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Tag: Ultra

  • Xiaomi’s 17 Ultra Leica Edition smartphone comes with a manual zoom ring

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    Xiaomi just launched its flagship 17 Ultra by Leica phone that may make you feel bad about your current device’s cameras. Naturally, it’s a spec monster, with a 1-inch sensor 50MP f/1.67 main camera and 1/1.4-inch 200MP periscope telephoto camera. But it also offers an interesting new mechanical feature: a manual zoom ring that activates the camera automatically when you rotate it.

    Both the regular Xiaomi 17 Ultra and Leica edition come with a Snapdragon 8 Elite Gen 5 SoC with up to 16GB of LPDDR5X RAM and 1TB of UFS 4.1 storage, along with a 6.9-inch 120Hz AMOLED display that can hit up to 3,500 nits of peak brightness. On top of the impressive main and telephoto lenses, they offer a 50MP ultrawide and a 50MP selfie camera. And battery life shouldn’t be an issue, thanks to the 6,800mAh silicon-carbon battery that supports 90 watt wired and 50 watt wireless charging.

    Xiaomi

    The 17 Ultra by Leica adds some very, well, Leica touches. Those include a two-tone finish, red dot status symbol on front, textured edges and film simulations like Leica’s Monopan 50 black and white. As for the zoom ring, Xiaomi says “its rotation [eliminates] the need for tedious screen taps… and can detect displacements as small as 0.03mm.” It can be reprogrammed for functions like exposure compensation and manual focus as well.

    Other features unique to that model include a “Leica Moments” 3:2 aspect ratio, special encryption chip, and dual-satellite connection. And as befits a special edition, it comes in a custom box with a lens cap, lanyard, magnetic case and branded cleaning cloth.

    The one caveat is the price. Where phones for the Chinese market are often cheaper than North American models, Xiaomi’s 17 Ultra by Leica and the regular 17 Ultra start at CNY 7,999 ($1,140) and CNY 6,999 ($995) respectively with 512GB or storage and 16GB of RAM — right up there with the latest high-end Pixel 10 and Galaxy 25 models.

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    Steve Dent

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  • excited ultra pronged

    excited ultra pronged

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    Vanessa Scott holds her baby out a 5th story window through the window bars so her child could breathe during an apartment fire. Firefighters were able to save them and no one sustained serious injuries. Her actions saved her child, instead of running through the smoke risking both their lives, she chose to risk hers to give her child a better chance.

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  • The Iconic Hardwell Returns To Music

    The Iconic Hardwell Returns To Music

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    What can you say about a 2x World No. 1 DJ, who has been leading the electronic dance world for over a decade since he was only 14, who has officially remixed tracks for huge names in the music industry like Rihanna and Calvin Harris, that hasn’t already been said? That’s the case with the legendary Hardwell, who at 25, is just getting started.


    As both a producer and DJ, Hardwell made his mark early on as a highly sought-after Dutch phenomenon who quickly won World’s No. 1 DJ in 2013, early on in his career. After remixing hit singles and sharing his own smash collabs with artists like Austin Mahone, Jay Sean, and Jason Derulo…you’d be surprised to learn what Hardwell has accomplished, accolades that take most artists multiple decades to be handed. But Hardwell is different.

    He’s collaborated with fellow DJ’s like Dimitri Vegas & Like Mike, Steve Aoki, Tiesto, and AfroJack. He’s performed at the biggest EDM festivals in the world like Ultra, Tomorrowland, Coachella, and EDC Las Vegas. And while he took a 3 and a half year hiatus from releasing music and hitting the stage, 2022 Ultra proved to be his comeback.

    Since then, fans have anxiously awaited Hardwell’s next move. Which has included his REBELS NEVER DIE era, remixing tracks by David Guetta and Benny Benassi, plus releasing original tracks of his own. You can check out REBELS NEVER DIE here:

    It’s been a crazy year for Hardwell, but it’s safe to say he’s back. Hardwell sat down with Popdust to talk about what we can expect next, and what we’ve missed since we last saw him!

    PD: You took a 3.5-year hiatus from music before returning to the stage for a surprise performance at Ultra last year…has your process of making music changed since then?

    H: Yes, but not so much in a technical approach but more, what’s the right word, holistic. So, the big change has been about time and ensuring I give myself enoughof it focus on being creative. Without the pressure to be at the next airport, meeting,or wherever needed. I know, it sounds so simple but when you’re flying between multiple cities each week it can be difficult to properly get your head into a space that inspires creativity. So, for me, since the time away from touring, my priority now is to maintain the right balance between being on the road and at home in my studio.

    PD: What have been your favorite songs to remix so far?

    H: I’ve always loved remixes. It’s a part of the dance scene which since the verybeginning I’ve been hooked on so when it comes to being a remixer on some else’smusic, it always excites me to see what new direction I can take the song in. I’vehad the honour to be invited to remix some incredible acts, who I respect, likeColdplay, Moby, The Chainsmokers, Calvin Harris and US. But honestly, the one that really stands out is my remix of ‘Ocarina of Time’s Gerudo Valley’ for The Legend of Zelda. I can still feel the young gamer inside me grinning so hard at that one, like “Yes, we did it!”

    PD: Are there any artists that inspire you or one’s you’d like to collaborate with in the future?

    H: Of course, acts like Dr Dre, The Prodigy, Pharrell Williams, Red Hot Chili Peppers, Eminem, and many others would be some others, are on my producer bucket list, but away from established acts, I’m actually really inspired by the artists coming through on my label Revealed Recordings. Seeing new artists like VINNE, Tim Hox developing in the studio, making music, and having that crazy hunger to succeed.Reminds me a lot of when I first got into it and it’s inspiring.

    PD: You’ve teased you have a new single collaboration coming up. Can you share any more details, whose it with and what’s the name of the song?

    H: Yeah, so the track is called ‘ANYBODY OUT THERE’ and it’s a vocal-driven anthem with Azteck and Alex Hepburn. I wanted to create a kind of hybrid song thatconnected with my current harder-edged style, but also leans into the vocal stuff Ilove in music. I needed something big that fits a Hardwell set and needed to find atrack that would have all the right emotions, the right chords, and the perfectbalance in arrangement to fit what I was after. So, this collaboration was focused on doing that and I’m so, so happy with the final outcome. I think the three of us crushed it.

    PD: You recently completed an exciting North American tour with a stop at The Brooklyn Mirage, and have performed at some of the world’s biggest events like Ultra Music Festival, Coachella, EDC, and sold-out Madison Square Garden…what’s your favorite part about performing your music live?

    H: It’s almost an indescribable feeling to be on stage. The connection with the crowd, playing music you love and sharing new/old tracks you’ve poured lots of time into creating to then have the crowd dance or sing them back to you. It’s such a surreal experience and such an amazing buzz to share it with the fans.

    PD: You closed your 2022 REBELS NEVER DIE era with a deluxe edition followed by several new singles in 2023 like remixing David Guetta’s version of Benny Benassi’s “Satisfaction”, and a run of original singles like‘Take Me Away’, ‘Balança’, ‘Twisted’, and ‘Sloopkogel’. What is it like dropping all these projects over varying genres? Do you have a favorite right now?

    H: It’s exciting because its exactly what I wanted, which is to be completely free ofany pressure to make a certain type of sound. I want to just explore whatever stylefits me at the time, whether it’s techno, electro, trance, big room, or whatever. Ican’t say I have an out-and-out favourite, because every song is special in its ownway. But I’m super proud of my recent song ‘ACID’ with Maddix and Luciana, simplybecause I had the idea of making an acid song for so long, but I wanted to make itan acid crossover song. There’s a lot of acid underground songs but I needed an acid song that had the right balance of a techno song and an EDM song to work in a Hardwell show, and I wanted it to have a vocal, so it had more of a crossover appeal

    PD: What’s next for you this year? Any upcoming music or perhaps an album?

    H: There’s no new album planned. I said to myself right after REBELS NEVER DIE was completed, that I wanted to go and have some fun collaborating with otherartists I’d admire. The album was a big solo project, so it felt like a nice change todo a bunch of collaborations and originals. I’ve got a ton of new music coming up,like the next track ‘ANYBODY OUT THERE’ which I mentioned. So it’s definitely goingto be a busy year both in the studio and on the road with a summer full of festivalsplanned..

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    Jai Phillips

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  • Yoko Taro’s New Death Game Anime Sounds Typically Wild

    Yoko Taro’s New Death Game Anime Sounds Typically Wild

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    During an Anime Expo interview, I spoke with creators Yoko Taro (NieR Automata), Atsushi Ohkubo (Fire Force), Hiroyuki Seshita (Ajin), and the mononymous Jin (Kagerou Project) about how they came together to make the upcoming anime sci-fi death-game anime, KamiErabi GOD.App.

    In KamiErabi GOD.App high school students will compete in a series of death games for the chance to be crowned as the new god of their world. While the premise of KamiErabi GOD.App. is narratively similar to The Future Diary, its creators say its world is even crazier.

    “I mean, it really is crazy. The world we’re in is already crazy. I mean, it’s super crazy. And what we’re doing is we basically just matched perfectly the world that we’re living in,” director Seshita told Kotaku. “From the very beginning, we were saying, ‘Okay, let’s make it so that [the anime feels like] there’s weird going on from the get-go. And every single time we worked on this, we tried to make sure that we infused it with some craziness because that matches our world.”

    Despite KamiErabi GOD.App’s death-game premise, Seshita said the anime fits better in the fantasy genre. You can check out the trailer.

    Fuji TV / Slow Curve

    How KamiErabi GOD.App’s creators got together for the anime

    While the premise of the anime promises to be a wild ride, what’s even crazier is the collaboration between the folks working on the show, given their busy schedules. When I asked how the quartet came to team up for the anime, Taro, who the others credited as the one who officiated their collaboration, said it all happened over drinks.

    “When I understood that Seshita-san was going to be involved—I really was a fan of his work—I said at least we can go have a drink and see what happens,” Taro said.

    Taro hand-waved being called the leader on KamiErabi GOD.App, saying each creator’s “strong individual characteristics” helped in equal measure in the planning process for the anime. Taro credited Seshita’s experience making video games with computer graphics and 3D animation as well as his coordinating large production teams as the force that kept each creator grounded.

    “If we hadn’t all been in this situation where we were kind of looking for something different or transitional in our careers, maybe [KamiErabi GOD.App] wouldn’t have happened, but I think it was great,” Taro said. “We were all kind of doing things in our separate ways. After we all got together and really joined forces, it all kind of came together in a kind of miraculous way.”

    Jin and Ohkubo were told to be bold and go crazy on KamiErabi GOD.App

    Taro credited Seshita’s guidance as a critical part of their collaborative creative process in helping character designer Ohkubo and series composer Jin, young “passionate” artists who are used to creating on their own, by instructing them to go all out on making their new anime series a bold and provocative new experience for viewers.

    “For me, [working on KamiErabi GOD.App] was actually this feeling of total irresponsibility. Like literally, I didn’t feel the pressure of responsibility at all. It was just pure fun,” Ohkubo said. “But if we didn’t have the ass-whipper [Seshita] to be responsible and get the team whipped into shape, it wouldn’t have happened.”

    Jin, who wrote and on the music for the Kagerou Project on his own, said the producers wanted his role on the project to assist in shaping KamiErabi GOD.App into a show that shape and make it into an anime “was going to work.” However, when Seshita approached him, Jin said he requested that he put 100% of his being into creating something “really bold and daring” that would surprise people.

    “The thing is that even if someone in Japan says to you, ‘Okay, do whatever you want, right? Anything goes. Anything is fine.’ They usually don’t mean it. However, in my case, I literally took them at their word. I said, ‘literally anything goes. I’m gonna do whatever I want,’” Jin said. “And when I did, I was told by the director and the producer that they were kind of surprised, saying ‘Wow, this is kind of sugoi.’”

    Up until the last second of working on KamiErabi GOD.App, Jin said he had to push his limits while working on the anime to ensure that it would meet both his and his fellow creators’ expectations.

    “The momentum that we had as a team plus the individual characteristics that we brought, I think, is what made this successful,” Jin said.

    KamiErabi GOD.App is slated to release on Crunchyroll in October.


    Kotaku is covering everything at Anime Expo 2023, including big announcements at panels and exclusive one-on-one interviews with the industry’s biggest creators. Whether you’re a seasoned anime fan or a newbie, you can keep up with all things Anime Expo 2023 here.

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    Isaiah Colbert

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  • Skrillex, Calvin Harris, Confirmed for Ultra’s Show-Stopping Debut Festival In Abu Dhabi – EDM.com

    Skrillex, Calvin Harris, Confirmed for Ultra’s Show-Stopping Debut Festival In Abu Dhabi – EDM.com

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    Ultra Music Festival‘s grand plans are coming together in the Abu Dhabi region with an awe-inspiring lineup to match.

    The events powerhouse with homes on all six inhabited continents is going all-in this year, making a splash with the debut Ultra edition in the UAE capital. Touching down in the capital will be an entourage of electronic music greats, including Skrillex, Afrojack, Calvin Harris and ILLENIUM, among others.

    Ultra’s plans in the Middle East have been long in-the-making. The storied festival brand was slated to take over Abu Dhabi in early 2020, but with the onset of the pandemic, those plans didn’t come to fruition.

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    Cameron Sunkel

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  • Ultra’s RESISTANCE to Debut Residency In Miami In 2023 – EDM.com

    Ultra’s RESISTANCE to Debut Residency In Miami In 2023 – EDM.com

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    Ultra’s RESISTANCE concept is making a historic homecoming in 2023. 

    Since the debut of the RESISTANCE stage at Ultra Buenos Aires in 2015, the underground-focused concept has been a smash hit around the world. After unveiling the grungy, flame-throwing, spider-like stage setup in 2015, the brand immediately became the talk of the festival, so much so that the organization moved rapidly to debut a standalone RESISTANCE event only a year later.

    Since then, standalone shows have dotted the globe, landing in at least 35 cities. Most notably, the RESISTANCE brand found a stable home in Ibiza for what became a highly celebrated residency in the nightlife capital of the world.

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    Cameron Sunkel

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