ReportWire

Tag: Documentary

  • Hulu Doc Zooms In On LGBTQ+ Families Proud To Call America’s Heartland Home

    Hulu Doc Zooms In On LGBTQ+ Families Proud To Call America’s Heartland Home

    [ad_1]

    For decades, major cities like New York and San Francisco have been seen as safe and supportive environments for the LGBTQ+ community. A new documentary, however, is about to take an in-depth look at the queer folks who have chosen to live outside of those urban bubbles, and the challenges they’ve faced in doing so.

    On Thursday, Hulu unveiled an emotional trailer for “We Live Here: The Midwest.” Directed by Melinda Maerker, the film is billed as “an authentic portrait of courageous families in America’s heartland,” and is due out Dec. 6.

    Among those profiled in “We Live Here: The Midwest” are a trans/queer family with five children in Iowa who have been expelled from their church, a gay Black couple and their young daughter in Nebraska, and a lesbian couple who reside on a farm in Kansas, where they’ve chosen to home-school their son after he was subjected to bullying.

    Watch a trailer for “We Live Here: The Midwest” below.

    “The students believe that nonbinary people do not exist,” one of the film’s young subjects says in the trailer. “I’m here right now, so we do exist.”

    “We’re altering what defines a nuclear family,” adds another subject.

    Also featured in the film is Minnesota state Rep. Heather Keeler, who addresses the death threats she says that she’s faced as an Indigenous queer woman in politics.

    Speaking to People in an interview published Thursday, Maerker said she wanted to shine a light on the Midwest because it’s “really the heart of family values.”

    Hulu’s “We Live Here: The Midwest” is set to be released Dec. 6.

    Producer David Miller, who is married to “Glee” and “American Horror Story” creator Ryan Murphy, echoed Maerker while stressing the importance of showing how queer families live.

    “I was obviously very happy with gay marriage passing in the Supreme Court [in 2015],” Miller told People. But 2016 — the year of Donald Trump’s victory in the U.S. presidential election — offered a stark reminder of the anti-LGBTQ+ sentiment that still prevails across much of the country, he said.

    The release of “We Live Here: The Midwest” feels auspiciously timed, given the surge of anti-LGBTQ+ legislation in many conservative states.

    Yet, as one of the film’s subjects explains in the trailer, even those residing in more accepting places shouldn’t take their safety for granted: “It does feel like at any moment, anywhere, it could change.”

    [ad_2]

    Source link

  • Steve McQueen Fuses Wartime Amsterdam and Modern-Day Extremism in ‘Occupied City’ Trailer

    Steve McQueen Fuses Wartime Amsterdam and Modern-Day Extremism in ‘Occupied City’ Trailer

    [ad_1]

    Steve McQueen bridges the past horrors of Nazi-era Amsterdam with a threatening present-day extremism in the trailer for Occupied City, a four-hour documentary from the 12 Years a Slave helmer inspired by a book by his wife, Dutch filmmaker Bianca Stigter.  

    The teaser trailer, which A24 dropped on Tuesday (below), remains tightly focused on modern-day Amsterdam as McQueen’s camera captures in his adopted city locals walking, jogging, skating, dancing, getting married and otherwise going about their everyday lives.

    But those visuals are overlaid by narrator Melanie Hyam recalling the murders, suicides, resistance and betrayals that convulsed Amsterdam’s Jewish community in the early 1940s as the occupying German’s noose steadily closed around the neck of their embattled community.

    That combination of McQueen’s elegant portrait of Amsterdam today and a matter-of-fact narration written by Stigter, author of the book Atlas of an Occupied City (Amsterdam 1940-1945), which inspired the documentary, connects the 1940s and now as the Holocaust serves to foreshadow growing extremism today.

    “In 1942, the deportations began,” the viewer hears Hyam recount at one point in the trailer as McQueen shows a young child running in front of the Royal Palace in Amsterdam, happily scattering a flock of seagulls on the ground.

    McQueen’s fresh documentary approach to occupied Amsterdam during the first half of the 1940s has the narration never commenting directly on his visuals, but instead indirectly hinting at ghosts from the past.

    The trailer at times features present-day police in Amsterdam moving on horseback, in helicopters or armored trucks to disperse crowds, including those protesting COVID-era crackdowns.

    Occupied City, which bowed in Cannes and played at Telluride and the New York Film Festival, will open in theaters on Dec. 25.

    [ad_2]

    Source link

  • ‘Cassius X: Becoming Ali’ Trailer: Muhmmad Ali Comes To Life In New Documentary

    ‘Cassius X: Becoming Ali’ Trailer: Muhmmad Ali Comes To Life In New Documentary

    [ad_1]

    By Corey Atad.

    A boxing legend is born.

    This week, the trailer debuted for the new documentary “Cassius X: Becoming Ali”, which tells the story of the man who would become Muhammad Ali.


    READ MORE:
    Muhammad Ali 80th Birthday To Be Marked With Virtual Event

    Focusing on the early years of his life and career, the documentary tracks Ali, back when he was known as Cassius Clay, on his journey from rookie boxer out of Louisville, Ken., to becoming the world heavyweight champion.

    It also follows Ali’s evolution from working class intellectual to one of the most influential civil right advocates in American history, inspired by the teachings of Nation of Islam leader Elijah Muhammad and his friendship with civil rights icon Malcolm X.


    READ MORE:
    Muhammad Ali & Malcolm X Form An Unbeatable Bond In ‘Blood Brothers’ Documentary Trailer

    Malcolm would spur the young boxer to take the name Cassius X, before eventually changing his name to Muhammad Ali after joining the Nation of Islam.

    Directed by Muta’Ali Muhammad, the documentary is based on journalist Stuart Cosgrove’s book Cassius X: A Legend In The Making.

    The film premiered at the Glasgow Film Festival earlier this year, and is currently set for release in the U.K. on Oct. 12.

    [ad_2]

    Corey Atad

    Source link

  • AI and Democracy

    AI and Democracy

    [ad_1]

    People & Power investigates how AI-generated disinformation could threaten elections and democracies around the world.

    [ad_2]

    Source link

  • Filmmakers Launch ‘The Cure for Hate’ Educational and Social Impact Campaign to Combat Rising National Hate Crimes Crisis

    Filmmakers Launch ‘The Cure for Hate’ Educational and Social Impact Campaign to Combat Rising National Hate Crimes Crisis

    [ad_1]

    Author and anti-hate activist Tony McAleer and filmmaker Peter Hutchison of Eat the Moon Films are proud to announce the launch of THE CURE FOR HATE, a nationwide educational and social impact campaign designed to combat the rising national hate crimes crisis this fall. 

    “Several years in the making — from the U.S. to Poland to Canada — we’re thrilled to begin sharing ‘The Cure for Hate’ and our social impact program with high schools and communities across America,” said Hutchison. “Stories like these are a powerful tool, and can play a crucial role in helping to turn the tide of racism and intolerance.”

    The program will debut in Pittsburgh on Sept. 27 with Dismantling Conspiracy Theories and Holocaust Denial: a film screening and panel discussion hosted by the Holocaust Center of Pittsburgh. The Cure for Hate team, former neo-Nazi turned anti-hate activist Tony McAleer and filmmaker Peter Hutchison (the upcoming “The Invisible Doctrine. The Secret History of Neoliberalism,” “Healing from Hate,” “Requiem for the American Dream”) will also visit area secondary schools to engage with students, screen the film, and deliver the curriculum. THE CURE FOR HATE: BEARING WITNESS TO AUSCHWITZ will screen at the Eradicate Hate Global Summit. The program will also host a Teen Screen event with Film Pittsburgh in late September. 

    The engagements in Pittsburgh mark the first stop in an extensive screening tour targeting secondary schools and select communities across the country with stops in Oregon with Oregon Jewish Museum and Center for Holocaust Education, Idaho with the Wassmuth Center for Human Rights, Houston with TAPS Academy as part of its Anti-Hate Week, Tennessee with TN Holocaust Commission, and more to be announced shortly.

    “I am really excited to share my journey and the history of the Holocaust with young people in a way that teaches important lessons to ensure it never happens again,” said McAleer.

    In the Jewish tradition, tshuvah means “return” and describes the return to God and our fellow human beings that is made possible through repentance for our wrongs.  

    THE CURE FOR HATE: BEARING WITNESS TO AUSCHWITZ follows Tony McAleer, a former Neo-Nazi and Holocaust denier, who went on to become a founding member of the anti-hate activist group Life After Hate. Profoundly aware and deeply ashamed of the lineage of hate he’d once promoted, McAleer had long-contemplated traveling to Auschwitz in the spirit of tshuvah — to bear witness to the inconceivable ravages of the Holocaust and deepen his personal work against the rise of extremist politics. 

    This project documents his profoundly personal journey of atonement to Auschwitz/Birkenau — exploring the conditions that allowed for the rise of fascism in 1930s Europe; shedding a unique light upon how men get into, and out of, violent extremist groups; and serving as a cautionary tale for our time that underscores the dangers in allowing hate to be left unchecked.

    “The Cure for Hate brings the lessons of Auschwitz into the present, as living history — at this crucial moment, with hate and intolerance on the rise and continuing to dominate the headlines,” said Hutchison. “Tony’s journey stands as a remarkable example of what is possible. After all, if a hardened neo-Nazi can find his way back from hate, then what lessons can it hold for the rest of us?”

    Thanks to a grant from The Center for Prevention Programs & Partnerships “Targeted Violence & Terrorism Prevention Program,” THE CURE FOR HATE: BEARING WITNESS TO AUSCHWITZ aims to use the film and the lived experiences of author and subject Tony McAleer to counter the rising tide of intolerance and violent extremism. The impact program was created to engage vulnerable youth and select communities and — through the use of experiential learning exercises and the exploration of history — enhance resilience to indoctrination and radicalization.

    “In this time of rising anti-Semitism, this film serves as both a memory and a warning of what hate can lead to if left unchecked,” said McAleer.

    Source: Eat the Moon Films

    Related Media

    [ad_2]

    Source link

  • Ukraine: Ground Zero

    Ukraine: Ground Zero

    [ad_1]

    People and Power investigates the toxic legacy of war on Ukraine’s fragile environment.

    [ad_2]

    Source link

  • Weaponising water in Palestine

    Weaponising water in Palestine

    [ad_1]

    How occupation and the climate crisis have made Palestinians some of the most water insecure people in the world.

    Decades of Israeli occupation have left Palestinians struggling to access clean water. Israel controls a majority of the freshwater resources in the occupied West Bank. And in Gaza, its 16-year blockade and military operations have had a devastating effect on the water supply. Monitoring groups say about 97 percent of the water supply in Gaza is contaminated and unfit for human consumption.

    Gaza’s only freshwater source, the Coastal Aquifer, cannot meet demand and has been depleted by overextraction and contaminated by sewage. Rising temperatures and sea levels are only making life more difficult, while in Israel, residents do not have to worry about the taps running dry. People and Power examines this growing disparity.

    [ad_2]

    Source link

  • I See Beauty: Senegal’s makeup artist

    I See Beauty: Senegal’s makeup artist

    [ad_1]

    Fredde Tchibinda uses artistic makeup to enhance and celebrate women who are making a difference in Senegal.

    In Senegal, Fredde Tchibinda uses creative makeup as a powerful and imaginative way to portray strong African women.

    In her studio and out in the streets of Dakar, she designs and creates striking portraits that enhance and celebrate women’s strength and confidence. Her subjects include eco-feminists and women protecting Dakar’s street children, and her work focuses on the issues that concern African women.

    Her stunning creations offer a sense of power and optimism for the next generation.

    Ata Messan Koffi is a Togolese filmmaker who has produced and directed several short and feature length films, both documentary and fiction. Through his production company he supports African filmmakers and a commitment to elevating the ‘”view from within” in African storytelling.

    [ad_2]

    Source link

  • ‘Take Care of Maya’: What to Read and Watch After Netflix’s Doc

    ‘Take Care of Maya’: What to Read and Watch After Netflix’s Doc

    [ad_1]

    In 2015, nine-year-old Maya Kowalski developed an illness that immobilized her and left her in excruciating pain. The new Netflix documentary Take Care of Maya begins with her family’s desperate search for an answer. They visit specialist after specialist until they finally find a doctor with a diagnosis and a miracle cure; the family travels to Mexico for an experimental treatment, and Maya emerges with her life, ready to begin healing.

    In a different movie, this might be the end of the story. But a tragedy is set into motion when a 2016 trip to a new hospital for a relapse of pain, when Maya is 10 years old, leads a team of doctors to decide that Maya’s mother might be guilty of medical child abuse, also known as Munchausen syndrome by proxy. Maya is separated from her parents, who are interrogated by doctors and police officers, and the hospital even resorts to video surveillance of Maya for evidence that she is faking her illness.

    We’ve become accustomed to stories of monstrous mothers and horrific maltreatment of children, but Take Care of Maya asks if that pop psychology has led to false accusations and medical disregard for a family’s real suffering. Director Henry Roosevelt keeps a tight focus on the devastating story of Maya’s time in state custody—which ended after her mother, Beata, took her own life, writing in an email that she could no longer bear the pain of being apart from Maya and treated as a criminal—and the legal battle that ensued. Still, the documentary eventually makes the case that the Kowalskis were far from the only family to be torn apart by the child welfare system.

    “At a certain point, you have to stop filming,” producer Caitlin Keating recently told Vanity Fair, noting that even Maya’s story hadn’t yet come to a conclusion. “But this is their truth, that the trial [against the children’s hospital] hasn’t happened yet. And we think that’s important to show that they are still fighting.”

    Of course, the fight is too complex to fully capture in just one documentary. If you finished Take Care of Maya and are still curious about the forces that converged in that Florida children’s hospital seven years ago, these recent books, podcasts, features, and documentary series are a natural next stop.

    Bad Medicine,” USA Today (2020) and “What Happened to Maya,” New York magazine (2022)

    After Sarasota Herald-Tribune reporter Daphne Chen wrote her first story about the Kowalski family in January 2019, other families contacted her about their own experiences with the Pinellas County child protection team and its lead child abuse pediatrician, Sally Smith. In “Bad Medicine,” a later investigation for USA Today, Chen delved deeper into other cases that Smith had overseen, illustrating the sway her medical judgments held in the county’s courtroom and hospitals, even when other experts disagreed.

    In 2022, reporter Dyan Neary used a trove of new documents and interviews to tell Maya’s story more fully in New York magazine. Her story explored how Maya’s admission to Johns Hopkins All Children’s Hospital in St. Petersburg escalated into an accusation of Munchausen syndrome by proxy, and why the state doubled down on the fight against the Kowalski family even after further evidence indicated Maya’s mother was not responsible for her condition. Neary also reported that Smith and her employer in the privatized Florida child welfare system had settled their part of a suit with the Kowalskis for $2.5 million.

    NBC News’ “Do No Harm” feature series and podcast (2019)

    After Maya Kowalski’s story inspired Chen to investigate the system in Florida, NBC News and the Houston Chronicle released a gripping series of stories examining the child welfare system in Texas and the plights of parents mistakenly accused of abuse. By analyzing abuse reports that were later judged to be unsupported by evidence, the writers document the close links between hospitals and the agencies that often fund their child protection teams. One mother in the series made harrowing recordings of her interactions with the doctors and social workers who decided that her child’s head injury must have been caused by abuse, and her tapes form the backbone of a companion podcast about a byzantine system that seems to especially punish the parents who want to prove their innocence.

    In 2020, a joint Marshall Project and Atlantic investigation examined the cooperation between doctors and the child welfare system, with a close eye on the small but influential field of child abuse pediatrics. That subspecialty has existed only since 2009, when the American Board of Pediatrics first certified doctors who had been trained in diagnosing abuse-related injuries, and now certified child abuse pediatricians work closely with prosecutors and testify in high-profile trials across the country. By examining two heartbreaking cases in which doctors dismissed potential genetic causes of health issues in children or preexisting conditions, the investigation asks whether close ties to the legal system can lead doctors to villainize parents instead of searching for the truth.

    Abusive Policies: How the American Child Welfare System Lost Its Way by Mical Raz (2020)

    In her comprehensive history of the child welfare system in the late 20th century, Mical Raz, a professor of public health and policy at the University of Rochester, illustrates how a movement that aimed to support families in need began to emphasize prosecutions and family separations. Though the book focuses on the racial and class dynamics that shaped the system as it formed, it also tells the story of the doctors who first tried to get the nation to focus on child abuse, and the policymakers who turned that rising awareness into a harmful legal strategy.

    The Battle for Justina Pelletier (2022)

    In this Peacock documentary, director David Metzler tells the story of 14-year-old Justina Pelletier, who was taken into state custody in 2013 after a fight between her parents and a hospital system. As in Maya Kowalski’s case, one team of doctors believed she had a rare disorder, but another had decided that her parents were fabricating or causing her symptoms. Ultimately, Pelletier spent nearly a year in a locked psychiatric ward as her parents fought the court—and promoted her case ceaselessly in the media. After she returned to her family’s care in 2014, questions still remained about the true nature of her illness and what really happened behind the scenes at the hospital. By revisiting the Pelletier family, the journalists who covered the case, and a handful of her far-flung supporters nearly a decade later, the docuseries tries to answer them.

    We Believe the Children: A Moral Panic in the 1980s by Richard Beck (2015)

    Throughout Take Care of Maya, the filmmakers depict many paradoxical moments in which doctors and social workers claim to speak for Maya’s best interests while disbelieving her description of her pain and her pleas to be reunited with her family. In We Believe the Children, Beck tells a history of child protection that focuses on the group psychology of adults who come together with the best interests of children in mind—and all the ways that concern can go awry. Though the book is centered on the lurid day care abuse trials of the 1980s, Beck connects the lessons of that moment to ideas about abuse and protecting children that still ring true.

    The School for Good Mothers by Jessamine Chan (2022)

    In her best-selling novel about a dystopian reeducation program for substandard mothers, Chan hauntingly dramatizes the aftermath of a report of child neglect. Inspired by a feature about the traumatic experiences one mother faced in family court, Chan began writing about a fictional mother named Frida who, after a lapse in judgment, is sentenced to time at a facility where she must practice mothering with a robot baby under total surveillance. “After I started reading more about these issues, I learned that her story is one of many,” she later told PEN America. “The injustice I felt on that mother’s behalf, as well as my own intense ruminating on motherhood, fueled the development of Frida’s story.”

    [ad_2]

    Erin Vanderhoof

    Source link

  • ‘Take Care of Maya’ Tackles a Thorny, Heartbreaking Medical Mystery

    ‘Take Care of Maya’ Tackles a Thorny, Heartbreaking Medical Mystery

    [ad_1]

    It’s a familiar plot, something straight out of a network procedural: A sweet and engaging child is rushed to the hospital with a debilitating and painful ailment. But after some mistaken diagnoses, it’s revealed that the sick kid isn’t sick at all. They’re the victim of medical child abuse—Munchausen’s by proxy, as it’s popularly known—and must be separated from their family to save their life. But in the Netflix documentary Take Care of Maya, it’s that final diagnosis that’s the false one, a medical misfire that destroys a Florida family.

    When she was nine years old, Maya Kowalski started suffering from asthma and complaining of a burning sensation in her legs, arms, and feet. By the summer of 2015, her mobility was so limited that she could no longer walk. Her parents were familiar with medical matters: Maya’s mom, Beata, was a Polish immigrant who worked her way through nursing school and still worked in the field. Her dad, Jack, was a retired firefighter. The pair documented Maya’s symptoms and aggressively sought care for their daughter, with doctor after doctor admitting that they were stumped. Eventually, they were referred to anesthesiologist and pharmacologist Anthony Kirkpatrick, a pain syndrome specialist. He diagnosed Maya with Complex Regional Pain Syndrome (CRPS), a term used to describe a set of symptoms including spontaneous and debilitating pain, muscle wasting, and movement impairments.

    Kirkpatrick’s treatment protocol for CRPS is a regular dose of ketamine, a painkiller known in past decades as a veterinary anesthetic or as a club drug called “Special K.” In recent years, it’s also gained traction as a painkiller in hospital emergency rooms and is currently being studied for its potential mental health benefits. But in 2016, when Maya suffered a relapse of symptoms, including severe stomach pain, and was rushed to the Johns Hopkins All Children’s Hospital in St. Petersburg, Florida, doctors seemed alarmed by its use, even referring to Maya as “ketamine girl” in text messages revealed in the documentary.

    Beata’s insistence that Johns Hopkins All Children’s continue Maya’s ketamine therapy, as well as a demeanor described by hospital workers as “pushy” and “demanding,” prompted a social worker to contact Florida’s Department of Children and Families to file a formal notice. Due to a lack of evidence, the report was discarded the next day, according to a 2022 report from “The Cut” and the Florida Center for Government Accountability. That’s when a pediatrician brought in Sally Smith, a doctor employed by Suncoast Center Inc., one of the organizations to which Florida outsources its privatized child welfare responsibilities.

    A social worker filed a second report with child services, this time, suggesting that Beata had “mental issues.” According to Smith—who appears only via taped depositions in Take Care of Maya, and did not participate in the documentary—this was a case of Munchausen’s, with Beata making her daughter ill as a manifestation of Beata’s serious mental illness. On Smith’s advice, Maya was taken into state custody and was required to remain in the hospital, with little to no contact from her parents allowed.

    Situations like Maya’s are “a nationwide pattern, where families are accused of child abuse and [are] preaching their innocence,” Take Care of Maya director Henry Roosevelt says. “This is a system that is meant to protect and help children,” producer Caitlin Keating says. The film’s intent is to “hear from families that experienced a really different outcome.”

    Since its debut at the Tribeca Film Festival on June 10, Keating says she’s been contacted by slews of families with stories similar to the one portrayed in the documentary, which will be released on Netflix June 19. “We really feel like the floodgates have been opened here,” she said.

    Keating first heard of the Kowalski case when researching another project. In 2019, investigative journalist Daphne Chen, then a child welfare reporter at the Sarasota Herald-Tribune, reported on a lawsuit filed against All Children’s Hospital by a family who said false allegations of medical child abuse prompted the child’s mother to commit suicide. That mother was Beata.

    But though Beata died in 2017, hanging herself in her home’s garage three months after she was first accused of abusing Maya and just days after a judge ruled that their separation must continue, it’s her voice we might hear the most in Take Care of Maya. (After her suicide, the state dropped the case and Maya was returned to her father’s custody.) In the film we hear her increasing frustration and despair across phone calls, medical appointments, and conversations with caregivers. It’s an urgency that drives the documentary, which was initially intended to follow the Kowalskis’ lawsuit against All Children’s. There’s even an “exchange” between Beata and a teenaged Maya, as the latter reads a letter onscreen that a judge refused to allow her to read in court.

    [ad_2]

    Eve Batey

    Source link

  • STARZ Premieres Extraordinary Documentary About the NBA’s Transformative 2020 Season ‘Game Change Game’

    STARZ Premieres Extraordinary Documentary About the NBA’s Transformative 2020 Season ‘Game Change Game’

    [ad_1]

    Created by THINK450Game Change Game, a poignant documentary about the extraordinary 2020 NBA season, which carried on in the face of COVID and a social justice reckoning, is out today for digital release on STARZ, the streaming network dedicated to narratives by, about and for underrepresented audiences.

    The monumental film, which premiered at the 2022 Tribeca Film Festival for its theatrical release, is directed by Spike Jordan and Maxime Quoilin with the bi-coastal creative production studio Good Company and created by veteran media leader Christina Norman for THINK450, the partnership and innovation engine of The National Basketball Players Association (NBPA)

    “The creation of this film came from our core mission as an organization to amplify the players and their collective voices,” said Que Gaskins, President of THINK450. “As we saw our players come together to stand up for change, we knew we had the unique opportunity to document this powerful moment in time from the players’ perspective. Game Change Game is a remarkable film, and we are excited to share it with more viewers this month through our partnership with STARZ.”

    The film affords viewers privileged access to “The NBA Bubble,” the infamous bio-secure hub where the elite athletes carried out the 2020 basketball season during the pandemic shutdown. As it highlights their struggle with unforeseen sacrifice, loss, and their own morality amidst disturbing current events of the time, the documentary displays the players’ bonds of fierce brotherhood while they use their platform to demand change. 

    Game Change Game really captures all of the emotions that we were experiencing as players and as Black men during that very intense and pivotal time in our society,” said CJ McCollum, NBPA President and one of the players featured in the film. “With so many different player perspectives in the film, it is truly a unique expression of our collective experience, and I am honored to be a part of it.”

    Threading together interviews with more than 40 notable stakeholders, directors Quoilin and Jordan highlight the series of events that led to the creation of the “bubble.” They blatantly expose viewers to the waves of police brutality that took place during the same era and how many NBA players decided to take a stand and speak out against injustice – despite the pervasive cultural narrative that sports and athletes are, and should remain, apolitical. The interviewees include athletes like NBPA President CJ McCollum, Chris Paul, Jaylen Brown, as well as leading activists and artists.

    Without the use of a narrator, the co-directors expertly craft a fluid storyline, by weaving, amongst the interviews, vital contextual footage from both the archives and the players themselves, including special family moments.

    “The meaning of the film shifted as we lived through one cataclysmic event after another. Shot in real-time, it became a deep race conversation, on top of the already deep COVID conversation,” said co-director Quoilin. “Ultimately, we hope that the documentary continues to spur an ongoing dialogue about racism and policing in the US and how we can each do our part to make equity a reality for everyone.”

    Good Company’s impeccable reputation for culturally-relevant work and Quoilin and Jordan’s bold visual storytelling style made them the perfect fit for a non-traditional sports documentary. Philadelphia native Jordan is known for his music videos like Nas’ “Ultra Black” and Future & Juice WRLD’s “WRLD on Drugs,” while Belgium-born Quoilin is known for his work on Beyonce’s Formation World Tour and the fiery Kanye West video, “Come to Life.”

    When tapped by THINK450, it was an easy yes for the filmmakers, who are both passionate basketball fans and frequent collaborators with uncanny creative sympatico. Together, the pair have previously collaborated on a variety of music videos, including Gunna’s “Dollaz On My Head” and Meek Mill’s “Believe.”

    “Max and I have this chemistry; we’re on the same wavelength. During the shooting, I would turn to say something, and it was like Max already knew what I was going to say. We had the same intuition about what was needed on-screen,” said Jordan.

    One of the first shoots to go remote during the pandemic, Game Change Game was filmed in two phases. At first, the co-directors utilized a robust remote filming technology inspired by Errol Morris’s Interrotron, which allowed up-close, face-to-face interviews with the players living in the bubble. Once the season ended and COVID restrictions eased to some extent, the directors filmed additional in-person interviews and incorporated a wealth of contextual footage.

    Good Company had a hand in every aspect of the film’s production. Despite unimaginable flux and emotion, they tirelessly documented the uncommon NBA season as well as spent an additional year honing the story’s look and feel in post-production. 

    “After living through that intense, paradigm-shifting time, and now, coming out the other side of it with this release feels almost cathartic. We could’ve never expected the journey the world would go through, but it was all hands on deck for this project from the get-go,” commented Producer Jonathan Lia, Good Company’s Co-Founder. “I hope this beautiful portrait of the NBA’s journey will remind viewers of the power of our collective voices and the strength and healing that can be found when we lean on each other.”

    The documentary can be found on STARZ across all platforms, including in their Juneteenth programming and throughout the month on STARZ linear channels.

    Watch the trailer for Game Change Game on STARZ.

    About the NPBA:

    The National Basketball Players Association is the union for current professional basketball players in the National Basketball Association (NBA). Established in 1954, the NBPA’s mission is to protect and support the rights and talents of our players, magnify the power of their collective will, and amplify their voices as leaders who will transcend sport and society globally.

    The NBPA advocates on behalf of the best interests of all NBA players, including through the negotiation of collective bargaining agreements, the filing of grievances on behalf of the players, and counseling players on benefits, educational and post-NBA career opportunities. Business opportunities are generated by THINK450, the subsidiary of the NBPA charged with managing the players’ group licensing rights.

    Dedicated to preserving the legacy of its members, the NBPA Foundation provides support and assistance to persons, communities, and organizations around the world that seek to improve the lives of those in need.

    About Good Company:

    Good Company is a bi-coastal creative production studio that develops and produces content and experiences at the intersection of art, music and cinema. They are behind some of the most iconic music videos and films of our time, including Beyonce’s Lemonade. They also produce award-winning ad campaigns for brands like Meta and Nike and create breathtaking live performance visuals for artists such as Adele, Pharrell and Miley Cyrus. 

    Source: THINK450

    Related Media

    [ad_2]

    Source link

  • Watch the First Trailer for ‘The Secrets of Hillsong’ From Vanity Fair and FX

    Watch the First Trailer for ‘The Secrets of Hillsong’ From Vanity Fair and FX

    [ad_1]

    “You do not want to be in this chair,” Carl Lentz tells director Stacey Lee in the new trailer for Vanity Fair and FX’s forthcoming docuseries, The Secrets of Hillsong. “I cannot stress it enough.”

    Lentz was for years the New York pastor and face of Hillsong, a global megachurch that counted Justin Bieber and Selena Gomez among its followers at the peak of its cultural power. That came to a halt for Lentz in 2020 when his extramarital affairs came to light and the church’s image was thrown into disarray. 

    As Vanity Fair contributing editor Alex French and staff writer Dan Adler reported in their 2021 Hillsong feature for the magazine, Lentz’s misdeeds were symptomatic of a church culture that often covered up its leaders’ transgressions while leaning hard on its congregants for financial support and free labor. 

    The Secrets of Hillsong—which will feature the first interviews with Lentz and his wife, Laura, since their public ouster—picks up from there, as the church faces a growing series of scandals involving its founder and Lentz’s mentor, Brian Houston. Through conversations with former leaders, victims, and experts including ex-worship pastor Geoff Bullock, author Tanya Levin, congregants Ashley and Mary Jones and Janice Lagata, Frank Houston survivor David Cowdrey, onetime Hillsong NYC choir director Josh Canfield, and Australian senator David Shoebridge, the four-part investigative docuseries presents the most comprehensive study yet of an institution in crisis—and the faithful who are left to suffer the consequences. 

    Directed by Lee (Olivia Rodrigo: Driving Home 2 U; Underplayed), the series, produced in partnership with Scout Productions, will premiere on Friday, May 19, exclusively on FX at 10 p.m. ET/PT. 

    [ad_2]

    Matthew Lynch

    Source link

  • The Heroines of Paintball: New Two Part Documentary Spotlights Professional Women’s Paintball

    The Heroines of Paintball: New Two Part Documentary Spotlights Professional Women’s Paintball

    [ad_1]

    Press Release


    Feb 9, 2023 09:00 EST

    The Heroines are one of the first professional women’s paintball teams in the world and in their new two-part documentary premiering Super Bowl Sunday on YouTube, they are taking viewers into a new paintball universe. The game of paintball has long been dominated by men. Now, women are on a mission to inspire and empower young female athletes to change that.

    In paintball, players can be any age, any skill or any gender to compete. Traditionally women have competed on the same field on co-ed teams with men. It’s one of the things that makes this sport unique. The problem? No one ever really knew the women were there, until now. 

    In 2021, six paintball field and team owners decided it was time for paintball to have a league that offered women and girls a place to compete in a sport they loved while becoming visible mentors and role models to other female athletes. At the largest event of the season, NXL World Cup – an exhibition match between two all-star women line-ups, would solidify the birth of a new all-women’s professional league: The WNXL.

    The league made its debut in 2022 and the Original 6 teams competed at three events held across the country. One of these original six teams are The Heroines. Based in Port St. Lucie Florida, the team is made up of girls and women ages 16-32 from all over the country who have competed all over the world, some representing the USA selected to Team USA Paintball. Their coach is a world championship 15-year professional player veteran. 

    “The Heroines: The Documentary” shines a light on some of the world’s top female paintball players while magnifying their hard work and dedication to a sport that is often overlooked by many. Take a journey into the world of Women’s Professional Paintball and follow The Heroines as they return one year later hoping to secure a win and a season championship in the place it all started, the biggest stage in the game: World Cup.

    This action packed series will give fans an inside look at the intensity and passion of these female athletes as they battle for top honors and fight to make history. Witness firsthand the effort, dedication and passion that these incredible women put into their game. From grueling practices, tough losses and thrilling tournament wins, The Heroines will inspire more women to become involved in paintball and challenge traditional gender roles within sports. With determination and grit, this female team is leading a revolution for female athletes everywhere. 

    If you’re looking for the ultimate adrenaline rush this will check the box. 

    Follow The Heroines on YouTube, be inspired, find a field, get in the game!

    Watch: https://www.youtube.com/@heroinespaintball

    Episode 1 Feb. 12 5 p.m. EST

    Episode 2 Feb. 19 5 p.m. EST

    Want to play? https://www.trypaintball.com

    Learn More about The Heroines and WNXL: https://www.heroinespaintball.com

    Source: Heroines Paintball

    [ad_2]

    Source link

  • Madame White Snake: An opera troupe fights eviction in Shanghai

    Madame White Snake: An opera troupe fights eviction in Shanghai

    [ad_1]

    From: Witness

    An opera singer fights to keep her community together when her theatre in Shanghai is slated for demolition.

    Zhou Guixiang is the leader of a dilapidated opera theatre in one of Shanghai’s last remaining informal housing settlements. Having endured dwindling audiences and soaring rent for decades, Zhou and her troupe have refused to follow the fate of similar cultural spaces in the city.

    But when authorities order the theatre demolished to make way for redevelopment, Zhou and her troupe are given one month to leave the premises.

    The opera is more than just a way of life for the residents. It’s home to a community of marginalised ageing artists struggling for space in a rapidly modernising city.

    Madame White Snake by Daniel Patrick Holmes & Vivi Zhu

    [ad_2]

    Source link

  • Giant Little Choppers: Mozambique’s helicopter kid

    Giant Little Choppers: Mozambique’s helicopter kid

    [ad_1]

    From: Africa Direct

    A Mozambican boy who builds life-size models of helicopters and cars from wire and cardboard has high ambitions.

    Luciano Armindo is a bright 12-year-old with a fascination for engineering and a remarkable hobby: he collects cardboard and wire scraps and meticulously designs and builds life-size models of helicopters and cars outside his home in southern Mozambique.

    In Giant Little Choppers, filmmaker JJ Nota follows the budding engineer and his brother as they create their remarkable replicas.

    Luciano hopes to one day turn his scrap models into actual vehicles, or even a space rocket, and his engineering dreams are pinned on a possible scholarship.

    JJ Nota is a Mozambican filmmaker and co-founder of Afrocinemakers, a film incubator project. His 2020 film, Ontogenesis, won the national short film competition and was screened internationally at festivals. Since then he has made other award-winning short films.

    [ad_2]

    Source link

  • New Documentary by Vruir Tadevosian Shows Impact of War on Armenian Children

    New Documentary by Vruir Tadevosian Shows Impact of War on Armenian Children

    [ad_1]

    Private Screening on Monday, Dec. 19 at 7 pm in Glendale

    Press Release


    Dec 16, 2022 15:14 EST

    As 120,000 Armenians in the enclave of Artsakh remain cut off from the world this weekend, 270 children are not able to return to their homes because of the blockade of the only one corridor connecting Artsakh with Armenia. A new documentary film shares the continuing struggles and the stories of the children traumatized by the recent 44-day war over Nagorno Karabakh and the surrounding territories.

    A private screening of “The Tales of the Blue Sky” will take place on Monday, Dec. 19, at the Veranda in Glendale. Documentarian Vruir Tadevosian, a Southern California broadcaster, is available for interviews about the current humanitarian crisis and has film clips available for broadcast. 

    “Blue skies, which are synonymous with peace, have become a thing of yearning for young children living in the borderline villages of Artsakh,” says Tadevosian. “My film tells the stories of the children who never had a choice and were forced to witness war, loss, injuries and chaos.” 

    Tadevosian lived through the first war in the region in the 1990s when Armenia and Artsakh voted to separate from the crumbling Soviet Union. 

    “Having lived the first five years of my life in underground bomb shelters, I felt a calling to bring to light the horrific tragedies that children experience in silence,” says Tadevosian.

    Azerbaijani activists are now blocking the only road connecting Nagorno-Karabakh to the Republic of Armenia. Azerbaijan has also cut off gas to Artsakh as part of its aggressive campaign to retake centuries-old Armenian territories it claims as its own.

    “The Tales of the Blue Sky” takes its viewer into the world of children ripped apart and traumatized by war. This moving documentary addresses the challenge they face and shares their stories of survival and triumph. Those who have seen the film say it evokes a range of emotions including tears and laughter. This documentary also tells about the horrifying tragedy that children go through in conflict zones around the world.

    ###

    Source: Vruir Tadevosian, documentarian

    [ad_2]

    Source link

  • Watch Rolling Stones Co-Founder Keith Richards Create Ambient Electronic Music – EDM.com

    Watch Rolling Stones Co-Founder Keith Richards Create Ambient Electronic Music – EDM.com

    [ad_1]

    Who knew Rolling Stones guitarist and songwriter Keith Richards also played with modular synthesizers?

    In a clip unearthed by Far Out Magazine, the legendary musician is seen making experimental electronic music on a modular synthesizer. The footage shows Richards arranging cords and cables to create ambient sounds as a soft, dreamy hum emanates from the machine, most likely a Moog.

    The clip comes from an obscure documentary called Umano Non Umano, which was screened at the 30th Venice International Film Festival. The film’s title translates to “Human Not Human.” Mario Schifano, an Italian painter known for exhibiting alongside Andy Warhol, released the doc in 1969, per Far Out.

    [ad_2]

    Rachel Freeman

    Source link

  • The Reason Why Meghan Markle Wore So Much Color for Her Final Royal Appearances

    The Reason Why Meghan Markle Wore So Much Color for Her Final Royal Appearances

    [ad_1]

    Prince Harry and Meghan Markle at the Mountbatten Music Festival on March 7, 2020 in London.

    Meghan Markle‘s royal fashion has been a global phenomenon — she’s been said to give brands a “Markle Sparkle” by wearing them, and there are sites and columns across the internet tracking her every sartorial move. (Hi.) It began when she and Prince Harry first went public and started making official appearances together, and has continued to this day. 

    [ad_2]

    India Roby

    Source link

  • El Arena: The Middle East’s underground battle rap competition

    El Arena: The Middle East’s underground battle rap competition

    [ad_1]

    From: Witness

    As Beirut plunges into crisis, battle rappers from across the Arab world fight to keep their battle rap league alive.

    El Arena navigates the underground world of battle rap in the Middle East, revealing the stories of its most talented stars, as rappers from across the Arab world visit Beirut to compete against each other.

    In El Arena, they use their rapping skills to put on a show and playfully fight for a chance to be crowned king.

    Despite the economic crisis and the Beirut port explosion, El Arena paints a colourful picture of the region’s struggles through the poetry of some of its most talented battle rappers.

    El Arena is a film by Jay B Jammal.  

    [ad_2]

    Source link

  • UK: What is legitimate protest?

    UK: What is legitimate protest?

    [ad_1]

    A climate organiser and an anti-arms activist discuss different tactics for change.

    [ad_2]

    Source link