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Tag: Woven

  • Alice Fox’s Allotment Plot 105: A Visit to the Artists’s Garden and Studio

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    At first sight, there’s nothing extraordinary about Alice Fox’s allotment in West Yorkshire, England. In fact, her garden community neighbors are “mostly oblivious” to the magic she weaves there. The addition of a flax crop may have been a novelty when she first rented the plot, but the size and layout of the land, sheds, and greenhouse seem pretty standard—until you look closer.

    Peek through the window of the main shed and your eyes will be drawn to a wonderful organized jumble of plant pots, trays, tools, jars of homemade botanical inks, sketches, scribbles, samples, fragments of ceramics, wire, plastic, and other unearthed objects, as well as an ever-changing assortment of plant fibers in various stages of drying and hand-processing. This is where Fox’s uniquely beautiful and thought-provoking textile art begins to take form.

    Alice took on Plot 105 in Autumn 2017 when she started her practice-based master’s program to explore ways to achieve greater self-sufficiency in her art. Although she’d had a share in an allotment previously, with a young family, she never really had the time to give to it: “The only way I could justify it was to make it part of my work,” she says.

    In 2020, Alice self-published the story of her relationship with her allotment Plot 105 and how her engagement with the site has unfolded since taking it on. Today, her book sits in a shed, alongside the encyclopedia of gardening left by the previous tenant. Looking back, she acknowledges that her year of research “marked a fundamental shift in how I source my materials. It allowed me to grow as a gardener, giving a particular focus. It provides a space to be amongst nature, get my hands in the soil, and think while working there.”

    We met Alice in West Yorkshire this summer to learn more about her allotment, her garden, and home studio, and the evolution of her sustainable creative practice that’s deeply embedded in land and place. Let’s dig deeper:

    Photography courtesy of Alice Fox. Featured image (above) by Carolyn Mendelsohn.

    In keeping with Alice’s local approach and quest for self-sufficiency, Plot 105 is a working garden providing fresh home-grown, seasonal produce. Few changes have been made to the overall structure of the plot, except for planting a couple of trees and some fruit bushes. Most of the growing beds are used for vegetables, and there are about 12 fruit trees, taking up approximately one quarter of the space. Photograph by Carolyn Mendelsohn.
    Above: In keeping with Alice’s local approach and quest for self-sufficiency, Plot 105 is a working garden providing fresh home-grown, seasonal produce. Few changes have been made to the overall structure of the plot, except for planting a couple of trees and some fruit bushes. Most of the growing beds are used for vegetables, and there are about 12 fruit trees, taking up approximately one quarter of the space. Photograph by Carolyn Mendelsohn.
    Alice introduced a flax crop in 2017 and, since then, has learned a lot about this wonderful plant through growing and processing. Recently, she applied her knowledge to projects in new places, such as Kestle Barton in Cornwall. This experience culminated in her flax-focused exhibit Flaxen, shown at Northern Ireland Linen Biennale. Photograph by Carolyn Mendelsohn.
    Above: Alice introduced a flax crop in 2017 and, since then, has learned a lot about this wonderful plant through growing and processing. Recently, she applied her knowledge to projects in new places, such as Kestle Barton in Cornwall. This experience culminated in her flax-focused exhibit Flaxen, shown at Northern Ireland Linen Biennale. Photograph by Carolyn Mendelsohn.

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  • Woven Willow Playhouses for Indoors and Out

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    Willow Pod

    Above: The Willow Pod by Willow with Roots is available by commission.

    Willow with Roots is a mother-daughter team in Worcestershire who grow their own willow, hold weaving workshops, and sell their wares—think lamp shades, baskets, and trays—via an online shop. They also do bespoke work, like the otherworldly Willow Pod, above.

    Dreaming Spires Playhouse

    Needham
    Above: Needham’s largest construction, The Dreaming Spires Willow Playhouse ($3,285) is scaled to accommodate parents as well as kids: it’s 8 feet wide, 3 feet deep, and 6 feet tall. She also makes Onion-shaped Dens that start at $767).

    Judith Needham of Surrey, England, is another willow weaver who makes her own designs (including baskets), and came up with her first playhouse for her own daughter. Needham’s willow comes from growers in Somerset, England: “It’s grown specifically for basket making; the method of cultivation, rather than the variety, is what makes the material suitable for weaving. The technique is called coppicing—each plant is cut right down to the ground during harvest in the spring leaving just a stump. New growth quickly springs from the trunk. These stems are long, thin, unbranching, and very pliable. Some plants are left to grow for two or three years to yield ten-f00t-long stems, which is what I need for playhouses, but most are cut annually making it the ultimate sustainable crop.”

    For twig playhouses that are left outdoors, Needham recommends applying an annual coat of linseed oil, and says with this protective finish, they should last for six to eight years. Most of her customers are in the UK, but to date, she’s also shipped playhouses to the States.

    Hocus Pocus

    Chapel Hill, NC-based environmental artist Patrick Dougherty roams the country creating elaborate, site-specific woven sapling installations.
    Above: Chapel Hill, NC-based environmental artist Patrick Dougherty roams the country creating elaborate, site-specific woven sapling installations.

    One of his specialities is play constructions, most of which he builds on the grounds of museums, art centers, and colleges, but on occasion, Dougherty accepts private commissions. One such is Hocus Pocus, shown here, a willow structure at Bittersweet Farms in Ennice. NC. Photograph by Robyn Dreyer. Go to Stickwork to see more and learn about his process.

    For more fanciful children’s play structures, see:

    N.B.: This post was first published July 2017. It’s been updated with new products, photos, prices, and links.

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