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  • Taylor Swift Eras Tour movie breaks presales records at AMC Theatres | CNN Business

    Taylor Swift Eras Tour movie breaks presales records at AMC Theatres | CNN Business

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    CNN
     — 

    Taylor Swift’s concert film has already broken theater records more than a month ahead of its October 13 release. AMC Theaters said Friday that the singer’s Eras Tour concert movie “shattered records for single-day advance ticket sales revenue,” with $26 million of tickets sold on Thursday.

    It beat the previous record holder, “Spider-Man: No Way Home,” which sold $16.9 million worth of tickets in one day ahead of its release in 2021, AMC said in a statement.

    Swift’s movie crushed the daily record less than three hours after tickets became available, prompting the theater chain to say that it will add extra showtimes where possible.

    Movie theaters have been recovering from a pandemic-era audience slump, driven by summer blockbuster hits like “Barbie” and “Oppenheimer.” (“Barbie” is distributed by Warner Bros. Pictures, which is owned by CNN’s parent company, Warner Bros. Discovery.)

    But the ongoing Hollywood actors’ and writers’ strikes and the impasse with studio negotiations mean that the pool of movies making its way to theaters could dry up over the next year. While studios typically distribute movies to theaters, AMC is acting as the Eras Tour film distributor in what it called “the inaugural step of a new line of business for AMC Entertainment.”

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  • Buckle up because Selena Gomez, Miley Cyrus and Ariana Grande are all releasing new music on the same day | CNN

    Buckle up because Selena Gomez, Miley Cyrus and Ariana Grande are all releasing new music on the same day | CNN

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    CNN
     — 

    Buckle up – it’s a big week for pop music, with artists such as Selena Gomez, Miley Cyrus and Ariana Grande among others all set to release new music starting Thursday night.

    Gomez first began teasing her new music last week when she tweeted, “Y’all have been asking for new music for a while.” She added that while she continues to work on her third studio album, she “wanted to put out a fun little song I wrote a while back that’s perfect for the end of summer.”

    That song, she revealed, is titled “Single Soon,” and will be released Thursday night along with an accompanying music video.

    Cyrus also announced last week that she’s releasing her new single “Used to be Young” at midnight on Thursday and that in celebration of the new song, a TV special “Endless Summer Vacation (Backyard Sessions)” will air this Thursday on ABC at 10pm local time.

    She wrote that the TV special is “a retrospective interview sharing stories about the first 30 years of my life,” and that the song “Used to be Young” is “dedicated to my loyal fans. I love YOU for loving every version of ME.”

    On Tuesday, Cyrus posted the full lyrics of “Used to be Young,” saying the lyrics were written almost two years ago, during a time she said she felt “misunderstood.”

    “I have spent the last 18 months painting a sonic picture of my perspective to share with you,” Cyrus wrote, adding “the time has arrived to release a song that I could perfect forever. Although my work is done, this song will continue to write itself everyday. The fact it remains unfinished is a part of its beauty. That is my life at this moment… unfinished yet complete.”

    Grande, for her part, is celebrating the 10-year anniversary of the 2013 release of her debut album “Yours Truly” with a week’s worth of new content.

    In a video posted to the “Sweetener” singer’s Instagram page last week, the entire schedule was revealed, starting with the release of a digital deluxe version of “Yours Truly” on Thursday at 9pm PST, along with newly recorded live performances of “Honeymoon Avenue” and “Daydreamin’.”

    On Saturday, she’ll be releasing the first of a two-part Q&A along with new merchandise, followed by the release of another live performance of “Baby I Live” on Sunday. The second part of the Q&A will arrive on Monday, with Tuesday bringing the release of the “Tattooed Heart” and “Right There” live performances.

    The week of celebration culminates on Wednesday with the release of a live performance of the album’s top single “The Way,” a track Grande recorded with the late rapper, and her ex-boyfriend, Mac Miller. She’ll also release “some behind the scenes stuff we found” on Wednesday, too.

    If that wasn’t enough, this Friday will also herald the release of new music from Iggy Azalea, BLACKPINK, and a new music video from Sza.

    Got all that? Now might be a good time to go make some room in that music library, because there are about to be a lot of new late summer jams to add in.

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  • Jay-Z-themed library cards spark increase in Brooklyn Public Library memberships | CNN

    Jay-Z-themed library cards spark increase in Brooklyn Public Library memberships | CNN

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    CNN
     — 

    If anyone can make a trip to the library feel like a party, it’s Jay-Z, apparently.

    To celebrate the 50th anniversary of hip-hop, the Brooklyn Public Library and Roc Nation have released 13 limited-edition library cards with artwork from Jay-Z albums. The initiative, which ends later this month, has already resulted in 14,000 new library accounts, a spokesperson for the Brooklyn Public Library told CNN.

    The library cards are tied to a Brooklyn’s Central Library exhibit that explores Jay-Z’s career through rare photos, original recordings, videos and other artifacts.

    “The community’s enthusiastic response to this exhibition is a testament to Jay-Z’s immense impact,” Linda E. Johnson, President and CEO of the Brooklyn Public Library, told CNN.

    The Jay-Z-themed library cards are available for free for New York State residents. New Yorkers can collect all 13 versions – but only one will be activated to a New York Public library account to check out resources, according to a library spokesperson.

    Though some people are trying to sell the limited-edition cards online, a library employee told CNN they represent only a small fraction of the thousands who have signed up for a new card.

    Shawn “Jay-Z” Carter grew up in the Marcy Homes, a public housing complex, in the Brooklyn neighborhood Bedford Stuyvesant, more commonly known as “Bed Stuy” or “the Stuy.” His rise to music fame came in the early ’90s as a performer and later a record label owner and entrepreneur. He became the first billionaire hip-hop artist, selling more than 140 million records and winning 24 Grammy Awards – the most any rapper has received.

    New York City’s other library systems have also released distinct cards for the hip-hop anniversary, as has the Metropolitan Transportation Authority (MTA). In collaboration with Universal Music Enterprises, 80,000 MetroCards featuring LL Cool J, Pop Smoke, Rakim and Cam’ron have been made available at various stations on a first come, first serve basis.

    This photo depicts the Blueprint 2 album on a library card.

    “From standing on top of the Empire State Building to grabbing a slice at the corner pizza shop, NYC creates iconic moments that are recognized around the world,” Rakim said in a news release for the collaboration. “It’s an honor to be celebrating the 50th Anniversary on the streets… and now below them… of the city where hip-hop was born.”

    A South Bronx house party in 1973 is credited as the birthplace of hip-hop, when DJ Kool Herc found a way to isolate the percussion and repeat the “break” on the vinyl he was spinning, according to the New York Public Library.

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  • Michael Bublé posed as a Michael Bublé fan to perform with Foo Fighters | CNN

    Michael Bublé posed as a Michael Bublé fan to perform with Foo Fighters | CNN

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    CNN
     — 

    Michael Bublé made a surprise appearance at a Foo Fighters show on Saturday in San Francisco.

    In what was part of a long-running gag, Foo Fighters frontman Dave Grohl asked the audience if they know the words to Bublé’s 2009 single, “Haven’t Met You Yet,” while introducing the crowd to drummer Josh Freese. The percussionist, who has played with a number of artists, including Bublé, has been performing with Foo Fighters following the death of their late bandmate, Taylor Hawkins.

    “The last couple shows — I always look out [into the crowd] — someone’s like ‘I know the Bublé song,’ ‘I’ll come up and sing,’ ‘I know the Bublé song,’” Grohl told the crowd. “And every time someone f—ing says they know the song, they don’t know the f—ing song. Do you know the f—ing song? Who knows the f—ing song?”

    Bublé then popped up in the audience holding a sign, reading, “I [heart] Bublé.”

    “Hold on a second — we got a superfan. This motherf—er better know the song.”

    Bublé stepped up to the mic and began singing the song with Freese on drums.

    “OK, this guy’s pretty good,” Grohl joked. “This guy’s pretty good.”

    They finished the song before Grohl finally introduced Bublé and explained the effort the Canadian crooner had made to be there.

    “This bad-ass motherf—er flew in today from Argentina to f—ing sing that song to you guys,” Grohl said. “‘Cause there’s no such thing as taking a joke too far.”

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  • Britain says may clear restructured Microsoft-Activision deal | CNN Business

    Britain says may clear restructured Microsoft-Activision deal | CNN Business

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    Microsoft’s restructuring of its proposed $69 billion acquisition of Activision Blizzard “opens the door” to the biggest ever gaming deal being cleared, Britain’s antitrust regulator said Friday.

    Microsoft (MSFT) announced the deal in early 2022, but it was blocked in April by the UK competition regulator, which was concerned the US tech giant would gain too much control of the nascent cloud gaming market.

    Activision Blizzard (ATVI), which makes “Call of Duty,” agreed in August to sell its streaming rights to Ubisoft Entertainment in a new attempt to win over the Competition and Markets Authority (CMA).

    The Ubisoft divestment “substantially addresses previous concerns,” the Competition and Markets Authority said in a statement.

    “While the CMA has identified limited residual concerns with the new deal, Microsoft has put forward remedies which the CMA has provisionally concluded should address these issues,” the regulator said.

    Consummating the deal would turn Microsoft into the third largest video game publisher in the world, after Tencent and Sony.

    Microsoft said it was “encouraged by this positive development in the CMA’s review process.”

    “We presented solutions that we believe fully address the CMA’s remaining concerns related to cloud game streaming, and we will continue to work toward earning approval to close prior to the October 18 deadline,” Microsoft President Brad Smith said.

    Activision, which also makes “World of Warcraft,” “Overwatch” and “Candy Crush,” said the preliminary approval was great news for its future with Microsoft.

    The European Union waved the deal through in May after accepting Microsoft’s commitments to license Activision’s games to other platforms, the same remedies that Britain had rejected.

    The US Federal Trade Commission also opposes the deal, but it has failed to stop it. A federal judge ruled in July that the deal can close, a decision the FTC is appealing.

    The CMA’s decision to reopen the case was a radical departure from its play book, but it said on Friday it had been consistent and Microsoft had “substantially restructured the deal” to address its concerns.

    “It would have been far better, though, if Microsoft had put forward this restructure during our original investigation,” CMA Chief Executive Sarah Cardell said.

    “This case illustrates the costs, uncertainty and delay that parties can incur if a credible and effective remedy option exists but is not put on the table at the right time.”

    Equity analyst Sophie Lund-Yates at Hargreaves Lansdown said the loss of the cloud gaming rights was not an ideal concession for Microsoft to have to make, but it was necessary collateral if the deal were to be waved through.

    “This looks to be the final bump in the road,” she said.

    The CMA said there were “residual concerns” around the Ubisoft deal, but Microsoft has offered remedies to ensure the terms of the sale were enforceable by the regulator.

    It is now consulting on the remedies before making a final decision.

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  • ‘Madonna’ at 40: An oral history of the Queen of Pop’s debut album | CNN

    ‘Madonna’ at 40: An oral history of the Queen of Pop’s debut album | CNN

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    CNN
     — 

    Madonna’s self-titled first album was released 40 years ago this week.

    In a social media video she shared on Thursday, the pop culture icon marked the anniversary by dancing to “Lucky Star,” the fourth single from her 1983 debut album, which was also her first top-five Billboard hit in the US.

    “To be able to move my body and dance just a little bit makes me feel like the Luckiest Star in the world!” Madonna wrote, referencing her recovery from a medical issue earlier this summer. “Thank you to all of my fans and friends!”

    Those friends include Michael Rosenblatt, the former A&R man at Sire Records – Madonna’s first label – who helped launch her career.

    “I gave Madonna – after we signed – I gave her a gift of one of these old school Casiotone keyboards with a cassette player built in,” Rosenblatt told CNN in a recent interview. “And a week or two – definitely not longer than two weeks after I signed her – she came into my office and she played me ‘Lucky Star.’ She said, ‘I just wrote this on this little thing’ I got her.”

    “I told her she wrote her first hit,” he recalled.

    But luck had very little to do with the future Queen of Pop’s initial rise to fame, the kind of storied journey that has generated as many versions as those who tell it. One through-line, however, is that Madonna herself always seemed to know exactly where she was headed.

    “I was so impressed with her from the first time I met her,” Bobby Shaw – who worked in the world of music promotion in early-1980s New York City and was the first promoter of Madonna’s music – told CNN. He also called her a “go-getter” who was “really aggressive” in wanting to know all about the business.

    “Madonna” the album served as an explosive entry for the trained dancer-turned-singer on the road to being so much more. Although the album only contained eight songs total, those songs – including additional singles “Borderline,” “Burning Up” and “Holiday” – embodied the young and exuberant New York club culture of the time.

    Danceteria, a dance club in Manhattan’s Garment District from 1979 to 1986, served as one of the nexus points for the burgeoning music scene in the city. A then 24-year-old Michigan native who had already tried to put together a record in Paris, Madonna was known to frequent the spot – she even said she “stalked” a DJ there in a recent Instagram post.

    “My best friend at the time was Mark Kamins, who was the Friday, Saturday night DJ at Danceteria” Rosenblatt recalled. “And he told me about this girl who kept coming by trying to get him to play her demo – which he wouldn’t. But he told me this girl was just incredibly hot.”

    One Saturday night in the winter of ’81-‘82, he would finally meet Madonna, coincidentally while he was accompanying another duo of artists who recently had been signed by a friend of his in England – namely, Wham!.

    “So I’m out that night with George Michael and Andrew Ridgeley, taking them to various clubs. And we’re at Danceteria, we’re at the second floor bar area, which is where Mark Kamins was the DJ. And I saw this girl go across the dance floor and up to the DJ booth and I said to myself, ‘That’s gotta be this girl that Mark’s talking about,’” Rosenblatt said, going on to mention that the two started talking, and made an appointment that Monday for Madonna to play him her demo. (The demo, he later said, contained the track “Everybody” – which would eventually become “Madonna’s” lead single, along with a B-side titled “Ain’t No Big Deal.”)

    “So Monday, end of the day, Madonna and Mark showed up at my office and played me her demo, which was good. I mean, it wasn’t f–king amazing, but it was good,” he continued. “But what happened was, there was a star radiating in my office. It was her.”

    Madonna pictured in a loft on Canal Street, New York City, December 1982.

    Rosenblatt knew from the get-go that he was dealing with someone special, but he had one more test up his sleeve to spring on the neophyte.

    “I always ask this question – and I still do with any artist I’m interested in – (which) is, ‘What do you want? What are you looking for?’” he explained. “The wrong answer is, ‘I want to get my art out there.’ The best answer was the one Madonna gave me, which said, ‘I want to rule the world.’ And I thought, that’s a hell of an answer.” (As it happens, it’s also the answer Madonna famously gave Dick Clark on “American Bandstand” in 1984.)

    Rosenblatt’s instincts kicked in, and he wanted to move fast in securing a deal with Madonna. Which meant talking to his boss, Sire Records president Seymour Stein, and setting up an appointment for the two to meet the very next day – even though Stein was in the hospital at the time for a heart-related issue. (Stein lived for much longer, though, and passed away earlier this year).

    “I went up to see Seymour, played him the demo, told him all about her, that she’s just a f–king star and we gotta sign her,” Rosenblatt recalled.

    But there was still one thing that stuck out for him.

    “I told Madonna, ‘You have to bring some ID, because I don’t believe your name is Madonna.’ And she said, ‘What are you talking about?’” he said, adding that he replied to her at the time that it was “just too good to be true. It’s like, it’s perfect.”

    “And she came up the next day with her passport!”

    As with many parts of Madonna’s origin story, that meeting with Stein at the hospital has become the stuff of legend. There was a boombox in the room, and Rosenblatt played her demo again for Stein while Madonna was there. Beyond her music, the clincher was the artist standing there who was ready to take on the world.

    “We listened to the music again and Madonna charmed the hell out of him,” Rosenblatt said of that fateful day with Stein. “She knew that she was this close to getting a deal, and this was the guy who was gonna make it happen.”

    And while “everybody hit it off,” Rosenblatt still wasn’t fully confident that Stein would agree to sign her, because, he said, nobody else wanted to sign Madonna at the time. (The singer herself has spoken of the professional rejection she experienced in her early years in New York.)

    Rosenblatt said it had to do with just how novel Madonna really was – not only in terms of her personality and (later, oft-imitated) presentation – but also because her music differed from what was popular at the time.

    “You think about that genre, it hadn’t happened yet,” he said of Madonna’s early sound.

    “There was disco, and there was new wave. And there was nothing in the middle, you know what I mean? So nobody was interested,” he added, going on to say that it was “also maybe because she didn’t have a manager or lawyer out there shopping. She was just this club kid.”

    Madonna performing in Munich in March 1984.

    “Madonna was really coming out of the new wave clubs in a way that never really happened before,” he later said. “I mean, Debbie Harry was huge, but nobody was doing the disco/new wave thing, (the) R&B thing the way Madonna did. I mean, we created a format. But before that it didn’t (exist).”

    Still, Rosenblatt knew a star when he saw one, and Stein agreed. He said yes to signing her for a singles deal – “a $10,000 singles deal” – that day in hospital. Rosenblatt and Stein had a strategy, knowing that the singles deal would eventually lead to a full-on record contract down the road.

    “We went into the studio with Mark Kamins to cut ‘Ain’t No Big Deal,’ as the A-side, and ‘Everybody’s’ the B-side.” Rosenblatt said. “‘Ain’t No Big Deal’ did not come out well. So we just went with ‘Everybody.’ And I remember going into Bobby Shaw’s office because we’re all psyched about ‘Ain’t No Big Deal.’ And I said, ‘Well, that didn’t come out well. Is ‘Everybody’ strong enough for you?’ He goes, ‘Yeah. Yeah. Yeah.’”

    Shaw explained that his decision to promote “Everybody” was a little unorthodox, since there was still no album secured yet behind it.

    “Back then, unless there’s an album to back it up, the record companies aren’t going to spend a lot of money to try to get it on radio,” he explained.

    Still, they went for it.

    ”(‘Everybody’) was a good record. It’s pretty simple,” Shaw said. “The song was great. It doesn’t take a rocket scientist to figure that out.”

    Additionally, much like Rosenblatt, Shaw had more than a hunch that the person singing the song was going to be a big deal.

    “I knew before this first song that (Madonna) was somebody special,” Shaw said. “The music had to be good, but nonetheless, the first song was great. I loved it. And I mean, it made noise. It made noise enough to give her an album deal.”

    Madonna collaborated with a string of producers that included Kamins, Reggie Lucas – with whom they cut the song “Physical Attraction,” “which we loved,” Rosenblatt said – and John ‘Jellybean’ Benitez on her first few singles.

    “So we made the album and it had ‘Borderline,’ which I knew was a smash. It had ‘Lucky Star,’ which I thought was gonna be a big hit, but it didn’t have what I wanted to be the lead off, just stone cold hit,” Rosenblatt said. “And I went to Seymour and I said, ‘Dude, I need another $10,000 to do another song.’”

    Stein told him that in order to secure that additional funding, they would have to go to Los Angeles to meet the the top brass at Warner Bros. Records (now Warner Records) – Sire being a subsidiary of that company.

    “I just knew that if I were to take Madonna out to LA to meet Warner Bros., getting the money would be no problem,” Rosenblatt said.

    The pair traveled out to the West Coast, and stayed at Rosenblatt’s parents’ house, where Madonna invariably caught the attention of his mother.

    “We’re getting ready to go out to meet the Warner crew,” Rosenblatt recalled. “My mom pulls me aside before we leave and goes… ‘Do you think you should tell Madonna to take the rags out of her hair before you meet Warner Bros.?’” – a clear reaction to the future star’s style that would soon take youth fashion by storm.

    “And I said, ‘Thanks for caring mom, but we’re good!’” Rosenblatt added with a laugh.

    Madonna onstage at Madison Square Garden in 1984 in New York City.

    Of course, the meetings with the top brass went well – their trip even coincided with the Passover holiday, Rosenblatt shared, and Madonna ended up as a guest at the Seder with Rosenblatt, his family, and some of the WB music execs, including Mo Ostin, at the legendary Chasen’s Restaurant, where she sang verses of the Haggadah (Passover prayer book) while wearing her trademark crosses.

    “We met everybody and everybody loved her, everybody just loved her. Everybody got it,” Rosenblatt said. “She just charmed everybody. And at the end of the day before we left, I ran up to Lenny Waronker, who was the president of Warner Bros. at the time, (and) I said, ‘I need $10,000 to do one more song. I just need that lead out single.’ He said, ‘You got it.’ So the trip was a success.”

    Back in New York, Rosenblatt came to Lucas, Benitez and Kamins with a proposal.

    “I said, ‘Look, whoever comes to me with the song gets to produce it, I have $10K to cut a song.’”

    Four days later, he said Benitez came in with a demo version of a song called “Holiday.”

    “Sung by a guy. Much slower. But I love the song,” Rosenblatt recalled, adding how they proceeded to “speed it up and make it a dance record.”

    “Holiday” – to this day one of Madonna’s most well-known anthems – was the surefire element Rosenblatt thought they needed to finish the album.

    Then came the time to promote it, which wasn’t exactly in the bag yet. Shaw remembers how he and Madonna went down to Florida on a publicity tour, and drove around in “a beautiful convertible” while her brother, then-dancer Christopher Ciccone, and two other backup dancers traveled separately.

    “We were listening to music while we were driving. And I was smoking pot and she wasn’t smoking,” Shaw recalled of their drive to Key West from Fort Lauderdale. “And then that night it poured. We did the Copa in Key West.”

    Before the show, Shaw remembers sitting in one of their hotel rooms, watching the group rehearse. This was before Madonna was the Madonna the world eventually came to know, so sometimes the shows they played were for only a couple dozen people.

    “I look back at this now, it just seems so surreal. But I was sitting on the edge of a bed watching them practice dancing in a hotel room. And it poured that night and maybe 25 people came to the venue. She was nobody. Nobody knew her then. We were trying to break her. So it was grassroots, ground up.”

    Things changed, of course, thanks to the singles from the “Madonna” album picking up airplay on the radio and her music videos finding heavy rotation on the still new MTV. Madonna had a prescient attitude to music as a visual medium, quickly embracing the music video format when more established musicians initially balked at the concept.

    “When ‘Holiday’ just started to break, and then ‘Borderline,’ and then it was, like, over,” Rosenblatt recalls of the moment when the scales tipped and Madonna started to catch on. “And I think the record just started to explode.”

    Madonna at the 1984 MTV Video Music Awards, at Radio City Music Hall in New York City.

    This was still 1983, before Madonna’s smash sophomore album “Like A Virgin” and her now-legendary performance at the first-ever MTV Video Music Awards in September 1984, a showstopping display that made everyone who wasn’t already start paying attention.

    Looking back, Rosenblatt remembers telling Stein that Madonna was going to “be the biggest artist” he would ever work with.

    “And he’s like, laughing, he goes, ‘Yeah? How big is she gonna be?’ And I said, ‘Seymour, she’s gonna be bigger than Olivia Newton John,’ who at the time was the biggest selling female artist.”

    “I said she’d be bigger than Olivia Newton John and I thought she’d be like Barbara Streisand, because I really saw her acting,” Rosenblatt later added. “But who knew she was going to be this cultural idea, who knew she was going to be Marilyn Monroe. She became this cultural icon and that I don’t think anybody saw coming. But I knew, and as did Madonna.”

    “I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things,” Madonna said of her meteoric rise in a 1985 concert documentary. “I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.”

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  • ‘Cruel Summer’ for Taylor Swift fans in Asia as Singapore shows sell out | CNN Business

    ‘Cruel Summer’ for Taylor Swift fans in Asia as Singapore shows sell out | CNN Business

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    CNN
     — 

    It’s been a Cruel Summer for Taylor Swift fans in Asia.

    The heat was on last week as millions across the continent competed for just 300,000 tickets to see her in Singapore, which will host the only stop in Southeast Asia for the singer’s Eras Tour, which kicked off in March and will run until August 2024.

    Swift will perform at the city state’s National Stadium next March. With other regional hubs like Bangkok, Manila and Jakarta having seemingly missed out on the chance to host the singer, demand for tickets to one of her six nights in Singapore has been skyrocketing.

    Her fans elsewhere in the region blamed politics and a lack of infrastructure for failing to attract any highly coveted tour stops.

    Organizers in Singapore said more than 22 million people registered for pre-sale tickets while online queues passed the one million mark.

    When tickets went on sale Friday, they sold out within hours, leaving legions of “Swifties,” as the singer’s fans are known, disappointed and empty-handed.

    So fierce has the competition been that fans have taken to calling it the “Great War” for tickets.

    Among them was Jordan Lee, a die hard Swiftie from Jakarta who told CNN that he had come “close to snagging” a ticket, priced $80 and up.

    “Friends and me joined the ‘Great War’ online and we had queue numbers from 900,000 to 300,000. We managed to get into ticket selection (on the Ticketmaster website) but were not able to check out. It was too sad.”

    Lee is just one of countless Swift fans worldwide who has struggled to get a ticket for a tour that is reportedly on track to make a record $1 billion in sales.

    The Eras Tour features more than 100 concerts in the United States, South America, Europe, Australia and New Zealand.

    Apart from Singapore, Swift will play just one other country in Asia, Japan, and the resulting fan frenzy has captivated the region’s media outlets with stories about how far people will go to get a ticket.

    While Swift mania looks set to give Singapore’s economy a massive boost, it has sparked a debate in other places in the region about why they missed out on such a lucrative event.

    As Nur Hazlina, a disgruntled Swiftie from Kuala Lumpur told CNN: “If Taylor Swift doesn’t come to your country, it says something about the local tourism industry and economy.”

    CNN has reached out to the concert organizer Ticketmaster and its subsidiary Live Nation for comment.

    In Thailand, Pita Limjaroenrat, who is vying to become the country’s next prime minister, declared himself a Swiftie and urged her to visit.

    “Thailand is back on track to be fully democratic after you had to cancel last time due to the coup,” the head of the progressive Move Forward Party said in a tweet that went viral. “The Thai people have spoken … and we all look forward to welcoming you to this beautiful nation of ours!”

    In 2014, Swift was forced to cancel a sold out show in Bangkok following a military coup.

    Move Forward has a huge following among young Thais for its reformist platform and won the most seats and largest share of the popular vote in the May election, though questions remain over whether the military elite will let them rule.

    In the Philippines, home to one of the largest and most vocal Swift fanbases, introspection by the local media centered on whether the country had been overlooked due to its notorious traffic jams and poor public transportation.

    Swift onstage at the AT&T Stadium in Arlington, Texas on March 31, 2023.

    Swift fans in the United States are known for championing public transport, sometimes overwhelming bus systems and subways when one of her shows is on.

    An editorial in the Inquirer newspaper lamented that the famed Philippine Arena, the world’s largest indoor arena, might otherwise have been an ideal site.

    “Getting to the Philippine Arena is a test of determination,” the paper said. “It is not enough to build sophisticated structures, it is also paramount to ensure that equally necessary features including road networks, parking lots, public bathrooms and most importantly, an efficient transport system, are available and accessible.”

    In Malaysia and Indonesia, both Muslim majority nations, some wondered whether conservative laws and the influence of hardline Islamic groups might have put off tour organizers.

    Swift is known for flashy and sometimes revealing costumes on stage. Western acts in the two countries have occasionally caused controversy in the past.

    British band Coldplay recently came under pressure from a Malaysian Islamic party to cancel an upcoming show in Kuala Lumpur due to the band’s acceptance of gay rights.

    Among those trying to snag online tickets to see Swift in Singapore was Malaysian politician Syed Saddiq, who once served as the country’s minister of youth and sports.

    “Imagine the amount of money and visitors those six nights would bring [to Singapore] in such a short period of time,” he told CNN, while recalling how religious protesters had gathered outside a Selena Gomez concert he attended in Kuala Lumpur back in 2015.

    “They weren’t violent but they made their views very clear, the same would happen with Taylor Swift if she came to Malaysia,” he said.

    “Malaysia might have hosted some of the best events and concerts but that is no longer the case today. This is not how countries should market themselves.”

    In Indonesia, hardline Islamic groups have in the past threatened violence in response to foreign music acts they deem inappropriate.

    In 2012, Lady Gaga called off a sold out show in Jakarta, meant to be her biggest stop in Asia, after religious protesters threatened violence. The public uproar also resulted in Indonesian police refusing to issue permits for the star to perform.

    Outside Southeast Asia, Hong Kong, often seen as a rival to Singapore, has also been debating why it might have lost out.

    One event planner in the city told CNN that most venues were often “too small” and “difficult to secure.”

    “Many big stars tend to skip Hong Kong. Venues can only hold about 20,000 people, which is too few for Taylor Swift and her Eras Tour, which will be a big production. Black Pink [in comparison] was a lot easier, and cheaper, to stage,” the person said, referring to the K-pop group.

    Singapore's National Stadium

    Singapore, with a population of just six million has been “strategic and aggressive” when it comes to business and promoting itself, experts told CNN, in a quest spearheaded by the government that has been years in the making.

    “Singapore isn’t the cheapest place to do business but it has many other things going for it: well connected with efficient infrastructure already in place, public safety… all great incentives for event organizers who don’t want risks,” said economist Song Seng Wun.

    “Swift is an extremely talented and savvy businesswoman. Every decision she makes about her tour would be strategic,” added Song, who lives in the city state.

    Taylor Swift performs onstage during her US-leg of the Eras Tour.

    In a statement to CNN, Kallang Alive Sport Management, a corporate entity established by Singapore’s Ministry of Culture, Community and Youth and Sport, celebrated its big win.

    A spokesperson said the group “led discussions” around the concerts and took their planning to the finish line.

    “Live performances draw larger crowds, and we responded by working with promoters to bring in more large-scale multiple-day concerts for our audiences. Today we are seeing significantly higher numbers of high quality concerts… with leading artistes choosing to perform in Singapore,” the spokesperson said.

    “Many of these concerts sell out within hours of tickets going on sale and this … signals to the world that Singapore is the leading destination in Asia for live events.”

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  • Ringo Starr says The Beatles would ‘never’ fake John Lennon’s vocals with AI on new song | CNN

    Ringo Starr says The Beatles would ‘never’ fake John Lennon’s vocals with AI on new song | CNN

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    CNN
     — 

    Ringo Starr is doubling down about the authenticity of the vocals on the highly anticipated new Beatles song recently teased by former bandmate Paul McCartney.

    Starr spoke with Rolling Stone for an upcoming podcast, in which he ensured that they would “never” fake the late John Lennon’s vocals for the new track, which instead uses AI to clean up previously recorded snippets.

    The song will also feature the voice of the late George Harrison, Starr confirmed.

    Paul McCartney says a ‘final’ Beatles song is coming

    “This was beautiful,” he said, noting, “it’s the final track you’ll ever hear with the four lads. And that’s a fact.”

    McCartney attempted to clarify last month how artificial intelligence is being used on what he said will be the “final” Beatles song.

    “We’ve seen some confusion and speculation about it,” he wrote in a note posted on his verified Instagram story at the time. “Seems to be a lot of guess work out there.”

    “Can’t say too much at this stage but to be clear, nothing has been artificially or synthetically created. It’s all real and we all play on it,” he added. “We cleaned up some existing recordings – a process which has gone on for years.”

    In a June 13 interview with BBC Radio 4’s “Today” program, the legendary musician, 81, said that AI technology was being used to release a “new” track featuring all four Beatles, including fellow band members Lennon and Harrison, who died in 1980 and 2001, respectively.

    “When we came to make what will be the last Beatles record – it was a demo that John had that we worked on and we just finished it up, it will be released this year – and we were able to take John’s voice and get it pure through this AI,” McCartney said. “So then we were able to mix the record as you would normally do.”

    Starr, meanwhile, is about to celebrate his 83rd birthday on July 7.

    The music icon, who just finished a spring tour with his All-Starr Band, told Rolling Stone that he’s feeling great. “You never know when you’re gonna drop, that’s the thing,” he added. “And I’m not dropping yet.”

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  • The demo tape that launched Prince’s legendary career is now up for auction | CNN

    The demo tape that launched Prince’s legendary career is now up for auction | CNN

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    CNN
     — 

    For years, the demo tape that launched Prince’s storied career had been tucked away in an attic of the home of the music executive that first signed him.

    Now, music enthusiasts and Prince fans worldwide have a chance to own the tape that landed the Minneapolis superstar his first record contract as it goes up for auction, according to Boston-based auction house RR Auction.

    The demo, recorded in 1976 and still in its original custom packaging, is part of the Marvels of Modern Music auction that ends on Thursday.

    It contains unreleased versions of the songs “Just As Long as We’re Together” and “My Love is Forever,” as well as the never-released “Jelly Jam.”

    Prince was just 18 years old when he recorded the tracks – all written, sung, arranged and played by himself – at Sound 80 Studios in Minneapolis, RR Auction said in a news release.

    “It is the original tape, so this is the birth of who became known as Prince,” Bobby Livingston, RR Auction’s executive vice president of public relations, told CNN.

    “It’s incredible because it comes from the record executive whom it was sent to, so it has this unbroken chain of custody,” Livingston said.

    The special artifact was discovered by Jeff Gold, a former Warner Bros. Records executive vice president and general manager who was friends with music industry executive Russ Thyret.

    Thyret, who later served as the record company’s CEO and chairman, signed Prince to Warner Bros. on June 25, 1977, shortly after his 19th birthday.

    Gold, who today runs an online business selling high-end collectibles and helps artists value their archives, said he received a call from Thyret’s widow, who lives in Los Angeles. Thyret died in 2021.

    “(She said), ‘Russ saved a lot of stuff and it’s all up in the attic of our house – would you come take a look and help me figure out what to do with it, and buy anything you’re interested in?’” Gold told CNN.

    He said he came across a couple of boxes containing tapes in the attic.

    The demo features unreleased versions of three original Prince songs.

    “When I saw (the demo tape), I knew exactly what it was,” Gold said. “I was very excited when I saw it, but guardedly so, because you never know if the tape’s going to be playable or if the tape has the wrong thing in the box – but happily, this one had the right thing.”

    The demo tape up for auction comes with a plexiglass display case, a business card belonging to Thyrett, a CD transfer of the tape’s audio and a letter of provenance from Gold, according to RR Auction.

    Several other Prince items are being auctioned, including the lace glove he wore on stage during the Purple Rain tour and a sealed first pressing of “The Black Album,” the auction house said.

    Previously auctioned Prince items have sold for big price tags. The original lyrics of his song, “Nothing Compares 2 U,” sold for $150,000, according to Livingston.

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  • Taylor Swift sets summer’s hottest dress code: Sequins, boots, cowboy hats | CNN Business

    Taylor Swift sets summer’s hottest dress code: Sequins, boots, cowboy hats | CNN Business

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    New York
    CNN
     — 

    What’s the dress code of Summer 2023? Call it TikTok-approved coastal cowgirl aesthetic. Or, in other words, the Taylor Swift look.

    With the superstar entertainer pulling in record-breaking crowds for “The Eras Tour,” retailers across the country are marketing to “Swifties,” aggressively and inventively, as her 52-stadium tour hits their towns.

    Women’s clothing-company founder Taylor Johnson said that, from one Taylor to another, she owes Swift a big “Thank You” for going on tour again and making sparkly sequined dresses, cowboy hats and rhinestone boots massively saleable. “This has become a wild year already for us because of Taylor Swift,” said Johnson, CEO of Hazel & Olive.

    One of their dresses in particular, called aThe Eras Sequin Fringe Dress, which retails for $129, is on fire. “Our phones have been blowing up and we’ve been getting hundreds of calls and Instagram messages about that dress,” she said.

    Francesca’s, a fashion chain with 454 boutiques nationwide, expected Swift’s tour to have an impact. But ruffle, prairie, babydoll and bow-back style dresses get a 30% jump in sales at the stores when Swift is in town, said Leanne Neale, vice president of concept and creative with the Houston company.

    Trendy clothing chain Altar’d State has proactively gone all-in on Swift mania by curating looks from its collection for every one of the Swift albums. “Enter your Era,” it invites.

    Swift’s “The Eras Tour,” was infamous before it even began. The concerts were so wildly anticipated that ticket presale on Ticketmaster became a highly publicized debacle. Ticketmaster blamed extraordinary demand for crashing its website and eventually canceled ticket sales to the public. Many were left without a ticket even after purchase.

    The mess drew the ire of lawmakers, leading to a Justice Department investigation and a congressional hearing.

    Taylor Swift performs onstage during night one of Taylor Swift | The Eras Tour at Nissan Stadium on May 05, 2023 in Nashville, Tennessee.

    Ticketmaster apologized to Swift and her fans for the “terrible experience” and said it would work to “shore up our tech for the new bar that has been set by demand” for Swift’s tour.

    That was too little too late for some fans who took Ticketmaster (and parent company Live Nation) to court.

    But the show must go on, and it did, with Swift headed to New Jersey’s MetLife Stadium (seating capacity: 82,500) for shows into and over the Memorial Day weekend.

    At Altar’d State, “We’ve never prepped stores this way but we’re calling it Taylor week,” said Callie Lewis, chief merchandising officer. Mannequins wearing Swift-inspired looks are placed front and center in their stores along with other concert-friendly merchandise such as clear handbags that meet security protocols at concert venues.

    What’s moving? Everything from sundresses and metallic boots to romantic, breezy long dresses, tulle tops, daring red gowns and lots and lots and lots of fringe. “We can’t restock fast enough,” said Lewis. Hot sellers include lavender-colored clothing (inspired by Swift’s song Lavender Haze.)

    Altar'd State stores have curated Taylor Swift looks for concert goers.

    Swift isn’t the only hot concert tour influencing the fashion business in 2023. Neale at francesca’s said she’s looking to Beyonce’s “Renaissance” tour firing up demand for concertwear, too. Francesca’s stores, she said will also curate looks that appeal to the BeyHive.

    Retailer Johnson admits that all this mad dash for product is a good problem to have, given that as much as 80% of Hazel & Olive’s monthly orders currently are for concert looks. (She declined to disclose her annual sales but said she operates a multimillion-dollar-a-year small business.

    Beyonce fans queue to enter to the Friends Arena to watch her first concert of the World Tour named

    Johnson said she’s been ordering the maximum quantity of the most in-demand concert styles from her supplier, but even that’s not enough, lately.

    “As soon as I get more inventory in, it sells outs quickly,” she said, adding that she’s even flying in merchandise at a higher cost from her suppliers in China, instead of shipping it via sea as she usually does, in order to speed up delivery. As for the Taylor Swift bump to business, Johnson said she’s grateful for it.

    “This is crazy. I need Taylor Swift to go on concert year-round because we’re now on pace to have our biggest sales year yet,” she said.

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  • Man indicted for the murder of rapper Takeoff | CNN

    Man indicted for the murder of rapper Takeoff | CNN

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    CNN
     — 

    A grand jury in Harris County, Texas, on Thursday indicted a man for the murder of Takeoff, a member of the rap group Migos.

    Patrick Clark, 33, was arrested in connection with the death in December.

    Takeoff, 28, was shot to death outside a private party at 810 Billiards and Bowling in Houston on November 1. “There was an argument outside the bowling alley which led to the shooting,” Houston Police Chief Troy Finner said at the time. Another man, Cameron Joshua, was arrested and charged with unlawful carrying of a weapon in relation to the shooting.

    Police described Takeoff as an “innocent bystander” to the argument that preceded the shooting.

    In the arraignment document, the state claims Clark “unlawfully, intentionally and knowingly commit the felony offense of Deadly Conduct by knowingly discharging a firearm at and in the direction of” Takeoff.

    Clark’s defense attorney, Letitia Quiñones-Hollins, told CNN that the indictment was expected.

    “We would ask people to remember that getting an indictment requires meeting a very, very minimal standard of proof,” she said in a statement. “When we get inside a courtroom and in front of a jury, where we will be able to put on our evidence and cross-examine the state’s witnesses – where the standard of proof is guilt beyond reasonable doubt – we expect the jury will come back with a verdict of not guilty.”

    Clark remains under house arrest on $1 million bond.

    Takeoff was the youngest member of the trio Migos, alongside his uncle Quavo and rapper Offset. Artists including Justin Bieber and Drake remembered Takeoff as a talented rapper and loving friend and family member at his memorial last year.

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  • Andy Rourke, former bassist with The Smiths, dead at 59 | CNN

    Andy Rourke, former bassist with The Smiths, dead at 59 | CNN

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    London
    CNN
     — 

    Andy Rourke, bassist for legendary English rock band The Smiths, has died at age 59 after a battle with pancreatic cancer, his former bandmate announced Friday.

    “It is with deep sadness that we announce the passing of Andy Rourke after a lengthy illness with pancreatic cancer,” guitarist Johnny Marr wrote on Twitter.

    “Andy will be remembered as a kind and beautiful soul by those who knew him and as a supremely gifted musician by music fans,” Marr said.

    “We request privacy at this sad time,” he added.

    Rourke joined The Smiths in 1982, and played alongside the band until their split in 1987 ahead of the release of their fourth studio album, “Strangeways, Here We Come.”

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  • This 1960s trailblazer of erotic pop art died just as she was finding fame | CNN

    This 1960s trailblazer of erotic pop art died just as she was finding fame | CNN

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    Editor’s Note: Untold Art History investigates lesser-known stories in art, spotlighting pioneering artists who were overlooked during their lifetimes, as well as uncovering new insights into influential artworks that radically shift our understanding of them.



    CNN
     — 

    Throughout Evelyne Axell’s short but radical career, the Belgian artist revered the female body in psychedelic hues rendered in gleaming enamel. Nude women recline in acid green or cerulean blue fields under open skies; in one portrait, bodies and landscape become indistinguishable, with rings of colors forming the volume of a perm and tufts of grass the pubic hair.

    She delighted in double meanings. Axell’s most famous artwork, of a woman licking an ice cream cone, could be both a summery advertisement or an explicit pornographic scene. She named another painting, of red heels on a gas pedal, “Axell-ération” — an implied self-portrait, like many of her works.

    But the young actor-turned-Pop artist, who was working in the 1960s and early ’70s and had been trained by the famed surrealist artist René Magritte, had her career cut short. In 1972, only a handful of years into painting, she died in a car crash and faded into relative obscurity. Only in the past decade as curators have revisited the pop art movement beyond celebrated male artists — such as Andy Warhol, Roy Lichtenstein and Richard Hamilton — has Axell arisen as one of the many women co-opting mass media to engage with the social structures and politics of the ‘60s.

    “If you asked almost anybody to name a woman pop artist, you would probably get a blank stare,” said Catherine Morris, a curator at the Brooklyn Museum, which hosted the touring show “Seductive Subversion: Women Pop Artists, 1958–1968” in 2011. The landmark group show featured Axell and contemporaries including Pauline Boty and Chryssa.

    “(If this) period of emergence of women Pop artists had even been a couple of years later, we probably would have been more aware,” Morris continued, pointing to the 1970s as a turning point for women artists in the wake of second-wave feminism. “This whole group of women who covered this decade were dramatically overlooked.”

    Since “Seductive Subversion,” which first exhibited at The University of the Arts in Philadelphia, Axell’s work has been included in a host of significant group shows that take a more expansive, international view of pop art and foreground women. And in 2021, she achieved a significant posthumous milestone, with the Museum of Modern Art in New York adding “Axell-ération” to its collection. But institutional solo exhibitions remain few and far between, with retrospectives hosted by Museum Abteiberg in western Germany and the remote Swiss Alps art center Muzeum Susch 10 years apart. (Perhaps, in part, because of her limited output.)

    Now, two of Axell’s playful, erotic artworks— both painted with her signature application of enamel on plexiglass — are poised to make history at Christie’s, in her first major New York sale. “Paysage” a dreamy pastoral nude, is expected to surpass her record of $140,000, set in 2017, with a high estimate of $200,000; “L’Amazone”, a sensual blue-ombre hued portrait, could also come close at $120,000. But such sales for Axell are infrequent, according to Sara Friedlander, Christie’s deputy chairman of post-war and contemporary art.

    “She made very little work — she was 37-years-old when she died,” Friedlander said in a phone call. “So, in a way, the market doesn’t have enough to know what to do with her. These (paintings) are very special and very rare.”

    The decade following Axell’s death saw the emergence of a number of women artists who unabashedly expressed female sexuality, painting and photographing their own bodies, and subverting erotic or pornographic imagery. Artists such as Joan Semmel and Marilyn Minter believed that feminism should be inclusive of sexual agency, but as Morris explained, they faced criticism for doing so.

    Many of Axell's works are self-portraits, though she often obscured her identity by signing only with her last name.

    “The feminist artists who emerged in the 1970s and into the 1980s and 90s were very much taken to task by orthodox feminism in relationship to them utilizing their own sexuality, their own bodies, their own beauty,” she said.

    Axell might have been part of this crucial wave; curators and scholars are still unpacking her prescient feminist ideas, and the paradisical world she set them in. Instead, she hid her identity, signing her works with only her last name, after facing derision from male art critics, according to the exhibition at Muzeum Susch. Her stylistic approach — a mix of pop art influences and dreamy surrealist settings — is still underrecognized, according to Morris.

    “She acts as a historical bridge (between surrealism and pop art),” she said. “And I think that that’s something that’s dramatically unexplored.”

    Axell experimented with materials, applying enamel paint to plexiglas to heighten the dreamlike qualities of her work, as in this painting,

    Skilled at challenging expectations around her own beauty, sexuality and sense of self in her work, Axell was also politically engaged, producing portraits of the African American activist Angela Davis and a painting responding to the Kent State campus shootings in 1970.

    “Despite all aggressiveness, my universe abounds above all in an unconditional love for life,” Axell said in her only interview in 1970, according to a publication by Muzeum Susch. “My subject is clear: nudity and femininity experiment in the utopia of a bio-botanical freedom; that means a freedom without frustration nor gradual submission, and that tolerates only the limits that it sets itself.”

    One of Morris’ favorite works, shown at the Brooklyn Museum, embodies this spirit: an abstracted view of a woman’s torso, the curves of her body like peaks and valleys, her vulva covered in a real tuffet of green fur. Called “Petite fourrure verte” or “Small green fur,” the intimate perspective was based on a photograph Axell’s filmmaker husband, Jean Antoine, had taken of her.

    “It’s from 1970, just a couple years before her death,” Morris said. “So for me, it really epitomizes what would have been — what was to come.”

    Top image: “Axell-ération” from 1965.

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  • Where to travel in 2023: The best destinations to visit | CNN

    Where to travel in 2023: The best destinations to visit | CNN

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    CNN
     — 

    As peak vacation season sails into view and the world shakes off the last shackles of the pandemic, it feels like the appetite for hitting the road has never been greater.

    International tourism reached 80% of pre-pandemic levels in the first quarter of 2023, according to the United Nations World Tourism Organization, with an estimated 235 million tourists traveling internationally in January, February and March. And experts are cautiously optimistic about a continued travel rebound.

    Demand is high, with many popular destinations booking out earlier in the year.

    Thankfully, there’s so much out there still to see and do.

    Travel expert explains why you should book your dream vacation now

    Here are 23 destination ideas from CNN Travel to get you started:

    From the main square in Krakow, pictured, to forests, lakes and mountains, Poland invites exploration.

    We could list new openings in Poland – such as Hotel Verte, the new Autograph Collection property in Warsaw, which threw open its gilded doors (it’s in a humongous Baroque palace) last August. But the reason you should visit Poland in 2023 isn’t for the chance to stay in a place fit for royalty. It’s to show solidarity with a country which has, in turn, shown solidarity to the people of Ukraine.

    Sharing a 300-plus-mile border with a country under attack has meant that Poland has taken in more Ukrainian refugees than anywhere else. Add to that plummeting tourist numbers (though they’re on the rise again), and you have a tricky situation.

    So whether you fancy that Warsaw palace, a city break to the likes of Krakow, Gdansk, Wrocław or Poznań – all hundreds of miles from the Ukrainian border – or to get away from it all in the forests, lakes and mountains of the countryside – now’s your chance to do some good by taking a vacation. – Julia Buckley

    A full solar eclipse will be visible in April in Exmouth, Western Australia. The landscape is worth a long look, too.

    Back in April, thousands of people descended on the town of Exmouth and the greater Ningaloo Peninsula, to witness a rare total solar eclipse as it became visible over the northwestern edge of Australia.

    Organizers spent more than a year planning for the event, which lasted about a minute, and featured musical performances, educational opportunities to learn about science and astronomy, and a three-day festival.

    But the state of Western Australia offers much more than some 60 seconds of wonder.

    Spanning one-third of the entire continent of Australia, it stretches from the lively, growing state capital of Perth across deserts including the Great Victoria and Great Sandy to the wine country of Margaret River, the dramatic clifftops of the Kimberley and the quokka-covered Rottnest Island. – Lilit Marcus

    Mersey paradise: Liverpool.

    England’s port city of Liverpool, best known around the world as the birthplace of The Beatles, has added another chapter to its musical legacy.

    It’s the host city of Eurovision 2023, the spangly extravaganza of song that brings an influx of thousands of flag-waving fans from across the continent. The annual event is an opportunity for the city to bounce back after the ignominy of being stripped of its UNESCO World Heritage status in 2021.

    In June, the city will celebrate 25 years of the Liverpool Biennial contemporary visual arts festival, as more than 30 international artists and collectives take over spaces in the city until September.

    England is also marking the Year of the Coast in 2023, with food festivals and beach cleans taking place along the country’s shores. Just a half hour from Liverpool city center by train, Crosby Beach is the permanent home of sculptor Antony Gormley’s “Another Place,” where 100 cast-iron figures stand facing out to sea. – Maureen O’Hare

    Charleston, a city of undeniable refined, historic beauty, is also looking more closely at its troubled past.

    Charleston parades its past like no other US city, but it often glossed over the history of its Black residents. It’s been taking steps to fix that.

    Enter the much-delayed International African American Museum, which is now expected to open in late June.

    Located on the shoreline of the Cooper River in the spot where many Africans first set foot in North America, it will explore the lives of slaves and their descendants.

    Visitors in late May and early June can enjoy the world-renowned Spoleto Festival featuring opera, theater, dance, musical acts and artist talks.

    In March, foodies headed to the Charleston Wine and Food Festival to sample Lowcountry favorites.

    For fancy Southern fare, try Magnolias. Opened in 1990, it helped spur the city’s culinary renaissance. For something informal, try Bertha’s Kitchen in North Charleston, where red rice with sausage, fried chicken and lima beans rule. The eatery even caught attention of “Roadfood” author Michael Stern. – Forrest Brown

    Self-effacing Vilnius admitted in an ad campaign this year that nobody really knows where it is. If their brilliant video didn’t make you want to book a trip there immediately, perhaps this will: the capital of Lithuania celebrated its 700th anniversary on January 25, 2023.

    To mark the milestone, a packed program of events, including music festivals and exhibitions, are being held throughout the year. But use the anniversary as a push to visit rather than following a program religiously.

    The entire city center is a UNESCO World Heritage Site – putting it up there with its fellow V-cities, Venice and Vienna. Vilnius makes it on the list thanks to its Gothic, Renaissance and Baroque buildings, all sitting on a medieval street plan, but it’s best known for its Baroque architecture.

    Don’t miss the frothy bell tower of St. John’s church (you can climb it for sweeping city views) or the church of St. Casimir, topped by a giant crown. Got an eye for social media? This is Europe’s only capital city that allows hot air balloons to cruise over the city skyline. – JB

    Scenes like this await visitors to Fiji.

    Brilliant blue waters, expansive coral reefs and hundreds of peaceful islands: Fiji is not a hard sell. But why go there in 2023? For one, the country only reopened post-Covid at the end of 2021, meaning that visitor numbers to the South Pacific paradise have yet to fully rebound.

    While the country is spoiled for underwater beauty, take an opportunity to explore its above-ground treasures, too. The country’s lone UNESCO World Heritage site is the town of Levuka, a former capital and an important port, which is studded with British colonial-era buildings amid coconut and mango trees.

    To learn about the local Indigenous communities, travelers can take part in a kava welcoming ceremony – named for the traditional drink at its center – or enjoy a lovo, a meal cooked by hot coals in an underground pit covered with banana leaves.

    Fiji Airways now has direct flights from Los Angeles and San Francisco, making it relatively easy to get to the islands. As the Fijians say, bula! – LM

    As the fate of the Amazon rainforest hangs in the balance, two eco-lodges around Manaus – the capital of Brazil’s Amazonas state, and gateway to the river – have used their pandemic pause to get even more environmentally friendly.

    Juma Amazon Lodge, about 50 miles south of the city, is now fully powered by a new $400,000 solar plant, whose 268 double panels swagger nearly 40 feet into the air above the canopy (meaning no trees had to be cut). They’ve also built a biogas system to increase the efficiency of organic waste treatment, reducing annual carbon emissions by eight tons.

    Meanwhile, Anavilhanas Jungle Lodge, northwest of Manaus on the Rio Negro river, opened an off-grid “advanced base” during the pandemic that’s 30 miles from the main lodge and accessible only via river.

    Guests can take long jungle hikes through territory home to jaguars, pumas and giant armadillos in what’s one of the Amazon region’s most remote hotel facilities, then spend the afternoon in a hammock or by the pool. For 2023, the lodge is planning overnight stays in a creekside tent for small groups.

    Don’t miss Manaus itself – eating behemoth Amazonian fish outside the pink 1896 opera house is a bucket list experience. – JB

    Enticing flavors, history and proximity to beaches and mountains are just a few factors working in this Greek city's favor.

    There’s been no shortage of reasons to visit Greece’s second city in recent times, with a UNESCO-endorsed local food scene that recently celebrated the refurb and reopening of its century-old Modiano food market.

    Throw in a popular waterfront and proximity to beautiful beaches and inland mountains, Thessaloniki is surely a contender for one of Europe’s best city-break destinations.

    What could make it even better? How about a gleaming new metro system? All being well, November 2023 should see the opening of the main line of an infrastructure megaproject that will eventually connect the city’s downtown to its international airport. Driverless trains will whisk passengers through tunnels whose excavation has added to Thessaloniki’s already rich catalog of archeological discoveries, many of which will be on display in specially created museum stations. – Barry Neild

    January 2023 saw the official opening of Rwanda’s most exciting hotel yet: Sextantio Rwanda, a collection of traditionally crafted huts on an island on Lake Kivu, one of Africa’s largest lakes.

    It’s the first project outside Italy for Daniele Kihlgren, whose part-hotel, part-living history projects keep local tradition alive. A nonprofit delivering money straight to local communities, Sextantio sees guests fishing on the 1,000-square-mile lake, paddling in dug-out canoes, trying local banana beer and wildlife-spotting – and not just the chickens, cows, pigs and goats that roam around the property.

    Of course, you’ll want to see gorillas. Adjoining Volcanoes National Park, the Dian Fossey Gorilla Fund opened the 4,500-square meter Ellen DeGeneres Campus in 2022. Its visitor center includes exhibits, virtual reality gorilla “encounters” and nature trails.

    Over in Akagera National Park, white rhinos – transferred from South Africa in 2021 to aid conservation – are already calving. It’s easier to get there, too. A new route from London joins Brussels, Dubai, Guangzhou and Mumbai as the only direct flights to Kigali from outside the African continent. – JB

    Voted the world’s most sustainable destination in the world for six years running, Sweden’s second-biggest city is finally emerging from the shadow of Stockholm.

    Once a major trading and shipping town, Gothenburg is now considered to be one of the greenest destinations in Europe, with 274 square meters (2,950 square feet) of green space per citizen, while 95% of its hotels are certified as eco-friendly.

    Although Gothenburg officially turned 400 in 2021, the celebrations were put on ice because of the global pandemic. But they’re finally taking place in 2023, so it’s a great time to visit.

    Sweden’s King Carl XVI Gustav, who celebrates 50 years on the throne this year, will be in town on June 4, Gothenburg’s official birthday, and the city’s major anniversary festival is being held in the Frihamnen port district from June 2 to 5, with concerts and art events among the activities on offer.

    The festivities will continue throughout the summer until the September 3 kick off of Göteborgsvarvet Marathon, a new 26-mile race following on from the city’s popular half marathon on May 13. – Tamara Hardingham-Gill

    The Dhayah Fort in Ras al-Khaimah is one of the few remaining hill forts in the United Arab Emirates.

    When travelers think of the United Arab Emirates, the dazzling skyline of Dubai is usually what springs to mind.

    But the UAE has a lot to offer nature lovers too – particularly the northernmost emirate Ras al-Khaimah, which is aiming to become the Middle East’s most sustainable destination by 2025 thanks to a new “Balanced Tourism” strategy.

    Just 45 minutes from Dubai, it’s often called the “adventure Emirate,” and for good reason. Offering beaches, deserts and mountains, outdoor attractions abound, such as sand boarding, trekking, wakeboarding, skydiving, scuba diving and even the world’s longest zipline.

    But it’s not all about the adrenaline rush. Ras Al Khaimah is where you’ll find the highest restaurant in the United Arab Emirates, 1484 by Puro, which sits in the emirate’s Jebel Jais Mountains. Culture seekers can head for the historic Dhayah Fort, which dates back to the Late Bronze Age (1600-1300 BC).

    Where to stay? Luxury hospitality brand Anantara is opening a fabulous new resort there later this year that will offer 174 guestrooms, suites and overwater villas along with specialty restaurants and a spa. – Karla Cripps

    Three-tiered Kuang Si Falls is just south of UNESCO-listed Luang Prabang.

    Sharing borders with Thailand, Cambodia, Vietnam, China and Myanmar, landlocked Laos has long been a must-hit spot for time-rich travelers making their way through the Southeast Asia circuit.

    But now, thanks to the 2021 opening of a semi-high-speed railway, it’s easier than ever to get around the country at a quicker pace, shaving hours off journeys that previously took full days to travel.

    You’re still going to have to make some hard choices – there’s a lot to see in Laos.

    Towering karst peaks await visitors to adventure-haven Vang Vieng, while UNESCO-listed Luang Prabang is filled with French-colonial heritage, Buddhist ritual and natural beauty. (Luxury seekers will want to check into the Rosewood Luang Prabang, with its stylish hilltop tents)

    The mysterious Plain of Jars, a megalithic archaeological site, can be found in the Xiangkhoang Plateau. For a once-in-a-lifetime experience that makes a difference, head for Bokeo Province and join one of the Gibbon Experience’s overnight treks. Guests of this tourism-based conservation project spend the night in the world’s tallest treehouses – only accessible by zipline – among wild, black-crested gibbons. – KC

    Rolling hills, medieval buildings – and the officially crowned world’s best cheese. Welcome to Gruyères, Switzerland.

    Everywhere you look in this tiny, hilltop town, there’s a different picture-perfect view – from the medieval market square to the turreted 13th-century castle. A doable day trip from Geneva, summer promises hiking opportunities aplenty, while winter allows for venturing to the nearby Moléson-sur-Gruyères ski resort.

    To taste Gruyères’ namesake fromage, stop off at the wood-lined Chalet de Gruyères. And to learn how cheesemakers perfect this creamy goodness, head to La Maison du Gruyère factory. For further foodie delights, there’s the Maison Cailler chocolate factory – from the outside it looks like something from a Wes Anderson movie, inside it offers a glimpse into the secrets of Swiss chocolate making.

    Gruyères is also home to the surreal HR Giger Museum, celebrating the work of the acclaimed Swiss artist behind the eponymous alien in the 1979 movie “Alien.” A drink at the museum’s bar, designed by Giger in an eerie skeletal aesthetic, offers an antidote to Gruyères’ fairytale vibe. – Francesca Street

    A modern Indigenous restaurant in Minneapolis has earned one of the culinary world’s highest honors, and it’s not alone in shining light on Native communities in the area.

    At Owamni, a James Beard Award winner for best new restaurant, Indigenous ingredients – trout, bison, sweet potatoes and more – make up “decolonized” menus where ingredients such as wheat flour and beef are absent. The restaurant is a partnership between chef Sean Sherman, Oglala Lakota and Dana Thompson, who is a lineal descendant of the Wahpeton-Sisseton and Mdewakanton Dakota tribes.

    Earlier this year, one of the pair’s community-owned initiatives, Indigenous Food Lab, opened a market in Minneapolis’ Midtown Global Market, a former Sears building housing businesses that represent more than 22 cultures.

    The open-air Four Sisters Farmers Market (Thursdays June through October) also focuses on Indigenous products. And at the Minnesota History Center in neighboring St. Paul, the exhibit “Our Home: Native Minnesota” looks at thousands of years of Native history in the state. – Marnie Hunter

    While Colomia's busy capital can be congested, it's also home to the historic neighborhood of La Candelaria.

    Caribbean coast destinations such as the Rosario archipelago or the UNESCO heritage list city of Cartagena are rightly top of most Colombia travel wish lists, but also deserving a look-in is the country’s somewhat unsung capital of Bogotá.

    Yes, it’s a messy, traffic-snarled urban sprawl, but it’s also a high-altitude crucible of culture and cuisine. There are tours that chart the city’s transformation from graffiti wild west to incredible street art gallery.

    Equally colorful are the restaurants that make the most of Colombia’s diverse natural larder of flora on menus that range from delicious peasant dishes to mind-blowing Michelin-level gastronomy. And then there’s the coffee!

    The congestion (except on regular cycle-only days) thins quickly on its outskirts, allowing day trips to see historic and modern treasures. Itineraries include Lake Guatavita, where conquistadors once plundered sunken gold offerings left by indigenous Muisca people, or the majestic subterranean Zipaquirá salt cathedral. – BN

    Famed for its mountain treks through ancient trails that once facilitated trade between the Himalayas and India, Nepal’s stunning Mustang Valley sits on the doorstep of Tibet.

    Expect to hear a lot more about this remote destination in the coming months thanks to the arrival of the soon-to-open Shinta Mani Mustang. Part of the Bensley Collection, this all-inclusive resort perched above the small town of Jomsom in the Lower Mustang will offer luxury seekers 29 suites inspired by traditional Tibetan homes.

    In addition to trekking, Mustang visitors can explore ancient villages and Buddhist monasteries. Also not to be missed, the man-made Mustang Caves sit above the Gandaki River and are filled with 2,000-year-old Buddhist sculptures and paintings.

    Getting to the Mustang Valley is part of the adventure. Travelers will need to take a 25-minute flight from capital Kathmandu to Pokhara then hop on another plane for the 20-minute journey to Jomsom. The views alone might make this option more pleasing to some than the alternative – a 12-hour drive from Kathmandu. – KC

    From the spectacular wildlife to the beautiful national parks and beaches, Tanzania is absolutely bursting with visual splendor.

    The East African country holds a seemingly endless list of incredible sights, with Mount Kilimanjaro, Africa’s highest mountain, UNESCO world heritage site Serengeti National Park, and the Zanzibar Archipelago, among its many highlights.

    This year, flag carrier Air Tanzania will launch new routes to West and Central Africa, along with the UK, in a bid to transform the country’s largest airport in Dar es Salaam into a transport and logistics hub, while construction on the country’s first toll expressway is also scheduled to begin.

    Meanwhile, the Delta Hotels by Marriott brand made its Africa debut with the opening of its Dar es Salaam Oyster Bay property earlier this year. –– THG

    Cairo is pulsing with life and a rich blend of cultures.

    Could this finally be the year tourists can see the Grand Egyptian Museum? After delay upon delay, the museum is expecting a 2023 opening.

    GEM will be the largest museum dedicated to a single civilization, costing around $1 billion and holding the entire King Tut collection. See video here of a CNN insider visit.

    If you arrive in Cairo before it opens, the Egyptian Museum in Tahrir Square can still scratch your antiquity itch.

    While the Pyramids of Giza are the city’s tour-de-force, there’s still more to see. Start with Islamic Cairo. This area has one of the largest collections of historic Islamic architecture in the world. While there, visit the Al-Azhar mosque, which dates back to 970.

    The city also has a rich Christian tradition. Coptic Cairo, part of Old Cairo, has a concentration of Christian sites that pre-date the arrival of Islam.

    If you need a respite from Cairo’s cacophony, Al Azhar Park has a nice expanse of greenery and a design inspired by historic Islamic gardens. And the affluent neighborhood of Zamalek, which sits on an island in the Nile River, serves up restaurants, antique stores and swanky hotels. – FB

    Yayoi Kusama has the distinction of being the best-selling living female artist on the planet. In particular, she has become a global icon for her sculptures of giant polka-dotted pumpkins, one of which was reinstalled at the pier of Naoshima, one of Japan’s “art islands,” in 2022 after being swept into the sea the year before.

    However, Naoshima is so much more than its famous yellow gourd or its works by Kusama.

    There are five small, walkable “art islands” in the Seto Inland Sea, which is located between the main islands of Honshu, Kyushu and Shikoku in southeastern Japan. The largest collection of things to see – not to mention the only hotel – is on Naoshima. Together, the five champion modern and contemporary art, with emphasis on Japanese artists.

    Don’t come here expecting calligraphy and other classical forms. Instead, be awed by Tadao Ando’s massive stone monoliths, a tiny gallery where patrons can listen to nothing but the beats of human hearts, a makeshift thunderstorm created inside a wooden house and an exhibit where jumping in and taking a bath is intended to be part of the artistic experience. – LM

    With direct flights to Belize City from about a dozen North American airports, this Central American country is a low-hassle hop for many travelers during the November to April high season.

    Most visitors head directly to Belize’s Caribbean coastline. The country’s largest island, Ambergris Caye, sits next to Belize Barrier Reef – the world’s second largest coral reef system. Margaritaville Beach Resort opened on the island in March, and “eco-luxury” resort Alaia Belize opened in 2021.

    Farther south, the Great Blue Hole – a massive underwater sinkhole – is an aquatic magnet for both scuba divers and aerial photographers.

    But Belize offers way more than its enticing islands.

    Lush rainforests, cave networks, winding rivers and rich Mayan archaeological sites invite exploration in a country that’s had an evolving sustainable tourism master plan since 2012. Ruins of the Mayan city of Altun Ha are just about an hour north of Belize City. Or farther west, Lamanai is one of Belize’s largest and most fascinating Mayan sites. – MH

    Mexico is arguably as rich in culinary heritage as it is in Mesoamerican archaeological treasures, and Eva Longoria explores many distinctive flavors in her series “Searching for Mexico,” which aired on CNN this year.

    The state of Oaxaca, which Longoria visits, has an especially deep well of culinary traditions. Plus, Oaxaca produces most of the world’s mezcal.

    Tlayudas, known as Oaxacan pizzas, are a street food staple. A large corn tortilla is typically layered with lard, beans, traditional Oaxacan cheese, pork and other toppings such as avocado and tomato. The state is also renowned for its seven mole sauces, with recipes that may call for dozens of ingredients from chiles and sesame seeds to chocolate and dried fruit.

    In the city of Oaxaca, Mercado Benito Juárez is one of many markets across the state selling items such as dried chiles, fresh produce, handicrafts and crunchy grasshoppers. To sample the state’s increasingly popular beverage, the town of Santiago Matatlán is the place for mezcal distillery tours and tastings. – MH

    In the winter, the frozen Rideau Canal in Ottawa becomes the world's largest skaing rink.

    It doesn’t have Montreal’s French flair or Toronto’s international oomph, so the Canadian capital can get overlooked. That would be a mistake. Graceful and understated, Ottawa has its own draws.

    Music lovers should take note of two Ottawa Jazz Festivals. The winter edition took place in February, and the summer edition will run from June 23-30.

    If you love hockey, watch the Ottawa Senators do their NHL thing at the Canadian Tire Centre in the western suburbs. If that ticket is too pricey, check out the Ottawa 67’s, a more affordable option of junior men’s hockey games at downtown’s TD Place Arena.

    The Rideau Canal turns into the world’s largest skating rink from sometime in January to late February or early March, depending on ice thickness. It’s free and accessible 24/7. When it’s warmer, it’s a great spot for people and boat watching.

    A don’t-miss is Parliament Hill, home to Canada’s federal government and the visually striking Parliament buildings on a promontory overlooking the Ottawa River. – FB

    Treks through the Bwindi Impenetrable Forest are among Uganda's highlights.

    There’s considerable change brewing in Uganda’s travel offerings at the moment with the East African country looking beyond the traditional staples of safari and wildlife spotting to appeal to both regional and international visitors.

    Keen to revitalize post-Covid tourism in all corners of the country, not just the big-ticket businesses offering wealthy visitors a glimpse of the Big Five beasts or mountain gorillas, it’s turned to marketing its other attributes.

    And why not? From the expansive shores of Lake Victoria to the snowy Rwenzori Mountains, Uganda is a beautiful wilderness playground, with opportunities for adventure including treks through the Bwindi Impenetrable Forest or up to the craters of the Virunga volcano chain or whitewater rafting along the Victoria Nile.

    There’s also an emphasis on connecting visitors with Ugandan communities – promising tastes of Ugandan food, music and culture. Last year saw the launch of the Uganda Cycling Trail, a 1,600-kilometer mainly unpaved 22-stage route designed to appeal to all levels of cyclist from hardcore solo bikepackers to fully-guided easy riders. – BN

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  • The agony and ecstasy of scoring last-minute face value Taylor Swift tickets | CNN Business

    The agony and ecstasy of scoring last-minute face value Taylor Swift tickets | CNN Business

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    CNN
     — 

    When Julia Thomas woke up at her home in Cleveland last Saturday, she spontaneously decided to drive 15 hours to the Taylor Swift concert that night in Nashville, picking up her sister in Cincinnati along the way. But they were missing one thing: tickets.

    Like so many Swift fans, she couldn’t get tickets on Ticketmaster when they went on sale last fall, nor could she afford the four-figure price tag listed for them on resale sites. About halfway through the drive, however, her sister found $350 floor seats after refreshing various Swift-focused Twitter accounts: Ticketmaster had just dropped a handful of last-minute tickets at face value on its website.

    “We seriously just got super lucky,” she told CNN. “We made it to Nashville with about an hour to spare before the concert started.”

    Thomas is one of many devoted fans who closely monitor a mix of Twitter accounts dedicated to alerting fans when Ticketmaster releases a new batch of Swift tickets after the initial sale.

    Ticket drops are not new. They’re ostensibly due to additional seats being added to a venue, or if tickets are returned. But these drops have become an obsession among Swift’s most devoted fans, who are struggling to find tickets for the artist in the face of Ticketmaster’s broader ticketing snafus.

    Ticketmaster has been under scrutiny for fumbling the online sales to the mega-star’s latest tour, in an era where it already completely dominates the live event industry, leaving few, if any, alternatives. In November, “Verified Fans” were sent a presale code — but when sales began, heavy demand snarled the website and millions of Swifties could not get their hands on a ticket. Presale tickets for Capital One card holders brought similar frustration — and then Ticketmaster canceled sales to the general public, citing “extraordinarily high demand” and “insufficient remaining ticket inventory.”

    In testimony before Congress, Ticketmaster parent company Live Nation President and CFO Joe Berchtold partly blamed the ticketing incident on bots. He also emphasized that Ticketmaster does not set ticket prices, does not determine the number of tickets put up for sale and that “in most cases, venues set service and ticketing fees,” not Ticketmaster.

    Ticketmaster and Live Nation are currently face a lawsuit from Swift fans across the country for “unlawful conduct,” with the plaintiffs claiming the ticketing giant violated antitrust laws, among others. A preliminary hearing was held in March; Ticketmaster has denied the allegations.

    Millions of fans are still unable to buy tickets. In recent weeks, however, Ticketmaster has been sending out more Verified Fan codes to people who were originally selected from the pre-sale to purchase from leftover tickets. For people without codes, Ticketmaster is also doing routine ticket drops ahead of shows.

    It’s not unusual, however, that thousands of fans are trying to secure the same tickets at the same time. Sometimes the seats are purchased by bots and scalpers, and reposted to third-party sites like StubHub within minutes.

    Ticketmaster did not respond to a request for comment about its ticket drops.

    But that’s not deterring Swift fans. Some are spending hours searching for tickets online and driving long distances to concert venues without a ticket in hand, even if it risks ending in heartbreak.

    Molly Ramsey, an 18-year-old fan from Bristol, Tennessee, said she recently stumbled across the Twitter account @erastourticks, which often tweets about Ticketmaster’s drops. “My family [last weekend] took the gamble to drive down the 5 hours to Nashville to see if we could get face value tickets,” she said.

    After nearly nine hours of refreshing Ticketmaster, she secured four tickets right before the show started. “We were sitting outside of the stadium while the openers were playing, but as soon as our payment went through, it was an out-of-body experience,” she said. “My sister started screaming and dancing.”

    In a nod to Swift’s hit song “Anti-Hero” and the rush to find drop tickets, the Twitter account – which has about 22,000 followers – recently tweeted: “It must be exhausting always rooting for the anti-hero aka @Ticketmaster.”

    Molly Ramsey, left, and her sister score last-minute Taylor Swift concert tickets

    A similar site, @concertleaks, has been connecting its 62,000 followers to last-minute Swift tickets. The account was originally set up years ago to post concert setlists, merchandise, and tickets for various artists, but has evolved to help connect followers with ticket drops, too.

    Another Twitter account called @ErasTourResell, which has 120,000 followers, has gained significant traction working with resellers who want to sell their tickets at face value. The account is run by longtime friends Courtney Johnston, Channette Garay and Angel Richards. The trio of twenty-somethings aim to make Swift tickets as accessible to fans as possible without them overpaying or getting scammed.

    “So far we’ve posted somewhere between 2,700 and 3,000 tickets, all for face value,” the trio said in a DM conversation on Twitter. “It’s truly so rewarding seeing these tickets go to real fans for face value when the resale market has insane prices with people making three times the profit. It’s also been amazing to meet people who follow the account at shows, especially if the only reason they were even able to attend was through our account.”

    They spend hours, in between working and going to school, sifting through daily submissions to make sure the tickets are real. The group encourages buyers to ask for video proof of tickets, to pay only via Paypal Goods and Services due to its protection plan and to never pay over the face value. (They also said they don’t make any money off the process, and do it only to help fellow Swifties, but they do have a Ko-Fi account where people can donate funds for food or coffee).

    “Surprisingly, the vetting process has gone immensely well and smoothly because by now we know what a sketchy screen recording looks like or what a forged or hacked email can look like,” the group said. “It’s all about being able to catch the super small details – what color an image is supposed to look like, what link is clickable, where that link has to take you, what message is supposed to pop up at any certain point.”

    But getting these tickets isn’t easy. After an alert for tickets is posted to their Twitter page, many users say they never hear back from sellers, and it’s unclear how they select a buyer from the hundreds of fans who reach out to them.

    “It has definitely gotten harder with our amount of followers increasing,” the friends behind @ErasTourResell told CNN. “Some [sellers pick] based off of the first direct message and mention, and others go for someone with a touching story so it truly varies. Having our notifications on helps as we tend to do a little warning and tease before posting most tickets.”

    Beyond Twitter, many fans are turning to sites such as Reddit, including the R/Taylor Swift page, for play-by-play details on Ticketmaster drops. Some say they’ve spotted them several times throughout the day but most frequently about 30 minutes before a show starts. (Tickets have even appeared an hour into the show.) Others suggest using Apple Pay to expedite the payment process and avoid losing tickets while typing in credit card information.

    Despite these massive efforts, not all fans find luck online.

    Katy Blackman, 33, from Birmingham, Alabama, said she spent all day in a Nashville hotel last weekend refreshing the site. Only once did she manage to get a single ticket into her online shopping cart, but it was gone before she could check out.

    Katy Blackman spent all day in her hotel room refreshing Ticketmaster looking for same-day Taylor Swift ticket

    Still, she headed to Nissan Stadium that night and stood in the parking lot alongside hundreds of other fans without tickets trying to get in. When the lights dimmed minutes before Swift took the stage, the crowds scattered; she was nearly the only one left, still refreshing Ticketmaster.

    “All my searching and combing Ticketmaster and resell sites was worthless,” she said. “But then all of a sudden, a random girl came running up to me truly seconds before she came on and said, “Hey, wanna come in with me?”

    The stranger had just scored last-minute tickets and had an extra to sell. “A miracle happened,” Blackman said. “My new friend and I sang every single song. We cried, danced, hugged. It was worth the absolute hell to get there.”

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  • Mysterious rumblings were recorded in Earth’s stratosphere | CNN

    Mysterious rumblings were recorded in Earth’s stratosphere | CNN

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    Sign up for CNN’s Wonder Theory science newsletter. Explore the universe with news on fascinating discoveries, scientific advancements and more.



    CNN
     — 

    Giant solar balloons were sent 70,000 feet up in the air to record sounds of Earth’s stratosphere — and the microphones picked up some unexpected sounds.

    The stratosphere is the second layer of Earth’s atmosphere, and its lower level contains the ozone layer that absorbs and scatters the sun’s ultraviolet radiation, according to NASA. The thin, dry air of the stratosphere is where jet aircraft and weather balloons reach their maximum altitude, and the relatively calm atmospheric layer is rarely disturbed by turbulence.

    Daniel Bowman, principal scientist at Sandia National Laboratories in New Mexico, was inspired in graduate school to explore the soundscape of the stratosphere after being introduced to the low-frequency sounds that are generated by volcanoes. Known as infrasound, the phenomenon is inaudible to the human ear.

    Bowman and his friends had previously flown cameras on weather balloons “to take pictures of the black sky above and the Earth far below” and successfully built their own solar balloon.

    He proposed attaching infrasound recorders to balloons to record the sounds of volcanoes. But then he and his adviser Jonathan Lees of the University of North Carolina, Chapel Hill, “realized that no one had tried to put microphones on stratospheric balloons for half a century, so we pivoted to exploring what this new platform could do,” Bowman said. Lees is a professor of Earth, marine and environmental sciences who researches seismology and volcanology.

    The balloons can take sensors twice as high as commercial jets can fly.

    “On our solar balloons, we have recorded surface and buried chemical explosions, thunder, ocean waves colliding, propeller aircraft, city sounds, suborbital rocket launches, earthquakes, and maybe even freight trains and jet aircraft,” Bowman said via email. “We’ve also recorded sounds whose origin is unclear.”

    The findings were shared Thursday at the 184th Meeting of the Acoustical Society of America in Chicago.

    A recording shared by Bowman from a NASA balloon that circled Antarctica contains infrasound of colliding ocean waves, which sounds like continual sighing. But other crackles and rustling have unknown origins.

    Listen to the sounds of the stratosphere

    Solar balloons captured a multitude of sounds in the second layer of Earth’s atmosphere, including colliding ocean waves — as well as sounds with unidentified origins.

    Source: Daniel Bowman/Sandia National Laboratories

    In the stratosphere, “there are mysterious infrasound signals that occur a few times per hour on some flights, but the source of these is completely unknown,” Bowman said.

    Bowman and his collaborators have conducted research using NASA balloons and other flight providers, but they decided to build their own balloons, each spanning about 19.7 to 23 feet (6 to 7 meters) across.

    The supplies can be found at hardware and pyrotechnic supply stores, and the balloons can be assembled on a basketball court.

    “Each balloon is made of painter’s plastic, shipping tape, and charcoal dust,” Bowman said via email. “They cost about $50 to make and a team of two can build one in about 3.5 hours. One simply brings it out to a field on a sunny day and fills it up with air, and it will carry a pound of payload to about 70,000 ft.”

    The charcoal dust is used inside the balloons to darken them, and when the sun shines on the dark balloons, the air inside them warms up and becomes buoyant. The inexpensive and easy DIY design means the researchers can release multiple balloons to collect as much data as possible.

    “Really, a group of high schoolers with access to the school gym could build a solar balloon, and there’s even a cellphone app called RedVox that can record infrasound,” Bowman said.

    Bowman estimated that he launched several dozen solar balloons to collect infrasound recordings between 2016 and April of this year. Microbarometers, originally designed to monitor volcanoes, were attached to the balloons to record low-frequency sounds.

    The researchers tracked their balloons using GPS, since they can travel for hundreds of miles and land in inconvenient locations.

    The longest flight so far was 44 days aboard a NASA helium balloon, which recorded 19 days worth of data before the batteries on the microphone died. Meanwhile, solar balloon flights tend to last about 14 hours during the summer and land once the sun sets.

    The advantage of the high altitude reached by the balloons means that noise levels are lower and the detection range is increased — and the whole Earth is accessible. But the balloons also present challenges for researchers. The stratosphere is a harsh environment with wild temperature fluctuations between heat and cold.

    “Solar balloons are a bit sluggish, and we’ve wrecked a few on bushes when trying to launch them,” Bowman said. “We’ve had to hike down into canyons and across mountains to get our payloads. Once, our Oklahoma State colleagues actually had a balloon land in a field, spend the night, and launch itself back in the air to fly another whole day!”

    Lessons learned from multiple balloon flights have somewhat eased the process, but now the greatest challenge for researchers is identifying the signals recorded during the flights.

    “There are many flights with signals whose origin we do not understand,” Bowman said. “They are almost certainly mundane, maybe a patch of turbulence, a distant severe storm, or some sort of human object like a freight train — but it’s hard to tell what is going on sometimes due to the lack of data up there.”

    Sarah Albert, a geophysicist at Sandia National Laboratories, has investigated a “sound channel” — a conduit that carries sounds across great distances through the atmosphere — located at the altitudes Bowman studies. Her recordings have captured rocket launches and other unidentified rumblings.

    Sandia National Laboratories geophysicists (from left) Daniel Bowman and Sarah Albert display an infrasound sensor and the box used to protect the sensors from extreme temperatures.

    “It may be that sound gets trapped in the channel and echoes around until it’s completely garbled,” Bowman said. “But whether it is near and fairly quiet (like a patch of turbulence) or distant and loud (like a faraway storm) is not clear yet.”

    Bowman and Albert will continue to investigate the aerial sound channel and try to determine where the stratosphere’s rumbles are originating — and why some flights record them while others don’t.

    Bowman is eager to understand the soundscape of the stratosphere and unlock key features, like variability across seasons and locations.

    It’s possible that helium-filled versions of these balloons could one day be used to explore other planets like Venus, carrying scientific instruments above or within the planet’s clouds for a few days as a test flight for larger, more complex missions.

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  • A man is fatally shot near a popular New Orleans restaurant on first day of Jazz Fest | CNN

    A man is fatally shot near a popular New Orleans restaurant on first day of Jazz Fest | CNN

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    CNN
     — 

    A man was fatally shot and a woman wounded Friday night outside a New Orleans restaurant near the annual Jazz Fest, which started Friday.

    Officers responded to a call of shots being fired in the 3800 block of Canal Street about 8:20 p.m., the New Orleans Police Department said in a news release.

    They found a man dead at the scene near Mandina’s Restaurant, a 90-year-old institution. A woman was taken to a hospital where she was in stable condition, police said.

    A Mandina’s customer texted CNN affiliate WDSU that everyone inside dropped to the floor as gunshots were heard.

    A woman on the streetcar at the time told WDSU the streetcar was stopped and police told everyone to get off but did not say why.

    Customers left the restaurant after a 90-minute lockdown, the station reported.

    CNN has reached out to the restaurant. It has drawn generations of locals and visitors and is known for its Creole-Italian food and casual atmosphere, said Times-Picayune restaurant writer Ian McNulty, who lives in the area.

    “The neighborhood comes alive during Jazz Fest,” he said. “It would be busy on any Friday night, but especially after Jazz Fest.”

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  • Ex-Fugees rapper Pras Michel found guilty in scheme to help China influence US government | CNN Politics

    Ex-Fugees rapper Pras Michel found guilty in scheme to help China influence US government | CNN Politics

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    CNN
     — 

    The rapper Pras Michel was found guilty in federal court in Washington on Wednesday of 10 criminal counts related to an international conspiracy reaching the highest levels of the US government.

    The Grammy-winning artist and former member of the Fugees faced multiple counts over the failed conspiracy to help Malaysian businessman Jho Low and the Chinese government gain access to US officials, including former presidents Barack Obama and Donald Trump.

    Michel was found guilty of conspiracy to defraud the US, witness tampering and acting as an unregistered agent of a foreign government. He faces up to 20 years in prison. No sentencing date was set.

    Michel sat stoically as each count came down on Wednesday and did not comment to reporters outside the courthouse.

    His attorney, David Kenner, expressed disappointment about the verdicts, but said he was confident that his mistrial motions will work out in their favor.

    “We are extremely disappointed in that result but are very, very confident in the ultimate outcome of this case,” Kenner told reporters, adding: “If we do move to a sentencing hearing I remain very confident we will certainly appeal this case. This is not over.”

    Michel testified last week that Low paid Michel $20 million in 2012 in order to get a picture of himself with Obama and prosecutors alleged Michel funneled over $800,000 of that money to Obama’s campaign through a number of straw donors.

    In his defense, Michel testified he never used the money at Low’s direction but instead saw it as his money which he could spend however he wanted.

    “I could have bought 12 elephants with it,” he told the jury.

    When Trump came to power in 2017 and investigations started to ramp up into Low and his alleged role in billions of dollars being embezzled from 1MBD, the Malaysian sovereign wealth fund, Low went to Michel again, prosecutors alleged.

    According to the prosecutors, Low directed over $100 million to Michel to help push the government, including Trump, to drop its investigation into Low. Prosecutors also say Michel advocated for the extradition of a Chinese dissident, Guo Wengui, on behalf of the Chinese government.

    Michel, however, testified he only tried to help Low find an attorney in the US and only told authorities about Guo because he thought he was a criminal. The former Fugees member also said the $100 million was for a media business he was starting and the investment wasn’t from Low.

    Low, who was charged along with Michel, is believed to be in China. Guo has since been arrested and charged by the Justice Department with defrauding investors in an unrelated case.

    This story has been updated with additional details.

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  • Ryan Reynolds and Wrexham FC surprise Rob McElhenney with a catchy song for his birthday | CNN

    Ryan Reynolds and Wrexham FC surprise Rob McElhenney with a catchy song for his birthday | CNN

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    CNN
     — 

    Ryan Reynolds and Rob McElhenney’s ownership of Welsh soccer club Wrexham has already produced a Disney+ documentary and earned the pair the city’s top civic honor – the Freedom of Wrexham.

    And now Reynolds has released a catchy song to celebrate his co-chairman’s birthday, enlisting all his “mates in Wrexham” to teach the world how to pronounce McElhenney’s last name correctly.

    In case you were wondering, “it’s Mack-le like a tackle when we take ‘em to the ground, then Henny, like the penny that he’s in for with the pound.”

    Written by the Tony, Oscar and Grammy award-winning songwriting duo Benj Pasek and Justin Paul, the song features appearances from Wrexham players, McElhenney’s wife and “It’s Always Sunny in Philadelphia” co-star Kaitlin Olson and Welsh singer Charlotte Church.

    “Would be a real shame if this became a Wrexham Racecourse chant,” Reynolds added.

    McElhenney simply tweeted: “This is…I mean… I don’t…Wow.”

    The two actors have made a habit of celebrating each other’s birthdays in style since Reynolds unveiled a memorial plaque next to a urinal in the Wrexham stadium last year for McElhenney’s birthday.

    Then, McElhenney retaliated by launching “The Ryan Reynolds Memorial Blimp,” complete with an unflattering picture of the Canadian actor.

    However, Wrexham couldn’t quite give McElhenney a win on his birthday weekend as it drew 0-0 against Barnet after defender Callum McFadzean was red carded early in the second half.

    The Dragons sit on the brink of promotion to League Two, requiring six points from its final three games to guarantee promotion, with its closest rivals, Notts County, set to take on Woking later on Saturday.

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  • ‘Yellowjackets’ leans hard into ’90s music nostalgia, and we’re here for it | CNN

    ‘Yellowjackets’ leans hard into ’90s music nostalgia, and we’re here for it | CNN

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    CNN
     — 

    Of the many dark gifts Showtime’s eerie hit series “Yellowjackets” serves up for us, the juiciest this season is by far the music.

    The show – which bounces between a troupe of teen soccer players trapped in the 1990s Canadian wilderness after a plane crash and the survivors’ corresponding adult selves in the present day – embraces nostalgia, incorporating long-cherished tunes from the tail end of last century, with staples from Tori Amos, early Smashing Pumpkins, Massive Attack, Veruca Salt and much more.

    In Sunday’s episode of “Yellowjackets,” alt-rock queen Alanis Morissette will debut a version of the show’s theme song, “No Return,” and has already released it as a single.

    One of the most unexpected and successful uses of throwback music came in the first episode of Season 2 last month, when Warren Kole’s Jeff had a moment to himself in the car after an intense tryst with wife Shauna (Melanie Lynskey) – during which he rocks out hard to Papa Roach’s “Last Resort” (sure, the track actually came out in 2000, but that doesn’t take away from its retro vibe).

    In an interview with CNN, the show’s music supervisor, Nora Fielder, explained that the Papa Roach song selection was scripted, and “served as a perfect physical outlet for Warren whose anxious feelings were riding high while sitting alone in his garage.”

    Other standout moments in the script, however, are hers to interpret, and Fielder relishes the opportunity to match those moments with the right songs from the period.

    “I re-immerse myself into the show’s era and spirit of the times as I start to build my playlists for the show,” she said. “The main thing I try to keep in mind is to just stay true to the story and let it tell me what it might need musically.”

    Case in point, from the same episode – the placement of Amos’s signature track “Cornflake Girl,” off her groundbreaking 1994 sophomore album “Under the Pink.”

    The song – which appropriately has the lyric “Things are getting kind of gross” just as teen Shauna (Sophie Nélisse) is about to ingest something unthinkable – “came to mind pretty quickly as a possibility” to Fielder.

    “I felt that Amos’s lyrics could serve as a befitting launchpad for the first episode’s ending – not only as a reflection of Young Shauna’s state of mind,” she noted, “but also as a reflection of the past and present moods and mentalities lived out by the other ‘Yellowjackets’ characters in Season 2.”

    Fielder’s work is challenging, in the sense that there is often an ideal wish-list selection for a song during a certain moment in each script, which then might change either due to something technical or because the needs of the scene evolve during production, as a result of many elements, including the actors’ performances.

    “Everyone on the team always wants the best song-select possible to enhance the story,” she said. “When we get to post (production), the common question that comes up among us during the collaboration process is simply, ‘Do we think we can beat this?’”

    During that collaborative process, Fielder says she doesn’t “believe there is an exact roadmap into how to merge songs with any given scene or story.”

    “I always say, ‘Let the picture tell you what it needs.’ (Kind of like the Wilderness I guess?)”

    Another moment that feels perfectly melded to the music playing is the now-infamous ‘last supper’ scene from last week’s second episode, which boasts Radiohead’s “Climbing By The Walls” from their mindblowing 1995 album “OK Computer” on the soundtrack.

    “The song seems to refer to those unspeakable monsters that can live in one’s head,” Fielder noted, referencing the strange collective hallucinations the group undergoes while cannibalizing one of their own. “I can’t think of a more perfect way to hauntingly accent (that) scene, a.k.a. ‘the feast.’”

    To drive home just how important music is to the specific ambient feel of “Yellowjackets,” one need look no further than the super creepy Season 2 trailer for the show, which features Florence + The Machine’s exceptional and haunting rendition of No Doubt’s timeless 1995 hit, “Just A Girl.

    “I’m such a huge fan of ‘Yellowjackets’ and this era of music, and this song especially had a huge impact on me growing up, so I was thrilled to be asked to interpret it in a ‘deeply unsettling’ way for show,” band frontwoman Florence Welch said in a statement shared with CNN.

    “We tried to really add some horror elements to this iconic song to fit the tone of the show. And as someone who’s first musical love was pop punk and Gwen Stefani, it was a dream job.”

    Of her collaboration with “Yellowjackets,” Morrisette, too, felt inspired by the show.

    “I see parallels between ‘Yellowjackets’ and my perspective while songwriting: the sheer intensity, that going for the jugular with no fear around going for the profane,” Morissette said in a statement. “I’ve strived my entire career to support the empowerment of women and sensitives, and see the world through the female lens, and what’s so wonderful about this show is that each character is allowed to be dynamic and complex as opposed to oversimplified, reduced versions of women. I feel honoured to be a part of the legacy of ‘Yellowjackets.’”

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