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Tag: visual arts

  • Local students win Scholastic Art Awards

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    Dozens of local middle and high school students are being honored in the state 2026 Scholastic Art & Writing Awards for their artistic and literary work.

    The annual awards celebrate artists, photographers and writers in grades 7-12 across the nation. This year alone, more than 12,000 entries were submitted to the Massachusetts contest.

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    By Caroline Enos | Staff Writer

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  • Fisk to present new Opus at open shop event Saturday

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    GLOUCESTER — C.B. Fisk will unveil its Opus 166 at an open shop event Saturday when visitors can get an inside look at what goes into creating these enormous pipe organs.

    The Open Shop Celebration takes place from 2 to 6 p.m. at the Gloucester workshop at 21 Kondelin Road.

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    By Gail McCarthy | Staff Writer

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  • From red donkeys to vibrant art: Colorblind painter’s colorful journey

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    DORAL, Fla. — When Fernando Dávila was 8 years old in Colombia, he failed a drawing class because he painted donkeys red.

    There was a reason for that: He is colorblind.

    Now the 72-year-old Dávila is an established and respected artist whose vibrant paintings have been exhibited in South America, Europe and the United States.

    “I have the most wonderful job in the world, which is painting every morning,” Dávila said from his studio in a Miami suburb. “To mix colors. To have joy to share with the world, that’s really my passion.”

    He started off painting only in black and white until he was around 30 years old because of his colorblindness, a congenital condition which makes it difficult for people to tell the difference between certain colors, particularly red and green, and shades of color. There is no cure for the condition, which for Dávila also makes the colors pink, violet, turquoise and yellow-green confusing.

    Since the mid-1980s, Dávila has painted in color through the help of glasses developed by an ophthalmologist in New York, where Dávila was living at the time. One lens is transparent and the other is shaded red, and they help him discriminate between contrasting shades that normally blur together. With the lenses, he can see almost two-thirds of the colors, but without them he only sees around 40% of the colors.

    Dávila compared his condition to having a box of chocolates but only being able to eat a sample of the selection. He says he has such a strong desire to see every color.

    “It’s something that I miss in my life, that if somebody says, ‘Look at this flower,’ which is bright, bright pink, I want to do it,” he said. “It’s something that comes from my heart so passionately. I can feel the vibration of color.”

    Colorblindness runs his family. A grandfather and some great uncles only saw in black and white, while his mother and her three sisters also were colorblind even though the condition is rarer in women. His two brothers also have trouble discriminating between colors.

    Dávila has spent his career in Colombia, New York and Florida. He was awarded the “Order of Democracy” by the Colombian Congress in 1999 for his contribution to the arts. He also has published two hardcover books and many catalogues about his paintings, and his work has appeared at major auctions including Christie’s and Sotheby’s.

    His paintings include romantic images of men and women embracing and landscapes, often using the color blue as a foundation.

    “I think color is one of the most important things in life,” he said. “And especially for me.”

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    Mike Schneider in Orlando, Florida contributed to this report.

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  • The next Met Gala exhibit will spotlight fashion across art history

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    NEW YORK (AP) — If there’s been one uniting theme of all the blockbuster fashion exhibits at the Metropolitan Museum of Art, it’s the simple idea that fashion is art.

    “Costume Art,” announced Monday as the next big show at the museum’s Costume Institute — launched by the starry Met Gala in 2026 — aims to make that connection more literal than ever, pairing garments with objects from across the museum to show how fashion has long been intertwined with different art forms.

    Max Hollein, CEO and director of the Met, said in an interview ahead of Monday’s announcement that he hopes the exhibit will take visitors to the New York museum on a (very fashionable) journey through art history, where they will see connections throughout.

    “It’s a show that can really live in fascinating ways at the museum and can pull from all different areas of our collection — paintings, sculpture, drawings,” Hollein said.

    “I hope we all agree that fashion is art,” Hollein added. “But actually I think the exhibition … will make it obvious how fashion is actually happening, so to say, all across the museum and in all different mediums already.”

    The new show will examine the dressed body, and will be organized thematically by different body types, according to the Costume Institute’s curator in charge, Andrew Bolton. It will include the “Naked Body” and the “Classical Body,” for example, but also less expected themes like the “Pregnant Body” and the “Aging Body.”

    “Bustle” by Charles James, right, is displayed at the announcement. (AP Photo/Richard Drew)

    A spandex bodysuit by Belgian designer Walter Van Beirendonck from a 2009 collection, right, is displayed during the announcement, at the Metropolitan Museum of Art, in New York, Monday, Nov. 17, 2025, about the next spring fashion exhibit "Costume Art," which is set to launch at the Met Gala in 2026. (AP Photo/Richard Drew)

    A spandex bodysuit by Belgian designer Walter Van Beirendonck from a 2009 collection, right, is displayed during the announcement. (AP Photo/Richard Drew)

    The connections that will be drawn between artworks and garments will range, curators said in a statement, “from the formal to the conceptual, the aesthetic to the political, the individual to the universal, the illustrative to the symbolic, and the playful to the profound.”

    One example: in the “Naked Body” section, a 1504 print from German artist Albrecht Dürer will be paired with spandex bodysuits by Belgian designer Walter Van Beirendonck from a 2009 collection that revisits the story of Adam and Eve in the Garden of Eden.

    On hand for Monday’s announcement was Misty Copeland, who recently retired from American Ballet Theatre after a trailblazing career that saw her become the company’s first Black female principal dancer. In her remarks, she spoke of the interplay between fashion and dance and said the show makes a “powerful case for the body, in all its forms, as a work of art, worthy of being seen, elevated, and celebrated.”

    “Of course, both fashion and dance have long held up an ‘ideal’ body, one that has historically meant thin, white, and female. That bias shaped my own experience,” she said. “Early in my career, I was made to feel that my body didn’t fit the mold. My skin was too dark, my muscles too defined. Being a Black woman and a ballerina was presented almost as a contradiction.”

    Copeland said she fought to challenge that idea and stood “firmly in the value and beauty of my body, and of the many Black and brown dancers whose bodies have so often been overlooked.” The new exhibit — following the lauded “Superfine: Tailoring Black Style,” which focused on Black menswear — adds to that conversation, Copeland said.

    It’s also a show that will have a new home. “Costume Art,” which opens to the public May 10, will inaugurate new gallery space occupying some 12,000 square feet (1,115 square meters), right off the museum’s Great Hall.

    That means that when the A-listers come up the main steps on May 4 at the Met Gala — perhaps dressed to channel famous objects of art — they will be only feet from the exhibit, making it easier to view the art before sipping and socializing. (Gala details — such as the celebrity hosts and specific dress code — will be shared later.)

    Hollein said the museum was mainly concerned with giving fashion a more prominent home — and giving regular visitors a smoother experience. In past years, long lines for fashion exhibits would snake through other galleries and create bottlenecks in inconvenient places.

    The new Conde M. Nast galleries — created from what was formerly the museum’s retail store — will house not only all spring Costume Institute exhibits to come, but other shows from different parts of the museum.

    Bolton said in a statement that the gallery space “will mark a pivotal moment for the department, one that acknowledges the critical role fashion plays not only within art history but also within contemporary culture.”

    “Costume Art” opens to the public May 10, 2026, and runs until Jan. 10, 2027.

    ___

    This story has been updated to correct the date of the 2026 Met Gala. It’s May 4, not May 5.

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  • Frida Kahlo portrait could sell for $60 million and shatter records at Sotheby’s

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    LONDON — LONDON (AP) — Frida Kahlo’s face is one of the best known in art, thanks to her bold and challenging self-portraits.

    A lesser-seen self-depiction by the Mexican artist is going up for auction at Sotheby’s in what could be a record-setting sale.

    With an estimated price of $40 million to $60 million, “El sueño (La cama)” – “The Dream (The Bed)” may surpass the top price for a work by any female artist when it goes under the hammer on Nov. 8. That record currently stands at $44.4 million, paid at Sotheby’s in 2014 for Georgia O’Keefe’s “Jimson Weed/White Flower No. 1.”

    The highest price at auction for a Kahlo work is $34.9 million, paid in 2021 for “Diego and I,” depicting the artist and her husband, muralist Diego Rivera. Her paintings are reported to have sold privately for even more.

    “It’s not just one of the more important works by Kahlo, but one of a few that exists outside of Mexico and not in a museum collection,” said Julian Dawes, vice-chairman and head of impressionist and modern art for Sotheby’s Americas. “So as both a work of art and as an opportunity in the market, it could not be more rare and special.”

    Kahlo vibrantly and unsparingly depicted herself and events from her life, which was upended by a bus accident at 18. She started to paint while bedridden, underwent a series of painful surgeries on her damaged spine and pelvis, then wore casts until her death in 1954 at age 47.

    Painted in 1940, “El sueño (La cama)” shows the artist, wreathed in vines, lying in a four-poster bed floating in a pale blue sky. A skeleton wired with dynamite and clutching a bouquet of flowers lies atop the canopy.

    The image is exploding with symbolism and feels like an allegory – but the artist really did have a skeleton on top of her bed.

    Dawes said it’s a psychological self-portrait by an artist at her peak.

    “Her greatest works derive from this moment between the late 1930s and the early 1940s,” he said. “She has had a variety of tribulations in her romantic life with Diego, in her own life with her health, but at the same time she’s really at the height of her powers.”

    Last exhibited publicly in the late 1990s, the painting is the star of a sale of more than 100 surrealist works by artists including Salvador Dalí, René Magritte, Max Ernst and Dorothea Tanning. They are from a private collection whose owner has not been disclosed.

    A century after Andre Breton’s “Surrealist Manifesto” defined a revolutionary artistic movement characterized by unsettling juxtapositions and paradoxical statements, interest in – and prices for – surrealist art are booming. Surrealism’s share of the art market rose from 9.3% to 16.8% between 2018 and 2024, according to Sotheby’s. Magritte’s “L’empire des lumières” sold last year for $121.2 million, a record for a surrealist work.

    Kahlo resisted being labelled a surrealist, but Dawes said her “fascination with the subconscious” and use of otherworldly imagery place her squarely in that tradition.

    He said it’s no surprise the genre is undergoing a resurgence.

    “There are so many interesting parallels between the 1920s and the 2020s,” Dawes said. “Coming out of a crippling global pandemic, a world that has to confront war on a more graphic and intimate level that had ever been experienced before — and economic and political and social forces swirling in the background that are eerily similar.”

    The Kahlo painting is on show at Sotheby’s in London until Tuesday, and then tours to Abu Dhabi, Hong Kong and Paris before the sale in New York.

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  • Across the US, cities combine art, shade and education to help people beat the heat

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    LA CANADA FLINTRIDGE, Calif. — When sculptor Bobby Zokaites moved to Phoenix in the summer of 2011, walking the half mile to classes at Arizona State University in triple-digit heat felt risky. He learned to find shade along his route — resting in a stoplight’s sliver of it, dodging the sizzling sun at each opportunity.

    “It was pretty crazy,” he recalled.

    Those experiences influenced one of Zokaites’ latest projects: He was one of nine artists commissioned this year to bring shade to the region.

    Across the U.S., cities are weaving art, science and community engagement to protect people from extreme heat and communicate its risks. As cities adapt to hotter temperatures, driven by human-caused climate change, and contend with urban heat, shade is playing a critical role. But communicating heat risks and safety can be challenging. That is where art comes in. It can engage, bring hope and even enhance how cool someone feels.

    Shade “can be much more than functional,” said David Hondula, Phoenix’s director of heat response and mitigation. “It can enrich our public spaces.”

    At one park in Phoenix, a large awning is held up with panels of dazzling colors. On them are painted whimsical creatures called “alebrijes” from Mexican folk art, and the structure contains a solar-powered misting system. At another park, a canopy decorated with colorful drawings uses reflective paint and an ultraviolet-resistant canvas.

    These are part of Phoenix’s temporary public art pieces created with help from locals. Each was unveiled during a community event featuring information about shade and heat safety, along with free cooling towels and sunscreen.

    “The more you know and the more you can recognize your own body’s response, the better you can take care of yourself,” said Carrie Brown, deputy director for the city’s office of art and culture.

    These art installations are one element of the city’s plan to expand shade. Studies show that shade significantly reduces air and surface temperature and how intensely people feel heat. In a city that has averaged in the last decade more than 115 days annually with day temperatures past 100 F (38 C), cooling shade can be lifesaving.

    Shade can feel even cooler when combined with beauty. One study in Phoenix, co-authored by Hondula, found that people rated aesthetically pleasing bus stops as being cooler than less beautiful ones. In another from Hong Kong, findings suggested that people had a higher heat tolerance when they perceived their environment as quiet and beautiful.

    In Cambridge, Massachusetts, a place accustomed to dreary winters but not heat, a project titled “ Shade is Social Justice ” is helping the city convey heat dangers and safety with creative designs. One installation features hanging flowers that open when temperatures hit 85 F (29 C), signaling to people to cool down with water and shade, said Claudia Zarazua, the city’s art and cultural planning director.

    On a recent afternoon in Phoenix, Arizona State University doctoral student Muhammad Abdullah rolled an advanced mobile weather station called MaRTy 3D+ next to a shade art installation in Cielito Park. He measured temperature, humidity, wind and radiation, then estimated what could be happening to a person’s body in both the shade and in direct sun light.

    He found that moving from sun to shade dropped the mean radiant temperature from about 145 F (63 C) to 88 F (about 31 C). The change did not significantly affect core temperature, but skin temperature decreased immediately. When MaRTy3D+ returned to the sun, skin temperature rose again.

    MaRTy 3D+’s ability to model and measure how different people thermoregulate is unique. It can tell researchers, for instance, the skin and core temperature as well as cardiac strain in someone who is elderly or on a specific medication, said Jennifer Vanos, an associate professor at ASU who studies heat’s impacts on the human body and how to mitigate them. This technology allows them to collect real-time data in sometimes risky situations without impacting humans. They are using their findings to make recommendations to the city.

    Edith de Guzman, a cooperative extension researcher at the University of California, Los Angeles, has spent years researching how to increase shade in communities most impacted by heat. With colleagues, she has also quantified that shade can reduce up to 25% of heat-related deaths in LA and up to 66% of heat-related emergency room visits. When the opportunity emerged to curate an art exhibit about shade and who lacks access to it, she and her husband took it.

    “Roots of Cool: A Celebration of Trees and Shade in a Warming World” takes visitors into the past, present and future roles of shade in LA with textiles, paintings, mixed media, interactive maps, suspended multicolored umbrellas and more. Their goal is not just to highlight the issue, but also show the general public that solutions exist, de Guzman said.

    A three-part installation by artist Leslie K. Gray invites visitors to consider the past, current and future experiences of public transportation users in the city. Each features a silhouetted woman waiting at a bus stop with either no shade, a little bit or ample amounts. The bus stop signs include facts about the dangers of heat, the benefits of shade and the disparate access to it.

    The exhibit ends in a room with hundreds of postcards with handwritten messages from visitors to the past, present or future. On the other side are drawings showing how they would bring much-needed shade to a bus stop.

    Behind one card dated Sept. 1, a visitor wrote this message: “Dear people from the past. Take care of others among you. Take care of mother earth or we will be at fault for its destruction and ours. Sincerely — Someone (who’s) watching the effects of our actions occur.”

    ___

    The Associated Press receives support from the Walton Family Foundation for coverage of water and environmental policy. The AP is solely responsible for all content. For all of AP’s environmental coverage, visit https://apnews.com/hub/climate-and-environment.

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  • UK’s National Gallery will use $500 million in donations for a new wing and expanded collection

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    LONDON — Britain’s National Gallery announced Tuesday that it will use a whopping 375 million pounds ($510 million) in donations to open a new wing that, for the first time, will include modern art.

    Founded in 1824, the gallery has amassed a centuries-spanning collection of Western paintings by artists from Leonardo da Vinci to J.M.W Turner and Vincent van Gogh — but almost nothing created after the year 1900. The modern era has been left to other galleries, including London’s Tate Modern.

    That will change when the gallery opens a new wing to be constructed on land beside its Trafalgar Square site that is currently occupied by a hotel and offices. An architectural competition will be held to pick a design.

    The gallery on London’s Trafalgar Square says money for the projects includes the two biggest donations ever publicly reported by any museum or gallery. It got 150 million pounds ($204 million) from the Crankstart foundation founded by Silicon Valley venture capitalist Michael Moritz and his wife, writer Harriet Heyman, and the same amount from the Julia Rausing Trust run by Tetra Pak heir Hans Rausing.

    National Gallery director Gabriele Finaldi said the aim is “to be the place where the U.K. public and visitors from across the globe can enjoy the finest painting collection in the world from medieval times to our own, in a superb architectural setting.”

    The gallery said it will build its collection of post-1900 works in collaboration with Tate, which holds the U.K.’s leading collections of British art and post-1900 international art.

    Tate director Maria Balshaw said the organization “looks forward to working closely with colleagues at the National Gallery on loans, curatorial and conservational expertise to support the development of their new displays.”

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  • Van Gogh Museum may close if the Dutch government doesn’t help fund repairs

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    THE HAGUE, Netherlands — The Amsterdam museum that displays a priceless collection of works by one of the world’s most popular artists, Vincent van Gogh, may have to close if the Dutch government doesn’t help foot the bill for major repairs to its aging building, the museum’s director said Thursday.

    Since its opening in 1973, nearly 57 million visitors have passed through the Van Gogh Museum to gaze at iconic works including one of his paintings of a vase of sunflowers as well as “Almond Blossom,” “The Potato Eaters” and a colorful depiction of his bedroom in the French town of Arles.

    But Director Emilie Gordenker says the original building, which is owned by the Dutch state, is in such poor condition it needs urgent and extensive repairs to keep its priceless collection and visitors safe.

    “If we don’t address the major maintenance that needs to happen, we will have to close,” she told The Associated Press in a telephone interview. The New York Times first reported on her concerns on Wednesday.

    She said the 50-year-old building needs “major maintenance,” and two years of talks with the government have not resolved a dispute about how to pay for repairs expected to start in 2028, last three years and cost 104 million euros ($121 million).

    “It’s now getting very urgent,” she said.

    She said that during the renovation, the museum would be partly closed and would therefore earn less from ticket sales. “The only thing we’re asking them to do is to help us finance the basic maintenance,” she said.

    The nearby Rijksmuseum shut down for years for a largescale renovation, but Gordenker says that kind of major facelift is not what the Van Gogh Museum is appealing for.

    Among other things, urgent repairs are needed for air conditioning, elevators, even the sewage system.

    “It’s not the fun, sexy, let’s build a new wing stuff,” she said.

    In a written reaction, the Ministry of Education, Culture and Science said that the museum receives an annual subsidy “sufficient to carry out the necessary maintenance. This position is based on extensive expert research commissioned by the Ministry.”

    It said the museum objected to the subsidy decision last year and recently filed an appeal in a Dutch court that will be heard in February next year. “It is not unusual for parties to have a subsidy decision reviewed by the court,” the ministry added.

    The dispute has its origins in a decision by Van Gogh’s family to transfer a trove of his art — more than 200 paintings, 500 drawings and 900 letters along with works by contemporaries such as Paul Gauguin — to a foundation set up in 1962 to keep the collection together. In return, the government pledged to build and maintain a museum where the works could be displayed, the museum said in a statement.

    Gordenker argues that means the government should also help to fund the work the museum now needs.

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  • Cape Ann School of painters still going strong

    Cape Ann School of painters still going strong

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    J.P. Boudreau of Folly Cove Fine Art in Rockport has always known the allure of the Cape Ann School of painters for collectors around the country.

    But he did not expect to be contacted by the brother of a collector in the Albany, New York area who has a 350 Cape Ann School artworks. The Cape Ann School refers to past masters of this historic style of plein air painting who were drawn to Cape Ann.

    The collection of David J. Nyhan included the leading artists of the day almost a century ago, such as Frederick Mulhaupt, Emile Gruppe, Lester Stevens, and Harry Vincent among many others.

    In fact, Boudreau recently drove to Minnesota to deliver a large painting by Gruppe purchased by another collector of the Cape Ann School.

    The gallery, which he runs with Jill Guthrie, specializes in the Cape Ann School, but offers a mix of other celebrated schools such as the Hudson River School and the New York Ten, as well as living artists.

    When asked about the continued popularity of the Cape Ann School, Boudreau noted that these artists’ works capture the beauty of Cape Ann, which continues to draw artists to these shores even today.

    Perhaps that is why Cape Ann is home to three thriving historic art organizations: the Rockport Art Association & Museum, North Shore Arts Association, and the Rocky Neck Art Colony in Gloucester.

    “What attracted these artists to this area is the same reason that continues to attract artists today — the scenic nature of Cape Ann,” said Boudreau, who serves on the Board of Governors of the Rockport Art Association.

    The Rockport Art Association’s current show, the American Impressionist Society’s 25th annual National Juried Exhibition, has 16 artist members of the Folly Cove Gallery represented among the 206 artworks in the show, which runs through Oct. 26.

    Raised in Hamilton and Cape Ann, Boudreau has worked many jobs on the waterfront, from commercial fishing to sailing on schooners — often the subjects of these painters.

    His fascination with historic things began when he was a child, always in search of items of interest, and he began collecting paintings. Now he has a headquarters at the gallery at 41 Main St. in downtown Rockport.

    He grew up surrounded by art from Cape Ann, whether in his home or in the countless homes of Cape Ann that have historic artworks hanging on their walls.

    “This area is — and long has been — a mecca of art for both historic and living artists alike,” he said.

    His work and interest with artists of the Cape Ann School continues to grow. Boudreau is now handling the estates of two renowned artists, Paul Strisik (1918-1998) and Don Stone (1929-2015), both of whom achieved the status of National Academician, as well as Robert Gruppe, a Rocky Neck artist and third-generation artist.

    Gail McCarthy may be contacted at 978-675-2706, or gmccarthy@northofboston.com.

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    By Gail McCarthy | Staff Writer

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  • Orlando’s Hispanic Heritage Month art exhibit now open through November

    Orlando’s Hispanic Heritage Month art exhibit now open through November

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    Photo via City of Orlando/Facebook

    “Vuela Alto Latino,” a mural at Camping World Stadium by @elimuraldesigns.

    The City of Orlando opened its Hispanic Heritage Month art exhibit this week, inspired by this year’s national theme: “Pioneers of Change: Shaping the Future Together.”

    With pieces from 19 local visual artists, the Terrace Gallery exhibit amplifies the achievements of Hispanic individuals and highlights their rich cultures. Pieces of art focusing on Hispanic icons such as Frida Kahlo and a mural featuring the flags of several Spanish-speaking nations are now on display.

    The celebration goes on until the exhibit’s conclusion on Sunday, Nov. 3.

    This year’s theme, and the art featured at the exhibit, focuses on lifting up Hispanic trailblazers who have not only made an impact in their community, but have kept persevering no matter what obstacles present themselves.

    Festivities will also include a Hispanic Heritage Month Community Celebration, held on Oct. 3 at the Orlando Museum of Art. The event will be complete with Latin entertainment, traditional cuisine and appearances from Mayor Buddy Dyer and District 2 City Commissioner Tony Ortiz.

    “The City of Orlando is proud to dedicate this month and host events to celebrate the rich and diverse Hispanic culture and heritage within the community,” a city press release said.

    The exhibit is located at the Terrace Gallery at Orlando City Hall, 400 S. Orange Ave. Entry is free.

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    Lucy Dillon

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  • Rock legend and ‘Orlando Weekly’ lensman Jim Leatherman shows off photos past and present at Lil Indie’s

    Rock legend and ‘Orlando Weekly’ lensman Jim Leatherman shows off photos past and present at Lil Indie’s

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    Photo by Jim Leatherman

    Stiletto is one of a legion of bands Jim Leatherman has photographed at Will’s Pub

    Though we don’t want to embarrass him in the fashion of a helicopter parents at a kid’s soccer game, we can’t help but rah-rah encourage you to check out Jim Leatherman’s photo exhibition opening at Lil Indie’s on Friday.

    There’s really no one else like Leatherman in Orlando — or, we’d go so far as to say, in the entire state of Florida. Leatherman has seen it all and lived to shoot the tale, with a vast archive including seminal snaps of Björk, R.E.M. and Green Day.

    But Leatherman is no nostalgia act. His passion for new music is on par with his love for those alt-rock greats, and you can see him down front at gigs by the likes of 0 Miles Per Hour and M.A.C.E. This exhibition focuses on snaps old and new, covering several decades’ worth of shows at Will’s Pub.

    Get to the gig … we mean, gallery.

    6 p.m. Friday, Sept. 13, Lil Indie’s, 1036 N. Mills Ave., willspub.org, free.

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    Matthew Moyer

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  • Cape Ann artists featured in Outdoor Sculpture at Maudslay

    Cape Ann artists featured in Outdoor Sculpture at Maudslay

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    NEWBURYPORT — Outdoor Sculpture has returned to Maudslay State Park. The exhibition runs through Sept. 29.

    An artist reception and self-guided tour takes place Sunday, Sept. 15, at 2 p.m. at Maudslay State Park. Stop by Riverwalk Brewing Company on Saturday, Sept. 14, at 6 p.m. for a “Thread” photo exhibit and meet the artists celebration.

    Among the artists are Nancy Dudley, and Lynne and Jay Havighurst, all of Essex;dCharles Edward Brewer, Kerry Mullen and Sinikka Nogelo, all of Gloucester; Nina Kruschwitz of Ipswich; and Cape Ann native James Seavey. Caroline Bagenal, the Geotemann Artist in Residence at Ocean Alliance in Gloucester through Oct. 2, also has piece in the show.

    For 25 years, Outdoor Sculpture at Maudslay has provided a three-week non-juried exhibition featuring local artists and community members interested in sharing their understanding of the world through site-specific sculptures in Maudslay State Park. The annual show, which has produced over 950 works of art, is open to all artists with a connection to the North Shore and Merrimack Valley and is organized by participating artists who volunteer their time and materials. Reflecting upon the desire to explore material boundaries, concepts, and themselves, this year’s group of 49-plus artists chose “Thread” as the theme for the 25th anniversary show.

    Participants include a poet laureate, a retired art teacher, a former puppeteer, a former African wildlife conservation worker, at least two graphic designers, a store owner, an author/illustrator, homeschool students, a bass player, a Reiki healer, a former town selectman, two web designers, a yoga instructor, a machine builder, a structural engineer, a ceramics engineer, an architect, a multimedia composer/musician, and more.

    For the first time, there will also be artworks across the street at the park’s music pasture, near where summer concerts are held. These include a 10-foot-wide flower, a labyrinth, an 8-foot-by-8-foot fan, a bridge of sticks and rope, and more. Altogether, there will be 49 installations for viewers to ponder.

    Winner of a 2005 Gold Star Award from the Massachusetts Cultural Council, Outdoor Sculpture at Maudslay has been recognized as a model community art project celebrating quality, accessibility, diversity, and collaboration. Outdoor Sculpture at Maudslay is supported in part by grants from the Amesbury, Georgetown, Groveland, Merrimac, Newbury, Newburyport, Rowley, Salisbury, and West Newbury Cultural Councils, local agencies that are supported by the Massachusetts Cultural Council, a state agency.

    Free printed catalogs will be available in artistic mailboxes at the two main entrances to the park. Trailhead signs will provide instructions for downloading a simple virtual catalog, including the map, photos of each piece, artist’s statements, and their bios.

    Maudslay State Park is located at 74 Curzon Mill Road, Newburyport.

    More information is available by visiting www.maudslaysculpture.org, or www.facebook.com/SculptureAtMaudslay/

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    By Times Staff

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  • History Happenings: Sept. 7, 2024

    History Happenings: Sept. 7, 2024

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    The Ahl family of Newbury had art on display at the Gloucester Society of Artists galleries, according to the newspaper on this day in 1927. Henry Hammond Ahl; his wife, Eleanor Curtis Ahl; and their son Henry Curtis Ahl each…

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  • Harrison Ford, Angela Bassett, Miley Cyrus and more to be honored as Disney Legends at ceremony

    Harrison Ford, Angela Bassett, Miley Cyrus and more to be honored as Disney Legends at ceremony

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    ANAHEIM, Calif. — Disney will bestow “legends” status to 14 artists, including Harrison Ford, Angela Bassett and Miley Cyrus, who have shaped the company.

    The honorees, who the company says have had a “significant impact” on Disney’s legacy, include director James Cameron, iconic film composer John Williams, Jamie Lee Curtis and Kelly Ripa, among several others.

    This year’s class of Disney Legends will be inducted into the company’s version of the hall of fame in a ceremony Sunday at The Honda Center in Anaheim, California, as a part of the D23 fan convention. Ryan Seacrest is set to host the evening.

    Director James L. Brooks is also joining the starry club, along with Williams, known for the scores of the “Star Wars” and “Indiana Jones” franchises, among many others.

    The star of those franchises, Ford, will have his signature and handprints done up again over 20 years after he was inducted into the Hollywood Walk of Fame. The revered actor is joining the Marvel Cinematic Universe in the upcoming “Captain America: Brave New World.”

    At Comic-Con International, Ford surprised the packed house at a panel discussing new Marvel projects and flexed his muscles to the roaring crowd, channeling his character, who transforms into the Red Hulk.

    Fellow MCU actor Bassett, who appeared in “Black Panther” and “Black Panther: Wakanda Forever,” also is being honored. Bassett also stars in ABC’s “9-1-1.”

    Cyrus, who rose to fame after starring in the Disney Channel show “Hannah Montana” in 2006, is the youngest recipient of the Legends honor. Following her time on the sitcom, Cyrus has had a long-running career in music, winning her first Grammy Award in February.

    Curtis has appeared in her fair share of projects under The Walt Disney Studios banner, from “Beverly Hills Chihuahua” to “You Again.” She is set to reprise her role in the upcoming sequel of the fan-favorite movie “Freaky Friday,” opposite Lindsey Lohan.

    ABC talk show host and mainstay Ripa will reunite with her former co-host Seacrest. Her career at the television network spans over 30 years and she now hosts “Live with Kelly and Mark” with her husband, Mark Consuelos.

    Disney also is honoring six behind-the-scenes creatives who have contributed to groundbreaking films, art and Disney experiences.

    Those honorees include Colleen Atwood, an Oscar-winning costume designer, Mark Henn, a prominent animator, Steve Ditko, the late comics artist known for characters like Spider-Man and Doctor Strange, Frank Oz, a noted puppeteer and filmmaker, Martha Blanding, a longtime manager at The Walt Disney Company and Disneyland, and Joe Rohde, a former Disney Imagineer.

    Previous Disney Legends include Elton John, Steve Jobs, Betty White, Dick Van Dyke, Robert Downey Jr. and Whoopi Goldberg. They are among more than 300 honorees since the program’s inception in 1987.

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  • The Cup-A-Thon returns to Winter Park’s Crealdé School of Art for a 40th year

    The Cup-A-Thon returns to Winter Park’s Crealdé School of Art for a 40th year

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    Photo courtesy Crealdé/Facebook

    Cup-A-Thon returns to Winter Park’s Crealdé for a 40th year

    What’s better than buying a handmade ceramic cup? Getting it filled for free.

    The Crealdé School of Art, a nonprofit arts organization that offers courses and camps out of its Winter Park studio, is hosting the 40th annual Cup-A-Thon event this weekend (an OW favorite!).

    Visitors can pick from hundreds of ceramic cups, bowls and goblets made by Crealdé instructors and students, all up for purchase. Buy a cup and get it filled with your beverage of choice — all proceeds go back to the Crealdé ceramics studio.

    7 p.m. Friday-Saturday, Aug. 9-10, Crealdé School of Art, free.

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    Zoey Thomas

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  • Orlando Museum of Art to host free program for those with memory, neurological impairments

    Orlando Museum of Art to host free program for those with memory, neurological impairments

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    Photo via Orlando Museum of Art

    OMA to launch Art’s the Spark

    Orlando Museum of Art is set to host Art’s the Spark, a free program intended to provide a safe and comfortable environment for those with memory or neurological impairments.

    On select Saturdays, guests can head to the the museum for free interactive tours, small group discussions, art history information, studio activities, coffee and conversation with caregivers and more.

    The program will be available Aug. 3, Sept. 7 and Oct. 7.

    Inspired by a similar program at The Museum of Modern Art in New York City, Art’s the Spark is the only program of its kind in Central Florida. It will be implemented to ensure patients with memory impairment or neurological impairment and their caregivers are provided with a safe and inviting artistic environment.

    The Orlando Museum of Art is offering this program before regular public hours — 10:30 a.m. to noon — to provide a comfortable environment for guests.

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    Houda Eletr

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  • Winter Park’s Morse Museum releases upcoming 2024-25 season schedule

    Winter Park’s Morse Museum releases upcoming 2024-25 season schedule

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    Photo via Charles Hosmer Morse Museum/Facebook

    The Morse Museum has a lot going on in the coming months

    The Charles Hosmer Morse Museum has released its 2024-25 schedule, and it’s filled with events and exhibitions for each season.

    The Winter Park museum will hold several big events starting in October for select holidays and celebrations.

    Starting on Oct. 15, the museum will mark the 25th anniversary of the Tiffany Chapel’s installation at the Museum. This celebration will feature two exhibitions, Tiffany Chapel: 25 years at the Morse and a temporary viewing of “View of Oyster Bay.”

    Tiffany Chapel: 25 years at the Morse will include a chapel that has been on view at the Morse and was exhibited by The Tiffany Glass and Decorating Company in the 1893 World’s Columbian Exposition in Chicago. This exhibition will also present glass mosaic “Fathers of the Church” on long-term loan from New York’s Neustadt Collection of Tiffany Glass. It will be the first time in over a century that these and other pieces from Tiffany’s 1893 display will be reunited.

    “View of Oyster Bay” is a piece by Louis Comfort Tiffany in leaded glass. The glass will allow guests to see a similar view from the north shore of Long Island where Tiffany had built his country estate, Laurelton Hall.

    From November through April, the Museum will offer free admission every Friday night from 4 p.m. to 8 p.m.

    The Charles Hosmer Morse Museum 2024-25 events include:

    Thanksgiving Weekend Celebration
    On Friday-Sunday, Nov. 29-Dec. 1, museum admission will be free. That Friday will also feature live music at 5 p.m., and a Museum Store sale on Sunday

    Holiday Friday Nights
    On Friday nights from Nov. 29-Dec. 27 the museum is offering free admission in the late afternoon with live music from 5 p.m. to 8 p.m.

    Christmas in the Park
    On Dec. 5 in downtown Winter Park, from 6:15 p.m., the City of Winter Park and the Morse Museum present the 46th annual exhibition of century-old Tiffany Windows, along with a free outdoor concert of holiday music by the Bach Festival Society Choir and Brass Ensemble.

    Christmas Eve Celebration
    The museum is offering free admission on Dec. 24 with live music from 1 p.m.-4 p.m.

    Winter Park Arts Weekend Celebration
    The museum is offering free admission on Feb. 21-Feb. 23 from 1 p.m. to 4 p.m. with live music.

    Arts and Letters
    Arts and Letters is an exhibition that will be open for viewing on March 4. This exhibition illustrates the art of letter writing and the ways in which 19th and 20th centuries Americans used writing in the form of communication and creativity.

    World’s Fair Vignette

    World’s Fair Vignette will be open for viewing on March 4.

    Winter Park Sidewalk Art Festival Celebration
    The museum is offering free admission on March 21 with live music from 5 p.m. to 8 p.m., on March 22 and on March 23.

    Spring Friday Nights
    The museum is offering free admission Friday nights from March 7-April 25 from 4 p.m. to 8 p.m. along with live music.

    Easter Weekend Celebration

    The museum is offering free admission on April 18 with live music from 5 p.m. to 8 p.m., and on April 19-April 20.

    Summer Family Tours and Films
    Through June and July, the museum is offering free family programs including gallery tours on selected Tuesdays with a take-home project and a film, gallery tour and art activity on selected Fridays. Reservations are required.

    Independence Day Celebration
    The museum is offering free admission on July 4 as part of a celebration in collaboration with the City of Winter Park’s 4th of July Celebration in Central Park. This tradition has been ongoing since the Morse opened on July 4, 1995.

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    Sarah Lynott

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  • Gloucester artist offers sticker works

    Gloucester artist offers sticker works

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    Gloucester artist Carol Kriekis finds satisfaction in expressing herself.

    Doing so includes, in part, creating colorful images that adorn many of her hand-sized stickers.

    Some of her creations include a sticker with the seascape theme “Glosta” and another one that commemorates the art colony Rocky Neck. This one features palette with paint splotches of red, yellow and blue.

    In addition, stickers include images of “Saint Peter’s Fiesta,” “Magnolia,” “In Your Facebook,” “Lanesville” and “Long Beach.”

    Kriekis has created myriad images in her artwork, developing works as a graphic illustrator for the United States Air Force at Bolling Air Force Base in Washington, D.C. and also creating images for the Gloucester School Department.

    “In school, I did all the displays,” said Kriekis, who added many of her works are created using pencils and ink.

    Kriekis said art fulfills a passion.

    “It’s a way of expressing oneself,” she said. “If you have a passion, you can express it through art. It’s fun. It’s enjoyable.”

    Kriekis also previously served as a docent and on the Board of Governors at the University of Oregon’s Jordan Schnitzer Museum of Art.

    Back on the East Coast, some of her sticker creations can be purchased in Gloucester’s Beauport Hotel Boutique.

    “I can do anything for anybody,” said Kriekis. “Right now, stickers are what I’m doing. I grew up doing art. It’s just natural.”

    In fact, her artistic experience is a part of the family tradition.

    Kriekis’ father, Robert August Jansson was a naturalist, writer, illustrator and cartoonist. Her grandfather, Arthur August Jansson, was a well-known artist and illustrator. Her grandmother, Dora Tarbell McKissock, was also an artist and art teacher.

    Kriekis recently sat down in the newsroom of the Gloucester Daily times, fanning out a display some of her creations.

    Her sister, Barbara Jansson, said art has always been a part of Carol Kriekis’ for as long as she remembered.

    “She’s been an artist for her entire life,” said Jansson.

    Both Kriekis and Jansson became acquainted with Rocky Neck when their family summered at a home on Wiley Street.

    Regarding her approach to creating images, Kriekis said she often has a plan before she sits down to sketch or paint.

    “I have it all designed in my head,” she said. “It comes along when I see something. It’s rewarding when you know people are going to enjoy it.”

    Stephen Hagan may be contacted at 978-675-2708, or shagan@gloucestertimes.com.

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    By Stephen Hagan | Staff Writer

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  • Fin de capitalism art show ‘No Gods, No Masterpieces’ opens at Stardust Video this week

    Fin de capitalism art show ‘No Gods, No Masterpieces’ opens at Stardust Video this week

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    Fabio Goose Incident Busch Gardens 1999 by Cassidy Jones

    The tandem of Cassidy Jones and Daniel Harris Mendoza might be better known to local margin-dwellers as two-thirds of cyber-thrashers C0mputer [or maybe that’s just our bias showing], but they’re also each gifted and outside-the-lines visual artists.

    No Gods, No Masterpieces is their joint show opening this weekend at Stardust Video, boasting new collages and paintings from Jones and Mendoza. Their work is stunning and mordantly funny and thought-provoking all at once; these are visual pieces that chronicle the collapse of society under out-of-control capitalism, and how sometimes brief fragments of beauty and joy can be found under the bottom lines and outside he profit margins.

    “Why not abandon the notion of masterpieces? What happens when we stop striving to create the next masterpiece and simply strive to make art?” shared the two in a statement sent to Orlando Weekly. “We become ungovernable, we become uncuratable — and we think that is beautiful.”

    6 p.m. Saturday, July 6, Stardust Video and Coffee, free.

    Location Details


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    Matthew Moyer

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  • Local art collective Psych Cat turns Casselberry Sculpture House into a fantastical wonderland

    Local art collective Psych Cat turns Casselberry Sculpture House into a fantastical wonderland

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    “Unknown Forest” zine illustaration by Alexander Escobar

    Psych Cat’s Unknown Forest opens this week

    Already well-established as a hotbed for adventurous Orlando art, the Casselberry Art and Sculpture House complex will soon host perhaps its most adventurous vision yet.

    Local arts collective Psych Cat — who have been putting on multimedia happenings since 2016, signal-boosting local creativity through a prism of mystique — will be weaving their mysterious and immersive magic at the Sculpture House through August with Unknown Forest.

    With a title that brings to mind The Cure at their most enigmatically opaque, Unknown Forest brings together works from Leo Cordovi, Caitlen Lyberg, Sapphire Servellon and Scott White, as well as the collaborative “Toad Venom Pond” installation.

    “Psych Cat as a collective bases all of its showcases within the set theme and the styles of each specific artist. We never ask the artist to make something outside of their practice but rather we find the connecting point of everyone’s work,” explains curator Servellon of their working methods to foster creativity. “Caitlen Lyberg got her BFA in sculpture from Kent State University, and Scott White’s — a local legend — installation works are beyond compare!”

    Less the usual group exhibition and more an attempt to resculpt gallerygoers’ perception of reality — if only for a few moments — Psych Cat’s ambitious brief is to create “a fantastical land of psychedelic joy and petrifying uncertainty.” The participating cats are up to the task, working in a variety of mediums, from paintings to immersive multimedia.

    click to enlarge Psych Cat's Unknown Forest opens this week - "Close to touch" by Caitlen Lyberg

    “Close to touch” by Caitlen Lyberg

    Psych Cat’s Unknown Forest opens this week

    “Close to Touch” by Caitlen Lyberg suggests disembodied hands pulling endless puppet strings — very adroitly capturing a storm-tossed sense of helplessness circa the now. Acrylic work by Leo Cordovi evokes the theme of nature’s mysteries with appropriate visceral foreboding: light peeking between painfully stripped branches looks more like rivers of blood than comforting warmth. “The God of Life and Death Is a Doe Lost in the Snow” by Servellon provides a momentary — though disorienting — respite with a cartoonish deer against an impossibly rich sunset, seemingly removing a mask with an identical face beneath? Nothing is what it seems in this forest.

    The crux of this exhibition is the “Toad Venom Pond” installation, which is a product of both the collective’s fascination with the psychedelic and commitment to working together to create new worlds.

    We can’t fully experience the 10-foot-by-10-foot installation that combines sound art, sculpture, paintings and careful stagecraft until the opening night on Friday, but Servellon was willing to give us a brief peep behind the ethereal curtain; the overall impression given is a heady merger of sensory-deprivation chamber and 1960s be-in, with a hint of Fluxus mischief.

    click to enlarge Psych Cat's Unknown Forest opens this week - "The God of life and death is a doe lost in the snow" by Sapphire Servellon

    “The God of life and death is a doe lost in the snow” by Sapphire Servellon

    Psych Cat’s Unknown Forest opens this week

    “‘Toad Venom Pond’ is an immersive psychedelic decompression area with body-size lily pads for the audience to relax in. Surrounding the area are Leo Cordovi’s gorgeous forestscape paintings,” explains Servellon. “Casey Lerman of Timothy Eerie produced the music for the pond. Being a local psych-pop musician, his meditative trance sends you on a journey of the life and death of a toad.”

    There is one piece of the exhibit that particularly pinged this writer’s radar, and that’s the inclusion of a zine that shares the title of the exhibition. A hybrid of stark dread and whimsy, Alexander Escobar’s zine is a travelog of wide-eyed wonder — as the spiral-eyed hero (a cat, natch) makes their way through rural landscapes, haunted by shadows, before entering a forebodingly (?) cat-shaped portal to the Unknown Forest.

    “Not only do we create installations and curate exhibits, we’re a publisher! Zines have been our bread and butter since the beginning. A typical trade-off for any artist that exhibited with us is that we publish a zine for them of whatever they want and vice versa,” says Servellon. “With Alexander Escobar — creative director of SR50 magazine — also a part of this collective, he designed the comic strip of our ‘psych cat’ on a journey. Coming across an abandoned cabin, through a door he sees a path to the ‘Unknown Forest.’”

    You owe it to yourself, in an increasingly fast-forward, dystopian year, to follow that feline and get delightfully lost with Psych Cat.

    click to enlarge Psych Cat's Unknown Forest opens this week - Acrylic painting by Leo Cordovi

    Acrylic painting by Leo Cordovi

    Psych Cat’s Unknown Forest opens this week

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    Matthew Moyer

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