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Tag: tortured poets department

  • Taylor Swift Revealed Her Secret Ritual and It’s a Brilliant Lesson In Emotional Intelligence

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    Earlier this week, Taylor Swift was the guest on The Tonight Show with Jimmy Fallon. During a segment where Fallon asked her what the last song she listened to, Swift revealed a surprising ritual she performs before every album release:

    “So I have this tradition when the eve before I have a new album that comes out that starts a new musical era, I listen to the entirety of the last album that I made. So I listened to Tortured Poets Department to say goodbye to it. I do it every time.”

    It seems like such a small thing, but it’s actually brilliant. Because what Swift described isn’t just a quirky artist habit—it’s emotional intelligence in action.

    Humans aren’t great at endings. We’re wired to hold on to the things in our lives—the people, projects, and past successes. We like the familiar because it makes us feel comfortable and safe. The truth, however, is that clinging to all of that is usually what keeps us from creating what’s next.

    Swift’s ritual is the opposite of that. Listening to her last album before releasing the next isn’t nostalgia—it’s closure. It’s her way of saying, “Thank you, I have to go do this new thing now.” It’s a small, intentional act that creates space for something new.

    Swift cares deeply about what she makes

    To be clear, I don’t think the point is that Swift is done with her past music; I mean, she pulled off the most successful concert tour in history by singing through her entire back catalog for three hours a night. This is someone who has deep feelings for the things she makes, and I think that’s the point.

    I think this ritual is more about understanding exactly that. Swift cares deeply about the songs and albums she has made, and to “say goodbye” is the most respectful thing she can do. It also frees her to devote that space in her mind and heart to the next thing.

    Think about that for a second. Before she hits play on her next era, she stops and honors the one before it. She doesn’t skip ahead or pretend it didn’t happen. She gives it a moment, acknowledges what it meant, and then lets it go.

    That’s emotional intelligence—the ability to recognize and regulate emotions instead of being ruled by them. It’s self-awareness, discipline, and empathy all wrapped into one quiet act.

    The weight of Tortured Poets Department

    In this case, it’s especially useful. If you’ve followed Swift’s career, you know The Tortured Poets Department wasn’t just another album. It was a reflection of one of the most emotionally raw seasons of her life—a breakup, intense public scrutiny, and a level of pressure few humans could possibly understand.

    It was also one of the most successful albums of all time. It sold more than 2.6 million units in its first week, broke vinyl sales records, and became one of the most-streamed albums ever. It was a massive creative and commercial high point.

    That kind of success can be a trap. When you’ve built something that big, it’s easy to start believing the best thing you’ll ever do is the thing you already did. Most people in that position try to repeat themselves. Swift doesn’t. She listens one last time, says goodbye, and moves on.

    That’s what makes this ritual so powerful. It’s a reminder that letting go isn’t weakness—it’s how you make room for whatever’s next.

    The next era: ‘The Life of a Showgirl’

    And Swift is going to need a lot of room for what comes next. The Life of a Showgirl, released October 3, is already breaking records. It sold more than 2.7 million copies in a single day, outpacing the first-week numbers for Tortured Poets Department. It broke every major streaming record and became Spotify’s most pre-saved album ever.

    It also feels, in every way, like the next chapter (or Era, I guess we call them when referring to Taylor Swift). That kind of pivot doesn’t happen by accident. It happens when someone is intentional about closing one chapter before starting the next.

    A lesson for us all

    Look, the reality is that you don’t have to be a global pop star to learn something from this. In work, in relationships, in leadership—most of us are terrible at endings. We finish one project and immediately start the next without ever pausing to reflect. We hold on to titles, achievements, or mistakes that define us long after they should have.

    But endings matter. They give meaning to what came before and make room for what’s next. Swift’s ritual is simple, but it’s an antidote to the human tendency to cling.

    So maybe before you start your next big thing, take a page out of her book. Revisit what came before. Sit with it. Acknowledge it. Say goodbye. Because the truth is, you can’t start a new era if you’re still holding on to the last one.

    Most of us could use more of that. We’d be less anxious about what’s next if we were more honest about what’s finished.

    Swift’s ritual might sound like a superstition. It’s not. It’s an act of emotional discipline. It’s how you stay human in the middle of a machine that never stops moving. It’s how you give yourself permission to feel the full weight of an ending without getting stuck there.

    At the end of the day, maybe that’s the real secret behind Taylor Swift’s longevity. She doesn’t just reinvent herself—she releases herself.

    The opinions expressed here by Inc.com columnists are their own, not those of Inc.com.

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    Jason Aten

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  • Taylor Swift’s ‘The Life of a Showgirl’ is almost here. Here’s what to know

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    Lights, camera, action. Taylor Swift’s 12th studio album, “The Life of a Showgirl,” arrives Friday. Are you ready for it?Swift announced her latest era back in August, when she began teasing the release.Here’s everything you need to know ahead of its drop date: how to stream, which variants exist, and of course, how the album came together. Enjoy the show!How to listen to Swift’s “The Life of a Showgirl””The Life of a Showgirl” will be available to stream on all major platforms, including Spotify, Apple Music and Amazon Music.Fans can pre-save the album ahead of its release on Oct. 3. Pre-saving ensures the new music automatically appears in a fan’s library the moment it is available. It is also a way for an artist to promote streams ahead of the drop date.On Monday, Spotify announced that Swift’s album surpassed five million pre-saves on its platform to become the most pre-saved album in its history. The previous title holder? Her 2024 album “The Tortured Poets Department.”In addition to the many streaming options, there will also be a digital-download variant of “The Life of a Showgirl” available via iTunes, featuring a new cover image and a nearly three-minute “exclusive video from Taylor herself detailing inspirations behind the album” labeled “A Look Behind the Curtain.”What physical variants are there?Target is once again a major partner with Swift. Their stores will carry three CD variants, titled “It’s Frightening,” “It’s Rapturous” and “It’s Beautiful” editions. There is also an exclusive vinyl release, “The Crowd Is Your King” edition, in “summertime spritz pink shimmer vinyl.” Many Target locations will remain open past midnight on the day of release for superfans to pick up in real time.There are a number of other vinyl variants as well: “The Tiny Bubble in Champagne Collection,” which features two vinyl variants described as “under bright lights pearlescent vinyl” and “red lipstick & lace transparent vinyl.”There is also “The Baby That’s Show Business Collection,” in two colorways: “lovely bouquet golden vinyl” and “lakeside beach blue sparkle vinyl.”Then there’s “The Shiny Bug Collection” in “violet shimmer marbled vinyl” and “wintergreen and onyx marbled vinyl.”And of course, there is the standard LP and cassette, in “sweat and vanilla perfume Portofino orange vinyl.”Artwork varies throughout.What do we know about the album so far?Swift partially announced her 12-track new album “The Life of a Showgirl” on the “New Heights” podcast hosted by Travis Kelce — Swift’s fiancé and Kansas City Chiefs tight end — and his brother, Jason Kelce, the former Philadelphia Eagles center.In the full episode, Swift revealed she worked on the album in Sweden while she was on the “Eras Tour” — flying between dates to record, truly embodying the album’s title, “The Life of a Showgirl.” The entire album was completed with producers Max Martin and Shellback, whom Swift previously collaborated with on 2012’s “Red,” 2014’s “1989” and 2017’s “Reputation.” Her frequent producing partner, Jack Antonoff, was not mentioned.She described the release as full of “bangers.” “I care about this record more than I can even overstate,” she said, agreeing with Travis Kelce when he described the release as “a lot more upbeat” than 2024’s “The Tortured Poets Department.”Across the album, there is only one feature listed: the title track, “The Life of a Showgirl,” will include Sabrina Carpenter.

    Lights, camera, action. Taylor Swift’s 12th studio album, “The Life of a Showgirl,” arrives Friday. Are you ready for it?

    Swift announced her latest era back in August, when she began teasing the release.

    Here’s everything you need to know ahead of its drop date: how to stream, which variants exist, and of course, how the album came together. Enjoy the show!

    How to listen to Swift’s “The Life of a Showgirl”

    “The Life of a Showgirl” will be available to stream on all major platforms, including Spotify, Apple Music and Amazon Music.

    Fans can pre-save the album ahead of its release on Oct. 3. Pre-saving ensures the new music automatically appears in a fan’s library the moment it is available. It is also a way for an artist to promote streams ahead of the drop date.

    On Monday, Spotify announced that Swift’s album surpassed five million pre-saves on its platform to become the most pre-saved album in its history. The previous title holder? Her 2024 album “The Tortured Poets Department.”

    In addition to the many streaming options, there will also be a digital-download variant of “The Life of a Showgirl” available via iTunes, featuring a new cover image and a nearly three-minute “exclusive video from Taylor herself detailing inspirations behind the album” labeled “A Look Behind the Curtain.”

    What physical variants are there?

    Target is once again a major partner with Swift. Their stores will carry three CD variants, titled “It’s Frightening,” “It’s Rapturous” and “It’s Beautiful” editions. There is also an exclusive vinyl release, “The Crowd Is Your King” edition, in “summertime spritz pink shimmer vinyl.” Many Target locations will remain open past midnight on the day of release for superfans to pick up in real time.

    There are a number of other vinyl variants as well: “The Tiny Bubble in Champagne Collection,” which features two vinyl variants described as “under bright lights pearlescent vinyl” and “red lipstick & lace transparent vinyl.”

    There is also “The Baby That’s Show Business Collection,” in two colorways: “lovely bouquet golden vinyl” and “lakeside beach blue sparkle vinyl.”

    Then there’s “The Shiny Bug Collection” in “violet shimmer marbled vinyl” and “wintergreen and onyx marbled vinyl.”

    And of course, there is the standard LP and cassette, in “sweat and vanilla perfume Portofino orange vinyl.”

    Artwork varies throughout.

    What do we know about the album so far?

    Swift partially announced her 12-track new album “The Life of a Showgirl” on the “New Heights” podcast hosted by Travis Kelce — Swift’s fiancé and Kansas City Chiefs tight end — and his brother, Jason Kelce, the former Philadelphia Eagles center.

    In the full episode, Swift revealed she worked on the album in Sweden while she was on the “Eras Tour” — flying between dates to record, truly embodying the album’s title, “The Life of a Showgirl.” The entire album was completed with producers Max Martin and Shellback, whom Swift previously collaborated with on 2012’s “Red,” 2014’s “1989” and 2017’s “Reputation.” Her frequent producing partner, Jack Antonoff, was not mentioned.

    She described the release as full of “bangers.” “I care about this record more than I can even overstate,” she said, agreeing with Travis Kelce when he described the release as “a lot more upbeat” than 2024’s “The Tortured Poets Department.”

    Across the album, there is only one feature listed: the title track, “The Life of a Showgirl,” will include Sabrina Carpenter.

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  • Matty Healy Just Responded To Taylor Swift’s ‘Diss Track’ On The Tortured Poets Department

    Matty Healy Just Responded To Taylor Swift’s ‘Diss Track’ On The Tortured Poets Department

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    No hard feelings. Matty Healy is reportedly okay with the release of Taylor Swift‘s Tortured Poet’s Department. The Lover and Being Funny In A Foreign Language artists dated briefly in 2023, and some songs on Swift’s new album allude to their relationship.

    On April 24, 2024, Healy was stopped by a reporter who asked, “How would you rate your Taylor diss track compared to the 30 others?” In a video obtained by Entertainment Tonight, the singer looked confused at first asking “My diss track?” The reporter clarified and he later responded, “Oh, I haven’t really listened to that much of it but I’m sure it’s good.”

    Sources close to The 1975 lead singer told Us Weekly about his true feelings for his ex. “Matty still thinks very highly of Taylor but we were all nervous about what she might have said on the album,” the source disclosed. Adding that he “couldn’t be happier” with how the record turned out.

    “Matty’s family knew about the relationship,” the insider explains. “And they were worried that Taylor was going to rip him apart. Matty has struggled with life in the public eye, and he’s been doing really well, but the last thing that he needs is for every Swiftie in the world to think he’s a villain.”

    It’s reported that “really appreciative” to receive a heads-up from Taylor’s team about the recent album. “He was worried that their story would be shed in a negative light,” the source explains, adding he had concerns “the public wouldn’t get the full story.”

    Healy was “also very nervous about the Swifties.” However, knowing the background, he is “happy he can move on with less anxiety.”

    “Their relationship was fast, but extremely passionate and real,” the source confirmed. They also “don’t speak anymore,” but they “had a strong bond” and he will “always hold a special place for her.”

    In an article published by People, an insider described their relationship as “always casual”, saying: “She had fun with him, but it was always casual. They are no longer romantically involved.” Another source echoed those sentiments to Us: “Taylor and Matt are no longer romantically involved,” they said. “They had fun together, but it was never serious.” In another article published by Us Weekly, the tabloid quoted anonymous friends of Swift, saying: “Taylor’s friends aren’t surprised [she and Matty broke up],” the insider said. “She wasn’t ready for another serious relationship just yet.”

    Taylor Swift, Matty Healy

    In “The Smallest Man Who Ever Lived,” the 14th song from The Tortured Poets Department, Swift hinted that she and Matty broke up after he ghosted her and she got over the “starry-eyed” feeling she felt at the beginning of their relationship. Was any of it true / Gazing at me, starry-eyed / In your Jehovah’s witness suit / Who the fuck was that guy / You tried to buy some pills / From a friend of friends of mine / They just ghosted you / Now you know what it feels like,” Swift sings.

    Later in the song, Swift hinted that Healy’s reputation caught up to him and was the catalyst to end their relationship. “And I don’t even want you back I just want to know If rusting my sparkling summer was the goal /And I don’t miss what we had / But could someone give a message / To the smallest man who ever lived?” she sings.

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    Lea Veloso

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