numbers, people were wondering where all the pizazz was.
My answer? You try being suspended in mid air with no restraints or support, performing for a crowd of millions of television viewers, oh, and being months pregnant. Even when she’s on the ground, how much movement do you need her to be doing? She’s. Pregnant.
She has famous collaborations with both Jay-Z and the defamed Kanye West on “Run This Town,” as well as Calvin Harris with “We Found Love.” And let us not forget the Drake saga with “What’s My Name” and “Work.” But Rihanna doesn’t necessarily need anyone to come and guest star for her. She’s Rihanna: always the main event, no backup needed.
Rihanna will do what she wants, when she wants. And being that she is the undisputed ruler, we have to accept.
One of the more controversial tidbits of a Super Bowl Halftime performance show is that the artists don’t typically get paid. While the NFL is a billion dollar industry, it does err on the side of strange that they can’t shell out a few million for their performers – especially when Rihanna garnered 118.7 million viewers – 5 million more than the actual game – and the second most watched Halftime performance ever.
The NFL argues that the performer gets more exposure, and thus sales. With such a huge platform like the Halftime Show, they aren’t necessarily wrong.
The world welcomed Rihanna back with open arms. Ever since the performance, she has skyrocketed back into popularity (not that she ever left), topping the charts with no new album or single.
Since then, Billboard reported Rihanna earned her biggest streaming week ever following the Super Bowl – up 150% with 166 million streams. She became the seventh act in the last 50 years to chart five albums in the top 50 on the Billboard 200 simultaneously, ANTI being in the top 10. She’s the sixth most-streamed artist globally on Spotify with 77 million monthly listeners.
Her Fenty Beauty brand has once again been selling out online after a quick flash of her Invisimatte Instant Setting + Blotting Powder during her set. Searches rose 833% following her performance. The impact of her performance was gargantuan: she became the number one most streamed artist, gained 3 million Instagram followers, and sold out products like her Plush Puddin’ Lip Mask. It earned Fenty $5 million in Media Impact Value alone.
She’s now the face of the most recent British Vogue issue alongside A$AP Rocky and her son. Inside, she teases that not releasing music this year would be ridiculous. The question is, do we believe her? And are we ready to get hurt again?
Spring is approaching! Next time you look up it’ll be all April showers bringing May flowers. As I type this article, it’s a balmy 60 degrees outside. Practically Bermuda-esque weather for New York.
And while it may snow next week, this weather has me looking forward to those cute outfits I can debut in the spring. 2022 winter fashion brought us apres-ski chic and lace detailing, but I’m anticipating some big changes in the fashion world as the weather warms up. People are feeling risky…I can tell.
The weather is getting warmer and jeans are getting tighter. Don’t panic, we aren’t diving into the deep end and bringing back skinny jeans or jeggings. It’s all about a straight leg or minimal bootcut flare.
Multiple Fashion Weeks have come and gone, and I have a good picture of what retailers are about to push out in stores soon. 2023 spring fashion trends include heavy denim and satin-style cargo pants. With an emphasis on casual comfort and pants with lots of pockets, spring 2023 fashion will look very familiar.
If you’re looking to catch the spring trends a little early this year, look no further. I’ve scoured every page of Vogue and every paparazzi shot of off-duty models like Hailey Bieber and Emily Ratajkowski. And I’ve most definitely kept up with the Kardashians, our ever-present trend dictators.
An Excessive Amount Of Pockets
Nina Agdal
Shutterstock
Whether it be a pair of cargo pants or a mini-skirt, anticipate the cargo-style pocket to be sewn on. We are focusing on Y2K style again, as always. All different types of cargo pants like satin will be on trend.
Pair your cargo pants with a cropped baby tee for the ultimate Y2K resurgence. We want enough pockets that you could arguably fit multiple phones and wallets at once.
90’s Style Strapless Tops
Reformation Clothing
We all know and love the strapless top, but the 90’s style involves a looser top. They pair well with the ever-so-highly debated low-rise jeans, which are still trending. It’s a bit more flowy and forgiving than a tight top, so I’m a fan.
This type of top reminds me of the early 2000’s red carpet style. Tuck it into high waisted jeans for a tucked in look that’s perfect for spring weather.
Full Denim Fits & Skinnier Jeans
Britney Spears and Justin Timberlake may have been the founders of the full denim fit, but it looks like we’re bringing it back this spring. Denim strapless tops, denim accents, everything is all denim. You’ll also see less of the baggy style jeans and more fitted, straight leg styles.
These Levi’s are perfect for this spring’s hottest pair of denim, and if you’re looking for a fun denim addition to your closet, try this top.
Lingerie-Inspired Detailing
Billie Eilish
AFF-USA/Shutterstock
We’re back to playing the “is-it-lingerie-or-is-it-acceptable-to-wear-in-public” game. Think all lace bodysuits and mesh everything. Slip dresses with lace applique and deep v cuts will be the star of the show.
If you have to question whether you bought it in the underwear section of the store, you’re probably right on trend. Lingerie-inspired clothing is back and if you want a more understated look, throw on an oversized blazer and tailored menswear style pants.
Quilted Jackets
Street Style, Spring Summer 2021, Milan Fashion Week, Italy
Cornel Cristian Petrus/Shutterstock
Vogue says if you have one jacket this spring, make it a quilted one. And since our fashion Bible says a shell coat can be the perfect transitional weather piece, we must listen. The quilted jacket has been worn by Gigi Hadid, and can be layered on top of your favorite sweater.
This quilted jacket by ASOS is my favorite piece in this article. As someone who was a big fan of the shacket, the quilted jacket is a more elevated approach on a spring favorite.
Silks & Satins
I’ve seen a bunch of silk cargo pants online when browsing, but that’s not all. We’re bringing back the low-rise silk maxi skirt that’s reminiscent of every beach commercial ever. It’s an essential piece for a brunch outfit or the transitional weather we’ll be experiencing.
I like this satin mini for weekends out on the town with a moto jacket (also a spring favorite), and this silk maxi for a bottomless mimosa brunch with friends.
Taylor Swift was up. Elon Musk was in, out, and in. Tom Cruise was back. BTS stepped aside, and so did Serena Williams, and Tom Brady too — oops, scratch that.
But the slap? The slap was everywhere.
Ok, so maybe it wasn’t on the level of a moon landing, or selection of a pope. But henceforth all you need say is “the slap” and people will know what you mean — that moment Will Smith smacked Chris Rock at the Oscars and a global audience said, “Wait, did that happen?” Even in the room itself — maybe especially in the room itself — there was a sense that everyone had imagined it, which helps explain why things went on as normal, for a bit.
The pandemic was over in 2022, phew! Well, of course it wasn’t. But live entertainment pushed forward, with mask mandates dropping, and people rushing to buy things like, oh, Taylor Swift tickets!
We’ll take any segue to mention Swift, who already had a big year in 2021, but just got bigger — heck, she broke Billboard records and then she broke Ticketmaster. (No word if she got her scarf back).
It was a year of celebrity #MeToo cases like Harvey Weinstein (again), R. Kelly (again), Kevin Spacey, Paul Haggis, Danny Masterson. And the Johnny Depp-Amber Heard defamation trial, its every excruciating turn captured on TV.
On the big screen, there were big comebacks. Mourning its dearly missed star, Chadwick Boseman, “Black Panther: Wakanda Forever” was a box office triumph. James Cameron’s “Avatar” planned a December return.
Then there was Tom Cruise, turning 60 in ’22, just like the Rolling Stones, swooping into Cannes with his most successful movie, and showing, like those still-touring rockers, that when they tell you “The end is inevitable,” as they do in “Top Gun: Maverick,” you can always reply “Maybe so, sir, but not today.”
Will audiences one day find Cruise – or the Stones, for that matter – too wrinkled and past the sell-by date? Maybe so, but not this year.
Our annual, totally selective journey through a year in pop culture:
JANUARY
It’s GOLDEN GLOBES time. But is a Globes with no telecast, boozy celebs or red carpet a Globes at all? The embattled Hollywood Foreign Press Association, reeling from stunning failures over diversity, holds a private event and plans a comeback next year. Hey, remember the original wardrobe malfunction? Well, JANET JACKSON says she and JUSTIN TIMBERLAKE have moved on, and so should we. The New York Times buys Wordle, and we’re all thinking in five-letter words (though W-O-R-D-L-E is six, just saying.) Meanwhile, it’s a month of loss, heading off a year of loss: pioneering Black actor, director and activist SIDNEY POITIER dies at 94.
FEBRUARY
What would a year in pop culture be without BRITNEY? Just months after her liberation from her restrictive conservatorship, Spears is reported to have signed a mammoth book deal, but at year’s end we’re still waiting for news. RIHANNA is pregnant! TOM BRADY retires! (Stay tuned, on that one.) TAYLOR watch: JAKE GYLLENHAAL speaks out, saying he really has nothing to do with that song, that it’s about an artist’s relationship with her fans — but fans shouldn’t be cyberbullying, either.
MARCH
Quick, who wins Oscars this month? Well, “CODA” does, a feel-good drama with a largely deaf cast, and TROY KOTSUR becomes the first deaf actor to win an acting Oscar. Alas, all anyone can talk about is — you know. SMITH, who wins the best actor award not long after slapping Rock over a joke about his wife, Jada Pinkett Smith, won’t truly address the issue until the end of the year, so keep reading. KARDASHIAN watch: Kim K is declared legally single again in her ongoing divorce with YE, the rapper formerly known as KANYE WEST. And BRADY, retired for 40 days, says, “Never mind!”
APRIL
It’s GRAMMY time, and JON BATISTE wins big, taking five statuettes. The musician’s huge year will later include performing at the first state dinner of the Biden administration, for French President Emmanuel Macron. The next day Macron will meet with MUSK (thanks for the segue, Monsieur le President) who begins his acquisition of TWITTER this month, leading to untold – and still unfolding – changes at the social media giant.
MAY
So imagine you’re sipping cocktails at the MET GALA and a musician comes sauntering through, playing the melodica — of course it’s BATISTE, because the Met Gala’s that kind of crazy party. The biggest splash of the night, though, is KARDASHIAN, on the arm of boyfriend PETE DAVIDSON, wearing the same sequined, skin tight gown MARILYN MONROE wore to sing “Happy Birthday” to JFK in 1962. In movies, “Top Gun: Maverick” opens, the highest-grossing domestic debut in CRUISE’S career, and his first to surpass $100 million on opening weekend. HARRY STYLES fans rejoice! His album, “Harry’s House,” is here.
JUNE
Stunning news for the global fanbase of BTS as the K-pop supergroup announces it’s taking a break to focus on members’ solo projects. On the legal front, a Virginia jury hands DEPP a victory in his very messy libel case over allegations of domestic abuse, finding that former wife HEARD defamed him in a 2018 op-ed. On a happier note, Britney gets married….
JULY
Only one wedding, Britney? BENNIFER has two! Maybe what happens usually stays in Vegas, but not when you have 227 million followers on Instagram. With a winking reference to being a “Sadie” (married lady) JENNIFER LOPEZ directs fans to her newsletter where she shares pics of her quickie wedding to BEN AFFLECK. “Love is beautiful,” she writes. “And it turns out love is patient.” Speaking of patience, fans of BEYONCÉ are rewarded for theirs, with the release of her long-awaited seventh studio album, “Renaissance,” her first solo album in six years.
AUGUST
So, we were saying …. Bennifer’s second wedding , on Affleck’s compound in Georgia, is bigger and fancier. One wedding, one split: KARDASHIAN and DAVIDSON are no longer. In other summer news, the world remembers Princess Diana, whose shocking death in a car crash happened 25 years ago, and whose life is being rehashed for a new generation in the current season of “The Crown.” And only days later, that same Netflix series will pause production briefly as a mark of respect for Queen Elizabeth II as Britain — and the world — mourn the beloved monarch, who dies at age 96 after more than 70 years on the throne.
SEPTEMBER
Mounting political intrigue in Europe, and by that we mean … did spit fly at the Venice premiere of “Don’t Worry Darling”? Either way the movie, directed by OLIVIA WILDE and starring her boyfriend (alleged spitter STYLES), is saddled – or blessed? – with more than its share of extracurricular drama. At the EMMYS, behold SHERYL LEE RALPH, who wins for “Abbott Elementary” and schools the crowd on the power of dreams and self-belief. “This is what believing looks like,” she says. You know what else believing looks like? Rachel Berry from “Glee” – aka LEA MICHELE – at last getting to play Fanny Brice in “Funny Girl” on Broadway. In sports, with four rueful words that resonate with working moms everywhere, SERENA WILLIAMS says she’s stepping aside from tennis, because: “Something’s got to give.”
OCTOBER
The second HARVEY WEINSTEIN trial opens in Los Angeles. ADIDAS drops YE, part of a cascade of companies that will sever ties with the rapper over his antisemitic and other troubling comments. The MUSK era begins at TWITTER as the world’s richest man carries a sink into the office, to “let that sink in.” HEIDI KLUM’s Halloween costume is a slimy, glistening rain worm. But before the month worms away from us, let’s cede it to SWIFT for dropping her new album, “Midnights” (Spotify’s most-streamed album in a single day), then adding seven bonus tracks, then becoming the first artist to occupy all top 10 slots on the Billboard Hot 100 chart. Let THAT sink in! P.S. Celebrity divorce watch: BRADY and wife GISELE BUNDCHEN split.
NOVEMBER
Did we say LAST month was Taylor Swift month? Well now, millions of eager fans crowd a presale for her much-awaited Eras Tour, resulting in crashes and endless waits. Ticketmaster cancels the general sale, citing insufficient stock. Multiple state attorneys general announce investigations. Takeaway: People want Taylor Swift tickets. At the multiplex, they also want their Wakanda. “Black Panther: Wakanda Forever” meets the double challenge of following up one of the biggest blockbusters in history and losing its biggest star.
DECEMBER
Love ‘em or hate ’em, here come HARRY and MEGHAN again, with a Netflix “documentary” being watched very, very closely by royalty across the pond. Cameron’s “AVATAR” sequel finally appears, 13 years after the original broke records. Will viewers flock to Pandora once again? And bringing the year full circle, SMITH emerges to promote his new film, “EMANCIPATION,” and hoping people will forget about … what was it? … at least enough to check out the movie.
In this year of comebacks, will Smith’s be the biggest?
Taylor Swift was up. Elon Musk was in, out, and in. Tom Cruise was back. BTS stepped aside, and so did Serena Williams, and Tom Brady too — oops, scratch that.
But the slap? The slap was everywhere.
Ok, so maybe it wasn’t on the level of a moon landing, or selection of a pope. But henceforth all you need say is “the slap” and people will know what you mean — that moment Will Smith smacked Chris Rock at the Oscars and a global audience said, “Wait, did that happen?” Even in the room itself — maybe especially in the room itself — there was a sense that everyone had imagined it, which helps explain why things went on as normal, for a bit.
The pandemic was over in 2022, phew! Well, of course it wasn’t. But live entertainment pushed forward, with mask mandates dropping, and people rushing to buy things like, oh, Taylor Swift tickets!
We’ll take any segue to mention Swift, who already had a big year in 2021, but just got bigger — heck, she broke Billboard records and then she broke Ticketmaster. (No word if she got her scarf back).
It was a year of celebrity #MeToo cases like Harvey Weinstein (again), R. Kelly (again), Kevin Spacey, Paul Haggis, Danny Masterson. And the Johnny Depp-Amber Heard defamation trial, its every excruciating turn captured on TV.
On the big screen, there were big comebacks. Mourning its dearly missed star, Chadwick Boseman, “Black Panther: Wakanda Forever” was a box office triumph. James Cameron’s “Avatar” planned a December return.
Then there was Tom Cruise, turning 60 in ’22, just like the Rolling Stones, swooping into Cannes with his most successful movie, and showing, like those still-touring rockers, that when they tell you “The end is inevitable,” as they do in “Top Gun: Maverick,” you can always reply “Maybe so, sir, but not today.”
Will audiences one day find Cruise – or the Stones, for that matter – too wrinkled and past the sell-by date? Maybe so, but not this year.
Our annual, totally selective journey through a year in pop culture:
JANUARY
It’s GOLDEN GLOBES time. But is a Globes with no telecast, boozy celebs or red carpet a Globes at all? The embattled Hollywood Foreign Press Association, reeling from stunning failures over diversity, holds a private event and plans a comeback next year. Hey, remember the original wardrobe malfunction? Well, JANET JACKSON says she and JUSTIN TIMBERLAKE have moved on, and so should we. The New York Times buys Wordle, and we’re all thinking in five-letter words (though W-O-R-D-L-E is six, just saying.) Meanwhile, it’s a month of loss, heading off a year of loss: pioneering Black actor, director and activist SIDNEY POITIER dies at 94.
FEBRUARY
What would a year in pop culture be without BRITNEY? Just months after her liberation from her restrictive conservatorship, Spears is reported to have signed a mammoth book deal, but at year’s end we’re still waiting for news. RIHANNA is pregnant! TOM BRADY retires! (Stay tuned, on that one.) TAYLOR watch: JAKE GYLLENHAAL speaks out, saying he really has nothing to do with that song, that it’s about an artist’s relationship with her fans — but fans shouldn’t be cyberbullying, either.
MARCH
Quick, who wins Oscars this month? Well, “CODA” does, a feel-good drama with a largely deaf cast, and TROY KOTSUR becomes the first deaf actor to win an acting Oscar. Alas, all anyone can talk about is — you know. SMITH, who wins the best actor award not long after slapping Rock over a joke about his wife, Jada Pinkett Smith, won’t truly address the issue until the end of the year, so keep reading. KARDASHIAN watch: Kim K is declared legally single again in her ongoing divorce with YE, the rapper formerly known as KANYE WEST. And BRADY, retired for 40 days, says, “Never mind!”
APRIL
It’s GRAMMY time, and JON BATISTE wins big, taking five statuettes. The musician’s huge year will later include performing at the first state dinner of the Biden administration, for French President Emmanuel Macron. The next day Macron will meet with MUSK (thanks for the segue, Monsieur le President) who begins his acquisition of TWITTER this month, leading to untold – and still unfolding – changes at the social media giant.
MAY
So imagine you’re sipping cocktails at the MET GALA and a musician comes sauntering through, playing the melodica — of course it’s BATISTE, because the Met Gala’s that kind of crazy party. The biggest splash of the night, though, is KARDASHIAN, on the arm of boyfriend PETE DAVIDSON, wearing the same sequined, skin tight gown MARILYN MONROE wore to sing “Happy Birthday” to JFK in 1962. In movies, “Top Gun: Maverick” opens, the highest-grossing domestic debut in CRUISE’S career, and his first to surpass $100 million on opening weekend. HARRY STYLES fans rejoice! His album, “Harry’s House,” is here.
JUNE
Stunning news for the global fanbase of BTS as the K-pop supergroup announces it’s taking a break to focus on members’ solo projects. On the legal front, a Virginia jury hands DEPP a victory in his very messy libel case over allegations of domestic abuse, finding that former wife HEARD defamed him in a 2018 op-ed. On a happier note, Britney gets married….
JULY
Only one wedding, Britney? BENNIFER has two! Maybe what happens usually stays in Vegas, but not when you have 227 million followers on Instagram. With a winking reference to being a “Sadie” (married lady) JENNIFER LOPEZ directs fans to her newsletter where she shares pics of her quickie wedding to BEN AFFLECK. “Love is beautiful,” she writes. “And it turns out love is patient.” Speaking of patience, fans of BEYONCÉ are rewarded for theirs, with the release of her long-awaited seventh studio album, “Renaissance,” her first solo album in six years.
AUGUST
So, we were saying …. Bennifer’s second wedding , on Affleck’s compound in Georgia, is bigger and fancier. One wedding, one split: KARDASHIAN and DAVIDSON are no longer. In other summer news, the world remembers Princess Diana, whose shocking death in a car crash happened 25 years ago, and whose life is being rehashed for a new generation in the current season of “The Crown.” And only days later, that same Netflix series will pause production briefly as a mark of respect for Queen Elizabeth II as Britain — and the world — mourn the beloved monarch, who dies at age 96 after more than 70 years on the throne.
SEPTEMBER
Mounting political intrigue in Europe, and by that we mean … did spit fly at the Venice premiere of “Don’t Worry Darling”? Either way the movie, directed by OLIVIA WILDE and starring her boyfriend (alleged spitter STYLES), is saddled – or blessed? – with more than its share of extracurricular drama. At the EMMYS, behold SHERYL LEE RALPH, who wins for “Abbott Elementary” and schools the crowd on the power of dreams and self-belief. “This is what believing looks like,” she says. You know what else believing looks like? Rachel Berry from “Glee” – aka LEA MICHELE – at last getting to play Fanny Brice in “Funny Girl” on Broadway. In sports, with four rueful words that resonate with working moms everywhere, SERENA WILLIAMS says she’s stepping aside from tennis, because: “Something’s got to give.”
OCTOBER
The second HARVEY WEINSTEIN trial opens in Los Angeles. ADIDAS drops YE, part of a cascade of companies that will sever ties with the rapper over his antisemitic and other troubling comments. The MUSK era begins at TWITTER as the world’s richest man carries a sink into the office, to “let that sink in.” HEIDI KLUM’s Halloween costume is a slimy, glistening rain worm. But before the month worms away from us, let’s cede it to SWIFT for dropping her new album, “Midnights” (Spotify’s most-streamed album in a single day), then adding seven bonus tracks, then becoming the first artist to occupy all top 10 slots on the Billboard Hot 100 chart. Let THAT sink in! P.S. Celebrity divorce watch: BRADY and wife GISELE BUNDCHEN split.
NOVEMBER
Did we say LAST month was Taylor Swift month? Well now, millions of eager fans crowd a presale for her much-awaited Eras Tour, resulting in crashes and endless waits. Ticketmaster cancels the general sale, citing insufficient stock. Multiple state attorneys general announce investigations. Takeaway: People want Taylor Swift tickets. At the multiplex, they also want their Wakanda. “Black Panther: Wakanda Forever” meets the double challenge of following up one of the biggest blockbusters in history and losing its biggest star.
DECEMBER
Love ‘em or hate ’em, here come HARRY and MEGHAN again, with a Netflix “documentary” being watched very, very closely by royalty across the pond. Cameron’s “AVATAR” sequel finally appears, 13 years after the original broke records. Will viewers flock to Pandora once again? And bringing the year full circle, SMITH emerges to promote his new film, “EMANCIPATION,” and hoping people will forget about … what was it? … at least enough to check out the movie.
In this year of comebacks, will Smith’s be the biggest?
It wouldn’t be hyperbolic to say that Prince is one of the most influential musicians of all time.
Beyonce credits Prince with taking her to the next level as an artist by recommending she learn to play piano. Lianne La Havas had tea parties with him. Frank Ocean — despite his own almost mythical status — was rendered starstruck just by the sight of him. And countless artists credit Prince’s majestic performances and his iconic catalogue as major inspirations.
Prince died on April 21, 2016 at only 57, but his legacy is untouchable. Known for breaking the boundaries of music, being politically outspoken, and constantly challenging social norms of race, gender, and sexuality, Prince is remembered as one of the greatest, and for good reason.
On April 8th, it was announced that a posthumous album by the artist will be released on June 30th, 2021. Recorded in 2010 but never released, the announcement of the upcoming Welcome 2 America has fans eagerly awaiting its arrival.
According to his estate, the album is “a powerful creative statement that documents Prince’s concerns, hopes, and visions for a shifting society, presciently foreshadowing an era of political division, disinformation, and a renewed fight for racial justice.”
The title track is already up for streaming, making fans miss his discerning eye on culture and unflinching political honesty. The song contains lyrics like: “Land of the free, home of the brave / Oops, I mean, land of the free, home of the slave,” which culminates with the musing that, “Transformation happens deep within.”
The promise of the new Prince album has everyone revisiting his catalogue, reminiscing about his iconic outfits, and even thinking about his famous dramas and disputes. Prince wasn’t afraid of saying what he meant — and why would he be? He was Prince.
But in 2006, Justin Timberlake took offense to an offhand comment by Prince at the Emmy Awards, and took it upon himself to write a diss verse about Prince for a Timbaland track.
After Justin’s 2006 hit single “SexyBack,” Prince, known for his sensuality, reportedly said: “For whoever is claiming they are bringing sexy back, sexy never left!”
Justin was not amused, however, and sparked drama when — while presenting the award for Best Original Song: Motion Picture at the Golden Globes in 2007 — he accepted the award on Prince’s behalf for the Happy Feet single “Song of the Heart.” In his impromptu acceptance speech, he seemingly mocked Prince’s height, crouching below the microphone as he spoke in corny imitation.
However, it seems this wasn’t enough for Justin. Months later, Justin appeared on the Timbaland and Nelly Furtado track, “Give It to Me.” The song was hyperbolically described as the “first pop diss track” and saw Justin, Nelly, and Timbaland airing out their disputes over a quintessential early 2000s beat.
Fellow producer Scott Storch had accused Timbaland and Justin of not crediting him on “Cry Me A River.” Meanwhile, Nelly Furtado and Fergie apparently were experiencing tensions which Furtado now regrets airing out — all fueling the fire for the diss track.
Timbaland – Give It To Me ft. Nelly Furtado, Justin Timberlakeyoutu.be
Justin’s verse obviously references Prince, attempting to reduce the legend’s accomplishments by making self-aggrandizing comments about his own commercial success.
“Could you speak up and stop mu-mumbling? / I don’t think you came in clear / When you’re sittin’ on the top / It’s hard to hear you from way up here,” Justin begins the verse, claiming he was at “the top” of the music industry and inflating his own fame in a deluded comparison.
“We missed you on the charts last week / Damn, that’s right, you wasn’t there,” Justin continues… as if the measure of artistry can be dictated by chart performance and radio play. Now that we’re in an era where artists are more openly skeptical of institutions like award shows and the ephemerality of streaming plays, this seems even more egregious as a measure of comparison.
Justin then moves to directly address his grievances, leaving no question as to who and what he is talking about, saying, “Now if sexy never left, then why is everybody on my sh*t? / Don’t hate on me just because you didn’t come up with it.” This part of the verse is so absurd that it is almost comical. To claim that Prince, who spent his career dispelling archaic notions about sexuality and performing provocatively, didn’t “come up with it” shows an astounding level of egoism.
Justin Timberlake’s diss track is an extreme example of his cognitive dissonance, exemplifying the way his career was influenced profoundly by Black culture, Black artists, and Black music, but he fails to acknowledge its impact.
Taking on one of the most famous performers of all time in a shallow diss track over a generic pop beat is embarrassing on its own, but is even more inexplicable remembering that it came so soon after his Super Bowl performance with Janet Jackson, for which she was torn down while he was unaffected.
And his apology for the harm he caused Janet Jackson and Britney seems even more fickle when we remember that, after Prince’s death, Justin did a tribute to the music legend… as if we hadn’t all heard him disparage Prince on “Give It To Me.”
I wouldn’t be surprised if JT’s next move is another tribute to Prince, or a cover of “Welcome 2 America,” or even raising a hologram of Prince (like the Tupac Coachella hologram) to join him in performing. After everything that Timberlake has done, nothing much would surprise me anymore.
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NEW YORK — We first see Juliet in the Capulet tomb, devastated. She’s wakes up to see her Romeo dead. But before she plunges a dagger into her heart, she starts … singing. What comes out is, improbably, a Britney Spears hit.
“Oh, baby, baby. How was I supposed to know? That something wasn’t right here? Oh, baby, baby. I shouldn’t have let you go,” she sings, the opening lines of “…Baby One More Time.”
That such a pop song works perfectly in this august scene is a credit to playwright David West Read and the team behind the Broadway jukebox musical “& Juliet.”
They’ve taken an original story using “Romeo and Juliet” as a launch pad and mixed in some of the biggest pop hits of the past few decades by Spears, Celine Dion, NSYNC, Ariana Grande, Katy Perry, Jon Bon Jovi, The Weeknd, Justin Timberlake, Pink and Backstreet Boys.
“I really tried to let story and character drive it,” says Read, an Emmy-winning writer from “Schitt’s Creek.” “It’s a long process to make it seem effortless, but it’s a lot of effort.”
The link between the songs is Swedish super-producer Max Martin, who has had a hand in writing such hits as “Since U Been Gone,” “Roar,” “Larger Than Life,” “That’s The Way It Is” and “Can’t Stop the Feeling,”
The musical starts when William Shakespeare’s wife challenges him to rewrite “Romeo and Juliet” with a happier ending for Juliet, sparking a journey of self-discovery for the young woman and nearly everyone on stage. Inspired in part by “Mama Mia!” it has multiple couples of different generations.
“I think the genius of David has just knocked all of us sideways,” says director Luke Sheppard. “I don’t think Max ever imagined that somebody would be able to find such a cohesive world for this.”
Read had been handed a playlist of over 200 Martin songs in 2016 and whittled it down to about 30. He challenged himself to not change any of the lyrics, although he altered some pronouns. Some hits — like Perry’s “California Gurls” and Maroon 5’s “Moves Like Jagger” — were clearly never going to fit.
“Instead of going for what are the most popular songs, I tried to prioritize what are songs that are going to tell this story in the best possible way,” says Read.
Masterstrokes include turning Adam Lambert’s “Whataya Want From Me” into an duet between arguing lovers, giving Perry’s “Teenage Dream” to an older couple looking back on their young romance and handing Juliet “Oops!… I Did it Again” after she’s found herself in a second romantic conundrum.
In one special move, Read gave Spear’s “I’m Not a Girl, Not Yet a Woman” to a new character, Juliet’s nonbinary friend, May, played by genderqueer Justin David Sullivan. It’s a landmark moment for Broadway, allowing a nonbinary main character to talk about being misgendered and what it’s like to date while trans.
Read also turned Perry’s “I Kissed a Girl” into a duet between May and a male love interest. “I wanted it to be a queer love song sung by two unexpected characters that feel more representative of our current world,” he says. (Some audience members have walked out after that. “Clearly we still have a ways to go,” says Read.)
There are also nods to musical theater conventions: “Stronger” works as a callback of “… Baby One More Time” (“My loneliness is killing me” in the first song reappears in the second as “My loneliness ain’t killing me no more”). And musical theater rules mean you need to have a song where a lead character makes clear they want something; the creators of “& Juliet” had one in plain sight — Backstreet Boys’ “I Want It That Way.”
Read even made a connection between Martin and The Bard himself: “Shakespeare was the pop writer of his time. We think of him as very highbrow now, but he was creating an entertainment for the masses. That kind of overlap between Max and Shakespeare seems like it could be a fun way to give a brand to someone who doesn’t have his own brand.”
The team got an early indication that the concept would work at the first workshop in which an audience was invited. Backstage, they waited for the reaction to “…Baby One More Time.”
“The audience didn’t laugh. And that was amazing. I was like, ‘OK, passed that test,’” says Sheppard. ”I felt the audience just lean in that moment and connect with that song and with that artist.”
Critics have been kind to the finished show, with Variety saying “& Juliet” “is exactly the musical Broadway needs right now: fun, exuberant, supremely joyful, hilarious and excellently performed by a talented and diverse cast.” Entertainment Weekly said Read’s work is “cleverly, sometimes ingeniously calibrated to sync with the songs.”
“The ones that really mean a lot to me are the critics who clearly come in with a hatred for jukebox musicals and reluctantly admit that there is a lot of craft in this one,” says Read.
He credits Martin for being open to outside-the-box ideas and allowing the show’s collaborators the flexibility to make what’s not another run-of-the-mill jukebox musical.
“Sometimes it feels like someone slapped their name on something, and they show up on opening night and people are maybe making the show for the wrong reasons,” says Read. “To have the artist working with us and collaborating with us, I think also separates this from other jukebox musicals where the artist is either dead or not involved.”
Read has since moved on — he is the creator and showrunner of the upcoming Apple TV+ series “The Big Door Prize” — but his experience with “& Juliet” has been so positive that he and Sheppard are working on another jukebox musical, this time with the catalog of Roy Orbison.
“We’re trying to tell a new story with his existing music and challenging ourselves to do something completely different from what we would did with ‘& Juliet,’” he says.
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Online: https://andjulietbroadway.com
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Mark Kennedy is at http://twitter.com/KennedyTwits
“Being in such a specific pigeonhole right now, it’s very strange,” Pattinson told Vanity Fair in 2011, a person couldn’t swing a vampiric baseball bat without hitting a Team Edward shirt. “Having a persona people recognize, it’s the thing that probably gets you paid the most—but it’s also the thing that virtually every actor in the world doesn’t want. ’Cause, like, no one would believe me if I wanted to play something ultra-realistic, like a gangster or something.”
In the decade since Twilight’s final installment, Pattinson worked to prove just the opposite and undo his teen heartthrob status, trading mainstream fare for challenging roles in films from David Cronenberg,Werner Herzog,Claire Denis, and Nolan. And yes, he even got to play that “ultra-realistic” gangster in 2017’s Good Time, a hard-boiled thriller directed by Benny and Josh Safdie. Pattinson’s blockbuster origins and recent indie presence collided for his weirder, more detached take on Bruce Wayne in The Batman earlier this year.
Dwayne Johnson: Lean Into Your Strengths
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Nearly two decades before Johnson was considered a presidential contender, not to mention one of the biggest stars in the world, it was unclear if he would even be taken seriously as an actor. He was credited only as The Rock, his professional wrestling name, for his first several films, including The Mummy Returns and The Scorpion King. At times, Hollywood struggled with which space to slot Johnson into—testing him as a family-friendly lead in The Game Plan and Tooth Fairy and brawny supporting player in comedies like Get Smart and The Other Guys. But it was his casting in the Fast & Furious franchise as Hobbs, a character he’s played in five films and a spin-off, that first truly tapped into Johnson’s built-in action-star charisma.
At the time, Johnson says he reinvisioned his career around fellow heartthrobs turned movie stars like Will Smith and George Clooney. “I said, ‘Those are the guys who are on top. And I don’t know how, but I feel like if we can all go shoulder to shoulder on this, I feel like there’s a pathway to that kind of success, only different and maybe better or bigger,’” he told Vanity Fair. With box office smashes such as Jumanji,San Andreas, and the recently released Black Adam, it appears that Johnson’s vision has been realized to the tune of $430.4 million in box office receipts in recent years.
Zac Efron: Explore Different Genres
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For many of us, the experience of having roommates is a rite of passage. Whether you lived with others in college, during a first job, or upon moving to a new city, there’s nothing quite like sharing a space with others that are close to you in age but are neither your sibling nor your significant other. Maybe you started out as friends, or you decided to sign a lease as virtual strangers. Every experience is different, and there are many hurdles to overcome. As it turns out, there are plenty of famous actors who can relate to these roommate struggles — although unlike most of us, their housemates also just happened to be other famous actors.
Many of these actors lived together before either one had found fame, making ends meet with the occasional jobs they were booking. Of course, after their careers took off, they could afford to buy their own houses — a far cry from the two-bedroom apartments they were sharing. Yes, even some of the most successful actors were once splitting utilities and dividing chores. Some pairings were successful, while other actors learned that they were better off as friends than housemates.
Below, you’ll discover both the expected and unlikely roommate pairings of Hollywood. Certain actors, such as Ben Affleck and Matt Damon, were frequent collaborators. Others, such as Jamie Dornan and Eddie Redmayne, were auditioning for the same roles. Through thick and thin, these stars persevered — and they have a ton of roomie stories to tell.
20 Famous Actors Who Used To Live Together
These actors were roommates before they became big stars.
10 Famous Actors Who Lied To Get Movie And TV Roles
These actors told some minor fibs to score roles in major Hollywood productions.
It’s the year of tin for Justin Timberlake and Jessica Biel! The beloved couple celebrated their 10-year anniversary on Wednesday, both posting tributes to Instagram.
“10 years ain’t enough!” Timberlake captioned a carousel of photos and videos of them together. “You make me a better husband and father every day! I love you so much you beautiful human! Run it back!”
Biel reposted her husband’s tribute in her Instagram Story, adding “Ten years ❤️” atop the photos.
Jessica Biel/Instagram
Biel and Timberlake tied the knot in Italy on Oct. 19, 2012.
Later in the day, Biel took to Instagram to share her own tribute to Timberlake, writing, “Being married to you is the adventure of a lifetime! Run it back, baby. RUN IT BACK. I love you.”
Ahead of their milestone anniversary, Biel opened up about the couple’s love story at the premiere of her true crime series, “Candy”.
“Well, I’ll have to give Justin the credit in this moment, for this one thing that he always says to me: ‘We might be married, but we have to keep dating,’ and it’s so true,” she told ET in May. “You just have to keep making time for each other and you have to keep making each other a priority. And do the things that you love together.”
She continued, “It’s not always easy, as we all know, but those touchpoint moments make all the hard times palatable.”
Get ET’s full timeline of the happy couple’s relationship here.
There’s no one way to carve out a career as an actor. Some enter the industry as children, while others slowly build a resume of commercial work and guest spots. Still, others work as background actors as a way to support themselves and grab that coveted SAG card. But there’s a whole other category of actors that actually began their careers in a different place — reality TV. You might be surprised to learn that quite a few popular celebrities were once on reality competition shows.
It’s no surprise that those who can sing or dance can — a lot of the time — also act. The performing arts tend to overlap with one another, which is why so many contestants on singing and dancing competition shows are able to make the short leap over to Hollywood. Plus, these types of reality shows are much more plentiful than ones centered on acting (VH1’s Scream Queens seems to be the only notable example, really).
In some cases, however, the actor in question isn’t doing any sort of performing on TV — they’re simply on the show as an average person, mingling with singles on The Big Date or guessing the price of a car on The Price Is Right. You really never know whose career is going to take off.
Below, you’ll learn about 10 now-successful actors who were on reality TV shows before they were famous. From Emma Stone to Jon Hamm, these actors prove that a path to stardom begins differently for everyone.
10 Famous Actors Who Got Their Start On Reality TV
12 Actors Who Started As Extras In Movies And Television
These famous actors all began their on-screen careers with uncredited roles in movies and TV.