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Tag: Vivienne Westwood

  • Why Taylor Swift and Travis Kelce are missing the 2026 Grammys

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    Taylor Swift doesn’t have any Grammy nominations this year, so it’s unsurprising that the star is spending the evening out of the public eye. ELLE understands Swift will not be at tonight’s ceremony. Her fiancé, Travis Kelce, isn’t expected, either.While Swift released one of the buzziest albums of 2025, “The Life of a Showgirl,” it came out in October—after the 2026 eligibility period (Aug. 31, 2024 to Aug. 30, 2025). She can be nominated for it at the 2027 ceremony.Ahead of tonight’s show, Grammys executive producer Ben Winston addressed rumors of Swift’s attendance in an interview with Hits. “The only reason people think Taylor might be performing or coming is because Hits decided to print it this week and put it in their Hits List, and it was picked up globally,” he said. “But Hits just totally made that up. And now I am getting asked about it by you, as if it’s a real thing, when it was made up in your office! That really is a full-circle rumor!”The star attended last year’s Grammys as a presenter. She wore a glittery red Vivienne Westwood minidress that teased her upcoming “The Life of a Showgirl” era. Since releasing her “The End of an Era” docuseries in December, Swift has kept a low profile. She was photographed with Travis Kelce getting dinner in Beverly Hills on the Monday after the Golden Globes, but the couple wasn’t seen at the ceremony or any of its after-parties.On December 16, a source told “Us Weekly” that Swift “always has ideas percolating” for her music career but isn’t “locked into” doing a tour for “The Life of a Showgirl.” “There have been ideas floated, but right now she is enjoying her break.”An industry source echoed that sentiment, saying they weren’t “aware of any Showgirl tour plans,” either. “The Eras Tour was a once-in-a-lifetime experience, so she’s not going to put pressure on herself to make everything that big and ambitious,” the insider added. “She’ll make sure the next one is special in its own right, but she’s also realistic about it.”Swift and Kelce are also planning their wedding together. “Taylor thinks it’s cute , and it’s something they have been bonding over,” the first source said.The singer confirmed herself that she isn’t planning to tour right now during her press tour for “The Life of a Showgirl.” She told BBC Radio 1’s Greg James that she doesn’t have the itch to go back out on the road. “I am going to be really honest with you,” she said. “I am so tired when I think about doing it again because I’d want to do it really well again.”Days later, she quickly shut down speculation that after getting married, she’d stop making music during her interview with BBC Radio 2’s Scott Mills. “That’s a shockingly offensive thing to say. It’s not why people get married, so that they can quit their jobs,” she said.She added that Kelce is extremely supportive of her career: “I love the person that I am with because he loves what I do, and he loves how much I am fulfilled by making art and making music. That’s the coolest thing about Trav: He is so passionate about what he does that me being passionate about what I do, it connects us. There’s no point in time where he’s going to be like, ‘I’m really upset that you’re still making music, the music thing that I signed up for, that I knew you loved, I thought you were going to stop doing that.’”

    Taylor Swift doesn’t have any Grammy nominations this year, so it’s unsurprising that the star is spending the evening out of the public eye.

    ELLE understands Swift will not be at tonight’s ceremony. Her fiancé, Travis Kelce, isn’t expected, either.

    While Swift released one of the buzziest albums of 2025, “The Life of a Showgirl,” it came out in October—after the 2026 eligibility period (Aug. 31, 2024 to Aug. 30, 2025). She can be nominated for it at the 2027 ceremony.

    Ahead of tonight’s show, Grammys executive producer Ben Winston addressed rumors of Swift’s attendance in an interview with Hits. “The only reason people think Taylor might be performing or coming is because Hits decided to print it this week and put it in their Hits List, and it was picked up globally,” he said. “But Hits just totally made that up. And now I am getting asked about it by you, as if it’s a real thing, when it was made up in your office! That really is a full-circle rumor!”

    The star attended last year’s Grammys as a presenter. She wore a glittery red Vivienne Westwood minidress that teased her upcoming “The Life of a Showgirl” era.

    Since releasing her “The End of an Era” docuseries in December, Swift has kept a low profile. She was photographed with Travis Kelce getting dinner in Beverly Hills on the Monday after the Golden Globes, but the couple wasn’t seen at the ceremony or any of its after-parties.

    On December 16, a source told “Us Weekly” that Swift “always has ideas percolating” for her music career but isn’t “locked into” doing a tour for “The Life of a Showgirl.” “There have been ideas floated, but right now she is enjoying her break.”

    An industry source echoed that sentiment, saying they weren’t “aware of any Showgirl tour plans,” either. “The Eras Tour was a once-in-a-lifetime experience, so she’s not going to put pressure on herself to make everything that big and ambitious,” the insider added. “She’ll make sure the next one is special in its own right, but she’s also realistic about it.”

    Swift and Kelce are also planning their wedding together. “Taylor thinks it’s cute [he’s involved], and it’s something they have been bonding over,” the first source said.

    The singer confirmed herself that she isn’t planning to tour right now during her press tour for “The Life of a Showgirl.” She told BBC Radio 1’s Greg James that she doesn’t have the itch to go back out on the road. “I am going to be really honest with you,” she said. “I am so tired when I think about doing it again because I’d want to do it really well again.”

    Days later, she quickly shut down speculation that after getting married, she’d stop making music during her interview with BBC Radio 2’s Scott Mills. “That’s a shockingly offensive thing to say. It’s not why people get married, so that they can quit their jobs,” she said.

    She added that Kelce is extremely supportive of her career: “I love the person that I am with because he loves what I do, and he loves how much I am fulfilled by making art and making music. That’s the coolest thing about Trav: He is so passionate about what he does that me being passionate about what I do, it connects us. There’s no point in time where he’s going to be like, ‘I’m really upset that you’re still making music, the music thing that I signed up for, that I knew you loved, I thought you were going to stop doing that.’”

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  • One Fine Show: ‘Marie Antoinette Style’ at the Victoria & Albert Museum

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    This exhibition offers a glimpse into the life of Madame Déficit through the lens of how she chose to look. Peter Kelleher, courtesy Victoria and Albert Museum, London

    Welcome to One Fine Show, where Observer highlights a recently opened exhibition at a museum not in New York City, a place we know and love that already receives plenty of attention.

    I was in Paris during the Louvre heist, and though my alibi is firm, I never would have predicted the extent to which the robbery would capture the imagination of New Yorkers. The robbery inspired countless Halloween costumes and signage at last month’s marathon. I think people like to imagine an Ernst Blofeld-type figure, awaiting delivery of the gem so that he can admire them in a secret vault or put them on his cat or something. It’s since become clear that this was never about anything more than the skyrocketing price of gold. Still, you can’t blame people for craving a villain who puts style above all else.

    Marie Antoinette was certainly one of those, and whether you love her or love to hate her, the recently opened exhibition at the Victoria & Albert Museum, “Marie Antoinette Style,” is a must-see. It’s a fashion exhibition—not a historical show with a vast number of objects actually owned by her—but it recreates her world well. A facsimile of a necklace from the “affair of the diamond necklace,” for example, sits near other glittering jewelry that did belong to her.

    It’s a glimpse into her life through the lens of how she chose to look. Her shoes were so delicate, you can tell she didn’t do much walking. She had so many dominoes that you find yourself wondering how there could possibly be a need for so many. My favorite objects in the exhibition were the gilded satin gardening tools from Petit Trianon, her make-believe Disney village at Versailles.

    This is one of those “One Fine Shows” I had the pleasure of seeing in person, and I’m glad I did because there’s no way to convey the innovative exhibition design from a checklist. They don’t shy away from anything, which is first hinted at by a series of plastic busts that invite you to smell Marie Antoinette’s world through a series of holes at the base of the neck. The perfumes that flowed through her court were as bespoke and pleasing as the rest of her existence, but then the last one in the row is intensely foul. Is the machine broken? No, it’s simulating an 18th-century dungeon. This was near a room of pornographic cartoons about her from the time when it all started to go wrong, and it really snuck up on me. Next comes a red room and the last thing she ever wore: a thin prison smock.

    So as not to end on a down note, the exhibition finishes with a host of haute couture inspired by her, from Manolo Blahnik, Vivienne Westwood and Christian Dior, with costumes by Sofia Coppola from Marie Antoinette. One risks a tummy ache with all that candy, but it does make you think about the power of a cohesive look. Our wealthiest today pride themselves on how they dress, but so many of them look like absolute shit. Marie Antoinette wasn’t much more villainous than her aristocratic contemporaries and managed to build a vibe that endured across the centuries. It’s hard to imagine many Instagram feeds ending up at the V&A.

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    One Fine Show: ‘Marie Antoinette Style’ at the Victoria & Albert Museum

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    Dan Duray

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  • On Everyone’s Lips: Actress Nell Verlaque’s Thanksgiving Premiere Look

    On Everyone’s Lips: Actress Nell Verlaque’s Thanksgiving Premiere Look

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    “I’m a huge vintage lover,” Verlaque tells us the morning after the screening. “I saw this vintage Vivienne Westwood dress, and it was black and had this giant red lip on it and some teeth out, and the lipstick was sort of dripping.” From the moment the actress saw the black minidress while pursuing a vintage fair in her native New York, she knew she had to have it. The piece happened to be sourced by one of her favorite vintage stores, James Veloria, and felt like the perfect look for a press moment. “This was during the strike, so mind you, I was very depressed and trying to manifest that the strike would be able to end before [the film came out] or that we got a deal so we could promote it,” Verlaque says. “I saw it and thought, ‘I’m just going to get it, and if I get to wear it for something Thanksgiving related, then perfect, and if not, I’ll save it for the next one.’”

    You could say Verlaque manifested her next red carpet appearance in that moment. When she got the call months later from Sony that they were moving ahead with a premiere, albeit with barely a week’s notice, she went straight to her closet. “It was great to have a special piece like that,” she says, referencing the dress. “I also like throwing things together myself, so I was quite happy with the way it turned out.”  

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    Jessica Baker

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  • Hailey Bieber’s NYC Looks Are Proof That This Is the Only Color That Matters RN

    Hailey Bieber’s NYC Looks Are Proof That This Is the Only Color That Matters RN

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    I don’t know about you, but there’s nothing I enjoy more from the celeb set than when they go all out with a theme (I’m looking at you, Margot Robbie). And that’s exactly what Hailey Bieber’s done for the New York City press tour of her latest Rhode launch: the Strawberry Glazed Doughnut Peptide Lip Treatment designed in collaboration with Krispy Kreme. 

    For the trip—which included an event at the Krispy Kreme flagship store in Times Square, a stint on Good Morning America, a Ferrari-red Corvette convertible, and a helicopter ride—Bieber wore not one, not two, but three looks in a single day, all of which featured the color on everyone’s lips right now (just to clarify, I don’t mean the PLT, that’s clear): bright, fiery red.

    First, she was spotted leaving the GMA offices wearing a drapey, red midi dress from Vivienne Westwood’s fall 2023 collection, paired with matching sky-high Maison Ernest sandals and Ferragamo’s buzzy Wanda bag. She then traveled downtown to TriBeCa, exiting her van in an equally drapey fall 2023 Marc Jacobs minidress in white, paired with the same Ferragamo top-handle bag and new Manolo Blahnik Maysale mules in the vibrant color. After a quick outfit change at Hotel Barrière Fouquet’s New York, one of NYC’s hottest new hotels, Bieber stepped out in a red, corset-style strapless minidress by Ermanno Scervino, styled with the same Maison Ernest heels from earlier in the day and a matching Courrèges bag. It’s as if she and her stylist, Dani Michelle, had a color palette in mind…

    See every one of Bieber’s Strawberry Glazed Donut launch looks, all of which prove that the red trend from the fall/winter 2023 runways is here to stay, below. 

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    Eliza Huber

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  • Vivienne Westwood, fashion designer and style icon, dies at 81

    Vivienne Westwood, fashion designer and style icon, dies at 81

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    Written by Nick Glass, CNN

    British fashion designer and style icon Vivienne Westwood has died aged 81. She passed away peacefully, surrounded by her family, at her home in London on Thursday, according to an official statement from her eponymous company.

    To the media, she was “the high priestess of punk” and the “Queen of Extreme.” To the fashion world she was a beloved character who energized and pushed the boundaries of the industry until her death.

    She twirled sans culottes for photographers after receiving her Order of the British Empire from the Queen in 1992. In April 1989, she made the front cover of Tatler magazine, dressed in an Aquascutum suit she said was intended for Margaret Thatcher.

    Westwood, frankly, didn’t give a hoot. As the oldest of ingénues with periodically orange-tinted hair and alabaster complexion, she rose disgracefully to the revered status of British national treasure.  

    “I have an in-built perversity,” Westwood’s reported to have said, per Jon Savage’s seminal “England’s Dreaming: The Sex Pistols and Punk Rock,” “a kind of in-built clock which always reacts against anything orthodox.”

    See Vivienne Westwood’s iconic fashion designs

    She was born Vivienne Isabel Swire in Derbyshire, England on April 8, 1941. Her mother worked as a weaver at local cotton mills; her father came from a family of shoemakers. She began making clothes for herself as a teenager.

    After a term at Harrow Art School, she worked as a primary school teacher, and married a factory worker, Derek Westwood, in 1962.

    But everything changed when she left her husband, and met Malcolm McLaren in 1965.

    “I felt as if there were so many doors to open, and he had the key to all of them,” she told Newsweek in 2004.

    It’s impossible to imagine 1970s Britain without their creative partnership. McLaren managed the Sex Pistols and from a shop on London’s King’s Road, Westwood helped develop a visual grammar for the punk movement.

    “Sex Pistols” manager Malcolm McLaren with Vivienne Westwood outside Bow Street Magistrate Court in London. Credit: Bill Kennedy/Mirrorpix/Getty Images

    The shop changed names — Let It Rock; Too Fast to Live, Too Young to Die; Sex; Seditionaries — but you couldn’t escape its impact on the street.

    “It changed the way people looked,” Westwood told Time magazine in 2012. “I was messianic about punk, seeing if one could put a spoke in the system in some way.”

    Her clothes ranged from fetishistic bondage gear to massive platform shoes and slogan T-shirts. Seditionaries famously sold a t- shirt showing the Queen with a safety pin through the royal lip.

    Westwood eventually moved on. In 1981, at 40, Westwood launched her first catwalk collection with McLaren. The gender neutral clothes evoked the golden age of piracy, highwaymen, dandies and buccaneers. Westwood studied old tailoring techniques and subverted them, an approach later imitated by other British designers like John Galliano and Alexander McQueen.

    Over the course of the decade, Westwood drew inspiration eclectically from Keith Haring, “Blade Runner” and the French Foreign Legion.

    She introduced the mini-crini (combining the tutu and Victorian crinoline), flesh-colored tights with modesty fig leaves and signature corsetry worn as outerwear; she designed frocks for women with breasts and hips (ask Nigella Lawson or Marion Cotillard, who both wore Westwood to dramatic affect); she would experiment with Harris tweed and tartan.

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    Vivienne Westwood at Buckingham Palace, after receiving her OBE from the Queen in 1992. Credit: Martin Keene/PA Images/Getty Images

    John Fairchild, then the all-powerful editor of Women’s Wear Daily, conferred his blessing in 1989. In his view, she was one of the six most influential designers of the 20th century, along with Yves Saint Laurent, Karl Lagerfeld, Giorgio Armani, Christian Lacroix and Emanuel Ungaro. Westwood was the only woman, the only Brit, and the only designer on his list who was not already a multi-million-dollar brand. (In 1989, she was still living in an ex-council flat in South London and was “virtually bankrupt,” according to Jane Mulvagh’s 1998 biography, “Vivienne Westwood: An Unfashionable Life.”)

    Style writer Peter York summed her up in a 1990 documentary: “All the things that fuel her, and all the obsessions she builds her work around are typically British: The whole thing about class and sex, the particular obsession with the Queen. You couldn’t develop those anywhere else.”

    Vivienne Westwood and her husband and fellow designer Andreas Kronthaler at Paris Fashion Week in 2013.

    Vivienne Westwood and her husband and fellow designer Andreas Kronthaler at Paris Fashion Week in 2013. Credit: Pascal Le Segretain/Getty Images

    In 1992, Westwood married an Austrian design student, Andreas Kronthaler, 25 years her junior. They worked as co-designers, before he took over her ready-to-wear line in 2016. In a statement released with the announcement of her death Kronthaler said, “I will continue with Vivienne in my heart. We have been working until the end and she has given me plenty of things to get on with. Thank you darling.”

    Westwood was an outspoken advocate for the planet, often promoting quality over quantity when it came to fashion consumption. For her Fall-Winter 2019/20 show at London Fashion Week, Westwood sent models, actors, and activists down the runway with political signs — one of which read “What’s good for the planet is good for the economy.”

    The Vivienne Foundation, a not-for-profit company, founded by Westwood, her sons & granddaughter in late 2022, will officially launch next year. According to her spokespeople it will “honour, protect and continue the legacy of Vivienne’s life, design and activism.”

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  • Fashion Legend Vivienne Westwood Dies at 81

    Fashion Legend Vivienne Westwood Dies at 81

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    Designer Vivienne Westwood, who galvanized British fashion and brought elements of punk and new wave style to the mainstream with her designs beginning in the 1970s, died in Clapham, South London on Thursday, according to a tweet from her eponymous fashion label’s official account. She was 81. A cause of death was not disclosed, though the statement said she died “peacefully and surrounded by family.” 

    “The world needs people like Vivienne to make a change for the better,” the tweet continues. 

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    Her husband and creative partner, Andreas Kronthaler, released a statement, saying, “I will continue with Vivienne in my heart.” 

    “We have been working until the end and she has given me plenty of things to get on with. Thank you darling,” he added.

    Born Vivienne Isabel Swire in Cheshire, England on April 8, 1941, Westwood moved with her family to Harrow, Greater London, in 1954. She took a metalsmithing course, but soon dropped out and began working in a factory, and then as a schoolteacher. She also made jewelry that she sold in a stall on London’s Portobello Road. After a brief marriage to factory apprentice Derek Westwood, and the birth of their son, Benjamin, the chapter of Westwood’s life that made her a provocative public figure in the decades to follow began: She met Malcolm McLaren, manager of the punk band The Sex Pistols. She began designing clothes with McLaren, which the band wore, and the two ran a boutique called SEX on London’s King’s Road. It closed in 1976, but the shop was a meeting place for prominent punks, and its wares were attention-grabbing fashion statements unlike anything street fashion had seen. 

    Viv Albertine, guitarist for the punk band The Slits, once wrote that “Vivienne and Malcolm use clothes to shock, irritate, and provoke a reaction but also to inspire change.” Sweaters knit so loosely that they were see-through, seams and labels visible on ripped-up, defaced t-shirts, an insouciant attitude, translated sartorially. Punk, as demonstrated through pants. “These attitudes are reflected in the music we make,” Albertine wrote. “It’s OK to not be perfect, to show the workings of your life and your mind in your songs and your clothes.”

    Vivienne Westwood in February, 2018 in London.by Ki Price/Getty Images.

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    Kase Wickman

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  • Fashion Remembers Vivienne Westwood

    Fashion Remembers Vivienne Westwood

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    Dame Vivienne Westwood, often known as the “high priestess of punk,” passed away this Thursday, leaving the fashion community to mourn the loss of a maverick.

    The British designer took the world by storm in the 1970s with her radical approach to urban street style, giving rise to the punk movement and provocative looks that are still remembered and referenced to this day. She dressed the Sex Pistols, received an OBE from Queen Elizabeth, won British Designer of the Year two years in a row and launched multiple labels that earned international acclaim and continue to garner fans.

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    Angela Wei

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  • Vivienne Westwood, Legendary Designer and Activist, Has Passed Away

    Vivienne Westwood, Legendary Designer and Activist, Has Passed Away

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    Dame Vivienne Westwood passed away “peacefully and surrounded by her family” on Thursday at the age of 81 in Clapham, South London, according to a statement from her brand’s Twitter.

    Westwood was a legendary leader in womenswear and was considered to have spearheaded the punk movement in fashion in the late 1970s. To her very last day, Westwood served as the head designer of her namesake label. 

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    Brooke Frischer

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  • Vivienne Westwood, U.K.’s rebel fashion designer, dead at 81 – National | Globalnews.ca

    Vivienne Westwood, U.K.’s rebel fashion designer, dead at 81 – National | Globalnews.ca

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    As the person who dressed the Sex Pistols, Vivienne Westwood, who died on Thursday at the age of 81, was synonymous with 1970s punk rock, a rebelliousness that remained the hallmark of an unapologetically political designer who became one of British fashion’s biggest names.

    “Vivienne Westwood died today, peacefully and surrounded by her family, in Clapham, South London. The world needs people like Vivienne to make a change for the better,” her fashion house said on Twitter.

    Climate change, pollution, and her support for WikiLeaks founder Julian Assange were all fodder for protest T-shirts or banners carried by her models on the runway.

    Read more:

    Vivienne Westwood returns with dose of politics at London fashion show

    She dressed up as then-prime minister Margaret Thatcher for a magazine cover in 1989 and drove a white tank near the country home of a later British leader, David Cameron, to protest against fracking.

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    The rebel was inducted into Britain’s establishment in 1992 by Queen Elizabeth who awarded her the Order of the British Empire medal. But, ever keen to shock, Westwood turned up at Buckingham Palace without underwear – a fact she proved to photographers by a revealing twirl of her skirt.

    “The only reason I am in fashion is to destroy the word ‘conformity’,” Westwood said in her 2014 biography. “Nothing is interesting to me unless it’s got that element.”

    Instantly recognizable with her orange or white hair, Westwood first made a name for herself in punk fashion in 1970s London, dressing the punk rock band that defined the genre.

    Together with the Sex Pistols’ manager, Malcolm McLaren, she defied the hippie trends of the time to sell rock’n’roll-inspired clothing.

    They moved on to torn outfits adorned with chains as well as latex and fetish pieces that they sold at their shop in London’s King’s Road variously called “Let It Rock,” “Sex” and “Seditionaries,” among other names.


    Click to play video: 'Vivienne Westwood’s son Joe Corre burns over $8 million worth of punk memorabilia'


    Vivienne Westwood’s son Joe Corre burns over $8 million worth of punk memorabilia


    They used prints of swastikas, naked breasts and, perhaps most well-known, an image of the queen with a safety pin through her lips. Favourite items included sleeveless black T-shirts, studded, with zips, safety pins or bleached chicken bones.

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    “There was no punk before me and Malcolm,” Westwood said in the biography. “And the other thing you should know about punk too: it was a total blast.”

    “BUY LESS”

    Born Vivienne Isabel Swire on April 8, 1941, in the English Midlands town of Glossop, Westwood grew up at a time of rationing during and after World War Two.

    A recycling mentality pervaded her work, and she repeatedly told fashionistas to “choose well” and “buy less.” From the late 1960s, she lived in a small flat in south London for some 30 years and cycled to work.

    When she was a teenager, her parents, a greengrocer and a cotton weaver, moved the family to north London where she studied jewelry-making and silversmithing before re-training as a teacher.

    While she taught at a primary school, she met her first husband, Derek Westwood, marrying him in a homemade dress. Their son Ben was born in 1963, and the couple divorced in 1966.

    Now a single mother, Westwood was selling jewelry on London’s Portobello Road when she met art student McLaren who would go on to be her partner romantically and professionally. They had a son, Joe Corre, co-founder of lingerie brand Agent Provocateur.

    After the Sex Pistols split, the two held their first catwalk show in 1981, presenting a “new romantic” look of African-style patterns, buccaneer trousers and sashes.

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    Read more:

    Lady Gaga, Vivienne Westwood top theatrical day at London Fashion Week

    Westwood, by then in her forties, began to slowly forge her own path in fashion, eventually separating from McLaren in the early 1980s.

    Often looking to history, her influential designs have included corsets, Harris Tweed suits and taffeta ballgowns.

    Her 1985 “Mini-Crini” line introduced her short puffed skirt and a more fitted silhouette. Her sky-high platform shoes garnered worldwide attention in 1993 when model Naomi Campbell stumbled on the catwalk in a pair.

    “My clothes have a story. They have an identity. They have character and a purpose,” Westwood said.

    “That’s why they become classics. Because they keep on telling a story. They are still telling it.”

    The Westwood brand flourished in the 1990s, with fashionistas flocking to her runway shows in Paris, and stores opening around the world selling her lines, accessories and perfumes.

    She met her second husband, Andreas Kronthaler, teaching fashion in Vienna. They married in 1993 and he later became her creative partner.

    Westwood used her public profile to champion issues including nuclear disarmament and to protest against anti-terrorism laws and government spending policies that hit the poor. She held a large “climate revolution” banner at the 2012 Paralympics closing ceremony in London, and frequently turned her models into catwalk eco-warriors.

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    “I’ve always had a political agenda,” Westwood told L’Officiel fashion magazine in 2018.

    “I’ve used fashion to challenge the status quo.”

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  • Vivienne Westwood, Influential Fashion Maverick, Dies At 81

    Vivienne Westwood, Influential Fashion Maverick, Dies At 81

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    LONDON (AP) — Vivienne Westwood, an influential fashion maverick who played a key role in the punk movement, died Thursday at 81.

    Westwood’s eponymous fashion house announced her death on social media platforms, saying she died peacefully. A cause of death was not disclosed.

    Westwood’s fashion career began in the 1970s with the punk explosion, when her radical approach to urban street style took the world by storm. But she went on to enjoy a long career highlighted by a string of triumphant runway shows in London, Paris, Milan and New York.

    The name Westwood became synonymous with style and attitude even as she shifted focus from year to year. Her range was vast and her work was never predictable.

    As her stature grew, she seemed to transcend fashion, with her designs shown in museum collections throughout the world. The young woman who had scorned the British establishment eventually became one of its leading lights, and she used her elite position to lobby for environmental reforms even as she kept her hair dyed the bright shade of orange that became her trademark.

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  • How Gabrielle Union’s Latest Press Tour Wardrobe Came Together

    How Gabrielle Union’s Latest Press Tour Wardrobe Came Together

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    A Gabrielle Union-Wade promo cycle is always a fun time. The actor, producer and multi-hyphenate Scorpio icon is a known lover and appreciator of fashion — she’s made that clear her entire decades-long career, building relationships with the biggest luxury houses in the world (Prada, Miu Miu and Valentino, to name a few) while also supporting emerging labels. (She’s worn Christopher John Rogers, Zankov and Puppets and Puppets, among others, in the last few weeks alone.)

    For years, she’s been collaborating with stylist Thomas Christos Kikis on everything from press tours to #WadeWorldTours. Promoting multiple projects this fall, Union’s been out and about, with a dual focus on the animated Disney film “Strange World” and the A24 drama “The Inspection.” One’s a big-studio, fun-for-the-whole-family event; the other, an emotional awards season vehicle — “two very different projects,” as Christos tells me. 

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    Ana Colón

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  • Timothee Chalamet’s Choker Shows All Men Should Be Accessorizing More

    Timothee Chalamet’s Choker Shows All Men Should Be Accessorizing More

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    It’s no secret that men have finally discovered that they can have fashionable fun on the red carpet in something other than a run-of-the-mill tuxedo. Brad Pitt’s skirt, Chris Pine’s dapper Venice Film Festival ensemble, Timothee Freaking Chalamet in general. The latest ideology is that life is too short not to wear a fun outfit.


    And we don’t just need to celebrate the daring red jumpsuit from Timothee or the avant-garde dress Harry Styles styled on the cover of Vogue…It’s those capricious flares of style and personality on display in Timothee Chalamet’s Vivienne Westwood choker for the Bones & All premiere. The shirtless look paired with the white, wide lapel suit.

    There isn’t a set uniform like a tuxedo and standard gown for red carpets – or even real life – anymore. It starts with big statements like men in dresses, but causes people to take more subtle risks like accessorizing their outfit.

    Seeing big names like Timothee or Brad can influence many others to make bold fashion choices the norm. You don’t really blink twice anymore if you see a guy wearing multiple rings, it’s just a cool fashion statement.

    Jewelry is a great way to dress up your normal style without completely switching your wardrobe around. Trends don’t often vary as much for men, so the clothing options can feel limited…how are you supposed to switch up your style if the shirts are all the same?

    An easy and much more affordable route is accessorizing to your liking. Adding a few rings here or a chain there can elevate your look instantly. Jewelry is no longer for the girls only.

    You don’t have to have a dramatic change to switch up your style and renew your outfit completely. The simplest of accessories can be the key to refreshing your wardrobe this fall without having to try too hard. The biggest question you’ll have to ask yourself is gold or silver?

    This fall, we’re choosing simple accessories as the staple for every man’s closet. It’s the perfect solution to spicing up any old outfit. Instead of your normal baseball hat, try a chain this season.

    Vivienne Westwood Man. Mini Bas Relief Orb Pendant Necklace

    Channeling your inner Timothee, this Vivienne Westwood chain and planet charm is a simple take on a classic. The gunmetal shade matches everything and it’s the perfect chain for everyday wear.

    Miansai Pax Ring 

    A simple gold ring isn’t too flashy, but gets the job done. The black enamel detail is vintage-inspired with a modern edge that can match any outfit.

    Mejuri Curb Chain Bracelet 

    The curb chain is the perfect chain that is thick enough to make a statement without being too gaudy. Stack this curb chain on top of a watch for a more accessorized look, or wear it by itself as a statement.

    ASOS DESIGN 2 Pack Layered Neckchain With Cross

    asos has the more affordable jewelry that will last you a long time. It doesn’t look cheap, and you can get two necklaces to wear separately or together.

    ASOS DESIGN Midweight Curb Chain

    Michael B. Jordan at the Los Angeles Premiere Of Amazon Prime Video’s ‘The Lord Of The Rings: The Rings Of Power’

    Image Press Agency/NurPhoto/Shutterstock

    Again, a take on the classic chain. You can never go wrong with a simple silver chain, especially when you pair it with different jewelry like rings and bracelets.

    If Michael B. Jordan enhances his look with a simple iced out chain and stud earrings, you can too. Men’s accessories are a great way to step out of your comfort zone to switch up your style this fall.

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    Jai Phillips

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  • Hermes goes for earthen tones; Ellie Saab revisits the ’60s

    Hermes goes for earthen tones; Ellie Saab revisits the ’60s

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    PARIS — A giant, glowing crystal rock upon a sand-colored carpet evoked a glamorous alien planet for Hermes’ champagne-sipping VIP guests.

    Earthen hues like browns, reds and yellows — colors long-associated with the heritage brand — were used at Saturday’s show to create Nadège Vanhee-Cybulski’s utilitarian, low-key yet luxuriant universe for spring.

    Elsewhere, Ukraine’s top fashion designers used the platform of Paris Fashion Week to promote their war-battered industry.

    Here are some highlights of the day’s spring-summer 2023 collections in Paris:

    HERMES’ SUBTLE STRINGS

    It was a Vanhee-Cybulski minimalist take on the 80s.

    The lone pulsating crystal that glowed color from the center of the runway established the collection’s key idea: Simplicity is powerful.

    As the show took off, the odd utilitarian features — such as toggles and the strange, perplexing box platform shoes that stomped throughout — were used with subtlety but aplomb.

    It gave a sporty and outer-space feel to the collection’s stylish, almost empty, restraint — a mood that now defines the talented 44-year-old French designer’s repertoire.

    Tan suede tunic minidresses sported beautiful, braided leather hems — showcased without jewelry on a makeup-less model. While, exposed midriffs latticed with cords and toggles came on otherwise unfussy slim silhouettes.

    UKRAINE’S “GOOD SIX” DESIGNERS SHOW UNITED FRONT

    Last season in Paris, the Ukrainian designers trade fair event took place just two days before Russia’s invasion amid stories of some artists fleeing the country so rapidly they had only their children and their collection in hand.

    This season sees no improvement back home for the industry: It’s been battered by increased financial strains as designers try hard to maintain employed staff despite little money, a decrease in demand and ravished supply chains.

    A collective of these designer-survivors is showing in Paris beginning Saturday until Oct.6.

    Jen Sidary, the collective’s head, said “in my 30 years of working in the fashion industry, I have never witnessed the resilience of a country and its people as they began to focus on keeping their businesses alive, days into the war, from bomb shelters to designing new collections amidst constant air raid sirens.”

    The six making up the Paris Fashion Week event — Frolov, Kachorovska, Chereshnivska, Litkovska, My Sleeping Gypsy and Oliz — are showcasing unisex apparel, footwear and scarves. It’s a bid to keep their ravaged industry alive, and form of resistance against the Russian bombs decimating their homeland.

    Many of their colleagues back home in Ukraine have had to repurpose their operations to help the war effort, relocating within the country, according to Sidary.

    The courage of the Ukraine fashion industry has drawn international attention.

    USAID Project Manager Natalia Petrova spoke of the “remarkable resilience, commitment and awareness” of Ukrainian businesses since Russia’s invasion of Ukraine.

    “Disruptions on the domestic market caused by decrease in demand by population and broken supply chains, are pushing companies to explore export opportunities to diversify their sales,” she added.

    ANDREAS KRONTHALER FOR VIVIENNE WESTWOOD

    Kink mated with art in the typically quirky fare from Kronthaler — a staple show where a fashion surprise is all but expected.

    With his usual encyclopedic flair, Kronthaler wove an aesthetic from yesteryear — medieval and renaissance nobles and peasants — into his drape-heavy silhouettes. Guests almost felt like they were at the theater.

    Juliette sleeves mixed with black Renaissance tarbuds, decorated collars and even one wacky but stylish blue loose tuxedo look that could have been worn by the Bard himself. Of course, Kronthaler accessorized it anachronistically with pale blue striped rugby socks. Added to the creative cauldron were chunky Glam Rock boots and a Highlands kilt style with white trimming at the male model’s nether regions, making it look like they might have gotten a front bite.

    The opening image of Irina Shayk, often voted among the most beautiful models in the world, in a shiny black bustier and silver-ring earrings riffing off S&M will surely be one picture few quickly forget.

    ELIE SAAB REVISITS THE 60s

    The late 1960s got a facelift on Saturday in a collection that featured babydoll dresses, miniskirts, psychedelia, crop-tops and jabot collars — but never lost that floaty, contemporary Saab touch.

    The first look from Saab at his Paris fashion show fused a 1960s angelic-white crop top and a maxi skirt with an ethnic look, thanks to a construction of interlocking motifs. This fusion of different eras continued throughout the show, which sent out 68 items.

    Lace detailing was a big theme and became the front of a baggy pale tracksuit top. In an anachronism that defined this Saab spring aesthetic, it was worn alongside a sheer 1990s’ tulle skirt. It had a great swag and could have very well been seen at a music festival in that decade.

    Flashes of Barbie pink and citrus contrasted with psychedelic stripes on column silhouettes, sometimes making it feel like Saab was trying to put too much in the mix. The collection was ultimately hard to pin down.

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