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Tag: youtube

  • Video: The A.I. Videos on Kids’ YouTube Feeds

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    new video loaded: The A.I. Videos on Kids’ YouTube Feeds

    The YouTube algorithm is pushing bizarre, often nonsensical A.I.-generated videos targeting children. Our video journalist Arijeta Lajka explains why experts say that these videos could affect their cognitive development, and how parents can identify this type of content.

    By Arijeta Lajka, Christina Shaman, Melanie Bencosme, June Kim and Luke Piotrowski

    February 26, 2026

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    Arijeta Lajka, Christina Shaman, Melanie Bencosme, June Kim and Luke Piotrowski

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  • Woman goes through her boyfriend’s YouTube history. What she sees is ‘worse than cheating’

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    Some girlfriends go through their boyfriend’s phones looking for flirty DMs. This one found a full-blown villain origin story. After casually scrolling through her boyfriend’s YouTube history, she didn’t find signs of another woman; she accidentally uncovered tutorials on how to manipulate one.

    As she laughs about it on TikTok, viewers are not that amused. Rather than focusing on the male-manipulator-in-making, they call her out for her giggles instead.

    What Did She Find on His YouTube History?

    Shaely (@slimshaely) may be laughing about it now, but the story gets worse the deeper it goes. Her original clip acquired 3.6 million views, and her follow-up videos have accumulated 165,000 views.

    Overall, there are over 7,000 comments on the subject. The clip that started it all begins with Shaely looking at the camera with her hand over her mouth. She’s laughing and asking, “What is this?”

    She pans the camera over to the TV screen that shows a YouTube search history pulled up. One of the videos she shows is called “Put her to work: Women want to care for you.” Shaely laughs and says, “I gotta get outta here, guys. I’m in danger.” Her text overlay reads: “When I went through my BFs youtube history and he was watching videos on how to manipulate and control women 24/7.”

    Did She Break Up with Him?

    Amidst all the chaos in her comments, one demand rings the loudest: leave him. Shaely’s viewers either beg her to leave her boyfriend or criticize her for posting and choosing to stay.

    Even though in the original clip, the caption says, “I am actually praying for his next gf lmao,” she makes another clip providing more context. She begins by saying she had to make another video because she was getting “slimed the [expletive] out” in the first clip. 

    Shaely explains that she is no longer with the man, they don’t live together, and yes, she confronted him. Next, she addresses all the comments that were “mad” at her for laughing.

    “God forbid a girl is a [expletive] nervous giggler,” she says, citing that she was genuinely shocked. She also adds that for more context, she’ll pull the “dead mom card,” saying she stayed with the boyfriend a bit longer after finding out because her mother had just died.

    As for the confrontation, she says he just acted “nonchalant” and said he was just watching the videos, not doing anything it said. She asked him to stop and he said he would–except he didn’t. Shaely says the “final straw” was his inviting her to a trip to Bali and then taking his friend, who “loves strip clubs and brothels and cheating on his partners” instead. She said that, coupled with more videos she found, was when she finally called it quits.

    It Gets Worse

    Believe it or not, the misogyny runs a little deeper. While she only showed one video from his history, Shaely reveals that he was watching way more than just manipulation tactics. Apparently, he was also viewing tips on how to flirt with women, how to get women who are out of your league, how to be a player, how to stay detached, how to get her to do what you want and many more. 

    Another big question was: did he use the tactics on her? Shaely says no. She believes he was watching them all “in preparation” to use on other girls. She says he is pursuing younger girls in their 20s now. “I think he was trying to gear up to manipulate younger girls, his [expletive] was not manipulating me.” 

    Why Did She Finally Reveal the Truth?

    Many viewers ask Shaely why she hadn’t noticed her boyfriend watching these videos before she stumbled upon his YouTube watch history. Her answer? No one would be able to tell he would be someone who watched those types of videos since he is “so nice.”

    She recounts that recently, his co-workers came up to her at a bar and asked what happened because he is “so nice and charming.” Shaely says she has been “saving face” for him for so long and just saying that was “too nonchalant” instead. However, she got the Snapchat memory and thought she had already kept it quiet for “far too long.”

    @slimshaely

    i am actually praying for his next gf lmao

    ♬ Lucifer’s Waltz – Secession Studios

    What Does Red-Pilled Mean?

    While its previous connotation was due to its origin in The Matrix, the term “red pill” has changed drastically in the past couple of years. Merriam-Webster credits it to when “the main character is given the choice between taking a (literal) blue pill that would return him to a state of ignorance and a red pill that would show him the truth that humans are enslaved in a simulated reality.” Gen Z, however, has transformed it into a term synonymous with right-wing conservatism and misogyny. 

    New America reported that men took the term to “describe their ‘realization’ that [they] do not hold systemic power or privilege. Instead, they awaken to the ‘truth’ that socially, economically, and sexually men are at the whims of women’s (and feminists’) power and desires.” This in turn, is now central to the many male supremacist movements, citing that women should submit to men. Therefore, this is what the viewer meant when they said Shaely’s ex-boyfriend had “taken the red pill.”

    Viewers are Appalled, Outraged, and More

    Aside from all the advice to run or break up, some viewers simply can’t help sharing their bafflement and distress. One viewer says, “This is worse than cheating.” 

    “What possible explanation could he have given for this,” asks one viewer. Shaely replies, “HE SAID IT WAS JUST INTERESTING.” 

    Another viewer shares, “This is why i am pro women snooping bc hell nah.” Shaely responds, “EXACTLY!!!! Can’t even trust them on YOUTUBE?!” 

    One even turns the tables and says, “I’m so toxic cause I would pretend it was working while secretly manipulating him back.” 

    One viewer shares a similar experience, “Same. instead of ‘how to be a better partner’ or ‘how to be a better father’ it was advice on how to pick up women, and stay detached in a relationship… we were together 12.5 years.”

    Lastly, one viewer says, “Red pill is literally abusers teaching abuse and manipulation tactics to other men.” 

    The Mary Sue reached out to the creator via Instagram direct message.

    Have a tip we should know? [email protected]

    Image of Gisselle Hernandez

    Gisselle Hernandez

    Gisselle Hernandez-Gomez is a contributing reporter to the Mary Sue. Her work has appeared in the Daily Dot, Business Insider, Fodor’s Travel and more.

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    Gisselle Hernandez

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  • Bowen Yang, Brittany Broski, and the 8 Other Hosts Who Are Shattering the Talk-Show Format

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    The new late night is lo-fi and unpredictable—and live, from your phone, all the time. As broadcast television recedes, we present a cast of digital creators who boldly go where no Jimmy has gone before.

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    Joy Press

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  • Mark Zuckerberg questioned on Meta’s under-13 users and usage goals in landmark social media trial

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    Meta CEO Mark Zuckerberg faced questioning in a Los Angeles courtroom on Wednesday about Instagram’s under-13 users and Meta’s efforts to boost engagement, as a trial examines whether the company knowingly offered an addictive and harmful product to children and teens.

    The landmark trial against Meta and YouTube kicked off in late January. It centers on allegations brought by a plaintiff identified as “KGM,” who claims that using social media from a young age caused her to become addicted and harmed her mental health.

    KGM, who is now 20 years old, alleges that Facebook, Instagram and YouTube — with their recommendation algorithms and infinite scrolling — are designed to be addictive. 

    In the courtroom on Wednesday, Zuckerberg faced questions from KGM’s lawyer Mark Lanier over Meta’s policy for allowing children under 13 to access Instagram. KGM started using Instagram at 9 years old, according to Lanier.

    Zuckerberg said users under 13 are not allowed on the platform, but added that it is a difficult rule to enforce because there are “a meaningful number of people who lie about their age to use our services.”

    Lanier also pressed Zuckerberg about whether one of the company’s goals is to increase the time users spend on Instagram. Zuckerberg said Meta uses time spent on the app as a proxy to measure its performance against competitors like TikTok.

    “It’s different than us trying to just increase time,” he said. “Just us trying to see how we’re stacking up in the industry.”

    Zuckerberg also addressed Instagram’s beauty filters, which Meta temporarily shut down after concerns surfaced that they changed people’s appearance in a way that seemed to promote plastic surgery. Zuckerberg said the company decided to allow beauty filters in support of free expression, but said that “we shouldn’t create them ourselves or recommend them.”

    This marks the first time Zuckerberg is defending his company before a jury, although he has previously testified before Congress regarding youth safety on Meta’s platforms. 

    Trial carries implications for similar cases 

    The outcome of the lawsuit could shape how thousands of similar cases brought against social media giants play out. TikTok and Snapchat were originally part of the lawsuit, but they settled before the trial started. 

    Some experts have drawn comparisons between the social media trial and the tobacco industry lawsuits of the 1990s, which sought to hold companies accountable for their products and how they were marketed.

    “A trial like this one will hopefully uncover the disconnect between what companies say publicly to drive up business and engagement and what is actually going on behind the scenes,” UCLA law professor and tech justice attorney Melodi Dinçer told CBS News senior business and technology correspondent Jo Ling Kent.

    Meta CEO Mark Zuckerberg arrives at Los Angeles Superior Court on Feb. 18, 2026.

    Patrick T. Fallon /AFP via Getty Images


    Prior to Zuckerberg’s testimony, Meta told CBS News that it strongly disagrees with the allegations and that it is committed to supporting young people who use its platforms. The company also claims that KGM faced mental health struggles before she used social media. 

    A spokesperson from Google, the parent company of YouTube, also denied the allegations, calling them “simply not true.”

    Zuckerberg’s appearance in the LA courtroom follows that of Instagram CEO Adam Mosseri, who testified in the trial last week. While on the stand, Mosseri said he does not believe people can be clinically addicted to social media platforms, instead referring to what he calls “problematic use,” when people spend more time on Instagram than they feel good about.

    Prosecutors also pressed Mosseri over whether Instagram is prioritizing growth and profit over safety. In response, Mosseri said Instagram makes “less money from teens than from any other demographic on the app,” adding that teens don’t tend to click on ads.

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  • YouTube was down for thousands of users in the US

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    YouTube is experiencing an outage across the United States, with users in other countries like Canada, India, the Philippines, Australia and Russia also having problems with accessing the website. The issue seems to have started at around 8 PM Eastern time and reached 338,000 reports on Downdetector before starting to taper down. More users reported having issues accessing the app, but I personally lost access to the web homepage first.

    As of 9:22 PM, users are still reporting being unable to access YouTube on Reddit. As of 9:33 PM, users are complaining that they still can’t access the service, though others say it’s back up for them. Some people are reporting partial restoration of service, with the homepage now being accessible but not seeing any recommended videos.

    Downdetector also got thousands of reports of Google being down at around 8 PM Eastern time. As of 9:53 PM, Engadget Managing Editor Cherlynn Low reports that both YouTube and Google Home Assistant are still inaccessible for her. As of 10:12PM Eastern, Team YouTube posted on X that the issue has been completely fixed. While it didn’t say why YouTube went down, the team acknowledged the problem before 9PM and posted an update 20 minutes later that its recommendation system was having issues, even though its homepage was back.

    Update, February 17, 2026, 10:27 PM ET: YouTube says the issue has been completely fixed.

    Update, February 17, 2026, 10:08 PM ET: Updated with reports that certain Google services are also down for some users.

    Update, February 17, 2026, 9:34 PM ET: Updated with reports from users.

    Update, February 17, 2026, 9:26 PM ET: Updated to correct time of outage, added new countries where it’s out and added new reports of YouTube still being inaccessible.

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    Mariella Moon

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  • Social media companies accused of

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    The world’s biggest social media companies face several landmark trials this year that seek to hold them responsible for harms to children who use their platforms. Opening statements in one such trial in Los Angeles County Superior Court began on Monday.

    Instagram’s parent company Meta and Google’s YouTube face claims that their platforms deliberately addict and harm children. TikTok and Snap, which were originally named in the lawsuit, settled for undisclosed sums.

    Jurors got their first glimpse into what will be a lengthy trial characterized by dueling narratives from the plaintiffs and the two remaining social media companies named as defendants.

    Mark Lanier delivered the opening statement for the plaintiffs first, in a lively display where he said the case is as “easy as ABC,” which he said stands for “addicting the brains of children.” He called Meta and Google “two of the richest corporations in history” that have “engineered addiction in children’s brains.”

    He presented jurors with a slew of internal emails, documents and studies conducted by Meta and YouTube, as well as YouTube’s parent company, Google. He emphasized the findings of a study Meta conducted called “Project Myst” in which they surveyed 1,000 teens and their parents about their social media use. The two major findings, Lanier said, were that the company knew children who experienced “adverse events” like trauma and stress were particularly vulnerable for addiction; and that parental supervision and controls made little impact.

    Internal company documents

    He also showed internal Google documents that likened YouTube to a casino, and internal communication between Meta employees in which one person said Instagram is “like a drug” and that employees are “basically pushers.”

    At the core of the Los Angeles case is a 20-year-old identified only by the initials “KGM,” whose case could determine how thousands of other, similar lawsuits against social media companies will play out. She and two other plaintiffs have been selected for bellwether trials — essentially test cases for both sides to see how their arguments play out before a jury.

    KGM made a brief appearance after a break during Lanier’s statement and she will return to testify later in the trial. Lanier spent time speaking about her childhood, and particularly focused on what her personality was like before she began using social media, saying her mother called her a “creative spark” as a child. She started using YouTube at age 6 and Instagram at age 9, Lanier said. Before she graduated elementary school, she had posted 284 videos on YouTube.

    The outcome of the trial could have profound effects on the companies’ businesses and how they will handle children using their platforms.

    Lanier said the companies’ lawyers will “try to blame the little girl and her parents for the trap they built,” referencing the plaintiff. She was a minor when she said she became addicted to social media platforms, which she claims had a detrimental impact on her mental health.

    Lanier said that despite the public position of Meta and YouTube being that they work to protect children and implement safeguards for their use of the platforms, their internal documents show an entirely different position, with explicit references to young children being listed as their target audiences.

    Lanier also drew comparisons between the social media companies and tobacco firms, citing internal communication between Meta employees who were concerned about the company’s lack of proactive action about the potential harm their platforms can have on children and teens.

    “For a teenager, social validation is survival,” Lanier said. The defendants “engineered a feature that caters to a minor’s craving for social validation,” he added, speaking about “like” buttons and similar features.

    “This was only the first case — there are hundreds of parents and school districts in the social media addiction trials that start today, and sadly, new families every day who are speaking out and bringing Big Tech to court for its deliberately harmful products,” said Sacha Haworth, executive director of the nonprofit Tech Oversight Project.

    Jurors are not being asked to stop using Facebook, Instagram, YouTube or any other forms of social media throughout the course of the trial — which is expected to last about eight weeks — but Judge Carolyn B. Kuhl emphasized that they should not make any changes to the way they interact with the platforms, including changing their settings or creating new accounts.

    Kuhl said that jurors should decide the liability of Meta and YouTube independently when they deliberate.

    A separate trial in New Mexico, meanwhile, also kicked off with opening statements on Monday.

    KGM claims that her use of social media from an early age addicted her to the technology and exacerbated depression and suicidal thoughts. Importantly, the lawsuit claims that this was done through deliberate design choices made by companies that sought to make their platforms more addictive to children to boost profits. This argument, if successful, could sidestep the companies’ First Amendment shield and Section 230, which protects tech companies from liability for material posted on their platforms.

    “Borrowing heavily from the behavioral and neurobiological techniques used by slot machines and exploited by the cigarette industry, Defendants deliberately embedded in their products an array of design features aimed at maximizing youth engagement to drive advertising revenue,” the lawsuit says.

    Mark Zuckerberg expected to testify

    Executives, including Meta CEO Mark Zuckerberg, are expected to testify at the trial, which will last six to eight weeks. Experts have drawn similarities to the Big Tobacco trials that led to a 1998 settlement requiring cigarette companies to pay billions in health care costs and restrict marketing targeting minors.

    The tech companies dispute the claims that their products deliberately harm children, citing a bevy of safeguards they have added over the years and arguing that they are not liable for content posted on their sites by third parties.

    A Meta spokesperson said in a recent statement that the company strongly disagrees with the allegations outlined in the lawsuit and that it’s “confident the evidence will show our longstanding commitment to supporting young people.”

    José Castañeda, a Google spokesperson, said that the allegations against YouTube are “simply not true.” In a statement, he said, “Providing young people with a safer, healthier experience has always been core to our work.”

    The case will be the first in a slew of cases beginning this year that seek to hold social media companies responsible for harming children’s mental well-being.

    In New Mexico, opening statements began Monday for trial on allegations that Meta and its social media platforms have failed to protect young users from sexual exploitation, following an undercover online investigation. Attorney General Raúl Torrez in late 2023 sued Meta and Zuckerberg, who was later dropped from the suit.

    A federal bellwether trial beginning in June in Oakland, California, will be the first to represent school districts that have sued social media platforms over harms to children.

    In addition, more than 40 state attorneys general have filed lawsuits against Meta, claiming it is harming young people and contributing to the youth mental health crisis by deliberately designing features on Instagram and Facebook that addict children to its platforms. The majority of cases filed their lawsuits in federal court, but some sued in their respective states.

    TikTok also faces similar lawsuits in more than a dozen states.

    Other countries, meanwhile, are enacting new laws to limit social media for children. In January, French lawmakers approved a bill banning social media for children under 15, paving the way for the measure to enter into force at the start of the next school year in September, as the idea of setting a minimum age for use of the platforms gains momentum across Europe.

    In Australia, social media companies have revoked access to about 4.7 million accounts identified as belonging to children since the country banned use of the platforms by those under 16, officials said. The law provoked fraught debates in Australia about technology use, privacy, child safety and mental health and has prompted other countries to consider similar measures.

    The British government also said last month it will consider banning young teenagers from social media as it tightens laws designed to protect children from harmful content and excessive screen time.

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  • Social Platforms Are Moving Onto TV Screens—Industry Experts Explain Why

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    As linear TV fades, social platforms are racing to become the next big screen for entertainment. Nikos Pekiaridis/NurPhoto via Getty Images

    Is social media the new TV? Cable and linear television have been in decline for years, especially as younger generations consume more entertainment on their phones. In response, traditional studios and streaming services have been experimenting with social platforms. Peacock tested the waters by uploading clips from its comedy Killing It to TikTok, while Paramount broke its 2006 film Mean Girls into several parts on the same platform.

    At the same time, microdramas—short, bite-sized video series designed for mobile viewing—have surged in popularity. Networks like TelevisaUnivision and Telemundo have been launching original microdramas. Earlier this month at CES, Disney announced it would begin releasing “microcontent” on Disney+. But what happens when social media doesn’t just live on phones and starts moving into traditional TV screens and living rooms?

    In December, Instagram announced it was testing an “Instagram for TV” app that allows users to watch Reels on their televisions. TikTok previously made a similar push with TV apps, before they were discontinued due to compliance with new laws.

    On the advertiser side, Pinterest recently acquired connected TV (CTV) ad-buying platform tvScientific, signaling that the company believes advertising dollars may start shifting toward living room viewing for its platform.

    That shift is already underway. Social video is now the second-most-watched video type on TVs, according to research from Parks Associates.

    Jennifer Kent, SVP and principal analyst at Parks Associates, said this trend is blurring the lines between traditional video media and social video strategies, particularly as YouTube, Instagram and TikTok push for more TV-based viewing.

    Kent added that this also correlates with the growth of the creator economy, as traditional media companies partner with creators or launch initiatives dedicated to creator content. Amazon MGM Studios, for example, has collaborated with popular creators like MrBeast on projects such as Beast Games to produce more premium programming. YouTube has also announced efforts to introduce more episodic formats for creator content.

    “Lines are blurring all over,” Kent said. “Everybody on the big screen wants to mimic what’s happening on social media, and everyone on social media wants to be on the big screen.”

    She added, “The important impact of all of these social video platforms coming to the big screen is the way that they are raising expectations for everybody else that’s on the big screen—to be more interactive, to be more creative with formats, to engage with new creators that can speak to audiences in different ways.”

    The growing pains of social media platforms

    The roughly $15 billion decline of the U.S. linear TV market has accelerated this experimentation, said Max Willens, a principal analyst at eMarketer. However, he noted that growing competition has also made social platforms more sensitive to slowing growth. For years, platforms could rely on two assumptions: that more users would join each year, and that those users would spend more time on their apps. That is no longer the case.

    According to eMarketer, time spent on social media in the U.S. is flatlining and is expected to begin gently declining starting next year.

    “Combine social media platforms realizing they don’t have the easy path toward incremental growth with the increasingly spread-out competition, and they face a lot of pressure to try to establish a beachhead on television screens as the budgets that used to go to linear advertisers come up for grabs,” Willens told Observer.

    Still, moving into living rooms isn’t a new idea. Willens pointed to YouTube, which launched as a desktop platform, became mobile-first, and is now a major force in TV viewing.

    YouTube has also said that more than 150 million Americans watch the platform on TV screens. Nielsen’s Media Distributor Gauge report found that YouTube captured 13.4 percent of TV viewing time, outpacing Disney’s 9.4 percent share. eMarketer research shows that Americans now spend roughly equal time watching YouTube on TV and on their phones.

    “That balance is going to persist over the next couple of years,” Willens predicted. “When you add all those things together, it’s not hard to understand why the social platforms are trying to position themselves on the biggest screen in the house.”

    Looking ahead, Willens said both media companies and social platforms will need to adjust their strategies as viewing habits continue to shift.

    “They’re all just screens at the end of the day, but it’s not like television has gone away,” he said. “Televisions are not just these big dusty boxes that our grandparents are looking at. They are still central hubs of leisure time for consumers of every age. So, advertisers and media companies have to figure out what’s different about that consumption and adjust their strategies accordingly.”

    Social Platforms Are Moving Onto TV Screens—Industry Experts Explain Why

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    Saleah Blancaflor

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  • BabyTuber Thumbnails Are The Best – Kotaku

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    The current YouTube thumbnail meta requires people to pose extravagant claims or make dramatic declarations alongside exaggerated facial expressions of shock or skepticism. It’s curiosity gap farming on steroids, increasingly aided by genAI to flood the platform with absurd content. BabyTuber thumbnails are the antidote.

    An artist who goes by Jamie on Bluesky shared the first one earlier this week. It was titled “Why I’m Switching” and showed an infant furrowing its brow while pondering upgrading from toy blocks to a bead maze. There’s a thought bubble, a greater than sign, and a question mark. It’s perfect.

    Jamie encouraged others to get in on the fun and share their own Babytuber thumbnails. Some people did. They are also perfect.

    pikuselu.gay
    A baby is afraid of noises.
    ‪@wimbostratus.bsky.social‬Follow
    A baby is worried about fake milk.
    misguidedlavender.bsky.social
    A baby questions a lullaby.
    athenap.bsky.social
    A baby looks at keys.
    nishbae.bsky.social
    A baby tries to open a gate.
    kinbassar.bsky.social

    “At the end of the day it’s been fun to see people enjoying it, especially in a time where [every] headline online has been miserable,” Jamie told Aftermath. “If this silly thing was able to brighten people’s day at all then I’m happy. I’m glad my mutuals seem to be having a laugh instead of being annoyed, haha.”

    Now I need someone to make Baby LinkedIn posts. “Here’s what my 2-year sleep regression taught me about B2B sales.”

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    Ethan Gach

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  • Living In Gotham City Is Wild, According To New Arkham City Video

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    I love this new YouTube video that uses mods to recreate the life of an NPC citizen of Gotham City in Batman: Arkham Knight because it lets me experience something I’ve always thought about: What it must be like to live in the same place as a superhero.

    Living in Gotham City, the urban sprawl that superhero crimefighter Batman calls home, must be wild. Going out to grab something from the nearby convenience store could lead to you getting a front row seat for Batman’s next gang fight. Or he might just run past your window in the middle of the night. Or worse, he could run you over with his Batmobile-tank that is totally nonlethal, okay? And that’s what you get in Gaming with Griff Griffin’s new short but sweet Batman: Arkham Knight video.

    My favorite moments from Griff’s video are when it really does feel like you’re seeing things from the perspective of a random Gotham City resident who just so happens to catch a glimpse of Batman. I imagine with a city as big as Gotham, not everyone has seen Batman, so it’s likely a treat for those who do. Or maybe scary as hell? Probably a bit of both.

    “Essentially, I modded Batman: Arkham Knight to ‘take control’ of pedestrians in Gotham, and see what Batman looks like from their perspective,” Griff explained to Kotaku in an email. The creator has also made a video presenting things from the point of view of the gang members Batman beats up in the games, in case you’re curious about that experience. It is a far more terrifying way to encounter the Dark Knight.

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    Zack Zwiezen

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  • Meta, YouTube face trial over allegations their tech is addictive, as TikTok settles

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    Meta and YouTube are in court this week over allegations that their social media platforms can be addictive and harmful to children, while TikTok on Tuesday chose to settle the closely watched case. 

    At the heart of the case are allegations by a 19-year-old plaintiff, identified only as “KGM,” who claims that using social media from a young age caused her to become addicted to the technology, which led her to develop depression and suicidal thoughts. 

    TikTok was also scheduled to be part of the trial, but it has settled with the plaintiff, according to Matthew Bergman, the founding attorney of the Social Media Victims Law Center, which is representing KGM. 

    TikTok did not immediately respond to a request for comment.

    A fourth company named in the lawsuit, Snapchat parent company Snap, also settled the case last week for an undisclosed sum.

    Potential bellwether

    Legal experts have said the trial could be a bellwether for more than a thousand similar cases brought against social media players in recent years. Depending on the outcome, tech giants could be forced to overhaul their platforms, CBS News Philadelphia reported.

    The trial will also serve as a test case to see what damages, if any, may be awarded to plaintiffs, said Clay Calvert, a nonresident senior fellow of technology policy studies at the nonpartisan American Enterprise Institute.

    The trial, which kicks off this week in Los Angeles County Superior Court, is the first time major social media companies will argue their case before a jury. The jury selection process is expected to take several days, with 75 potential jurors questioned each day. 

    KGM’s lawsuit alleges that the social media addiction and mental illness she suffered were caused by deliberate design choices made by companies that sought to make their platforms more addictive to children to boost profits. This argument, if successful, could sidestep the companies’ First Amendment shield and Section 230 of the Communications Decency Act, which protects tech companies from liability for material posted on their platforms.

    “Borrowing heavily from the behavioral and neurobiological techniques used by slot machines and exploited by the cigarette industry, Defendants deliberately embedded in their products an array of design features aimed at maximizing youth engagement to drive advertising revenue,” the lawsuit says.

    A Meta spokesperson said in a statement Monday that the company strongly disagrees with the allegations outlined in the lawsuit and that it’s “confident the evidence will show our longstanding commitment to supporting young people.”

    José Castañeda, a Google spokesperson, said Monday that the allegations against YouTube are “simply not true.” Google is the parent company of YouTube.

    “Providing young people with a safer, healthier experience has always been core to our work,” Castañeda added. 

    Zuckerberg expected to testify

    Executives, including Meta CEO Mark Zuckerberg, are expected to testify at the trial, which will last six to eight weeks. Experts have drawn similarities to the Big Tobacco trials that led to a 1998 settlement requiring cigarette companies to pay billions in healthcare costs and restrict marketing targeting minors.

    “Plaintiffs are not merely the collateral damage of Defendants’ products,” the lawsuit says. “They are the direct victims of the intentional product design choices made by each Defendant. They are the intended targets of the harmful features that pushed them into self-destructive feedback loops.”

    The tech companies dispute the claims that their products deliberately harm children, citing a bevy of safeguards they have added over the years and arguing that they are not liable for content posted on their sites by third parties.

    “Recently, a number of lawsuits have attempted to place the blame for teen mental health struggles squarely on social media companies,” Meta said in a recent blog post. “But this oversimplifies a serious issue. Clinicians and researchers find that mental health is a deeply complex and multifaceted issue, and trends regarding teens’ well-being aren’t clear-cut or universal. Narrowing the challenges faced by teens to a single factor ignores the scientific research and the many stressors impacting young people today, like academic pressure, school safety, socio-economic challenges and substance abuse.”

    School lawsuits

    The case will be the first in a slew of cases beginning this year that seek to hold social media companies responsible for harming children’s mental well-being. A federal trial beginning in June in Oakland, California, will be the first to represent school districts that have sued social media platforms over harms to children.

    In addition, more than 40 state attorneys general have filed lawsuits against Meta, claiming it is harming young people and contributing to the youth mental health crisis by deliberately designing features on Instagram and Facebook that addict children to its platforms. The majority of cases filed their lawsuits in federal court, but some sued in their respective states.

    TikTok also faces similar lawsuits in more than a dozen states.

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  • Is social media harmful for kids? Meta and YouTube face trial after TikTok settles suit

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    TikTok has agreed to settle the first in a series of closely-watched product liability cases, bowing out on the eve of a landmark trial that could upend how social media giants engage their youngest users and leave tech titans on the hook for billions in damages.

    The settlement was reached as jury selection was set to begin in Los Angeles County Superior Court on Tuesday and comes a week after Snap reached a deal with the same plaintiff, a Chico, Calif., woman who said she became addicted to social media starting in elementary school.

    “This settlement should come as no surprise because that damning evidence is just the tip of the iceberg,” said Sacha Haworth, executive director of the Tech Oversight Project, an industry watchdog. “This was only the first case — there are hundreds of parents and school districts in the social media addiction trials that start today, and sadly, new families every day who are speaking out and bringing Big Tech to court for its deliberately harmful products.”

    TikTok did not immediately respond to requests for comment about Monday’s settlement.

    “The Parties are pleased to have been able to resolve this matter in an amicable manner,” Snap spokeswoman Monique Bellamy said of the settlement.

    The remaining defendants, Instagram’s parent company Meta and Google’s YouTube, still face claims that their products are “defective” and designed to keep children hooked to apps its makers know are harmful.

    Those same arguments are at the heart of at least 2,500 cases currently pending together in state and federal courts. The Los Angeles trial is among a handful of bellwethers meant to clarify the uncharted legal terrain.

    Social media companies are protected by the 1st Amendment and by Section 230, a decades-old law that shields internet companies from liability for what users produce and share on their platforms.

    Attorneys for the Chico plaintiff, referred to in court documents as K.G.M., say the apps were built and refined to snare youngsters and keep them on the platforms without regard for dangers the companies knew lurked there, including sexual predation, bullying and promotion of self-harm and even suicide.

    As the claims against Meta and YouTube head to trial, jurors will be asked to weigh whether those dangers are incidental or inherent, and if social media companies can be held responsible for the harm families say flowed from their children’s feeds.

    Scores of potential jurors filled the beige terrazzo hallway outside Judge Carolyn B. Kuhl’s courtroom downtown Tuesday morning, most passing the time on social apps on their phones. Some watched short-form videos while others thumbed through their feeds, pausing every so often to tap a like on a post.

    Roughly 450 Angelenos will be vetted this week for spots on the jury. The trial is expected to last through March.

    Instagram is 15 years old, YouTube almost 21. Finding Angelenos unfamiliar with either is likely impossible. The trial comes at a moment when public opinion around social media has soured, with a growing sentiment among parents, mental health professionals, lawmakers and even children themselves that the apps do more harm than good.

    The judge told prospective jurors that lawyers on the case could not review their online profiles. “We know many of you use defendants’ social media and video-sharing platforms, and you’re not being asked to stop, but until you’re excused, you should not change how you use social media and you should not investigate features you don’t usually use,” Kuhl said in court.

    Phones are now banned in California public school classrooms. Many private schools impose strict rules around when and how social media can be used.

    In study after study, pluralities of young users — among them the youngest of “Anxious Generation” Zoomers and the oldest Gen Alpha’s iPad kids — now say they spend too much time on the apps. A disputed but growing body of research suggests some portion are addicted.

    According to a study last spring by the nonpartisan Pew Research Center, roughly half of teens say social media is bad for people their age, that it interferes with their sleep and that it hurts their productivity. Almost a quarter say it has brought down their grades. And 1 in 5 say it has hurt their mental health.

    Experts say social media has also helped drive the increase in suicides among teen girls, and a post-pandemic surge in eating disorders.

    K.G.M., the first bellwether plaintiff, said she started watching YouTube at age 6, and was uploading content to the site by age 8.

    Today, about 85% of children under 12 watch YouTube and half of those watch it daily, according to Pew.

    At 9, according to K.G.M.’s lawsuit, she got her first iPhone and joined Instagram.

    By the time she joined Snapchat at age 13, she was spending almost every waking hour scrolling, posting and agonizing over her engagement, despite bullying from peers, hate comments from strangers and sexually explicit overtures from adult men.

    “When I was in middle school, I used to go and hide in the counselor’s office … just to go on my phone,” she said in a deposition last year.

    Around that time, she said Instagram began serving her content about self-harm and restrictive eating.

    “I believe that social media, her addiction to social media, has changed the way her brain works,” the plaintiff’s mother, Karen, said in a related filing. “She has no long-term memory. She can’t live without a phone. She is willing to go to battle if you were even to touch her phone.”

    “There became a point where she was so addicted that I could not get the phone out of her hand,” she said.

    K.G.M.’s sister was even more blunt.

    “Whenever my mom would take her phone away … she would have a meltdown like someone had died,” the sister said. “She would have so many meltdowns anytime her phone was taken away, and it was because she wouldn’t be able to use Instagram.”

    “I wish I never downloaded it,” the plaintiff later told her sister, according to the deposition. “I wish I never got it in the first place.”

    Boosters of the litigation compare their quest to the fight against Big Tobacco and the opioid-maker Purdue.

    “This is the beginning of the trial of our generation,” said Haworth, the tech industry watchdog.

    But the gulf between public opinion and civil culpability is vast, attorneys for the platforms say. Social media addiction is not a formal clinical diagnosis, and proving that it exists, and that the companies bear responsibility for it, will be an uphill battle.

    Lawyers for YouTube have sought to further complicate the picture by claiming their video-sharing site is not social media at all and cannot be lumped in with the likes of Instagram and TikTok.

    Attorneys for the plaintiffs say such distinctions are ephemeral, pointing out that YouTube has by far the youngest group of users, many of whom say the platform was an on-ramp to the world of social media.

    “I am equally shocked … by the internal documents that I have seen from all four of these defendants regarding their knowing decision to addict kids to a platform knowing it would be bad for them,” said attorney Matthew Bergman of the Social Media Victims Law Center. “To me they are all outrageous in their decision to elevate their profits over the safety of kids.”

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  • Blizzard lines up WoW, Overwatch, Hearthstone and Diablo showcases

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    While we got a peek at a few Xbox Game Studios projects during last week’s Developer Direct event, neither Bethesda nor Activision Blizzard made appearances. Fans of several Blizzard franchises won’t need to wait too long to find out what’s next for their favorite games, though, as the publisher has lined up several showcases to help mark its 35th anniversary.

    The developer-led streams will include “major game announcements,” according to Blizzard. They’ll all air over the next few weeks. Here’s where and when you can watch each stream:

    • January 29. 12PM ET — World of Warcraft State of Azeroth (YouTube and Twitch)

    • February 4, 1PM ET — Overwatch Spotlight (YouTube and Twitch)

    • February 9, 12:30PM ET — Hearthstone Spotlight on the (YouTube and Twitch)

    • February 11, 5PM ET — Diablo 30th Anniversary Spotlight (YouTube and Twitch)

    With Blizzard not holding a BlizzCon in either 2024 or 2025, the announcements at these showcases should help fill the gap until the event returns in September. “This is only the start of what we’ll share around our games this year,” Blizzard president Johanna Faries said.

    The WoW showcase will take place just over a month before the Midnight expansion arrives on March 2. Among other things, the developers will share their roadmaps for both modern and classic WoW.

    Overwatch 2 has been teasing a takeover of the game by the villainous Talon faction, and with the next season only a couple of weeks away, we’ll surely hear more about that. Maybe Blizzard will reveal the long-rumored Overwatch mobile spinoff here too (and hopefully an animated series).

    The second Diablo IV expansion, Lord of Hatred, is set to arrive on April 28 with a new campaign and fresh classes in tow, so expect to learn more during that franchise’s showcase. Hearthstone fans will also soon get a better sense of what to expect for that game this year.

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  • How to Undo Don’t Recommend Channel on YouTube Web and App

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    • Sometimes, while clearing your YouTube feed or when you are in a rush or by a misclick, it’s easy to click ‘not interested’.
    • To access the don’t recommend list on your phone, open the YouTube app and tap on your profile in the bottom right corner.
    • You will be redirected to the Google account you are logged into on YouTube.

    When scrolling on YouTube, you can flag a video as ‘not interested’ or ‘don’t recommend channel’. While it’s a great feature to filter your algorithm, sometimes you might end up flagging videos by mistake. The thing is, YouTube completely stops showing that video and any other videos from that channel you flagged. You will also not see video recommendations on a similar topic. We will be exploring the fix for this across devices.

    Undo Don’t Recommend Videos on YouTube

    Sometimes, while clearing your YouTube feed or when you are in a rush or by a misclick, it’s easy to click ‘not interested’. Based on this feedback, YouTube modifies your feed algorithm and the recommendations. Although you do get an ‘undo’ option instantly, but if the page gets refreshed, the feedback gets registered. While this is irreversible, you can do some measures to fix this.

    On Desktop

    1. Go to the YouTube homepage, click your profile in the top-right corner. Then click on the ‘Google Account’ option.

      google account

      2. You will be redirected to the Google account you are logged into on YouTube. Here, click on the ‘Data & Privacy’ tab.

      data & privacy

      3. Scroll down, then under History settings, click ‘My Activity’.

      My activity

      4. On the left-hand side, click on the ‘Other Activity’ tab.

      Other activity

      5. Search for the ‘View user feedback’ option under ‘YouTube user feedback (previously ‘Not interested’)’. Click that.

      view user feedback

      6. Now you will see all the videos and channels you have dismissed as ‘not interested’. Just click the cross icon (X) to remove those videos or channels from this list.

      list

      On Mobile

      1. To access the don’t recommend list on your phone, open the YouTube app and tap on your profile in the bottom right corner.

        youtube profile

        2. Under your profile name, tap on ‘Google Account’.

        google account

        3. Once your account opens, tap on ‘Data & privacy’.

        data & privacy

        4. Under the ‘History settings’, tap on ‘My Activity’ to access the list.

        my activity

        5. Scroll down and find the 3 dots beside ‘Search your activity’. Select the options and navigate to ‘Other activity’.

        other activity

        6. Scroll down and tap ‘view user feedback’ under ‘YouTube user feedback (previously ‘Not interested’)’.

        view user feedback

        7. You can access the list and remove videos or channels by tapping the ‘X’ icon.

        FAQs

        Q. Is there any way to access the feedback history through a Smart TV?

        No, YouTube restricts the user from accessing the feedback history on TV. YouTube’s Smart TV app does not allow users to access account management and is intended solely for content consumption.

        Q. Will clearing history reset YouTube recommendations?

        Yes, but only slightly. History and recommendation feedback are two separate signals. So, you would still have to clear your ‘not interested’ feedback.

        Wrapping Up

        One thing to keep in mind is that these measures can help somewhat reverse this, but not entirely. This feedback is taken very seriously by YouTube, and they ensure those videos or channels are not recommended to users. In addition to using the workarounds above, you should also subscribe to that channel, or unsubscribe and subscribe again. Also, engage more with the videos from that channel across devices. This would signal to the algorithm that you are interested in that video and other content from that channel.

        You may also like to read:

        Have any questions related to our how-to guides, or anything in the world of technology? Check out our new GadgetsToUse AI Chatbot for free, powered by ChatGPT.

        You can also follow us for instant tech news at Google News or for tips and tricks, smartphones & gadgets reviews, join the GadgetsToUse Telegram Group, or subscribe to the GadgetsToUse Youtube Channel for the latest review videos.

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  • YouTube looks to get rid of fake AI videos on its platform

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    YouTube looks to get rid of fake AI videos on its platform – CBS News









































    Watch CBS News



    YouTube says it wants to get rid of fake AI videos flooding social media feeds on its platform. CBS News MoneyWatch correspondent Kelly O’Grady explains what’s driving the change.

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  • How to Fix Youtube Collaboration Link Not Working

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    • And if the link is shared before completing the process, it would be invalid, and the creator would not be able comply with the request.
    • After you select the channel you want to collaborate with, you will get an option to create an invite link.
    • YouTube claims that a notification is also sent to the channel invited to the collaboration.

    In recent times, YouTube has been trying to position itself more like a conventional social media platform rather than just a video-sharing platform. Owing to this, they have introduced a collaboration feature as we have in Instagram. This allows multiple creators to be credited on a single video. It is a great feature for creators exploring co-creation with fellow creators. However, some users have reported issues when using this feature. Some are not receiving collab requests, or the collab request link is not working. Let’s see what the real issue is and how we can fix it.

    Why Creators Are Not Getting Collab Requests

    In most cases, this problem is not because of any server issue or bug. Instead, the problem stems from missing some steps while creating the request. The collab request is completed before the process is completed. And if the link is shared before completing the process, it would be invalid, and the creator would not be able comply with the request.

    • When inviting another creator to collaborate, make sure you select the correct channel. Sometimes, when channels have similar names, a request might be sent to the wrong channel.
    • After you select the channel you want to collaborate with, you will get an option to create an invite link. There is one thing you need to do, once the link is created and you have copied it. Before sharing the link, go back to the ‘Edit video’ menu and tap ‘Save’. Once you have tapped Save, wait for YouTube to display the ‘Edits saved’ pop-up.
    Save button and ensuring that edits are saved

    Now you can share the link with the collaborator, and it should be valid.

    How to Accept a YouTube Collaboration Request

    • Once you are invited to a video collab, the collaborator will send you an invite link.
    • Make sure that the channel that is invited is logged into YouTube Studio. Open the link and review the content and the collaboration terms. If everything is good to go, tap the accept button, and you will then receive a confirmation of the collaboration.
    accepting collaboration request and getting the confirmation

    You can review all your collaborations in the ‘Collaboration’ section of the Content menu.

    FAQs

    Q. Can I withdraw from a collaboration after I have accepted it?

    Yes, you can withdraw from a collaboration after you accept it. In the ‘collaboration’ section, you will get an option of ‘manage collaboration’ through which you can withdraw from the collaboration.

    Q. Is there a subscriber count requirement to use this feature?

    No, as of now, this feature is accessible to channels with any subscriber count. Although it might not be available on restricted channels.

    Wrapping Up

    The collaboration feature is useful and can be utilized reliably if both creators ensure that the steps given above are followed. The UI is such that anyone can miss this detail of tapping the ‘Save’ button after creating the link. You might close the app while sharing the link, so the edit might not get saved. YouTube claims that a notification is also sent to the channel invited to the collaboration. However, in my testing, I was not able to see any notification regarding the invite. So, it’s better to share the invite link with the other channel once you invite them to collaborate.

    You may also like to read:

    Have any questions related to our how-to guides, or anything in the world of technology? Check out our new GadgetsToUse AI Chatbot for free, powered by ChatGPT.

    You can also follow us for instant tech news at Google News or for tips and tricks, smartphones & gadgets reviews, join the GadgetsToUse Telegram Group, or subscribe to the GadgetsToUse Youtube Channel for the latest review videos.

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  • Grok still allowing deepfakes of women in bikinis, Starlink now cheaper than BT broadband – Tech Digest

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    X has continued to allow users to post highly sexualised videos of women in bikinis generated by its AI tool Grok, despite the company’s claim to have cracked down on misuse. The Guardian was able to create short videos of people stripping to bikinis from photographs of fully clothed, real women. It was also possible to post this adult content on to X’s public platform without any sign of it being moderated, meaning the clip could be viewed within seconds by anyone with an account. It appeared to offer a straightforward workaround to restrictions announced by Elon Musk’s social network this week. The Guardian 

    Elon Musk’s Starlink is now offering cheaper broadband than BT after rolling out price cuts in the UK. The billionaire’s satellite broadband company has launched a high-speed internet service for just £35 per month in some areas, down from its previous entry-level price of £55.  That compares to £40 for BT’s equivalent package, while Virgin Media O2 (VMO2) is priced at £36. Even when the £94 installation fees are included, Starlink’s new discounted package is still less expensive than BT’s over a 24-month contract. Telegraph 

    Amid continued trade and geopolitical volatility between Europe and the US, Amazon Web Services is making its European Sovereign Cloud generally available today and plans to expand so-called Local Zones. Amazon says the cloud is “entirely located within the EU, and physically and logically separate from other AWS Regions.” It will initially offer 90 services from compute to database, networking, security, storage, and AI. The Register

    A new report on Apple’s partnership with Google to have Gemini power the new Siri appears to confirm speculation that the iPhone maker is paying around a billion dollars a year for the deal. It also claims that ChatGPT provider OpenAI made a conscious decision to decline the opportunity to provide the intelligence behind Siri … A Financial Times report says that the deal will be ‘structured in the form of a cloud computing contract, which could lead to Apple paying several billion dollars to Google over time, a person familiar with the agreement told the FT.’ 9to5Mac


    Launched officially in January 2026 in Verbier, the wonderfully-named E-Skimo system represents a significant shift in alpine mobility. Just as the e-bike expanded the reach of casual cyclists, these motorised skis are designed to assist the normal rhythm and motion of ski touring, allowing users to ascend faster and with significantly less physical strain. On a technical level, E-Skimo consists of a pair of high-performance free-ride skis, each equipped with a front-mounted lithium battery and a rear-mounted motor delivering up to 850W of power. ShinyShiny

    The BBC has struck a landmark deal to make shows for YouTube as it grapples with an exodus of viewers to the streaming service. The public service broadcaster will begin making programmes specifically for YouTube under the terms of a deal that could be announced as early as next week, the Financial Times reported. These programmes, which would primarily be aimed at younger viewers, would subsequently be shown on the corporation’s own streaming platforms iPlayer and Sounds. Telegraph 


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  • New parental controls on YouTube youth accounts could limit screen time

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    YouTube is introducing new parental controls on youth accounts that it says could limit how long kinds spend scrolling. The latest parental controls will focus on YouTube Shorts, which utilizes a continuous scrolling video feed featuring videos three minutes and shorter. Parents of kid and teen account users are now able to enact time restrictions that will limit how long their children can scroll.

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  • At 25, Wikipedia Navigates a Quarter-Life Crisis in the Age of A.I.

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    Turning 25 amid an A.I. boom, Wikipedia is racing to protect traffic, volunteers and revenue without losing its mission. Photo illustration by Nikolas Kokovlis/NurPhoto via Getty Images

    Traffic to Wikipedia, the world’s largest online encyclopedia, naturally ebbs and flows with the rhythms of daily life—rising and falling with the school calendar, the news cycle or even the day of the week—making routine fluctuations unremarkable for a site that draws roughly 15 billion page views a month. But sustained declines tell a different story. Last October, the Wikimedia Foundation, the nonprofit that oversees Wikipedia, disclosed that human traffic to the site had fallen 8 percent in recent months as a growing number of users turned to A.I. search engines and chatbots for answers.

    “I don’t think that we’ve seen something like this happen in the last seven to eight years or so,” Marshall Miller, senior director of product at the Wikimedia Foundation, told Observer.

    Launched on Jan. 15, 2001, Wikipedia turns 25 today. This milestone comes at a pivotal point for the online encyclopedia, which is straddling a delicate line between fending off existential risks posed by A.I. and avoiding irrelevance as the technology transforms how people find and consume information.

    “It’s really this question of long-term sustainability,” Lane Becker, senior director of earned revenue at the Wikimedia Foundation, told Observer. “We’d like to make it at least another 25 years—and ideally much longer.”

    While it’s difficult to pinpoint Wikipedia’s recent traffic declines on any single factor, it’s evident that the drop coincides with the emergence of A.I. search features, according to Miller. Chatbots such as ChatGPT and Perplexity often cite and link to Wikipedia, but because the information is already embedded in the A.I.-generated response, users are less likely to click through to the source, depriving the site of page views.

    Yet the spread of A.I.-generated content also underscores Wikipedia’s central role in the online information ecosystem. Wikipedia’s vast archive—more than 65 million articles across over 300 languages—plays a prominent role within A.I. tools, with the site’s data scraped by nearly all large language models (LLMs). “Yes, there is a decline in traffic to our sites, but there may well be more people getting Wikipedia knowledge than ever because of how much it’s being distributed through those platforms that are upstream of us,” said Miller.

    Surviving in the era of A.I.

    Wikipedia must find a way to stay financially and editorially viable as the internet changes. Declining page views not only mean that fewer visitors are likely to donate to the platform, threatening its main source of revenue, but also risk shrinking the community of volunteer editors who sustain it. Fewer contributors would mean slower content growth, ultimately leaving less material for LLMs to draw from.

    Metrics that track volunteer participation have already begun to slip, according to Miller. While noting that “it’s hard to parse out all the different reasons that this happens,” he conceded that the Foundation has “reason to believe that declines in page views will lead to declines in volunteer activity.”

    To maintain a steady pipeline of contributors, users must first become aware of the platform and understand its collaborative model. That makes proper attribution by A.I. tools essential, Miller said. Beyond simply linking to Wikipedia, surfacing metadata—such as when a page was last updated or how many editors contributed—could spur curiosity and encourage users to engage more deeply with the platform.

    Tech companies are becoming aware of the value of keeping Wikipedia relevant. Over the past year, Microsoft, Mistral AI, Perplexity AI, Ecosia, Pleias and ProRata have joined Wikimedia Enterprise, a commercial product that allows corporations to pay for large-scale access and distribution of Wikipedia content. Google and Amazon have long been partners of the platform, which was launched in 2021.

    The basic premise is that Wikimedia Enterprise customers can access content from Wikipedia at a higher volume and speed while helping sustain the platform’s mission. “I think there’s a growing understanding on the part of these A.I. companies about the significance of the Wikipedia dataset, both as it currently exists and also its need to exist in the future,” said Becker.

    Wikipedia is hardly alone in this shift. News organizations, including CNN, the Associated Press and The New York Times, have struck licensing deals with A.I. companies to supply editorial content in exchange for payment, while infrastructure providers like Cloudflare offer tools that allow websites to charge A.I. crawlers for access. Last month, the licensing nonprofit Creative Commons announced its support of a “pay-to-crawl” approach for managing A.I. bots.

    Preparing for an uncertain future

    Wikipedia itself is also adapting to a younger generation of internet users. In an effort to make editing Wikipedia more appealing, the platform is working to enhance its mobile edit features, reflecting the fact that younger audiences are far more likely to engage on smartphones than desktop computers.

    Younger users’ preference for social video platforms such as YouTube and TikTok has also pushed Wikipedia’s Future Audiences team—a division tasked with expanding readership—to experiment with video. The effort has already paid off, producing viral clips on topics ranging from Wikipedia’s most hotly disputed edits to the courtship dance of the black-footed albatross and Sino-Roman relations. The organization is also exploring a deeper presence on gaming platforms, another major draw for younger users.

    Evolving with the times also means integrating A.I. further within the platform. Wikipedia has introduced features such as Edit Check, which offers real-time feedback on whether a proposed edit fits a page, and is developing features like Tone Check to help ensure articles adhere to a neutral point of view.

    A.I.-generated content has also begun to seep onto the platform. As of August 2024, roughly 5 percent of newly created English articles on the site were produced with the help of A.I., according to a Princeton study. Seeing this as a problem, Wikipedia introduced a “speedy deletion” policy that allows editors to quickly remove content that shows clear signs of being A.I.-generated. Still, the community remains divided over whether using A.I. for tasks such as drafting articles is inherently problematic, said Miller. “There’s this active debate.”

    From streamlining editing to distributing its content ever more widely, Wikipedia is betting that A.I. can ultimately be an ally rather than an adversary. If managed carefully, the technology could help accelerate the encyclopedia’s mission over the next 25 years—as long as it doesn’t bring down the encyclopedia first.

    “Our whole thing is knowledge dissemination to anyone that wants it, anywhere that they want it,” said Becker. “If this is how people are going to learn things—and people are learning things and gaining value from the information that our community is able to bring forward—we absolutely want to find a way to be there and support it in ways that align with our values.”

    At 25, Wikipedia Navigates a Quarter-Life Crisis in the Age of A.I.

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  • YouTube adds more parental controls, including a way to block teens from watching Shorts

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    YouTube is rolling out some additional parental controls, including a way to set time limits for viewing Shorts on teen accounts. In the near future, parents and guardians will be able to set the Shorts timer to zero on supervised accounts. “This is an industry-first feature that puts parents firmly in control of the amount of short-form content their kids watch,” Jennifer Flannery O’Connor, YouTube’s vice president of product management, wrote in a blog post. Along with that, take-a-break and bedtime reminders are now enabled by default for users aged 13-17.

    The platform is also bringing in new principles, under which it will recommend more age-appropriate and “enriching” videos to teens. For instance, YouTube will suggest videos from the likes of Khan Academy, CrashCourse and TED-Ed to them more often. It said it developed these principles (and a guide for creators to make teen-friendly videos) with help from its youth advisory committee, the Center for Scholars and Storytellers at UCLA, the American Psychological Association, the Digital Wellness Lab at Boston Children’s Hospital and other organizations.

    Moreover, an updated sign-up process for kid accounts will be available in the coming weeks. Kid accounts are tied to parental ones, and don’t have their own associated email address or a password. YouTube says users will be able to switch between accounts in the mobile app with just a few taps. “This makes it easier to ensure that everyone in the family is in the right viewing experience with the content settings and recommendations of age-appropriate content they actually want to watch,” O’Connor wrote.

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  • Fix YouTube Community Post Image Upload Aspect Ratio Error (Upload in 2:5 and 5:2 Wide Ratios)

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    • While posting a picture in a community post, there are some limits on the image you can upload.
    • ‘Community posts’ as a feature has been there for a long time, and in recent times, it has been made accessible, as there is no particular subscriber count.
    • But in reality, it seems that YouTube prefers images to be somewhere in the middle of the range.

    Community posts make YouTube feel like a conventional social media platform. It’s because it allows creators to share updates with photos and text, engage with their audience through polls, and more. Among these, one issue has been observed while posting pictures. That is, even when the photos fall within the 2:5 to 5:2 aspect ratio range, YouTube shows an error. This is frustrating because, despite meeting the technical requirements, the image cannot be uploaded, which pushes creators to stick to more common ratios such as 1:1 or 16:9. In this article, we’ll explore the limitations and try some fixes.

    While posting a picture in a community post, there are some limits on the image you can upload. The image format should be JPG or PNG. The maximum file size should be under 16 MB. Another thing YouTube clearly states is that the aspect ratio should be between 2:5 and 5:2. The problem occurs when the aspect ratio of an image is exactly 2:5 or 5:2 or even under that limit. It shows an error that says, “Image(s) exceed aspect ratio limit.” This means that even if you meet these limits, you won’t be guaranteed a successful upload.

    aspect ratio error shown by YouTube

    Ideally, 2:5 to 5:2 is a good range for uploading tall, wide, or banner-like images. But in reality, it seems that YouTube prefers images to be somewhere in the middle of the range. I tried to limit the image’s resolution on the longer side to 1200. This sometimes works, but in most cases, there seems to be an issue with YouTube’s backend validation.

    After you upload an image, the YouTube algorithm does not take it as is. It reads the pixel dimensions and metadata. It also applies internal rounding, so what you upload and what it receives can differ slightly in pixel values. The slight difference in pixel values affects the image’s true aspect ratio. This sometimes leads to the image being invalidated and, hence, rejected. Let’s see some workarounds now.

    Using Online Resize Tools

    As mentioned above, you can adjust the resolution of the image by resizing it through online tools such as Imagy.App.

    1. Upload the image you want to adjust.

      uploading the image you want to adjust

      2. In the Global Setting, choose ‘By width/height (px)’ in the Dimensions pull-down menu. Now, keeping the width 1200, ensure that the height is more than 480 so that it’s under 5:2.

      tinkering the dimensions in global settings

      3. Adjust the image frame and hit download.

      adjust the frame and download

      Now you’ll see that the image will get uploaded, and you will be able to post it.

      Using safe dimensions while designing

      This is not really a fix but a precaution that you can take. While designing, you can choose more commonly accepted aspect ratios, such as 16:9 or 1:1. All designing softwares and tools, like Adobe Photoshop or Canva, have options for custom and preset dimensions from which you can choose. Next time, you can use the custom dimension by figuring out what works by experimenting with tool mentioned above.

      FAQs

      Q. Will I face the same issue if I try posting from the mobile app?

      Yes, the issue persists even when you try to upload the image through the mobile app. The error occurs regardless.

      Q. Is there a permanent fix for this error?

      As of now, there is no permanent fix for this issue unless YouTube itself modifies the validation algorithm.

      Wrapping Up

      This error is not about any mistake on the creator’s part. Instead, it’s YouTube not being fully transparent with its validation process and the proper limits. You can try the workarounds above and experiment to see what works for you. ‘Community posts’ as a feature has been there for a long time, and in recent times, it has been made accessible, as there is no particular subscriber count. YouTube should fix this and make image uploading more flexible in terms of dimensions and other parameters.

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    Mitash Arora

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