ReportWire

Tag: Tracee Ellis Ross

  • Michelle Obama to promote new book ‘The Look’ with podcast series

    NEW YORK (AP) — Former first lady Michelle Obama will be promoting her upcoming book on fashion, “The Look,” through a special, six-part companion series to the podcast “IMO” that she hosts with her brother, Craig Robinson. Guests will include Jane Fonda, model-activist Bethann Hardison and designer-former J. Crew executive Jenna Lyons.

    Higher Ground, the media company founded by Michelle Obama and former President Barack Obama, announced Thursday that “IMO: The Look” will premiere Nov. 5 and run weekly over the following six weeks. Obama’s book, a look at her fashion choices during her time in the White House and throughout her public life, is scheduled for Nov. 4. Obama’s previous books include “Becoming,” one of the bestselling memoirs in history by a former political figure.

    Obama will launch “The Look” podcast series with an appearance at the Brooklyn Academy of Music, where she will be joined by entertainer-producer Tracee Ellis Ross.

    She is also scheduled to appear at Sixth & I on Nov. 12 in Washington and be interviewed by New York Times critic Wesley Morris.

    Source link

  • Burglars swipe more than $100,000 in luxury items from Tracee Ellis Ross’ home

    Burglars broke into the Los Angeles home of Tracee Ellis Ross over the weekend, stealing more than $100,000 in luxury items, according to a source close to the actor.

    The burglars broke through a glass door early Sunday and took jewelry and handbags, according to the source.

    Ross, 52, who is known for lead roles in television shows such as “Black-ish” and “Girlfriends,” was out of town at the time of the burglary.

    The Los Angeles Police Department could not immediately provide details on the break-in, but the department told NBC4 that three burglars broke into the home and that staff members reported it to the authorities.

    Police told the station they obtained footage from a home security camera, and that the investigation is ongoing.

    Ross, the daughter of Motown legend Diana Ross and Robert Ellis Silberstein, has won nine NAACP Image Awards throughout her acting career, as well as a Golden Globe Award for Best Actress: Television Series Musical or Comedy for her role on “Black-ish.”

    The break-in comes three weeks after four people were arrested in a series of burglaries that took place across Los Angeles, some of which targeted celebrities such as Brad Pitt.

    Pitt’s home in Los Feliz was broken into June 25 while the movie star was away promoting his film “F1: The Movie.” Police said three burglars scaled a fence and broke into the actor’s home through a window.

    In July, an intruder attempted to break into the home of Dodgers’ Yoshinobu Yamamoto while the star pitcher was away with the team playing against the Cincinnati Reds.

    Ruben Vives

    Source link

  • Thinking of traveling solo? Tracee Ellis Ross has suggestions on how to do it well

    Tracee Ellis Ross, the actor best-known for her roles in shows like “black-ish” and “Girlfriends,” happens to be single and without children, but she doesn’t let either hold her back from experiencing a fulfilling, joyful life, especially when it comes to vacations.

    When friends and family can’t join her, or if she just wants to decompress, Ross will jet-set by herself and have a fabulous time doing it. She says she takes at least one solo trip a year, and if vacationing with others, might stay a little longer to include alone time.

    In a new three-part docuseries streaming on The Roku Channel, “Solo Traveling with Tracee Ellis Ross,” a camera crew follows the actor on solo trips to Marrakech, Morocco; Cancún, Mexico; and Marbella, Spain.

    Ross says her first solo travel experience was in her 20s, and she’s learned over the years that even the uncomfortable moments of being by herself have given her coping skills for everyday life.

    “What I find is that I gain a muscle strength around being uncomfortable,” she told The Associated Press in a recent interview. “It’s like when a baseball player swings with two bats, and then by the time they get to the one bat, it feels lighter. When you get back into your regular day life and uncomfortable things happen, I have muscle memory to know how to walk through this on my own.”

    Ross shared tips to traveling as a party of one:

    Ease into it

    “Start by going to dinner by yourself,” Ross says. “And if you feel nervous about doing that, go to dinner by yourself on a Tuesday night at 6 o’clock and work your way up to going to dinner by yourself on a Saturday or Friday night at 8 o’clock.

    “Walk up to the host and say, ‘I need a table for one.’ See what it feels like to be in that experience because it will only be that times 10 on vacation.”

    She suggests bringing something like a book or an iPad when you’re eating alone, and also for when you’re spending time in your room.

    That way, “if you end up having to stay in your hotel room the whole time and only going to a restaurant in your hotel or somewhere just around the corner, you don’t feel like you have ruined your trip and done something stupid.”

    Know why you’re taking the trip

    Ross says there are different reasons for solo trips and you need to understand what yours is.

    “Are you going on a solo trip because you’re single and want to meet other people? Are you going on a solo trip because your life is overwhelmed with your children, your dogs, your cats, your job, your life, your survival, all the things, and you’re going to have a moment to sort of recharge and get away by yourself? Or are you going for an adventure?” she asks.

    Once you’ve decided what kind of experience you’re seeking, you can make plans to achieve it realistically and safely.

    Safety, safety, safety

    No matter how independent you are, certain kinds of travelers are more vulnerable than others, especially if they’re by themselves, Ross notes. Take safety seriously when mapping out your itinerary.

    “You might not feel vulnerable, but depending on where you’re going, it might leave you vulnerable. That’s a very specific distinction and something to plan for in order to have a good experience,” she says.

    “If you are a Black woman, if you are a woman, if you are LGBTQIA, if you are non-binary, if you are differently abled — that might leave you vulnerable in a foreign place. Make sure you do the best diligence you can to make sure you’re going somewhere that can create a sense of safety for you with whatever those vulnerabilities,” she says.

    Ross prefers to travel to destinations with resorts where she can feel safe on her own. “It allows me to not have to adventure off property,” she said. And she returns to places where she’s found comfort “all the time.”

    Research many other parts of the trip too

    Ross says she’s a planner by nature and does a lot of research online. She also asks around for info about best navigating the experience from beginning to end.

    She likes to know whether particular airports are busy and what to expect when she gets there. If it’s a big airport and there’s a lot of walking, she makes sure she has comfortable shoes. She also will pack a personal fan if it’s going to be hot.

    Knowing what to expect won’t just lead to feeling prepared and comfortable in general but feeling prepared and comfortable by yourself.

    Source link

  • The Best Red Carpet Fashion at the 2024 SAG Awards

    The Best Red Carpet Fashion at the 2024 SAG Awards

    It’s time for the 30th Annual Screen Actors Guild awards. WireImage

    Awards season is going full steam ahead, and after a trip across the pond for the BAFTAs, it’s back stateside today—more specifically, a return to Los Angeles, for this evening’s SAG Awards.

    The annual Screen Actors Guild Awards celebrate the best acting in film and television, as voted on by SAG-AFTRA members. Along with a shiny trophy, winning a SAG Award also comes with the honor of acknowledgment and recognition of industry peers. This year, Barbie and Oppenheimer each scored four nominations, leading the film pack in terms of the most nods. For television, Succession came in hot with five nominations.

    The 30th SAG Awards kick off this evening at the Shrine Auditorium and Expo Hall in Los Angeles, California, and for the first time ever, will stream live on Netflix, starting tonight (Saturday, Feb. 24) at 8:00 pm ET. There will not be host for the ceremony, as has been the case for the past four years.

    Before the main event, though, there’s the red carpet, which always delivers major memorable style moments. Below, see the best red carpet fashion from the 2024 Sag Awards.

    Subscribe to Observer’s Lifestyle Newsletter

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Margot Robbie. Getty Images

    Margot Robbie

    in custom Schiaparelli

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Emma Stone. Getty Images

    Emma Stone

    in Louis Vuitton

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Jeremy Allen White. WireImage

    Jeremy Allen White

    in Saint Laurent

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Alexander Skarsgård. FilmMagic,

    Alexander Skarsgard

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Da’Vine Joy Randolph. Getty Images

    Da’Vine Joy Randolph

    in Valdrin Sahiti

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Penelope Cruz. WireImage

    Penelope Cruz

    in Chanel

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Jennifer Aniston. Getty Images

    Jennifer Aniston

    in Celine

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Ayo Edebiri. Getty Images

    Ayo Edebiri

    in Luar

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Emily Blunt. WireImage

    Emily Blunt

    in Louis Vuitton 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Taraji P. Henson. Getty Images

    Taraji P. Henson

    in Giambattista Valli

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Kieran Culkin and Jazz Charton. WireImage

    Kieran Culkin and Jazz Charton

    Culkin in Dior

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Lily Gladstone. WireImage

    Lily Gladstone

    in Armani Privé

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Quinta Brunson. WireImage

    Quinta Brunson

    in Saint Laurent 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Halle Bailey. Getty Images

    Halle Bailey

    in Dolce & Gabbana 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Nicholas Braun. WireImage

    Nicholas Braun

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Ciara. Getty Images

    Ciara

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Jason Sudeikis. WireImage

    Jason Sudeikis

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Matthew Macfadyen. Getty Images

    Matthew Macfadyen

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Issa Rae. WireImage

    Issa Rae

    in Off White

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Bradley Cooper. Getty Images

    Bradley Cooper

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Rachel Brosnahan. WireImage

    Rachel Brosnahan

    in Tamara Ralph 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Anne Hathaway. WireImage

    Anne Hathaway

    in Versace 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Pedro Pascal. WireImage

    Pedro Pascal

    in Prada

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Robert Downey Jr. and Susan Downey. The Hollywood Reporter via Getty

    Robert Downey Jr. and Susan Downey

    in Fendi

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Billie Eilish. Getty Images

    Billie Eilish

    in Vivienne Westwood 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Hannah Waddingham. WireImage

    Hannah Waddingham

    in Tony Ward Couture 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Storm Reid. WireImage

    Storm Reid

    in Balmain 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Matt Bomer. Getty Images

    Matt Bomer

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Carey Mulligan. Getty Images

    Carey Mulligan

    in Armani 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Naomi Watts. FilmMagic,

    Naomi Watts

    in Dior 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Selena Gomez. Getty Images

    Selena Gomez

    in custom Atelier Versace 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Louisa Jacobson. Variety via Getty Images

    Louisa Jacobson

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Dominic Sessa. FilmMagic,

    Dominic Sessa

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Meryl Streep. Getty Images

    Meryl Streep

    in Prada

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Ebon Moss-Bachrach. WireImage

    Ebon Moss-Bachrach

    in Hermes

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Taissa Farmiga. Getty Images

    Taissa Farmiga

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    America Ferrera. Getty Images

    America Ferrera

    in custom Dior 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Olivia Williams. WireImage

    Olivia Williams

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Tracee Ellis Ross. Getty Images

    Tracee Ellis Ross

    in Balmain 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Brie Larson. Getty Images

    Brie Larson

    in custom Atelier Versace 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Reese Witherspoon. WireImage

    Reese Witherspoon

    in Elie Saab

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Melissa McCarthy. Getty Images

    Melissa McCarthy

    in Puey Quinones

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Bel Powley. Getty Images

    Bel Powley

    in Chanel

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Michael Cera. Getty Images

    Michael Cera

    in Todd Snyder

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Jessica Chastain. Getty Images

    Jessica Chastain

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Elizabeth Debicki. Getty Images

    Elizabeth Debicki

    in Armani Privé

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Cillian Murphy. Getty Images

    Cillian Murphy

    in Saint Laurent 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Abby Elliott. Getty Images

    Abby Elliott

    in Zuhair Murad

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Juno Temple. Getty Images

    Juno Temple

    in Givenchy 

    US-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALSUS-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALS
    J. Smith-Cameron. AFP via Getty Images

    J. Smith-Cameron

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Sheryl Lee Ralph. Getty Images

    Sheryl Lee Ralph

    in Waad Aloqaili

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Denée Benton. WireImage

    Denée Benton

    US-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALSUS-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALS
    Adam Brody. AFP via Getty Images

    Adam Brody

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Justine Lupe. Getty Images

    Justine Lupe

    in Stella McCartney 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Uzo Aduba. WireImage

    Uzo Aduba

    in Dolce & Gabbana 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Ed McVey. Getty Images

    Ed McVey

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Colman Domingo. Getty Images

    Colman Domingo

    in Off White

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Juliana Canfield. WireImage

    Juliana Canfield

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Tyler James Williams. Getty Images

    Tyler James Williams

    in Amiri 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Zoë Winters. Getty Images

    Zoë Winters

    in Bibhu Mohapatra

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Greta Lee. Getty Images

    Greta Lee

    in The Row

    Screen Actors Guild AwardsScreen Actors Guild Awards
    Lauren E. Banks. Los Angeles Times via Getty Imag

    Lauren E. Banks

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Rebecca Hall. Getty Images

    Rebecca Hall

    in Gabriela Hearst 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Leighton Meester. FilmMagic,

    Leighton Meester

    in St. John 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Ariana Greenblatt. Getty Images

    Ariana Greenblatt

    in custom Vera Wang

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Glen Powell. Getty Images

    Glen Powell

    in Brioni 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Danielle Brooks. Getty Images

    Danielle Brooks

    in Christian Siriano 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Ali Wong. Getty Images

    Ali Wong

    in Iris van Herpen

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Alex Borstein. Getty Images

    Alex Borstein

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Lisa Ann Walter. Getty Images

    Lisa Ann Walter

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    William Belleau. FilmMagic,

    William Belleau

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Jillian Dion. Getty Images

    Jillian Dion

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Fran Drescher. Getty Images

    Fran Drescher

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Maddie Ziegler. WireImage

    Maddie Ziegler

    in vintage Alexander McQueen

    US-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALSUS-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALS
    Kathryn Hahn. AFP via Getty Images

    Kathryn Hahn

    in Givenchy

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Theo Iyer. WireImage

    Theo Iyer

    in Kwasi Paul

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Phylicia Pearl Mpasi. Getty Images

    Phylicia Pearl Mpasi

    in Christian Siriano 

    US-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALSUS-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALS
    Auliʻi Cravalho. AFP via Getty Images

    Auliʻi Cravalho

    in vintage Alexander McQueen

    US-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALSUS-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALS
    Karen Pittman. AFP via Getty Images

    Karen Pittman

    in Richard Quinn

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Cara Jade Myers. Getty Images

    Cara Jade Myers

    Screen Actors Guild AwardsScreen Actors Guild Awards
    Audra Mcdonald. Los Angeles Times via Getty Imag

    Audra Mcdonald

    in Christian Siriano

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Sherry Cola. Variety via Getty Images

    Sherry Cola

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Joey King. Getty Images

    Joey King

    in Givenchy

    US-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALSUS-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALS
    Joely Fisher. AFP via Getty Images

    Joely Fisher

    US-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALSUS-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALS
    Nicole Brydon Bloom. AFP via Getty Images

    Nicole Brydon Bloom

    US-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALSUS-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALS
    Ashlie Atkinson. AFP via Getty Images

    Ashlie Atkinson

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Matilda Lawler. Getty Images

    Matilda Lawler

    in Tanner Fletcher 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Kat Graham. Getty Images

    Kat Graham

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Taylor Zakhar Perez. Variety via Getty Images

    Taylor Zakhar Perez

    in Louis Vuitton

    US-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALSUS-ENTERTAINMENT-FILM-TELEVISION-AWARDS-SAG-ARRIVALS
    Liza Colón-Zayas. AFP via Getty Images

    Liza Colón-Zayas

    in Badgley Mischka

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Arian Moayed. Getty Images

    Arian Moayed

    in Emporio Armani 

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Laverne Cox. WireImage,

    Laverne Cox

    in Alexander McQueen

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Tan France. WireImage

    Tan France

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Keltie Knight. Getty Images

    Keltie Knight

    in Saiid Kobeisy

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Loni Love. FilmMagic,

    Loni Love

    30th Annual Screen Actors Guild Awards - Arrivals30th Annual Screen Actors Guild Awards - Arrivals
    Elaine Welteroth. Variety via Getty Images

    Elaine Welteroth

    in Sophie Couture 

    The Best Red Carpet Fashion at the 2024 SAG Awards

    Morgan Halberg

    Source link

  • ‘The Second Best Hospital In The Galaxy’ Adds Bowen Yang, Tracee Ellis Ross, John Waters, & More; Watch The Trailer

    ‘The Second Best Hospital In The Galaxy’ Adds Bowen Yang, Tracee Ellis Ross, John Waters, & More; Watch The Trailer


    Prime Video has set the guest cast and released the trailer for The Second Best Hospital in the Galaxy, its adult animated sci-fi comedy from Cirocco Dunlap and Maya Rudolph, Danielle Renfrew Behrens and Natasha Lyonne‘s Animal Pictures. Tracee Ellis Ross (American Fiction)Bowen Yang (Saturday Night Live)Abbi Jacobson (Broad City)Jay Ellis (Top Gun: Maverick), Andrew Dismukes (Saturday Night Live), Lennon Parham (Minx)Gary Anthony Williams (Night Court), and John Waters (Hairspray) will appear in the first season, which premieres on February 23.

    They join previously announced series regulars Maya Rudolph, Natasha Lyonne, Keke Palmer, Stephanie Hsu, Sam Smith and Kieran Culkin, who will be joined by his real-life brothers Macaulay, Rory, Christian and Shane Culkin.

    Created by Dunlap, The Second Best Hospital in the Galaxy follows Dr. Sleech (Hsu) and Dr. Klak (Palmer) —aliens, best friends, and intergalactically renowned surgeons—as they tackle anxiety-eating parasites, illegal time loops, and deep-space STIs. In Season 1, doctors Sleech and Klak take on a highly dangerous and potentially groundbreaking case and, in doing so, put existence itself in jeopardy. Although considering their dismal personal lives, oblivion might be an improvement.

    Dunlap also serves as showrunner, writer, and executive producer, along with EPs Rudolph, Animal Pictures’ Behrens and Lyonne, Shauna McGarry, Shannon Prynoski, Chris Prynoski, Antonio Canobbio and Titmouse’s Ben Kalina. Artist and animator Robin Eisenberg will co-produce and serve as production designer.

    Watch the trailer above.



    Denise Petski

    Source link

  • 'American Fiction' Director Cord Jefferson Addresses How Black Artists Are Pushed Into 'Revolving Door Of Trauma And Misery' When Creating

    'American Fiction' Director Cord Jefferson Addresses How Black Artists Are Pushed Into 'Revolving Door Of Trauma And Misery' When Creating

    We’re finishing the fourth quarter super strong when it comes to entertainment, particularly films.

    Source: Variety / Getty

    AMERICAN FICTION, Cord Jefferson’s hilarious directorial debut, arrives in theaters everywhere Friday, December 22nd, and our Sr. Content Director Janeé Bolden had a chance to chat with him about the film — which confronts our culture’s obsession with reducing people to outrageous stereotypes.

    Jeffrey Wright stars as Monk, a frustrated novelist who’s fed up with the establishment profiting from “Black” entertainment that relies on tired and offensive tropes. To prove his point, Monk uses a pen name to write an outlandish “Black” book of his own, a book that propels him to the heart of hypocrisy and the madness he claims to disdain.

    We were fortunate to catch an early virtual Q&A with Cord Jefferson, who based the film on the novel Erasure by Percival Everett. After hearing Jefferson speak about how Everett’s novel resonated with him, one of our first questions to Jefferson, who has worked as a writer for successful TV shows like The Good Place, Watchmen, Master Of None, and Survivor’s Remorse, was about his own experiences in Hollywood.

    “I’ve had a couple of instances in which executives will read scripts of mine and say in so many words, ‘We want you to make this character blacker,’” Jefferson told BOSSIP. “And I always respond to that with just like, ‘OK,’ because it’s never directly to me, it’s always through like emissaries and I always say, ‘Go back to them and ask them what Blacker means. Ask them what they mean by Blacker.’ Of course they never answer that question because they know that if they were trying to answer that question they would sound ridiculous and they make fools of themselves, even more so than they already have.”

    American Fiction assets

    Source: Amazon MGM Studios / Amazon MGM Studios

    Jefferson also shared stories with us that he heard from colleagues, including a particularly dark one that included a racial slur.

    “I had a friend who was working on a TV show once, and the showrunner turned to her in front of the entire all white staff,” Jefferson shared. “She’s a Black woman and the rest of the staff was white, and the showrunner turned to her on her first day on the job and said, ‘What do you think Blackie?’ In front of the entire staff. This is like 10 years ago. This was not 1952, this is like 2014 or 2015.”

    Jefferson also acknowledged that these experiences aren’t isolated to writing for film and television. He recalled how his days as a journalist often meant constantly being assigned to cover Black trauma.

    “Before I started working in TV and film, I was working in journalism and journalism was very much like, ‘Would you write about Mike Brown getting killed?’ ‘Would you write about Trayvon Martin getting killed?’ ‘Would you write about Breonna Taylor getting killed?’ Will you write about this racist thing that somebody said about President Obama?’” Jefferson told BOSSIP. “Constantly. This revolving door of trauma and misery and it’s like, is this all that we have to offer with our work as writers?”

    These experiences reflect those of so many Black professionals, simply trying to make a living while pursuing their dreams. The bigger issue, Jefferson says, is that people outside of the culture often fail to recognize that they also have a part to play in confronting Black trauma.

    “When they come to black people all the time and say like, ‘This is what you need to do,’ suggests that racism and the problems that come from racism are a Black issue,” Jefferson continued. “This is a two way street. Racism is just as much a white issue as it is a Black issue. Why are you not coming to white people and asking them to write about Mike Brown and Trayvon Martin, you know? They have a part to play in all of this too, it literally is a national issue. and treating it as if only Black people can talk about this is wrong. The cop that killed him was white right? So isn’t that just as applicable to white people’s lives as it is to our life? Why aren’t white people defined by these incidents the way that you try to define Black people by these incidents? That was a frustrating aspect of working in journalism, and I thought that I would get away from it when I started working in entertainment, because it’s fictional stories right? But still people are coming to me like, ‘Well why don’t you write about slaves?’”

    American Fiction assets

    Source: Amazon MGM Studios / Amazon MGM Studios

    As you can imagine, American Fiction is every bit as thought-provoking as the questions Jefferson is asking. The film’s complexity also stretches beyond race, into class because Monk and his family reflect the very real fragility that many members of the Black upper middle class face.

    “Black people have, for any number of reasons by design, not been able to achieve generational wealth in this country,” Jefferson responds when asked about the precarious nature of Monk and his family’s status. “That has been elusive for the vast majority of black people in this country. The thing that I wanted to portray was that essentially like there was one breadwinner. The father was successful, he had sort of like built up a successful practice, but you see how precarious things are once he’s gone… Fortunately they made enough to educate their children but also their children are going through it now too. See how quickly a divorce can totally alter your financial future? That is the problem with the difference between just general affluence and like real wealth. That precarity is very real.”

    Jefferson even shared how his own financial security might have been in jeopardy had the WGA strike lasted longer this year.

    “I’ve made a lot of money in my TV career and then I bought a house,” Jefferson shared. “I’ve earned far more money than anybody in my family ever has, but then we went on strike. I had an overall deal, which is how I really made all my money, and there is a real significant chance that I was going to lose my overall deal [had the strike lasted] and if that were to happen it would have all gone away. Not necessarily immediately, but if they said ‘Your overall deal’s gone, you’re not getting paid after this,’ I would have been scrambling to figure out how I was going to keep my house, which is the first real thing that I’ve ever owned.”

    American Fiction assets

    Source: Amazon MGM Studios / Amazon MGM Studios

    Ironically, our conversation with Jefferson happened when the SAG-AFTRA strike was still in full swing, so we were unable to speak with his incredible cast, which, in addition to Jeffrey Wright, also includes Erica Alexander, Leslie Uggams, Tracee Ellis Ross, Issa Rae and Sterling K. Brown — who is quite the scene stealer as Monk’s gay brother, newly uncloseted and completely unhinged.

    “Erika Alexander was such a huge part of my childhood,” Jefferson told BOSSIP. “I watched Living Single all the time. We went out to dinner a couple weeks ago and she was telling me something that I’d never heard before, which is that there were studies that showed that there was a spike in Black female lawyers when that show was on the air, because of the Maxine Shaw effect. Then all of a sudden it’s like Erika Alexander is not in movies anymore she’s not in TV shows anymore. This is a woman that is so, so, so talented, that is so, so, so beloved and had a huge impact on me when I was a kid. I loved giving her like a bigger role. I loved giving her the romantic lead in the film.”

    American Fiction assets

    Source: Amazon MGM Studios / Amazon MGM Studios

    “I love that Leslie Uggams is 81 and still going,” Jefferson continued. “I love seeing her in there. I love Sterling K. Brown. I think that Sterling K. Brown has obviously gotten a bunch of television accolades, but I don’t think anybody has seen him like this before. This is a total departure for him. Tracee Ellis Ross, people think of her as ‘Oh she’s a sitcom actor.’ No, Tracee Ellis Ross has range… I just really want these people here because because they’re tremendous in the movie and I wish that they were at the forefront receiving these accolades because too frequently Black actors aren’t given that opportunity.”

    1. “Jeffrey is amazing,” Jefferson added. “The second time I ever saw Jeffrey Wright act was Basquiat it was the first time I ever saw him in the lead in anything because before that I saw him in Angels in America, not on Broadway but in the Mike Nichols adaptation of HBO and then I saw him as a lead in Basquiat and then I didn’t see him as a lead in anything ever after that, and it was like ‘Why?’ This guy’s amazing. Everybody agrees that he’s an amazing actor. Everybody agrees he’s one of the most talented actors in America, why is he not in the lead more often? Why is he never given that opportunity? I just love these people. I think they’re amazing. They were all amazing to work with and I want them to be receiving these flowers because they deserve them.”

    We’re in total agreement. Go see American Fiction in theaters everywhere December 22!

    Janeé Bolden

    Source link

  • Reese Witherspoon Says She Isn’t Meant for Darker Projects as “People Like to See Me Do Light Movies”

    Reese Witherspoon Says She Isn’t Meant for Darker Projects as “People Like to See Me Do Light Movies”

    Reese Witherspoon and her Hello Sunshine media company hosted its inaugural Shine Away event on Saturday, featuring a number of conversations with Witherspoon’s A-list friends and collaborators.

    The event, held in downtown Los Angeles, welcomed hundreds of ticketed guests to hear from participants including Jennifer Garner, Mindy Kaling, Tracee Ellis Ross, Allyson Felix, The Home Edit’s Clea Shearer and Joanna Teplin, Eve Rodsky, Hannah Bronfman, Cheryl Strayed and an afternoon performance by Dove Cameron.

    Fortune Feimster kicked off the day with a short standup set, followed by Witherspoon taking the stage to discuss her journey to launching Hello Sunshine in 2016. She recalled how few women-centered stories she was seeing at the time, despite women consuming two to three times more media than men.

    “After I did a whole lot of soul searching and a lot of complaining to anyone who would listen, namely my mother, I realized what so many people in this room have realized, is that if you want to fix a problem, you have to be part of the solution. I would like to also point out women are always part of the solution,” she said, noting, “We’ve had enough of people telling our stories for us. One of the biggest rules in my family is you get to tell your own news, and a version of that in Hello Sunshine terms is women get to tell their own stories.”

    The star also commented on holding the event amid the ongoing Israel-Hamas conflict, saying, “I am a mom first before anything, and watching the Jewish lives that have been lost, the Palestinian lives that have been lost, it’s just devastating. And I don’t profess to be any sort of expert on war or conflict in the Middle East so I’m not going to speak about that, but I do want you to know that for my team and myself, our hearts are broken and we just want to close our eyes and just send love and light to everyone who is suffering right now in the world.”

    To start off the day of programming, Witherspoon joined Garner and Kaling for a panel conversation moderated by AT&T chief marketing officer Kellyn Smith Kenny. The group was not able to specifically talk about their past projects due to the ongoing SAG-AFTRA strike, but spoke about their entrepreneurial and philanthropic work outside of acting, as well as their friendship.

    Witherspoon recalled reaching out to Kaling about working together after reading her book Why Not Me?, and getting close to Garner after connecting over a children’s charity.

    “These two women are two of the first people that I called when I did Hello Sunshine. I was like, ‘Will you work with me, how can we work together?’ I pitched Mindy 17 podcasts that we still never did. I was like, ‘What about this one where we just a watch a rom-com and drink wine? Is that a podcast or is that like a Friday night?’” Witherspoon joked. “And of course I called Jen every time I’d read a great book like, ‘Do you want to star in this? OK, but Jen,’ I’m like, ‘I want to be protecting your time with your kids because I know you’re going through a lot right now and this is a lot so is this a good one or not?’ It was just about the excitement of being able to work with my very dearest friends, too.”

    For her part, Garner remembered “going through a very public, very hard moment in my life; [Witherspoon] was right there, and the way I needed to get through it was dance cardio and I dance cardio’d so hard we broke her foot but she kept going.” Kaling recalled working with Witherspoon on a movie where she floated the idea of having children by herself as a single woman, and Witherspoon told her to do it.

    “That’s a scary thing to embark on and sometimes you need that person. I think we see Reese as an entertainer, she’s obviously so funny and so talented, but as a friend, the person who can tell you tough things and you believe her because you’ve been through so much and you’re incredibly open about it,” Kaling said. Garner also spoke about Hollywood actresses uniting for meetings at Witherspoon’s house during the Time’s Up movement: “It was the first time I’d ever sat down with that many actresses in the same room that we weren’t like passing each other at an awards show in big dresses, where we just sat. We’d been siloed off; the one place that doesn’t happen, the place that started the change where that no longer can happen, is Hello Sunshine.”

    Witherspoon also discussed her approach to choosing her projects, saying she came to a realization that, “I’m not meant to be doing dark, heavy, intense, horror, gore, darkness movies. People like to see me do light movies, and I was like, OK. It doesn’t put you in the cool kids club a lot but I don’t care, I don’t want to be in the cool kids club. I want to make optimistic stuff that makes girls excited to be women in this world, because it is a wonderful thing to be a woman in this world.” Kaling teased that “B.J. Novak says it’s not a Mindy Kaling show unless there’s a man running shirtless in slow motion. And you know what, I’ve been so used to the male gaze my entire life that yes, I will look at a handsome torso. And I want to provide that for you.”

    Later in the program, Witherspoon sat down for a fireside chat with Ross, after the two also became close during the Time’s Up movement. Ross spoke about her decade-long journey to launch her hair product company, Pattern Beauty, and how she finds balance in her life outside of business and her acting career.

    “When you are single and don’t have kids, you really have to be conscious about curating what you want around you when you want to be happy, or you’ll just stay in your house or you’ll just spend your whole time working — neither works,” Ross said. “I don’t look for balance because I think it’s impossible, but I look for harmony. So it’s a sense of how the waves move: sometimes they’re big, sometimes they’re small. Sometimes there’s more work, sometimes there’s less.”

    Witherspoon admitted she’s been trying hard to find balance outside of work, explaining, “I’m a person who fills my schedule with busyness so that I feel less alone or less nervous or less unsettled, like work has always been my bomb. And I started to realize that isn’t going to work for me; about a year ago I was like, ‘I was a robot and the robot broke.’”

    The star said she texted Ross at this time and realized that amid all her work and family duties, “it’s really important to remember that you have to be the glue that holds yourself together,” adding that at the time, “I didn’t feel like I was taking very good care of myself and I wasn’t asking other people for help.”

    The Shine Away event was put on in partnership with AT&T and also welcomed Lindsey Vonn, Kerri Walsh Jennings, and authors Curtis Sittenfeld, Jasmine Guillory and Laura Dave.

    Source link

  • “Cold Copy” Review: Tracee Ellis Ross’s Magnetic Personality Buoys Flaccid Film Noir

    “Cold Copy” Review: Tracee Ellis Ross’s Magnetic Personality Buoys Flaccid Film Noir

    When you think of Tracee Ellis Ross, you think of her big hair (shoutout to Pattern Beauty) and her big smile. You might even think of her mother, Diana Ross, although Tracee’s one of the rare, iconic nepo babies who has managed to forge a spectacular career separate from her famous parent.


    However, in her latest role as powerhouse journalist Diane Heger in Tribeca Film Festival’s Cold Copy, Ross is unrecognizable — and not just due to of her black hair and bangs. Known for comedic roles like Black-ish, Girlfriends, and The High Note, Ross is an expert at leveraging her larger-than-life personality for laughs.

    In Cold Copy, she uses her undeniable presence as Heger strikes fear into the hearts of aspiring journalism students who want to follow in her footsteps as a successful media personality and host of her own show. This is where we meet Mia Scott — indelibly rendered by Bel Powley. Scott is a budding journalist, eager to impress her hero and succeed at any cost.

    Early in the film, Mia’s sitting with her roommate and best friend, discussing their hopes and dreams. Classic weekday night for college students. “What else is there?” Scott muses about the value of success. And the rest of the film shows her clawing and climbing to the top, making enemies, and losing friends on the way.

    Written and directed by Roxine Helberg, this female-helmed film noir has a predictable plot but is saved by its captivating cast. The story struggles to justify its characters’ motives with high enough stakes, making Scott’s actions seem desperate and unanchored, though well-rendered by Powley. Yet, despite the uneven script and stilted pacing, Ross and Powley make a compelling duo.

    “What do people see when they look at us?” Heger asks Scott in the film’s second act. A teacher and student? A mother and daughter, she proposes. Lovers, even? It’s all about perception, is the lesson Heger’s imparting. And, as journalists, it’s all about perspective.

    But for a film about perspective, about insight, it doesn’t hold much of its own. Some themes, like the price of success, are raised, but the message is unclear. The ending, too, raises more questions than it answers.

    Like Mia Scott, the film is desperately clawing for a storyline, for meaning, but can’t quite reach it. And, like Scott, the charismatic actors in front of the lens are more substantive than the flimsy tale they’re weaving.

    What results is a satisfying watch but so unsurprising. It’s a mixture of Tar and Miss Sloane, but without the intensity of either. Although the plot’s overly familiar, the visuals are sharp and the casting choices are fantastic. Backed by brilliant acting and an undercurrent of intriguing questions, it’s worth your time.

    LKC

    Source link

  • Chanel’s L.A. Cruise Show Was Rife With Celebrity Attendees—See All the Photos

    Chanel’s L.A. Cruise Show Was Rife With Celebrity Attendees—See All the Photos

    The front row at last night’s Chanel Cruise 2024 show was like a who’s who in Hollywood. Celebrity guests included house ambassadors such as Margot Robbie and Kristen Stewart, who were both fresh off their Chanel-clad Met Gala appearances. Other stylish stars on hand included Iris Apatow, Sofia Richie, Paris Hilton, Kris Jenner, Rashida Jones, and Tracee Ellis Ross.

    Everyone had their own vibe going: Robbie went for a ’70s-inspired look in extra-wide flared jeans, while newlywed Richie opted for a polished white jacket with pale pink feathers. (Cue the “quiet luxury” references.) Of course, there were also plenty of tweed moments courtesy of Stewart, Jenner, and others. Scroll down to see all the celebrity outfits from the Chanel Cruise 2024 show held at Paramount Pictures in Los Angeles, California. 

    Erin Fitzpatrick

    Source link

  • The Gutsy Pant Trend Celebs Are Suddenly Wearing Instead of Jeans

    The Gutsy Pant Trend Celebs Are Suddenly Wearing Instead of Jeans

    Parachute pants. Balloon pants. Barrel-leg trousers.  They’re all variations on the same theme with a similar mantra: Bigger is better. And they all have numerous celebrity fans right now, including Bella Hadid, Tracee Ellis Ross, and Jennifer Lopez. But don’t fret if you’re not exactly a bold dresser, because there are also plenty of easier-to-wear and more affordable versions inspired by the trend. 

    Hadid, for instance, recently wore drop-crotch, ultra-wide-leg, low-slung parachute pants. Naturally, she pulled them off with aplomb. Ellis Ross, ever the risk-taker, wore perhaps the boldest version of the trend—Loewe pants that look like they could take flight at any moment. On the other hand, Danish influencer Pernille Teisbaek wore padded cargos akin to exaggerated ski pants. Scroll down to see how celebrities are wearing parachute pants, and shop wearable versions of the trend. 

    Erin Fitzpatrick

    Source link

  • Tracee Ellis Ross in Prada Just Makes Sense

    Tracee Ellis Ross in Prada Just Makes Sense

    Just fresh off the release of Pattern Beauty‘s first-ever hair tool, Tracee Ellis Ross walked the red carpet for the premiere of Peacock’s “Poker Face” in Los Angeles in a head-to-toe Prada look that’s just… *chef’s kiss*.

    On Tuesday, Jan. 17, the actor arrived in a grey, collarless, rounded-sleeve jacket and matching knee-length pencil skirt from Miuccia Prada and Raf Simons’ Spring 2023 collection. (Business casual? We don’t know her.) Styled by Karla Welch, she accessorized with pointed-toe black pumps and a small tote bag, also Prada.

    India Roby

    Source link

  • Tracee Ellis Ross Matched Her Boots to Her Ruby Woo Lipstick

    Tracee Ellis Ross Matched Her Boots to Her Ruby Woo Lipstick

    On Monday, Tracee Ellis Ross made the press rounds promoting the launch of Pattern Beauty‘s debut hot tool, first appearing on “The Today Show” and then at an editor event in New York City. For the latter, she donned a statement-making look with an undeniable beauty-girl angle: She matched her stunning red boots to her stunning red lipstick.

    Stephanie Saltzman

    Source link

  • Tracee Ellis Ross’s Thigh-High Boots Are Going Viral on IG Right Now

    Tracee Ellis Ross’s Thigh-High Boots Are Going Viral on IG Right Now

    Tracee Ellis Ross has seemingly never met a fashion challenge she couldn’t conquer. I don’t think I have the confidence to pull off shimmery thigh-high golden boots, but Ross is certainly no wallflower. She wore the extraordinary shoes in a new Instagram post, flawlessly combing them with unexpected colors, including yellow, brown, and tan. Ross collaborated with her longtime stylist Karla Welch on the look—talk about a dynamic duo!

    Ross’s By Far boots rightfully took center stage and are already going positively viral on Instagram, receiving hundreds of adoring comments. Scroll down to see Tracee Ellis Ross’s new outfit, including her daring thigh-high boots. 

    Erin Fitzpatrick

    Source link

  • Tracee Ellis Ross’s Pattern Beauty Debuts First Hair Tool

    Tracee Ellis Ross’s Pattern Beauty Debuts First Hair Tool

    Tracee Ellis Ross‘s brand Pattern Beauty is continuing to blow up the textured hair-care category — this time quite literally, with the launch of its inaugural hair tool, a blow-dryer created with the “curl-conscious consumer” at top of mind.

    The tool, which retails for $189, features four attachments: a diffuser, a brush, a wide-tooth comb (inspired by the brand’s existing wide-tooth comb) and a nozzle. It also includes a professional-grade engine, three heat settings, two speed settings and a cool-shot button. Per a press release, its focus is on quick-drying hair while minimizing frizz, reducing damage and preserving the curl pattern. 

    Stephanie Saltzman

    Source link

  • Tracee Ellis Ross Wore a Full-On Catsuit to Dinner and I Can’t Stop Staring

    Tracee Ellis Ross Wore a Full-On Catsuit to Dinner and I Can’t Stop Staring

    Is there a chic new cat burglar in town? Nope, that’s just the actress and Pattern Beauty founder Tracee Ellis Ross’s latest spotlight-stealing look. 

    Clad in from head to toe in black (gloves and shoes included) and paired with silver Balenciaga sunglasses and the brand’s Hourglass XS Handbag with Rhinestones, Ross posted several shots of the outfit to her Instagram with the caption “it was a future party” to which Ross’s stylist, Karla Welch, commented, “This is the future I’m into.”

    We’re not 100% sure what this dynamic fashion duo has up their sleeves as we head into the final month of 2022, but one thing’s for certain: we’re copying this look today, tomorrow, and at all future parties. 

    Keep scrolling to browse a few of our favorite versatile turtleneck bodysuits—and of course, some out-of-this-world accessories, too. 

    Drew Elovitz

    Source link

  • Venus Williams, Spike Lee set for Black Entrepreneurs Day

    Venus Williams, Spike Lee set for Black Entrepreneurs Day

    LOS ANGELES (AP) — Venus Williams, Spike Lee, Tracee Ellis Ross, Shaquille O’Neal and Killer Mike are among those set to participate in a celebration of African American business success and opportunity.

    Black Entrepreneurs Day, founded and organized by “Shark Tank” panelist and FUBU chief executive Daymond John, will be held Oct. 27 at New York City’s Apollo Theater and streamed live on Johnson’s Facebook page and BlackEntrepreneursDay.com.

    In a statement, John said his goal for the third annual gathering remains to “inspire, educate, learn from and celebrate those that are hustling, pushing forward, pursuing their dreams and, in many cases, thriving.”

    Beginning at 7 p.m. EDT, the night will include John’s one-on-one discussions with celebrity and business guests; panels on topics including building generational wealth and elevating creativity and access, and a “pitch competition” for nascent entrepreneurs. Rapper Big Sean will close the Chase-presented event with a live performance.

    Black business owners and entrepreneurs can apply for $25,000 grants from the NAACP Powershift Entrepreneur Grant program created by John, with the event website open for applications through 11:59 p.m. EDT Wednesday, Oct. 12. More than $500,000 in grants has been given, according to organizers.

    “Black Entrepreneurs Day provides an invaluable resource to a community that is historically overlooked when it comes to resources and funding. It is truly economic inclusion for us, by us,” NAACP President and CEO Derrick Johnson said in a statement.

    John, one of the original stars of ABC’s “Shark Tank,” founded the global lifestyle brand FUBU and is a motivational speaker and author.

    Source link