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Tag: Who What Wear with Hillary Kerr

  • Here Are the Top Skincare and Makeup Products to Invest In This Year

    Here Are the Top Skincare and Makeup Products to Invest In This Year

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    New year, new beauty routine.

    Kick off 2024 with a reset to your skincare and beauty regimen, courtesy of Who What Wear Beauty Director Erin Jahns. When it comes to skincare, Jahns recommends focusing on simplicity in the colder weather. “Your skin can all of a sudden act like a completely different skin type than you’ve been used to,” Jahns said. “I think it’s also a good opportunity to just go back to basics.” For makeup, creating a solid foundation is key. “Everyone agrees that you want to be investing in foundations, concealers, bronzers, highlighters, brushes, definitely your skincare,” Jahns said.

    For the latest episode of Who What Wear With Hillary Kerr, Jahns sits down with Who What Wear Editor in Chief Kat Collings to discuss 2024 skincare and makeup trends, the products worth investing in, and more.

    For excerpts from their conversation, scroll below.

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    Madeline Hill

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  • The Jewelry Pieces to Invest In, According to Expert Will Kahn

    The Jewelry Pieces to Invest In, According to Expert Will Kahn

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    Let’s go back to the beginning of your career. I know—because I’m nosy and also have known you for a long time—that you started at W Magazine in the accessories department, but I have no idea how you ended up there. Talk to me a little bit about those days.

    Not to cite other podcasts on a podcast, but when I was kind of thinking about how I got to where I got. It reminded me of that question on Las Culturistas: What moment in the culture led you to realize that culture is for you? My moment was LC [Lauren Conrad] walking into the doors of Teen Vogue in the L.A. office. From that moment on, I was like, “This is what I got to do.” I don’t know why. It didn’t look particularly fun. Well, it kind of did. At the time, it seemed glamorous and it was just like, “This is what I have to do. I don’t really understand it. I don’t know what they’re doing, but this is what I’m going to do.”

    Reading The Devil Wears Prada also in that time period, I was like, “I need to be that. I have to be rolling a rack of jeans somewhere in a glamorous office while wearing tight pants. That is what I need to do.” That is kind of a very superficial way of how I got to where I am in that I just was mesmerized by that world and I had to be a part of it. I didn’t really understand it, but I had to be a part of it. I just really aggressively went after internships, because I just was like, “I guess that’s how you do this. I’m going to be an intern like LC.” You had to work your way up, because Teen Vogue was not going to have me immediately. My first internship was at Life & Style Weekly

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    Madeline Hill

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  • The Cult Gaia Founder Shares What She's Wearing This Holiday Season

    The Cult Gaia Founder Shares What She's Wearing This Holiday Season

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    Working in fashion was always in Jasmin Larian Hekmat’s DNA. The Cult Gaia founder and creative director grew up in a creative household. Her mother was a fashion designer and is currently a sculptor, and her father is a toy maker. “She taught me how to start sewing on paper,” Larian Hekmat says. “I grew up going into this closet and finding bags of treasures that I would start draping on myself when I got older and pinning and then sewing.”

    Larian Hekmat studied fashion design and international marketing at FIT, where she interned at Narciso Rodriguez and Jason Wu. Following her schooling, Larian Hekmat knew that she wanted to move back home to Los Angeles and start her own line, Cult Gaia. “I made a conscious decision to move home, not have to pay rent, and start my business,” she told Who What Wear.

    For the latest episode of the Who What Wear Podcast, Larian Hekmat shares how she launched Cult Gaia, her favorite pieces from the new collection, and what she’s wearing for holiday celebrations this year.

    For excerpts from their conversation, scroll below.

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    Madeline Hill

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  • What It Was Like Writing the Glossier Tell-All Book

    What It Was Like Writing the Glossier Tell-All Book

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    What parts of writing this book came really easily, and then was there a part that you found difficult to write for any reason?

    Everyone wanted to talk and loved to talk about Camp Glossier, which was their annual employee off-site. It seemed like it was so much fun and wholesome. That was easy and a delight to talk about. Honestly, the hardest part was just Emily [Weiss] and our relationship and her ambivalence to the book. She felt, I believe, that she was a bit blindsided that the book was about Glossier, that her name was in the subtitle.

    I felt like I was being pretty open about the process over email and that they just weren’t really taking it seriously or paying a lot of attention. I think she felt more like I was being a little shady or duplicitous and tried to do a little of the “I thought we were friends” thing. That’s when I really had to be like, “We’re not friends. We don’t hang out socially.”

    I had to have this moment of standing up for myself in a way and saying, “I have a job, and it’s a writer, and it’s important, and I want to tell this very nuanced story that I think is rooted in feminism and power.” That was hard for me to say about myself. We’re in this environment where being a journalist is easy to be hated because of it.

    Also, I respected this woman so much. I’m not a sadist. Causing someone pain isn’t something that I’m particularly fond of. But also there were previous versions of the book that had probably too much hand-wringing about that and too much of my own inferiority complex. That was the hardest part. It was an emotional journey of acceptance for probably both of us.

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    Madeline Hill

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  • Celebrity Interior Designer Jake Arnold Shares His Best Design Advice

    Celebrity Interior Designer Jake Arnold Shares His Best Design Advice

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    I’m hoping you can walk me through that creative and aesthetic journey and how long it took you to understand what you really liked, what your design sensibilities were, and how to ensure it was cohesive.

    In the beginning, you say yes to everything. You bite your tongue, and you keep it moving. When I first started, I’d worked for other people. It was at a time where I think Instagram and social media was not as prevalent as it is today. I was able to hone in on what I was attracted to and what I liked.

    Growing up in England, where it’s all rooted in tradition and everything has a purpose, meaning, and context, and then coming to Los Angeles, where you can build and do whatever you want— that’s why I was so drawn to coming here. You really could express creativity on a personal level.

    Because of the context here, you can do what you want. The landscape allows you to have an English Tudor next to a Spanish revival house. It’s really all over the map.

    I think, at the beginning, when I started, I was always drawn to darker, more layered cozy spaces because that’s what I grew up around. Everyone here at the time was doing beachy, and everything was blues—that kind of California beach vibe at the time. I was painting people’s rooms black. I think a huge part of it was risk-taking. But I was also very fortunate that I met people along the way who inspired me and expanded my horizons. 

    Two of my first-ever clients—one being Julianne Hough and one being Katherine Powers—really evolved my style. I think it’s just important to, along the way, while you’re honing in your craft, to be very open to being inspired and allowing yourself to evolve through others.

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    Madeline Hill

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  • Ivana Primorac, Lead Hair & Makeup Artist for Barbie, Takes Us Behind the Scenes

    Ivana Primorac, Lead Hair & Makeup Artist for Barbie, Takes Us Behind the Scenes

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    If you’ve been on social media recently, there’s no doubt you’ve seen bright pink Barbie promos grace your feed. And with all the hype, it’s no surprise that the film premiered to record-breaking box office numbers, not to mention critical acclaim and deep audience adoration. But when Ivana Primorac, the movie’s lead hair and makeup artist, first heard about the film, she wasn’t sure what to expect.

    “I was very excited, but I couldn’t figure out why we would make a movie about [a] Barbie doll,” Primorac says. “And I was like, well, because it’s Greta, I’m immediately interested. … Once I read the script, it was clear to me that this is going to be an amazing thing to try and help create.” Soon, Primorac jumped right in and proceeded to create one iconic look after another.

    On the latest episode of Who What Wear With Hillary Kerr, Primorac is bringing us inside her process. She speaks on how she achieved the perfect shades of blonde, the sheer number of looks that appear even before the opening credits finish rolling, and the rough draft looks for some of our favorite characters.

    For excerpts of their conversation, scroll below, and make sure you tune in for the full rundown. 

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    Natalie Thurman

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  • Charlotte Palermino of Dieux Skin Reveals Some of Her Best Skin Secrets Yet

    Charlotte Palermino of Dieux Skin Reveals Some of Her Best Skin Secrets Yet

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    If you’re a beauty enthusiast, chances are you’ve already seen Dieux eye masks on your Instagram or Tik Tok feed. Behind the viral under-eye masks is Charlotte Palermino. The Dieux co-founder is a major trailblazer in the beauty and wellness world and has been making her mark as a leading voice and advocate for inclusive and transparent practices. With a strong background in journalism and a passion for challenging industry norms, Palermino has paved her own path in the ever-evolving landscape of beauty.

    Palermino began her career as an editorial director and strategist, working at major organizations like Cosmo at Hearst and Snap Inc. where she launched and developed media partners locally and abroad, including prestigious titles like The New York Times, Washington Post, and Vogue, among others. During this time, she witnessed the lack of transparency within the beauty industry. This eventually led to the creation of Dieux, a skincare brand with an emphasis on sustainable packaging, results-driven formulas, and ingredients backed by clinical studies.

    As a licensed esthetician and ultimate beauty guru, Palermino also extends her influence on social media, sharing the intersections of beauty, skincare, and self-care. In the latest episode of Who What Wear With Hillary Kerr, Palermino answers pressing beauty questions, discloses what’s on the horizon for Dieux, and more. 

    For excerpts from that conversation, scroll below.

    I also want to talk about layering because I feel like the order in which one does things is critical on many levels. What questions do you get the most about the dos and don’ts of layering and also proper application?

    The one rule that I have is do not cock block your ingredients. And I say this because I see so many people using really thick, rich products and then applying their serum. You’ve just created an impenetrable barrier, and now you want these sensitive actives to somehow get through that. It can’t. So, start with your water-based products—that’s the easiest way to think of it. I would say start with water and then work your way to oil. It’s like if you drop a glass of water on the floor, it’s going to evaporate eventually. [But if you] drop oil on the floor, it’s not going to evaporate. I like to think of it like you want to put the hydrating stuff first, and then you’re going to wrap it in with an oil-based product. Keep it simple; three steps are more than enough. As long as you’re cleansing, moisturizing, and using sunscreen, there’s really nothing you need to do on top of that.

    What about time in between? Does it matter, and do you need deliverance? For example, do you need to let a product soak into the skin before you put something before you put your moisturizer on?

    I like to wait because I think of it this way: If I don’t let it dry [before] I put on my moisturizer, I am moving around where the active ingredients are going. So it’s not going to be a full layer. It’s not going to be evenly distributed. But I do like to apply moisturizer on damp skin as it allows for permeability. There was a study done in the ’70s [that] shows that if your skin was damp when you applied products, it just absorbed more of it. You don’t want that for every product, especially the ones with very strong ingredients. It also really depends on the situation. For example, if you put a glycolic acid on a damp face, you might actually be reducing its efficacy because it can be neutralized with water. It really depends as it also shifts the pH of the acid, which is really important in terms of efficacy because pH is for acids. [There’s] a lot of chemistry that goes into skincare. 

    Are there some overall things — like if you don’t know anything about moisturizers, here’s my 101 — we should know coming from an expert?

    So when you have oily skin, sometimes it’s because your skin actually isn’t hydrated, so your skin is producing more oil to overcompensate for it. But the reality is that when you have oily skin, you can sometimes be more prone to breaking out because you have [more] oil. Then if you use a really rich product on top of that, you’re going to trap that oil, which is food for bacteria, in your pores, and then that’s going to create an infection. That is what breakouts are, so you do have to be careful. We [Dieux] have a moisturizer, Instant Angel, which has helped some people with breakouts.

    With moisturizers, you want to avoid D4 and D6, the cyclic silicones. And again, it really just depends. If you have really oily skin, I would say use light water moisturizers, like those jelly-light, not-too-thick moisturizers, because what you really need is hydration. 

    I really like things that are very dewy, juicy, and bouncy. I’m always looking for bouncy and then putting Vaseline on top of that so it stays there. But if you have oily skin, you can use things that are really, really hydrating and then control that oil. And so there are so many great moisturizers out there for you that do that. They’re typically called gel moisturizers or water moisturizers. And you’re never going to look for anything that’s too rich or creamy unless you move to New York in the winter!

    This interview has been edited and condensed for clarity. Next up, check out our previous episode featuring Halle Bailey.

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    Adrienne Faurote

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  • Designer Janessa Leoné On Signature Hats and Regenerative Agriculture

    Designer Janessa Leoné On Signature Hats and Regenerative Agriculture

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    This hat that I had found in Paris, I started to ship it around to different people and people were really kind. My career started off of the general generosity of people’s time like yours.

    There was a lot of generosity in terms of people from the factories—and I was cold-calling cowboys in Texas—and people like Amish people in Pennsylvania. I’m like, “You guys wear hats. Where are you making them?”

    Everyone did think I was a little peculiar that I wanted to make a men’s dress hat for women and try to make it bring it to mass and bring it to market on its on a place that I could scale it.

    It was really just persistence. If people told me no, anyone on my team will tell you, “Okay, just watch her.”

    So I ended up finding a factory—which was essentially cowboy hat makers—and I was like, “This is what I want to do.” I used that hat that I had found and that malleability and in the softness. I was like, “I want to make it wearable. I don’t want something that you could break a glass window with. Let’s make it soft.”

    After a lot of pushback, someone agreed to make it for me. I could only afford I think it was six samples. That’s what I had to launch the brand.

    I sat on them for a while, because I was scared. I felt like I didn’t have what it took to do this.

    Then all of a sudden, press wanted it. I’m at my dad’s house. I’m just like, “Holy cow, this is really insane.” Then Barney’s email me and they were like, “Send me this line sheet.” Of course, I had to figure out what the heck they were talking about, but they were my first retailer.

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    Madeline Hill

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  • Jenna Ortega’s Stylist Shares How He Landed His Big Break

    Jenna Ortega’s Stylist Shares How He Landed His Big Break

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    Can you tell me a little bit about how you found your way into celebrity styling?

    I actually was meeting a friend of mine—late friend of mine—AJ Crimson. He’s a makeup artist. He was like, “So what are you doing? What are you going to be doing next?”

    I was like, “Oh, I’m gonna go to a real estate school, and I’m going to study to become a real estate agent, and I’m gonna sell properties.” He was like, “Really? That’s nice, but do you find a thrill in that?”

    I’m like, “No, but I figured it’s gonna pay the bills, pay my rent.” He’s like, “Well, what are you passionate about?” Then I’m like, “Um, I don’t know.” I honestly couldn’t give him an answer. 

    He’s like, “Well, you seem to love fashion. You seem to always dress up and you’re always reading the fashion magazines. Every time I see you, you’re talking about clothing.”

    I’m like, “Yeah, I guess I’m passionate about it. I love it.” He’s like, “Well, why don’t you become a stylist?”

    He [Crimson] connected me with his friend, Lor-e Phillips, who was working for the Black Eyed Peas at the time in about 2007. I just started interning under her, and that’s kind of where it all began.

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    Madeline Hill

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  • How Danielle Sherman Went From Co-Founding The Row to Launching Her Jewelry Line

    How Danielle Sherman Went From Co-Founding The Row to Launching Her Jewelry Line

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    Danielle Sherman has worn many hats throughout her career. For one, got her start in the fashion world at a young age. From taking classes at Jo-Ann Stores to sewing with Vogue patterns, Sherman has always loved working with her hands.

    While learning to sew, she was also making jewelry and had a knack for sourcing rosary beads from flea markets and remaking them into necklaces. At the age of 16, Sherman launched her own line of leather accessories, which was funded by a small acting role she landed in The Parent Trap.
    (Yes, *the* Parent Trapstarring Lindsay Lohan.)

    Eventually, Sherman moved to New York City and enrolled at New York University. Upon graduation, Sherman worked for Tahari ASL and went on to co-found The Row with Mary-Kate and Ashley Olsen. After stints at Alexander Wang and EDUN, Sherman struck out on her own. During her time consulting was when Sherman was able to get in the headspace to get creative and figure out what she wanted to do next. 

    That next thing? Relaunching her grandparent’s high-end women’s tailored clothing, Sherman Field, as a fine jewelry label in 2019.

    In the latest episode of Who What Wear With Hillary Kerr, Sherman shares how she went from co-founding The Row to launching her fine jewelry line, the investment pieces worth buying, and so much more.

    For excerpts from their conversation, scroll below.

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    Madeline Hill

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  • What It Was Like to Design the Costumes for Black Panther: Wakanda Forever

    What It Was Like to Design the Costumes for Black Panther: Wakanda Forever

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    Black Panther: Wakanda Forever is finally out now for everyone to see, and it’s just as incredible as the first. The run time is two hours and 41 minutes, and the cast is massive. How do you begin on a project of this scale? How long did the entire process take for your department? 

    Looking at the end result of it feels like the enormity of this project. Going into it is enormity. We lost our hero, and many of us poured into our art form. We all wanted to honor Chadwick [Boseman]’s life and also present an incredibly elevated art form to the world. 

    When you think about the inspiration, the passion, the purpose, the intention, it doesn’t feel enormous anymore. You start to divide it and say, “Who will I include in this journey? Who gets the aesthetic? What outsourcing can I use?”

    Everything starts from an enormous number of artists that come together with drawings. We sit together, and we talk about the story. All of these artists come together with illustrations.

    We’re evaluating and talking about what we like, talking about what doesn’t work, talking about story. After we lost our dear Chadwick, kind of Ryan Coogler became our hero. We needed him and Joe Robert Cole to bring us a script.

    One thing he was very clear about was going to honor Chadwick, and it was going to examine grief in many forms.

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    Madeline Hill

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  • J.Crew’s Olympia Gayot on the Items That Have Achieved Cult Status

    J.Crew’s Olympia Gayot on the Items That Have Achieved Cult Status

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    Olympia Gayot, J.Crew’s head of women’s and kids design, knows a thing or two about color. Prior to joining J.Crew in 2010, Gayot attended the School of Visual Arts in New York City, where she studied fine art and painting. After graduating, Gayot painted commissions and simultaneously designed and styled for brands on the side. 

    Gayot brings her love of art and color composition into designing bold trousers, coats, and everything in between at J.Crew. “I’m always going to gallery openings or shows to keep myself interested in what’s going on and aware of what’s happening in the contemporary world,” Gayot said.

    Not only does Gayot bring her artistic eye to design, but she’s also always thinking ahead when it comes to what’s going to inspire the next season’s collection. “I wish I could say it was one or two things that inspire me, but it’s really just so many different things, ” Gayot said. “It’s about connecting those dots together and creating a story.” In the latest episode of Who What Wear With Hillary Kerr, Gayot shares how she landed at J.Crew, the pieces that were her favorite to design, and more.

    For excerpts from the interview, scroll below.

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    Madeline Hill

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