Jillaroos fullback Abbi Church was electric in her test debut, running 197m, while halfback Jesse Southwell did a great job steering the team around the field. For the Kiwi Ferns, co-captain Georgia Hale was excellent again, making a game-high 50 tackles, along with 100 run metres.
The match was always set to be a physical battle, after the Kiwi Ferns laid down a strong haka, where they advanced to be within metres of the Australian players.
The Jillaroos lost Keeley Davis early in the match with an arm injury in the opening set and both sides were guilty of errors in the opening exchanges, but once the match found its rhythm, it was a enthralling battle.
It took the Kiwi Ferns nearly 25 minutes for their first real attacking opportunity where they managed to force a repeat set but couldn’t capitalise, and eventually the Jillaroos broke the deadlock in the 32nd minute when Jessica Sergis broke three tackles to dive over in the corner and give her side a deserved 6-0 lead at the break – the third straight game New Zealand have failed to score in the first half.
The Ferns made a strong start to the second half, forcing a repeat set, but it was the Jillaroos who extended their lead after Apii Nicholls spilt the ball and Church swooped on it to claim her first test try.
New Zealand eventually got the breakthrough they needed when Annessa Biddle made a break deep inside their half and outraced Australian captain Ali Brigginshaw to score, but Raecene McGregor couldn’t convert.
The try set up a thrilling finish, and New Zealand had one last throw of the dice but couldn’t make it count, meaning Australia will be firm favourites in the Pacific Cup final next Sunday.
Ben Francisis an Auckland-based reporter for the New Zealand Herald who covers breaking sports news.
Beautiful Sunday Weather | September 21st Forecast
OFFICIALLY BEGINS TOMORROW. HERE’S YOUR SEVEN DAY FORECAST JUST TO GET YOU PREPARED FOR SOME OF THE CHANGES ON THE WAY. I WILL SAY TODAY IS LITERALLY THE NICEST DAY OF THE WEEK BECAUSE WE ARE LOOKING AT MOSTLY SUNNY SKIES, DRY CONDITIONS, AND IT’S ALSO THE COOLEST DAY OF THE WEEK AT 90 DEGREES. WE DO HAVE A 20% CHANCE OF RAIN IN THE FORECAST TODAY, SO IT’S NOT COMPLETELY DRY, BUT FAIRLY DRY FOR THIS TIME OF YEAR. NOTICE THE RAIN CHANCES DO GRADUALLY INCREASE AS WE HEAD BACK TO WORK THIS WEEK, AS WELL AS THE HEAT BY THURSDAY. WE’RE TALKING ABOUT A TEMPERATURE OF 93 DEGREES. EVEN THOUGH FALL OFFICIALLY BEGINS TOMORROW. HERE’S A LOOK AT OUR FIRST WARNING RADAR. WE ARE TRACKING A FEW COASTAL RAIN SHOWERS THIS MORNING, BUT THESE ARE VERY ISOLATED. YOU CAN SEE RIGHT NOW A TINY SHOWER OVER IN SCOTTSMOOR. EARLIER THIS MORNING WE HAD SOME SHOWERS OVER NEW SMYRNA BEACH. AND WHEN THOSE SHOWERS ARE JUST OFFSHORE, A PILOT HAD REPORTED THAT THERE WAS A FUNNEL CLOUD ASSOCIATED WITH IT ABOUT THREE MILES OFFSHORE OF NEW SMYRNA BEACH. THIS IS LIKELY WHAT’S CALLED A FAIR WEATHER FUNNEL CLOUD. WHAT DOES THAT MEAN? IT’S BASICALLY A GUSTY SHOWER OR CUMULUS CLOUDS DEVELOPING. AND SOMETIMES WHEN THOSE CLOUDS DEVELOP OR GUSTY SHOWER MOVES OVER THE WATERS, IT CAN INTERACT WITH A LITTLE BOUNDARY OR A WIND SHIFT, WHICH CAN CREATE A BRIEF FUNNEL. THIS IS EXACTLY LIKELY WHAT THAT WAS WHEN THAT PILOT REPORTED IT AS A FUNNEL EARLIER THIS MORNING, JUST AFTER 650. AS WE GO THROUGHOUT THE REST OF THE DAY TODAY, WE’RE NOT EXPECTING ANYTHING STRONG, SEVERE. IN FACT, RAIN COVERAGE IS REALLY LOW TODAY. I ONLY HAVE A 10 TO 20% CHANCE OF RAIN IN THE FORECAST FOR THIS AFTERNOON. YOU CAN SEE AROUND LUNCHTIME IF YOU’RE HEADING OUT AROUND NOON TO 1:00 CAM TRAN A COASTAL RAIN SHOWER OR TWO. THEN AS WE GO INTO THE AFTERNOON, HERE’S A LOOK AROUND TWO, THREE, FOUR, 5:00. THAT’S THAT WINDOW WHERE WE COULD SEE AN ISOLATED PASSING SHOWER. AND THEN ONCE WE GET PAST SUNSET, THINGS WILL QUIET DOWN. LIVE. LOOK OUTSIDE THIS MORNING. HERE’S A LIVE LOOK AT NEW SMYRNA BEACH, WHERE THINGS ARE COMPLETELY CALM. NOW IF YOU’RE HEADING OUT TO THE BEACH. SO KEEP IN MIND THAT RIP CURRENT RISK IS ON THE HIGH SIDE. WE’RE RIGHT NOW AT 75 DEGREES IN NEW SMYRNA BEACH. GOOD MORNING, THE VILLAGES. YOU’RE AT 70 THIS MORNING AND 71 IN LEESBURG HEADING OUT TODAY. IF YOU’RE GOING TO THE ATTRACTIONS, IT’S GOING TO BE A WONDERFUL DAY TO DO SO. WE’LL SEE. HIGH TEMPERATURE OF 90 THIS AFTERNOON WITH JUST A SPOT SPRINKLE. POSSIBLE. AND FALL OFFICIALLY BEGINS TOMORROW AT 219 IN THE AFTERNOON, AND UNFORTUNATELY, NOT GOING TO FEEL LIKE IT TOMORROW. WHEN YOU COMBINE THE HEAT AND HUMIDITY, IT’S GOING TO FEEL LIKE 95 DEGREES. BUT LOOK AT LATE WEEK THURSDAY FEELING LIKE 100, FRIDAY FEELING LIKE 98 DEGREES. SO YEAH, FALLS OFFICIALLY BEGINNING, BUT IT DOESN’T LOOK LIKE CENTRAL FLORIDA IS GOING TO TAKE INTO THAT MESSAGE. BECAUSE HERE’S A LOOK AT YOUR CENTRAL FLORIDA CERTIFIED MOST ACCURATE SEVEN-DAY FORECAST OFF THE TOP OF ONCE AGAIN, IT IS GOING TO BE A WARM WEEK WITH SOME SLIGHTLY HIGHER RAIN COVERAGE THIS WEEK. NEXT WEEKEND WE ARE LOOKING AT A 50 TO 60% CHANCE OF RAIN AND THAT HIGHER RAIN COVERAGE WILL AT LEAST BUMP OUR TEMPERATURES DOWN TO RIGHT AROUND 90 DEGREES. BUT GET REA
Beautiful Sunday Weather | September 21st Forecast
Beautiful Sunday Weather | September 21st Forecast
LET’S BRING IN FIRST WARNING METEOROLOGIST ERIC BURRIS DRY RIGHT NOW. WE WILL SEE A COUPLE OF POCKETS OF SHOWERS LATER ON TODAY. YOU KNOW, IT’S STILL WE’RE STILL FLORIDA. WE’RE STILL WATERS ON THREE SIDES OF US. YEAH, BUT LOOK AT THE SEVEN DAY FORECAST. BECAUSE HERE’S ONE THING. WE DON’T HAVE 90S. IT’S ALL UPPER 80S FOR HIGHS. AND WHILE YES, THIS WEEKEND THERE’S A FEW SHOWERS, WE GO EVEN DRIER MONDAY, TUESDAY, WEDNESDAY. AND THEN BY LATE NEXT WEEK, MODELS ARE SAYING WE’LL KIND OF RETURN TO A BIT OF A SUMMER PATTERN. SO SHOWERS AND THUNDERSHOWERS GET GOING. BUT AT THIS HOUR, LET’S JUST TALK ABOUT THE LACK OF MUGGINESS. WE’RE IN A COMFY TERRITORY AND TEMPERATURES AROUND TOWN LOOKING ABSOLUTELY DYNAMITE. 71. THIS IS THE COOLEST. ORLANDO HAS BEEN OFFICIALLY AT LEAST SINCE JULY 1ST. 66 DEGREES IN OCALA. YOU WERE AT ABOUT 66 YESTERDAY, BUT IT DOESN’T MAKE IT FEEL ANY LESS INCREDIBLE. AND IT’S A SATURDAY 69 OUTSIDE IN LEESBURG AND EVEN ALONG THE COASTLINE, THINGS FEEL FANTASTIC, AT LEAST INLAND A BIT, RIGHT? IT’S 77 FOR PORT CANAVERAL, BUT 74 ON MERRITT ISLAND, 72 IN PORT SAINT JOHN. SO YOU HEAD INLAND. IT FEELS GREAT. VOLUSIA COUNTY, GOOD MORNING TO YOU. 69 DEGREES IN CHESTER, 70 DEGREES FOR VICTORIA GARDENS, DELAND. AND THEN BEACHSIDE, RIGHT. 79 AT THE INLET, 80 DEGREES BEACH SAFETY HQ, WHICH IS BEACHSIDE NEAR DAYTONA BEACH. RIGHT. SO OUTSIDE IT’S BEAUTIFUL. BUT THAT BREEZE COMING IN OFF THE OCEAN IS AT LEAST INFLUENCING US JUST A LITTLE BIT. AND LATER TODAY, THAT BREEZE COMING IN OFF THE OCEAN WILL INFLUENCE US. BRINGING IN COASTAL SHOWERS. FOR NOW, THEY’RE STAYING PUT OFF THE SHORELINE, BUT THAT WILL CHANGE. MOST OF THE MOISTURE IS OVER SOUTH FLORIDA, BUT YOU CAN SEE THAT ENERGY OFFSHORE. AND LATER TODAY WE’LL TAP INTO SOME OF THAT AND BRING IT ON IN HIGHS TODAY MID 80S. BEACHSIDE, UPPER 80S ACROSS THE INTERIOR, LOWER THAN THE AVERAGE OF 90. BUT IT’S A FRESH BREEZE TEN, 15, 20 MILES AN HOUR. SO THERE’S THAT BREEZE KIND OF PICKING UP ON SOME OF THAT MOISTURE, BRINGING IN SOME SHOWERS. SAME IDEA FOR US TOMORROW. BUT IS THIS STORM SYSTEM AND COLD FRONT PULL AWAY FROM US? WE’RE ACTUALLY GOING TO GRAB SOME DRIER AIR AND PULL THAT ON DOWN. SO THAT’S WHERE OUR WORKWEEK DRIES OUT A BIT. EITHER WAY THOUGH, MAKING PLANS FOR SATURDAY LOOKS GREAT. SEAWORLD. ASIDE FROM WATCHING SOME OF THOSE COASTAL SHOWERS TRY TO WORK IN, IT’S A COMFY BREEZE FOR US TODAY. EPIC UNIVERSE, IF YOU’RE HEADING OUT TO ENJOY, OPENS UP 10 A.M., STAYS OPEN UNTIL TEN. WE’LL BE WATCHING THE RADAR FOR A FEW SHOWERS THIS AFTERNOON. OTHERWISE WE’RE LOOKING GOOD. 40% COVERAGE EAST OF TOWN. REALLY? SAME IDEA TOMORROW. DRIER. MONDAY, TUESDAY, WEDNESDAY AND THEN THUNDERSTORMS RETURN THURSDAY. FRIDAY. COASTAL SEVEN-DAY FORECAST LOOKING GREAT AS WELL WI
“After the England game [a 69-7 drubbing in Sunderland], I was walking around the field and an English fan in a Red Roses jersey called out my name and said, ‘You mean a lot to me watching you do this.’ She had a bag, too.
“I was just so tired and I felt horrible about all these other things, but to hear her say that me being open meant a lot to her and to her daughter was a really powerful moment for me. I cried.”
The USA’s Cassidy Bargell in action during the Women’s Rugby World Cup 2025 Pool A match between USA and Australia at the York Community Stadium. Photo / Getty Images
Bargell admits that having an ostomy bag is nobody’s idea of an ideal life choice.
“Sometimes I just hate it. I think any ostomate can tell you that it’s not the best thing ever every day. I hate having to wake up in the morning and do my bag change,” she says.
“Like any normal person, I have moments where I’m like, ‘Why me?’ Or wishing I didn’t have to deal with something extra.
“But I’m also really grateful that I’m healthy and can play rugby and eat food. When you go through that much illness, you understand that it’s a life-saver. It has given me my life back and more. So as much as I hate it, some days I love it.”
Bargell’s Instagram feed gives a remarkable insight, even to the point of showing her changing her bag and revealing her stoma. She spent a lot of time weighing up whether to post that video, but was convinced by her teammates to do so.
“I think when you look at other places on the internet, it can make you more scared,” she says. “People say horrible things about ostomies on the internet. People say horrible things about everything on the internet.
“But my teammates have no stigma or fear about it, so the way that they ask questions and want me to share, helps me feel confident that it’s the right thing for me to do.”
‘If anything, it has made me a better player’
The obvious question is whether a rugby pitch is a safe space for her. She plays with only a thin pad and a compression belt as forms of protection.
“Getting hit in my bag doesn’t hurt,” she says. “The bag only hurts me because of things that happen to all ostomates. The output is very acidic, so it’ll sometimes break down my skin right around my stoma, so that will be painful, but that’s not because I’m getting hit.
“One of the first questions I asked before I got the surgery was, ‘Will I be able to play rugby with a bag?’ And my surgeon said ‘You definitely will’.
“I think my bigger fear was that it would limit how far I could go in the sport, or that it would change the type of player I was. But I don’t think it did. I think if anything, it has made me a better player.
“I think I’m more resilient now. For something like that to happen to me has given me a better understanding of when things go wrong in a game that I just have to pick myself up and keep going. It has given me bigger-picture resilience.”
There are other complications. She has to be on the case in terms of nutrition. “On training days, I just eat protein and carbs at lunch. I don’t have fibre or anything like that. And I probably drink more electrolyte drinks than everyone else does, but I don’t have a large intestine, so I kind of need it.”
The experience of playing at her first World Cup has, she says, been incredible, and has been made even better because of the support for the game in England. After their opening defeat by the Red Roses, the reality is that the United States’ tournament will effectively be over if they lose to Australia this weekend.
“It’s us or them,” she says. “We need to just back ourselves.”
If anyone knows about doing so, it is Cassidy Bargell.
The series premiere of The Penguin ends with its titular villain stripped naked and strapped to a chair as he’s tortured by Sofia Falcone. By the conclusion of the second episode, Sofia makes him an offer to join forces and seize control of the Falcone crime family—the most powerful mob in Gotham City. Life in Gotham is anything but predictable; one minute someone’s pointing a gun down your throat, and the next they’re asking you to help betray their family and make a play to take over the city’s criminal underworld.
This dramatic turn of events perfectly encapsulates the complicated relationship of Oswald “Oz” Cobb (Colin Farrell) and Sofia Falcone (Cristin Milioti) as they try to set aside their differences to take down Sofia’s uncle Luca (Scott Cohen) and fill the power vacuum created by the death of the infamous Carmine Falcone. Two episodes in, HBO’s TheBatman spinoff seriesis quickly picking up momentum as Oz and Sofia’s tenuous partnership takes root and their respective quests to claim power in Gotham begin in earnest.
Although The Penguin is first and foremost a series about the villainous Oz Cobb, as Farrell reprises his scene-stealing character from Matt Reeves’s The Batman, Milioti’s Sofia Falcone is as much of a driving force in the spinoff as its central protagonist. Sofia has emerged as an unlikely contender to replace her father as Gotham’s crime lord, and the ways in which her character compares and contrasts with Oz have made their dynamic a compelling entry point into ThePenguin’s developing story.
The pilot episode welcomes the show’s audience by thrusting them right back into the world of The Batman: A montage of news broadcasts serves as a recap of the 2022 film, reporting the rise in crime in Gotham after the Riddler’s terrorist attacks devastated the city and unearthed its deep-seated corruption. And, crucially, the broadcasts also cover the murder of Carmine Falcone and the ongoing power struggle to replace him. After all the exposition ends, The Penguin repositions Oz as the primary protagonist of this world in place of Robert Pattinson’s Batman. He kills Alberto Falcone (Michael Zegen), Sofia’s brother and the new head of the Falcone family, in an impulsive act that sets the events of the series in motion. At first, it seems as if Oz will be able to get away with his crime unscathed, but Sofia—fresh out of Arkham Asylum—arrives to upend his hastily conceived schemes.
In this week’s installment, “Inside Man,” The Penguin begins to uncover Sofia’s past and delve into the life of the notorious woman better known as “the Hangman.” The episode opens with a flashback of Alberto visiting her at Arkham Asylum, which bleeds into a present-day therapy session as her memories mix with her grief over the loss of her brother. The series proceeds to offer glimpses into Sofia’s life, shedding light on how she is perceived by the world. A radio show discusses how Sofia was technically exonerated for the murders of seven women but labels her a “psycho” and a “serial killer.” Outside of Alberto’s funeral, crowds gather with signs condemning the Falcone family and Sofia’s release from Arkham. At Alberto’s memorial service, conversations hush and turn to whispers when Sofia enters a room, highlighting the unease surrounding her. Even Sofia’s family members either fear her or refuse to take her seriously. (By the end of the episode, Luca and his lieutenants give Sofia the Godfather closing door treatment, shutting her out of the family business as Luca tries to send her away to Italy.)
Sofia and Oz are alike in many ways. Both are underestimated and overlooked by higher-ranking members of the crime family who fail to recognize their outsize ambitions and the threat they pose. Their immediate families are everything to them, with Sofia hell-bent on avenging her brother’s death and Oz caring for his mother, Francis (Deirdre O’Connell), who has early-onset dementia. They both face judgment and condescension from those around them, whether it’s due to Sofia’s past or Oz’s appearance, and neither takes such disrespect lightly.
For all their similarities, Sofia and Oz also carry themselves differently. Sofia is discreet and tries to keep a low profile, while Oz drives around in an opulent, purple-and-gold Maserati. Oz is a sweet talker, often wriggling his way out of dire situations, while Sofia is blunt and speaks plainly to cut through all the nonsense. Sofia grew up rich, with a powerful father; Oz grew up poor and has had to earn everything himself. They serve as perfect foils for each other as they reach for the same goal of controlling the city’s criminal empire. And, at least for now, they recognize each other’s potential to further their own agendas—even if they don’t trust each other.
As Sofia and Oz’s unlikely alliance begins, the audience knows there is little chance their partnership will work; one will surely betray the other at some point, particularly if Sofia ever discovers that Oz was the one who killed Alberto. Watching how their dynamic develops over the next six chapters of the eight-episode miniseries will be fascinating, especially as Milioti and Farrell get more space to play off each other. Milioti is as terrifying as she is mesmerizing as the ice-cold Sofia, and Farrell—fully transformed by impressive makeup and prosthetics—continues to put his own spin on an iconic villain between his menacing yet comical performance and an endlessly entertaining accent choice. (There is still nothing better in The Batman than the Penguin giving Batman and Gordon a lesson in Spanish.)
For a spinoff of The Batman that’s set within weeks of the movie’s events, The Penguin has mentioned the Caped Crusader’s name only once so far. (It has, however, referenced the Riddler several times already.) Creator Lauren LeFranc has managed to seamlessly weave this series into the world that Reeves is creating in his Batman films, keeping with their dark and grounded tone while also adding more levity to build on what worked so well with Oz’s character in the movie. By setting Batman aside, The Penguin expands this version of Gotham, showing how crime is proliferating in the city in the aftermath of the Riddler’s attacks through a smaller-stakes story centered on Gotham’s warring mafia families and the two oddballs trying to claw their way to the top. With Farrell and Milioti delivering captivating performances that showcase the many dimensions of their respective villains, The Penguin has already been a pleasant surprise that’s generating even more excitement for where Reeves’s ongoing Batverse and the new era of DC Studios could go from here.
Welcome to the Scene Report, a new column in which Eater Chicago captures the vibe of a notable Chicago restaurant at a specific moment in time.
Checking out Beity, a Fulton Market restaurant from chef Ryan Fakih, was meant to be the highlight of my week, for good reason. The Michelin Guide recently recognized the Lebanese gastronomic experience, which opened in early August after two years of anticipation in a food scene with few Middle Eastern fine dining options. The 16-course tasting menu ($165 per person) is called “Teta’s Tasting” after Fakih’s grandmother, who sends him personalized cooking videos from her home in Lebanon. And Beity means “my home” in Arabic. That’s what Fakih is trying to evoke here, the feeling of being at a loved one’s home.
The vibe: Aesthetically, Fakih’s goal of creating a homey space has been accomplished. The building used to house Michelin Bib Gourmand wine bar called Joe’s Imports. The chic 60-seat restaurant has stone walls, warm lighting supplied by brass fixtures, and archways reminiscent of classic Levantine architecture. Old classic Middle Eastern music like Palestinian Fairuz, Egyptian Amr Diab, and Western Saharan singer Mariem Hassan played in the background; it truly did feel intimate and exciting.
My friend and I went to Beity the day after Labor Day as people tried to cling to the long weekend. The 15-seat bar was packed with groups of friends and a couple lone diners, all drinking and snacking. We were the only ones in the main dining room — there’s another in the basement that gives an even more cozy, grandma’s house vibe with a fireplace — but around 7:00 p.m., the other tasting menu diners started to trickle in until the main dining room had a decent but small crowd. Around 8:15 p.m., it started to slow down, with not many customers coming in (the last seating is at 9:30 p.m.) and the bar folks beginning to leave.
The wait: Around 11:00 a.m. that same day, I tried to make a reservation and was dismayed to see Beity use Google’s reservation system — my arch-nemesis. Google told me they weren’t able to contact the restaurant to confirm my reservation and I called a couple times that afternoon with no answer.
But we decided to risk it and just show up. Thankfully, they had space for us to try their tasting menu; the night was nowhere near booked. Fortunately, Beity also uses Tock.
The drinks: I’m Muslim and don’t drink, so I asked about non-alcoholic cocktails and was disappointed that they only had two to choose from — the Jallab Spritz, with pomegranate molasses, pine nuts, soda water and rose water and the Apricot About It, with orange and rose blossom and apricot syrup, Seedlip 94 and egg white.
It’s already difficult to find non-alcoholic options, and I had hoped a Middle Eastern restaurant might be a bit more accommodating to Muslim non-drinkers. I ordered the Apricot About It, which was floral and yummy, but not very exciting. In fairness, it’s hard for me to get excited about most non-alcoholic cocktails except for the ones at Esmé, which rarely let me down, particularly this coconut vanilla cream soda with white miso foam and an accompanying umami explosion, or FRE Sparkling Brut with the alcohol centrifuged out of it, and smoked black teas that curiously smell of bacon.
The stone walls and warm lighting help the ambience.Beity/Nick Podraza
People who drink alcohol would likely have a different experience than me. Everyone at the bar seemed to be enjoying themselves. It was clear the cocktail menu and wine list were a huge draw here. My friend ordered the Clothed and Unknown; she loved it. “It’s a typical mezcal sour with added spice from the Aleppo pepper, which you taste at the end,” she described it to me. “This is my ideal sour.” On Wednesday, September 11 Michelin added Beity to its guide and described the bar as “ever-busy” and offering “a casual experience with a limited selection of snacks and thoughtful cocktails made with the likes of arak, Aleppo, and tahini.”
Most of the tasting menu diners also got a wine pairing, and they frequently told their servers how much they enjoyed the wine selection. Beity offers two wine pairings; the Beity pairing is $75 and highlights wines from Lebanon’s Bekaa Valley. Their Global pairing is $90 and highlights wine regions across the world, focusing on organic, biodynamic winemaking from female or family-owned winemakers.
The mezze is a star.Nylah Iqbal Muhammad/Eater Chicago
The highlights: For the food, the mezze was absolutely the star of the night. The fresh baked pita was just a revelation, and I was in complete contentment swirling it in the parsley hummus with lamb and pine nuts, and slathering za’atar crusted labneh on the bread. I’m not alone in the assessment; Michelin concurs. “Drawing on his Lebanese heritage and on family recipes, [Fakih] makes a strong impression with a mezze of parsley hummus with lamb, falafel in yogurt sauce, and generously charred pita. Such a spread shows both heart and refinement.”
Every dish was plated stunningly, and the service was impeccable. The staff gave detailed explanations of each dish and its meaning in Lebanese society and to Fakih and his family, infusing the meal with that cultural experience I had come here for. The sayadieh (a minimalist take on a fish rice dish traditionally cooked in a clay pot) was good. I liked the burst of acidity from the sumac crust on the branzino. Sayadieh is one of my favorite meals, so I was almost humming with excitement waiting for it and my main complaint was perhaps just wanting more. The koussa — stuffed squash with bulgur — was homey and delicious, with a lovely tomato broth and a delightful addition of crispy leeks on the top. And the shish barak (lamb and beef dumpling served with yogurt sauce) was dry again, with a yogurt sauce that was much too thick, but the flavors made up for it.
There were brighter spots at dessert. I loved the lemon frozen yogurt with agrumato extra virgin olive oil. The day before, I had made a plum olive oil cake with olive oil from the family farm of Hisham Khalifeh, owner of Middle East Bakery in Andersonville, in ‘Arura, Palestine, so I was feeling obsessed with olive oil desserts. This one did not disappoint, and I could have taken home a carton of it. The frozen yogurt came with a Lebanese 7 spice (a Middle Eastern blend often called baharat, meaning “seven” in Arabic) digestive cookie with chocolate and caviar. It was nice to have another burst of salt from the caviar with the ice cream.
Chicago doesn’t have many fine dining restaurants that serve Middle Eastern food.Nylah Iqbal Muhammad/Eater Chicago
The lowlights: I wanted to love Beity’s food, I really did. Overall, though, it was much more underwhelming. than I’d anticipated.
The a la carte menu (dishes ranging from $5 to $20) is really just six bar snacks and two desserts, a small offering compared to other places in the city and a deviation from the Beity’s description of it as “a more casual dining experience.” You would not be able to get a full meal from this menu without ordering at least three dishes per person, which would be fine if there were more options. We ordered makanek, a Lebanese beef and lamb sausage with pomegranate molasses. As a lifelong seafood fiend, I also wanted the samak bizri, fried sardines with finger limes and lemon tarator (a Lebanese tahini sauce) tartar, but they were out that night.
The makanek was flavorful but much too dry. Without dipping each bite into pomegranate molasses, I couldn’t have enjoyed them very much, and I firmly believe that when a sausage requires a dipping sauce to taste good, then it’s not a good sausage.
The moghrabieh, Fakih’s deconstructed take on a Lebanese stew of semolina dough pearls of the same name, chickpeas, onions, and chicken was also incredibly dry and my least favorite dish of the night. The chicken had every bit of juice that once existed cooked out of it, and was stuffed into a pastry that was visibly cracking from lack of moisture and fat. The best part of that course was the charred onion and the cinnamon jus, but I only ate a couple bites of the chicken-filled pastry.
Even on after Labor Day weekend, Beity had diners.Nylah Iqbal Muhammad/Eater Chicago
The verdict: Beity’s presence on the Chicago food scene is culturally necessary; we need more fine dining options from Middle Eastern countries — honestly, almost every place that’s not Western European is grossly underrepresented in the fine dining scene. Maman Zari in Albany Park, which serves a Persian tasting menu, opened in 2023. It felt incredible to eat the Levantine dishes I love surrounded by vibrant music in a beautiful space with a calm vibe.The bar vibes are so immaculate, I would go back in a heartbeat to have a non-alcoholic cocktail, that heavenly fresh pita and labneh, and to try the samak bizri. I’ve got a feeling I would have gobbled those sardines down at a frightening speed.
However, I wouldn’t do the tasting menu again. At $165 per person (not including the automatically added 20 percent gratuity and 3 percent service charge), it was simply too expensive for the quality of food we received. The elements of a stunning Lebanese tasting menu are all there, but the execution wasn’t what I was expecting.
It doesn’t make me feel great that I didn’t fall head over heels with Beity’s tasting menu. I love Arab food, and it’s hard when people put their culture, their family, their soul into a curated experience menu and it doesn’t stun you. I wanted to be entranced by everything, but instead I found most of the dishes to be lackluster, especially for the price.
Although I was let down by the tasting menu, I have grace and high hopes for the future of Beity. Its bar program seems incredible, and the mezze (especially the pita) is delicious. It only opened a mere month ago, so I’m hoping that with more time, the tasting menu will mature to tell the story it wants to tell. They already have a clarity of mission, values, and culture. The food just needs to catch up.
Sean and Amanda recap the long weekend in film news and discuss the biggest films out of the Telluride Film Festival, including the much-anticipated Anora, the SNL origin story Saturday Night, the Trump biopic The Apprentice, and more (1:00). Then, they react to the Venice Film Festival from afar and take stock of the impact that this weekend’s major festivals have had on the state of the awards race (58:00). Finally, they share the yet-to-be-released movies that they’re most excited for this fall (1:20:00).
Hosts: Sean Fennessey and Amanda Dobbins Senior Producer: Bobby Wagner
Good food is just part of what makes a restaurant successful, something many would-be chefs and restaurant owners don’t always realize. Developing entrepreneurial skills is challenging, and additional folks living in underserved communities face additional obstacles folks are living in including access to capital and mentors.
Sunshine Enterprises, a local nonprofit based in Woodlawn, has been helping restaurant owners and other entrepreneurs running small businesses for eight years through an assortment of classes, pairing them with mentors, helping them find the right neighborhoods for their restaurants, and aiding them to navigate the often confusing world of permitting. Part of Sunshine’s mission is to “bring vacant storefronts back to life” says Sunshine’s Managing Director for Programs Laura Lane Taylor. Earlier this week, Sunshine assembled food vendors at Navy Pier for Taste of Sunshine, the first-ever showcase for 16 of its alums.
Tammie Wiliams of Baker Sister, a Beverly-based wholesale cookie company was one of those vendors.
Williams established Baker Sister in 2014, so it’s not a new business. However, Williams says she needed Sunshine’s help in launching an eShops using Amazing and Walmart. That’s where Sunshine’s guidance was crucial: “They provide us with attorneys and a lot of different services that we need in order to keep up the momentum or to open up new doors.”
For example, through networking, Williams was put in contact with reps at Wintrust Arena, home of the WNBA’s Chicago Sky. She’s hopeful that one day her products could be available at the McCormick Place sports stadium.
Social media marketing has become more important than ever, but those from marginalized communities don’t have as far as a reach. Sunshine helped Williams with that, too: “The marketing piece was paramount for me,” she says. “We needed that in the worst way.”
So Navy Pier provided Williams with a unique opportunity: “I know that Navy Pier is one of the most sought-after tourist venues in the world,” she says. “I’m looking to promote from that vantage point, both here in the city of Chicago, for those who don’t know me, even though we’re in grocery stores and all, but still, we can expand our footprint.”
Taylor talks about the need to strengthen local chambers and for more educational programs. For example, building permits and liquor licenses can be tricky.
“We need more academic programs like the ones that Sunshine is doing,” Taylor says. “We need it in multiple languages — we are offering it now in English and Spanish — but you need it in Polish — you need it in other languages.”
The group matches participants with coaches for guidance. If a particular skillset or knowledge base is needed beyond the coach’s purview, Sunshine’s help desk springs into action, tapping into the group’s network of business professionals.
Sunshine was founded in 2016, as part of Sunshine Gospel Ministries, which is affiliated with Moody Church. They’ve also helped Nestor Correa of Humita Express, a restaurant near the border of Irving Park and Avondale. Humita is one of only a handful of restaurants that serves Ecuadorian cuisine. The pandemic forced Correa to close his restaurant, and he turned to Sunshine for help. Correa says when he first opened in 2003, there were only three Ecuadorian restaurants in Chicago, but that number has since increased to 20. Many in the community ask him for advice, and it’s challenging running a restaurant and supporting other restaurant operators. Correa also has a food truck and bar.
“We are from Ecuador, and our mission is we are trying to introduce our cuisine in the city,” Correa says.
Humita is working to expand its menu by adding ceviche. Understanding food costs and accounting are ways Sunshine can help, but Correa is hopeful to open a larger restaurant, more like a cafe where he can serve an expanded menu, but he’s unsure of the location, and that’s where Sunshine has been helping.
In the past, Sunshine has held Shark Tank-like competitions for its participants. There’s a thorough application process for its Community Business Academy, a 36-hour boot camp.
“They need to show in their application that they have the wherewithal to carry out their particular vision, and they have to be able to make the time commitment to invest in their business model,” Taylor says.
Sunshine is fortunate to have backing from the city of Chicago and private funding.
“The small business ecosystem is there, but it needs to be strengthened, it needs to be connected in a much stronger way with the system that helps people get business with anchor institutions and certifications and sort of, you know, what the civic federations of the world are doing,” Taylor says.
Wizards of the Coast had a lot going on at this year’s Gen Con — in addition to the regular hubbub of being the biggest name in tabletop role-playing games at the biggest tabletop convention whose namesake is literally Lake Geneva, Wisconsin. You know, the place where D&D was born. But this year’s D&D Live presentation was also an opportunity for Wizards to show off its new project: a virtual tabletop that goes by the codename Project Sigil.
Framed as an actual play performance, the event was originally slated to last only two hours, but unsurprisingly ran long thanks to excellent showmanship by the star-studded cast. Participants included Aabria Iyengar as Dungeon Master, Brennan Lee Mulligan as a Dwarven cleric, Samantha Béart reprising her role as Karlach in Baldur’s Gate 3, Neil Newbon as Astarion from BG3, and Anjali Bhimani as a human wizard.
Polygon senior editor Charlie Hall attended the event in person and said the actors “chewed through the scenery in the first half,” leaving slightly less time for the team to switch to play around with Project Sigil. Hall said the Project Sigil showing was “halting” but ultimately well-received — and any snafus aren’t too much of a surprise given the platform hasn’t even entered closed beta yet. (Wizards is still accepting requests to join the closed beta, which is expected in fall 2024.)
Lucky for us, Gen Con filmed the whole game, lovingly titled “An Astarion and Karlach Adventure: Love is a Legendary Action,” and you can now watch on YouTube in all its silly glory. According to Hall, the entire playthrough is worth a watch.
“Let’s just say,” said Hall, “there’s an epic reveal in the second half that gives your favorite actual play performers plenty of room to explore… the source material.”
Chicago is home to a robust and diverse wine scene, yet the city is somehow behind the curve when it comes to glasses and bottles from Georgia, a nation at the crossroads of Asia and Europe that’s home to an 8,000-year-old winemaking tradition. If Tamta Sanodze, founder of Georgian restaurant Stumara in suburban Wheeling gets her way, that’s all about to change.
“[Georgia] is the birthplace of winemaking,” says Sanodze, a native Georgian who immigrated with her husband three years ago to the U.S. from the country’s capital city, Tbilisi. Georgian wines are fermented for months in a qvevri, a huge earthenware vessel buried deep underground. “We have a rare and special technology to make these wines, [so] the tannins and flavors are very special.”
Georgian wines aren’t novel anymore in places like Washington D.C.and New York, but have only recently begun to grab a foothold in a smattering of Chicago restaurants including Lakeview’s Chicago Diplomat Cafe and Mediterranean spot Oda in Andersonville.
Sanodze, who opened Stumara in April at 847 W. Dundee Road next door to her Georgian deli bakery Pirosmani, aims to bring an even higher local profile to Georgian viticulture with educational wine dinners, a menu of traditional dishes that pair well with the wines, and with an eventual second location in Downtown Chicago. “At Stumara, our guests are already asking for a location downtown where we can [share] a little bit more about our country, our history, our dishes, and wines.”
Stumara may also introduce Chicagoans to traditional staples like khinkali (massive, meaty Georgian soup dumplings), adjaruli khachapuri (bread boats stuffed with cheese and egg), and megruli kharcho — a savory beef cheek stew with rich spiced walnut sauce. Georgian cuisine has a well-earned reputation for meat-heavy dishes, but Sanodze also attends to vegetarians and vegans with options like nigvziani badrijani — fried eggplant stuffed with spicy garlic and walnut paste.
Tucked inside a suburban strip mall, Stumara seats around 50 in a space carefully designed to aid in Sanodze’s larger project — spreading the good word about Georgian history and culture. Its revered textile industry, for example, is represented in eye-catching pillows and upholstered furniture, and text from The Knight in the Panther’s Skin, the national epic poem of Georgia by medieval luminary Shota Rustaveli, decorates the walls in both Georgian and English.
“It’s a story about love and friendship,” Sanodze says of the poem, which scholars describe as a call to live each day with joy, courage, and perseverance. “It’s about the special moments and what’s important in life.”
Each week on Polygon, we round up the most notable new releases to streaming and VOD, highlighting the biggest and best new movies for you to watch at home.
This week, The Bikeriders, the new crime drama starring Jodie Comer (The Last Duel) and Austin Butler (Dune: Part Two), comes to VOD alongside The Kingdom of the Planet of the Apes and several other exciting new releases. That’s not all — there’s tons of other movies new to streaming to watch this weekend, like the hybrid animated period drama The Peasants on Netflix, the sci-fi drama The Animal Kingdom on Hulu, a documentary on the life and career of actress Faye Dunaway on Max, and much more.
Here’s everything new that’s available to watch this weekend!
New on Netflix
The Peasants
Where to watch: Available to stream on Netflix
Image: Breakthru Films/Sony Pictures Classics
Genre: Animated historical drama Run time: 1h 54m Directors: DK Welchman, Hugh Welchman Cast: Kamila Urzędowska, Robert Gulaczyk, Mirosław Baka
Loving Vincent directing duo DK Welchman and Hugh Welchman return with yet another period drama composed of thousands of hand-painted images. Set in a 19th-century Polish village rife with feuding and gossip, a young woman named Jagna strives desperately to forge a life for herself beyond the expectations of those around her.
Genre: Sci-fi Run time: 2h 10m Director: Thomas Cailley Cast: Romain Duris, Paul Kircher, Adèle Exarchopoulos
In a world where humans have been stricken with a genetic mutation that transforms them into animal hybrids, a desperate father (Romain Duris) takes his son (Paul Kircher) to search for his wife, who has disappeared into a nearby forest along with other similarly affected hybrids. Think Sweet Tooth meets The Lobster. Polygon had the opportunity to speak with Cailey about the origins and creature design of the film.
Genre: Documentary Run time: 1h 31m Director: Laurent Bouzereau
This documentary looks back on the life and career of Faye Dunaway, the Academy Award-winning actress known for her iconic performances in such films as Bonnie and Clyde, Network, and Chinatown. Bouzereau’s film collects testimonies from Dunaway’s peers and admirers, as well as extensive interviews with Dunaway herself.
New on Prime Video
Divorce in the Black
Where to watch: Available to stream on Prime Video
Image: Prime Video
Genre: Drama Run time: 2h 23m Director: Tyler Perry Cast: Meagan Good, Cory Hardrict, Joseph Lee Anderson
Tyler Perry’s newest movie follows a young bank professional whose husband leaves her. At first she’s determined to fight for their marriage, but she soon realizes that her husband once sabotaged her chance at true love.
New on Shudder
Arcadian
Where to watch: Available to stream on Shudder
Photo: Patrick Redmond/RLJE Films
Genre: Action horror Run time: 1h 31m Director: Benjamin Brewer Cast: Nicolas Cage, Jaeden Martell, Maxwell Jenkins
If you already caught Nicolas Cage in Longlegs, here’s another Cageian drama for you. The actor stars as a father of two sons desperate to protect and raise his family in a near future Earth decimated by the arrival of a ferocious nocturnal creatures. When their father is wounded by one of these creatures, his sons must band together and call upon every lesson of their training in order to survive.
Once the action really gets underway, though, Cage is largely absent, and muddy spatial relationships and confusing, hard-to-see action take a significant percentage of the power out of what should be an explosive final act. And once the film settles into a fairly standard chase-and-fight movie, its lack of more character depth or nuance, or more compelling relationships between the protagonists, limits what the filmmakers can do to make this story stand out from all the past projects it echoes. Arcadian does a few things remarkably well for a sci-fi/horror movie, but it needed a lot more to really spark: more commitment to its vaguely realized setting, more energy between the two very different brothers at its center, and above all, more Nicolas Cage — either version of him.
New to rent
Kingdom of the Planet of the Apes
Where to watch: Available to rent on Amazon, Apple, and Vudu
Image: 20th Century Studios
Genre: Post-apocalyptic sci-fi Run time: 2h 25m Director: Wes Ball Cast: Owen Teague, Freya Allan, Kevin Durand
Picking up 300 years after the events of Matt Reeves’ War of the Planet of the Apes, this new installment in the franchise follows Noa (Owen Teague), a young ape who embarks on a journey to rescue his tribe from Proximus Caesar (Kevin Durand), a maniacal ape who has twisted Caesar’s legacy to create an empire built on conquest and slavery.
As a story, Kingdom of the Planet of the Apes rarely reaches above narrative competence. But because of its almost single-minded focus on the apes, its technical prowess in their rendering is always front and center. It is frankly incredible what the team at Wētā FX has done in conjunction with all of the film’s other effects artists to bring the apes to life, to give them all distinct body language, and to faithfully transpose actors’ every tic and subtle expression onto their faces. These are some of the most soulful digital creations ever seen in a blockbuster action movie, and it’s incredible to see them in a film that is so pedestrian.
The Bikeriders
Where to watch: Available to rent on Amazon, Apple, and Vudu
Image: 20th Century Studios
Genre: Crime drama Run time: 1h 56m Director: Jeff Nichols Cast: Jodie Comer, Austin Butler, Tom Hardy
The Bikeriders follows a motorcycle club over the course of a decade, as they go from a simple gathering of enthusiasts to a hardened gang. Jodie Comer plays Kathy, a young woman who gets swept up in the biker gang world after meeting hotheaded Benny (Austin Butler).
The Bikeriders is a film of old-fashioned, simple pleasures: great tunes, perfect costumes, myth-making shots, and a cast of great character actors really going for it. (Including, but not limited to, Michael Shannon, West Side Story’s Mike Faist, Justified’s Damon Herriman, and a completely unrecognizable Norman Reedus as a shaggy Californian wildman biker.) It’s a film about looking at the gorgeous, unknowable people on the screen — and that one gorgeous, unknowable person in particular — just as Hardy’s character does at one point with Marlon Brando in The Wild One, and thinking: What would it be like to be them?
The Exorcism
Where to watch: Available to rent on Amazon, Apple, and Vudu
Image: Vertical Entertainment
Genre: Horror thriller Run time: 1h 35m Director: Joshua John Miller Cast: Russell Crowe, Ryan Simpkins, Sam Worthington
Russell Crowe plays an actor on the set of a supernatural horror film that resembles the original Exorcist movie. His mental state is in slow decline, and as his behavior becomes more erratic, his daughter begins to suspect that there might be a more sinister cause behind it than his previous substance addictions.
The Garfield Movie
Where to watch: Available to rent on Amazon, Apple, and Vudu
Image: Sony Pictures
Genre: Adventure comedy Run time: 1h 41m Director: Mark Dindal Cast: Chris Pratt, Samuel L. Jackson, Hannah Waddingham
It’s Chris Pratt! As Garfield! The lazy orange cat reunites with his long lost father Vic (voiced by Samuel L. Jackson, of all people). Along with Odie, Vic and Garfield plan a heist to a farm so that they can steal a lot of milk in order to appease the Persian cat crime boss that Vic works for. The movie comes by way of director Mark Dindal, best known for The Emperor’s New Groove.
The Convert
Where to watch: Available to rent on Amazon, Apple, and Vudu
Image: MBK Productions/Magnolia Pictures
Genre: Historical drama Run time: 1h 59m Director: Lee Tamahori Cast: Guy Pearce, Tioreore Ngatai-Melbourne, Antonio Te Maioha
In this historical drama, a preacher comes to a remote outpost in New Zealand — only to get caught in the middle of a war between Māori tribes. It’s based on the 2011 novel Wulf by New Zealand author Hamish Clayton.
Wildcat
Image: Renovo Media Group/Oscilloscope Laboratories
Genre: Biographical drama Run time: 1h 43m Director: Ethan Hawke Cast: Maya Hawke, Rafael Casal, Philip Ettinger
Maya Hawke (Stranger Things) stars in her father Ethan Hawke’s latest film: a biographical drama centering on the life and struggles of the inimitable Southern Gothic author Flannery O’Connor. Wildcat follows O’Connor’s efforts to publish her first novel, interspersed with episodes reenacting characters and scenes inspired by the author’s own short stories.
To earn the “Timely Assistance Medal IV,” Officer Mewmew tells you to investigate a “suspicious shadow” byWaterfall Soup at night in Zenless Zone Zero. However, there are two nighttime options to pick from, and the target only appears during one of them.
Below, we explain where to find this suspicious shadow in Zenless Zone Zero.
How to find the ‘suspicious shadow’ at Waterfall Soup
The time will need to be set to evening (the symbol with the moon, not the moon and cloud) to find our target. You can change the time by resting on the sofa or by clicking/tapping the time in the top left and selecting “rest.” If you’ve already rested that day, you can spend some time in the Hollow Deep Dive System or Combat Simulations to make more time pass. Completing side quests will also make time pass.
Once it’s evening, head over to Waterfall Soup (the ramen shop pictured at the top of this post) to find a Treasure Hunter Bangboo chilling on the side behind the delivery moped. Interact with it, solve the puzzle, and that’s all you need to do to fulfill Officer Mewmew’s objective.
For your efforts, you’ll get 10 Polychrome, one W-engine power supply, and 5,000 Denny.
We are so back. And by “we,” I mean video games. At a half-dozen slickly produced promotional events over the next week, games will be teased in the form of captivating cinematic trailers with promises to push the medium forward.
The annual Summer Game Fest extravaganza, host Geoff Keighley’s replacement for E3, kicks off the promotional activities on Friday, June 7. The rest of the weekend is also filled with similar hours-long events from Xbox, Activision, Ubisoft, Devolver Digital, and other organizers who have rallied smaller, indie-created games for a combined show of force.
There’s an expectation that the annual parade of trailers for exciting new games will include plenty of games that won’t be out for many months, if not years, after their unveilings. To be clear, that happens every year. And I’m here to remind you that there are countless unreleased games that were announced with gusto at similar events in years past — some of which have slipped from the public consciousness, and we’re convinced that if they don’t show up in a meaningful way over the next couple weeks, it’s so over.*
*It’s not really over, especially given the volatile state of the video game industry. But we’re getting pretty worried/impatient about the following games and honestly hope they show up, look great, and will be critical and commercial successes — all of them.
Monolith’s Wonder Woman game
Announced in 2021, developer Monolith Productions promised to bring its patented Nemesis System from Middle-earth: Shadow of Mordor to a game based on Wonder Woman. We were excited about it, even with the taste of Wonder Woman 1984 relatively fresh in our mouths, but haven’t heard a peep about the game since then. DC’s approach to video games based on its characters has changed since the announcement of Wonder Woman, and we remain hopeful that Monolith can capture the magical feeling of battling wisecracking Orcs in a game that gives us control of Diana Prince and her golden lasso.
Ubisoft’s Tom Clancy’s Splinter Cell remake
Another announcement that dates back to 2021? Ubisoft Toronto’s plan to remake the original Tom Clancy’s Splinter Cell. The new Splinter Cell promises to take advantage of 20 years of technical innovations and to rework parts of the game’s story “that may not have aged particularly well,” creative director Chris Auty said in 2022. Showing off the Splinter Cell remake at Sunday’s Xbox Games Showcase would go a long way to appeasing longtime Xbox fans, with a deeper dive ideally poised for Monday’s Ubisoft Forward event. Just sayin’.
Skate. (Skate 4)
Credit to Electronic Arts: The publisher and development team, Full Circle, has been very transparent about the development of the next Skate game — which is called skate., not Skate 4, officially — and opened up playtesting to in-progress versions of the game. But please give us the new Skate already! How about a release date? Barring that, can I get a beta key? I want to flump, too.
Capcom’s Pragmata
It’s been four years since Capcom revealed Pragmata at Sony’s big unveiling of the PlayStation 5. Pragmata’s been delayed several times since then, and the last we heard about it was when Capcom pushed it back indefinitely. Is Pragmata joining the increasingly long list of games coming in 2025? It’s starting to feel like it.
Rare’s Everwild
We’re nearing the five-year anniversary of Everwild’s unveiling. Eighteen months later, we learned that developer Rare had reportedly rebooted the game with “a complete overhaul of the game’s design and direction.” Frankly, we just want to find out what Everwild even is — especially since Rare has proven that given the right development resources, it can turn good games into great games.
Transformers: Reactivate
Call me an idealist, but I’m always willing to give a Transformers game the benefit of the doubt. Sometimes you get an unexpected surprise — a Transformers: Devastation, if you will. So when Splash Damage teased Transformers: Reactivate in 2022 with a moody cover of Bon Jovi’s “Dead or Alive,” I was immediately on board. But we haven’t heard much about the cooperative online action game since, and that’s a shame. I’ve been in transform-and-roll-out mode for the past 18 months and I’m concerned.
Perfect Dark
Announced at 2020’s The Game Awards, developer The Initiative’s Perfect Dark reboot promised to revive a long-dormant franchise and serve as a cornerstone of the Xbox Series X’s lineup of game exclusives. But the studio and owner Microsoft have said very little about their new Perfect Dark and what we can expect from Joanna Dark’s return. We continue to wait for it, alongside Xbox Game Studios’ Avowed, Contraband, Fable, The Outer Worlds 2, and State of Decay 3.
Kingdom Hearts 4
We’re now two years out from the announcement of Kingdom Hearts 4, a reveal timed to the Square Enix-Disney role-playing game franchise’s 20th anniversary. It increasingly looks like we’ll have to wait for Kingdom Hearts’ 25th birthday to actually get our hands on Sora’s next adventure. Given how long it’s taken Square Enix to realize its Final Fantasy 7 remake trilogy — to say nothing of its next mainline Dragon Quest game — we don’t actually expect to see Kingdom Hearts 4 showing up any time soon. There’s a painful dose of reality.
Hollow Knight Silksong
It’s not happening, is it? Any time soon, I mean. That’s fine. Everything’s fine.
Greetings, Polygon readers! Each week, we round up the most notable new releases to streaming and VOD, highlighting the biggest and best new movies for you to watch at home.
This week, Abigail, the horror comedy from Scream directors Matt Bettinelli-Olpin and Tyler Gillett, gnaws its way onto VOD. There’s plenty more than that to choose from, as a plethora of exciting releases make their way onto streaming this weekend. Jeymes Samuel’s The Book of Clarence is now streaming on Netflix, the psychological thriller Eileen is available to watch on Hulu, and The Iron Claw is on Max, not to mention all the other new releases available to rent and purchase on VOD.
Here’s everything new that’s available to watch this weekend!
New on Netflix
The Book of Clarence
Where to watch: Available to stream on Netflix
Image: Legendary Entertainment/Moris Puccio
Genre: Historical comedy Run time: 2h 9m Director: Jeymes Samuel Cast: LaKeith Stanfield, Omar Sy, RJ Cyler, Anna Diop
Jeymes Samuel (The Harder They Fall) returns with a new film, this time a biblical comedy drama starring LaKeith Stanfield. The Book of Clarence follows the story of a down-on-his-luck man living in A.D. 33 Jerusalem who aspires to free himself from debt.
His plan? Take a page out of the book of a local preacher claiming to be the son of God and proclaim himself as the Messiah, performing “miracles” in a bid for fame and glory. When Clarence’s schemes run afoul of the Romans, he’ll be faced with not only the consequences of his deception, but a choice that will shape his life and the course of history.
Mother of the Bride
Where to watch: Available to stream on Netflix
Photo: Sasidis Sasisakulporn/Netflix
Genre: Rom-com Run time: 1h 28m Director: Mark Waters Cast: Brooke Shields, Benjamin Bratt, Miranda Cosgrove
Brooke Shields stars in this new rom-com as Lan, the mother of a woman who is about to marry the man of her dreams. After traveling to Thailand for the wedding, Lana learns that her college ex Will (Benjamin Bratt) is in fact the father of her daughter’s husband-to-be. Can these two figure out how to make it through the wedding without being painfully awkward, and is there still a chance for them to fall in love again?
Genre: Psychological thriller Run time: 1h 38m Director: William Oldroyd Cast: Thomasin McKenzie, Anne Hathaway, Shea Whigham
Based on Ottessa Moshfegh’s 2015 novel, this psychological thriller stars Thomasin McKenzie (Last Night in Soho) as a young secretary who becomes infatuated with Rebecca (Anne Hathaway), the charismatic new psychologist at the juvenile detention facility where she works. As their friendship grows, Eileen finds herself exploring new aspects of her personality — to equally sinister and deadly effect.
In making Eileen’s character flesh, Thomasin McKenzie walks a dramatic tightrope: effortlessly showing how much effort her character puts into performing for others, while also not tipping her hand about what, if anything, resides in Eileen’s soul. Both Eileen’s script and McKenzie’s choices depict her character as someone who wants to be human, even a certain kind of human, but doesn’t know how, or even to what end. So she settles on voyeurism — the film’s opening scene depicts her sitting in her car on a lovers’ lane, surreptitiously watching a couple of strangers make out in a second car. She flirts with the idea of masturbation, only to abruptly stop and stuff filthy snow down her skirt instead.
Genre: Biographical sports drama Run time: 2h 12m Director: Sean Durkin Cast: Zac Efron, Jeremy Allen White, Harris Dickinson
Zac Efron (Hairspray), Jeremy Allen White (The Bear), and Harris Dickinson (Triangle of Sadness) star in this thrilling dramatization of the lives of the Von Erich brothers, a trio of professional wrestlers whose larger-than-life careers and success during the 1980s were marred by tragedy and struggle.
The biopicification of such a horrendous, personal series of tragedies will sound crass to some. But Durkin doesn’t dilute the Von Erich story into direct-to-cable fluff. He’s performing a balancing act, aware that a sad story is only useful if people have the desire (and fortitude) to stay until the credits.
New on AMC Plus
The Taste of Things
Where to watch: Available to stream on AMC Plus
Photo: Carole Bethuel/IFC Films
Genre: Romance drama Run time: 2h 16m Director: Tran Anh Hung Cast: Juliette Binoche, Benoît Magimel, Emmanuel Salinger
This historical romance follows the story of Eugenie (Juliette Binoche) and Dodin (Benoît Magimel), a cook and a gourmand who live in a French country estate in 1889. Though the two are in love, Eugenie refuses to marry Dodin, and wishes to keep their relationship as it is. Desperate to woo her, Dodin takes up cooking in order to prepare a meal that will sweep her off her feet. The film is as terrific as the food looks scrumptious.
New to rent
Abigail
Where to watch: Available to rent on Amazon, Apple, and Vudu
Image: Universal Pictures
Genre: Horror comedy Run time: 1h 49m Directors: Matt Bettinelli-Olpin, Tyler Gillett Cast: Melissa Barrera, Dan Stevens, Kathryn Newton
The directors behind 2019’s Ready or Not and 2022’s Scream are back with another horror comedy, this time centered around a group of kidnappers who are tasked with abducting the daughter of a wealthy businessman in exchange for ransom money. Unfortunately, the kidnappers have bit off more than they can chew, as this the little girl in question harbors a deadly secret of her own.
Once Abigail reveals herself as a deadly supernatural creature, the movie transforms into more of an action slasher, rather than going for scares. In that way, Abigail feels more like Bettinelli-Olpin and Gillett’s earlier movie Ready or Not than like any other vampire movie. Both movies are mostly set in heavily locked-down mansions where someone is viciously, comedically hunted down. And both feature a deep love for explosions of blood and guts. After Bettinelli-Olpin and Gillett’s brief detour for two messy, chaotic, clumsy entries in the Scream franchise, Abigail proves they’re still excellent at creating tension in the hallways of massive houses, and flipping their horror into action at a moment’s notice.
Founders Day
Where to watch: Available to rent on Amazon, Apple, and Vudu
Photo: David Apuzzo/Mainframe Pictures
Genre: Slasher horror Run time: 1h 46m Director: Erik Bloomquist Cast: Naomi Grace, Devin Druid, William Russ
If you enjoyed Eli Roth’s Thanksgiving and are looking for more holiday-themed slashers, director-screenwriter duo Erik and Carson Bloomquist are here to oblige. Set in a small town on the eve of a major mayoral election, Founders Day follows a group of teens who are stalked by a vicious masked killer. It’s supposed to be a political satire, but even if you’re not in for that element, it sure to be a gorey good time.
Ghostbusters: Frozen Empire
Where to watch: Available to rent on Amazon, Apple, and Vudu
Image: Sony Pictures
Genre: Supernatural comedy Run time: 1h 56m Director: Gil Kenan Cast: Paul Rudd, Carrie Coon, Finn Wolfhard
The Ghostbusters have returned with an all-new movie, and this time Bill Murray is here! Three years after the events of Ghostbusters: Afterlife, the Spengler family must join forces with the veteran Ghostbusters to stop a wrathful demonic entity from freezing all of New York City. Oh, and Slimer is here too, because of course.
The Ghostbusters franchise doesn’t really seem to be aimed at anyone anymore. It isn’t funny. It isn’t scary. It’s mostly abandoned its new younger characters, and its older actors barely seem to care. Frozen Empire’s unintentional answer to the question seems to be that Ghostbusters is now corporate nostalgia-farming given cinematic form. Sure, it’s missing all the charm and goofiness that earned the original Ghostbusters so many fans — but if you stick around long enough, they filmmakers will show off the proton packs again, and there’s always a new person to slime. It’s a franchise reduced to nothing more than a parade of hollow, familiar images, lightly repackaged in hopes that we’ll buy another ticket and try to revisit the emotions we felt when we encountered this world for the first time.
La Chimera
Where to watch: Available to rent on Amazon, Apple, and Vudu
Image: Neon
Genre: Period comedy-drama Run time: 2h 13m Director: Alice Rohrwacher Cast: Josh O’Connor, Carol Duarte, Vincenzo Nemolato
The latest from masterful Italian filmmaker Alice Rohrwacher (Happy as Lazzaro, Le Pupille) stars one of the Challengersboys as a British archaeologist in a story of stolen historical artifacts. La Chimera was a Palme d’Or nominee at Cannes 2023.
Kim’s Video
Where to watch: Available to rent on Amazon, Apple, and Vudu
Genre: Documentary Run time: 1h 25m Directors: David Redmon, Ashley Sabin Cast: Isabel Gillies Robert Greene, Eric Hynes
Fans of unconventional mystery documentaries like 2018’s Shirkers will likely dig this new film chronicling the rise, fall, and legacy of one of New York City’s most infamous video stores. Featuring interviews with notable former employees like Alex Ross Perrry, Ashley Sabin and David Redmon’s documentary is filled with surprises and revelations aplenty.
The Ministry of Ungentlemanly Warfare
Where to watch: Available to rent on Amazon, Apple, and Vudu
Image: Black Bear Pictures/Jerry Bruckheimer Films
Genre: Spy action-comedy Run time: 2h Director: Guy Ritchie Cast: Henry Cavill, Eiza González, Alan Ritchson
Guy Ritchie’s been on a hot run as of late, with some of the best work of his career in Wrath of Man and The Covenant. This time, he turns his eye to historical action, with this larger-than-life true story about a British special ops team in World War II. The movie features a big cast and lots of big guns.
In a big move for Orange County’s modern Mexican food scene, lauded chef Carlos Gaytán opened Paseo, Céntrico, and Tiendita at Downtown Disney District on May 2 with partner operator Patina Restaurant Group. This marks the chef’s first expansion into Southern California; he has previously opened Tzuco in Chicago and Há in Playa del Carmen’s Xcaret resort. The Downtown Disney District restaurants are designed by award-winning Mexican architect Jorge Gracia of GraciaStudio in Tijuana to reflect contemporary Mexican design trends, accented by furnishings from Mexico City’s La Metropolitana and dinnerware by 100-year-old producer Anfora.
Born in Huitzuco, Guerrero, Gaytán learned to cook at his mother Teresa “Tete” Romero’s antojitos stand. Over two decades, he swiftly rose in the ranks of Chicago’s upscale kitchens before opening Mexique, an acclaimed contemporary Mexican restaurant where he earned a Michelin star in 2013. In addition to appearing on Top Chef Season 11, Gaytán has made numerous appearances on television shows as a judge and is considered one of the country’s most prominent Mexican American chefs.
At the larger Paseo, situated on the second floor with 180 seats, diners can expect a full-service modern Mexican experience. Fans of Tzuco will recognize Paseo’s steamed lamb barbacoa, tuna ceviche, and chicharrón de pescado (whole deep-fried red snapper). His mother’s cochinita pibil — marinated pork shank roasted in banana leaves — is accompanied by refried beans salsa habanero tatemado. Gaytán flew his mother to Chicago to get her taste of approval for the cochinita pibil. “The menu at Paseo is about 50 percent Tzuco, which is like being in my mom’s kitchen,” says Gaytán.
The hacienda-style Céntrico occupies the first floor, where Gaytán serves playful bar bites like a spicy Tzuco burger, Oaxacan nachos, cochinita rilletes, and salmon esquites. The lush room with rustic wood elements makes for a romantic setting for sipping guava-flavored Ritual margaritas, or El Mariachi in Manhattan, a Mexican twist on a Manhattan meant to be shared. The third restaurant, Tiendita, is an all-day taquería with tacos de al pastor, tuna aguachile, and traditional sides like esquites.
Upscale Latin American fine dining has had a slow and steady trajectory in Southern California. Alta California cuisine saw the rise of chefs Wes Ávila, Ray Garcia, and Carlos Salgado, who opened their groundbreaking modern Mexican restaurants that used elements of California cuisine. Gaytán now joins a crowd of prominent Latin American chefs in Southern California, including Enrique Olvera (Damian, Atla), José Olmedo Carles Rojas (Si! Mon Venice), and Diego Hernandez (Dudley Market). Maizano, LA Cha Cha Chá, Loreto, Mírate, and Za Za Zá could be included in this wave of restaurants serving sophisticated Latin American flavors.
All three Downtown Disney District restaurants are now open for walk-in guests, with Paseo and Céntrico taking reservations on OpenTable. Paseo is currently open for dinner service, with lunch and weekend brunch coming soon, while Céntrico is currently open for lunch and dinner. Tiendita is open daily from 11:30 a.m. to 9 p.m., Sunday to Wednesday, and until 10 p.m. Thursday to Saturday.
The restaurants are located at 1580 Disneyland Drive, Anaheim, CA, 92802.
Tlayuda and other appetizers from Céntrico.Patina Restaurant Group
Grilled octopus with wine at Céntrico.Patina Restaurant Group
Matt is joined by Lucas Shaw to discuss the ousting of Paramount Global CEO Bob Bakish, why it happened now, and whether it affects a potential deal moving forward. They then update their predictions in the Skydance vs. Apollo deal, and wonder what would happen to Paramount Global and its new three-headed CEO triumvirate if there is no deal. Matt finishes the show with an opening weekend box office prediction for the upcoming action movie Fall Guy.
For a 20 percent discount on Matt’s Hollywood insider newsletter, What I’m Hearing …, click here.
Chris and Calvin Marty, the owners behind Best Intentions, say they “don’t make a big deal” that they’re Jewish. The brothers, who opened their Logan Square bar in 2015, grew up in Cambridge, Wisconsin, a village about 60 miles west of Milwaukee and with a population of about 1,600. Less than 1 percent of Wisconsin’s population is Jewish, per a 2020 study from Brandeis University.
”We probably experience a little private guilt that maybe we’re not the best Jews — we never went to temple, we never had bar mitzvahs,” says Chris Marty.
The bar’s menu definitely contains some decidedly unkosher items like the Cuppa Shrimp with mild sauce, a gnarly cheeseburger, and red wine-braised short rib. The harissa chicken provides another nod to the Middle East. But tucked within the menu lies a surprise — matzo ball soup — and a great version at that, with a rich broth darkened by duck fat yet brightened by heavenly wafts of ginger and lemongrass.
Yes — a place like this uses duck fat for its matzo ball soup.
In Chicago, it’s not especially hard to find a bowl of matzo ball soup, as a basic version appears on the menu of every self-respecting Jewish deli in town. But in recent years, the dish has begun to spring up in some unexpected places, too, including while perched on a bar stool on a rainy Friday in Logan Square and double-fisting a dirty martini. Best Intentions manages to channel the best of Wisconsin dives and serve fun, well-executed bar food. It was immediately clear that whoever created Best Intentions had spent some time in Wisconsin’s many unironic watering holes like River’s End in rural Ontario.
“In Jewish American food, the two big things are matzo ball soup and bagels – what’s more ubiquitous than the two of those?” posits Zach Engel, chef and owner of Michelin-starred Israeli and Middle Eastern restaurant Galit in Lincoln Park. Even his mother, an unenthusiastic home cook, makes a “pretty killer” version for family holiday meals: “As far as representations of Jewish culture, [matzo ball soup] makes us look pretty good.”
Best Intentions reopened in 2023 after a three-year hiatus.
This burrata with white bean anchoïade shows the ambition at this dive bar.
Cheeseburger (Land O’ Lakes white American cheese, dill pickles, joppiesaus).
Matzo ball soup was once on the menu at Galit, but Engel hasn’t served it since the pandemic began as the restaurant has shifted to a four-course menu of shared dishes; soup is difficult to share. Nevertheless, Engel says he’s watched with interest as more restaurants work to attract diners with unexpected food while simultaneously tapping into a feeling of cozy familiarity. “Matzo ball soup is a super straightforward way to get people to feel a level of comfort in their heart, but it’s still interesting,” he says.
Though their exact origin is hazy, the proliferation of matzo balls — a simple mixture of matzo meal, beaten eggs, water, and schmaltz, or chicken fat — is generally attributed to German, Austrian, and Alsatian Jews who adapted regional Eastern European soup dumplings to suit Jewish dietary laws. No matter its history, the matzo ball’s simplicity also means that even unenthusiastic home cooks can deliver a version that will please a crowd.
The mixture is formed into balls (as usual, there’s debate over the supremacy of fluffy “floaters” or toothsome “sinkers”) and simmered in boiling water or even better, soup stock, until they swell into spongy spheres. Given the relatively small number of American Jews — about 7.6 million, or 2.4 percent of the total U.S. population, and a mere 319,600 in the Chicago area, according to the same Brandeis study — Ashkenazi-style Jewish deli cuisine has made an outsized impact on mainstream American culture in general, from corned beef on St. Patrick’s Day to Meg Ryan’s infamous faux-gasm in rom-com icon When Harry Met Sally.
Best Intentions chef Bryan McClaran had never tried matzo ball soup before making it.
As a child, Chris Marty was close to his great-grandmother, Hannah Westler, who fled antisemitism in Europe around the turn of the century and immigrated to Milwaukee, where she worked “14,000 jobs” to put her sons through law school. The brothers grew up eating her matzo ball soup, which she made from a recipe featuring a special twist: vodka. Years later, her boozy invention would inspire them to create a matzo ball cocktail for a local bartending challenge, an exercise that rekindled their connection to their family’s past.
Though he’d heard of it before, Best Intentions chef Bryan McClaran, who’s worked at the Cambodian restaurant Hermosa and the Asian-influenced Bixi Beer, hadn’t actually tried matzo ball soup when his bosses pitched the idea. Research involved YouTube videos, cookbooks, and some New York Times articles from the ’80s, and in the end, the first version he wound up tasting was his own. Together, the brothers and McClaran worked to hone a recipe that would be worthy of the history it represented.
“The big thing for us, other than nailing the consistency of the matzo ball, was not to goy it up with dill,” Chris Marty chuckles. “Anywhere we go with my mom, if there’s matzo ball soup, we’ll order it. She’s always like, ‘Why do the goys have to load it up with so much fucking dill?’”
“Matzo balls aren’t going anywhere”
It’s a Saturday in March at nearly 18-year-old deli Eleven City Diner, and owner Brad Rubin is holding court from a roomy booth inside his South Loop deli-diner hybrid. Founded in 2006 as an ode to casual midcentury hospitality, the restaurant, which at one point had a Lincoln Park location, has endured long enough to become a pillar of Chicago’s Jewish culinary scene while attracting non-Jews with a retro aesthetic and plentiful plates of food.
Rubin bursts with pride as he recounts his family’s Ashkenazi immigrant history and explains the meaning behind each photograph, vinyl record, and painting on its walls. His clear, resonant voice rings out as he bids farewell to customers (he learns all of their names) and jokes with employees.
It’s also impossible to ignore that at least a cup, if not a bowl, of matzo ball soup can be found on half the tables. The broth is light but not additive-yellow, with fluffy-yet-firm matzo balls noteworthy for both their ample size and distinctive green flecks of parsley, mostly for color. However one feels about parsley, the diner’s version serves well as a baseline matzo ball soup — uncomplicated, nostalgic, and reminiscent of a bubbe’s concoction with slightly more polish. There are no surprises in Eleven City’s bowl, and in this way, it’s a stark contrast to McClaran’s melange of elegant aromatics and ducky character at Best Intentions.
Rubin’s resonant tone, however, drops to a hush as he admits Eleven City hasn’t had kreplach since COVID began. The diners who used to order it have since moved out to the suburbs, he says. Kreplach are small and plump dumplings stuffed with fillings like meat and mashed potatoes — cousins to Polish pierogi, Russian pelmeni, Italian stuffed pasta, and Chinese jiaozi. The difference between matzo balls and kreplach is mostly negligible, but, according to Rubin’s numbers, the gap in sales was significant. “Matzo balls aren’t going anywhere,” Rubin affirms.
Indeed, in recent years they’ve also cropped up on the menu at seemingly random spots like Armitage Ale House, Lincoln Park’s British pub from Au Cheval owner Hogsalt Hospitality. In West Town, chef Zoe Schor also served a pepper-laden matzo ball soup at Split-Rail, which she closed in late 2023. Schor isn’t shy about her Jewish American identity but the restaurant, a neighborhood hit known for fried chicken, was never positioned as a particularly Jewish spot. But for Schor, the soup was about something bigger than Split-Rail – its presence marked a broader movement among chefs seeking to connect with their own background.
“I feel like in terms of the zeitgeist of becoming classically trained and cooking the food you grew up eating, Ashkenazi Jewish culinary traditions were a little later to hit the trends,” she says. She’s been happy to see the ripple effects manifest in spots like Russ & Daughters, the 110-year-old New York appetizing store that launched a wildly successful cafe in 2014. “I think it’s very cool and important that we continue these traditions and the conversation.”
The early 2010s saw a matzo ball revolution of sorts, arguably ushered in by the 2013 debut of Shalom Japan, a Brooklyn restaurant where chefs Aaron Israel and Sawako Okochi have made a major splash with their matzo ball ramen. In Chicago, some had the audacity to suggest adding jalapeno, and in 2020, the short-lived restaurant Rye in West Loop made matzo balls with blue corn masa. The dish has come a long way in, at least in the canon of Jewish culinary history, a very short time. But by its very nature, matzo ball soup is relevant not due to its ingredients, but rather, the sensory and emotional experiences it evokes.
It’s difficult to pin down why exactly matzo ball soup has risen to such a cross-cultural level of notoriety. But a look back at the soup’s lore in the U.S. may shed some light. Take Marilyn Monroe and Arthur Miller — please. It’s hard to imagine a worse pairing than the legendary Hollywood sex symbol and the Jewish Pulitzer Prize-winning playwright who devoted much of his career to shedding light on the American everyman.
As the story goes, the couple frequently dined at the home of Miller’s mother, Isadore, who served a lot of matzo ball soup. They ate it so much that at one point, Monroe reportedly quipped, “Isn’t there any other part of the matzo you can eat?”
With that, a star was born and the humble, homely matzo ball was catapulted into American pop-culture history.
In the wake of the Holocaust, the mid-1950s (the couple married in 1956) was an unusually optimistic era for American Jews, who began to enter the middle class and seek higher education. For the first time, the American public was exposed to stories like Oscar-winning 1947 film Gentleman’s Agreement, which starred cinematic icon Gregory Peck as a non-Jewish reporter who poses as a Jew to research an exposé on antisemitism.
Despite ongoing institutionalized discrimination at universities and social hubs like country clubs, American Jews at the time saw broader social acceptance than perhaps in any other millennia of Jewish history. And suddenly, that cultural validation reached new heights. Monroe, the blonde bombshell herself, was eating matzo balls too, lending mainstream credibility to a tradition that’s endured in Chicago and across the country well beyond Miller and Monroe’s marriage, which lasted less than five years.
Though reluctant to get “too high-minded” about what it means to serve Jewish food in a non-Jewish context, for Chris Marty, it points to a desire to push back on a national political shift toward exclusion. “I think society is pretty shitty right now,” he says. “People are highly intolerant and very insular… The beauty of the bar and restaurant industry — especially in Chicago — is that you have that willingness to just love it if it’s good.”
I started at 370lb on March 22nd 2023. I was 24 and had never been below 300lb since middle school. Just a little past the 1 year mark and I’m 25 and almost into the 240s now. My ultimate goal is 185 and it feels more achievable than ever before. It still doesn’t feel real, I can fit into regular Large clothing sizes now, granted they’re still snug but they won’t be in another 20lb or so. A year ago I was almost fitting just right into 4XL.
April is nearly here and spring has sprung, which means it’s time to comb through the best movies leaving streaming services at the end of this month and plan accordingly.
This month’s lineup is an eclectic assortment of classics, crowd-pleasers, and cerebral gems. Jonathan Glazer’s 2000 debut, Sexy Beast starring Ray Winstone and Ben Kingsley, is a top priority; you must watch that if you haven’t already. Other picks include the sci-fi horror film Underwater, starring Love Lies Bleeding’s Kristen Stewart, Kathryn Bigelow’s elusive cyberpunk thriller Strange Days, a classic martial arts action film starring the inimitable Sonny Chiba, and more.
Whatever you’re looking for, there are options for you, with the added urgency of “you won’t be able to watch this here next month.”
Here are the best movies you should watch before they leave streaming this March.
Editor’s pick
Sexy Beast
Image: FilmFour/Fox Searchlight Pictures
Director: Jonathan Glazer Cast: Ben Kingsley, Ray Winstone, Ian McShane Leaving Criterion Channel: March 31
Earlier this month, Jonathan Glazer took home the Academy Award for Best International Feature Film for The Zone of Interest, his first Oscar win in his 30-plus-year career. Glazer has only directed four features in that time, each one more cerebral and astounding than the last. His first film, Sexy Beast, is arguably his most “commercial” effort to date — and even that qualifier feels like a stretch: It’s a black comedy crime drama that plays out with the nail-biting tension of a horror thriller.
The film centers on Gary “Gal” Dove (Ray Winstone), a career criminal happily whiling away his retirement in Costa del Sol with his wife and friends. Gal is suddenly plagued by a visit from Don Logan (Ben Kingsley), a former associate who has come to recruit him for a upcoming heist. Don is a foul-mouthed, emotionally manipulative sociopath who delights in incessantly berating those around him and bending people to his whim, so when Gal refuses his offer, Don makes it his mission to make Gal’s life a living hell until the job is done.
Glazer’s stellar direction and Ivan Bird’s dreamlike cinematography are what set Sexy Beast apart from other crime movies of its era. So does Kingsley’s scene-stealing performance as a malevolent agent of chaos, who blows in like a bad omen to wreak emotional and physical havoc on anyone and anything unfortunate enough to be close to him. That’s not even mentioning the score, which includes contributions from U.K. trip-hop outfit Unkle, who Glazer previously collaborated with on the music video for their 1998 single “Rabbit in Your Headlights.” Sexy Beast is an exhilarating, thorny, and terrifying case study in emotional manipulation that also happens to be a superb heist movie, and you should absolutely make it your priority to see it if you haven’t already. —Toussaint Egan
One of the most influential action movies ever made, The Street Fighter is a gloriously violent display of Sonny Chiba’s unique star power, as he rips and tears his way through a bunch of gangsters and lowlifes. Decades later, Chiba’s son Mackenyu (One Piece) is carrying that legacy forward… albeit in a slightly less violent fashion.
The first movie to receive an X rating in the U.S. because of violence, The Street Fighter not only inspired the title of the fighting game series, it also introduced the idea of X-ray fatalities, directly influencing Mortal Kombat. If you’re a fighting game fan and you’ve never seen The Street Fighter, this is your chance to fix that. —Pete Volk
Movies to watch on Hulu
Underwater
Photo: Alan Markfield/20th Century Fox
Director: William Eubank Cast: Kristen Stewart, Vincent Cassel, Mamoudou Athie Leaving Hulu: March 31
Underwater is a lean genre project with B-movie flair and solid execution. Sometimes, that’s all you need.
Kristen Stewart stars as the mechanical engineer of a research and drilling facility at the bottom of the Marianas Trench. When disaster strikes and part of the facility is destroyed, she joins the remaining survivors in their attempt to make it out alive. With a strong cast (with the exception of T.J. Miller, who is graciously killed very early in the movie), solid direction by William Eubank (who just directed the solid action thriller Land of Bad), and a tight script from Brian Duffield (No One Will Save You), Underwater is a fun popcorn sci-fi thriller. And with Love Lies Bleeding now out in theaters, why not check out an underrated Kristen Stewart project? —PV
Movies to watch on Max
Strange Days
Image: 20th Century Fox Home Entertainment
Director: Kathryn Bigelow Cast: Ralph Fiennes, Angela Bassett, Juliette Lewis Leaving Max: March 31
Strange Days is a cult classic whose reputation is defined in no small part by how difficult it has been to watch on streaming. Max added the movie to its platform in January 2023, but not all good things last.
Set in a futuristic Los Angeles just two days before the end of the 20th century, Strange Days follows Lenny Nero (Ralph Fiennes), a black-market broker dealing in an illicit technology that allows the user to record their own memories and physical sensations and experience them after the fact. When Lenny comes across a recording that threatens to implicate the LAPD in a high-profile murder, he’s forced to turn to his old friend Lornette “Mace” Mason (Angela Bassett) in order to uncover the origins behind the recording while staying one step ahead of a mysterious killer that wants him dead.
Conceived by producer James Cameron and inspired by the 1992 LA riots that erupted in the wake of the infamous Rodney King trial, Strange Days is a pitch-black sci-fi thriller that touches on institutional racism, voyeurism, societal collapse, and sexual violence, the latter of which is focused primarily on women and Black people. It’s a hard watch — but nevertheless a worthwhile one that rewards its audience with a trio of terrific performances and a strikingly original vision of a bygone alternate future. —TE
Movies to watch on Prime Video
The Swordsman
Image: Well Go USA Entertainment
Director: Jae-Hoon Choi Cast: Jang Hyuk, Kim Hyeon-so Leaving Prime: March 31
There’s no shortage of terrific Korean action movies. If you’re specifically looking for one that’s a stylish, emotional historical drama with fast and frenzied swordplay, I would highly recommend The Swordsman. Set in the aftermath of the Joseon dynasty, the movie follows the story of Tae-yul, the former bodyguard of King Gwanghaegun, who lives in seclusion with his daughter, Tae-ok.
Taey-yul has been afflicted with a condition that threatens to rob him of his sight, and in order to cure it, he’ll need special herbs afforded only to the most well-connected of families. Desperate to help her father, Tae-ok accepts an offer to serve a wealthy family in exchange for the medicine, but when she is inadvertently kidnapped as part of a larger conflict, Tae-yul is forced to come out of hiding to come to her rescue.
Joe Taslim of The Raid and Warrior fame shines as Gurutai, a sneering slave trader and Qing emissary who serves as the film’s primary antagonist. The action itself is terrific, but what really elevates The Swordsman as a whole is Tae-yul grappling with his rapidly diminishing eyesight and the unfolding tragedy of his backstory conveyed through flashbacks. At an hour and a half, it’s a perfect action film to pop on and watch over the weekend. —TE