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Tag: weird al

  • The Acolyte’s Pop Song Builds on a Long Star Wars Tradition

    The Acolyte’s Pop Song Builds on a Long Star Wars Tradition

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    This week’s episode of The Acolyte, “Choice,” gave fans with an end-credits song inspired by the show’s core sisterhood between Osha and Mae (Amandla Stenberg). Though it’s not what fans expect when they call Star Wars music to mind (cue the John Williams), “Power of Two” is not actually Star Wars‘ first official pop song.

    The track from Victoria Monét closes out the penultimate chapter of season one, a flashback that reveals the truth about the tragedy that ultimately separated the twins. Titled “Power of Two,” its lyrics explore the themes of duality and destiny shared by the sisters. More like a song of Star Wars lore than a Disney-style soundtrack needle drop, the song would fit right into the in-universe canon as a musical piece about the twins’ High Republic-era saga.

    Listen to it below!

    As novel as “Power of Two” is, this is not the first official pop song sanctioned by Lucasfilm. Fans of Galaxy’s Edge at Walt Disney World and Disneyland, and the now-shuttered Star Wars: Galactic Starcruiser, will know that pop and rock does indeed exist alongside the in-universe jizz music. Gaya, a Twi’lek singer, was introduced into the lore post-Star Wars: The Last Jedi as a real celebrity with a full album of galactic pop songs inspired by the mythology of the resistance and figures within it. She was a key character aboard Galactic Starcruiser‘s Halcyon cruise ship, performing a concert that was a highlight for visitors. Her sound was very much in the vein of “Power of Two,” and while the song is just an end-credits track in the context of The Acolyte, you could imagine Gaya having it in her repertoire as a classic from the High Republic era.

    Other musicians recently added to Star Wars canon include Star Waver, a rock band from Lucasfilm’s animated anthology Star Wars: Visions; it was featured in “Tatooine Rhapsody” playing “Galactic Dreamer.” And even before Weird Al’s incredible saga of Star Wars parody songs with hits like “Yoda” and “The Saga Begins,” the infamous but beloved Star Wars Holiday Special featured original music too, performed by cast members like Carrie Fisher with “A Day to Celebrate,” Bea Arthur’s “Good Night But Not Goodbye,” and musical guest Jefferson Starship’s “Light the Sky on Fire”. And let’s not forget the Max Rebo Band’s “Lapti Nek” showstopper in Return of the Jedi.

    There have been highs and lows across the decades, but pop has always been in the Star Wars universe. And we’d say “Power of Two” is more subdued as an excellent song added for storytelling subtlety. Whether in the canon itself or just on soundtracks, we are here for more genre music in Star Wars. Give us an officially licensed, sick Sith metal album from the band Ghost.

    Star Wars: The Acolyte airs Tuesdays on Disney+.


    Want more io9 news? Check out when to expect the latest MarvelStar Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Sabina Graves

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  • Community of Business

    Community of Business

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    The Hollywood Climate Summit took place June 26 to 28 at the Academy of Motion Picture Arts and Sciences’ Samuel Goldwyn Theater in Beverly Hills. It featured panel discussions and keynote addresses from climate and entertainment leaders. Among the speakers were Bill Nye The Science Guy; director Lee Isaac Chung, of “Twisters,” coming to theaters this month; and actress Nava Mau.

    Sierra Subaru of Monrovia donated 80 blankets and other items to USC Arcadia Hospital for cancer patients at the facility. Sierra Subaru made this donation as part of Subaru Loves to Care, a national initiative championed by Subaru of America Inc. Beyond the blankets, Sierra Subaru delivered patient care kits and handwritten messages of hope, personalized by Sierra Subaru employees and customers. Sierra Subaru also contributed $10,000 to The Leukemia & Lymphoma Society Urgent Need Pediatric, Adolescent and Young Adult Fund.

    Representatives of USC Arcadia Hospital, Sierra Subaru of Monrovia and The Leukemia & Lymphoma Society stand with the boxes of donated materials.

    Thomas Safran & Associates hosted a groundbreaking on June 26 for The Arlington, an 84-unit affordable housing community set to open late next year in the Arlington Heights neighborhood of Los Angeles. It will offer units for low-income individuals and families, including 42 units of permanent supportive housing serving formerly homeless households. 

    Speakers at the event included Maryam Tasnif-Abbasi, Department of Toxic Substances Control (center, in blue jacket) and Los Angeles City Councilmember Heather Hutt (in red jacket).

    The Valley Economic Alliance honored parody artist “Weird” Al Yankovic at its Valley of the Stars awards gala on April 25 at the Hilton Los Angeles/Universal City.

     

     

     

    [ad_2] Hannah Welk
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  • No One Can Decide If Grapefruit Is Dangerous

    No One Can Decide If Grapefruit Is Dangerous

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    Roughly a century ago, a new fad diet began to sweep the United States. Hollywood starlets such as Ethel Barrymore supposedly swore by it; the citrus industry hopped on board. All a figure-conscious girl had to do was eat a lot of grapefruit for a week, or two, or three.

    The Grapefruit Diet, like pretty much all other fad diets, is mostly bunk. If people were losing weight with the regimen, that’s because the citrus was being recommended as part of a portion-controlled, low-calorie, low-carbohydrate diet—not because it had exceptional flab-blasting powers. And yet, the diet has survived through the decades, spawning a revival in the 1970s and ’80s, a dangerous juice-exclusive spin-off called the grapefruit fast, and even a shout-out from Weird Al; its hype still plagues nutritionists today.

    But for every grapefruit evangelist, there is a critic warning of its dangers—probably one with a background in pharmacology. The fruit, for all its tastiness and dietetic appeal, has another, more sinister trait: It raises the level of dozens of FDA-approved medications in the body, and for a select few drugs, the amplification can be potent enough to trigger a life-threatening overdose. For most people, chowing down on grapefruit is completely safe; it would take “a perfect storm” of factors—say, a vulnerable person taking an especially grapefruit-sensitive medication within a certain window of drinking a particular amount of grapefruit juice—for disaster to unfurl, says Emily Heil, an infectious-disease pharmacist at the University of Maryland. But that leaves grapefruit in a bit of a weird position. No one can agree on exactly how much the world should worry about this bittersweet treat whose chemical properties scientists still don’t fully understand.

    Grapefruit’s medication-concentrating powers were discovered only because of a culinary accident. Some three decades ago, the clinical pharmacologist David Bailey (who died earlier this year) was running a trial testing the effects of alcohol consumption on a blood-pressure medication called felodipine. Hoping to mask the distinctive taste of booze for his volunteers, Bailey mixed it with grapefruit juice, and was shocked to discover that blood levels of felodipine were suddenly skyrocketing in everyone—even those in the control group, who were drinking virgin grapefruit juice.

    After running experiments on himself, Bailey confirmed that the juice was to blame. Some chemical in grapefruit was messing with the body’s natural ability to break down felodipine in the hours after it was taken, causing the drug to accumulate in the blood. It’s the rough physiological equivalent of jamming a garbage disposal: Waste that normally gets flushed just builds, and builds, and builds. In this case, the garbage disposal is an enzyme called cytochrome P450 3A4—CYP3A4 for short—capable of breaking down a whole slate of potentially harmful chemicals found in foods and meds. And the jamming culprit is a compound found in the pulp and peel of grapefruit and related citrus, including pomelos and Seville oranges. It doesn’t take much: Even half a grapefruit can be enough to trigger a noticeable interaction, says George Dresser, a pharmacologist at Western University, in Ontario.

    The possible consequences of these molecular clogs can sometimes get intense. “On the list of concerning food-drug interactions,” Dresser told me, “arguably, this is the most important one.” When paired with certain heart medications, grapefruit could potentially cause arrhythmias; with some antidepressants, it might induce nausea, vomiting, and an elevated heart rate. Grapefruit can also raise blood levels of the cholesterol drugs atorvastatin and simvastatin, prompting muscle pain and, eventually, muscle breakdown. One of the fruit’s most worrying interactions occurs with an immunosuppressive drug called tacrolimus, frequently prescribed to organ-transplant patients, that may, when amped up by grapefruit, spark headaches, tremors, hypoglycemia, and kidney problems. The citrus even has the ability to lift blood levels of drugs of abuse, including fentanyl, oxycodone, and ketamine.

    The full list of potential interactions is long. “More than 50 percent of drugs on the market are metabolized by CYP3A4,” which inhabits both the liver and the gut, says Mary Paine, a pharmacologist at Washington State University. That said, grapefruit can really affect only intestinal CYP3A4, and will cause only a small fraction of those medications to reach notably higher concentrations in the blood (and sometimes only when fairly large quantities of juice are consumed—a quart or more). And only a small fraction of those medications will, when amassed, threaten true toxicity. Our bodies are always making more CYP3A4; stop eating grapefruit and, within a day or two, levels of the protein should more or less reset.

    Professionals disagree on how to characterize grapefruit’s risks. To Shirley Tsunoda, a pharmacist at UC San Diego, “it’s definitely a big deal,” especially for the organ-transplant patients to whom she prescribes tacrolimus. Her advice to them is to indulge in grapefruit exactly never—and ideally, tacrolimus-takers should skip related citrus too. Tsunoda even advises people to check the labels of mixed-fruit juices, just in case the makers sneaked some grapefruit in, and she thinks twice when considering noshing on it herself. Paul Watkins, a pharmacologist at the University of North Carolina at Chapel Hill, is much less worried; his bigger concern, he told me, is that the fruit’s reputation as a nemesis of oral medications has been way overblown. He used to study grapefruit-drug interaction but abandoned it years ago, after “I came to the conclusion that it wasn’t very important,” he told me. Some concern is absolutely warranted for certain people on certain meds, he noted. But “I think the actual incidence of patients who have gotten into any kind of trouble or had serious adverse reactions due to taking their drugs with grapefruit juice is very, very small.”

    Even the FDA seems a bit unsure of how it feels about the fruit. The agency has stamped the documentation of several grapefruit-sensitive medications with official warnings. But fact sheets for other drugs merely mention that they can interact with grapefruit, say to consult a health-care professional, or just counsel people to avoid drinking the juice in “large amounts.” And as Dan Nosowitz has reported for Atlas Obscura, several interacting drugs that bear warnings in Canada—among them, Viagra, oxycodone, the HIV antiviral Edurant, and the blood pressure medication verapamildon’t mention any issues with grapefruit in the United States. (When I asked the agency about these discrepancies, a spokesperson wrote, “The FDA is continuously reviewing new information about approved drugs, including studies and reports of adverse events. If the FDA determines there is a safety concern, the agency will take appropriate action.”)

    Very little solid data can precisely quantify grapefruit’s perils. Over the years, researchers have documented a number of isolated cases of citrus-drug interactions that prompted urgent medical care. But some of them involved truly exceptional amounts of juice. And citrus stans aren’t constantly dropping dead in clinical trials or nursing homes. Even when Bailey first presented his findings to the greater medical community, “people asked, ‘Where are all the bodies?’” Dresser, who was mentored by Bailey, told me. The paucity of data, Dresser contends, stems in part from health-care workers neglecting to check their patients for a history of juice-chugging.

    For now, the conversation has mostly stalled, while grapefruit has served up even more mysteries. In the years since Bailey’s discovery, researchers have found that the fruit might lower the concentration of certain drugs, such as the allergy med fexofenadine, perhaps by keeping the lining of the intestines from absorbing certain compounds. New drugs are a particularly murky area, especially because grapefruit interactions aren’t a typical first priority when a new medication hits the market. The popular COVID antiviral pill Paxlovid, for instance, contains the CYP3A4-susceptible ingredient ritonavir. A Pfizer representative told me that the company is not concerned about toxicity. But Heil wonders whether grapefruit could mildly aggravate some of Paxlovid’s irksome side effects: diarrhea, for instance, or maybe the sour, metallic taste that reminds many people of … well, grapefruit.

    That said, most grapefruit lovers need not despair. The fruit is still healthy—chock-full of vitamins and flavor—and yet is often overlooked, says Heidi Silver, a nutrition scientist at Vanderbilt University. Silver and researchers have shown that consuming grapefruit flesh or juice might be able to slightly lower levels of triglycerides and cholesterol. Technically, it can even play a role in weight loss: Snacking on a small portion before a meal can help people feel full faster. Then again, a glass of water will too. Just as grapefruit is not a miraculous vanquisher of fat, it isn’t a ubiquitous killer.

    Even people on certain medications may be able to enjoy it if they consult an expert first. Heil’s own father absolutely adores grapefruit, and also happens to take an oral medication that can interact. Swallow them too close together, and he risks dizziness and fatigue. But he and Heil have found a compromise: He can have small portions of grapefruit or its juice in the morning, spaced about 12 hours out from when he takes his meds at bedtime. A few weeks ago, Heil (who thinks grapefruit is disgusting) even gave her dad the green light to enjoy a dinnertime cocktail that contained a small splash of the juice. Maybe the smidge of fruit affected his meds that day. But “it wasn’t going to be the end of the world,” Heil told me. To say that, after all, would have been an exaggeration.

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    Katherine J. Wu

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  • ‘Weird’ Does What It Says On the Box: It’s Pretty Weird

    ‘Weird’ Does What It Says On the Box: It’s Pretty Weird

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    One really has to work at it to dislike “Weird Al” Yankovic. The accordion-wielding musician who somehow became an icon of the 1980s and 90s with his moronic parody versions of popular songs is largely impervious to criticism. He’s annoying, you say? No duh, would be the appropriate response. And after decades of delighting fans (and wrenching begrudging chuckles out of others) there are few performers more deserving of a career-topping victory lap.

    Weird: The Al Yankovic Story is a light and amusing romp very in much in tune with the dorky-and-proud aesthetic that has made its subject an unlikely household name. It’s also about as real of a movie as a “Weird Al” album is real music. I mean, sure, there are images on screen, just like instruments were put to tape, but for heaven’s sake let’s not scrutinize the craft in this too heavily. It’s a collection of jokes, some a little more clever than others, but when that’s done well, it’s well enough. Plus some polka.

    Co-written and co-produced by Yankovic himself (his first significant exercise in motion pictures since his daffy 1989 sketch collection UHF) the low-budget faux-biopic has two tremendous aces up its sleeve. Firstly, it has zero interest in telling you the actual Al Yankovic story; any honest-to-polka facts about the parodist’s life that made it into the movie seem to be purely coincidental. (It only takes a few minutes before that’s abundantly clear, with Toby Huss as Papa Yankovic beating the snot out of a traveling accordion salesman for trying to bring “the devil’s squeeze box” into his home.) Second, there’s Yankovic passing the signature Bermuda shirt, enormous glasses, and shag of curly hair to Daniel Radcliffe.

    Radcliffe’s zeal for the role is contagious. He’s basically doing an extended Saturday Night Live appearance, but he commands your attention as the driven song parodist who becomes a multi-platinum-selling artist with the ego and platinum jewelry to match. Many of the story beats follow typical musical biopics (indeed, this whole project began as a fake trailer that Yankovic used to psych up the audience on tour) so there’s an added level of parody here. Alas, one can not help but compare Weird at times to Walk Hard: The Dewey Cox Story, but the fact is that occasionally Weird tells the truth. “My Bologna,” Yankovic’s parody of The Knack’s “My Sharona” was, indeed, recorded in a bathroom for its good acoustics.

    While Weird (and Yankovic’s career) has one foot in the extremely popular—Evan Rachel Wood is very funny as Madonna, who, in this version of reality, becomes Yankovic’s lover/puppet master/eventual…well, you’ll see—it maintains a tight connection to its MAD magazine roots. Like this year’s Funny Pages, which reminds viewers that, until only very recently, comic books were for outcasts only, Weird is a nice window into a pop culture freakshow of a mostly gone era. Yankovic’s real-life mentor, Dr. Demento (a DJ, not a doctor), played by Rainn Wilson, is hilarious as the ringleader of a band of social reprobates. A party scene is a who’s who of comics and celebs portraying legends: Conan O’Brien as Andy Warhol is just one of about a dozen.

    While Weird goes down easy (and has a few out-of-nowhere zings that really kill) it does drag at times. I mean, has anyone listened to an entire “Weird Al” album in one sitting? The polka medleys are great, but eventually, they get tiresome. A tangent in which “Weird Al” and Madonna race off to fight Pablo Escobar is a great moment to head into the kitchen to see if there’s any leftover rocky road.

    It’s also perfectly “Weird Al” that this movie should be released by The Roku Channel, current home to all the orphaned Quibi content. (Seriously.) At first blush this may sound quite limiting—as if Yankovic’s 1984 breakout In 3-D were only available on 8-track—but this is apparently not the case. A publicist has assured me that one need not have a Roku device to watch the movie, all you need to do is go to their website. You don’t even have to set up an account if you don’t want to. (And there will be ads in there either way.)

    To be honest, that’s a shame. You should need a special talisman of sorts, like a decoder ring, or knowledge of the secrets from a MAD fold-in, to gain access. Like the young Alfie Yankovic secretly tuning in to Dr. Demento on his transistor radio, the idea of misfit moths working a little extra-hard to find this weird flame is the effort that’s missing in a lot of comedy these days. And it’s what drove “Weird Al” to become the … whatever the heck it is that he eventually became. You don’t need to be a fan of the accordion-toting Yankovic to get some enjoyment and laughs out of the gleefully absurd Weird, but it sure wouldn’t hurt either.

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    Jordan Hoffman

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