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  • This Might Be Why People Are Throwing Things At Performers At Concerts

    This Might Be Why People Are Throwing Things At Performers At Concerts

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    This concert season might go down as the Summer of Hurling Objects: In the last few months, a number of music artists ― Harry Styles, Bebe Rexha, Drake and Kelsea Ballerini among them ― have been hit or interrupted by concertgoers throwing items at them onstage (beverages, vape pens, even cellphones).

    The most recent example? Cardi B, who had liquid thrown at her face mid-set during a performance in Las Vegas on Saturday. In response, the “Bodak Yellow” singer threw her microphone in the concertgoer’s direction, resulting in one audience member filing a battery report following the event.

    The incidents have been so numerous, some artists are preemptively warning their attendees to keep their belongings to themselves.

    “Have you noticed how people are like, forgetting fucking show etiquette at the moment?” Adele asked fans at one of her recent Las Vegas residency shows while toting a T-shirt gun.

    “People just throwing shit onstage, have you seen them? I fucking dare you. Dare you to throw something at me and I’ll fucking kill you,” she joked before shooting off a T-shirt into the screaming crowd.

    What’s the deal with this “trend”? Jennifer Stevens Aubrey, a professor of communication at the University of Arizona whose area of expertise includes media effects and audience behaviors, believes two factors are at play.

    First, after a long hiatus from public life because of COVID, people aren’t exactly on their best behavior; there’s been a noticeable erosion of manners and etiquette across the board, not just at concerts. (Drinking and other intoxicants lower inhibitions further.)

    Billie Weiss/Boston Red Sox via Getty Images

    Pink is among the artists who’ve had items thrown at them recently. Here, she performs as part of the P!NK: Summer Carnival 2023 tour during the Nucor Fenway Concert Series in Boston.

    More notably, though, she thinks it has something to do with the strengthening of parasocial relationships during the pandemic. Fans and audiences truly feel like they know these performers, and in their minds, they have a friendship, Stevens Aubrey said.

    “Fans are let into the informal daily lives of many of their favorite performers, making people feel like they have a rather intimate one-way friendship with these performers,” Stevens Aubrey said. “After all, they frequently ‘talk’ on their phones through these short-form videos. In the minds of the fans, they are friends.”

    When fans see these performers in person, they might hope for, and even expect, an actual two-way interaction to occur ― even ill-advised interactions involving random projectiles.

    “Throwing things at a performer can be considered violence, but another interpretation is that it is an act of desperation,” Stevens Aubrey said. “Like, this is their one and only chance to get the attention of the performer.” (John Lennon being shot and killed by a fan is an extreme example of this “negative attention is still attention from my idol” behavior.)

    Fan culture — and the need to document everything on social media — may play a part in this trend. Here, fans record with their phones as Halsey performs in New York City's Central Park in 2018.

    ANGELA WEISS via Getty Images

    Fan culture — and the need to document everything on social media — may play a part in this trend. Here, fans record with their phones as Halsey performs in New York City’s Central Park in 2018.

    David Thomas, a professor of forensic studies at Florida Gulf Coast University, said that the anonymity provided by a dark concert venue and a large crowd may encourage bad behavior.

    He thinks clout chasing on social media is at play, too. People want to go viral, and this trend mirrors a number of viral TikTok trends. (The “throw things in the air” challenge from years ago, for instance, or the recent “ice cream challenge” prank.)

    “Many find that attention or media coverage of any kind for bad or good behavior is rewarding,” said Thomas, a former police officer with expertise in the psychology of crowds.

    “There is no bigger stage than a concert in front of 20,000 fans, not to mention television and social media,” he told HuffPost. “The attention that the perpetrator receives at the expense of the artist is more important than enjoying the concert or possible injury that could be caused to the artist.”

    “Throwing things at a performer can be considered violence, but another interpretation is that it is an act of desperation. Like, this is their one and only chance to get the attention of the performer.”

    – Jennifer Stevens Aubrey, professor of communication at the University of Arizona

    Because many of the artists who’ve had objects thrown at them lately are women, some have speculated whether misogyny is a factor, too.

    “Certainly the more dramatic throwing things has been fans throwing things at women,” said Paul Booth, a professor of media and pop culture at DePaul University.

    Someone bizarrely tossed the cremated ashes of a fan’s mother at Pink at one of her most recent gigs, for instance. (“This is your mom?” Pink asked the fan. “I don’t know how I feel about this.”) And Rexha was left with a bruised eye after an audience member hurled a cellphone at her during a performance in New York City.

    “If this trend is for attention, people feel entitled to have women’s attention, and perhaps believe that women are more apt to give it,” Booth told HuffPost.

    The History Of Fans (And Artists) Throwing Things At Each Other

    Of course, this trend isn’t exactly new. (Remember how fans used to throw panties onstage at Tom Jones and Teddy Pendergrass concerts? If not, go ask your mother.)

    The Beatles and their fans at the height of Beatlemania provide another good example, said Martyn Amos, a crowd expert and professor of computer and information sciences at Northumbria University.

    When they toured the U.S. for the first time in the 1960s, the band gave a series of press conferences that were intended to showcase their “human side.” George Harrison made the mistake of saying that his favorite sweet was Jelly Babies, and at subsequent shows, the four men were pelted with the candies by screaming fans.

    “It was purely as an act of affection, but Harrison was not impressed,” Amos said. “In fact, in a letter to one fan, Harrison wrote, ‘Think how we feel standing on stage trying to dodge the stuff, before you throw some more at us. Couldn’t you eat them yourself, besides it is dangerous. I was hit in the eye once with a boiled sweet, and it’s not funny!’”

    At a Beatles concert at New York City's Shea Stadium in the 1960s, signs admonished the assembled Beatlemaniacs not to throw objects or cross the police line.

    Bettmann via Getty Images

    At a Beatles concert at New York City’s Shea Stadium in the 1960s, signs admonished the assembled Beatlemaniacs not to throw objects or cross the police line.

    Paul Wertheimer, founder of Crowd Management Strategies, a Los Angeles-based international crowd safety consulting service, pointed out that sometimes, it’s the artists who are throwing things out into the crowd or encouraging these types of interactions. (In the Cardi B case last weekend, additional footage showed both the rapper and her DJ urging the crowd to “splash her pussy.” Cardi was apparently peeved that she was splashed in the face with the liquid, rather than down there.)

    “This is not to condone those isolated incidents that put artists’ safety in jeopardy, but this is nothing new,” Wertheimer told HuffPost. “The examples being used these days are disjointed and do not have much in common.”

    “Who started throwing objects first is probably a chicken and the egg argument,” he added before listing all the concerts he’d been to where objects were thrown on or from the stage.

    “Fireworks were the projectile of choice at a 1973 concert by Led Zeppelin I attended in Chicago,” he said. “I’ve also been hit in the face by a small trinket thrown by Dita Von Teese in West Hollywood and pummeled by Faygo and liter bottles thrown by members of the Insane Clown Posse in Michigan.”

    Stephen Reicher, a professor of psychology at the University of St. Andrews in Scotland who studies how people behave in crowds, doesn’t think there’s enough information available to speculate on why there’s seemingly been an uptick in this behavior.

    He does think these interactions speak to the ambivalence, and sometimes antagonism, that tends to define the performer/audience relationship.

    “There’s no way you’re taking life seriously if you think I’m gonna pick this vape up and vape with you at the f**king Barclays Center.”

    – Drake, after an audience member threw a vape his way at a New York City concert last month

    “Much of this comes down to the question of ’who controls the performance?’” he said.

    “Is it the case that the performer is in control and the audience is passive — just a consumer of what they are given?” he wondered. “Or is it that the audience is active and directs the performance by dictating what the performer does, by heckling or something else.”

    Outside of these recent “throwing things at the stage” incidents, Reicher said, audiences have actually become much more passive and well-mannered in recent times ― at least compared to the more riotous audiences of the past that Wertheimer described.

    He also agreed that entitlement could be one of several reasons for this. Sometimes, throwing things is an act of ownership, “a ritual in which audience members try to impose their views on how a show should run,” he said.

    That seems to be what Drake thought when he got a vape pen thrown in his general direction last month.

    Vaping in front of, or for, an audience? The Canadian rapper was downright offended.

    “There’s no way you’re taking life seriously if you think I’m gonna pick this vape up and vape with you at the fucking Barclays Center,” the “Hotline Bling” artist said as he kicked around the vape onstage. “You got some real life evaluating to do, throwing this fucking lemon-mint vape up here, thinking I’m about to vape with you at the Barclays.”

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  • BNE Presents ‘About Damn Time’, a Concert Showcasing South Asian Culture Through Music & Creating History

    BNE Presents ‘About Damn Time’, a Concert Showcasing South Asian Culture Through Music & Creating History

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    Press Release


    Jun 2, 2023 10:00 EDT

    Rewriting the narrative and connecting the global audiences to the Next-Gen South Asian artists who have created their unique blend of sounds fusing traditional and modern sounds.

    The narrative of South Asian music for generations has been limited to the traditional and classical genres. We are here to take control of that narrative and introduce global audiences to the new generation of South Asian artists who have created their unique blend of sounds fusing traditional and modern sounds. 

    BNE, short for Bangla New Era, is a platform dedicated to empowering artists, managers and labels alike with tools to succeed in the entertainment industry. Leaving the technical headache out and focusing on creation. From distribution, curation, promotion to IRL events, BNE aims to cover the requirements and challenges of artists’ full life cycle. Through strategic partnerships, tech-enabled services, events and initiatives, BNE aims to create opportunities for talented artists and showcase their creations to a wider audience.

    “About Damn Time” aims to showcase the diverse and vibrant music scene of the South Asian community, bringing together renowned artists who have made significant contributions to the industry as well as up-and-coming promising talents. An extraordinary concert where attendees can expect an evening filled with captivating performances, dance, energetic beats, and a celebration of South Asian heritage and artistry. The concert will feature an impressive lineup of talented artists, including Muza, Nish, Mumzy Stranger, Master-D, Sanjoy, Lil Late, Bhanga Bangla and dance performances by Bushra Khan and team.

    The concert will take place at the iconic Exchange LA, located at 618 S Spring St., Los Angeles, on the 18th of June, with doors opening at 8:00 PM. Music enthusiasts and fans are invited to join in on the celebration. To learn more about the event: https://bne.live

    Source: BNE

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  • Live Nation is selling $25 tickets to thousands of concerts — here’s how to snag some – National | Globalnews.ca

    Live Nation is selling $25 tickets to thousands of concerts — here’s how to snag some – National | Globalnews.ca

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    When was the last time you bought a concert ticket for $25?

    Live Nation is making it possible to see several of your favourite artists for cheap this summer with their newly launched Concert Week. The promotion allows Canadian and American fans access to all-in tickets to more than 3,800 live shows across both countries, with ticket prices as low as $25.

    Concert Week kicks off Wednesday, May 10, at 10 a.m. ET and lasts until May 16.

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    So how does this work? There are at least 300 artists from a broad range of genres included in the promotion. Available concerts include chart-toppers like Maroon 5, Charlie Puth, Shania Twain and Janet Jackson, along with rap and R&B legends like Snoop Dogg, Wiz Khalifa, TLC and Shaggy. The bands Mötley Crüe, Disturbed and Fall Out Boy are also among the artists listed by Live Nation.

    Users can filter through tickets based on artist name or the location of the concerts they’re looking to attend. A variety of seat types will be available for sale.

    In Canada, those who bank with RBC were given early access to Live Nation Concert Week. On Tuesday at 10 a.m., RBC clients who applied for an access code were given exclusive entry to try and score discounted concert tickets.

    (Depending on the province or state of residence, additional fees and taxes for tickets purchased during Live Nation Concert Week may vary.)

    The tickets are certain to sell out quickly, as the average price of a concert ticket has nearly quadrupled over the past two decades. In the last year, outrage over concert ticket prices has grown even louder, as inflated resale markets and surge pricing have left some fans in the dust when it comes to seeing their favourite artists on tour.

    In January, top executives from Ticketmaster and Live Nation appeared before the U.S. Senate to argue they do not hold a ticket sale monopoly. The federal questioning was spurred on by a fumbled Taylor Swift ticket presale that allegedly saw software bots illegally obtain tickets and snub thousands of eager fans.

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    Click to play video: 'Ticketmaster CEO apologizes for Taylor Swift concert ticket debacle, blames bots and cyberattack'


    Ticketmaster CEO apologizes for Taylor Swift concert ticket debacle, blames bots and cyberattack


    Ticketmaster merged with Live Nation in 2010, reportedly resulting in control of more than 70 per cent of the primary ticketing and live event venues market.

    A full list of artists included in Live Nation Concert Week can be viewed on the Live Nation website.

    &copy 2023 Global News, a division of Corus Entertainment Inc.

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    Sarah Do Couto

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  • Dionne Warwick to Perform at the Klein Memorial Auditorium in Bridgeport, CT on June 22

    Dionne Warwick to Perform at the Klein Memorial Auditorium in Bridgeport, CT on June 22

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    Six-time Grammy Award-winning artist will bring her audience-enchanting performance to the stage at The Klein, with tickets on sale this week through ezEvent.com

    Grammy Award-winning music icon Dionne Warwick is set to perform at The Klein Memorial Auditorium in Bridgeport, CT on Thursday, June 22. The show, promoted by Baker Concerts, will commence at 8 p.m. with doors opening at 6:30.

    Warwick is a six-time Grammy Award-winning music legend who has charted more than 75 hit songs and sold over 100 million records. Discovered by Burt Bacharach and Hal David in 1961, Warwick went on to record 18 consecutive Top 100 singles, including “Don’t Make Me Over,” “Walk on By,” “Say a Little Prayer,” “A House is Not a Home,” “Alfie,” “Heartbreaker,” and “Déjà Vu.”

    “We are so thrilled to bring a legendary performer to the stage at The Klein Memorial Auditorium in Ms. Warwick,” says Josh Baker of Baker Concerts. “She is a performer that has enchanted audiences for more than 60 years, and we know it will be a night to remember in Bridgeport.”

    Tickets for Warwick’s show will be on sale this week through BakerConcerts.com and the ezEvent.com ticket sales system. Presales launch on Wednesday, April 12, with public sales commencing on Friday, April 14 – both dates kick off at 10 a.m.

    In 1968, Warwick received her first Grammy for “Do You Know the Way to San Jose?,” becoming the first African-American solo female artist of her generation to win the prestigious award for Best Contemporary Female Vocalist Performance. She has also participated in several charity events, including the 1985 recording of “That’s What Friends Are For,” which raised awareness and major funds for AIDS research.

    Ms. Warwick has been honored by AMFAR, the Desert Aids Project, and Clive Davis at his pre-Grammy party. She was also inducted into The Grammy Museum, and most recently, she was the recipient of the coveted and prestigious 2017 Marian Anderson Award for her career accomplishments and philanthropy. Warwick was honored in a 2018 PBS Television Special, “Then Came You,” was named 2019 Ambassador to the Smithsonian Institute’s Year in Music, and is a 2019 Grammy Lifetime Achievement Award recipient.

    Baker Concerts is a full-service concert and promotional agency based in Connecticut. For more information and upcoming shows, visit BakerConcerts.com.

    Source: Baker Concerts

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  • Noah Kahan Reimagines Fall With Stick Season

    Noah Kahan Reimagines Fall With Stick Season

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    Noah Kahan has reinvented autumn – it’s a Vermont state of mind and no one is mad about it. Welcome to Stick Season.


    Stick Season: Commonly known as that time in New England when the leaves have fallen and its face-numbingly cold, yet the snow is yet to fall. It’s a quiet, scary, beautiful standstill covered in sticks.

    Noah Kahan has taken this incredibly specific season and gifted us the soundtrack of fall. And now he’s bringing it out of the woods and onto the stage.

    So what happens when you take an album, written and recorded in Vermont during the pandemic, and perform it on an NYC rooftop? Well, when the album is as fine as Kahan’s Stick Season, it makes every big city feel like a small town.

    Early on in his highly anticipated tour, Kahan stopped at The Rooftop at Pier 17 for a sold-out Thursday night. Located on the eastside waterfront, fans packed out the venue in what felt like 40 degrees, just to hear him live. Not only was this show worth it, but there was no better way to hear it.

    The self-proclaimed “Jewish Ed Sheeran” made this intimate, folksy album feel energetic and expansive, in a setting so far removed from the album’s subject. It felt like the breeze blew straight down from New England and we could sense the unseen stars above. Kahan had the crowd jumping to an acoustic guitar with skyscrapers lit up to his left and the Brooklyn Bridge glowing to the right.

    Kahan himself commented that the show would be cold and uncomfortable – true to his brand. However, I couldn’t help but feel warm and at home, tucked in among a crowd of hundreds.

    Beyond Kahan’s signature uniform on display (plaid shackets and beanies), the crowd already knew nearly every word of his third album. Awesome, since it was released less than 10 days prior, on October 14th. There was not a moment to feel lost or alone, surrounded by Kahan’s powerful lyrics coming from the 20-somethings singing at the top of their lungs (myself included).

    NYC knew everything down to the phone number in “She Calls Me Back” – I still dial 822-993-167.

    Kahan mostly played new tracks but treated us to some of his earlier hits like “Mess” and “Young Blood.” Although these feel like throwbacks from a seasoned artist, I find myself startled that Kahan’s only 25 years old and being hailed as one of this year’s breakout stars.

    However, Kahan has experienced 5 years of critical acclaim and toured globally – so, why are we all listening now?

    It’s a double-edged sword. Kahan puts into words larger themes of isolation, longing, and frustration and does it with such imagery that his story is completely compelling.

    Now, am I happy that Kahan’s journey involved heartbreak, depression, and loss? Of course not, but Kahan’s truthful, clever, and brutally honest lyricism takes what we’re all feeling and doesn’t sugarcoat or handle our hearts with kid gloves and cliched generalities.

    It’s 2022 and the crowd is singing along to “Growing Sideways,” a truthful depiction of Kahan’s mental health struggles and path to healing. It’s not an everything will get better anthem or a rallying cry. This song is a terribly specific confession about dealing with pain but injected with everyday Band-Aids – So, I forgot my medication / Fell into a manic high / Spent my savings at a Lulu / Now I’m suffering in style.

    Kahan reminds us that we’re all just coping every day and the exquisite part of his music is that sometimes we get to cope together in spaces that artists like him create.

    While Noah Kahan continues his Stick Season tour – possibly growing up a bit along the way – I can’t wait to hear how he continues to explore those delicate places just off-center that we can’t always put into words.

    Everything feels better with a guitar – even when it hurts.

    Stream Noah Kahan’s Stick Season here and find tickets here.

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    Morgan Gelber

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  • Ellen Foley Performs Career-Spanning NYC Show, Pays Tribute To Meat Loaf And Jim Steinman

    Ellen Foley Performs Career-Spanning NYC Show, Pays Tribute To Meat Loaf And Jim Steinman

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    Forty-five years ago this month, Meat Loaf’s debut album Bat Out of Hell, with songs composed by Jim Steinman, was released. With such beloved tracks as “Paradise by the Dashboard Light,” Two Out of Three Ain’t Bad,” and “You Took the Words Right Out of My Mouth (Hot Summer Night)” that have since become staples of classic rock radio, Bat Out of Hell has sold a staggering 14 million copies in the U.S. Not only did that album made Meat Loaf and Steinman household names in the world of rock, but it also elevated the profile of a then-emerging singer named Ellen Foley, whose featured vocal on “Paradise” (with her memorable declaration of “Stop right there!” during the climax) still remains a highlight of that album.

    Following Bat Out of Hell, Foley (who as an actress is best known for her role as Billie Young on Night Court) has carved a music career that included five studio albums and collaborations with the likes of Ian Hunter, the Clash and Joe Jackson. Last year, she released the excellent Fighting Words, her first new record in eight years, a collection full of spirited rock and roll with songs mostly composed by her guitarist Paul Foglino. “I’m kind of stunned by the reaction to it,” she said in 2021 about Fighting Words. “We made one record [2013’s About Time] and it didn’t set the world on fire. It was maybe a little closer to his roots, which are more Americana. This is just us evolving together as full-blown rock and roll for the most part.”

    She performed a number of the songs from Fighting Words during an appearance Thursday evening at the Cutting Room in New York City. Accompanied by an ace band featuring Foglino, Foley performed what was essentially a career overview that drew from such influences as rock and roll, ’60s Brill Building-styled pop, country and western, soul, Broadway and cabaret. The songs from Fighting Words such as “Are You Good Enough,” “I Call My Pain by Your Name,” “Fill Your Cup” and “I’m Just Happy to Be Here” balanced nicely with some of her older material including “We Belong to the Night” and “What’s a Matter Baby (both from her 1979 debut LP Night Out), “Boys in the Attic” (off of 1983’s Another Breath), and “All of My Suffering” (from 2013’s About Time). Her choice of covers was equally eclectic, including her renditions of the Who’s “Behind Blue Eyes” and Ian Hunter’s “Irene Wilde.”

    The most poignant of the set occurred during Foley’s encore in which she performed the ballad “Heaven Can Wait,” which she dedicated to Jim Steinman and Meat Loaf, both of whom recently passed away within several months of each other. The song originally appeared on the Bat Out of Hell album and was sung by Meat Loaf, and Foley’s outstanding performance of it onstage was both moving and touching.

    Overall, Foley remained in fine voice with her versatile singing that carried swagger, charisma and empathy whether the song was a rocker or a ballad. It was assuring that the energy and range she first brought to “Paradise by the Dashboard Light” continued 45 years later with this recent New York City appearance.

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    David Chiu, Contributor

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  • Two Different Cultural Celebrations Are Planned for September in Sunny Isles Beach

    Two Different Cultural Celebrations Are Planned for September in Sunny Isles Beach

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    Press Release



    updated: Aug 31, 2017

     The City of Sunny Isles Beach has planned a variety of special events in September for residents and visitors alike. From concerts and children’s activities to culture showcases and foods from around the world, there is something for all ages and interests.

    Come out to the upcoming city events and immerse yourself in the traditions, music, and foods of your neighbors from other nations. Celebrate what it means to be part of the vast melting pot of cultures that make up America.

    The second weekend of the month, Sept. 9 & 10, experience a Russian-American Heritage Concert and a Russian-American Arts & Culture Showcase. The concert will be held on Saturday, Sept. 9 from 7-9 p.m. at Heritage Park, 19200 Collins Avenue. On Sunday, Sept. 10 from 2-5 p.m. the Arts and Culture Showcase will be presented at Gateway Park, 151 Sunny Isles Boulevard.

    Toward the end of the month, on Sept. 23 & 24, a Hispanic-American Heritage Concert and a Hispanic-American Arts & Culture Showcase will take place. The concert will be held on Saturday, Sept. 23 from 7-9 p.m. at Gateway Park, 151 Sunny Isles Boulevard. On Sunday, Sept.24 from 2-5 p.m. the Arts and Culture Showcase will unfold at Heritage Park, 19200 Collins Avenue.

    For more information about programs and events in the City, tune to SIBTV on Atlantic Broadband digital channel 92 or 107-5 and on AT&T U-verse Channel 99. Details may also be found on sibfl.net or by following on Facebook, Twitter, and Instagram @CityofSIB. To stay up-to-date on City events or alerts, sign up for the City’s email notification system at https://www.sibfl.net/media/esibi-e-mail-notifications. Users may choose which categories to receive alerts from and change those categories or unsubscribe at any time. For questions, please contact Cultural and Community Services at 305.792.1706.

    Source: City of Sunny Isles Beach

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  • Award-Winning Songwriters to Perform at Intimate Nashville to New Mexico Event

    Award-Winning Songwriters to Perform at Intimate Nashville to New Mexico Event

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    The sounds of Nashville come to Eagle Nest, New Mexico on June 25, 2016 when four premier song writers gather for a writers round at Lost Eagle Park in the heart of the tranquil village. Activities will take place throughout the day, with musical events beginning at 5pm. The Nashville to New Mexico Writers Round brings together well-known artists Jeffrey Steele, Rivers Rutherford, Jon Nite and Billy Dawson.

    Press Release


    Jun 17, 2016

    Esteemed songwriter Billy Dawson will venture to the mountains of Northern New Mexico next weekend to serenade music fans at the Village of Eagle Next as part of an unforgettable, intimate night of music appreciation. Creatives like Dawson have gravitated to Northern New Mexico as a quiet place of inspiration and innovation, and a number of singers from Nashville will be joining the talented artist on Saturday, June 25, for a night of acoustic music in the majestic Sangre de Cristo Mountains.

    The Nashville to New Mexico festival will bring a day full of food, fun and entertainment, with musical events beginning at 5 p.m. in Lost Eagle Park in the heart of the village. The Nashville to New Mexico Writers Round brings together celebrated artists, including Jeffrey Steele, who has penned hits for Rascal Flatts, Keith Urban, Tim McGraw and many others; Rivers Rutherford, with songs for Tim McGraw, Brad Paisley, Montgomery Gentry and more; Jon Nite from Amarillo, Texas, with hits for Keith Urban, Luke Bryan, Jake Owen, plus a long list of other stars, and Sunray, Texas, native Billy Dawson himself, Artist of the Year at the Nashville Industry Music Awards, as well as Best Country Male Vocalist and Best Live Country Performer.

    The tranquil village of Eagle Nest, on the shores of Eagle Nest Lake, is the Gateway to the Enchanted Circle, which besides being the home of three world-class ski resorts, is bustling with summer fun and recreation. Hiking, biking, golf, plus unparalleled art, history and culture abound in the pristine mountain air. The mountains and the lake will serve as the backdrop at Lost Eagle Park. The Nashville to New Mexico Writers Round is scheduled for 5 to 8pm. Tickets are $15 in advance and $20 the day of the show. Advance tickets can be purchased at NashvilleToNewMexico.com.

    Performer’s websites:

    Rivers Rutherford          
    www.riversrutherford.com

    Jeffrey Steele                   
    www.jeffreysteele.com

    Jon Nite                              
    www.reverbnation.com/jonnite

    Billy Dawson                      
    www.billydawsonmusic.com        

    Contact Info and Directions:
    155 E Therma Drive • Eagle Nest, NM 87718
    info@nashvilletonewmexico.com
    (575) 224-2380

    Source: Nashville to New Mexico

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  • Sawyer Brown Band Ready to Rock the Stage at Whitewood Campground for 75th Sturgis Rally

    Sawyer Brown Band Ready to Rock the Stage at Whitewood Campground for 75th Sturgis Rally

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    Sawyer Brown Band ready to rock the stage at Whitewood Campground for 75th Sturgis Rally. The Official 75th Sturgis Rally Campground, Whitewood Campground and Event Center, is pleased to announce the Sawyer Brown Band on August 6, 2015. The show starts at 9:00pm MST. Whitewood Campground will showcase other national bands such as: Lee Brice, Charlie Daniels Band, and The Marshall Tucker Band.

    Press Release



    updated: Jun 22, 2015

    ​​​The Whitewood Campground and Event Center has announced that Sawyer Brown will play a one night show at 9:30 p.m. MST on August 6, 2015. The concert is one of many events that will be hosted at The Whitewood Campground and Event Center located at 596 Whitewood service road, Whitewood, South Dakota 57793. 

    Sawyer Brown is a country pop band that has been performing since 1991. Today, four of the five original members still play.

    “We can’t wait to play to play Sturgis! We know that crowd is gonna rock–and we are ready. Bring it on!”

    MARK MILLER, NATIONAL RECORDING ARTIST

    The band originally gained fame in 1983, when it won the grand prize on the TV show “Star Search.” Since then, it has released over 20 albums with three of those going gold in the U.S. In 1985, the band won the Country Music Associations “Horizon Award,” and, in 1997, it won Vocal Group of the Year by the Academy of Country Music. Other notable highlights include six-time “Vocal Band of the Year” voted by the TNN/Music City News Country Music Awards, and it is a three-time “Video Group of the Year” award-winner voted by the CMT Country Music Awards.

    Some of its most well-known songs are “Step That Step,” “Some Girls Do” and “Thank God for You,” which all top the U.S. Country list at No. 1 upon their releases.

     “We can’t wait to play to play Sturgis! We know that crowd is gonna rock–and we are ready.  Bring it on!” said Mark Miller from the band.

    Nowadays, Sawyer Brown continues to tour the U.S. Its songs reflect its old country pop style with a new Christian twist in some of its more recent releases.

    In its first year operating during the Sturgis Motorcycle Rally, the space has already been named the official campground for the 75th anniversary of the rally, and they have signed multiple bands and other shows to perform. Along with Sawyer Brown, other top shows include The Charlie Daniels Band, The Marshall Tucker Band, three different motorcycle shows, an Indian heritage Brule show, and many more. The grounds, which will be open before, during and after the rally, have events scheduled for rally-goers of all ages throughout the July 30th to August 8th, 2015 period that it is open.

    Entry for all of the sites events is free to those who stay at the campground. Additionally, tickets are available for purchase. Visit here to get your tickets today!

    “We are so excited to have The Sawyer Brown Band perform here!” said Marketing Director, Kristen Voll. “They fit perfectly with the cool, country vibe we want to create for our guests.”

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  • 75th Sturgis Rally and the Charlie Daniels Band Bring the Good Times to Whitewood Campground

    75th Sturgis Rally and the Charlie Daniels Band Bring the Good Times to Whitewood Campground

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    75th Sturgis Rally and The Charlie Daniels Band bring the Good Times to Whitewood Campground. The Official 75th Sturgis Rally Campground, Whitewood Campground and Event Center, is pleased to present The Charlie Daniels Band on August 3, 2015. The show starts at 9:00pm MST. Whitewood Campground will showcase other national bands such as: Lee Brice, Sawyer Brown, and The Marshall Tucker Band.

    Press Release



    updated: Jun 9, 2015

    The Whitewood Campground and Event Center has announced that The Charlie Daniels Band will play a one night show at 9:00 p.m. MST on August 3, 2015. The concert is one of many events that will be hosted at The Whitewood Campground and Event Center located at 596 Whitewood service road, Whitewood, South Dakota 57793. 

    The Charlie Daniels Band has won six Broadcast Music Incorporated Awards over the years for songs such as “Devil Went Down to Georgia” and “In America.” Charlie Daniels was inducted into the Grand Ole Opry and won the Career Achievement Award from the Country Music DJ and Radio Hall of Fame in 2008, after 50 years of playing music.

    “Glad to be getting back to Dakota country to pick for the bikers, gonna be a large time at Whitewood Campgrounds on August 3rd.”

    Charlie Daniels, National Recording Artist

    “Glad to be getting back to Dakota country to pick for the bikers, gonna be a large time at Whitewood Campgrounds on August 3rd.”-Charlie Daniels

    Whitewood Campground and Event Center was named the official campground for the 75th anniversary of the Sturgis Motorcycle Rally. Formerly the Boneyard in Whitewood, the event center has emerged as the destination to be before, during and after the rally. In its first year of operating, the staff has managed to sign top performing artists to play concerts, and other shows that will take place on the premises.

    Along with The Charlie Daniels Band, other top shows include The Marshall Tucker Band, Sawyer Brown, three different motorcycle shows, an Indian heritage Brule show, and many more. The grounds, which will be open before, during and after the rally, have events scheduled for rally-goers of all ages throughout the July 30th to August 8th 2015 period that it is open.

    Entry for all of the sites events is free to those who stay at the campground. Additionally, tickets will become available and sold through our website; www.whitewoodcampground.com.

    “A home run for us! The Sturgis Rally brings people from all over the nation together. What better way to celebrate this event than to have Charlie ‘Take Back the U.S.A’!” – Kristen Voll, Marketing Director

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