No, it wasn’t in the form of a halftime show — which is something the band has been worthy of headlining now for well over two decades. Instead, the pop-punk legends opened up the Super Bowl pregame entertainment festivities inside Levi’s Stadium in Santa Clara on Sunday.
The East Bay band, consisting of vocalist-guitarist Armstrong, bassist Mike Dirnt and drummer Tré Cool, performed as previous Super Bowl MVPs including Tom Brady, Jalen Hurts, Eli Manning, Peyton Manning and Jerry Rice made their way onto the turf.
Green Day performed a four-song set of mostly upbeat and often abbreviated fan favorites, including “Good Riddance (Time of Your Life),” “Holiday,” “Boulevard of Broken Dreams,” and “American Idiot.”
And while the band and particularly Armstrong are known for their outspoken beliefs, Green Day did not use the Super Bowl forum to make any political statements, instead focusing on the excitement of the situation.
“Welcome to the Bay!” Armstrong said. “It’s Super Bowl 60!!”
The pregame entertainment began as Coco Jones delivered a soaring version of “Lift Every Voice” (aka the Black National Anthem). Jones is an immensely talented R&B/pop/soul singer, best known for the Grammy-winning hit “ICU.” She released her full-length debut album — “Why Not More?” — in 2025.
Charlie Puth handled the national anthem. The singer, known for such multi-platinum-certified hits as “Marvin Gaye” and “See You Again,” will return to the Bay Area to perform at the Bill Graham Civic Auditorium in San Francisco on May 1.
Brandi Carlile, the acclaimed folk-rock-pop singer-songwriter with a staggering 11 Grammy victories to her credit, sang “America the Beautiful.” Carlile will be back in the Bay Area to perform on March 6 at Chase Center in San Francisco.
The singers were accompanied by ALS performers Fred Michael Beam (national anthem and “Lift Every Voice and Sing”) and Julian Ortiz (“America the Beautiful”).
Bad Bunny had a message for the millions of TV viewers as he accepted the Best Musica Urbana Album award on Sunday night at the Grammy Awards in Los Angeles.
“Before I say thanks to God, I’m going to say — ICE out,” said the Puerto Rican singer-songwriter, who is set to perform during the Super Bowl Halftime Show on Feb. 8 at Levi’s Stadium in Santa Clara. “We’re not savages. We’re not aliens. We are humans.
“And we are Americans.”
Bad Bunny would also win what’s widely regarded as the top trophy of the night — the Grammy for Album of the Year — during the ceremony in the Grammys in Los Angeles.
Bad Bunny’s ended up winning two of his six Grammy nominations. Those six nominations included three of the so-called “Big Four” general field categories — Album of the Year (which he won), Record of the Year and Song of the Year. The other nods are for Best Música Urbana Album (which he also won), Best Global Music Performance and Best Album Cover.
Bad Bunny is the first Spanish-language artist to be nominated in — or win — those three general field categories.
Bad Bunny was one of the many artists who got a shout-out from host Trevor Noah as he walked through the star-studded crowd during the mostly pointless opening monologue. (Monologue summary: “Hey, there are famous musicians at the Grammys! Who knew?”) Other artists that Noah mentioned included Queen Latifah, Billie Eilish, Olivia Dean, Jamie Foxx and Reba McEntire.
Noah later came and sat down at the same table with Bad Bunny, saying that he had just learned that there was a reason why the Puerto Rican superstar wasn’t performing at the Grammys.
“Whoever is doing the Super Bowl is contractually obligated to only do the Super Bowl so you can’t perform at the Grammy’s,” Noah said. “Is that true? You can’t perform?”
“No. I wish. But I can’t, you know?” Bad Bunny replied.
From classic movies with live music to new tunes from Vampire Weekend and a Grateful Dead Celtic band, there’s a lot to see and hear this weekend in the Bay Area.
Here’s a partial rundown.
Classical picks: Hitchcock + orchestra; New Century
This week’s events light up the classical music scene with an iconic film score, a symphony at the opera, and a tribute to the seasons.
Halloween-appropriate: Scary enough? It has to be, when the San Francisco Symphony’s “Film with Live Orchestra” series presents Alfred Hitchcock’s “Vertigo,” featuring composer Bernard Herrmann’s brilliantly spooky score. With the film on the big screen, conductor Conner Gray Covington will lead the orchestra in a live performance of the spine-tingling music. Come early to see the Symphony’s latest Art Installation, “Dia de los Muertos,” for a pre-show treat.
Symphony at the Opera: Since the start of fall, San Francisco Opera has brought dazzling productions to the stage; now, with “Parsifal” up and running and “The Monkey King” still to come, the company is presenting a concert conducted by company Music Director Eun Sun Kim. This one-night-only event features mezzo-soprano Daniela Mack singing works by Manuel de Falla; Beethoven’s Fifth Symphony completes the 90-minute program.
Details: 7:30 p.m. Nov. 1; War Memorial Opera House, San Francisco; $29-$250; sfopera.com.
New Century, new “Seasons”: The New Century Chamber Orchestra starts the fall season with Vivaldi’s beloved “Four Seasons,” along with works by Dvorak and Bulgarian composer Dobrinka Tabakova; conducted by company music director Daniel Hope, four performances are on the schedule.
Details: 7:30 p.m. Oct. 30 at First Church UCC, Berkeley; 7:30 Oct. 31 at Empress Theatre, Vallejo; 7:30 p.m. Nov. 1 at Herbst Theatre, San Francisco; and 2 p.m. Nov. 2 at Osher Marin JCC, San Rafael; tickets $35-up; ncco.org.
— Georgia Rowe, Correspondent
More movies and music
Fans of classic silent films can catch two of them — “Phantom of the Opera” and “Nosferatu” — at Grace Cathedral this weekend. But the real star of the events won’t be on the screen but seated at Grace Cathedral’s famed 7,500-pipe Aeolian-Skinner organ, which has been a key facet of the church since it was installed in 1934. The organ will be played by musician Dorothy Papadakos, who started out as a jazz pianist in her native Reno and has evolved into a world-renowned organ player, thanks in part to her long stint as organist at the Cathedral of St. John the Divine in New York as well as her Grammy-winning stint with the Paul Winter Consort (their live album “Silver Solstice” remains a New Age/ambient classic).
Papadakos is, among other things, considered a talented improviser, which will come in hand in these gigs. She’ll accompany the 1925 silent version of “Phantom of the Opera” starring Lon Chaney, at 8 p.m. Oct. 30, and the 1922 version of “Nosferatu” — a film that was once ordered destroyed because it was deemed to be an unauthorized adaptation (read: ripoff) of Bram Stoker’s “Dracula” — at 8 p.m. Oct. 31. The church — which is a San Francisco landmark and always worth a visit — is at Taylor and California streets in San Francisco. Tickets are $34.50-$44.50; go to www.sfjazz.org.
— Bay City News Foundation
Cool shows, great album
In late October of last year, Vampire Weekend performed two memorable sold-out shows — an evening gig, followed the very next day by a matinee performance — at the legendary Madison Square Garden in New York City. The shows included many longtime Vampire Weekend fan favorites, of course, such as “Cape Cod Kwassa Kwassa,” “A-Punk” and “Oxford Comma.”
Yet, the NYC-born indie-pop act — led by vocalist-lyricist-guitarist Ezra Koenig — also performed a wonderful assortment of cover songs during those two shows. The list includes a number of Big Apple-appropriate tunes, such as the easily recognizable “Seinfeld Theme,” the Frank Sinatra favorite “Theme From New York, New York,” the Ramones’ blistering “Blitzkrieg Bop” and Billy Joel’s classic “Scenes From an Italian Restaurant,” the latter of which was reportedly performed with a candlelit table and waiter in a tux on the Garden stage.
Other cuts to make the Vampire Weekend setlist were The Killers’ “Mr. Brightside,” Talking Heads’ “Burning Down the House,” The Surfaris’ “Wipe Out,” Kate Bush’s “Wuthering Heights” and Thin Lizzy’s “The Boys Are Back in Town.”
Now all VW fans can experience the shows thanks to “Weekend at the Garden,” a limited edition double-LP recorded during that epic NYC stand. The offering, which includes portions of the two performances rather than the complete shows, is part of the band’s Frog on the Bass Drum vinyl series.
The Shaker Theater is showing the original 1968 “Night of the Living Dead” in a warehouse with a haunted maze in October 2025 in Oakland. (Shaker Theater)
Pop-up theater brings scares to Bay Area
This Halloween, you can see a scary movie in your local AMC theater. Or you can watch one as perhaps it was meant to be watched: In a dark warehouse full of horrific decor, where it feels like zombies could break down the door any minute.
The Shaker Theater is a new underground pop-up cinema in a residential part of northern Oakland. For its inaugural run, it’s been playing George Romero’s 1968 “Night of the Living Dead” during October, with final runs up until Halloween evening. It’s the uncensored, 96-minute original preserved on real celluloid. There will be popcorn and soda and, for more fun, before the movie the theater is playing clips from its “deep archives of rare and bizarre material.” Think Halloween safety films, forgotten trailers and classic monster-movie moments.
To get into the screening, visitors must first navigate a “Corridor of Horror” designed by local artist Rob Vertigo. Picture a classic haunted house, but turned into spooky-maze form. Did your group just lose a member? It’s probably nothing to worry about, they’re no doubt right behind you …. Wait, that’s not Chad! (Screams.)
Details: Preshow begins at 6:30 p.m. and movie starts at 8 p.m.; 950 54th St., Oakland; $18 online or $20 at the door; instagram.com/shakertheater.
— John Metcalfe, Staff
Freebie of the week
We tend to think of great film experiences as those that expose us to brilliant camerawork, incisive dialogue, or a poignant or hilarious reflection on the world at large. But let’s not forget the joys that await us at the other end of the spectrum. There is nothing quite like experiencing a truly terrible film with a room full of gleefully derisive bad-movie fans. There’s a reason why “Attack of the Killer Tomatoes” spawned three sequels and too many spoofs and homages to count, and it wasn’t John K. Culley’s nuanced cinematography. Halloween, it seems, is a favorite time to indulge in bad-movie bliss, probably because violent mutant vegetables and irritable aliens fit most comfortably in the horror genre.
And so it is that this week delivers the opportunity to view one of the most glorious and beloved bad movies of all time, “Robot Monster.” The film, in case the clever title doesn’t make it obvious, is about an alien robot sent to destroy Earth but who defies its orders when it saves an imperiled woman from certain death. The 1953 film took four days and $20,000 to make, $4,000 of which was spent on incorporating 3D technology. One of the stars was cast because he already owned a gorilla suit and therefore didn’t need to be costumed. So, yeah, this was not an extravagant production. Yet, it grossed $1 million in its first year and has gone on to be a favorite among those who revel in the wonders of wretched filmmaking. If such a buffet of bad moviemaking – in 3D!! – is your thing, “Robot Monster” will screen at 6 p.m. Oct. 30 at the Internet Archive, 300 Funston Ave., San Francisco. The screening is free but if you feel like making a donation to the Internet Archive or co-presenter the Golden Gate Stereoscopic Society — both of which are dedicated to preserving humankind’s digital history — certainly no one would hold it against you.
When you think about it, Wake the Dead would be a tremendous name for a screeching-loud punk band or maybe a Goth band. But the real Wake the Dead is neither of those things. It is a collection of very talented Bay Area musicians merging two of their musical passions – Grateful Dead classics and Irish/Celtic music. The name is certainly appropriate, as it references the Dead as well as Irish wakes, which are known to be deeply heartfelt and celebratory affairs. The moniker also mirrors the title of the Dead’s 1973 album “Wake of the Flood,” the first recording the band released acting as its own label. Adding to the plays on words, the band’s annual gig at the Freight & Salvage in Berkeley celebrates the Day of the Dead (Dia de los Muertos), the holiday widely observed in Mexico, in which family members and friends gather to honor loved ones who have passed away.
If all this is simply too much to ponder, just know that Wake the Dead will, per tradition, return to the Freight & Salvage on Nov. 1 to perform a Day of the Dead-themed show at which you are likely to hear high-energy Celtic takes on such Dead classics as “China Cat Sunflower” and “Eyes of the World.”
Details: The show begins at 8 p.m.; tickets are $26.50-$44; or you can livestream the show for $25; more information is at thefreight.org.
— Bay City News Foundation
Celebrating Día de los Muertos
The skeletons are dangling from the windows and looming merrily overhead the staircase in the festive lobby of Davies Hall, as the San Francisco Symphony gears up at 3 p.m. Nov. 1 to mount its 18th annual celebration of the Day of the Dead, the joyous Mexican tradition held to pay love and respect to ancestors who have passed on. The centerpiece of the festivities is a symphony concert, but multiple preconcert family-friendly activities are planned in the lobby and upper floors, including marigold flower making, offering-altar installations, a mariachi instrument petting zoo, sugar skull decorating and costumed dancers from Casa Círculo Cultural. The Symphony, conducted by Lina González-Granados, will perform traditional and contemporary Latin American music associated with the holiday, including Gabriela Ortiz’s “Kauyumari,” selections from Arturo Márquez’s “Espejos en la Arena,” the Intermezzo from Ricardo Castro’s “Atzimba” opera, Paul Desenne’s “Hipnosis Mariposa,” Jimmy Lopez’s “Loud,” Márquez’s popular Danzón No. 2 and Gabriela Lena Frank’s “The Mestizo Waltz.”
Details: Tickets, which are 50 percent off for those under 18, range from $27.50-$175; go to www.sfsymphony.org.
— Bay City News Foundation
An orchestral showcase
The San Francisco Opera takes a breather from its usual regimen of presenting full-fledged and lavish operatic productions to let Music Director Eun Sun Kim shine a solo spotlight on her instrumentalists in a single night concert of music by Ludwig van Beethoven and Manuel de Falla at 7:30 p.m. Nov. 1 in War Memorial Opera House. The program opens with “Siete Canciones Populares Españolas,” a set of songs inspired by de Falla’s home country of Spain, sung by mezzo-soprano Daniela Mack, and continues with the second orchestral suite from the same composer’s ballet “El Sombrero de Tres Picos” (“The Three-Cornered Hat”). Following the intermission, the concert will conclude with Beethoven’s mighty Fifth Symphony. Tickets, $29-$250, can be purchased through www.sfopera.com.
From inside the pods – which served as the backdrop for the first five of six episodes that dropped on Oct. 1 – it was hard to tell if that sentiment would ring true of the guys cast for this unique matchmaking experiment. In fact, there were few clues at all that these folks lived in Mile High City.
None of the eligible bachelors had large beards or sported brewery T-shirts. Only a few mentioned the outdoors in pod dating conversations, and only one admitted to driving a Toyota 4Runner. (The woman he was courting, on the other hand, owned two different Jeeps.)
“He is not the mountain man I envisioned,” said one woman named Annie after meeting her partner Nick at the highly anticipated post-engagement “reveal,” where couples get to see each other for the first time since they started dating. “I was fully ready for him to have a beard down to his chest and his work boots.”
Still, there were hints of the Colorado aesthetic peppered throughout. One couple hosted a camping-themed date that included s’mores, and in a departure from past “Love is Blind” seasons, it was mostly women who had more than one option to choose for a partner. That led to a couple of guys desperately pitching themselves as “the one” in the final day or so before an expected engagement.
/*! This file is auto-generated */!function(d,l){“use strict”;l.querySelector&&d.addEventListener&&”undefined”!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll(‘iframe[data-secret=”‘+t.secret+’”]’),o=l.querySelectorAll(‘blockquote[data-secret=”‘+t.secret+’”]’),c=new RegExp(“^https?:$”,”i”),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
In all, six couples ended up getting engaged and therefore earned the opportunity to meet their fiancée in the flesh. Only five made it to Mexico for the honeymoon phase of the experiment – more on that in a minute – and that’s where some of the Colorado bro behavior started to peek through.
After a few days spending time as individual couples, the entire cast met up for a pool party and after a few tequila drinks, several of the women were visibly perturbed that their partners were focusing more on their friends than their fiancées. The vibes were officially off with many of the couples and viewers then got to see how they handled conflict. For the most part, it did not go well.
Based on that insight and the initial chemistry, we’re rating how likely it is we think each couple will say “I do” at the altar. Warning: spoilers ahead.
Kacie Mcintosh (left) and Patrick Suzuki got engaged sight unseen on "Love is Blind." But before they could even reach the honeymoon phase of the experiment, they broke it off. But they swear it wasn't because of looks. (Provided by Netflix)
Kacie and Patrick
Likelihood of staying together: 0% chance
Even from within the pods, hair/makeup artist Kacie and construction manager Patrick seemed like an unusual match. Though they both like sports and seemed to laugh a lot, many of their interactions felt forced. Like the time Kacie was dirty-talking Patrick with sexually explicit language that seemed to make him squirm awkwardly. Nonetheless, the two got engaged, and at the reveal, it was clear on Kacie’s face that she had made a mistake. Before they could even get to the honeymoon, the two met in a hotel lobby where Kacie broke off the relationship. Patrick didn’t seem to get the hint, though, probably because she was jumping into his arms, kissing him and telling him it was definitely not his looks that made her want to quit filming. He fully expected to try to continue their relationship off-camera. But based on Kacie telling producers, “I don’t think my attraction to him can grow,” we aren’t buying it.
Edmond L. Harvey and Kalybriah Haskin meet for the first time after being engaged on "Love is Blind." Somehow they knew instinctually to coordinate outfits. (Provided by Netflix)
Kalybriah and Edmond
Likelihood of staying together: 75% chance
Kalybriah and Edmond seemed to hit it off and have natural chemistry. Edmond, who was raised in the foster care system, is a deeply sensitive dude, and that appealed to Kalybriah, who is a social worker. They somehow even showed up in matching red outfits for their reveal. Their candor with one another also showed a genuine willingness to figure out how to do life together. After the pool party, both agreed they were one of the strongest couples. But later in that conversation, things devolved when talking about intimacy. Kalybriah and Edmond were the only couple not to sleep together, and Kalybriah said she would likely wait until after they were married to have sex. Edmond, on the other hand, wasn’t keen on that. The night ended with many tears and much misunderstanding. Still, we think they have what it takes to find a middle ground.
Denverites Joe Ferrucci (left) and Madison Maidenberg enjoy a solo date sailing in Mexico, following their engagement on reality TV show "Love is Blind." (Provided by Netflix)5
Madison and Joe
Likelihood of staying together: 10% chance
From the moment of the reveal, it seemed like Joe wasn’t feeling the relationship with Madison. Perhaps he was unable to adequately express his emotions, but he came off as more surprised than delighted. Things continued to spiral downward in Mexico when he commented about “thinner women” being his usual type. And when Madison tried to confront him about not prioritizing her at the pool party, Joe shut down and went solo back to their room for a nap. The couple continually struggled to communicate thereafter, and given that they haven’t so far been able to resolve conflict effectively, we don’t see this relationship being sustainable.
Nick Amato (left) and his fiancée Annie Lancaster arrive at the group pool party in Mexico, where they connected with all the other "Love is Blind" couples from Denver. (Provided by Netflix)
Annie and Nick
Likelihood of staying together: 50% chance
Judging solely by their interactions together, Annie and Nick seem to have it all. Their chemistry was instant at the reveal and seemed authentic. They also seem to align on their values and enjoy being in the company of one another. However, Nick, a luxury watch dealer, raises a few red flags. For instance, in the pods, he abruptly broke it off with his top choice when she said she wasn’t religious – even after Nick had already said “I love you.” From what viewers have seen so far, he doesn’t appear to have been forthright with Annie with that information. In the pods, Nick says his mom once asked him when he was younger if he was gay. He said no but we’d be lying if we said the thought hadn’t crossed our mind.
Anton Yarosh (left) and Ali Iappe were the first Denver couple to get engaged on season nine of "Love is Blind." (Provided by Netflix)
Ali and Anton
Likelihood of staying together: 50% chance
Ali and Anton are the wildcard couple, who seem like a good match. Ali is a nurse with Brazilian heritage, while Anton works in transportation logistics and has Russian heritage. Both speak multiple languages and seem like well-traveled, well-rounded individuals. They were the first couple to get engaged, in episode one no less. But their time in Mexico showed where there may be a few fractures. When Anton says he spent $5,000 on the engagement ring, Ali insists it should have cost at least $10,000. After all, “it’s an act of appreciation for the future mother of your children,” she says. Still, all the other women were jealous of how attentive Anton is to Ali. We feel like it could go either way simply because the couple didn’t get as much screen time as others.
Jordan Keltner (left) and Megan Walerius enjoy a private date while in Mexico, following their engagement on reality dating show "Love is Blind." (Provided by Netflix)
Megan and Jordan
Likelihood of staying together: 75% chance
Megan and Jordan knew in the pods they were something of an unlikely match, but one that viewers were rooting for. “Sparkle Megan,” as she calls herself, is a wellness entrepreneur with a taste for the finer things in life. Jordan is a no-frills dad to a five-year-old. They bonded over the fact that Jordan’s son has Type 1 Diabetes, which Megan’s late father also dealt with. But at the pool party, Megan was not shy to say she was annoyed with Jordan after finding some of his jokes juvenile. He immediately promised to stop the banter, but Megan didn’t seem satisfied. We’re hopeful this won’t be a serious speed bump and that they can continue to level each other out.
“Love is Blind” drops new episodes on Wednesday, Oct. 8 on Netflix.
The San Francisco 49ers battle the Arizona Cardinals in their home opener at Levi’s Stadium on Sunday, Sept. 21 at 1:25 p.m. PDT.
The Niners are coming off consecutive road victories to open the season, including a 26-21 win in New Orleans with backup quarterback Mac Jones directing the offense.
Arizona comes in at 2-0 on the season, as well, after beating the Saints and Panthers.
Brock Purdy just may make his return for the 49ers as he returned to practice this week.
How to watch on local TV
FOX is broadcasting the game in California; in the Bay Area, tune in to KTVU-TV (channel 2) with an antenna or a cable TV provider. You can also log in to the FOX Sports app or website with your cable TV subscription credentials.
How to stream
DirecTV Stream includes Fox in its local channel lineup. Subscriptions currently start at $49.99 for the first month.
FuboTV offers a free trial and $10 off the first month; after that, it is $55.99 per month.
Hulu+Live TV is a premium service with all the local channels and starts at $82.99 per month.
NFL+ is a mobile app that streams all local and primetime games. Plans start at $6.99 per month or $39.99 a year.
YouTube TV costs $82.99 per month, but it’s currently on sale for $49.99 per month for the first two months.
How to watch outside the Bay Area
If you are outside the local coverage area, you have some options.
NFL Sunday Ticket on YouTube TV broadcasts all the games on Sunday afternoon outside of the matchups showing in the local market. If you are a Niners fan living in another state, this is a good option. New users can get the service at the starting price of $34.50 a month for eight months or $85 a month, cancellable anytime.
NFL+ Premium carries live audio of all regular-season NFL games, and video only after the game has concluded. You have the choice of full or condensed replays on a computer, phone or tablet only for $14.99 per month.
