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Tag: iab-music

  • How Southwest failed the holidays: Four charts explaining the cancellations | CNN Business

    How Southwest failed the holidays: Four charts explaining the cancellations | CNN Business

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    CNN
     — 

    A blast of severe winter weather last week caused thousands of Southwest Airlines flight cancellations and spiraled into a complete meltdown of its flight system. In the days since, the carrier’s scramble to recover has been slow and, some passengers argue, largely unsuccessful. But experts say Southwest’s mess is actually the culmination of issues that have been building over several years.

    Since Dec. 22, the beleaguered airline has canceled more than half of its typical flight schedule, and by late Wednesday about 87% of all canceled flights in the US were from Southwest alone, according to industry trackers FlightRadar24 and FlightAware.

    The dire situation, which has exasperated passengers and caught the eye of government regulators, has magnified this week as other major airlines recovered from the extreme cold, ice and snow that gripped much of the United States over the holiday weekend.

    The company has apologized to its passengers and employees for the daily cancellations and reduced its capacity by roughly two thirds on Thursday, according to a CNN review of flight data.

    This week’s meltdown is not the first time the company has found itself in this predicament. In October 2021, Southwest canceled more than 2,000 flights over a four-day period. While the airline blamed the crisis partly on bad weather in Florida, Southwest canceled flights for far longer than its competitors.

    But much of Southwest’s mess may be the result of long-term problems unrelated to the weather.

    Chief among them are outdated internal processes and information technology. Southwest’s scheduling system hasn’t changed much since the 1990s, according to Captain Casey Murray, president of the Southwest Airlines Pilots Association.

    Southwest has also acknowledged the company’s outdated infrastructure. “We’ve talked an awful lot about modernizing the operation, and the need to do that,” CEO Bob Jordan told employees in a memo obtained by CNN.

    Over the years, the airline’s cancellation rate has crept up, tripling from 2013 to September 2022, the most recent data available from US Bureau of Transportation Statistics, which tracks the airlines’ performance, and well before the recent crisis.

    The bureau has only released data for 2022 through September. To ensure a fair comparison, CNN only analyzed the carrier’s data from January to September in previous years.

    Cancellation rates among airlines fluctuate year-to-year, depending on weather and other factors, such as Covid-19, which resulted in a major industry-wide disruption in the early months of the pandemic in 2020.

    But Southwest has consistently failed to perform as well as its competitors when it comes to cancellations, according to bureau data.

    In several years over the last decade, the airline had higher cancellation rates compared to other major airlines, the data shows.

    It’s not just cancellations. Southwest has also seen its on-time percentage slide in recent years to the lowest point in a decade. Through September of 2022, well before the carrier’s current struggles, only about 7 in 10 of its flights have arrived on time.

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  • Anghami became the ‘Spotify of the Middle East.’ Now it’s moving into the real world | CNN Business

    Anghami became the ‘Spotify of the Middle East.’ Now it’s moving into the real world | CNN Business

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    Abu Dhabi
    CNN
     — 

    Anghami describes itself as the largest music streaming app for the Middle East and North Africa.

    Launched in Beirut in 2012 by Elie Habib and Eddy Maroun, it was quickly dubbed “the Spotify of the Middle East.” Now headquartered in Abu Dhabi, Anghami is growing its footprint to the real world after amassing nearly 20 million active users.

    It partnered with Sony Music to launch “Vibe,” a boutique record label the companies say will “support independent Arabic music,” and empower artists “to tell their stories regionally and globally.” Then, in July, Anghami acquired Spotlight Events, a live event company, and plans to host regular concerts for local artists. Last month, it opened a music venue and recording studio in Riyadh, Saudi Arabia.

    “Artists can’t just make money out of music streaming,” Habib says. “They need to make money out of the real world also.”

    The platform is facing serious competition from the likes of Spotify

    (SPOT)
    and Apple

    (AAPL)
    , but the founders are confident they can maintain their success by drawing on their knowledge of the region.

    “We’re Arabs but we are influenced by the Western world, and this is reflected in our product,” Maroun says. “That’s why our product is really more relevant.”

    The pair say nurturing and developing Arab talent is critical to their mission. Of the 73 million songs in their catalog, Habib says only 1% of them are in Arabic, but those songs generate 60% of all of Anghami’s traffic. “We realize we need to grow that 1%,” Habib says.

    In February, the company signed an exclusive partnership with Egyptian superstar Amr Diab, whose 1.2 billion streams make him the most popular artist on the platform.

    Around the same time, Anghami was listed on the Nasdaq stock exchange — the first Arab tech company ever to do so, according to the founders. “It was a great moment,” Maroun says. “We felt that we are really bringing with us a whole nation.”

    In the first half of 2022, it saw 29% growth in revenue and 41% growth in monthly subscribers, compared with the same period a year earlier. Since then, in a tougher economic climate, the company has cut a fifth of its workforce, but the founders are confident they can continue to grow the platform.

    “When we started Anghami … we never thought about IPOs, we never thought about millions of users using us every day,” Habib says. “IPO is never the end game — the end game is making something whereby you are proud.”

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  • Patti LaBelle is rushed off the stage during a concert in Milwaukee due to a bomb threat | CNN

    Patti LaBelle is rushed off the stage during a concert in Milwaukee due to a bomb threat | CNN

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    CNN
     — 

    A Patti LaBelle concert at the Riverside Theater in Milwaukee was abruptly halted Saturday night when the star was rushed off the stage due to a bomb threat, organizers said.

    Social media video showed LaBelle exclaiming, “Wait!” as three individuals pushed her mic stand away and escorted her off-stage without explanation. Band members rush behind her as audience members are heard in the video asking, “What happened?”

    “Tonight’s Patti LaBelle show at the Riverside Theater has been postponed following a bomb threat investigated by the Milwaukee Police Department,” concert organizer Pabst Theater Group said in a statement.

    “We are thankful for the efforts of the Milwaukee Police Department and our customers and staff for their safe and orderly exit. We are working with the artist to reschedule the show,” the statement said.

    Police say concert attendees were safely evacuated and the investigation is ongoing, according to CNN affiliate WTMJ.

    CNN has reached out to Milwaukee police for further details.

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  • K-pop band Blackpink selected as Time Entertainer of the Year 2022 | CNN

    K-pop band Blackpink selected as Time Entertainer of the Year 2022 | CNN

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    CNN
     — 

    Global pop sensation Blackpink have been chosen as Time magazine’s 2022 Entertainer of the Year, making the four-woman band the second K-pop artists to earn the title, after BTS in 2020.

    Selected by YG Entertainment, a big South Korean record label that screens performers for star quality and trains them intensively, the quartet – Jennie, Jisoo, Lisa and Rosé – found international stardom quickly after their 2016 debut.

    Their first LP, “The Album,” sold more than one million copies in less than a month after its 2020 release.

    In a Time feature marking the Entertainer of the Year award, the group revisited their journey, from playing at Coachella in 2019 to performing “Pink Venom” at the VMAs earlier this year.

    “We put in a lot of work so we could look like superwomen,” rapper Jennie told Time. “We’re very normal girls, at the end of the day.”

    Talking about their success – and the pressures that come with it – Jennie said the band perform from the heart.

    “If we consider this in the business way, we wouldn’t be able to do this,” she said.

    Part of the group’s global success comes from their cosmopolitan backgrounds. Singer Rosé, who was born in New Zealand and raised in Australia, called it “a plus” in the studio that they’re all from “different cultures.”

    Jennie was born in South Korea but grew up in New Zealand, while dancer Lisa is from Thailand. Singer Jisoo is the only one of the group born and raised in South Korea.

    Blackpink currently are performing across Europe until the end of the year as part of their “Born Pink” world tour, which kicked off in October.

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  • Adam Sandler still gets emotional singing sweet Chris Farley song | CNN

    Adam Sandler still gets emotional singing sweet Chris Farley song | CNN

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    CNN
     — 

    Adam Sandler will always Chris Farley.

    More than twenty years after Farley’s death, Sandler still gets sad when he sings the “Chris Farley Song,” a song he wrote for his late friend and comedian, who died in December 1997 of a drug overdose at age 33.

    Sandler told the “Happy Sad Confused” podcast that his musical tribute still makes him emotional. He performed the song as part of his Netflix special “Adam Sandler: 100% Fresh” and sang it on “SNL” when he hosted in May 2019.

    “The first few times, we played that song, I would tear up and I couldn’t really sing it well because I’d get so emotional, and then I felt it and was able to get it out there,” Sandler said on the podcast. “It’s weird, but when that song starts, I go, ‘Oh f–k, alright, don’t cry and don’t do that’ still. I’ve sang it maybe a hundred times already, but it rocks me.”

    Sandler added, “I think it’s because we show a video of Chris and I see his face.” He also said “hearing the crowd go nuts for Farley” makes him happy.

    “Every show I do, by far the biggest applause of the night is talking about Farley and any time I mention his name, the audience goes nuts. It feels great,” he said.

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  • Christine McVie’s music: 5 songs to listen to in her honor | CNN

    Christine McVie’s music: 5 songs to listen to in her honor | CNN

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    CNN
     — 

    There’s a reason why Christine McVie was considered the heart of Fleetwood Mac.

    The band’s keyboardist, who died Wednesday after a brief illness at the age of 79, was also the writer of some of the group’s most beloved songs.

    Here are just five of those tunes:

    This one is tied to some drama.

    Fleetwood Mac is known for, in part, their tumultuous relationships, especially when it came to romantic ones.

    Band members Stevie Nicks and Lindsey Buckingham had a thing that ended badly and McVie was famously married to, and then divorced from, their other bandmate, John McVie.

    He reportedly thought the song, with its lyrics “Sweet wonderful you/You make me happy with the things you do/Oh, can it be so/This feeling follows me wherever I go,” was about their dog as the McVies were married at the time.

    But it turns out Christine McVie had penned the love song in honor of the band’s lighting director with whom she had an affair.

    Another tune from their famed “Rumours” album.

    “Don’t Stop” proved to be a hopeful anthem for the future, which was so meaningful to former President Bill Clinton that he used it as his 1992 campaign anthem.

    On Wednesday he tweeted a tribute to McVie.

    “I’m saddened by the passing of Christine McVie. “Don’t Stop” was my ’92 campaign theme song – it perfectly captured the mood of a nation eager for better days,” he tweeted. “I’m grateful to Christine & Fleetwood Mac for entrusting us with such a meaningful song. I will miss her.”

    This one was actually a solo song for McVie.

    The first single off of her self-titled solo album, it sounds like it could be a Fleetwood Mac song with it’s buoyant rhythm and the infectious chorus, “Ooh, I got a love/I got somebody/This love got a hold on me.”

    Plus Buckingham plays guitar on this one, giving it even more of a Fleetwood Mac vibe.

    “Say You Love Me” is a jaunty tune that has become a mainstay on rock and easy listening radio stations.

    She reflected on the sweet harmonies, she, Nicks and Buckingham achieve on the tune in a 1990 interview.

    “The first time I started playing ‘Say You Love Me’ and I reached the chorus, they started singing with me and fell right into it,” Performing Songwriter magazine reported her saying. “I heard this incredible sound, our three voices … and my skin turned to gooseflesh.”

    It feels right that so many on social media used this song to pay tribute to McVie after her passing.

    The ballad she wrote has been pointed to as the perfect remembrance of someone lost.

    Playing it now after her death seems haunting as she pours her heart into the opening lyrics, “For you, there’ll be no more crying/For you, the sun will be shining/And I feel that when I’m with you/It’s alright, I know it’s right.”

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  • Inside Christine McVie’s and Stevie Nicks’ decades-long friendship | CNN

    Inside Christine McVie’s and Stevie Nicks’ decades-long friendship | CNN

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    CNN
     — 

    Throughout the various personal turmoils for which the members of Fleetwood Mac are known, one relationship buoyed the band for decades: the friendship between its two frontwomen, Christine McVie and Stevie Nicks.

    McVie joined the band in 1970 during one of its early lineup changes and for years was its only woman. When Nicks was added to the lineup in 1975, the two became fast friends.

    Theirs was not a competitive relationship, but a sisterly one – both women were gifted songwriters responsible for crafting many of the band’s best-known tunes. Though the two grew apart in the 1980s amid Nicks’ worsening drug addiction and the band’s growing internal tension, they came back together when McVie returned to Fleetwood Mac in 2014.

    At a concert in London, shortly before McVie officially rejoined the band, Nicks dedicated the song “Landslide” to her “mentor. Big sister. Best friend.” And at the show’s end, McVie was there, accompanying her bandmates for “Don’t Stop.”

    “I never want her to ever go out of my life again, and that has nothing to do with music and everything to do with her and I as friends,” Nicks told the Minneapolis Star-Tribune in 2015.

    On Wednesday, McVie, the band’s “songbird,” died after a brief illness at age 79. Below, revisit McVie’s and Nicks’ years-long relationship as bandmates, best friends and “sisters.”

    The story of Nicks joining Fleetwood Mac is legend now: Band founder and drummer Mick Fleetwood wanted to recruit guitarist Lindsey Buckingham, who stipulated that he would only join if his girlfriend and musician Nicks could join, too. McVie cast the deciding vote, and the rest is history.

    “It was critical that I got on with her because I’d never played with another girl,” McVie told the Guardian in 2013. “But I liked her instantly. She was funny and nice but also there was no competition. We were completely different on the stage to each other and we wrote differently too.”

    Throughout the band’s many personal complications – McVie married and divorced Fleetwood Mac bassist John McVie and had an affair with the band’s lighting director, while Nicks had rollercoaster romances with Buckingham and Fleetwood – they were each other’s center.

    “To be in a band with another girl who was this amazing musician – (McVie) kind of instantly became my best friend,” Nicks told the New Yorker earlier this year. “Christine was a whole other ballgame. She liked hanging out with the guys. She was just more comfortable with men than I had ever been.”

    The two protected each other, Nicks said, in a male-dominated industry: “We made a pact, in the very beginning, that we would never be treated with disrespect by all the male musicians in the community.

    “I would say to her, ‘Together, we are a serious force of nature, and it will give us the strength to maneuver the waters that are ahead of us,’” Nicks told the New Yorker.

    “Rumours” was the band’s greatest success to date when it was released in 1977. But the band’s relationships with each other were deteriorating, save for the one between McVie and Nicks. While the pair were enduring breakups with their significant others, Nicks and McVie spent their time offstage together.

    The Guardian asked McVie if she was trying to offset the band’s tumult with her songs on “Rumours,” including the lighthearted “You Make Lovin’ Fun” and optimistic “Don’t Stop.” She said she likely had been.

    As multiple members’ drug use intensified, the band’s dynamic grew tense. McVie distanced herself from the group in 1984 amid her bandmates’ addictions, telling the Guardian she was “just sick of it.” Nicks, meanwhile, was becoming dependent on cocaine.

    After Fleetwood Mac was inducted into the Rock & Roll Hall of Fame in 1998, Christine McVie (third from left) quit the band.

    McVie told Rolling Stone that year that she’d grown apart from Nicks: “She seems to have developed her own fantasy world, somehow, which I’m not part of. We don’t socialize much.”

    In 1986, Nicks checked into the Betty Ford Center to treat her addiction, though she later became addicted to Klonopin, which she said claimed years of her life. She quit the prescription drug in the 1990s.

    After recording some solo works, McVie returned to Fleetwood Mac for their 1987 album “Tango in the Night,” and two of her songs on that record – “Little Lies” and “Everywhere” – became major hits. But Nicks departed the band soon after, and the band’s best-known lineup wouldn’t officially reunite until 1997 for “The Dance” tour and subsequent live album.

    The reunion was short-lived: After the band was inducted into the Rock & Roll Hall of Fame in 1998, McVie officially quit Fleetwood Mac, citing a fear of flying and exhaustion of life on the road.

    In the 2010s, after more than a decade of retirement, McVie toyed with returning to performing. She officially rejoined Fleetwood Mac after calling Fleetwood himself and gauging what her return would mean for the group.

    “Fortunately Stevie was dying for me to come back, as were the rest of the band,” she told the Arts Desk.

    In 2015, a year after she’d rejoined Fleetwood Mac, McVie hit the road with her bandmates. Touring with the group was tiring but fun, the first time they’d performed together in years.

    “I’m only here for Stevie,” she told the New Yorker that year.

    Christine McVie (left) and Stevie Nicks perform together at Radio City Music Hall in 2018.

    Nicks concurred: “When we went on the road, I realized what an amazing friend she’d been of mine that I had lost and didn’t realize the whole consequences of it till now,” she told the Minneapolis Star-Tribune in 2015.

    During that tour, McVie wore a silver chain that Nicks had given her – a “metaphor,” McVie told the New Yorker, “that the chain of the band will never be broken. Not by me, anyways. Not again by me.”

    McVie told the Arts Desk in 2016 that she and Nicks were “better friends now than (they) were 16 years ago.”

    Touring with Buckingham and Fleetwood could quickly get tumultuous for Nicks, McVie said, due to their shared history. “But with me in there, it gave Stevie the chance to get her breath back and not have this constant thing going on with Lindsey: her sister was back,” she said.

    Their mutual praise continued: In 2019, McVie said Nicks was “just unbelievable” onstage: “The more I see her perform on stage the better I think she is. She holds the fort.”

    When their 2018-2019 tour ended, though – without Buckingham, who was fired – the band “kind of broke up,” McVie told Rolling Stone earlier this year. She added that she didn’t speak with Nicks as often as she did when they toured together.

    As for a reunion, McVie told Rolling Stone that while it wasn’t off the table, she wasn’t feeling “physically up for it.”

    “I’m getting a bit long in the teeth here,” she said. “I’m quite happy being at home. I don’t know if I ever want to tour again. It’s bloody hard work.”

    News of McVie’s death rattled Nicks, who wrote that she had only found out McVie was sick days earlier. She called McVie her “best friend in the whole world since the first day of 1975.”

    On her social media accounts, Nicks shared a handwritten note containing lyrics from the Haim song “Hallelujah,” some of which discusses grief and the loss of a best friend.

    “See you on the other side, my love,” Nicks wrote. “Don’t forget me – Always, Stevie.”

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  • Universal Music Group calls AI music a ‘fraud,’ wants it banned from streaming platforms. Experts say it’s not that easy | CNN Business

    Universal Music Group calls AI music a ‘fraud,’ wants it banned from streaming platforms. Experts say it’s not that easy | CNN Business

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    New York
    CNN
     — 

    Universal Music Group — the music company representing superstars including Sting, The Weeknd, Nicki Minaj and Ariana Grande — has a new Goliath to contend with: artificial intelligence.

    The music group sent urgent letters in April to streaming platforms, including Spotify

    (SPOT)
    and Apple Music, asking them to block artificial intelligence platforms from training on the melodies and lyrics of their copywritten songs.

    The company has “a moral and commercial responsibility to our artists to work to prevent the unauthorized use of their music and to stop platforms from ingesting content that violates the rights of artists and other creators,” a spokesperson from Universal Music Group, or UMG, told CNN. “We expect our platform partners will want to prevent their services from being used in ways that harm artists.”

    The move by UMG, first reported by the Financial Times, aims to stop artificial intelligence from creating an existential threat to the industry.

    Artificial intelligence, and specifically AI music, learns by either training on existing works on the internet or through a library of music given to the AI by humans.

    UMG says it is not against the technology itself, but rather AI that is so advanced it can recreate melodies and even musicians’ voices in seconds. That could possibly threaten UMG’s deep library of music and artists that generate billions of dollars in revenue.

    “UMG’s success has been, in part, due to embracing new technology and putting it to work for our artists — as we have been doing with our own innovation around AI for some time already,” UMG said in a statement Monday. “However, the training of generative AI using our artists’ music … begs the question as to which side of history all stakeholders in the music ecosystem want to be on.”

    The company said AI that uses artists’ music violates UMG’s agreements and copyright law. UMG has been sending requests to streamers asking them to take down AI-generated songs.

    “I understand the intent behind the move, but I’m not sure how effective this will be as AI services will likely still be able to access the copyrighted material one way or another,” said Karl Fowlkes, an entertainment and business attorney at The Fowlkes Firm.

    No regulations exist that dictate on what AI can and cannot train. But last month, in response to individuals looking to seek copyright for AI-generated works, the US Copyright Office released new guidance around how to register literary, musical, and artistic works made with AI.

    “In the case of works containing AI-generated material, the Office will consider whether the AI contributions are the result of ‘mechanical reproduction’ or instead of an author’s ‘own original mental conception, to which [the author] gave visible form,’” the new guidance says.

    The copyright will be determined on a case-by-case basis, the guidance continued, based on how the AI tool operates and how it was used to create the final piece or work.

    The US Copyright Office announced it will also be seeking public input on how the law should apply to copywritten works the AI trains on, and how the office should treat those works.

    “AI companies using copyrighted works to train their models to create similar works is exactly the type of behavior the copyright office and courts should explicitly ban. Original art is meant to be protected by law, not works created by machines that used the original art to create new work,” said Fowlkes.

    But according to AI experts, it’s not that simple.

    “You can flag your site not to be searched. But that’s a request — you can’t prevent it. You can just request that someone not do it,” said Shelly Palmer, Professor of Advanced Media at Syracuse University.

    For example, a website can apply a robots.txt file that works like a guardrail to control which URL’s “search engine crawlers” can access a given site, according to Google. But it is not a full stop, keep-out option.

    Grammy-winning DJ and producer David Guetta proved in February just how easy it is to create new music using AI. Using ChatGPT for lyrics and Uberduck for vocals, Guetta was able to create a new song in an hour.

    The result was a rap with a voice that sounded exactly like Eminem. He played the song at one of his shows in February, but said he would never release it commercially.

    “What I think is very interesting about AI is that it’s raising a question of what is it to be an artist,” Guetta told CNN last month.

    Guetta believes AI is going to have a significant impact on the music industry, so he’s embracing it instead of fighting it. But he admits there are still questions about copyright.

    “That is an ethical problem that needs to be addressed because it sounds crazy to me that today I can type lyrics and it’s going to sound like Drake is rapping it, or Eminem,” he said.

    And that is exactly what UMG wants to avoid. The music group likens AI music to “deep fakes, fraud, and denying artists their due compensation.”

    “These instances demonstrate why platforms have a fundamental legal and ethical responsibility to prevent the use of their services in ways that harm artists,” the UMG statement said.

    Music streamers Spotify, Apple Music and Pandora did not return request for comment.

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  • The viral new ‘Drake’ and ‘Weeknd’ song is not what it seems | CNN Business

    The viral new ‘Drake’ and ‘Weeknd’ song is not what it seems | CNN Business

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    CNN
     — 

    One of the buzziest songs recently circulating on TikTok and climbing the Spotify charts featured the familiar voices of best-selling artists Drake and the Weeknd. But there’s a twist: Drake and the Weeknd appear to have had nothing to do with it.

    The viral track, “Heart on my Sleeve,” comes from an anonymous TikTok user named Ghostwriter977, who claims to have used artificial intelligence to generate the voices of Drake and the Weeknd for the track.

    “I was a ghostwriter for years and got paid close to nothing just for major labels to profit,” Ghostwriter977 wrote in the video comments. “The future is here.”

    “Heart on my Sleeve” racked up more than 11 million views across several videos in just a few days and was streamed on Spotify hundreds of thousands of times. The original TikTok video has seemingly been taken down, and the song has since been removed from streaming services including YouTube, Apple Music and Spotify. (TikTok, YouTube, Apple and Spotify did not respond to a request for comment.)

    The exact origin of the song remains unclear, and some have suggested it could be a publicity stunt. But the stunning traction for “Heart on my Sleeve” may only add to the anxiety inside the music industry as it goes on offense against the possible threat posed by a new crop of increasingly powerful AI tools on the market.

    Universal Music Group, the music label that represents Drake, The Weeknd and numerous other superstars, sent urgent letters in April to streaming platforms, including Spotify and Apple Music, asking them to block AI platforms from training on the melodies and lyrics of their copywritten songs.

    “The training of generative AI using our artists’ music — which represents both a breach of our agreements and a violation of copyright law as well as the availability of infringing content created with generative AI on digital service providers – begs the question as to which side of history all stakeholders in the music ecosystem want to be on: the side of artists, fans and human creative expression, or on the side of deep fakes, fraud and denying artists their due compensation,” the company said in a statement this week to CNN.

    The record label said platforms have “a fundamental legal and ethical responsibility to prevent the use of their services in ways that harm artists.”

    But attempting to crack down on AI-generated music may pose a unique challenge. The legal landscape for AI work remains unclear, the tools to create it are widely accessible and social media makes it easier than ever to distribute it.

    AI-generated music is not new. Taryn Southern’s debut song “Break Free,” which was composed and produced with AI, hit the Top 100 radio charts back in 2018, and VAVA, an AI music artist (i.e. not a human), currently has a single out in Thailand.

    But a new crop of AI tools have made it easier than ever to quickly generate convincing images, audio, video and written work. Some services such as Boomy specifically leverage generative AI to make music creation more accessible.

    There’s little known about who is behind the Ghostwriter977 account, or which tools the creator used to make the track. The user did not respond to a CNN request for comment.

    In the bio section of the user’s TikTok account, a link directs users to a page on Laylo, a website where fans can sign up to get notifications from artists when new songs are dropped or merchandise and tickets become available. The company told CNN the account likely registered to build up its fan base and brought in “tens of thousands” of signups in the past few days.

    Laylo CEO Alec Ellin denied that the company was behind the viral track as some have speculated, but Ellin told CNN whoever did make it was “clearly a really savvy creator” and called it “a perfect example of the power of using Laylo to own your audience.”

    Michael Inouye, an analyst at ABI Research, said “Heart on my Sleeve” could have been made in several ways depending on the sophistication of the AI and level of musical talent.

    “If music artists were involved, they could create the background music and the lyrics, and then the AI model could be trained with content from Drake and The Weekend to replicate their voices and singing styles,” he said. “AI could also have generated most of the song, lyrics and replicated the artists again based on the training data set and any prompts given to direct the AI model.”

    He added that part of this fascination and virality of the song comes from “just how good AI has gotten at creating content, which includes replicating famous people.”

    Roberto Nickson, who is building an AI platform to help boost productivity and work flow, recently posted a video on Twitter showing how easy it is to record a verse and train an AI model to replace his vocals. He used the artist formerly known as Kanye West as an example.

    “The results will blow your mind,” he said. “You’re going to be listening to songs by your favorite artist that are completely indistinguishable and you’re not going to know if it’s them or not.”

    Although the entertainment industry has seen these issues coming, regulations are lagging behind the rapid pace of AI development.

    Audrey Benoualid, an entertainment lawyer based in Los Angeles, said one could argue “Heart On My Sleeve” does not infringe copyright as it appears to be an “original” composition.

    “Ghostwriter also publicized that Drake and The Weeknd were not involved in the making of the song, which could protect them from a ‘passing off’ claim, where profits are generated as consumers are misled into believing the song is actually a Drake-Weeknd collaboration,” she said in an email to CNN.

    However, Benoualid added, machine learning and generative AI programs may also be found to infringe copyright in existing works, either by making copies of those works to train the AI or by generating outputs that are substantially similar to those existing works. “Major labels would undoubtedly, and have already begun to, argue that their copyrights (and their artists’ intellectual property rights) are being infringed,” she said.

    Michael Nash, an executive VP at Universal Music Group, recently wrote in an op-ed that AI music is “diluting the market, making original creations harder to find, and violating artists’ legal rights to compensation from their work.”

    No regulations exist that dictate on what AI can and cannot train. But last month, in response to individuals looking to seek copyright for AI-generated works, the US Copyright Office released new guidance around how to register literary, musical, and artistic works made with AI.

    The copyright will be determined on a case-by-case basis, the guidance continued, based on how the AI tool operates and how it was used to create the final piece or work. The US Copyright Office announced it will also be seeking public input on how the law should apply to copywritten works the AI trains on, and how the office should treat those works.

    “AI and copyright law and the rights of musicians and labels have crashed into one another (once again), and it will take time for the dust to settle,” Benoualid said. “The landscape is anything but clear at the moment.”

    Inouye said if AI generated content becomes associated with famous individuals in a negative way that could be grounds for a lawsuit to not only take content down but to cease and desist their operations and potentially seek damage.

    “On the flip side, if the content were to be popular and the creator were to make revenue off of the artists’ image or likeness then again the artists could similarly request the content to be taken down and potentially sue for any monetary gains,” he said.

    But for now, concerned parties may be forced to play whack-a-mole. While services like Spotify pulled “Heart on my Sleeve,” versions of it appeared to continue circulating as of Tuesday on other online platforms.

    Even a song made with artificial intelligence may find real staying power online.

    – CNN’s Vanessa Yurkevich contributed to this report.

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  • Rapper Meek Mill vows to ‘spread the word’ against antisemitism after Auschwitz visit | CNN Politics

    Rapper Meek Mill vows to ‘spread the word’ against antisemitism after Auschwitz visit | CNN Politics

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    CNN
     — 

    Some 10,000 people from all over the world gathered last week in Poland for the annual March of the Living, a 2-mile walk from Auschwitz to Birkenau, where Nazis murdered over a million civilians – mostly Jews – during World War II.

    One of the most famous marchers was Meek Mill, a 35-year-old African American rapper from Philadelphia without any prior connection to the atrocities that happened there.

    But at a time of rising antisemitism in the US, his presence spoke volumes, and that was the point.

    “I always stand on anything that condemns racism, but now that I had an education, I’ll definitely spread the word to people in my culture about what I’ve seen and what I felt at that concentration camp today,” Mill told CNN during the march.

    Mill is a friend of New England Patriots owner and philanthropist Robert Kraft, whose Foundation to Combat Antisemitism is in the midst of a $25 million national campaign, #StandUpToJewishHate. The effort, identified by a blue square emoji, includes paid television ads that share stories of antisemitic incidents in the US, which are on an alarming rise.

    Data from the Anti-Defamation League traces a spike in recent incidents against Jews to repeated, hateful comments by rapper Kanye West, now known as Ye, who is unapologetic about his pro-Hitler, anti-Jewish language.

    “We are two different artists. We represent two different things,” Mill said.

    Mill said he “wasn’t educated to even know right from wrong” when Ye was making his remarks.

    “But I know a lot of the things he was saying was wrong because it sounded like hate,” Mill said. “Now that I’m educated to a small degree, because I’m at the beginning point, just, you know, spreading the word for humanity. Pushing the cause.”

    Kraft got to know Mill during the rap artist’s 12-year legal fight stemming from an arrest on gun and drug charges when he was 19 years old.

    The two were introduced by a mutual friend, according to a Kraft spokesperson, and Meek would occasionally reach out to the Patriots owner for some friendly advice. When Meek was incarcerated, Kraft visited him in prison, and the two stayed in touch and have remained friends.

    Mill’s case helped spur activism among many high-profile figures, including Kraft, on the issue of criminal justice.

    “It’s important for me to learn humanity’s history,” Mill said. “But I think it’s also important for me to support Robert, all my Jewish friends, everyone that always supported me. Robert supported me at a very high level. When I was going through what I was going through, he learned my lifestyle. He learned my cultures, where I come from, my background.”

    Mill said he went to Auschwitz to “see this for myself and learn about it for myself,” describing what he saw there as “terror, pain, something you can’t really explain.”

    “He’s a man who’s very caring, and it’s very important to him to build bridges between people of the Jewish faith and people of color in America,” Kraft said of Mill.

    “He’s a sensitive man who has gone through some difficult situations where he wasn’t treated fairly. And I think for him to understand the culture of our people, what we’ve gone through and how many of the experiences are similar – where people, for no good reason, just stand up and hate,” added Kraft.

    Mill not only toured Auschwitz and took part in the March of the Living, but he also participated in events around the 80th anniversary of the Warsaw Ghetto Uprising in Poland. The popular artist has nearly 25 million Instagram followers and said he now intends to use his megaphone to make sure his fans understand that all hate – whether racism against Blacks or antisemitism – is rooted in the same ignorance and cannot be tolerated.

    “Through my music, I always use my platforms. I come from the ghettos of America – from the streets. That’s what I started talking about because that was my lifestyle,” Mill said.

    “But through education and learning more and seeing more, I think I would be able to deliver some things that will touch on moments like this and be able to express and tell a story about what I witnessed and what I’ve seen.”

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  • White House preparations for state dinner with India’s Modi include plant-based chef and violinist Joshua Bell | CNN Politics

    White House preparations for state dinner with India’s Modi include plant-based chef and violinist Joshua Bell | CNN Politics

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    CNN
     — 

    Preparations are underway at the White House as President Joe Biden and first lady Dr. Jill Biden will welcome India’s Prime Minister Narendra Modi to Washington for an official state visit on Thursday, rolling out pomp and circumstance at a state dinner in the evening as the two countries reaffirm close ties.

    There has been close attention to diplomatic detail in advance of Thursday’s state dinner, including catering to the guest’s dietary restrictions.

    Nina Curtis, a plant-based chef from Sacramento, California, will be the dinner’s guest chef, working with White House Executive Chef Cris Comerford, and White House Executive Pastry Chef Susie Morrison to develop the menu, the office of the first lady said.

    Modi, a White House official said, is a vegetarian and “the First Lady selected Chef Curtis for her experience with plant-based cuisine.”

    And Grammy Award-winning American violinist and conductor Joshua Bell will provide the evening’s entertainment, the office of the first lady said.

    The state dinner is one element of an elaborate visit for the prime minister, which comes amid some criticism over Modi’s human rights record.

    State dinners, former White House curator Betty Monkman said, are “a courtesy, an expression of good will, and a way of extending hospitality,” as well as “an event that also showcases global power and influence.” The office of the first lady works closely with her social team, executive residence staff from the calligraphers to the florists to the pastry chefs and the State Department in preparation for these dinners.

    National security adviser Jake Sullivan traveled to India this week ahead of the dinner, meeting with Modi and other officials.

    “He reviewed preparations for the upcoming official state visit of the prime minister, and discussed a range of strategic, regional, and bilateral issues including steps to advance the strategic technology and defense partnership between the United States and India,” a readout of Sullivan’s trip stated.

    This will mark the third state dinner of the Biden administration after the Bidens hosted French President Emmanuel Macron in December and South Korean President Yoon Suk-Yeol in April.

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