ReportWire

Tag: Women Talking

  • Sarah Polley wins her 1st ever Oscar for ‘Woman Talking’ – National | Globalnews.ca

    Sarah Polley wins her 1st ever Oscar for ‘Woman Talking’ – National | Globalnews.ca

    [ad_1]

    Sarah Polley has won her first Academy Award.

    The Canadian filmmaker, who hails from Toronto, Ont., was awarded the Best Adapted Screenplay Oscar Sunday night for her movie, Women Talking.

    Read more:

    Oscars 2023 red carpet: The best and boldest fashion of the night

    As she accepted her award, she joked that she was grateful to the Academy for not being offended by the words “women” and “talking” together.

    “First of all, I just want to thank The Academy for not being mortally offended by the words ‘women’ and ‘talking’ put so close together like that. Cheers,” she said.

    She also gave mention to fellow Canadian, Miriam Toews, who wrote the 2018 novel of the same name, which inspired the film.

    Story continues below advertisement

    “Miriam Toews wrote an essential novel about a radical democracy in which people who don’t agree on every single issue managed to sit together in a room and carve out a way forward together free of violence. They do so not just by talking but also by listening,” she added.

    Polley’s feature film directorial debut Away From Her was also nominated in this category in 2008, but she lost out to Joel and Ethan Coen’s No Country For Old Men.

    Based on a true story, Women Talking explores a remote religious colony where the male elders use a series of excuses to explain away years of drugged sexual assaults on the group’s women and girls, leaving many pregnant or dead.

    Story continues below advertisement

    When the men responsible for the assaults are caught and put in custody, the women must decide whether to stay within the community or leave.

    The story mirrors similar events that took place in a Manitoba Mennonite Colony in Bolivia.

    “We felt like we were part of a movement, not a movie,” Polley said in an interview last year after the world premiere of Women Talking.


    Sarah Polley attends the 95th Annual Academy Awards on March 12, 2023 in Hollywood, California.


    Kayla Oaddams / WireImage

    “There’s something essential that we feel is a conversation that should be part of our world, and we want to be part of it with every part of our being.”

    In the male-dominated film industry, Polley said she was grateful for the opportunity to collaborate with so many talented women, but noted that people of all genders helped bring the film’s conversation to the big screen.

    Story continues below advertisement

    Read more:

    Oscars 2023 winners list: ‘Everything Everywhere All at Once’ takes Best Picture

    “Everyone on the cast and crew came to this in such a generous spirit,” she said. “It wasn’t just the women on set who wanted to bring those experiences of abuse and of feeling powerless, and of moving through it and a building a better life and hopefully a better world.”

    Polley, who got her start as a child actor and rose to become an acclaimed writer and director, was competing against films Glass Onion: A Knives Out Mystery, Living, Top Gun: Maverick and All Quiet on the Western Front.

    Polley was also up for the Oscar for Best Picture for the same film.


    Click to play video: 'Canadian filmmaker Sarah Polley on ‘Woman Talking’'


    Canadian filmmaker Sarah Polley on ‘Woman Talking’


    &copy 2023 Global News, a division of Corus Entertainment Inc.

    [ad_2]

    Michelle Butterfield

    Source link

  • Video: ‘Women Talking’ | Anatomy of a Scene

    Video: ‘Women Talking’ | Anatomy of a Scene

    [ad_1]

    Film directors walk viewers through one scene of their movies, showing the magic, motives and the mistakes from behind the camera.

    Film directors walk viewers through one scene of their movies, showing the magic, motives and the mistakes from behind the camera.

    [ad_2]

    Mekado Murphy

    Source link

  • ‘Nope’ Gets Major Oscar Boost as AFI Winner for Best Film

    ‘Nope’ Gets Major Oscar Boost as AFI Winner for Best Film

    [ad_1]

    If you’re an American movie and you don’t make the American Film Institute’s list of the top 10 films of the year, you’re in the danger zone. Last year no eligible production missed AFI’s list of winners before going on to a best-picture Oscar nod, and generally, only one or two movies ever find the room to beat those odds. 

    So if AFI’s 2022 selections are any indication, this is a major development for Nope, this summer’s commercial and critical hit from Jordan Peele, which has been bubbling around as a potential contender and just picked up a major award for star Keke Palmer last week. The news is also good for She Said, Maria Schrader’s biopic of the New York Times journalists who exposed Harvey Weinstein, which bombed at the box office last month. Meanwhile, contenders that missed out, and now clearly face an uphill climb, include Damien Chazelle’s Babylon, which met divisive reactions out of its premiere a few weeks ago; Rian Johnson’s Glass Onion; and Darren Aronofsky’s The Whale.

    The Banshees of Inisherin will be honored with the group’s annual special award, which recognizes strong Oscar players outside of the AFI’s US-exclusive parameters. (Last year’s winner on the film side was Belfast.) Other hopefuls not eligible here include Living, Triangle of Sadness, and the rising RRR.

    A few other points of note: Reviews are still not out for Avatar: The Way of Water, but its inclusion here and on NBR’s top 10 yesterday—plus the ecstatic reactions coming out of this week’s screenings—affirms it is in the thick of this race. While the AFI ignored Babylon and Glass Onion, that does not mean it dismissed audience-friendly films more broadly: Avatar, Top Gun: Maverick, Elvis, and even The Woman King are all here. And in case there was any doubt, following their dominance with the Spirit Award nominations, the indies leading the Oscar charge right now are Everything Everywhere All at Once, Tár, and Women Talking.

    On the studio front, the two arguable surprises, Nope and She Said, are both distributed by Universal—some cheers likely happening over there this Friday morning, with The Fabelmans also ranking in the top 10. The streamers, meanwhile, were blanked entirely, from Apple TV+’s late-breaking Emancipation to Netflix’s array of hopefuls. The possibility that the Oscars’ 10 will exclude them as well, following CODA’s historic win earlier this year, seems increasingly plausible. 

    The AFI also announces 10 annual winners for television, this year naming newly minted Emmy winners Abbott Elementary and The White Lotus, as well as impending 2023 heavy hitter The Bear. The AFI Awards ceremony, taking place at the Four Seasons in Los Angeles on January 13, will gather creators and stars from each recognized film and show for a luncheon full of schmoozing. It’s a major campaign stop—great news for today’s winners, and a tough break for those left behind.  

    Full list of winners below:

    Film

    • Avatar: The Way of Water
    • Elvis
    • Everything Everywhere All at Once
    • The Fabelmans
    • Nope
    • She Said
    • Tár
    • Top Gun: Maverick
    • The Woman King
    • Women Talking
    • Special award: The Banshees of Inisherin

    TV

    • Abbott Elementary
    • The Bear
    • Better Call Saul
    • Hacks
    • Mo
    • Pachinko
    • Reservation Dogs
    • Severance
    • Somebody Somewhere
    • The White Lotus

    Content

    This content can also be viewed on the site it originates from.

    [ad_2]

    David Canfield

    Source link

  • Sarah Polley Explains Why It Was ‘So Much More Important’ Not To Show Any Sexual Violence In ‘Women Talking’ 

    Sarah Polley Explains Why It Was ‘So Much More Important’ Not To Show Any Sexual Violence In ‘Women Talking’ 

    [ad_1]

    By Melissa Romualdi.

    Sarah Polley’s upcoming film “Women Talking”, which centres on the trauma of sexual violence, doesn’t actually show any violence onscreen.

    The intentional filmmaking decision was made by the director and screenwriter to keep the story fixated on the eight women living in an isolated religious colony, who struggle to reconcile their faith, following a series of sexual assaults.

    Based on the novel of the same name by Miriam Toews, the film is inspired by a real-life incident in which “women were drugged and raped in their sleep in a Mennonite colony in Bolivia for four years,” as per The Hollywood Reporter

    “I have rarely found that sexual assault captured on film has been additive or necessary to a film,” Polley told the publication of her decision to keep audiences from seeing any acts of violence. “I think in the case of this film, the important thing was the impact that those assaults had on these women, how they process it, how they move through it, how they move out of harm’s way — not the assaults themselves.


    READ MORE:
    ‘We Were Part Of A Movement’: Sarah Polley On Making ‘Women Talking’

    “I felt there was probably not a way to do that without it being gratuitous and unnecessary, and given that that’s probably traumatic for some people to watch, you have to have a really good reason to show it,” the director continued. “I just thought it was so much more important to talk about that moment after the assaults when there’s chaos in the brain, and the conversation that happens amongst these women about how to move away from the circumstances.”

    In order to truly focus on the aftermath of the assaults, the film had an on-set clinical psychologist, Dr. Lori Haskell, who specializes in trauma after sexual violence. Dr. Haskell served as a research resource for how the brain’s chemistry is altered after a sexual assault and was there to help the cast and crew work through difficult moments.

    “It was really important for me to know that everyone knew they could move away at any moment, that we could take a break, that we could go get air, that we wouldn’t have a ticking clock on those moments where people just needed to recover for a minute,” Polley said of the film’s timely and critical subject matter.


    READ MORE:
    Sarah Polley To Be Honoured With Director Of The Year Award At Palm Springs International Film Festival

    Actress, Shayla Brown, 18, said having Dr. Haskell on set “created such a loving and safe environment, and really set the bar for me as a young actor to know what should be the standard of every work environment.

    “Sarah Polley made us feel so safe and made us, especially the young actors, understand that the perfect shot was not worth our mental health,” she added.

    “Women Talking”, which was shot in Toronto, also stars Rooney Mara, Claire Foy, Jessie Buckley, Ben Whishaw, Judith Ivey, Frances McDormand and more. Foy hopes the film will inspire deeper conversations.


    READ MORE:
    Sarah Polley Discusses Alleged Sexual Encounter With Jian Ghomeshi When She Was 16, Reveals Why She’s Coming Forward Now

    “What I’ve noticed in the screenings that we’ve had is that it really is a conversation that continues after people have seen it,” she said. “I really hope that people see it in a group, they see it with their friends, they bring the movie to people who they think should see it [or want to see it anyway,] but also people who need to see it for educational purposes. I really think I’ve never been part of anything which is so important to society in a way. It really gives me hope about what films can do.”

    “Women Talking” hits the big screen on Dec. 2.

    https://www.youtube.com/watch?v=KurJF2rkSX8

    [ad_2]

    Melissa Romualdi

    Source link