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Tag: Tyriq Withers

  • Him Star Tyriq Withers Talks Alternate Ending, Horror Movie’s Deeper Theme | Interview

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    ComingSoon’s Tyler Treese spoke with Him star Tyriq Withers about the new horror movie’s ending, its religious themes, and its deleted scenes. The Jordan Peele-produced film is now available to buy and rent on Digital, and will be out on 4K and Blu-ray on November 11, 2025.

    “The film follows Cameron Cade, a rising-star quarterback who has devoted his life, and identity, to football. On the eve of professional football’s annual scouting Combine, Cam is attacked by an unhinged fan and suffers a potentially career-ending brain trauma,” reads the official synopsis. “Just when all seems lost, Cam receives a lifeline when his hero, Isaiah White, a legendary eight-time Championship quarterback and cultural megastar, offers to train Cam at Isaiah’s isolated compound that he shares with his celebrity influencer wife, Elsie White. But as Cam’s training accelerates, Isaiah’s charisma begins to curdle into something darker, sending his protégé down a disorienting rabbit hole that may cost him more than he ever bargained for.”

    Tyler Treese: It is nice talking after release, so we can talk about some spoilers. I have to ask you about the ending, man. It’s so visually striking. There’s a ridiculous amount of blood on you. My poor dude, Tim Heidecker, got what he deserved. How is it getting covered in blood and really just unleashing that character for that ending? How is it filming that?

    Tyriq Withers: Yeah, I think physically it’s taxing ’cause you’re in the sun and you’re outside covered in blood that’s like sticky and certain things you have to film out of order, so you have to get more blood on you.

    And then, oh, “we’re gonna come back in here and shoot this.” You gotta take more blood off, and then you have to break for lunch, and do you wanna sit in blood for lunch and reapply it? So I think the logistics of the blood was not really fun to play with. It’s hot, so you wanna sit down, but then the cloth of the chair, it’s so many different things. But I think the beauty of the blood and being in that headspace of the character, it created more of an animalistic tone to my performance, and got to really feel vulnerable.

    I’ve learned to use it in a sense of the discomfort of being that exposed and covered in blood [with my] shirt off. I pour that into the performance. But yeah, it was cool to see and fun to play with all the gags. When it came to cutting the hand off or something like that, it was scary ’cause I didn’t want to hit them. It is a fake sword, obviously, but I didn’t wanna hurt anybody.

    But in the end of the day, it still was fun and I’m glad the character got to persevere.

    I also enjoyed watching the alternate ending and the deleted end scenes that were, or with the digital release and the home release. And they both show Cam playing football with the Saviors and finding success. We see Marlon’s character in real rough shape during the alternate ending. Do you wish that we saw some of Cam’s pro success in the film? Or are you kind of happy where the theatrical version ended things?

    Yeah, I think one of the alternate endings he wasn’t playing for the Saviors or additional scenes. If you look closely, he wasn’t playing for the Saviors, but…

    No, I think how they ended it was perfect for me because I want the audience to use their own personal opinions and feelings about who and where Cameron played for or played at, or even if he decided to pursue football. I think that open for interpretation is the beauty of art, where you get to really tap into the theories. And when you put a stamp or an answer to somebody’s question, it doesn’t always become more universal.

    I think you just gotta keep the people thinking. So yeah, I think how it ended was exactly how it was supposed to be.

    You mentioned engaging with the film. I’ve been engaging with this film since I saw it, and I grew up near Penn State, so this idea of football as a religion and a cult-like devotion, I’ve seen that. We all love sports, but that passion can be used and be twisted by people negatively. So what about that framework of sports as a religion did you find most interesting?

    Tyriq Withers: I think the framework of sports as a religion… I think what this movie does most interestingly is just hold up a mirror. I think that the hardest thing to do is just hold a mirror and let people see themselves. I think the beauty of football is the community of it, but when you treat it like a religion, then people place their own thoughts and opinions and discernments or negative remarks on actual human beings.

    And I think that’s the actual negative part about treating football like religion because you start treating people human beings like gods, and then when they disappoint you, then they, you destroy them like they’re a fallen angel, you know? And I think that’s the scary thing about sports, and it being that religious for the community.

    But yeah, I think we can all find a healthy balance between loving the team and the player and still protecting the human that the player is. Because at the end of the day, they have those emotions, they have those fears, that anxiety of performance, and they want to perform. If they perform bad, a single play can change a player’s trajectory and career. But I think, just remembering that these athletes are still humans.

    Thanks to Tyriq Withers for taking the time to talk about Him.

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    Tyler Treese

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  • Reviews For The Easily Distracted: Him

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    Title: Him Describe This Movie Using One The Running Man Quote: CAPT FREEDOM: This is a sport of death and honor! Code of the gladiators! KILLIAN: Cap, will you spare me the combat Zen speech? What the hell’s the matter with you? Brief Plot Synopsis: Maybe some things aren’t worth fighting…

    Title: Him Describe This Movie Using One The Running Man Quote:…

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    Pete Vonder Haar

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  • Video: ‘HIM’ | Anatomy of a Scene

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    new video loaded: ‘HIM’ | Anatomy of a Scene

    transcript

    transcript

    ‘HIM’ | Anatomy of a Scene

    The director Justin Tipping narrates a scene from “HIM,” featuring Marlon Wayans and Tyriq Withers.

    “Hi, My name is Justin Tipping and I’m the director of “HIM.” “I’m going to need a little volunteer.” Mr. White. I got you. “My man!” This is the moment in the film where Isaiah White, played by Marlon Wayans, is going to teach Cameron Cade, played by Tyriq Withers a lesson in how to be a great quarterback. In this lesson, I did a lot of research about quarterback drills that hone in on specific skills. For example, in a pro game, you want to be able to get the ball out of your hands under two seconds. So that’s why we have two seconds on the clock and to work on that speed that’s required of decision making. That’s why he’s turned away from the actual receivers. He has his eyes closed. So that you’re forced into a panic-like situation, and you have to throw the ball as quickly as possible. So what I really wanted to communicate in this scene specifically, was that there’s going to be a big tonal shift from something’s off to something’s very wrong, and it’s the first time we’re going to introduce violence and a dynamic between the two characters that becomes much more like a narcissistic, abusive relationship than a mentor-mentee “Too slow.” But seed it and bury that under the guise of hazing and just being a rookie. And what I landed on was this idea of using this JUGS machine to be that conduit of punishment. I also didn’t want him to have time to process anything. That’s why I kind of try to get music and a rhythm going in the edit. And even the sound design is rhythmic. That vibration and metallic clanking, it escalates and grows and grows over this entire sequence. And then we have these really tight, extreme close-ups of Cameron Cade’s eyes. And that was just a creative choice I made to rely on the language of horror, where there’s a classic peekaboo.

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    Mekado Murphy

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  • Jordan Peele Produced Newest Thriller, HIM is Out In Theatres

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    Attendees were also treated to a photo experience. Photo by Noah Washington/The Atlanta Voice

    Football has long stood as one of America’s most resilient institutions, celebrated for its grit, glory, and larger-than-life heroes. But behind the spectacle of packed stadiums and primetime broadcasts are questions about the costs of chasing greatness; questions that Him, the Jordan Peele-produced supernatural psychological sports horror film, places at the center of its story. As the NFL continues to face scrutiny over player safety, fan fanaticism, and the immense pressures placed on young athletes, Him uses the lens of horror to peel back the layers of America’s game, asking what sacrifices lie hidden beneath the pursuit of football immortality.

    Few sports carry the cultural weight of football, where the pigskin is more than leather and laces; it symbolizes community, sacrifice, and sometimes obsession. The film, distributed and produced by Universal Pictures and Jordan Peele’s Monkeypaw Productions, twists that symbol into something darker, asking: What price must be paid to hold the ball, and who decides who is worthy of greatness?

    Directed by Justin Tipping and co-written with Skip Bronkie and Zack Akers, Him opens Sept. 19. The film follows Cameron “Cam” Cade (Tyriq Withers), a promising athlete whose career nearly ends after an obsessed fan attacks him. Just as hope slips away, Cade’s idol, legendary quarterback Isaiah White (Marlon Wayans), invites him to train at his private compound. Over the course of several days, that mentorship devolves into something more sinister as Cade uncovers the rituals and manipulation behind White’s storied career.

    Photo by Noah Washington/The Atlanta Voice

    Withers is freshly coming off, I know what you did last summer, which was released earlier this year, and is most recognized for his role as Aaron in Donald Glover’s Atlanta. Wayans, long known for his comedic chops in films like White Chicks and Scary Movie, takes a dramatic turn as White, showcasing his best audition as The Joker, portraying the quarterback as both mentor and the ultimate gaslighter. His performance transforms the archetype of the celebrated athlete into a manipulative figure who uses Cade’s ambition against him. Julia Fox, recognized for her role in Uncut Gems, stars as White’s wife Elsie, a social media influencer who is more involved in the game than what is initially presented.

    The cast also includes comedian Tim Heidecker (Tim and Eric Awesome Show, Great Job!), stand-up comic Jim Jefferies, and Don Benjamin as Cade’s father.

    The screenplay began life as Goat, referencing both the sports acronym “greatest of all time” and the sacrificial undertones at the heart of the story. That metaphor runs throughout the film. Football fandom, often fueled by rituals, devotion, and near-religious fervor, becomes a backdrop for exploring how easily ambition and obsession can tip into fanaticism. For Cade, every pass and play with White isn’t just practice, it’s initiation into a cycle where chasing glory may demand more than sweat.

    With a score by composer Bobby Krlic (Midsommar) and a soundtrack featuring new music from Jean Dawson, Guapdad 4000, and Tierra Whack, Him blends sports, horror, and surrealism into a cautionary tale. It plays like a public service announcement for parents wary of football’s toll, a reminder that the pursuit of “GOAT” status can come with a price no trophy can justify.

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    Noah Washington

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