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Tag: culture

  • I’ve Been To 650 Countries. Here Are My Awards

    I’ve Been To 650 Countries. Here Are My Awards

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  • My Policeman review: Harry Styles’ sad love triangle film

    My Policeman review: Harry Styles’ sad love triangle film

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    My Policeman immediately begins playing with points of view when it turns to their younger selves, first seen from Marion’s (Emma Corrin) perspective. She is a schoolteacher who falls for Tom (Styles), a policeman eager to broaden his cultural horizons. Together they form a friendship with Patrick (David Dawson), an aesthete who is a curator at the Brighton Museum of Art, forced by the era to hide his life as a gay man. As the triangle develops, Corrin beautifully establishes Marion’s innocence, and then reveals it fading away.

    When another flashback gives us Patrick’s perspective, we see that even while Tom is courting Marion in gentlemanly ’50s fashion, he is beginning his affair with Patrick, an especially fraught move for a policeman at a time when homosexuality was illegal. When Tom makes the first move, grazing his finger along Patrick’s neck, he seems startled and confused by his own gesture. Styles plays that initial confusion well, without any winks at the camera to evoke his off-screen persona. The sexual hesitation doesn’t last long, although the deception all around does. The story soon revolves around questions of who knew what and when. How long is Marion truly, or maybe wilfully, blind?

    The camera stays discreetly on Styles’ face through that first sex scene. And a later scene between the men in bed is composed of graceful images of entwined bodies occasionally reflected in a mirror, the nudity never full-on or frontal. This is movie sex, not raw, messy real-life sex, and anyone wanting something more visceral really wants a different film.

    The deepest flaw in My Policeman is that we grasp too little of the characters’ inner lives. When Tom proposes to Marion in the apartment he has borrowed from Patrick, you have to wonder: what is he thinking? That’s not a rhetorical question. What is he actually thinking? The screenplay by Ron Nyswaner (Philadelphia), based on Bethan Roberts’ novel, could have explored much more from his perspective, young and older. Despite that, Styles evokes Tom’s genuine, if selfish and callous, need to keep both his life with Marion and his lover. Roache is totally in sync as the older Tom, still charismatic and handsome, with an anger that suggests he remains in denial. McKee vividly shows Marion grappling with her memories. There is a long-buried betrayal and a guilty admission that are easy to see coming, but the plot is not the point, even when the period’s homophobic laws come into play. The film works best at capturing the pain and occasional joy of the triangular arrangement.

    Grandage is still best known as a theatre director. His first film, Genius (2016), with Jude Law as the writer Tom Wolfe and Colin Firth as his editor, Maxwell Perkins, is also quiet and understated, which may be why it is underappreciated. My Policeman almost invites a similar fate. Unlike Style’s off-screen persona, it is the opposite of explosive, but it is true to its director’s eloquent vision.

    ★★★☆☆

    My Policeman opens in cinemas in the US and UK on 21 October, and will be available to stream on Amazon Prime from 4 November.

    Love film and TV? Join BBC Culture Film and TV Club on Facebook, a community for cinephiles all over the world.

    If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter.

    And if you liked this story, sign up for the weekly bbc.com features newsletter, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.

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  • Learning About Bitcoin Is The Path To Financial Freedom

    Learning About Bitcoin Is The Path To Financial Freedom

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    This is an opinion editorial by The Bitcoin General, a Bitcoin proponent, seeker of truth, respecter of individuality and appreciator of freedom.

    For decades, the legacy financial establishment has capitalized on its position to manage wealth for the vast majority of investors. On January 3, 2009, Satoshi Nakamoto did something revolutionary: he mined the genesis block of Bitcoin. After witnessing the scandalous events of the great financial crash of 2008, enough was enough. Big banks engaged in reckless conduct with predatory lending practices and incessant greed that drove the world into a global recession. Then came the massive corporate bailouts via the money-printer.

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    The Bitcoin General

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  • Gaming To Earn Bitcoin While Bitcoining To Game Earning

    Gaming To Earn Bitcoin While Bitcoining To Game Earning

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    This is an opinion editorial by Tyler Parks, who has a background in biological science and spent a decade working in the restaurant industry.

    Money is a topic people have come to take quite seriously. So serious in fact that grown adults wait with bated breath for news of the latest figures on consumer prices and interest rates. These have real impacts on perceptions of wealth and productivity. But what if I told you money is just a game we play, a game like any other, with a variety of rules and objectives. Money is a symbolic thing we use in order to achieve things of value and significance in the world and hence not an end in itself. A financial system is like a game board with pieces, obstacles and paths to success. The questions are: Are you aware of the kinds of money games you play on a regular basis? Did you voluntarily join or were you born into a game whose rules were never explained and with a hand you didn’t choose?

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    Tyler Parks

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  • Triangle of Sadness and the grossest films ever made

    Triangle of Sadness and the grossest films ever made

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    Since then, the Farrellys’ style of rom-com has fallen out of fashion, but gross-out has exploded, Mr Creosote-like, in directions that would have been unimaginable even in the 1970s – unless it was John Waters doing the imagining. Team America: World Police (2004) gave us puking puppets. Borat (2006) and Jackass: The Movie (2002) brought scatology into the real world with a daring not seen since Pink Flamingos; look up the “Poo Cocktail Supreme” sketch in Jackass 3D (2010) if you don’t believe me.

    Gross-out horror movies have also gone to almost unbelievable extremes. While Jim (Jason Biggs) was putting certain body parts in unorthodox places in the American Pie series, other body parts were being lopped off in Takashi Miike’s Audition (1999) and Ichi the Killer (2001) and in Eli Roth’s Cabin Fever (2002) and Hostel (2005), as well as in Saw (2004) and numerous other so-called “torture porn” films. Then there was Park Chan-wook’s Oldboy (2003), in which Choi Min-sik eats a live octopus. And yes, that’s an actual live octopus. And yes, Choi actually eats it.

    As repulsive as these horror films can be, gross-out comedy usually has an inclusivity to it that warms the heart, even while it turns the stomach. The theme behind every candid depiction of an out-of-control body is our common humanity ­– the often-overlooked fact that we’re not gleaming robots or clouds of philosophical thought, but fleshy, fallible creatures prone to all manner of squelches and stinks on a daily basis. To gasp and wince during a gross-out sequence is to have a giddy moment of connection with the people on the screen and in the cinema. All the barriers between us are dissolved by those sloshing bodily fluids. True, maybe we haven’t all been sick on someone’s head, used a washbasin as a toilet, or defecated in the street while wearing a designer wedding dress, as Melissa McCarthy and friends do in Bridesmaids (2011). But we all know that something like that could happen to any of us. Gross-out is a great leveller. “A lot of comedy depends on the idea of superiority, and laughing at someone who’s inferior to you,” says King. “But in gross-out comedy, the characters are going through something that you could be going through yourself.” The next time you’re on a cruise liner, bear that in mind.

    Triangle of Sadness is out in US cinemas now and will open in UK cinemas on 28 October.

    Love film and TV? Join BBC Culture Film and TV Club on Facebook, a community for cinephiles all over the world.

    If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter.

    And if you liked this story, sign up for the weekly bbc.com features newsletter, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday

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  • ‘The emojis of the 19th Century’

    ‘The emojis of the 19th Century’

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    Why the Victorian language of floriography is now back as a way to communicate

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  • The slave ship in a London courtyard

    The slave ship in a London courtyard

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    “I can see that the different African blocs, lusophone [Portuguese-speaking], anglophone and francophone, evolve at different paces. The anglophone bloc is way ahead, thanks to artists from Nigeria and black artists in the UK and US.”

    In Britain, in recent years, the work of Keith Piper, Lubaina Himid, Sonia Boyce, Hew Locke, Chris Ofili or John Akomfrah, all of African or Caribbean heritage, have addressed similar issues, in their own ways. “What’s important now is to remain united to push this progress forward on the continent itself,” Barreto adds.

    For Touria El Glaoui, the founder of 1-54 and daughter of Hassan El Glaoui, one of the most significant African modernist artists, the landscape of today for African artists has definitely changed for the better compared to 2011, when she launched her project. “We are in two different universes; the perception of the African artist has radically changed,” she says. The fair also takes place every year in New York and Marrakesh, in Morocco, where Touria is from, with special events, panel discussions led by African curators, and solo shows for emerging artists.

    “We’re honoured to have Grada Kilomba this year, she’s an artist of great ambition,” Touria adds. “Her performance involves 27 people, creating with her the music, dancing and singing; it represents so much of what my project always aimed for. I believe artists can be stronger voices for these discussions on black and African history, each of them in different ways and different ideas, as Hassan Hajjaj, Julie Mehretu, Michael Armitage or NĂș Barreto do. They offer some of the best ways to address complex issues and raise awareness.”

    O Barco / The Boat is at Somerset House, London until 20 October (accompanied by live musical performance at 5pm BST on 13 October and 1pm BST on 14 October). 1-54 London 2022 takes place until 16 October.

    If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter.

    And if you liked this story, sign up for the weekly bbc.com features newsletter, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.

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  • Promising Journalism Student Already Self-Censoring To Parrot Corporate Talking Points

    Promising Journalism Student Already Self-Censoring To Parrot Corporate Talking Points

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    EVANSTON, IL—Finding it impressive that a young and largely inexperienced writer could create such professional work, journalism professors at Northwestern University reportedly praised a promising student Monday for his proficiency in parroting corporate talking points. “Incredible! Martin is watering down the facts to appease company shareholders at a level that took me years to achieve,” Medill School of Journalism professor Ronald Simpson said of a first-year graduate student, remarking that he “clearly has what it takes” to push corporate agendas for a major metropolitan newspaper after graduation. “Typically, it takes years to unlearn journalistic ethics, but this student is way ahead of the curve in terms of silencing his own skepticism in favor of regurgitating quotes from those in power. In one piece alone, he seamlessly wove a Democratic operative’s vague response to a sex scandal with sponsored content for Buick—and somehow avoided saying anything at all despite writing 1,800 words on the matter. He hasn’t even taken the coursework on finding and obscuring questionable sources yet, but he’s already quoting his parents’ powerful friends in stories over and over again without disclosing the personal connection. It’s both refreshing and inspiring to find such militant obedience in a young student.” At press time, Simpson was said to have teared up when the student turned in a word-for-word reproduction of a police department press release as his final project in an investigative journalism class.

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  • Roger Maris Jr. Sets Single-Season Record For Most Annoying Son Of Famous Player

    Roger Maris Jr. Sets Single-Season Record For Most Annoying Son Of Famous Player

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  • Wish comes true for WWII veteran celebrating 100th birthday in Battle Creek

    Wish comes true for WWII veteran celebrating 100th birthday in Battle Creek

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    WWII veteran celebrates his 100th birthday

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  • Deebo Samuel trolls Jalen Ramsey and Los Angeles Rams

    Deebo Samuel trolls Jalen Ramsey and Los Angeles Rams

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    Deebo Samuel went off against the Los Angeles Rams on Monday Night Football — and he isn’t letting Jalen Ramsey forget about it.

    In the second quarter in San Francisco, the 49ers wideout scored on a 57-yard touchdown pass from Jimmy Garoppolo that ended up being one of the most memorable plays of the game, which the 49ers won 24-9.

    Samuel recorded 51 yards after the catch on the touchdown and actually ran 79.7 total yards, per NFL Next Gen Stats. It was also the longest passing touchdown the Rams have allowed since Week 7 of last season (D’Andre Swift, 63 yards).

    He evaded nearly the entire Rams secondary — Ramsey included — during his scamper to the end zone, and had a fairly level-headed answer when asked about the play after the game.

    “It was just me and the ball out there,” Samuel said. “I just go out and break some tackles like I do all the time.”

    Read more: Week 4’s top NFL Twitter trolls

    He made a celebratory post about it Tuesday that seemingly singled out Ramsey in particular.

    Including the playoffs, Samuel has scored five touchdowns against the Rams since 2021 — tied for the most by any player against any team since the start of last season.

    “I always feel that Deebo [can step up and make big plays],” 49ers head coach Kyle Shanahan said. “Regardless of the practice, he had a good week, but he tends to do that especially versus them.”

    Ramsey caught wind of Samuel’s post and didn’t seem too thrilled, but his displeasure didn’t affect Samuel’s jovial mood.

    The 49ers and Rams will meet again Oct. 30 in Inglewood, California.

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  • TCU trolls Oklahoma using Aaron Judge’s HR chase

    TCU trolls Oklahoma using Aaron Judge’s HR chase

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    Trolling has become a mainstay in college football, and the TCU Horned Frogs executed a perfect joke at the No. 18 Oklahoma Sooners‘ expense.

    TCU jumped all over Oklahoma, outscoring the Sooners 27-10 in the first quarter. The Horned Frogs continued to pile up the points and held a 41-17 lead at halftime. Oklahoma’s starting quarterback Dillon Gabriel exited the game in the second quarter after being hit while sliding, which put the Sooners at a bigger disadvantage. Linebacker Jamoi Hodge, who hit Gabriel, was penalized for targeting and ejected.

    The Horned Frogs were playing at the same time that New York Yankees outfielder Aaron Judge was attempting to break Roger Maris’ American League home run record against the Baltimore Orioles. It has been the talk of not only baseball but the entire sports world over the past couple of weeks.

    Well, after running back Kendre Miller scored on a 69-yard run in the third quarter to make it a 48-17 ball game, TCU’s Twitter account burned OU with a timely troll.

    Neither the Horned Frogs or Judge reached 62 on Saturday. TCU finished with 55 points and Judge finished 0-2 with two walks. Oklahoma’s 55 points allowed on Saturday are the second most it has allowed in a game against an unranked opponent in program history. The Sooners allowed 59 points to the Texas Tech Red Raiders in 2016, a game that OU won 66-59.

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  • Tomb of Marquis of Haihun in Jiangxi Sheds Light on China’s Imperial Past

    Tomb of Marquis of Haihun in Jiangxi Sheds Light on China’s Imperial Past

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    Such vicissitudes might have deprived his life of imperial glory, but the relics unearthed from his tomb tell a different story, revealing a dynasty’s grandeur.

    Press Release
    –

    Sep 30, 2022


    NANCHANG, China, September 30, 2022 (Newswire.com)
    –
    Dethroned after 27 days, the shortest reign among Western Han emperors, Liu He (92-59 B.C.), master of the Haihunhou Tomb, was banished as a commoner, and later allowed to reside near a lake and given the title of the Marquis of Haihun. He died in his early 30s, reports People’s Daily Online. Its reporting team visited the site and interviewed a leading researcher.

    Such vicissitudes might have deprived his life of imperial glory, but the relics unearthed from his tomb tell a different story, revealing a dynasty’s grandeur.

    The tomb near Nanchang, capital of east China’s Jiangxi Province, turns out to be the best-preserved Western Han Dynasty (206 BC – 24 AD) cemetery ever found, with the most integrate structure, distinct layout and complete sacrificial system.

    One of China’s top ten archaeological discoveries in 2015, the tomb has yielded the largest number of relics boasting of  the most variety and the finest craftsmanship in Jiangxi.

    Among a raft of  relics including gold, bronze, and jade artifacts, archaeologists discovered a broken lacquer “screen” in the main chamber of the tomb and restored two portraits, one of which is believed to be the earliest portrait of Confucius ever found in China.

    Also unearthed were more than 5,000 pieces of bamboo slips of Confucian classics, indicating the prevalence of Confucius’ teachings among the royal more than 2,000 years ago.

    The Qi version of The Analects of Confucius, which had been lost for about 1,800 years, was found in the unearthed bamboo slips which have been subject to infrared scanning and are ready for further study.

    It is also the only tomb with a chariot burial site in the south of the Yangtze River. Five well-preserved horse-drawn vehicles, each with four sacrificed horses, were found, indicating that the owner was among the highest echelons of the Han Dynasty.

    Liu, the marquis, was the  grandson of Emperor Wu, whose reign ushered in  a  prosperous period  of the Han Dynasty that is believed on a par with the reign of the first emperor of Qin Dynasty. 

    “To know Emperor Qin and his dynasty through archaeological artifacts, one can turn to Terra-cotta Warriors. Nevertheless, before the Haihunhou tomb, there were not many artifacts for an in-depth study of Emperor Wu,” said Yang Jun, a researcher at the Jiangxi Provincial Institute of Cultural Relics and Archaeology and the leading archaeologist. 

    In Yang’s view, the Haihunhou tomb shed light on the mightiness of the Han Dynasty as all treasures bearing the mark of the marquis had been buried with him.

    The 4 million unearthed Wuzhu bronze coins attested to the dynasty’s opulence. This finding  is the first hard evidence of the Chinese using a string of 1,000 coins as a monetary unit, pushing the original date back 600 years.

    Source: People’s Daily Online

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  • ‘He’s like Mr. Texas’: Colt McCoy pays off bet

    ‘He’s like Mr. Texas’: Colt McCoy pays off bet

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    TEMPE, Ariz. — Colt McCoy paid his debt Tuesday.

    Three days after his Texas Longhorns lost to the Texas Tech Red Raiders — the alma mater of his head coach, Kliff Kingsbury — the Arizona Cardinals‘ backup quarterback had to wear a Texas Tech hat, shirt and shorts.

    But it wasn’t Kingsbury’s bet.

    “No, no, I wouldn’t do that to him,” the former Red Raiders coach said. “I wasn’t gonna make that bet because I’m not wearing that burnt orange s—, I can assure you.”

    The Red Raiders beat then-ranked No. 22 Texas, 37-34, in overtime Saturday, the first time Texas Tech beat its in-state rivals at home since 2008.

    McCoy, who played for Texas from 2005 to 2009, is the only Longhorn on the Cardinals. In addition to Kingsbury, Arizona has two other Texas Tech products: wide receiver Antoine Wesley and assistant coach Kenny Bell.

    But Kingsbury didn’t reach out to McCoy, who’s currently on injured reserve with a calf sprain after the upset.

    “He’s hurt,” Kingsbury said. “You can see his face. He looks like his dog died, man. I don’t rub it in.

    “He’s like Mr. Texas. Like that is the guy in the state of Texas. So, I wouldn’t do him like that.”

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  • Tomb of Shortest Reigning Emperor Sheds Light on China’s Imperial Past

    Tomb of Shortest Reigning Emperor Sheds Light on China’s Imperial Past

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    Such vicissitudes might have deprived his life of imperial glory, but the relics unearthed from his tomb tell a different story, revealing a dynasty’s grandeur.

    Press Release
    –

    Sep 22, 2022


    NANCHANG, China, September 22, 2022 (Newswire.com)
    –
    Dethroned after 27 days, the shortest reign among Western Han emperors, Liu He (92-59 B.C.), master of the Haihunhou Tomb, was banished as a commoner and later allowed to reside near a lake and given the title of the Marquis of Haihun. He died in his early 30s, reports People’s Daily Online. Its reporting team visited the site and interviewed a leading researcher.

    Such vicissitudes might have deprived his life of imperial glory, but the relics unearthed from his tomb tell a different story, revealing a dynasty’s grandeur.

    The tomb near Nanchang, capital of east China’s Jiangxi Province, turns out to be the best-preserved Western Han Dynasty (206 BC – 24 AD) cemetery ever found, with the most integrated structure, distinct layout, and complete sacrificial system.  

    One of China’s top 10 archaeological discoveries in 2015, the tomb yielded the largest number of relics, boasting of the most variety and the finest craftsmanship in Jiangxi. 

    Among the relics, including gold, bronze, and jade artifacts, archaeologists discovered a broken lacquer “screen” in the main chamber of the tomb and restored two portraits, one of which is believed to be the earliest portrait of Confucius ever found in China.

    Also unearthed were more than 5,000 pieces of bamboo slips of Confucian classics, indicating the prevalence of Confucius’ teachings among the royals more than 2,000 years ago. The Qi version of The Analects of Confucius, which had been lost for about 1,800 years, was found in the unearthed bamboo slips, which have been subject to infrared scanning and are ready for further study.

    Liu was the grandson of Emperor Wu, whose reign ushered in a prosperous period of the Han Dynasty that is believed on par with the reign of the first emperor of the Qin Dynasty.

    “To know Emperor Qin and his dynasty through archaeological artifacts, one can turn to Terra-cotta Warriors. Nevertheless, before the Haihunhou tomb, there were not many artifacts for an in-depth study of Emperor Wu,” Yang Jun, a researcher at the Institute of Cultural Relics and Archaeology and a leading archaeologist, told People’s Daily Online.

    In Yang’s view, the Haihunhou tomb shed light on the mightiness of the Han Dynasty as all treasures bearing the mark of the marquis had been buried with him.

    The 4 million unearthed Wuzhu bronze coins, weighing more than 10 tonnes, attested to the dynasty’s opulence. This finding is the first hard evidence of the Chinese using a string of 1,000 coins as a monetary unit, pushing the original date back 600 years.

    Source: People’s Daily Online

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  • Villyge Partners With Collegewise to Add College Guidance to Its Comprehensive Platform of Employee Support

    Villyge Partners With Collegewise to Add College Guidance to Its Comprehensive Platform of Employee Support

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    Press Release
    –

    Aug 10, 2022


    NEW YORK, August 10, 2022 (Newswire.com)
    –
    Villyge, the most comprehensive employee support platform, announces its partnership with college admissions and application counseling platform, Collegewise. 

    Villyge works with employers to improve the employee experience. Their proprietary platform provides managers with automated “nudges” to help them lead with empathy during employees’ personal life events and employees with the support they need to juggle their goals – personally and professionally. Villyge Experts provide 1:1 personalized assistance for career growth, family building, caregiving, and more. Effective immediately, that support includes college counseling to assist employees, and their children, with the college admission process.

    Villyge’s holistic approach to supporting employees, leaders and culture boosts productivity, increases retention and activates talent to deliver a measurable return on investment (ROI) for employers. What’s more, Villyge provides tangible proof that employers care.

    “The college admission process has become increasingly difficult to navigate, with families spending thousands of dollars on college guidance counselors in the hopes of increasing their children’s chances of admission,” says Villyge Founder and CEO, Debi Yadegari. “Villyge can ease the financial burden and mental load of families entering this next chapter.”  

    College planning is notably one of the most stressful times for parents. A recent survey shows that 90% of employees report college planning benefits reduce stress and allows them to focus on their work. Employees estimate that every hour they work with a college advisor saves them 5 to 10 hours of their own time.

    “The college application process continues to be a shifting landscape. Collegewise stays on top of the changing requirements and trends to ensure families have the support they need to navigate changes and lighten their load during an immensely stressful time,” says Anjali Bhatia, Collegewise’s CEO. “We are thrilled to partner with Villyge and contribute to their mission of improving the employee experience.” 

    The addition of Collegewise to Villyge’s platform will provide employees with an even greater level of support, and just in time, as the college process begins in August.

    About Collegewise

    The first nationwide admissions consulting firm in the U.S., Collegewise has worked with more than 26,000 students, 97% of which have received acceptance to one of their top three schools and have averaged more than $135,000 in scholarships and aid. Collegewise sessions are designed to be effective for working families, enabling counselors to address questions around summer planning, list building, essay brainstorming, and more. 

    About Villyge

    Villyge is a total population solution, offering a holistic approach to keep companies and careers moving forward by supporting employees, leadership and culture. In addition to providing the guidance needed to bring empathy into the workplace, Villyge provides personalized resources to help employees navigate careers, family planning, leave, parenting, eldercare, and more. Villyge cuts attrition, boosts productivity and improves culture, saving the average client $2,000 per employee.

    To learn more, visit www.villyge.com and follow Villyge on social media (LinkedIn, Instagram, Facebook, Twitter).

    Contact: media@villyge.com

    Source: Villyge

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  • Skilli World Now Home to the Largest Daily Cash Prize Trivia Tournament, Extends Free-to-Play Trivia Event to New Users

    Skilli World Now Home to the Largest Daily Cash Prize Trivia Tournament, Extends Free-to-Play Trivia Event to New Users

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    HQ Trivia’s sudden shutdown leaves a large community of players looking for a new game, paving the way for trivia app Skilli World to increase its cash prizes to satisfy its growing community of trivia players.

    Press Release
    –


    updated: Feb 27, 2020


    TORONTO, February 27, 2020 (Newswire.com)
    –
    ​​​​​​​​​​​​​​With the sudden shutdown of popular quiz app HQ Trivia, the Skilli World trivia app is now home to the largest daily cash prize trivia tournament. In the month of February, Skilli World’s combined free-to-play and paid-entry tournaments had hundreds of players competing for a $1,000 prize every single night. With a large community of trivia-loving players displaced and dissatisfied with other platforms’ limited prizing techniques, Skilli World is offering a free-to-play event on March 1, at 9:30 p.m. EST, allowing new users to win $2,000 in one of their daily cash prize tournaments.

    “Having a pay-to-play model means a significantly smaller playerbase, meaning bigger prizes for those ready to take part,” says Matt De Angelis, Skilli World co-founder. “By removing the large majority of those who are looking for something for nothing, we’re creating an infinitely better experience for those who pay-to-play.”

    Skilli World’s hybrid approach regarding free-to-play gaming and real money trivia tournaments ensures that everyone who plays has the opportunity to win real money. By incorporating an entrance fee for real money games, Skilli World ensures that there will be continuous growth and a sustainable business model moving forward. Traditional free-to-play trivia apps have proven that long-term sustainability is not feasible since the numbers just don’t add up.

    In traditional free-to-play models, an average of 50,000 to 100,000 players would compete for the same $1,000 prize. On Skilli World, only 400 to 600 players compete for that same $1,000 prize. As the number of participants increases on Skilli World, so does the prize pool. For example, 1,000 players per night will increase the nightly prize to $3,000. With 3,000 players, a $10,000 prize pool. With 10,000 players, the nightly prize would increase to $40,000; the prizes scale accordingly to the number of participants. Projections indicate that with continued growth, Skilli World will be able to increase the daily prize pool to at least $5,000 by May.

    “We want to welcome new players with our free-to-play promotion, as well as introduce ourselves to those that have yet to warm up to the idea of an entry fee,” adds De Angelis. “We’re confident those players will see the value after seeing for themselves how easy it is to win some real money on Skilli World.”

    The-free-to-play tournament takes place on March 1 at 9:30 p.m. EST. To win the $2,000 prize, players must correctly answer five true-or-false questions. To download the app and register, scan the QR code or visit skilliworld.com/download.

    For the latest news and updates, follow Skilli World on Facebook, Instagram, and Twitter.

    ###

    About Skilli World

    Created by technology company Under The Tree Ltd., Skilli World is a trivia app that enables players to test their skill and knowledge to earn real cash prizes. Within the app, there are Caribbean space-huts that run trivia tournaments 24 hours a day, seven days a week. To get paid real money, all players have to do is answer five true or false questions correctly. For more information and to download the app, visit SkilliWorld.com.

    Media Contact:
    ​Matthew De Angelis, Co-Founder
    info@skilliworld.com

    Source: Skilli World

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  • ‘Shalom, Make Yourself at Home!’: Museum of the Southern Jewish Experience to Open in New Orleans Fall 2020

    ‘Shalom, Make Yourself at Home!’: Museum of the Southern Jewish Experience to Open in New Orleans Fall 2020

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    New Museum Expected to Draw More Than 35,000 Visitors a Year to City’s Museum District

    Press Release
    –


    updated: Feb 12, 2020


    NEW ORLEANS, February 12, 2020 (Newswire.com)
    –
    ​Officials with the Museum of the Southern Jewish Experience (MSJE) announced the new museum will open in fall 2020 in New Orleans. Exhibits will explore the ways Jews in the American South influenced and were influenced by their communities, covering 13 states and more than 300 years of history – including Colonial, Civil War, World War II and the Civil Rights Movement.

    “This will be the only museum in the country to focus exclusively on the history and culture of Jews across the South,” said Jay Tanenbaum, museum chairman.

    Multimedia exhibits will illustrate how Jewish immigrants and succeeding generations adapted to life in the South, forming bonds of deep friendship and community with their non-Jewish neighbors. The Museum will also address issues of race and anti-Semitism and the many ways that Southern Jews navigated them at different times.

    New Orleans was chosen as the museum’s home based on the city’s vibrant tourism economy, long Jewish history and historical connection to the broader southern region. MSJE will be located in the city’s “Museum District,” in proximity to the National WWII Museum, Ogden Museum of Southern Art and the Contemporary Art Center.

    The Museum’s collection of more than 7,000 artifacts was transferred from the original Museum of the Southern Jewish Experience, established in 1986 at Jacobs Camp in Utica, Mississippi, and shuttered in 2012. Tanenbaum explained, “The museum’s mission changed and grew into the Goldring/Woldenberg Institute of Southern Jewish Life, headquartered in Jackson, Mississippi. In order to reimagine and grow, the museum separated from the Institute, giving it the independence to become a world-class attraction.”

    MSJE is working with Gallagher & Associates, an internationally recognized museum planning and design firm responsible for award-winning experiences at scores of international projects including the National Museum of American Jewish History, the National College Football Hall of Fame and the National WWII Museum.

    The Museum is expected to appeal to a wide array of visitors. “You don’t have to be Jewish and you don’t have to be Southern to relate,” said executive director Kenneth Hoffman. “Our hope is that visitors come away with an expanded understanding of what it means to be a Jew, what it means to be a Southerner and, ultimately, what it means to be an American.”

    Museum officials encourage members of the public to consider donating artifacts to the collection, especially items from early Jewish history (1800s), items related to the stories of women and people of color or any item with a strong connection to a personal story of Southern Jewish life. Find out more about the artifact donation process at www.msje.org/our-collection.

    Those interested in supporting the Museum of the Southern Jewish Experience should visit www.msje.org/support.

    CONTACT:         
    Kacey M. Hill
    Peter Mayer PR/Museum of the Southern Jewish Experience
    hillk@peteramayer.com
    cell: 504-858-7092

    Source: Museum of the Southern Jewish Experience

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  • Schwegman Named in Top 25 Firms for Minority Attorneys

    Schwegman Named in Top 25 Firms for Minority Attorneys

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    Press Release
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    updated: Jul 17, 2019


    MINNEAPOLIS, July 17, 2019 (Newswire.com)
    –
    ​​​Schwegman Lundberg & Woessner is pleased to have been recognized as being among the top 25 law firms within its size category in the U.S. for minority attorneys, as reported by Law360 on July 7, 2019.

    “Both minority and gender diversity and inclusion are the focus of concerted efforts at Schwegman,” said Theresa Stadheim, Schwegman Principal and Diversity and Inclusion Steering Group member. “Schwegman has been very generous in providing support for diversity and inclusion events and has been visionary in its efforts, both nationally and locally, to get minorities and women interested in STEM careers at all levels.”

    Steven Lundberg, Managing Principal, commented: “We have been very active in efforts for fostering a culture of diversity and inclusion. Diversity can be particularly challenging in our demographic, since our intellectual property boutique firm is focused toward patent prosecution and our clients are somewhat skewed toward electrical and software technologies. While we have gained from a more diverse demographic in our San Jose office, and via our satellite attorney program that allows attorneys to work remotely from their preferred geographic locations, we continue to place great emphasis on diversity and inclusion at all locations and levels of our firm.”

    Suneel Arora, Schwegman Principal and Hiring Committee member, elaborated further: “Diversity is an ongoing effort that is discussed at every firm Board meeting and considered throughout our recruiting process, but I believe that it is our inclusive firm culture and excellent track record of retaining attorneys that will make our efforts successful and sustainable. I can personally attest to the opportunities for growth and success that are available to all and that are actively fostered at Schwegman. Moreover, our flat organization and the respect and autonomy accorded to all attorneys (and staff) makes it easier for minority attorneys to succeed.”

    “At Schwegman, attorneys have the ability to choose which technologies and clients are the best fit for their skills and interests, which is paramount to success, satisfaction, and longevity in our profession,” added Andre Marais, Schwegman Board and Diversity and Inclusion Steering Group member. “We don’t try to micromanage to achieve over-granular diversity objectives. Instead, we try to focus on recruiting, mentoring, and promoting with a focus on supporting individual team members, which we view as our best path to success for our entire team.”

    Further extensive information about ongoing diversity and inclusion efforts at Schwegman can be found here.

    Schwegman Lundberg & Woessner is an international intellectual property law firm that offers a full range of procurement and advanced portfolio management services.

    Media Contact:
    ​Suneel Arora
    ​Phone:  612-373-695
    ​Email: sarora@slwip.com

    Source: Schwegman Lundberg & Woessner

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  • TMA Names Kristopher Driggers Assistant Curator, Schmidt Curator of Latin American Art

    TMA Names Kristopher Driggers Assistant Curator, Schmidt Curator of Latin American Art

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    Press Release
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    updated: Jan 31, 2019


    TUCSON, Ariz., January 31, 2019 (Newswire.com)
    –
    The Tucson Museum of Art (TMA) announces the appointment of Kristopher Driggers as TMA’s Assistant Curator, Bernard and Jeanette Schmidt Curator of Latin American Art. Currently, a lecturer at University of Texas Rio Grande Valley, the nation’s second-largest Hispanic-serving Institution, Driggers will finish his semester of teaching and join TMA full time in early May to manage and develop TMA’s Latin American, Spanish Colonial, post-Colonial, and Latin American folk art collections, with emphasis on pre-Columbian art. Until then, he will be making visits to Tucson for collection research in preparation for the installation of the collection at TMA’s forthcoming Kasser Family Wing. 

    Driggers, who obtained his bachelor’s degree in History of Art from Yale University in 2011 and his master’s degree in Art History from the University of Chicago in 2014, expects to obtain his Ph.D. in Art History, Pre-Columbian and Colonial Latin American Art from the University of Chicago in May. He participated in the Center for Curatorial Leadership Mellon Seminar in Curatorial Practice in New York in 2017.

    According to TMA CEO Jeremy Mikolajczak, “Kristopher’s range of study, international research and experience will provide the vision and practical skills to present, interpret and build TMA’s pre-Columbian collection, install the Kasser Family Wing, and produce insightful publications, public lectures, and symposia.”

    While at Yale, Driggers held multiple fellowships, including the Josef Albers Traveling Fellowship which allowed him to travel and study pre-Columbian objects in Mexico, Guatemala and Peru. He has worked as a development coordinator at the McNay Art Museum in San Antonio, Texas; a curatorial employee in African Art at the Yale University Art Gallery; and an intern in the curatorial departments of the Metropolitan Museum of Art and the Museo de Arte Latinoamericano de Buenos Aires.

    Before beginning his teaching position in Texas last year, Driggers conducted fieldwork for three years in Mexico City and surrounding regions, as well as in Madrid and other European collections. His research has been supported by a Ford Foundation Predoctoral Fellowship, among other awards.

    Driggers has written about his research for publication and has regularly presented his research at scholarly conferences. In 2017-18, he spoke at the Frick Collection in New York, the Newberry Library in Chicago, the Rare Book School at the University of Virginia, and in conferences in Mexico and Colombia, where he lectured in Spanish. He is organizing a panel on pre-Columbian art for the 2019 College Art Association conference on the topic of “Indigenous Languages of the Americas and the Language of Art History.”

    Driggers’ knowledge and commitment to the highest standards of scholarship and interest in engaging diverse communities will advance TMA’s reputation as a leader in Latin American art and its service to our distinctive art and multicultural communities.

    Press Contact: Cami Cotton
    Phone: (520) 616-2689
    Email: ccotton@TucsonMuseumofArt.org

    About the Tucson Museum of Art and Historic Block

    The Tucson Museum of Art and Historic Block’s mission is “Connecting Art to Life.” The museum was founded in 1924 and is located in the El Presidio Historic District of downtown Tucson. It is Southern Arizona’s premier presenter of fine art and art education programs.

    The museum features permanent and traveling exhibitions of Modern and Contemporary, Native American, American West, Latin American, pre-Columbian, European, and Asian art. The 74,000 square foot museum offers guided tours, and education programs. The museum’s historic block of 19th and 20th C. adobe and Mission Revival-style buildings, encompassing a four-acre city block, includes the John K. Goodman Pavilion, the highly acclaimed museum restaurant CafĂ© a la C’Art, the Museum Store, and additional exhibition spaces.

    TMA is a private 501(c)(3) charitable arts and education organization. For Tucson Museum of Art hours, admission prices, membership opportunities, and exhibitions, please visit TucsonMuseumofArt.org or call (520) 624-2333.

    Source: Tucson Museum of Art

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