ReportWire

Tag: Anne Bancroft

  • Review: How Meacham’s Lincoln defeated ‘Big Lie’ of his day

    Review: How Meacham’s Lincoln defeated ‘Big Lie’ of his day

    [ad_1]

    “And There Was Light: Abraham Lincoln and the American Struggle” by Jon Meacham (Random House)

    Fun fact: Feb. 12, 1809, is the birthdate for both Abraham Lincoln and Charles Darwin. While we tend to contemplate “The Great Emancipator” as fully formed well before he became the 16th president, his moral perspectives and political goals developed in a gradual process more akin to Darwin’s theories.

    Jon Meacham’s excellent new biography, “And There Was Light: Abraham Lincoln and the American Struggle,” illuminates how Lincoln’s personal growth and travails enabled him to lead a nation along a fitful evolution toward freedom despite a catastrophic rebellion that denied it. Fueling the national disaster was the “Big Lie” of Lincoln’s day — that slavery was a justifiable institution.

    Meacham does not portray Lincoln’s backstory as mere iconography — the log cabin, the backwoods education, the rail splitting. Rather, this account of his hardscrabble youth is less an any-boy-can-be-president morality tale than a foundation of Lincoln’s personal values and empathy informed by crushing poverty and loss. It is little wonder that Lincoln sought to deliver more fairness in an unfair world.

    The light that powered this desire was the gift of literacy acquired in what Lincoln called “A.B.C. schools” and any books he could hungrily consume thereafter. The darkness of early 19th century America was vividly embodied by enslaved Blacks herded in chains down his native Kentucky roads.

    At 23, Lincoln formally entered the political arena running for office in Illinois to feed his great ambition “of being truly esteemed of my fellow men, by rendering myself worthy of their esteem.” Meacham expertly peels back the historic to reveal the familiar in his coverage of the swirl of politics, largely unchanged to this day.

    The author girds his analysis with a comprehensive survey of the variety of social, political and theological writings that influenced Lincoln and resonate across his career. Keenly attuned to public opinion, Lincoln recognized both in himself and the entire nation two realities — anti-Black prejudice and a passionate desire in the North to abolish slavery. It was the same empathy that recoiled from the brutal practice of slavery that also connected him to the humanity of those who supported it.

    This led to Lincoln’s finely calibrated debates with Stephen A. Douglas in which he called for the status quo limiting slavery unto its eventual end, yet hewed to the stance of abolitionist supporters who otherwise resisted a multiracial, egalitarian society. Lincoln added that slave owners’ unearned wealth created a decidedly un-American class system that disadvantaged poor whites. Douglas was eventually sent to the U.S. Senate to advocate slavery’s expansion and the continuation of unfettered white supremacy.

    The stage set for his White House candidacy under the Republican Party banner, Lincoln won in 1860 with only a plurality of the vote. Before taking office, he grew his trademark whiskers, watched as the South seceded, then took command committed to his official duty to restore the Union, not his personal wish that all men everywhere be made free.

    Buffeted by Confederate victories, impatient abolitionists and South-sympathizing Democrats, all while fearing the loss of the border states, Lincoln’s first term was the American presidency’s greatest tightrope act: incremental policy advances balanced by principle. The victory at Antietam in September 1862 steadied the North, and Lincoln issued his Emancipation Proclamation to add explicitly the cause of freedom to the preservation of the Union.

    Meacham details the messy political caveats that necessarily riddle the more convenient, more heroic Northern narrative. Emancipation was limited. Some states in the northwest sued for peace allowing for the expansion of slavery or even the expulsion of the New England states. A draft to enlarge the army led to rioting. By 1864, fellow Republicans were advising Lincoln to moderate his abolitionist views to get reelected. He convinced them that abandoning emancipation would be worse than losing the presidency.

    Ultimately, it was not virtue but victory — the fall of Atlanta in September 1864 turned Northern skeptics into hawks — that delivered Lincoln a second term. Meacham reveals in his examination of the second inaugural address how Lincoln repurposed the Psalms and the Gospels to capture the moral essence of “this mighty scourge” in which “the prayers of both (sides) could not be answered.” The war, and slavery with it, finally ended only to be tragically punctuated by his assassination.

    An admirer across the Atlantic wrote before the 1864 election that supporters in England observed in Lincoln’s career “a grand simplicity of purpose and patriotism which knows no change and which does not falter.” Meacham’s fine account of America’s greatest president delivers a close-up that captures — wart and all — why Lincoln’s political sensibilities and moral vision were, like the Union itself, indivisible.

    ———

    Douglass K. Daniel is the author of “Anne Bancroft: A Life” (University Press of Kentucky).

    [ad_2]

    Source link

  • Oscar-winning ‘Cuckoo’s Nest’ actor Louise Fletcher dies

    Oscar-winning ‘Cuckoo’s Nest’ actor Louise Fletcher dies

    [ad_1]

    LOS ANGELES (AP) — Louise Fletcher, a late-blooming star whose riveting performance as the cruel and calculating Nurse Ratched in “One Flew Over the Cuckoo’s Nest” set a new standard for screen villains and won her an Academy Award, has died at age 88.

    Fletcher died in her sleep surrounded by family at her home in Montdurausse, France, her agent David Shaul told The Associated Press on Friday. No cause was given.

    After putting her career on hold for years to raise her children, Fletcher was in her early 40s and little known when chosen for the role opposite Jack Nicholson in the 1975 film by director Milos Forman, who had admired her work the year before in director Robert Altman’s “Thieves Like Us.” At the time, she didn’t know that many other prominent stars, including Anne Bancroft, Ellen Burstyn and Angela Lansbury, had turned it down.

    “I was the last person cast,” she recalled in a 2004 interview. “It wasn’t until we were halfway through shooting that I realized the part had been offered to other actresses who didn’t want to appear so horrible on the screen.”

    “One Flew Over the Cuckoo’s Nest” went on to become the first film since 1934′s “It Happened One Night” to win best picture, best director, best actor, best actress and best screenplay.

    Clutching her Oscar at the 1976 ceremony, Fletcher told the audience, “It looks as though you all hated me.”

    She then addressed her deaf parents in Birmingham, Alabama, talking and using sign language: “I want to thank you for teaching me to have a dream. You are seeing my dream come true.”

    A moment of silence was followed by thunderous applause.

    Later that night, Forman made the wry comment to Fletcher and her co-star, Jack Nicholson: “Now we all will make tremendous flops.”

    In the short run, at least, he was right.

    Forman next directed “Hair,” the movie version of the hit Broadway musical that failed to capture the appeal of the stage version. Nicholson directed and starred in “Goin’ South,” generally regarded as one of his worst films. Fletcher signed on for “Exorcist II: The Heretic,” a misconceived sequel to the landmark original.

    Far more than her male peers, Fletcher was hampered by her age in finding major roles in Hollywood. Still, she worked continuously for most of the rest of her life. Her post-“Cuckoo’s Nest” films included “Mama Dracula,” “Dead Kids” and “The Boy Who Could Fly.”

    She was nominated for Emmys for her guest roles on the TV series “Joan of Arcadia” and “Picket Fences,” and had a recurring role as Bajoran religious leader Kai Winn Adami in “Star Trek: Deep Space Nine.” She played the mother of musical duo Carpenters in 1989′s “The Karen Carpenter Story.”

    Fletcher’s career was also hampered by her height. At 5-feet-10, she would often be dismissed from an audition immediately because she was taller than her leading man.

    Fletcher had moved to Los Angeles to launch her acting career soon after graduating from The University of North Carolina at Chapel Hill.

    Working as a doctor’s receptionist by day and studying at night with noted actor and teacher Jeff Corey, she began getting one-day jobs on such TV series as “Wagon Train,” “77 Sunset Strip” and “The Untouchables.”

    Fletcher married producer Jerry Bick in the early 1960s and gave birth to two sons in quick succession. She decided to put her career on hold to be a stay-at-home mother and didn’t work for 11 years.

    “I made the choice to stop working, but I didn’t see it as a choice,” she said in the 2004 interview. “I felt compelled to stay at home.”

    She divorced Bick in 1977 and he died in 2004.

    In “Cuckoo’s Nest,” based on the novel Ken Kesey wrote while taking part in an experimental LSD program, Nicholson’s character, R.P. McMurphy, is a swaggering, small-time criminal who feigns insanity to get transferred from prison to a mental institution where he won’t have to work so hard.

    Once institutionalized, McMurphy discovers his mental ward is run by Fletcher’s cold, imposing Nurse Mildred Ratched, who keeps her patients tightly under her thumb. As the two clash, McMurphy all but takes over the ward with his bravado, leading to stiff punishment from Ratched and the institution, where she restores order.

    The character was so memorable she would become the basis for a Netflix series, “Ratched,” 45 years later.

    Estelle Louise Fletcher was born the second of four children on July 22, 1934, in Birmingham. Her mother was born deaf and her father was a traveling Episcopal minister who lost his hearing when struck by lightning at age 4.

    “It was like having parents who are immigrants who don’t speak your language,” she said in 1982.

    The Fletcher children were helped by their aunt, with whom they lived in Bryant, Texas, for a year. She taught them reading, writing and speaking, as well as how to sing and dance.

    It was those latter studies that convinced Fletcher she wanted to act. She was further inspired, she once said, when she saw the movie “Lady in the Dark” with Ginger Rogers.

    That and other films, Fletcher said, taught her “your dream could become real life if you wanted it bad enough.”

    “I knew from the movies,” she would say, “that I wouldn’t have to stay in Birmingham and be like everyone else.”

    Fletcher’s death was first reported by Deadline.

    She is survived by her two sons, John and Andrew Bick.

    ___

    This story has been updated to correct that Fletcher graduated from The University of North Carolina at Chapel Hill, not North Carolina State University.

    ___

    The late AP Entertainment Writer Bob Thomas contributed biographical material to this report.

    ___

    Follow AP Entertainment Writer Andrew Dalton on Twitter: https://twitter.com/andyjamesdalton

    [ad_2]

    Source link