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Tag: Vanity Fair

  • GOP coalescing behind Vance as Trump privately dismisses third-term run

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    When Charlie Kirk was killed by an assassin this fall, Republican leaders credited the organization he founded for enabling President Trump’s return to power.

    Now that organization is mobilizing behind Vice President JD Vance.

    Uninterested in a competitive Republican primary in 2028, Turning Point USA plans to deploy representatives across Iowa’s 99 counties in the coming months to build the campaign infrastructure it believes could deliver Vance, a Midwesterner from nearby Ohio, a decisive victory, potentially short-circuiting a fractious GOP race, insiders said.

    It is the latest move in a quiet effort by some in Trump’s orbit to clear the field of viable competitors. Earlier this month, Marco Rubio, the secretary of State previously floated by Trump as a possible contender, appeared to take himself out of the running.

    “If Vance runs for president, he’s going to be our nominee, and I’ll be one of the first people to support him,” Rubio told Vanity Fair.

    After Kirk’s widow, Erika, endorsed Vance on stage at Turning Point USA’s annual conference in Arizona last week, a straw poll of attendees found that 84% would support Vance in the coming primaries. Yet, wider public polling offers a different picture.

    A CNN poll conducted in early December found that Vance held a plurality of Republican support for 2028, at 22%, with all other potential candidates, such as Rubio and Florida Gov. Ron DeSantis, registering in single digits.

    The remaining 64% told pollsters they had “no one specific in mind,” reflecting an open field with plenty of room for other figures to gain ground.

    While a recent Gallup poll found that 91% of Republicans approve of Vance’s job performance as vice president — an encouraging number entering a partisan primary — only 39% of Americans across party lines view him positively in the role, setting Vance up for potential challenges should he win the nomination.

    Potential presidential candidates on both sides of the political aisle are expected to assess their chances over the next year, before primary season officially kicks off, after the midterm elections in November.

    Closing out the Turning Point USA conference, Vance called for party unity amid escalating conflicts among right-wing influencers over the acceptability of racism and antisemitism within Republican politics.

    “President Trump did not build the greatest coalition in politics by running his supporters through endless, self-defeating purity tests,” Vance said. “Every American is invited. We don’t care if you’re white or Black, rich or poor, young or old, rural or urban, controversial or a little bit boring, or somewhere in between.”

    Charlie Kirk, he added, “trusted all of you to make your own judgment. And we have far more important work to do than canceling each other.”

    Vance’s remarks drew criticism from some on the right for appearing to tolerate bigotry within the party. The vice president himself has been subjected to racist rhetoric, with Nick Fuentes — a far-right podcaster who has praised Adolf Hitler — repeatedly directing attacks at Vance’s wife and children over their Indian ancestry.

    “Let me be clear — anyone who attacks my wife, whether their name is Jen Psaki or Nick Fuentes, can eat s—,” Vance said in an interview last week, referring to President Biden’s former press secretary. “That’s my official policy as vice president of the United States.”

    In the same interview, Vance praised Tucker Carlson, another far-right podcaster who has defended Fuentes on free speech grounds, as a “friend of mine,” noting that he supported Vance as Trump’s vice presidential pick in 2024.

    Trump has floated Vance as his potential successor multiple times without ever explicitly endorsing his nomination, calling him “very capable” and the “most likely” choice for the party.

    “He’s the vice president,” Trump said in August. “Certainly he’s doing a great job, and he would be probably favored at this point.”

    Several of Trump’s most ardent supporters have pushed the president to seek a third term in 2028, despite a provision of the Constitution, in the 22nd Amendment, barring him from doing so.

    Trump himself has said the Constitution appears clear on the matter. But Steve Bannon, an architect of Trump’s historic 2016 campaign and one of his first White House strategists, continues to advocate a path forward for another run, reportedly disparaging Vance as “not tough enough” to lead the party to victory.

    “He knows he can’t run again,” Susie Wiles, the president’s White House chief of staff, told Vanity Fair in a recent profile of her. “It’s pretty unequivocal.”

    Trump, who will be 82 when he is slated to leave office, has told Wiles he understands a third term isn’t possible “a couple times,” she added.

    Alan Dershowitz, a prominent constitutional law professor and a lawyer to Trump during his Senate impeachment trial, recently presented Trump with a road map to a third term in an Oval Office meeting, which he will publish in a new book slated for release next year.

    Even he came away from their meeting believing Trump would pass on another bid.

    “That is my conclusion based on what he has said in public,” Dershowitz told The Times.

    “He has said in the past,” he added, “that it’s too cute.”

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    Michael Wilner

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  • Christopher Anderson On His White House Photos

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    The White House isn’t just the home of the sitting president of the United States—it’s also known as the people’s house, a symbol of democracy at work. Vanity Fair‘s Chris Whipple took readers inside the building and the inner workings of a half-dozen of Donald Trump‘s closest advisors, interviewing chief of staff Susie Wiles several times throughout the first months of Trump’s second term, and speaking to Stephen Miller, Marco Rubio, Karoline Leavitt, JD Vance, and others in a bombshell two-part feature.

    Whipple has discussed his reporting process for the story, and now, here’s Anderson in conversation with VF, taking us behind the scenes of the assignment that he almost turned down. And, to answer the question on everyone’s mind right away, Anderson says of those ultra-tight shots, “No, they’re not cropped versions. I’m standing very, very close.”

    Vanity Fair: What compelled you to take this assignment for Vanity Fair?
    Christopher Anderson: I wasn’t eager to accept the assignment at first. My roots are in journalism, I have done a lot of political work over the years and photographed a lot of politicians from the last administrations, from George Bush to Barack Obama, Joe Biden, even Bill Clinton. But a lot of what I do now is photograph celebrities. And I assumed incorrectly that the ask was for me to show up and be a celebrity photographer for this administration. And my journalistic DNA would not sit comfortably with this idea. So I thought, at first, I’m not gonna accept. Jennifer Pastore, the global creative director of Vanity Fair, and I had a long discussion about this, and she persuaded me that wearing my celebrity photographer hat was not why they were coming to me. That the qualification for this job was to come as a journalist, to bring a certain sense of clear-eyed observation and even skepticism. And that would come with a certain challenge and in my opinion, I felt an enormous responsibility in doing that. So that very much aligned with what my history is, what my roots have been in, it’s an historical moment, so I want to be there.

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    Kahina Sekkaï

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  • Behind The Scenes of Vanity Fair’s Revelatory White House Report

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    Now that the article is out, are you surprised by how it has been received/commented on? By the public and by the administration?

    I’m pleased by the overwhelmingly favorable public reaction to the story–and not at all bothered by the administration’s response. They’ve failed to challenge a single assertion or quotation from the piece. That’s because they know it’s rock solid.

    Do you think this is the last bit of significant access, and subsequent output, any journalist will ever get from this administration? Or do you think that them “closing their doors” to such an extent would create more problems than weathering an occasionally problematic article?

    My access to Susie Wiles was extraordinary and rare–and a decision made by her rather that any kind of White House policy. The Trump administration hasn’t made a habit of talking to mainstream media reporters and I don’t think that’s going to change.

    If you revisited this story a year from now, what thread would you most want to follow further?

    I’d want to pursue many threads–retribution, Epstein, Venezuela, the midterms, and many more!

    How frustrating is it to have off the record information in interviews like this? I can only imagine there are times you think “wow, people really deserve to know this,” but can’t share it.

    Actually, most of the explosive revelations from the interviews were made by Susie Wiles on the record. Pretty amazing, no?

    Did Wiles ever make a compelling case that Trump was ever unfairly or irrationally maligned?

    No, she never made a case for Trump’s unfair portrayal by the press. She simply asserted that it was true.

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    Eve Batey

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  • White House defends Chief of Staff Susie Wiles after tell-all

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    President Trump’s chief of staff is defending herself after granting an extraordinarily candid series of interviews with Vanity Fair in which she offers stinging judgments of the president and blunt assessments about his administration’s shortcomings.

    The profile of Susie Wiles, Trump’s reserved, influential top aide since he resumed office, caused a scandal in Washington and prompted a crisis response from the White House that involved nearly every single figure in Trump’s orbit issuing a public defense.

    In 11 interviews conducted over lunches and meetings in the West Wing, Wiles described early failures and drug use by billionaire Elon Musk during his time in government and mistakes by Atty. Gen. Pam Bondi in her public handling of the Jeffrey Epstein files. Wiles also acknowledged that Trump had launched a retribution campaign against his perceived political enemies.

    “I don’t think he wakes up thinking about retribution,” Wiles told Chris Whipple, the Vanity Fair writer who has written extensively on past chiefs of staff, “but when there’s an opportunity, he will go for it.”

    Wiles also cited missteps in the administration’s immigration crackdown, contradicted a claim Trump makes about financier and convicted sex offender Epstein and former President Clinton and described Vice President JD Vance as a “conspiracy theorist.”

    Within hours of the Vanity Fair tell-all’s publication Tuesday, Wiles and key members of Trump’s inner circle mounted a robust defense of her tenure, calling the story a “hit piece” that left out exculpatory context.

    “The article published early this morning is a disingenuously framed hit piece on me and the finest President, White House staff, and Cabinet in history,” Wiles said in a post on X, her first in more than a year. “Significant context was disregarded and much of what I, and others, said about the team and the President was left out of the story.”

    The profile was reported with the knowledge and participation of other senior staff, and illustrated with a photograph of Wiles and some of Trump’s closest aides, including Vance, Bondi and advisor Stephen Miller.

    The profile revealed much about a chief of staff who has kept a discreet profile in the West Wing, continuing her management philosophy carried through the 2024 election when she served as Trump’s last campaign manager: She let Trump be Trump. “Sir, remember that I am the chief of staff, not the chief of you,” she recalled telling the president.

    Trump has publicly emphasized how much he values Wiles as a trusted aide. He did so at a rally last week where he referred to her as “Susie Trump.” In an interview with Whipple, she talked about having difficult conversations with Trump on a daily basis, but that she picks her battles.

    “So no, I’m not an enabler. I’m also not a bitch. I try to be thoughtful about what I even engage in,” Wiles said. “I guess time will tell whether I’ve been effective.”

    Despite her passive style, Wiles shared concern over Trump’s initial approach to tariff policy, calling the levies “more painful than I had expected.” She had urged him, unsuccessfully, to get his retribution campaign out of the way within his first 90 days in office, in order to enable the administration to move on to more important matters. And she had opposed Trump’s blanket pardon of Jan. 6 defendants, including those convicted of violent crimes.

    Wiles also acknowledged the administration needs to “look harder at our process for deportation,” adding that in at least one instance mistakes were made when Immigration and Customs Enforcement agents arrested and deported two mothers and their American children to Honduras. One of the children was being treated for Stage 4 cancer.

    “I can’t understand how you make that mistake, but somebody did,” she said.

    In foreign policy, Wiles defended the administration’s attack on alleged drug boats in the Caribbean Sea and said the president “wants to keep on blowing up boats up until [Venezuelan President Nicolás] Maduro cries uncle,” suggesting the goal is to seek a change of governments.

    As Trump has talked about potential land strikes in Venezuela, Wiles acknowledged that such a move would require congressional authorization.

    “If he were to authorize some activity on land, then it’s war, then [we’d need] Congress,” she said.

    In one exchange with Whipple, she characterized Trump, who abstains from liquor, as having an “alcoholic’s personality,” explaining that “high-functioning alcoholics, or alcoholics in general, their personalities are exaggerated when they drink.”

    He “operates [with] a view that there’s nothing he can’t do. Nothing, zero, nothing,” she said.

    But Trump, in an interview with the New York Post, defended Wiles and her comments, saying that he would indeed be an alcoholic if he drank alcohol.

    “She’s done a fantastic job,” Trump said. “I think from what I hear, the facts were wrong, and it was a very misguided interviewer — purposely misguided.”

    Wiles also blamed the persistence of the Epstein saga on members of Trump’s Cabinet, noting that the president’s chosen FBI director, Kash Patel, had advocated for the release of all Justice Department files related to the investigation for many years. Despite Trump’s claims that Clinton visited Epstein’s private island, Wiles acknowledged, Trump is “wrong about that.”

    Wiles added that Bondi had “completely whiffed” on how she handled the Epstein files, an issue that has created a rift within MAGA.

    “First she gave them binders full of nothingness. And then she said that the witness list, or the client list, was on her desk. There is no client list, and it sure as hell wasn’t on her desk,” Wiles said.

    Wiles added that she has read the investigative files about Epstein and acknowledged that Trump is mentioned in them, but said “he’s not in the file doing anything awful.”

    Vance, who she said had been a “conspiracy theorist for a decade,” said he had joked with Wiles about conspiracies in private before offering her praise.

    “I’ve never seen Susie Wiles say something to the president and then go and counteract him or subvert his will behind the scenes. And that’s what you want in a staffer,” Vance told reporters. “I’ve never seen her be disloyal to the president of the United States and that makes her the best White House chief of staff that the president could ask for.”

    Russell Vought, the director of the Office of Management and Budget whom Wiles described to Whipple as a “right-wing absolute zealot,” said in a social media post that she is an “exceptional chief of staff.” Karoline Leavitt, the White House press secretary, said the “entire administration is grateful for her steady leadership and united fully behind her.”

    Wiles told Vanity Fair that she would be happy to stay in the role for as long as the president wanted her to stay, noting that she has time to devote to the job, being divorced and with her kids out of the house.

    Trump had a troubled relationship with his chiefs of staff in his first term, cycling through four in four years. His longest-serving chief of staff, former Gen. John F. Kelly, served a year and a half.

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    Michael Wilner, Ana Ceballos

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  • No reaction from Trump yet to explosive Vanity Fair interview with Chief of Staff Susie Wiles

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    A new Vanity Fair piece highlighting President Trump’s inner circle includes a shockingly candid interview with White House Chief of Staff Susie Wiles. One of the things Wiles said in the interview was that Mr. Trump has an “alcoholic’s personality.” CBS News White House reporter Olivia Rinaldi has more.

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  • Jennifer Lawrence HATES Kourtney Kardashian These Days! – Perez Hilton

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    Jennifer Lawrence, our queen of watching and getting way too into reality TV, has some strong opinions on Kourtney Kardashian!

    During Friday’s episode of Vanity Fair‘s famous lie detector test, JLaw was interviewed by Robert Pattinson while hooked up to the machine. He asked her if she’d been keeping up with the new season of The Kardashians, and she has… kinda. She had to be honest so she admitted she’s only been watching clips on TikTok! LOLz!

    Related: Kim Kardashian Pokes Fun At Brutal All’s Fair Reviews In New Post!

    R-Patz then asked if Khloé was still her favorite Kardashian, and she confirmed yes — before throwing a little shade Kourtney’s way! The Hunger Games star said:

    “Kourtney is more annoying than ever.”

    LOLz!!

    Why? She explained to Rob:

    “She drives me nuts. Everything has to be an announcement. ‘I’m not going to wear outfits anymore.’ Just wear whatever you want. Don’t make an announcement about it. Or like, ‘I don’t have a TV in my room.’ Just don’t watch TV. Stop announcing it. Just shh.”

    Ha! Sounds like she’s referring to THIS iconic moment from this season in which Kourt shaded her sisters’ fashion. Jennifer is always too funny!

    Watch for yourself around the 10:56 timestamp (below):

     

    Reactions, Perezcious readers? Do U agree with JLaw’s opinion? Sound OFF (below).

    [Image via Vanity Fair/YouTube/Kourtney Kardashian/Instagram]

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    Perez Hilton

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  • Vanity Fair France Is Launching a Literary Prize

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    The jury, headed by former Cannes Festival president Pierre Lescure, includes a number of leading figures from the world of cinema: actress Camille Cottin, who was on our cover just a few months ago, will soon be starring in Pierre Schoeller’s Rembrandt; Alice Winocour, whose film Couture, starring Angelina Jolie, is eagerly awaited (spoiler: we’ve seen it, and it’s a great film); successful screenwriter Noé Debré, who is also the director of A Good Jewish Boy; Thibault Gast, producer of, among others, Fresh Water for Flowers, the forthcoming adaptation of Valérie Perrin’s bestseller; and Sayyid El Alami, a young actor introduced in Oussekine, and soon to headline Fief, the adaptation of David Lopez’s novel. Two authors will be representing the literary world: Anne Berest, the novelist who just released Finistère and wrote the script for Rebecca Zlotowski’s next film, A Private Life; and Karine Tuil, whose Les Choses Humaines was brought to the screen by Yvan Attal in The Accusation. Literary podcast producer Léa Marchetti, VF France’s literary page contributor, will complete this prestigious jury. The three winners will be announced on October 16 at an awards ceremony to be held in the salons of the Paris’s glamorous Le Meurice Hotel.

    The launch of this award is also an opportunity to introduce a new feature on our pages. Each month, a director will explain the adaptation of his or her dreams. As Julien Gracq once said, “For a novel to become a really good film, the film has to be something else.” Our aim is twofold: to highlight great books before dreaming up great films.

    The Nominees: thirteen books across three categories

    Novel
    Tssitssi, Claire Castillon (Gallimard)
    La Condition artificielle, Paul Monterey (Le Cherche Midi)
    La Bonne Mère, Mathilda Di Matteo (L’Iconoclaste)
    Le monde est fatigué, Joseph Incardona (Finitude)

    Non-fiction
    De silence et d’or, Ivan Butel (Globe)
    La Jeune Fille et la mort, Negar Haeri (Seuil)
    Vasarely, l’héritage maudit, Julie Malaure (Le Cherche Midi)
    Goutted’Or connexion, Tess and Marc Fernandez (Flammarion)
    Mon vrai nom est Elisabeth, Adèle Yon (Le Sous-Sol)

    Graphic novels
    Les gorilles du général, Julien Telo and Xavier Dorison (Casterman)
    Albertine a disparu, Vincenzo Bizzarri, François Vignolle and Vincent Guerrier (Glénat)
    Sanglier, Lisa Blumen (L’Employé du Moi)
    Pyongyang parano, Emmanuelle Delacomptée, Antoine Dreyfus and Fanny Briant (Marabulles)

    Originally published in Vanity Fair France.

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    Hugo Wintrebert

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  • Vanity Fair Announces New Hires Across Departments

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    Today, Vanity Fair global editorial director Mark Guiducci announced twelve new hires and a promotion, including writers, editors, a social team, and senior leaders in new global roles.

    “The range of talent and expertise in this list is expansive,” Guiducci said. “But what our new colleagues have in common is a love for Vanity Fair, an appreciation for its history, and an excitement for its future. Each of them will help lead us there.”

    Guiducci highlighted Vanity Fair’s new global structure and a commitment to original, provocative journalism—whether it be in print or through screens or in real life—for a new generation of readers.

    “In interviews with candidates over the past two months, we have been seeking out a certain fearlessness—people with a point of view, able to express it in both substance and style,” he said, noting more hires will be announced soon. “I can say that every one of our new colleagues has that quality.”

    See the full list below.

    Photo by Dan Jackson.

    Jennifer Pastore joins Vanity Fair as Global Creative Director overseeing visuals and design across all editions and platforms. She joins us from Sotheby’s Magazine, where she was visuals director. Previously, she was executive photography director of WSJ Magazine, where she commissioned photography, film, and illustration, and helped transform the Innovator Awards into a premier cultural event. Earlier in her career, she held senior roles at Harper’s Bazaar, Teen Vogue, and T: The New York Times Style Magazine.

    Vanity Fair Announces New Hires Across Departments

    Photo by Emilio Madrid.

    Olivia Nuzzi joins Vanity Fair as West Coast Editor. In this new role, she will be editing stories across platforms and topic areas, with a focus on events, industries, and culture of the Pacific region, as well as writing for the magazine. From 2017 to 2024, she was the Washington correspondent for New York.

    Vanity Fair Announces New Hires Across Departments

    Lindsey Underwood joins as Senior Editor from the Style team at The Washington Post. She will be editing stories across platforms and across our areas of coverage. In 2023, Lindsey became The Post’s first features breaking news editor, where she oversaw assigning coverage of the biggest stories of the day on a range of subjects. Previously, Lindsey held editorial positions at The New York Times and Vogue and in audience development at the Times.

    Vanity Fair Announces New Hires Across Departments

    Aidan McLaughlin joins as Washington Correspondent. Since 2018, Aidan has been the editor in chief of Mediaite, where he hosts the Press Club podcast. He has written about politics for The Spectator World, including a series of cover stories and a profile of Patrick Bet-David that was a finalist for the 2025 Mirror Awards. He started his career at Monocle Magazine in London before serving as the night reporter for the New York Daily News, covering crime in the city’s five boroughs.

    Vanity Fair Announces New Hires Across Departments

    Martina Navratil is our new Executive Director, Global Operations and Audience. In this role, she will manage our workflow, audience development, and production across all platforms and markets. A 20-year tenure at Condé Nast has brought Martina full circle back to Vanity Fair, from early days in the VF publishing team to various roles in finance and operations.

    Vanity Fair Announces New Hires Across Departments

    Carly Walsh joins Vanity Fair from Saturday Night Live as Global Director, Social. She will be responsible for social media strategy and presence on all of the platforms where VF lives, and whatever may come next, globally. Carly spent the last seven years at SNL, managing and then directing the hit show’s social accounts. Carly started her career in tech—at Livestream, then at Vimeo, where she developed best practices for social promotion and coverage in the early days of livestreaming.

    Vanity Fair Announces New Hires Across Departments

    Elise Taylor joins us as Senior Staff Writer from Vogue, where she was senior lifestyle writer since 2017, covering weddings, interiors, travel, and society. She got her start as an assistant at Vanity Fair, making this something of a homecoming, and will be spanning topics for us, bringing to life some of the most intriguing and outrageous characters in our midst.

    Vanity Fair Announces New Hires Across Departments

    Photo by Sasithon Pooviriyakul.

    Juli Weiner joins VF as a Contributing Editor working on Vanities. Juli is an Emmy-winning screenwriter whose credits include HBO’s The Regime, The Franchise, and Last Week Tonight With John Oliver, as well as Ryan Murphy’s upcoming Love Story: John F. Kennedy Jr. and Carolyn Bessette and The Shards, both for FX. Her first job was at Vanity Fair in 2010.

    Vanity Fair Announces New Hires Across Departments

    Daniela Tijerina is promoted to Associate Editor. Daniela has already produced exceptional work for VF and will now be working alongside Claire Howorth, editing and writing across the publication.

    Vanity Fair Announces New Hires Across Departments

    Wisdom Iheanyichukwu joins as our new Associate Newsletter Producer. She graduated from Columbia University with a degree in creative writing. Previously, she held positions at GQ, VICE, Refinery 29, and the Columbia Journalism School. She’s also worked for BDG Media and at a fashion PR firm in which she assisted, styled, and dressed models and clients for events and New York Fashion Week.

    Vanity Fair Announces New Hires Across Departments

    Kenneal Patterson joins as Associate Web Producer. She is a web producer, reporter, and creative writer who has covered everything from local politics to arts and culture at The Daily Beast, WNYC/Gothamist, Impulse Magazine, The Bay State Banner, 5280 Magazine, Greenpointers, The Brooklyn Rail, Bushwick Daily, and more. She is passionate about global health and worked at the nonprofit Action Against Hunger for several years.

    Vanity Fair Announces New Hires Across Departments

    Wengel Gemu joins Vanity Fair as Social Media Coordinator. Most recently, she was an NBC page supporting SNL and Late Night on their social teams. She has also worked across brand creative at Adidas and covered red carpet fashion for GQ.

    Vanity Fair Announces New Hires Across Departments

    Abigail Sylvor Greenberg joined as Executive Assistant to the Global Editorial Director. She graduated in May from Yale University with a degree in English and a certificate in journalism. Abigail was editor-in-chief of the Yale Daily News Magazine and interned at CBS News Sunday Morning and Seven Days Vermont.

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  • That cover of Melania Trump on Vanity Fair is fake

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    Laura Loomer’s X post, Aug. 28, 2025

    Gavin Newsom’s X post, Aug. 29, 2025

    Semafor, Exclusive / Vanity Fair’s new cruise director will have to choose between his reporters and his friends, Aug. 24, 2025

    VanityFair.com, accessed Aug. 29, 2025

    Vanity Fair, The Complete Vanity Fair Archive, Aug. 29, 2025

    The New York Times, Melania Trump Over the Years, accessed Aug. 29, 2025

    ABC News, Melania Trump Appears on Cover of Mexican Vanity Fair Amidst Tensions, Jan. 27, 2017

    Daily Mail, Melania Trump laughs off Vanity Fair cover offer as magazine employees epically melt down in protest, Aug. 28, 2025

    Page Six, Melania Trump ‘laughed’ at Vanity Fair offer, rejected magazine: sources, Aug. 27, 2025

    Annie Leibovitz’s Instagram account, accessed Aug. 29, 2025

    Annie Leibovitz’ website, accessed Aug. 29, 2025

    The Next News Network, Developing: Melania Discussion at Emergency Meeting LEAKED – What They Said is DISGUSTING, Aug. 28, 2025

    The Next News Network’s X post, Aug. 28, 2025 

    Laura Ingraham’s X post, Aug. 28, 2025

    Charlie Kirk’s X post, Aug. 28, 2025

    Laura Ingraham’s X post, Aug. 28, 2025

    Charlie Kirk’s X post, Aug. 28, 2025

    Autism Capital’s X post, Aug. 28, 2025

    Vanity Fair’s X account, accessed Aug. 29, 2025

    Vanity Fair’s September issue, accessed Aug. 29, 2025

    WasItAI, accessed Aug. 29, 2025

    Hive Moderation, accessed Aug. 29, 2025

    Vogue, First Lady Jill Biden on What’s at Stake in 2024, July 1, 2025

    Vogue Magazine’s X post, Nov. 11, 2016

    Bellingcat, Testing AI or Not: How Well Does an AI Image Detector Do Its Job?, Sept. 11, 2023 

    Today.com, Donald and Melania Trump: A timeline of their relationship, Jan. 20, 2025 

    The Chicago Tribune, Critics call Gary Franchi’s YouTube channel, the Next News Network, a hive of conspiracy theories. So how has it survived the platform’s conspiracy crackdown?, Nov. 2, 2020

    Newsweek, Next News Network Founder Cries on Air as Conservative Channel Demonetized, Feb. 27, 2023

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  • Oscars after-parties: All the best moments and looks from Vanity Fair party and the Governors Ball

    Oscars after-parties: All the best moments and looks from Vanity Fair party and the Governors Ball

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    LOS ANGELES — Once the Oscars end, it’s always time to celebrate in true Hollywood fashion: the star-studded after-parties.

    Dozens of celebrities made their way out to the various celebrations all over Los Angeles to celebrate another successful show, ditching their red-carpet attire for new party-ready looks.

    Vanessa Hudgens arrives at the Vanity Fair Oscar Party on Sunday, March 10, 2024, at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, Calif.

    Photo by Evan Agostini/Invision/AP

    So where did they go? What were some of the looks? We take you inside the 2024 Oscars after-parties.

    Vanity Fair Oscars Party

    This year’s Vanity Fair party returned to the Wallis Annenberg Center for the Performing Arts in Beverly Hills.

    Stars began arriving even as the awards ceremony was ongoing, including Jennifer Coolidge, Donald Glover, Sofia Vergara, Jon Hamm, parents John Legend and Chrissy Tiegen, and singer Kylie Minogue.

    “I feel like it’s not work for me tonight, it’s fun,” said Minogue. “Like, what do I have to do at the Oscars? Nothing! But I’m looking forward to catching up with some friends, people I know in the business … Just feeling the general sparkle.”

    “Abbott Elementary’s” Sheryl Lee Ralph attended the Vanity Fair party with her stylist daughter Ivy-Victoria Maurice.

    “You can never go wrong with sparkle and shine when it comes down to the original ‘Dreamgirl,’” said Maurice about her mom. “I just knew that silver was really on trend, and it definitely matches her personality.”

    Star of “Abbott Elementary,” Sheryl Lee Ralph, was joined by her daughter at the Vanity Fair party to speak on dressing her mother for the 2024 Oscars.

    The Vanity Fair after-party is known as one of the ultimate Oscars parties, often bringing out plenty of A-listers, like the Kardashian-Jenner family.

    Kendall, Kylie and Kris Jenner all attended the Vanity Fair Oscar Party on Sunday, March 10, 2024.

    AP / Getty

    Oscars Governors Ball

    You can’t forget the Oscars Governors Ball!

    It’s one of the biggest parties after the Academy Awards.

    The Governors Ball always brings out A-list celebrities, fabulous food and entertainment all in one room. This year, Master chef Wolfgang Puck is celebrating an “Oscar” milestone as he marks his 30th year catering the event.

    For three decades, Puck has returned to serve up his delicious creations at start-studded ball.

    It’s also a great time to catch up with the celebs to hear about their favorite moments from the show.

    On The Red Carpet’s George Pennacchio caught up with Oscars host Jimmy Kimmel at the Governors Ball, who said he felt great about how the show went.

    “I feel good,” he said. “I’m very critical of myself, but I feel like mostly everything worked pretty well.”

    Elton John’s Oscar party

    Elton John’s Academy Awards after-party is perennially one of the hottest tickets in town, and this year was no different.

    It was the 32nd year the singer has hosted a viewing party to raise money for his Elton John AIDS Foundation.

    “I’ve been a patron of the Elton John AIDS Foundation for a very long time, and just to watch what Elton and David have achieved over the years is so special,” said actress and guest Elizabeth Hurley. “It means so much. They’re so passionate about their cause, they’ve made everybody around them passionate, and they couple it with one of the best nights of the year. It’s great.”

    Now that all the Academy Awards have been handed out, it’s time to party!

    Watch “Live With Kelly and Mark: After the Oscars,” live from the Oscars stage at the Dolby Theatre in Hollywood on Monday at 9 a.m.

    Copyright © 2024 OnTheRedCarpet.com. All Rights Reserved.

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  • Time to celebrate! Inside all the glitz and glam of the Oscars after-parties

    Time to celebrate! Inside all the glitz and glam of the Oscars after-parties

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    LOS ANGELES — Now that the Oscars are over, it’s time to celebrate in true Hollywood fashion: the after-parties.

    Dozens of celebrities are already making their way to the various after-parties all over Los Angeles to celebrate another successful show, often ditching their red-carpet attire for new party-ready looks.

    Sydney Sweeney arrives at the Vanity Fair Oscar Party on Sunday, March 10, 2024. (Photo by Evan Agostini/Invision/AP)

    So where are they going? What are they wearing? Here’s everything you need to know about the 2024 Oscar after-parties.

    Vanity Fair Oscars Party

    This year’s Vanity Fair party returned to the Wallis Annenberg Center for the Performing Arts in Beverly Hills.

    Stars began arriving even as the awards ceremony was ongoing, including Jennifer Coolidge, Donald Glover, Sofia Vergara, Jon Hamm, parents John Legend and Chrissy Tiegen, and singer Kylie Minogue.

    “I feel like it’s not work for me tonight, it’s fun,” said Minogue. “Like, what do I have to do at the Oscars? Nothing! But I’m looking forward to catching up with some friends, people I know in the business … Just feeling the general sparkle.”

    “Abbott Elementary’s” Sheryl Lee Ralph attended the Vanity Fair party with her stylist daughter Ivy-Victoria Maurice.

    “You can never go wrong with sparkle and shine when it comes down to the original ‘Dreamgirl,’” said Maurice. “I just knew that silver was really on trend, and it definitely matches her personality.”

    Star of “Abbott Elementary,” Sheryl Lee Ralph, was joined by her daughter at the Vanity Fair party to speak on dressing her mother for the 2024 Oscars.

    The Vanity Fair after-party is known as one of the ultimate Oscars parties, often bringing out plenty of A-listers, like the Kardashian-Jenner family.

    Kendall, Kylie and Kris Jenner all attended the Vanity Fair Oscar Party on Sunday, March 10, 2024.

    AP / Getty

    Oscars Governors Ball

    You can’t forget the Oscars Governors Ball!

    It’s one of the biggest parties after the Academy Awards.

    The Governors Ball always brings out A-list celebrities, fabulous food and entertainment all in one room. This year, Master chef Wolfgang Puck is celebrating an “Oscar” milestone as he marks his 30th year catering the event.

    For three decades, Puck has returned to serve up his delicious creations at start-studded ball.

    It’s also a great time to catch up with the celebs to hear about their favorite moments from the show.

    On The Red Carpet’s George Pennacchio caught up with Oscars host Jimmy Kimmel at the Governors Ball, who said he felt great about how the show went.

    “I feel good,” he said. “I’m very critical of myself, but I feel like mostly everything worked pretty well.”

    Elton John’s Oscar party

    Elton John’s Academy Awards after-party is perennially one of the hottest tickets in town, and this year was no different.

    It was the 32nd year the singer has hosted a viewing party to raise money for his Elton John AIDS Foundation.

    “I’ve been a patron of the Elton John AIDS Foundation for a very long time, and just to watch what Elton and David have achieved over the years is so special,” said actress and guest Elizabeth Hurley. “It means so much. They’re so passionate about their cause, they’ve made everybody around them passionate, and they couple it with one of the best nights of the year. It’s great.”

    Now that all the Academy Awards have been handed out, it’s time to party!

    Watch “Live With Kelly and Mark: After the Oscars,” live from the Oscars stage at the Dolby Theater in Hollywood on Monday at 9 a.m.

    Copyright © 2024 OnTheRedCarpet.com. All Rights Reserved.

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    OTRC

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  • Stars celebrate in full glitz and glam at Oscars after-parties

    Stars celebrate in full glitz and glam at Oscars after-parties

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    LOS ANGELES — Now that the Oscars are over, the Hollywood glitz and glam goes on.

    Dozens of winners and other celebrities are headed out to the various after-parties all over Los Angeles to celebrate the end of awards season, often ditching their red-carpet attire for new party-ready looks.

    Here’s what you need to know about 2024’s Oscar parties.

    Vanity Fair party

    This year’s Vanity Fair party returned to the Wallis Annenberg Center for the Performing Arts in Beverly Hills.

    Stars began arriving even as the awards ceremony was ongoing, including Jennifer Coolidge, Sofia Vergara, Jon Hamm and parents John Legend and Chrissy Tiegen.

    Governors Ball

    You can’t forget the Oscars Governors Ball!

    This year, Master chef Wolfgang Puck is celebrating an “Oscar” milestone as he marks his 30th year catering the event. For three decades, Puck has returned to serve up his delicious creations at start-studded ball.

    Now that all the Academy Awards have been handed out, it’s time to party!

    Watch “Live With Kelly and Mark: After the Oscars,” live from the Oscars stage at the Dolby Theater in Hollywood on Monday at 9 a.m.

    Copyright © 2024 OnTheRedCarpet.com. All Rights Reserved.

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    OTRC

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  • The COVID-Origins Debate Has Split Into Parallel Worlds

    The COVID-Origins Debate Has Split Into Parallel Worlds

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    The lab-leak theory of COVID’s origin has always been a little squirrelly. If SARS-CoV-2 really did begin infecting humans in a research setting, the evidence that got left behind is mostly of the cloak-and-dagger type: confirmations from anonymous government officials about vague conclusions drawn in classified documents, for example; or leaked materials that lay out hypothetical research projects; or information gleaned from who-knows-where that certain people came down with who-knows-what disease at some crucial moment. In short, it’s all been messy human stuff, the bits and bobs of intelligence analysis. Simple-seeming facts emerge from a dark matter of sources and methods.

    So it goes again. The latest major revelation in this line emerged this week. Taken at face value, it’s extraordinary: Ben Hu, a high-level researcher at the Wuhan Institute of Virology, and two colleagues, Yu Ping and Yan Zhu, could have been the first people on the planet to be infected with SARS-CoV-2, according to anonymous sources cited first in the newsletter Public and then in The Wall Street Journal. These proposed patient SARS-CoV-zeroes aren’t merely employees of the virology institute; they’re central figures in the very sort of research that lab-leak investigators have been scrutinizing since the start of the pandemic. Their names appear on crucial papers related to the discovery of new, SARS-related coronaviruses in bats, and subsequent experimentation on those viruses. (The Journal reached out to the three researchers, but they did not respond.)

    Is this the “smoking gun,” at last, as many now insist? Has the Case of the Missing COVID Origin finally been solved? If it’s true these were the very first infected people, then their professional activities mean they almost certainly caught the virus in the lab, not a market stall full of marmots and raccoon dogs. The origins debate has from the start revolved around a pair of dueling “coincidences.” The fact that the pandemic just happened to take off at a wet market suggests that the virus spilled over into humans from animals for sale there. But the fact that it also just happened to take off not too far away from one of the world’s leading bat-coronavirus labs suggests the opposite. This week’s information seems to tip the balance very heavily toward the latter interpretation.

    The only problem is, we don’t know whether the latest revelations can be trusted, or to what extent. The newly reported facts appear to stem from a single item of intelligence, furnished by a foreign source, that has bounced around inside the U.S. government since sometime in 2020. Over the past two and a half years, the full description of the sickened workers in Wuhan has been revealed with excruciating slowness, in sedimenting clauses, through well-timed leaks. This glacial striptease has finally reached its end, but is the underlying information even true? Until that question can be answered (which could be never), the origins debate will be stuck exactly where it’s been for many months: always moving forward, never quite arriving.

    The story of these sickened workers has been in the public domain, one way or another, since the start of 2021. Officials in the Trump administration’s State Department, reportedly determined to go public with their findings, put out a fact sheet about various events and circumstances at the Wuhan Institute of Virology around the beginning of the pandemic. Included was a quick description of alleged illnesses among the staff. The fact sheet didn’t name the sickened scientists or what they did inside the lab, or when exactly their illnesses occurred. It didn’t specify their symptoms, nor did it say how many scientists had gotten sick. If you boiled it down, the fact sheet’s revelations could be paraphrased like this:

    Several researchers at WIV became ill with respiratory symptoms in autumn 2019.

    That vague stub did little to budge consensus views. The lab-leak theory had been preemptively “debunked” in early 2020, and broad disregard of the idea—contempt of it, really—hadn’t yet abated. The day before the State Department fact sheet was released, a team of 17 international experts dispatched by the World Health Organization arrived in Wuhan to conduct (with the help of Chinese scientists) a comprehensive study of the pandemic’s origins. By the time of their return in February 2021, they’d come out with their conclusions: The lab-leak theory was “extremely unlikely” to be true, they said.

    The next month, while the WHO team was preparing to release its final report, further details of the sick-researchers story began to trickle out. In a panel discussion of COVID origins and then in an interview with the Daily Mail, David Asher, a former State Department investigator who’s now a senior fellow at a conservative think tank, filled in a few more specifics, including that the researchers had been working in a coronavirus laboratory and that the wife of one of them later died. The intel had arrived from a foreign government, he said. Now the facts that were revealed could be summarized like so:

    Three coronavirus researchers at WIV became severely ill with respiratory symptoms in the second week of November 2019.

    Pressure for a more serious appraisal of the lab-leak theory grew throughout that spring. In May 2021, more than a dozen prominent virologists and biosafety experts published a letter in the journal Science calling for “a proper investigation” of the matter. A week later, The Wall Street Journal published a leak from anonymous current and former U.S. officials: According to a “previously undisclosed US intelligence report,” the paper said, the sickened researchers had been treated for their sickness at a hospital. In other words, they probably weren’t suffering from common colds. This new aspect of the narrative was making headlines now, like this:

    Three coronavirus researchers at WIV became severely ill with respiratory symptoms in the second week of November 2019 and sought hospital care.

    After all of this publicity, President Joe Biden ordered the intelligence community to redouble efforts to analyze the evidence. While that work was going on, the leaks kept coming. In a 12,000-word story for Vanity Fair, the investigative journalist Katherine Eban gave some backstory on the sick-research intelligence, claiming that it had been gathered in 2020 and then inexplicably file-drawered until State Department investigators rediscovered it. (One former senior official described this as a “holy shit” moment in an interview with Eban.) Her article contained another seemingly important detail, too: The sickened researchers were doing not simply coronavirus research, her sources told her, but the very sort of research that could produce amped-up versions of a pathogen—an approach known as “gain of function.” Later in the summer, Josh Rogin, a Washington Post columnist, added that, according to his unnamed sources, the sickened researchers had lost their sense of smell and developed ground-glass opacities in their lungs. By this point, in the middle of 2021, the expanded piece of intel amounted to the following:

    Three gain-of-function coronavirus researchers at WIV became severely ill with COVID-like symptoms in the second week of November 2019 and sought hospital care.

    The latest revelations are coming at just the moment when Republicans are lambasting the Biden administration for failing to declassify COVID-origins intelligence in accordance with a law that the president signed. The Sunday Times quoted an anonymous former State Department investigator who said they were “rock-solid confident” that the three sick researchers had been sick with COVID, because people as young as the researchers would rarely be hit so hard by a mere seasonal illness. A few days later, someone spilled the researchers’ names to Public. On Tuesday, The Wall Street Journal matched the scoop, and it seemed that every detail of the once-secret information was now exposed:

    Ben Hu, Yu Ping, and Yan Zhu, three gain-of-function coronavirus researchers at WIV, became severely ill with COVID-like symptoms in the second week of November 2019 and sought hospital care.

    However vivid this may sound, its credibility remains unknown. Did Hu, Ping, and Zhu really get sick, as the intel claims? If so, was it really COVID? Two years ago, the Journal cited two anonymous sources on this question: One, the Journal wrote, called the intelligence “potentially significant but still in need of further investigation and corroboration”; the other said it was “of exquisite quality” and “very precise.” Just this week, anonymous officials in the Biden administration told The New York Times that intelligence analysts had already “dismissed the evidence,” by August 2022, about the sickened workers at WIV for lack of relevance. Which secret source should be trusted to explain the significance of this secret intelligence? Readers are left to sort that out themselves.

    In the meantime, over the past two years, even as the sickened-worker intel was revealed, a very different sort of evidence was mounting, too. A new research paper, published just days after Eban’s feature in Vanity Fair, revealed that live wild animals, including raccoon dogs, had been for sale at the Huanan market in Wuhan shortly before the pandemic started. In early 2022, scientists put out two detailed analyses of early case patterns and viral genome data, which argued in favor of the animal-spillover theory. Another study involving many of the same researchers came out this past spring, noting the presence of genetic material from raccoon dogs in early samples from the market; its authors described their findings as providing strong evidence for an animal origin. But other scientists were quick to challenge the study’s importance. A further study of the same data by Chinese scientists made a point of not ruling out the hypothesis that the pandemic had started with a case of tainted frozen seafood; yet another study, released in May, argued that the original work provided no useful information whatsoever on the question of COVID’s origins.

    So it goes with the animal-spillover theory. The evidence in favor has always been highly esoteric, knotted with data and interpretation. Scientific points are made—a particular run of viral nucleotides is a “smoking gun” for genetic engineering, one famous scholar said in 2021—and then they are re-argued and occasionally walked back. Long-hidden sample data from the market suddenly appear, and their meaning is subjected to vituperative, technical debate. If the evidence for a lab leak tends to come from messy human stuff, the evidence for animal spillover emerges from messy data. Simple-seeming claims are draped across a sprawl of numbers.

    In this way, the origins question has broken down into a pair of rival theories that don’t—and can’t—ever fully interact. They’re based on different sorts of evidence, with different standards for evaluation and debate. Each story may be accruing new details—fresh intelligence about the goings-on at WIV, for example, or fresh genomic data from the market—but these are only filling out a picture that will never be complete. The two narratives have been moving forward on different tracks. Neither one is getting to its destination.

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    Daniel Engber

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  • Barry’s Patrick Fischler Knows Why Cousineau Spilled the Beans to Vanity Fair

    Barry’s Patrick Fischler Knows Why Cousineau Spilled the Beans to Vanity Fair

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    Patrick Fischler jumped at the chance to play a role on the final season of Barry. “I got a call just from my rep saying, ‘Hey, do you want to do this arc on Barry?’ And my answer before I even saw what it was was yes, because it’s Barry,” he says. Little did he know at the time that he’d be playing the part of journalist Lon O’Neil, who works for a little magazine called Vanity Fair. Ever heard of it? 

    Over the course of three episodes, we see Lon track down Gene Cousineau (Henry Winkler)—who, despite strict instructions to the contrary, can’t help but tell the twisted story of his relationship with Barry (Bill Hader) to Vanity Fair. Unfortunately for Lon, his dedication to the craft of journalism sends him right into the clutches of Detective Jim Moss (Robert Wisdom), who uses his powers of interrogation and intimidation to infiltrate Lon’s brain, effectively killing the Cousineau story and leaving Lon a German-speaking shell of a man. “Who the hell knows what Jim did in that garage to this guy?” Fischler says. “In my mind, he’s mush…. I think Lot O’Neil leaves that house and gets on a plane and goes to Germany, and goes and lives among what he thinks are his people.”

    Fischler, a veteran actor who’s made memorable appearances on every show from Mad Men to Lost to Twin Peaks: The Return, says that Hader, who directed every episode of the final season of Barry, was one of the best he’s ever worked with. “I’ve worked with some incredibly prestigious, amazing directors that have been wonderful,” he said. “But Bill has just blown me away.”

    In a somewhat meta moment, fictional Vanity Fair writer Fischler chats with actual Vanity Fair about the trials and tribulations of being a journeyman actor, and how Lon O’Neil could afford a house with a pool on a print journalist’s salary.

    Vanity Fair: How did you prepare to take on this role of a lifetime?

    Patrick Fischler: They sent me a little blurb of what it was. [It] didn’t even say Vanity Fair, it said a reporter who needs to speak another language. I said, sure. And then I found out it was Vanity Fair, which I loved because I felt like you’re kind of clear who this guy is. It made it very specific for me, and I didn’t really need to do much. I had to then quickly learn German.

    How was that?

    That was the most challenging part of this whole thing, actually. German is not an easy language to quickly learn. I learned a little improv in German, because Bill lets us play after we shoot it. He’s so collaborative and so open. So I learned a little bit of extra lines in German so I could make sure that I could improv the scene. And of course the other people have no idea what I’m saying, which is brilliant.

    Do you know what you’re saying? Because I actually didn’t know what you’re saying either. 

    I think it’s literally “I have no idea who any of you are. I have to go back to my farm. I hope everyone’s okay.” It’s that kind of shit. He has no idea what’s going on. He has no idea any of these people are, and that’s what the lines are saying. I told Bill, “you guys should put subtitles.” He’s like, “nah.’ I think the whole idea is just that he’s just speaking German and they have no idea.

    Obviously, we think it’s fun that Lon works for Vanity Fair, but it seems to makes sense from a storytelling perspective as well.  

    Right away when we were rehearsing, I said, “I want him to be good at his job.” I think that’ll just make it more interesting. The fact that Bill picked Vanity Fair is…I mean, I think [Cousineau] is desperate for any spotlight he can find. But for a man like him, who’s always wanted to be on the cover, always wanted to be on that young Hollywood issue back in the ’90s—you know what I mean? That’s Cousineau.

    What was it like watching Henry Winkler perform his one-man play?

    It was amazing. Anyone you ever meet in your life will say this: Henry Winkler is the loveliest man in the world. He is a true mensch. On top of it, he’s so incredibly talented. So to have Bill write this amazing monologue for him, which, by the way, was much longer than they showed.

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    Chris Murphy

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  • The Lab Leak Will Haunt Us Forever

    The Lab Leak Will Haunt Us Forever

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    The lab-leak theory lives! Or better put: It never dies. In response to new but unspecified intelligence, the U.S. Department of Energy has changed its assessment of COVID-19’s origins: The agency, which had previously been undecided on the matter, now rates a laboratory mishap ahead of a natural spillover event as the suspected starting point. That conclusion, first reported over the weekend by The Wall Street Journal, matches up with findings from the FBI, and also a Senate Minority report out last fall that called the pandemic, “more likely than not, the result of a research-related incident.”

    Then again, the new assessment does not match up with findings from elsewhere in the federal government. In mid-2021, when President Biden asked the U.S. intelligence community for a 90-day review of the pandemic’s origins, the response came back divided: Four agencies, plus the National Intelligence Council, guessed that COVID started (as nearly all pandemics do) with a natural exposure to an infected animal; three agencies couldn’t decide on an answer; and one blamed a laboratory accident. DOE’s revision, revealed this week, means that a single undecided vote has flipped into the lab-leak camp. If you’re keeping count—and, really, what else can one do?—the matter still appears to be decided in favor of a zoonotic origin, by an updated score of 5 to 2. The lab-leak theory remains the outlier position.

    Are we done? No, we aren’t done. None of these assessments carries much conviction: Only one, from the FBI, was made with “moderate” confidence; the rest are rated “low,” as in, hmm we’re not so sure. This lack of confidence—as compared with the overbearing certainty of the scientists and journalists who rejected the possibility of a lab leak in 2020—will now be fodder for what could be months of Congressional hearings, as House Republicans pursue evidence of a possible “cover-up.” But for all the Sturm und Drang that’s sure to come, the fundamental state of knowledge on COVID’s origins remains more or less unchanged from where it was a year ago. The story of a market origin matches up with recent history and an array of well-established facts. But the lab-leak theory also fits in certain ways, and—at least for now—it cannot be ruled out. Putting all of this another way: ¯_(ツ)_/¯.

    That’s not to say that it’s a toss-up. All of the agencies agree, for instance, that SARS-CoV-2 was not devised on purpose, as a weapon. And several bits of evidence have come to light since Biden ordered his review—most notably, a careful plot of early cases from Wuhan, China, that stamps the city’s Huanan market complex as the outbreak’s epicenter. Many scientists with relevant knowledge believe that COVID started in that market—but their certainty can waver. In that sense, the consensus on COVID’s origins feels somewhat different from the one on humans’ role in global warming, though the two have been pointedly compared. Climate experts almost all agree, and they also feel quite sure of their position.

    The central ambiguity, such as it is, of COVID’s origin remains intact and perched atop a pair of improbable-seeming coincidences: One concerns the Huanan market, and the other has to do with the Wuhan Institute of Virology, where Chinese researchers have specialized in the study of bat coronaviruses. If COVID really started in the lab, one position holds, then it would have to be a pretty amazing coincidence that so many of the earliest infections happened to emerge in and around a venue for the sale of live, wild animals … which happens to be the exact sort of place where the first SARS-coronavirus pandemic may have started 20 years ago. But also: If COVID really started in a live-animal market, then it would have to be a similarly amazing coincidence that the market in question happened to be across the river from the laboratory of the world’s leading bat-coronavirus researcher … who happened to be running experiments that could, in theory, make coronaviruses more dangerous.

    One might argue over which of these coincidences is really more surprising; indeed, that’s been the major substance of this debate since 2020, and the source of endless rancor. In theory, further studies and investigations would help resolve some of this uncertainty—but these may never end up happening. A formal inquiry into the pandemic’s origin, set up by the World Health Organization, had intended to revisit its claim from early 2021 that a laboratory source was “extremely unlikely.” Now that project has been shelved in the face of Chinese opposition, and the Wuhan Institute of Virology has long since stopped responding to requests for information from its U.S.-based research partners and the NIH, according to an inspector general’s report from the Department of Health and Human Services.

    In the meantime, the smattering of facts that have been introduced into the lab-leak debates over the past two years, have been, at times, maddeningly opaque—like the unnamed, “new intelligence” that swayed the Department of Energy. (For the record, The New York Times reports that each of the agencies investigating the pandemic’s origin had access to this same intelligence; only DOE changed its assessment to favor the lab-leak explanation as a result.) We’re only told that certain fresh and classified information has changed the minds of some (but only some) unnamed analysts who now believe (with limited assurance) that a laboratory origin is most likely. Well, great, I guess that settles it.

    When more specific information does crop up, it tends to vary in the telling over time; or else it’s promptly pulverized by its partisan opponents. The Journal’s reporting, for instance, mentions a finding by U.S. intelligence that three researchers at the Wuhan Institute of Virology became ill in November 2019, in what could have been the initial cluster of infection. But how much is really known about those sickened scientists? The specifics vary with the source. In one telling, a researcher’s wife was sickened, too, and died from the infection. Another adds the seemingly important fact that the researchers were “connected with gain-of-function research on coronaviruses.” But the unnamed current and former U.S. officials who pass along this sort of information can’t even seem to settle on its credibility.

    Or consider the reporting, published last October by ProPublica and Vanity Fair, on a flurry of Chinese Community Party communications from the fall of 2019. These were interpreted by Senate researcher Toy Reid to mean that the Wuhan Institute of Virology had undergone a major biosafety crisis that November—just when the COVID outbreak would have been emerging. Critics ridiculed the story, calling it a “train wreck” premised on a bad translation. In response ProPublica asked three more translators to verify Reid’s reading, and claimed they “all agreed that his version was a plausible way to represent the passage,” and that the wording was ambiguous.

    Maybe this is just what happens when you’re trapped inside an information vacuum: Any scrap of data that happens to float by will push you off in new directions.

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    Daniel Engber

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  • Honey, the Heartthrobs Are Home

    Honey, the Heartthrobs Are Home

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    For years, there’s been a void in Hollywood. Despite all the young, fresh talent parading along red carpets and across our screens, there was one type missing: the quintessential heartthrob.

    Heartthrobs of yore had a hold on me — and on pop culture as a whole. And there have always been jawdroppingly beautiful people in Hollywood. That’s part of its whole thing. But heartthrobs are in their own class. Their swoon-worthy looks combined with their out-of-this-world charisma place them in a league of their own. But where have all the heartthrobs gone?


    Despite male celebrities like Timothee Chalamet or Harry Styles winning our hearts, their energy doesn’t give heartthrob in classic Hollywood style.

    Perhaps, in an age of social media, the endless scrum of influencers and TikTok stars have desensitized us to pure beauty. Liking a photo or scrolling through a feed is blasé compared to slavering over the latest TV interview with your heartthrob of choice and then plastering their limited-edition, J14 posters to your bedroom wall.

    Or maybe Tarantino was right when he said that actors don’t play “leading men” anymore. “Part of the Marvel-ization of Hollywood is you have all these actors who have become famous playing these characters,” he said in an interview in 2022. “But they’re not movie stars, right? Captain America is the star. Thor is the star.”

    Though his statement got backlash, he was right … in a way. I miss the days when I’d go to the movies just to watch my heartthrob take the screen. Because that’s precisely what it means to be a heartthrob: you’re defined by your charisma, not the pedigree bestowed to you by the industry or a giant like Marvel.

    It’s why Leonardo DiCaprio mysteriously remains alluring (though he is only allured by women under 25). It’s why Brad Pitt remains one of the most famous movie stars in the world, despite not winning an Oscar for acting until 2020.

    But never fear, heartthrobs are here.

    With the Oscars barrelling towards us, Vanity Fair just released its annual Hollywood Issue. And this year’s spread is a feast for the eyes.

    This year’s coveted cover spot was awarded to Selena Gomez, Austin Butler, Florence Pugh, Ana de Armas, Jonathan Majors, Keke Palmer, Aaron Taylor-Johnson, Julia Garner, Regé-Jean Page, Emma Corrin, Hoyeon, and Jeremy Allen White.

    Familiar faces like Keke Palmer and Selena Gomez entertained us as former child stars. But last year marked significant growth in their careers.

    Newer faces like Florence Pugh, Julia Garner, Hoyeon, and Ana de Armas have been impressing the industry over the past few years and finally had landmark career breakthroughs in 2022.

    But the most revelatory part of the list: the return of the heartthrob. Austin Butler! Jonathan Majors! Aaron Taylor-Johnson! Regé-Jean Page! Jeremy Allen White! Siri, play ‘Woman in Love’ by Barbra Streisand! Siri, add ‘My Man’ to the queue!

    And. Vanity Fair, I want to thank you for your service. From the bottom of my throbbing heart. The creative direction held nothing back. Set a dark, sexy club, the entire set harkened back to old Hollywood. And though the diverse cast selected signals a long-awaited, inclusive standard of beauty, the charm of the classic Heartthrob is alive in this intergalactic generation of superstars.

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    LKC

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  • Chris Hemsworth discovers he has rare genetic makeup that significantly increases risk of Alzheimer’s disease: “My biggest fear”

    Chris Hemsworth discovers he has rare genetic makeup that significantly increases risk of Alzheimer’s disease: “My biggest fear”

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    Chris Hemsworth’s new show with National Geographic on Disney Plus is “a mission to live better for longer.” But because of that show, he has come face-to-face with his “biggest fear” – that he might develop Alzheimer’s disease.

    During one episode of the show, the 39-year-old “Thor” actor underwent genetic testing to learn more about his present and future health. It turns out that Hemsworth has a rare genetic makeup with two copies of the APO4 gene, which has been connected to an increased risk of Alzheimer’s disease

    “ApoE4 is the strongest risk factor gene for Alzheimer’s disease,” a 2021 study by the National Institutes of Health says, “although inheriting ApoE4 does not mean a person will definitely develop the disease.”

    While about 25% of the population has one copy of the gene, only 2% to 3% have two, according to that research.

    “The idea that I won’t be able to remember the life I’ve experienced or my wife, my kids, this is probably my biggest fear,” Hemsworth says in the show’s fifth episode. 

    During filming, the show’s longevity doctor Peter Attia first told Hemsworth about the finding off-camera, Hemsworth told Vanity Fair. That conversation, Hemsworth said, “was pretty shocking.” 

    “It was a pretty brief conversation, all things considered. I hung up the phone and my parents were there, at the time,” he told Vanity Fair. “…I told them, and then they had a bunch of questions. I had a bunch of questions, but no one answered them. I wish I’d had a more intense follow-up with it because I didn’t really know what to think. I was like, ‘Am I supposed to be worried? Is this concerning?’”

    Attia told Hemsworth in the episode that he is about 8 to 10 times more likely than the general population of developing Alzheimer’s. According to the National Institutes of Health, it’s also associated with early onset, which can happen anytime between someone’s 30s and mid-60s. 

    “There was an intensity to navigating it. Most of us, we like to avoid speaking about death in the hope that we’ll somehow avoid it. We all have this belief that we’ll figure it out,” Hemsworth reflected to Vanity Fair. “Then to all of a sudden be told some big indicators are actually pointing to this as the route which is going to happen, the reality of it sinks in. Your own mortality.”

    It’s also a disease that his family has significant experience with. Hemsworth’s grandfather has Alzheimer’s. 

    “He doesn’t remember who we are, you know his grandkids, but also his own children he forgets. It’s heartbreaking,” he says in the show. 

    He also told Vanity Fair that there are some days when his grandfather is “quite joyful and gives you a big hug.” 

    “I’m not sure he actually remembers much anymore and he slips in and out of Dutch, which is his original language, so he’ll be talking Dutch and English and then a mash-up and them maybe some other new words as well,” he said.

    Despite his genetic makeup and family history, Attia told Hemsworth, “it’s my belief that if we take every step possible, we can reduce your risk to that of anyone else.” 

    The finding propelled Hemsworth to take action. According to the National Institute of Aging, physical activity, blood pressure control and cognitive training – activities that help enhance memory, reasoning and processing speed – could help ward off the disease’s onset, although those findings are inconclusive.

    “It’s not like I’ve been handed my resignation,” he told Vanity Fair. 

    “When you have preposition to cardiovascular heart disease, cancer, anything—it’s all about sleep management, stress management, nutrition, movement, fitness. It’s all kind of the same tools that need to be applied in a consistent way,” he said

    But at the end of the day, Hemsworth told Vanity Fair that what matters most is making the most out of life for as long as you can. 

    “Whether or not any of this information helps you live longer, it’s about living better right now,” he said. “Whatever you do right now to benefit your future self is having a huge benefit in your current self. … Live with as big a sense of gratitude and love for life as you can.” 

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