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Tag: writers guild of america

  • “Barbie” has biggest opening day of 2023, “Oppenheimer” not far behind

    “Barbie” has biggest opening day of 2023, “Oppenheimer” not far behind

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    Director Greta Gerwig’s all-pink “Barbie” had a glamorous estimated opening day at the box office Friday, bringing in $70.5 million — the biggest opening for any film in 2023 so far.

    The massive figure, reported by Variety, beat out June’s “Spider-Man: Across the Spider-Verse,” which made $51.8 million on its opening. The number combines the $22.2 million “Barbie” earned in previews on Thursday, and $42.8 million on Friday, playing in 4,243 theaters.

    “Barbie,” a Warner Bros. Discovery movie — and Mattel’s first foray into the film industry — had an intense marketing campaign leading up to its release — from a real life Barbie Dreamhouse in Malibu, to licensing deals with fast food chains. And based on its box office success, it paid off. 

    The Grove’s theater marquee announcing the opening of “Barbie” movie in Los Angeles California, on July 20, 2023. 

    VALERIE MACON/AFP via Getty Images


    If the film hits its estimated three-day opening weekend total of at least $155 million, per Variety, it would pass “Super Mario Bros.” for the biggest debut of 2023. It also has a chance for the biggest-ever opening weekend for a female director.  

    The all-pink fantasy, which caters to audiences of all ages, stars Margot Robbie, Ryan Gosling and Simu Liu — among other big names — and tells the story of Barbie and Ken, who decide they want to see what the real world is like. 

    The other blockbuster of the summer, Christopher Nolan’s “Oppenheimer,” which released the same day as “Barbie,” also reeled in big numbers, opening at $33 million. According to Variety, “Oppenheimer” is on track to have one of the highest grossing opening weekends for an R rated film.

    “Oppenheimer” — a darker three-hour historical drama about the development of the atomic bomb — stars Cillian Murphy, Florence Pugh, Robert Downey Jr. and Emily Blunt. Though its story is a stark contrast to “Barbie’s” cotton candy comedy, it has one thing in common — getting audiences back into theaters for a “summer movie spectacle.”

    Fans — 200,000 of whom bought advanced tickets to see both movies on the same day according to the National Association of Theater owners — have coined the name “Barbenheimer” to refer to the shared opening day of both.

    Since the pandemic began, movie theaters have seen a decline in attendance, and ticket sales haven’t quite bounced back — down 20% since 2019, according to data from Comscore. 

    The summer releases of fan favorite franchises “Indiana Jones” and “Mission Impossible” underperformed, indicating that blockbuster movies may no longer be attracting audiences the way they used to.

    Added to the mix — two major Hollywood strikes by writers and actors which has halted scripted production — are set to slow theater traffic even more as studios struggle to create new content.

    “Movies don’t write themselves. You have to have actors in front of the camera,” media analyst Paul Dergarabedian told CBS News. “So this is going to be very important that this gets resolved — the sooner, the better.”

    And while “Barbie” and “Oppenheimer” have seemed to breathe new life and excitement into Hollywood and movie theaters, with the strikes looming above the industry’s head, the big question is, “What’s next?”

    Michael George contributed to this report. 

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  • Los Angeles investigating after trees used for shade by SAG-AFTRA strikers were trimmed by NBCUniversal

    Los Angeles investigating after trees used for shade by SAG-AFTRA strikers were trimmed by NBCUniversal

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    The Los Angeles City Controller’s office is investigating after several trees near Universal Studios property were trimmed — trees that were providing shade and relief from the blistering heat for striking members of the Writers Guild of America and SAG-AFTRA.

    The city controller, Kenneth Mejia, announced the office’s investigation Tuesday on Twitter, sharing before and after photos of the trees — the before showing fuller trees with leaves and the after showing the trees’ barren limbs.

    “Our Office is investigating the tree trimming that occurred outside Universal Studios where workers, writers, and actors are exercising their right to picket,” Mejia wrote. “The trimmed trees are LA City managed street trees.”

    Members of both the WGA and SAG-AFTRA, the union that represents thousands of Hollywood actors, are on strike after the unions and the Alliance of Motion Picture and Television Producers, which represents television studios and streaming services — including Paramount Pictures, which, along with CBS News is a part of Paramount Global — could not agree on new contracts. 

    Residual pay and the use of artificial intelligence were key issues for the unions.

    In a statement to CBS News, NBC Universal said it did not prune the trees to harm or create obstacles for picketers, and said that it cuts the trees near its property annually. Mejia said the trees should only be trimmed once every five years.

    “We understand that the safety tree trimming of the ficus trees we did on Barham Blvd has created unintended challenges for demonstrators, that was not our intention,” NBCUniversal said. “In partnership with licensed arborists, we have pruned these trees annually at this time of year…We support the WGA and SAG’s right to demonstrate, and are working to provide some shade coverage.”

    The trees in question fall under the jurisdiction of the city and are maintained by StreetsLA, which can issue trimming permits to businesses. 

    Mejia tweeted Wednesday that no trimming permits had been issued for the last three years, including the most recent trimming this week. 

    Los Angeles City Councilmember Nithya Raman said the Urban Forestry Division and StreetsLA were “investigating whether a citation can be issued.”

    The trees have been crucial for keeping Angelenos cool during the extreme heat the region has been facing, according to Mejia. This week, temperatures in Los Angeles have hit the mid-90s.

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  • Why the Hollywood strike is already ‘a big deal’ for Canada’s film industry – National | Globalnews.ca

    Why the Hollywood strike is already ‘a big deal’ for Canada’s film industry – National | Globalnews.ca

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    The strain of Hollywood’s actors’ and writers’ strikes is being felt in productions all around the world, and film industry insiders say Canada is far from exempt.

    Due to long-established industry ties to American unions and networks, most film and television productions in Canada have come to a screeching halt. Alistair Hepburn, executive director of ACTRA Toronto, says productions began slowing down in spring when rumours of the Writers Guild of America (WGA) strike began.

    “Some shows that were scheduled to come (to Canada) never even started. With this now, adding our siblings at SAG-AFTRA to the picket lines, we will absolutely see an impact,” Hepburn said to Global News in an interview, referring to the Screen Actors Guild-American Federation of Television and Radio Artists.

    “There won’t be new shows recorded over the summer in time for a fall premiere.”

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    Summer is typically the film industry’s most lucrative season across the board, he said, but this year will be “relatively slow.”

    A lot of Canadian productions work with American studios and SAG-AFTRA actors, but just under half of the work done in provinces like Ontario is domestic, which includes shows like Murdoch Mysteries and Run the Burbs.

    “It’s all of those shows that are filmed here using Canadian talent, Canadian writers, Canadian directors, Canadian crews to do the work. Those shows continue,” Hepburn explained.


    Click to play video: 'Impact of Hollywood strike on Canada’s film industry'


    Impact of Hollywood strike on Canada’s film industry


    SAG-AFTRA is also working on an agreement where independent Canadian producers – not affiliated with the Alliance of Motion Picture and Television Producers (AMPTP) – will be able to engage the services of a SAG member through a waiver system for the duration of the strike.

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    Independent Canadian producers will have access to actors who are dual card holders as well, meaning they have both a SAG-AFTRA and ACTRA membership.

    “We’ve been in constant contact with our colleagues at SAG-AFTRA and they are assuring us that they’re not looking to do harm to our industry,” Hepburn said.

    Hepburn says he doesn’t know how long the strikes will go on and doesn’t see a resolution coming soon.

    “This is going to have an impact for months, absolutely months on not just performance, but the entire industry as a whole.”

    Hepburn emphasized that it’s not just performers that will be affected by the production drought. Directors, technicians, caterers and Mom-and-Pop hardware stores will feel the strain too.

    “In Ontario, it’s 35,000 full-time equivalent jobs in the film industry. The trickle-down effect is real,” Hepburn said.

    Shane Boucher, who is the founder of an Ottawa-based studio called 1Development Entertainment Services, says this is the first July in the industry where he hasn’t worked.

    “It’s really an industry-wide shutdown. It’s a big deal,” Boucher said in an interview with Global News.

    1Development is a service company, meaning they service other parent companies or networks. Almost all of the TV movies the company works with are American.

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    Click to play video: 'Implications of Hollywood strikes on Canadian Film Industry'


    Implications of Hollywood strikes on Canadian Film Industry


    Boucher says business started as usual at the start of the year with approximately 16 productions lined up. When rumours of the WGA strike started, Boucher found himself scrambling to finish as many films as possible by June. Now, he doesn’t have any projects in production.

    Many productions gained buzz when it was announced they were set to film in Canada this summer, including the first season of Cruel Intentions, filmed in Toronto.

    Stefan Steen, a producer on the show by Amazon, says production has stopped until the strike ends.

    “It’s completely devastating to the local film industry. Everyone currently filming U.S. productions has had to stop and all local crews are immediately out of work. Most get one week’s additional pay but that’s it,” Steen said in an email to Global News.

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    Click to play video: '‘We are the victims here’: SAG-AFTRA president says as Hollywood actors go on strike'


    ‘We are the victims here’: SAG-AFTRA president says as Hollywood actors go on strike


    Creative B.C., a program in British Columbia that supports the provinces’ creative sector, said in a statement on their website that they are “watching the situation closely” and “respect the process and all parties.”

    “In our role as the economic development organization for motion picture in B.C., together with our local industry partners, we are concerned for the workforce, companies, industry, and people,” the group said.

    “The industry is evolving rapidly, business models have changed, and addressing these changes is part of a necessary industry business cycle.”

    Hepburn says anyone who wants to support the strike can vote with their wallets.

    “It’s time to cancel your streaming account. That’s ultimately what is going to force the hand here. It’s going to be about financial hardships on the AMPTP companies,” he said.

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    “There needs to be action taken by the public.”

    Hepburn also says he hopes other countries will show solidarity in what performers are fighting for.

    “SAG’s fight is everybody’s fight,” he said. “It’s a righteous fight on behalf of performers worldwide.”

    &copy 2023 Global News, a division of Corus Entertainment Inc.

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  • Why celebrities are on strike: Not every actor makes Tom Cruise money | CNN Business

    Why celebrities are on strike: Not every actor makes Tom Cruise money | CNN Business

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    CNN
     — 

    On Friday, the SAG-AFTRA, a union representing about 160,000 Hollywood actors, officially went on strike after failing to reach a deal with Hollywood’s biggest studios.

    That means Hollywood actors and writers are on strike simultaneously for the first time in more than 60 years, bringing most film and television productions to a halt.

    Among other demands, actors on strike are calling for increased pay and a rethinking of residuals, which union members say has significantly diminished amid the rise of streaming services. Residuals are financial compensation paid out to actors whenever TV shows or movies they’ve appeared in are replayed.

    Here are some significant numbers:

    The union’s 160,000 members join the 11,000 Writers Guild of America members who have been striking since May.

    While many of the world’s highest-paid celebrities, including Meryl Streep and Matt Damon, have voiced their support for the strike, the concerns about higher pay and residuals affect thousands of actors who perform in hundreds of films and TV shows.

    SAG-AFTRA’s president, Fran Drescher, pushed back on the notion that all actors are wealthy, saying that a vast majority “are just working people just trying to make a living just trying to pay their rent, just trying to put food on the table and get their kids off to school.”

    “Everything that you watch, that you enjoy, that you’re entertained by are scenes filled with people that are not making the big money,” she added.

    That’s how much the US Bureau of Labor Statistics reported as the average pay for California actors in 2022. However, the BLS noted in the data that actors aren’t paid full-time year-round due to the nature of the job.

    Before the contract between actors and movie studios officially expired this week, SAG-AFTRA members had negotiated specific minimum rates for performers. For example, an actor who worked on a television show for one week was paid a minimum of $3,756.

    However, Kellee Stewart, an actress who has performed for more than 20 years and has appeared on the television series “All American” and “Black-ish,” noted that performers traditionally don’t get to take home the number that appears as their rate.

    “You don’t get to keep it all when you get a paycheck,” she said.

    “You have to pay taxes, plus commissions. For me, that would include an agent, a manager, and a lawyer that negotiates your deals. Right away, when you’re giving a quote for what you’re going to get paid, you already know that’s really going to be 35% less, give or take,” she added.

    Dwayne “The Rock” Johnson was the highest paid actor of 2022, raking in $270 million, according to Forbes’ list of highest paid entertainers. Johnson received hefty paydays from his roles in “Jungle Cruise” and “Red Notice,” but, according to Forbes, the majority of his earned income in 2022 came from his tequila brand, Teremana.

    Tom Cruise made headlines last year for reportedly making $100 million from his deal to star in “Top Gun: Maverick,” for which he received a cut of ticket sales, according to Variety.

    On CBS’ Face the Nation Sunday, IAC Chairman Barry Diller called on both top-paid actors and movie executives to take 25% pay cuts.

    “You have the actors union saying, ‘How dare these 10 people who run these companies earn all this money and won’t pay us?’ While, if you look at it on the other side, the top 10 actors get paid more than the top 10 executives,” Diller said. “I’m not saying either is right. Actually, everybody’s probably overpaid at the top end.”

    The minimum amount of money a performer must take home in one year to qualify for health insurance is $26,470.

    However, while well-known actors are paid millions of dollars to star in movies and TV shows, many members of SAG-AFTRA don’t bring in enough income each year to meet the union’s minimum requirement.

    According to Shaan Sharma, an actor and SAG-AFTRA board member, just 12.7% of SAG-AFTRA members qualify for the union’s health plan.

    Actor Rod McLachlan, who has appeared in television shows such as “Blue Bloods,” said it’s “a constant struggle” to meet the health insurance threshold.

    “If you think about it, $26,000 isn’t a middle-class wage,” he said.

    “The thing about the life of an actor is that you have good years and bad years,” he added.

    Due to the unpredictable nature of TV acting and the competitive nature of landing roles, actors traditionally rely on residual payments, paid out when films or movies are replayed, as a form of steady income when work is hard to come by.

    “If you were in a popular episode of a popular show, the income streams could last for quite some time. You have almost 18 months on one level or another where you are receiving income that was significant enough to help you until the next time you did a network show,” McLachlan said.

    Actors say that the calculation around residuals has changed. As more shows and movies have moved to streaming services, where it isn’t always clear how often content is replayed, actors say they’re making significantly less money.

    Striking writers and actors take part in a rally outside Paramount studios in Los Angeles on Friday, July 14, 2023. This marks the first day actors formally joined the picket lines, more than two months after screenwriters began striking in their bid to get better pay and working conditions.

    “The residuals that I get when it’s on network television versus what I would get on Netflix are night and day,” Stewart said.

    On Twitter, Stewart shared a screengrab of 5 residual payments totaling 13 cents from replays on streaming services.

    “There’s not just a difference between traditional residual television and streaming; they’re not even in the same conversation,” she told CNN.

    On Thursday, Disney CEO Bob Iger said striking actors’ and writers’ demands are “just not realistic.”

    “They are adding to a set of challenges that this business is already facing, that is quite frankly, very disruptive,” he told CNBC.

    When Iger rejoined Disney as CEO in November 2022, he agreed to an annual base salary of $1 million with a potential annual bonus of $2 million dollars. The agreement also includes stock awards from Disney totaling $25 million.

    On Wednesday, Iger agreed to remain in his post as CEO of Disney through 2026 while the company’s board searches for a successor. In his new agreement, Iger is now eligible for a bonus of up to $5 million, according to a company filing, meaning his total pay may reach $31 million per year.

    Walt Disney Studios is part of The Alliance of Motion Picture and Television Producers (AMPTP), the trade group that negotiates with currently striking writers and actors. Other major movie studios, such as Paramount Pictures and Sony Pictures, along with streaming services like Netflix and Apple TV+ are members, as well. Warner Bros. Discovery, CNN’s parent company, is also a member.

    Netflix’s co-CEOs Ted Sarandos and Greg Peters made $50 million and $28 million respectively in 2022, according to a company filing.

    In a statement to CNN, the AMPTP said they were “deeply disappointed” with the union’s decision to strike.

    “Rather than continuing to negotiate, SAG-AFTRA has put us on a course that will deepen the financial hardship for thousands who depend on the industry for their livelihoods,” the AMPTP said.

    SAG-AFTRA did not respond to CNN’s request for comment.

    The potential economic impact of the combined writers’ and actors’ strike could cause $4 billion or more in damage, Kevin Klowden, the chief global strategist for the economic think tank, the Milken Institute, told CNN.

    Klowden said the double strike, which has brought Hollywood projects to a grinding halt, may affect more than just the US economy.

    “London and the UK, Australia, New Zealand, and other places, which either have studios or even do post-production, will face a real impact,” he said.

    – CNN’s Natasha Chen contributed reporting to this story

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  • What dual strikes for actors and writers could mean for Hollywood’s future

    What dual strikes for actors and writers could mean for Hollywood’s future

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    What dual strikes for actors and writers could mean for Hollywood’s future – CBS News


    Watch CBS News



    The union representing thousands of film and television actors announced that they will go on strike beginning Thursday at midnight, leaving the Hollywood industry at a standstill. The SAG-AFTRA national board said its members will join Hollywood writers, who have been on strike since early May, on the picket lines. Elaine Low, staff writer for “The Ankler,” joined CBS News to unpack the sticking points actors are fighting for, and what the dual strikes could mean for the future of the industry.

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  • Hollywood actors agree to federal mediation with strike threat looming

    Hollywood actors agree to federal mediation with strike threat looming

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    Hollywood bracing for actors’ strike


    Hollywood bracing for actors’ strike

    01:55

    With contract talks stalled and the possibility of a strike inching closer, the union representing Hollywood actors announced late Tuesday that it had agreed to the studios’ request for federal mediation to try to bridge the divide.

    SAG-AFTRA, which represents thousands of actors in film and television, said that it had agreed to a “last-minute request for federal mediation” from the Alliance of Motion Picture and Television Producers, the group that represents all major Hollywood studios.

    “We are committed to the negotiating process and will explore and exhaust every possible opportunity to make a deal, however we are not confident that the employers have any intention of bargaining toward an agreement,” SAG-AFTRA said in a statement.

    Variety was first to report that the AMPTP had asked for help from the Federal Mediation and Conciliation Service.

    SAG-AFTRA’s current contract, which has already been extended once from its previous deadline of July 1, is set to expire at midnight Wednesday. Union members have already given leadership the authority to call a strike if no agreement is reached.

    The last-minute negotiation effort comes amid an ongoing strike by the approximately 11,000 members of the Writers Guild of America. While the WGA’s strike, which began in May, has slowed Hollywood, an actors’ strike would likely bring the industry to its knees, shuttering nearly all production.

    It would mark the first Screen Actors Guild strike since 2000, and the first time both the WGA and the Screen Actors Guild would be on strike simultaneously since 1960. The Screen Actors Guild and the American Federation of Television and Radio Artists merged in 2012.

    Hollywood Strikes-Explainer
    Meredith Stiehm, left, president of Writers Guild of America West, and Fran Drescher, president of SAG-AFTRA, take part in a rally by striking writers outside Paramount Pictures studio in Los Angeles on May 8, 2023. 

    Chris Pizzello / AP


    Some of the major contract issues for both actors and writers have included residuals from streaming and the use of artificial intelligence

    SAG-AFTRA has approximately 160,000 members, while the AMPTP represents Warner Bros. Discovery, NBC Universal, Sony, Netflix, and CBS News’ parent company, Paramount.

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  • Hollywood actors’ union extends contract deadline, delaying potential strike as talks continue

    Hollywood actors’ union extends contract deadline, delaying potential strike as talks continue

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    Los Angeles — Major Hollywood stars have been giving a big boost this week to writers on the picket lines.

    “Your fight is our fight,” acting legend Jane Fonda declared during a rally outside Netflix headquarters in Los Angeles Thursday.

    While the Writers Guild of America strike is about to enter its third month, Fonda and fellow members of SAG-AFTRA — the union which represents thousands of actors in film and television — could soon join them, a move which would likely lead to a shut down of nearly all Hollywood productions.

    SAG-AFTRA has about 160,000 members, while the WGA has approximately 11,000. 

    Jane Fonda picket line Hollywood
    Actress Jane Fonda speaks during a “Striking 9 to 5” picket line in front of Netflix headquarters in Los Angeles, California, on June 29, 2023. 

    Jay L. Clendenin / Los Angeles Times via Getty Images


    SAG-AFTRA’s current contract was set to expire at midnight Friday. However, on Friday night, SAG-AFTRA and the Alliance of Motion Picture and Television Producers, the group which represents the major studios, agreed to extend their contract through to midnight on July 12 in order to continue their talks. 

    “The parties will continue to negotiate under a mutually agreed upon media blackout,” the two sides said in a joint statement. 

    Earlier this month, SAG-AFTRA’s members voted overwhelmingly to authorize a potential strike in the event a deal isn’t reached with major studios.  

    “This is a huge deal right now for Hollywood, with again, far-reaching implications,” said Paul Dergarabedian, a senior media analyst for Comscore, told CBS News prior to the extension. 

    If it were to happen, it would mark the first Screen Actors Guild strike since 2000, and the first time that both the WGA and the Screen Actors Guild have been on strike simultaneously since 1960. The Screen Actors Guild and the American Federation of Television and Radio Artists merged in 2012. 

    Both unions are separately negotiating with the AMPTP, which represents Warner Bros. Discovery, NBC Universal, Sony, Netflix, and CBS News’ parent company Paramount.

    A major sticking point in negotiations has been streaming. Hollywood unions allege that major platforms are raking in billions in revenue, while actors and writers are being paid a lower rate and have seen their residuals dry up.   

    “In the past, the monies that were earned by actors and writers were pretty direct and robust and was equitable,” Dergarabedian said. “But now with streaming, it’s a different model. And I think everyone’s scrambling to deal with these new financial and technological advancements.”

    The use of artificial intelligence is another major issue, with many in the entertainment industry viewing it as an existential threat to their livelihoods. 

    “I think because of the fact that its advanced so rapidly, because it seems to have such a potential to change how this industry works and what the roles of key creative people in the industry are,” Dergarabedian said.

    Duncan Crabtree-Ireland, SAG-AFTRA’s chief negotiator, echoed those concerns in an interview with CBS News last week.   

    “This potential to use that technology to create performances that never existed, or even to create performers that never existed, and that’s that’s something that that could be a real threat,” Crabtree-Ireland said. 

    Hundreds of actors, including the likes of Jennifer Lawrence, Quinta Brunson and Rami Malek signed a letter earlier this week urging SAG-AFTRA leadership “to make clear our resolve” that “we are prepared to strike if it comes to that.”

    In a video message to members last week, SAG-AFTRA President Fran Drescher said that negotiations have been “extremely productive” and “we’re going to achieve a seminal deal.”

    “I think the whole industry is on pins and needles right now,” Dergarabedian said. “But we’ll just have to wait and see.”

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  • Hollywood writers strike hits 50 days with no end in sight as WGA seeks deal – National | Globalnews.ca

    Hollywood writers strike hits 50 days with no end in sight as WGA seeks deal – National | Globalnews.ca

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    Fifty days into a strike with no end in sight, about 1,000 Hollywood writers and their supporters marched and rallied in Los Angeles for a new contract with studios that includes payment guarantees and job security.

    Speakers at the Writers Guild of America’s WGA Strong March and Rally for a Fair Contract on Wednesday emphasized the broad support for their cause shown by other Hollywood unions — including actors in their own contract negotiations — and labor at large.

    “We’re all in it together, we’re all fighting the same fight, for a sustainable job in the face of corporate greed,” Adam Conover, a writer and a member of the guild’s board and its negotiating committee, told a crowd at the end of the march at the La Brea Tar Pits.

    “We are going to win because they need us. Writers are the ones who stare at a blank page. We are the ones who invent the characters, tell the stories and write the jokes that their audiences love. They’d have nothing without us.”

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    Click to play video: 'Writer shares experience picketing at Paramount Studios during strike'


    Writer shares experience picketing at Paramount Studios during strike


    Talks with the Alliance of Motion Picture and Television Producers, the group representing studios in negotiations, have not resumed since breaking off hours before the writers’ contract expired on May 1. The strike began a day later, with more and more productions shutting down as it has gone on.

    A similar deadline now looms for actors, whose union, SAG-AFTRA, is negotiating with the AMPTP on a contract that expires June 30. Members voted overwhelmingly to authorize guild leaders to call a strike if no deal is reached.

    Streaming and its ripple effects are at the center of the dispute. The guild says that even as series budgets have increased, writers’ share of that money has consistently shrunk.

    The AMPTP says writers’ demands would require they be kept on staff and paid when there is no work for them, and that its contract proposals have been generous.

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    “We are here for the sake of the profession we love,” writer Liz Alper said at Wednesday’s rally. “The industry we work in, our audiences, our fellow sister unions in Hollywood, and all the workers across America who have been hurt and disenfranchised by Wall Street and big tech.”

    &copy 2023 The Canadian Press

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  • Film and TV actors could strike this month, crippling entertainment industry

    Film and TV actors could strike this month, crippling entertainment industry

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    Hollywood and TV writers have been on strike for the past month — actors could soon join them.

    SAG-AFTRA, which represents television and film actors, has asked its 160,000 members to authorize a strike ahead of negotiations with the major entertainment company studios on Wednesday. If at least three-quarters of the union’s eligible members vote in favor, actors could strike if SAG-AFTRA and the studios don’t reach a deal by June 30. Members must vote by 8 p.m. Eastern time on Monday on whether to authorize a strike. 

    The writers’ strike, which has seen many actors joining WGA picket lines and otherwise expressing support for the writers, has likely emboldened performers, said Steve Ross, a history professor at the University of Southern California who has written several books on labor in Hollywood.  

    “This is really unique,” Ross told CBS MoneyWatch, adding that “If SAG-AFTRA authorizes a strike and walks out in sympathy, they could change the whole complexion of the negotiations.”

    Strikes in Hollywood are rare — the WGA last walked out in 2007, while the Screen Actors Guild last struck in 2000, before the union merged with the American Federation of Television and Radio Artists to become SAG-AFTRA.  (The current WGA strike targets studios including Paramount Global, which owns CBS News and Paramount+.)

    SAG-AFTRA President Fran Drescher and a number of high-profile actors have come out in support of a strike vote. Kim Cattrall, Julia Louis-Dreyfus, Kumail Nanjiani, Kerry Washington and many others have appeared in videos urging fellow actors to authorize a strike. 

    No strike would happen until at least June 30, when the current SAG-AFTRA contract expires. However, as Drescher explained in a video, beginning negotiations with the ability to strike gives performers maximum leverage with studios, which “have spent the last decade making immense profits off of your labor.”

    SAG-AFTRA says actors are seeking higher pay in light of lower residual payments for streaming content, as well as more generous studio contributions to the union’s benefit plans. The union is also seeking limits on self-taped auditions for actors, which the union says have become “a massive, daily, uncompensated burden on the lives of performers.”

    Like the Writers Guild, SAG-AFTRA is also seeking limits on so-called generative AI used to replace acting work.

    “You need actors”

    With TV and film writers now on strike for a month, the prospects of Hollywood actors walking out could lead to an industrywide shutdown that would end most productions.

    “The studios right now can make movies without writers. They’re saying, ‘We already have a supply of material, we can easily go through the fall, we don’t need anyone,’” Ross said. “Well, you need actors. Even if you have scripts and you have directors, who’s going to be acting?”


    WGA says potential DGA deal wouldn’t end writers strike

    03:23

    In the event of a strike, smaller and independent production using non-union talent could continue, but most work would shut down, he added. A strike wouldn’t affect filming for commercials, broadcast news or unscripted content such as talk shows, according to SAG-AFTRA. (Many late-night talk shows are already paused due to the writers’ strike.)

    Creators vs. studios 

    Writers and performers share many of the same concerns, Ross said, including smaller residual payments for work done for on-demand services like Netflix and Hulu. The streaming services’ much shorter seasons — six to 10 episodes instead of 22 to 24 — can leave performers and writers scrambling to cobble together enough paychecks to earn a living.

    “For them, I would argue, it’s opened up more opportunities,” said Ross, in addition to raising the profile of TV acting, which was long seen as less prestigious than film. However, those increased opportunities come with shorter seasons and lower pay. 

    That’s setting up a struggle between performers and writers on one side and studios and streaming services on the other. Networks and studios, which poured money into streaming for years, are now pointing to investor pressure as reasons to cut jobs and other expenses.  

    “That’s what’s at the core of strike — what is there in terms of sharing revenue of streaming, what is there in terms of sharing the burden of reduced costs,” Ross said. 

    He added, “If streaming services are not making money, how do we share that burden? When you’re showing me that your head is making $50 million, $100 million a year, it’s hard for me to take you seriously when you plead poverty.”

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  • Directors Guild of America reaches

    Directors Guild of America reaches

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    The Directors Guild of America reached a new three-year deal with Hollywood studios on Saturday night that increases wages, streaming residuals, scales back hours and more.

    “We have concluded a truly historic deal,” said the chair of the DGA’s 80-member Negotiations Committee, Jon Avnet, in a statement on the DGA website. “[The deal] provides significant improvements for every Director, Assistant Director, Unit Production Manager, Associate Director and Stage Manager in our Guild.”

    The DGA began negotiations with studios last month, amid the ongoing Writers Guild strike, which could continue through the end of the summer. The current contract is set to end on June 30. It is unclear what effect, if any, the tentative new agreement will have on the striking writers.

    Writers Guild Of American Holds Rally Outside NBCUniversal In New York
    Writers Guild of America (WGA) East members participate in a strike event outside of the NBCUniversal offices on May 23, 2023 in New York City.

    Michael M Santiago/Getty Images / Getty Images


    Highlights of the deal include “groundbreaking gains” in wages and benefits, a “substantial increase” in residuals for dramas made for subscription video on demand and an “unprecedented reduction in the length of the Assistant Director’s day by one hour.”

    Additionally, the contract promises that directors cannot be replaced by artificial intelligence — a point of contention for the strikers. 

    The agreement confirms that “AI is not a person and that generative AI cannot replace the duties performed by members,” the statement reads.

    The agreement also made strides in further transparency around residuals and “improvements in diversity and inclusion,” including the addition of Juneteenth, the federal holiday commemorating the emancipation of Black Americans from slavery, as a paid holiday for DGA members.

    Writers Guild Of American Holds Rally Outside NBCUniversal In New York
    Signs are seen on the ground as Writers Guild of America (WGA) East members participate in a strike event outside of the NBCUniversal offices on May 23, 2023 in New York City.

    Michael M Santiago/Getty Images / Getty Images


    “This deal recognizes the future of our industry is global and respects the unique and essential role of directors and their teams as we move into that future,” said Lesli Linka Glatter, President of the DGA. 

    “As each new technology brings about major change, this deal ensures that each of the DGA’s 19,000 members can share in the success we all create together.”

    According to the statement, the tentative agreement will be submitted to the Guild’s National Board for approval during its June 6 board meeting. Further details of the agreement will be made available at that time.

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  • Netflix shareholders vote to reject executives’ pay packages

    Netflix shareholders vote to reject executives’ pay packages

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    Unions band together to support Hollywood writers strike


    Unions band together to support Hollywood writers strike

    03:34

    Netflix shareholders voted against compensation packages for the streaming company’s top executives, including co-CEOs Ted Sarandos and Greg Peters.

    Shareholders voted on the non-binding “say-on-pay” advisory measure at Netflix’s annual meeting on Thursday, with the result coming just days after the the Writers Guild of America, a union representing striking entertainment industry writers, urged shareholders to say no.

    But because the vote is non-binding, the company’s board may ignore its outcome and approve the compensation packages at its next board of directors meeting. 

    Sarandos could earn as much as $40 million this year from the combination of his base pay, performance bonus and stock options, compared to the roughly $50.3 million he made in 2022, Netflix’s proxy statement shows. Meanwhile, Peters, his new co-CEO, could earn just over $34 million this year through a combination of base pay and stock options, a company SEC filing shows.  

    The WGA had urged investors to oppose the lucrative pay packages in a show of support for Hollywood writers’ efforts to secure better pay and job security

    “While investors have long taken issue with Netflix’s executive pay, the compensation structure is more egregious against the backdrop of the strike,” WGA West president Meredith Stiehm wrote in a letter to Netflix shareholders. 

    Stiehm added, “If the company could afford to spend $166 million on executive compensation last year, it can afford to pay the estimated $68 million per year that writers are asking for in contract improvements and put an end to the disruptive strike.”

    By the time WGA sent the letter, the majority of shareholders had already voted “no” to the packages, a source familiar with the matter told Variety. 

    It remains unclear when the streaming company will hold its next board of directors meeting. Netflix did not immediately reply to CBS MoneyWatch’s request for comment. 

    Netflix faces investors and writers’ fury

    Shareholders’ rejection of the compensation packages comes as the streaming giant is under pressure after more than 11,000 television and film writers went on strike last month following the breakdown of negotiations between the Writers Guild of America and Hollywood studios.

    Sarandos declined to accept an award at the PEN American Spring Literary Gala last month, citing the potential for a disruption due to the strike. Picketers have disrupted events such as Boston University’s graduation ceremony, where Warner Bros. Discovery CEO David Zaslav gave the commencement address. 

    “Given the threat to disrupt this wonderful evening, I thought it was best to pull out so as not to distract from the important work that PEN America does for writers and journalists,” Sarandos told Variety last month.

    Shareholders have voted against Netflix’s pay packages before. Last year, only about 27% of Netflix’s investors voted for the proposed pay packages. Still, the pay packages for the company’s then-CEOs, Sarandos and Reed Hastings, rose by about 31% and 25%, respectively, from 2021 to 2022, according to regulatory filings.

    Netflix’s stock has jumped 36% to $401.45 this year. In the first quarter of 2023, the company’s revenue increased to $8.16 billion from $7.87 billion in the year-prior quarter, the company’s SEC filing shows

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  • Warner Bros. CEO booed by students at Boston University graduation:

    Warner Bros. CEO booed by students at Boston University graduation:

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    Warner Brothers Discovery CEO met with boos at BU graduation


    Warner Brothers Discovery CEO met with boos at BU graduation

    02:19

    Commencement addresses are traditionally staid affairs, wherein top thinkers, business people or celebs, impart advice to a college’s class of graduates. But Boston University’s graduation on Sunday was marked by angry shouts and loud booing from the audience when Warner Bros. Discovery CEO David Zaslav stood on the podium to deliver his speech. 

    Some graduates said they were displeased with Zaslav as their university’s choice of commencement speaker amid the ongoing writers strike, which began earlier this month. Zaslav also received an honorary doctor of laws degree at the event.

    About 11,500 film and TV writers are on strike after the Writers Guild of American and eight major studios, including Warner Bros. Discovery, failed to negotiate a new contract. (Paramount Global, the owner of CBS News and Paramount+, is another one of the major studios.) The guild argues that writers are making a smaller share of money earned by studios amid an explosion of streaming services. 

    “Occasionally raucous”

    “Pay your writers!” some students chanted, while others booed. Some graduates, dressed in their red commencement robes, joined a picket line near Boston University to show their solidarity with members of the Writers Guild of America. 

    Zaslav, a Boston University graduate, didn’t address the boos or protests outside the ceremony, according to Boston University, which described the event as “occasionally raucous.” Instead, Zaslav told the graduates to “show up” in life for friends and family, and to pursue what they love.

    “If you want to be successful, you have to figure out how to get along with everyone,” Zaslav added. “That includes difficult people.”

    screenshot-2023-05-22-at-11-13-04-am.png
    Boston University’s 2023 commencement address by Warner Bros. CEO David Zaslav, was met with angry chants and signs from graduates about the ongoing writers strike.

    Steven Senne/AP


    Some students turned their back on Zaslav during his address. A few times during his speech, he had to pause because of the chants of “Pay your writers,” BU noted.

    “I’ve been conflicted about it for a few weeks now, given that I want to support my family and all the writers,” Sydney Shore, a BU graduate whose father and brother are part of the guild, told CBS Boston about Zaslav’s speech. “But also I accomplished something, so it’s important to me to celebrate my graduation.”

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  • Sean Penn, Backing WGA Strike, Says AI Dispute Is ‘A Human Obscenity’ At Cannes Film Festival

    Sean Penn, Backing WGA Strike, Says AI Dispute Is ‘A Human Obscenity’ At Cannes Film Festival

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    By JAKE COYLE, The Associated Press.

    Sean Penn strongly backed the current Hollywood screenwriters strike while speaking at the Cannes Film Festival on Friday, saying the dispute over artificial intelligence is “a human obscenity.”

    Penn addressed the ongoing Writers Guild of America strike in a press conference for his new film, “Black Flies”, director Jean-Stéphane Sauvaire’s harrowing, gritty drama about New York paramedics. Asked about the strike, Penn said “the industry has been upending the writers and actors and directors for a very long time.”

    “There’s a lot of new concepts being tossed about including the use of AI. It strikes me as a human obscenity for there to be pushback on that from the producers,” said Penn, a veteran writer-director in addition to being an actor.


    READ MORE:
    Tony Awards Won’t Be Televised Due To Writers’ Strike

    Film and TV screenwriters earlier this month began striking after talks with producers broke off. The WGA is seeking better pay, new contracts for the streaming era and safeguards against the use of AI-scripted work-arounds.

    “The first thing we should do in these conversations is change the Producers Guild and title them how they behave, which is the Bankers Guild,” added Penn. “It’s difficult for so many writers and so many people industry-wide to not be able to work at this time. I guess it’s going to soul-search itself and see what side toughs it out.”

    After the press conference, Penn said in a statement that he meant to refer to the Alliance of Motion Picture and Television Producers (AMPTP), which is negotiating on behalf of producers, not the Producers Guild of America.


    READ MORE:
    Robin Wright Says Her Appearances With Ex Sean Penn Are ‘For Their Children’

    Penn’s comments come as the potential for a wider work stoppage in Hollywood may be growing. The Directors Guild is also negotiating a new contract with producers. The board of SAG-AFTRA, the actors union, this week voted to ask members for strike authorization as it prepares to enter negotiations for a new contract.

    In Cannes, the strike has been a regular topic for American stars, filmmakers and producers. On Thursday, Ethan Hawke wore a shirt that read “Pencils Down.” On the festival’s opening day Tuesday, juror Paul Dano said he planned to join his wife, Zoe Kazan, on the picket lines soon.

    “My wife is currently picketing with my 6-month-old, strapped to her chest,” said Dano. “I will be there on the picket line when I get back home.”


    READ MORE:
    Mindy Kaling Shows Support To Writers On Strike In ‘Never Have I Ever’ Post

    At the press conference Friday for “Indiana Jones and the Dial of Destiny”, Lucasfilm chief Kathleen Kennedy, one of the top film producers, said “most people are in full support of the writers getting what they deserve.”

    “The meta issue here is how that it’s being impacted by an industry that’s really changing, that is in the midst of change, both technologically and just basic aspects of how we work,” Kennedy said. “That’s going to take time. That’s what everyone is getting ready for.”

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    Melissa Romualdi

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  • Could AI Write This Article?

    Could AI Write This Article?

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    Last week, social media erupted when the Writers Guild of America went on strike. Didn’t hear about it? Well, you will soon.


    If you don’t think the WGA Strike will affect you, consider this: what will happen when none of your favorite TV shows and movies are released when you expected they would be? What will happen when you tune in for a mindless episode of late-night comedy and there’s … nothing? What will happen when shows like Abbott Elementary are forced to shoot fewer episodes for the next season? Riots.

    So, I have your attention now? Good. I’m sure you have questions…and I’m here to answer them.

    Why Are The Writers On Strike?

    This isn’t our first writers’ strike. From November 2007 to February 2008, American TV writers went on strike for the first time this century. This resulted in a $1.5 billion impact on the Los Angeles economy and cost the U.S. entertainment industry $500 million…And someone’s telling us we don’t need writers?

    Essentially, the writers need to be paid more. The East and West branches of the WGA represent the writers of 11,500 movies and television series. And the WGA negotiates writer contracts with Hollywood studios roughly every three years. This year, things didn’t go so well.

    While the studios believe they made a fair appraisal of the compensation increase, the writers believe they are being undervalued. With the rise of Artificial Intelligence, studios are mulling over whether or not writers are truly essential anymore.

    The studios state that this is not the best time for the writers to see a major change in compensation. Meanwhile, the writers argue that streaming platforms have increased episode counts from the standard 8-10 run to close to 20 episodes a season and this severely cuts into their work lives.

    But Why Not Use AI?

    Look, I get it. AI helped you write that essay you procrastinated until the very last possible moment to write (don’t worry, I won’t tell). It generated that photo of you in 1800’s garb. It can make almost anything look real (it terrifies me to no end).

    But what AI can’t do is capture true human emotion in the ways that a writer can. While Chat GPT may get you 800 words, it surely won’t tell the truth about a certain brand or product. AI isn’t funny, doesn’t have a sense of humor…in other words, breaking news: robots can’t relate to us as well as humans can.

    I don’t know how we got to the point of such laziness and greed that we actually entertain the notion that writers are no longer critical in the wake of Artificial Intelligence. It’s insipid. But I do know that Artificial Intelligence can’t tell you about the time they flew cross-country only to crash a rental car in Los Angeles and almost got banned from the state after a Harry Styles concert.

    Who Is Affected By The Writers’ Strike?

    If this madness continues, the entire planet will be affected in some way or another. And this insanity looks like it’s going to go on for a while. Late-night talk shows have all stopped shooting – which means no one’s getting paid unless the hosts are paying out of pocket, and many are. Late-night programming is the most immediate effect of the strike.

    Meanwhile, films can halt production, but since movies take over a year to produce, release dates will just be pushed back. However, daily running shows like soap operas – a dying industry in itself – will run out of episodes to release within a month.

    With no one writing at all right now, there are no new seasons in the works. Netflix shows like Big Mouth, Stranger Things, and Unstable have shuttered their writers’ rooms. And on May 2, Abbott Elementary scribes weren’t allowed to start working on the next. Yellowjackets and Billions among other popular shows have also paused writing due to the strike.

    As you can see, we are about to face some major consequences. Celebs and the rich and famous are picketing with the writers, where you can see faces like Quinta Brunson, Dan Levy, Rob Lowe, and more boasting signs for the WGA. Late-night hosts like Seth Meyers and Jimmy Kimmel are paying their staff out-of-pocket for the time being.

    What Now?

    Writers are an essential part of storytelling, so we stand with the WGA and hope they get their bag ASAP. Plus, I will never forgive the Hollywood studios if I don’t see Quinta Brunson on my screen for endless-endless episodes. Get the deal done, Hollywood.

    So the answer is no, AI can’t write like a real writer does. AI can’t create your favorite show the way humans can. And without our brilliant writers, there would be no shows.

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    Jai Phillips

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  • Production on “Stranger Things” halted due to writers’ strike

    Production on “Stranger Things” halted due to writers’ strike

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    Production on “Stranger Things” has been put on hold, the show’s writers tweeted on Saturday. Filming for the fifth season of the Netflix show was sidelined due to the writers’ strike.

    The writing team for the supernatural show runs a Twitter account where the Duffer brothers — the creators and executive producers of the show — shared an update with fans. “Duffers here. Writing does not stop when filming begins. While we’re excited to start production with our amazing cast and crew, it is not possible during this strike,” the tweet reads. “We hope a fair deal is reached soon so we can all get back to work. Until then — over and out.”

    The Writers Guild of America, the union that represents writers in TV, film and digital media, said they were calling for a strike on May 2 after six weeks of unsuccessful negotiations with some of the top media companies, including Netflix, Disney, Apple, NBC Universal and CBS News’ parent company, Paramount. 

    The guild’s negotiations for writers’ salaries and benefits hit a dead end and WGA said in a statement that the behavior from the media companies who employ the writers “has created a gig economy inside a union workforce, and their immovable stance in this negotiation has betrayed a commitment to further devaluing the profession of writing.”

    WGA says streaming services have changed the economic landscape for writers — and even though many productions have higher budgets, writers are making smaller shares. Streamers also often employ “mini rooms” or smaller writing staffs with shorter seasons, so writers are not employed as long as they would be on a broadcast show with a longer season. 

    About half of the guild’s writers are making the minimum pay and the guild is asking for an increase after their pay fell 14%, adjusted for inflation, since 2018. They want to increase pay for their writers by a total of $429 million per year but the Alliance of Motion Picture and Television Producers countered with an $86 million increase. 

    Writers began picketing on May 3 and many shows halted production with several staff members refusing to work due to the negotiations or in solidarity with the writers. 

    Last week, Drew Barrymore showed solidarity with striking writers by dropping out as host of the MTV Movie & TV awards, which honor creatives in the industry. The show went on, but was not broadcast live.

    Late-night talk shows like “The Late Show” on CBS, “Jimmy Kimmel Live!” on ABC, “The Tonight Show” on NBC, “Late Night” on NBC and Comedy Central’s “The Daily Show” are in reruns due to the strike, as is “Saturday Night Live.” 

    The strike’s impact on scripted shows was not as immediately obvious. 

    “When it comes to scripted dramas or comedies, it would actually be quite a while before a normal viewer would see a difference,” Alex Weprin, media and business writer at The Hollywood Reporter, told CBS News. “There are a lot of episodes that have already been shot that are banked for later use; there are also some scripts that have already been written for some of these shows.”

    Irina Ivanova contributed to this report.

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  • Stranger Things, Marvel Movie Halted Because Hollywood Won’t Pay Its Writers

    Stranger Things, Marvel Movie Halted Because Hollywood Won’t Pay Its Writers

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    As the writer’s strike enters its second week, the effects of not having some of most important people on set around are already starting to show: two of the biggest projects currently in production—Marvel’s Blade reboot and the fifth season of Stranger Things—have been put on ice (along with loads more movies and shows I’ll get to in a minute).

    What’s the strike about?

    Writers are deservedly fed up with loads of stuff, from the number of exploitative short-term contracts being offered in the age of streaming to low pay to poor residuals to the threat of machine-learning.

    You can read more here

    Posting on the official Twitter account of the Stranger Things writer’s room, the show’s creators, the Duffer brothers, wrote:

    Duffers here. Writing does not stop when filming begins. While we’re excited to start production with our amazing cast and crew, it is not possible during this strike. We hope a fair deal is reached soon so we can all get back to work. Until then — over and out. #wgastrong

    Without its writers or showrunners, production has ground to a halt. Hell yeah. Also downing tools is Marvel’s new Blade movie, which has been shut down and “will restart…production once the strike is over”.

    And those two are far from the only shows and films affected. A ton of live TV, especially late night comedy programs, have already gone dark, with The Tonight Show With Jimmy Fallon, Late Night With Seth Meyers, The Late Show With Stephen Colbert, and Jimmy Kimmel Live! all having stopped filming.

    And while networks and studios will be fine for a while coasting on material that had already been written and filmed, if the strike continues and that dries up, they’ll be in trouble. And even when the strike is over they’ll still be in trouble, because production backlogs and rescheduling will be an absolute nightmare.

    Of course not every project and studio is hitting the pause button. HBO’s Game of Thrones spin-off House of the Dragon will continue filming, just without its writers, while Amazon’s second season of Lord of the Rings: Rings of Power will do likewise. Disney and HBO are among companies who have also ordered writers back to work, with the latter asking them to perform “non-writing” tasks.

    The Writers Guild of America, the union calling the strike, figures that improving their member’s contracts would cost Hollywood a collective $430 million per year. There are already estimates this strike could do $2 billion worth of damage to the entertainment economy. That might seem like some easy sums, just pay these people what they’re worth, but these strikes are never about the money, they’re about control.

    Solidarity with everyone manning the picket lines, and best of luck with the coming days/weeks/months.

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    Luke Plunkett

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  • Pete Davidson Hands Out Pizza on Strike Line Instead of SNL Writing Session

    Pete Davidson Hands Out Pizza on Strike Line Instead of SNL Writing Session

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    In another universe, Pete Davidson would have spent Friday night in the writers’ offices at 30 Rockefeller Center, making last-minute adjustments ahead of his planned first time hosting Saturday Night Live. The comedian was a cast member of the show for eight seasons, officially leaving the show just last May. Instead of taking his victory lap on the show as a graduated senior with a brand new sitcom of his own, the Bupkis star spent last night handing out pizza to striking Writer’s Guild members on the picket line in Brooklyn. 

    “Gotta support the writers,” Davidson said in a clip captured from the drizzly scene, precious pies in hand. “No shows without the writers, man.” 

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    Davidson arrived in a dark hoodie with the hood up bearing stacks of pies from L&B Spumoni Gardens, an 80-plus-year-old Brooklyn institution in the Gravesend neighborhood. It’s a jaunt, but well worth it—Sbarro could never. Spumoni Gardens’ square grandma pies are a slice that demands respect. 

    Saturday Night Live is among the shows that have halted production amidst the writers’ strike, and will air a rerun tonight instead of Davidson’s show as planned. The strike has halted nearly 12,000 writers’ work as they stand with their union, the Writers Guild of America, in the group’s first strike in nearly 15 years

    NEW YORK, NEW YORK – MAY 5: Pete Davidson joins members of the Writers Guild of America (WGA) and its supporters to picket outside Silvercup Studios on May 5, 2023 in New York City. Writers Guild of America members have gone on strike in a contract dispute with studios and streaming services over lowering wages, residuals and the future of AI in entertainment. (Photo by Bruce Glikas/Getty Images)Bruce Glikas/Getty Images

    Earlier this week, Davidson was spotted with signs showing SAG-AFTRA union solidarity with the WGA.

    Last week, in an appearance on The Tonight Show with Jimmy Fallon before the strike was authorized, Davidson told host Jimmy Fallon that he’d been working on his episode for two or three months, and that if a strike led to the cancellation of his hosting debut, “it just feeds my weird story I have in my head, like, ‘Of course that would happen to me.’” 

    “It’s all about me,” he joked. 

    As of yet, there have been no rumors about whether Davidson is dating the picket line, but only time will tell. 

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    Kase Wickman

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  • Drew Barrymore withdraws from hosting MTV Movie & TV Awards due to writers’ strike

    Drew Barrymore withdraws from hosting MTV Movie & TV Awards due to writers’ strike

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    Drew Barrymore disclosed Thursday that she has withdrawn from hosting duties for the upcoming MTV Movie & TV Awards in order to be “in solidarity” with the thousands of writers who went on strike this week.

    The actress and host of “The Drew Barrymore Show” said in a statement provided to CBS News that she “will pivot from hosting” the awards show, which is scheduled to air live Sunday night.  

    MTV is part of Paramount Global, which also owns CBS News.  

    The more than 11,000 members that make up the Writers Guild of America went on strike Tuesday after failing to negotiate a new three-year contract with the Alliance of Motion Picture and Television Producers, the trade group which represents major Hollywood studios such as Netflix, Sony, Disney, Paramount, NBC Universal, Amazon and Apple.  

    “Everything we celebrate and honor about movies and television is born out of their creation,” Barrymore said of writers in her statement.

    US-ENTERTAINMENT-TIME-GALA
    Drew Barrymore arrives for the Time 100 Gala at Lincoln Center’s Frederick P. Rose Hall in New York City on April 26, 2023.

    ANGELA WEISS/AFP via Getty Images


    The two sides are far apart on issues including residuals from streaming shows, staffing levels in writers’ rooms, and the role of artificial intelligence in penning film and television scripts.

    The impact of the strike is already being felt across the entertainment industry, temporarily shuttering production on shows including “The Late Show with Stephen Colbert,” “The Tonight Show Starring Jimmy Fallon,” “Late Night with Seth Meyers,” “Saturday Night Live” and “Jimmy Kimmel Live!”

    While Sunday’s awards show from the Barker Hangar in Santa Monica, California, will go on live as scheduled, it will not have a red carpet or pre-show celebrity interviews. Variety reports that the show will not have an official host. Barrymore is slated to host again in 2024.

    “I can’t wait to be a part of this next year, when I can truly celebrate everything that MTV has created, which is a show that allows fans to choose who the awards go to and is truly inclusive,” Barrymore said in her statement. 


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  • Here’s what to know about the film and TV writers’ strike

    Here’s what to know about the film and TV writers’ strike

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    TV and movie writers went on strike Tuesday for the first time in 15 years after negotiations with film studios failed to reach a new contract.

    History suggests the walkout could last weeks or even months, meaning a hiatus in production for everything from favorite late-night shows to hit streaming series. Here’s how we got here and what could happen next.

    Who is involved?

    Some 11,500 film and TV writers belonging to the Writers Guild of America are negotiating with the Alliance of Motion Picture and Television Producers (AMPTP), which represents eight major studios: Amazon, Apple, Disney, Warner Bros. Discovery, NBC Universal, Netflix, Paramount and Sony. (CBS News and Paramount+ are owned by Paramount Global.)

    WGA members work in film, TV, animation and fiction podcasts, according to the Los Angeles Times. 

    Which shows are affected by the writers’ strike?

    Late-night shows, which are written daily, are expected to stop production immediately. “The Late Show” on CBS, “Jimmy Kimmel Live!” on ABC, “The Tonight Show” on NBC, “Late Night” on NBC and Comedy Central’s “The Daily Show” are expected to turn to reruns starting Tuesday.

    Less clear is how daytime talk shows, which tend to rely more on chit-chat by hosts and celebrity interviews, could be affected. Production on ABC’s “The View” continued uninterrupted during the last strike in the 2007-08 season, for example. 

    Meanwhile, streaming networks aren’t likely to see an immediate impact given that they work on longer timelines than late-night shows.

    Some TV show hosts have voiced support for the striking writers. On “The Late Show” Monday night, host Stephen Colbert expressed support for the union. 

    “Everybody, including myself, hopes both sides reach a deal,” he said. “But I also think that the writers’ demands are not unreasonable. I’m a member of the guild. I support collective bargaining. This nation owes so much to unions.”


    Future News Jokes Now…Just In Case by
    The Late Show with Stephen Colbert on
    YouTube

    Speaking on “Late Night” on Friday, host Seth Meyers, a WGA member, also expressed support for striking writers, while saying a strike “would really be a miserable thing for people to have to go through.”

    Writers “are entitled to make a living,” he said. “I think it’s a very reasonable demand that’s being set out by the guild. And I support those demands.”

    Why are writers striking?

    At the core of the dispute is the explosion in streaming services and its effects, including the erosion of writers’ pay and job security, according to the WGA.

    Even as budgets for series have grown, writers are making a smaller share of the money, the guild said. Streaming services use smaller writing staffs, which the industry calls “mini rooms,” and also tend to have shorter seasons than broadcast shows. That leaves some writers scrambling to put together several sources of income in a single season.


    Production halted on many shows as entertainment writers go on strike

    03:07

    On average, showrunners for streaming series make less than half of what showrunners for broadcast series do, the WGA said. And because writers on streaming shows don’t get the back-end payments that have allowed broadcast and screenwriters to make a living, such as syndication and international licensing, the WGA is seeking to secure more pay on the front end for its members. 

    Since 2018, inflation-adjusted pay for screenwriters has fallen 14%, according to the guild. For writer-producers, pay has sunk 23%. 

    What are the writers asking for?

    The Writers Guild wants total pay increases for members amounting to about $429 million per year, according to the WGA, while the AMPTP’s counter would run $86 million per year.

    The number of writers working at guild minimum pay has risen from about a third to about half in the past decade. Meanwhile, writers for comedy-variety shows for streaming services have no minimum pay protections and tend to get paid less than their counterparts in broadcast. 

    The minimum pay for WGA members varies based on a writer’s title and the length of the individual’s employment contract, but the minimum for the lowest-paid writer is $4,546 per week, according to Variety.

    The studios “have closed the door on their labor force and opened the door to writing as an entirely freelance profession,” WGA leadership said Monday in a statement. That has created a “gig economy inside a union workforce,” it added.

    Studios counter that they are thinking about the long-term health of the industry. The AMPTP said Monday that the primary sticking points to a deal revolved around the guild’s request for a minimum number of scribes per writer room. The group added that its offer “included generous increases in compensation for writers as well as improvements in streaming residuals.”

    A key industry dynamic behind the labor dispute: Hollywood is under increased pressure from Wall Street to turn a profit. After years of lavish spending to expand streaming services, many studios and production companies are slashing spending. For example, the Walt Disney Co. is cutting 7,000 jobs, Warner Bros. Discovery is slashing costs to lessen its debt and Netflix has pumped the brakes on spending growth.

    “The current streaming services are largely not profitable. Only Netflix is turning a profit right now,” Alex Weprin, media and business writer at the Hollywood Reporter, told CBS News. “These large entertainment companies, they don’t really have a good sense of how profitable these services are going to be and how much they can afford to pay the writers.”

    What does AI have to do with it?

    Artificial intelligence is another point of contention in the labor talks, with guild writers asking for strict limits on AI use in scripts. They don’t want to rewrite material generated by AI, nor for AI to rewrite human-created scripts, and they want union-covered material to be excluded from training AI models. 

    The studios have so far rejected these demands, a position one writer described as “insulting.”

    “We are fighting for nothing less than the survival of writing as a viable career,” writer and comic Adam Conover tweeted.

    How much do Hollywood and TV writers make?

    Staff writers, the lowest-paid roles, typically work an average of 29 weeks on a network show for $131,834 annually, or an average of 20 weeks on a streaming show for $90,920. For a writer-producer, the figure is $6,967 per week, according to the trade magazine Variety. For a writer-producer, the figure is $6,967 per week.

    Advocates for the studios and producers say that pay is far from the poor-house picture writers present publicly. AMPTP leaders say their priority is “the long-term health and stability of the industry” and that they are dedicated to reaching “a fair and reasonable agreement,” according to the Associated Press.

    What are writers allowed to do during the strike?

    According to the WGA’s strike rules, writers cannot do any writing or rewriting during the strike. They are barred from attending meetings or negotiating with the studios, pitching new projects, entering agreements to option their work or even attending promotional events for existing projects.

    By contrast, they are allowed to accept payment for any writing that’s already been completed. Writer-producers, writer-actors and writer-directors are allowed to do the non-writing part of their job during the strike, but they’re banned from doing any writing no matter how minor, such as revising dialogue or tweaking stage directions. 

    When was the last writers’ strike? 

    The last time the film and TV writers put down their keyboards was in 2007-08 in a strike that lasted 100 days.

    During that labor action many shows, such as “30 Rock,” “CSI,” and “Grey’s Anatomy,” shortened their seasons while studios pumped out more unscripted reality shows. “Big Brother” and “The Amazing Race” both increased their output. “The Apprentice,” hosted by Donald Trump, got new life when a celebrity version of the shelved show was created to help fill the scripted void.

    Among the main concessions the writers won that time were requirements for fledgling streaming shows to hire unionized writers if their budgets were big enough. It was an early harbinger of nearly every entertainment labor fight in the years that followed.

    How often have writers gone on strike?

    Writers have gone on strike more than any group in Hollywood, according to the AP, with six strikes since 1960. The first strike, in 1960, lasted nearly five months; strikes followed in 1973, 1981 and 1985.

    The longest work stoppage, lasting 153 days, came in 1988.

    The Associated Press contributed to this report.

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  • Hollywood Writers Begin Strike, Late-Night Shows To Go Dark

    Hollywood Writers Begin Strike, Late-Night Shows To Go Dark

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    By JAKE COYLE, The Associated Press.

    Television and movie writers soured by Hollywood’s low pay in the streaming era went on strike for the first time in 15 years on Tuesday, meaning late-night and variety shows would be the first programs to go dark.

    The labor dispute could have a cascading effect on TV and film productions depending on how long the strike lasts, and it comes as streaming services are under growing pressure from Wall Street to show profits.

    The Writers Guild of America’s 11,500 unionized screenwriters prepared to picket after negotiations with studios, which began in March, failed by Monday’s deadline to yield a new contract. All script writing is to immediately cease, the guild informed its members.

    The guild is seeking higher minimum pay, less thinly staffed writing rooms, shorter exclusive contracts and a reworking of residual pay — all conditions the WGA says have been diminished in the content boom driven by streaming.


    READ MORE:
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    “The companies’ behaviour has created a gig economy inside a union workforce, and their immovable stance in this negotiation has betrayed a commitment to further devaluing the profession of writing,” the WGA said in a statement.

    The Alliance of Motion Picture and Television Producers, the trade association that bargains on behalf of studios and production companies, said it presented an offer with “generous increases in compensation for writers as well as improvements in streaming residuals.”

    In a statement, the trade association said that it was prepared to improve its offer “but was unwilling to do so because of the magnitude of other proposals still on the table that the guild continues to insist upon.”

    A shutdown has been widely forecast for months due to the scope of the discord. The writers last month voted overwhelming to authorize a strike, with 98% of membership in support.

    At issue is how writers are compensated in an industry where streaming has changed the rules of Hollywood economics. Writers say they aren’t being paid enough, TV writer rooms have shrunk too much and the old calculus for how residuals are paid out needs to be redrawn.

    “The survival of our profession is at stake,” the guild has said.

    Streaming has exploded the number of series and films that are annually made, meaning more jobs for writers. But WGA members say they’re making much less money and working under more strained conditions. Showrunners on streaming series receive just 46% of the pay that showrunners on broadcast series receive, the WGA claims.

    The guild is seeking more compensation on the front-end of deals. Many of the back-end payments writers have historically profited by – like syndication and international licensing – have been largely phased out by the onset of streaming. More writers — roughly half — are being paid minimum rates, an increase of 16% over the last decade. The use of so-called mini-writers rooms has soared.


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    Hollywood’s trade association said Monday that the primary sticking points to a deal revolved around those mini-rooms — the guild is seeking a minimum number of scribes per writer room — and duration of employment restrictions. The guild has said more flexibility for writers is needed when they’re contracted for series that have tended to be more limited and short-lived than the once-standard 20-plus episode broadcast season.

    Many studios and production companies are slashing spending. The Walt Disney Co. is eliminating 7,000 jobs. Warner Bros. Discovery is cutting costs to lessen its debt. Netflix has pumped the breaks on spending growth.

    When Hollywood writers have gone on strike, it’s often been lengthy. In 1988, a WGA strike lasted 153 days. The last WGA strike went for 100 days, beginning in 2007 and ending in 2008.

    The most immediate effect of the strike viewers are likely to notice will be on late-night shows and “Saturday Night Live”. All are expected to immediately go dark. During the 2007 strike, late-night hosts eventually returned to the air and improvised material. Jay Leno wrote his own monologues, a move that angered union leadership.

    On Friday’s episode of “Late Night”, Seth Meyers, a WGA member who said he supported the union’s demands, prepared viewers for re-runs while lamenting the hardship a strike entails.

    “It doesn’t just affect the writers, it affects all the incredible non-writing staff on these shows,” Meyers said. “And it would really be a miserable thing for people to have to go through, especially considering we’re on the heels of that awful pandemic that affected, not just show business, but all of us.”

    Scripted series and films will take longer to be affected. But if a strike persisted through the summer, fall schedules could be upended. And in the meantime, not having writers available for rewrites can have a dramatic effect on quality. The James Bond film “Quantum of Solace” was one of many films rushed into production during the 2007-2008 strike with what Daniel Craig called “the bare bones of a script.”


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    “Then there was a writers’ strike and there was nothing we could do,” Craig later recounted. “We couldn’t employ a writer to finish it. I say to myself, ‘Never again’, but who knows? There was me trying to rewrite scenes — and a writer I am not.”

    With a walkout long expected, writers have rushed to get scripts in and studios have sought to prepare their pipelines to keep churning out content for at least the short term.

    “We’re assuming the worst from a business perspective,” David Zaslav, chief executive of Warner Bros. Discovery, said last month. “We’ve got ourselves ready. We’ve had a lot of content that’s been produced.”

    Overseas series could also fill some of the void. “If there is one, we have a large base of upcoming shows and films from around the world,” said Ted Sarandos, Netflix co-chief executive, on the company’s earnings call in April.

    Yet the WGA strike may only be the beginning. Contracts for both the Directors Guild of America and SAG-AFTRA, the actors union, expire in June. Some of the same issues around the business model of streaming will factor into those bargaining sessions. The DGA is set to begin negotiations with AMPTP on May 10.

    The cost of the WGA’s last strike cost Southern California $2.1 billion, according to the Milken Institute. How painful this strike is remains to be seen. But as of late Monday evening, laptops were being closed shut all over Hollywood.

    “Pencils down,” said “Halt and Catch Fire” showrunner and co-creator Christopher Cantwell on Twitter shortly after the strike announcement. “Don’t even type in the document.”

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    Melissa Romualdi

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