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  • Georgia judge to toss landmark racketeering charges against ‘Cop City’ protesters

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    A Georgia judge on Tuesday said he will toss the racketeering charges against all 61 defendants accused of a years-long conspiracy to halt the construction of a police and firefighter training facility that critics pejoratively call “Cop City.”Fulton County Judge Kevin Farmer said he does not believe Republican Attorney General Chris Carr had the authority to secure the 2023 indictments under Georgia’s Racketeer Influenced and Corrupt Organizations law, or RICO. Experts believe it was the largest criminal racketeering case ever filed against protesters in U.S. history.The defendants faced a wide variety of allegations — everything from throwing Molotov cocktails at police officers, to supplying food to protesters who were camped in the woods and passing out fliers against a state trooper who had fatally shot a protester. Each defendant faced up to 20 years in prison on the RICO charges.Farmer said during a hearing that Carr needed Gov. Brian Kemp’s permission to pursue the case instead of the local district attorney. Prosecutors earlier conceded that they did not obtain any such order.“It would have been real easy to just ask the governor, ‘Let me do this, give me a letter,’” Farmer said. “The steps just weren’t followed.”The case is not over yetFive of the 61 defendants were also indicted on charges of domestic terrorism and first-degree arson connected to a 2023 “night of rage” in which masked activists burned a police car in downtown Atlanta and threw rocks at a skyscraper that houses the Atlanta Police Foundation. Farmer said Carr also didn’t have the authority to pursue the arson charge, though he believes the domestic terrorism charge can stand.Farmer said he plans to file a formal order soon and is not sure whether he would quash the entire indictment or let the domestic terrorism charge proceed.Deputy Attorney General John Fowler told Farmer that he believes the judge’s decision is “wholly incorrect.”Carr plans to “appeal immediately,” spokesperson Kara Murray said.“The Attorney General will continue the fight against domestic terrorists and violent criminals who want to destroy life and property,” she said.Defense attorney Don Samuel said the case was rife with errors. Defense attorneys had expected to spend the whole week going through dozens of dismissal motions that had been filed. During an impassioned speech on Monday, the first day of the hearing, Samuel called the case “an assault on the right of people to protest” and urged Farmer to “put a stop to this.”“We could have spun the wheel and seen which argument was going to win first,” Samuel told The Associated Press after Farmer announced his decision from the bench.The long-brewing controversy over the training center erupted in January 2023 after state troopers who were part of a sweep of the South River Forest killed an activist, known as “Tortuguita,” who authorities said had fired at them while inside a tent near the construction site. A prosecutor found the troopers’ actions “objectively reasonable,” though Tortuguita’s family has filed a lawsuit, saying the 26-year-old’s hands were in the air and that troopers used excessive force when they initially fired pepper balls into the tent.Numerous protests ensued, with masked vandals sometimes attacking police vehicles and construction equipment to stall the project and intimidate contractors into backing out. Opponents also pursued civic paths to halt the facility, including packing City Council meetings and leading a massive referendum effort that got tied up in the courts.Carr, who is running for governor, had pursued the case, with Kemp hailing it as an important step to combat “out-of-state radicals that threaten the safety of our citizens and law enforcement.”But critics had decried the indictment as a politically motivated, heavy-handed attempt to quash the movement against the 85-acre project that ultimately cost more than $115 million.Environmentalists and anti-police activists were unitedEmerging in the wake of the 2020 racial justice protests, the “Stop Cop City” movement gained nationwide recognition as it united anarchists, environmental activists and anti-police protesters against the sprawling training center, which was being built in a wooded area that was ultimately razed in DeKalb County.Activists argued that uprooting acres of trees for the facility would exacerbate environmental damage in a flood-prone, majority-Black area while serving as an expensive staging ground for militarized officers to be trained in quelling social movements.The training center, a priority of Atlanta Mayor Andre Dickens, opened earlier this year, despite years of protests and millions in cost overruns, some of it due to the damage protesters caused, and police officials’ needs to bolster 24/7 security around the facility.But over the past two years, the case had been bogged down in procedural issues, with none of the defendants going to trial. Farmer and the case’s previous judge, Fulton County Judge Kimberly Esmond Adams, had earlier been critical of prosecutors’ approach to the case, with Adams saying the prosecution had committed “gross negligence” by allowing privileged attorney-client emails to be included among a giant cache of evidence that was shared between investigators and dozens of defense attorneys.As the delays continued, defendants said their lives had been wrecked by the charges, with many unable to secure steady jobs or housing.Three of the defendants, organizers of a bail fund that supported the protesters, had also been charged with 15 counts of money laundering, but prosecutors dropped those charges last year.Prosecutors had previously apologized to the court for various delays and missteps, but lamented the difficulty of handling such a sprawling case, though Farmer pointed out that it was prosecutors who decided to bring this “61-person elephant” to court in the first place.Defense attorney Xavier de Janon said Farmer’s decision is a “victory,” but noted that there are other defendants still facing unindicted domestic terrorism charges in DeKalb County, as well as numerous pending misdemeanors connected to the movement.“The prosecutions haven’t ended against this movement, and I hope that people continue to pay attention to how the state is dealing with protests and activism, because it hasn’t ended,” de Janon said. “This is a win, and hopefully many more will come.”

    A Georgia judge on Tuesday said he will toss the racketeering charges against all 61 defendants accused of a years-long conspiracy to halt the construction of a police and firefighter training facility that critics pejoratively call “Cop City.”

    Fulton County Judge Kevin Farmer said he does not believe Republican Attorney General Chris Carr had the authority to secure the 2023 indictments under Georgia’s Racketeer Influenced and Corrupt Organizations law, or RICO. Experts believe it was the largest criminal racketeering case ever filed against protesters in U.S. history.

    The defendants faced a wide variety of allegations — everything from throwing Molotov cocktails at police officers, to supplying food to protesters who were camped in the woods and passing out fliers against a state trooper who had fatally shot a protester. Each defendant faced up to 20 years in prison on the RICO charges.

    Farmer said during a hearing that Carr needed Gov. Brian Kemp’s permission to pursue the case instead of the local district attorney. Prosecutors earlier conceded that they did not obtain any such order.

    “It would have been real easy to just ask the governor, ‘Let me do this, give me a letter,’” Farmer said. “The steps just weren’t followed.”

    The case is not over yet

    Five of the 61 defendants were also indicted on charges of domestic terrorism and first-degree arson connected to a 2023 “night of rage” in which masked activists burned a police car in downtown Atlanta and threw rocks at a skyscraper that houses the Atlanta Police Foundation. Farmer said Carr also didn’t have the authority to pursue the arson charge, though he believes the domestic terrorism charge can stand.

    Farmer said he plans to file a formal order soon and is not sure whether he would quash the entire indictment or let the domestic terrorism charge proceed.

    Deputy Attorney General John Fowler told Farmer that he believes the judge’s decision is “wholly incorrect.”

    Carr plans to “appeal immediately,” spokesperson Kara Murray said.

    “The Attorney General will continue the fight against domestic terrorists and violent criminals who want to destroy life and property,” she said.

    Defense attorney Don Samuel said the case was rife with errors. Defense attorneys had expected to spend the whole week going through dozens of dismissal motions that had been filed. During an impassioned speech on Monday, the first day of the hearing, Samuel called the case “an assault on the right of people to protest” and urged Farmer to “put a stop to this.”

    “We could have spun the wheel and seen which argument was going to win first,” Samuel told The Associated Press after Farmer announced his decision from the bench.

    The long-brewing controversy over the training center erupted in January 2023 after state troopers who were part of a sweep of the South River Forest killed an activist, known as “Tortuguita,” who authorities said had fired at them while inside a tent near the construction site. A prosecutor found the troopers’ actions “objectively reasonable,” though Tortuguita’s family has filed a lawsuit, saying the 26-year-old’s hands were in the air and that troopers used excessive force when they initially fired pepper balls into the tent.

    Numerous protests ensued, with masked vandals sometimes attacking police vehicles and construction equipment to stall the project and intimidate contractors into backing out. Opponents also pursued civic paths to halt the facility, including packing City Council meetings and leading a massive referendum effort that got tied up in the courts.

    Carr, who is running for governor, had pursued the case, with Kemp hailing it as an important step to combat “out-of-state radicals that threaten the safety of our citizens and law enforcement.”

    But critics had decried the indictment as a politically motivated, heavy-handed attempt to quash the movement against the 85-acre project that ultimately cost more than $115 million.

    Environmentalists and anti-police activists were united

    Emerging in the wake of the 2020 racial justice protests, the “Stop Cop City” movement gained nationwide recognition as it united anarchists, environmental activists and anti-police protesters against the sprawling training center, which was being built in a wooded area that was ultimately razed in DeKalb County.

    Activists argued that uprooting acres of trees for the facility would exacerbate environmental damage in a flood-prone, majority-Black area while serving as an expensive staging ground for militarized officers to be trained in quelling social movements.

    The training center, a priority of Atlanta Mayor Andre Dickens, opened earlier this year, despite years of protests and millions in cost overruns, some of it due to the damage protesters caused, and police officials’ needs to bolster 24/7 security around the facility.

    But over the past two years, the case had been bogged down in procedural issues, with none of the defendants going to trial. Farmer and the case’s previous judge, Fulton County Judge Kimberly Esmond Adams, had earlier been critical of prosecutors’ approach to the case, with Adams saying the prosecution had committed “gross negligence” by allowing privileged attorney-client emails to be included among a giant cache of evidence that was shared between investigators and dozens of defense attorneys.

    As the delays continued, defendants said their lives had been wrecked by the charges, with many unable to secure steady jobs or housing.

    Three of the defendants, organizers of a bail fund that supported the protesters, had also been charged with 15 counts of money laundering, but prosecutors dropped those charges last year.

    Prosecutors had previously apologized to the court for various delays and missteps, but lamented the difficulty of handling such a sprawling case, though Farmer pointed out that it was prosecutors who decided to bring this “61-person elephant” to court in the first place.

    Defense attorney Xavier de Janon said Farmer’s decision is a “victory,” but noted that there are other defendants still facing unindicted domestic terrorism charges in DeKalb County, as well as numerous pending misdemeanors connected to the movement.

    “The prosecutions haven’t ended against this movement, and I hope that people continue to pay attention to how the state is dealing with protests and activism, because it hasn’t ended,” de Janon said. “This is a win, and hopefully many more will come.”

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  • Art, Grief, and Community: New Exhibitions Open at Atlanta Contemporary

    Art, Grief, and Community: New Exhibitions Open at Atlanta Contemporary

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    On Thursday, Oct. 24, Atlanta Contemporary welcomed visitors to its newest anchor exhibits: WE KEEP US SAFE, A Sorcery of Sustenance, and Donald Locke: Nexus

    “We have three major gallery experiences, so having new works in these spaces at the same time allows us to maximize our ability to present a range of artistic work while attracting a diverse audience,” said Floyd Hall, curator of the A Sorcery of Sustenance and executive director of The Atlanta Contemporary Gallery.

     A Sorcery of Sustenance by Masud Olufani, delves into the cultural retentions of the African diaspora through food. Tatiana Bell’s WE KEEP US SAFE captures collective grief and resistance, while Donald Locke: Nexus highlights the artist’s exploration of his journey from Guyana to the United States.

    Photo by Noah Washington/The Atlanta Voice

    A Sorcery of Sustenance: Food as Cultural Memory

    Masud Olufani’s exhibit, A Sorcery of Sustenance, highlights the connection between food and memory. Olufani who uses sculptures made from traditional African American food sources such as rice, yams, and black-eyed peas, Olufani spoke to The Atlanta Voice and explained the central idea behind his work “Eating, consuming food is not just a rote exercise. There’s a whole other level to food consumption that involves memory, cultural retention, history, and meaning.”

    The inspiration for A Sorcery of Sustenance came from Olufani’s travels to West Africa. In 2022, after receiving the results of his ancestry test, which traced his lineage to the Mende people of Sierra Leone, Olufani decided to visit the continent. “I went back to Sierra Leone two years ago to connect with my ancestors,” he said, “ I also visited Ghana while I was there. I was just very observant, watching how people process food, the foods that we were eating, going into villages, watching how people climbed trees and tapped for palm oil.” His observations led him to recognize deep connections between the foods of West Africa and those eaten by African Americans today, particularly in the Black community.

    For Olufani, food consumption is a form of magic—“a sorcery,” as he calls it—because when we eat, we consume not just nutrients but also a culture’s history and identity. “If I’m taking in food from another culture, I’m consuming part of their history, part of their memory,” he elaborated. 

    Photo by Noah Washington/The Atlanta Voice

    WE KEEP US SAFE: Honoring Collective Grief

    Tatiana Bell’s exhibit, WE KEEP US SAFE, similarly explores memory but through the lens of collective grief. Bell’s –  inspired by the Defend the Forest movement cited “the murder of Tortuguita,” an Indigenous queer and non-binary environmental activist and forest defender, “I was feeling really lost in terms of how I could show up for the movement and my community,” Bell explained. This sense of loss and the desire to create a space for collective healing drove her to begin working in a greenhouse at South River Art Studios, located in Southeast Atlanta.

    The installation paying homage to the grief of people from various movements, with contributions from those involved in the Black Lives Matter movement, as well as those advocating for justice in Palestine and for environmental causes. “It was a journey of finding a place that felt safe,” Bell said. The exhibit’s video piece features voices from protests, notes read aloud by friends, and the voice of Tortuguitas’ mother, who attended one of Bell’s grief gatherings on the anniversary of her child’s death. “We keep our stories alive by word of mouth and feeling solidarity in whatever grief we’re feeling,” Bell emphasized.

    For Bell, the exhibit is not only a reflection of political movements but also a space for personal grief. “It doesn’t have to be as big as a movement. It’s also a lot of personal grief, and it’s about really honoring the importance of grieving,” she said. Her hope is that visitors to the exhibit will leave with a deeper understanding of the power of memory and the need to honor both individual and collective losses.

    Donald Locke: Nexus.

    Donald Locke: Nexus, a tribute to the late Donald Locke, a Guyanese artist whose influence spanned continents and decades. Curated by Grace Aneiza Ali, Nexus not only showcases Locke’s work but also marks a return to the very studio space where his journey in Atlanta began more than 30 years ago. 

    Grace Aneiza Ali, a fellow Guyanese, curated the exhibit with a personal connection. “As a curator, it’s always a blessing to be able to work on an artist from the place you’re from,” she explained. Ali had worked with Locke’s art before, but Nexus holds a special significance. “He was one of the first 12 artists in 1992 to move into the Nexus studios [at Atlanta Contemporary],” Ali recounted. “Thirty years later, we’re literally back on hallowed ground. And the work that you see in the room is the work that he made while he was literally in the studio down the hall.”

    Locke’s journey is that of the transnational artist experience, having migrated from Guyana to the United Kingdom and eventually to the United States. His work—rooted in these cross-cultural experiences—explores themes of identity, memory, and the intersection of personal and cultural histories. Ali’s curatorial process, steeped in their shared heritage, sought to honor not only Locke’s artistic legacy but also the rich Guyanese community from which he hailed.

    Locke’s art challenges traditional categories, merging the boundaries between painting and sculpture. His ability to infuse structure with deep symbolic meaning is a recurring theme in his work. Ali emphasized this, saying, “Donald was such an incredible master of form. He would treat the back of his paintings as equally important as the front. He constructed the structures to hold his paintings, and then he would coat them with all of these things that you’re not necessarily meant to understand what they are. But he was pushing the boundaries between: Is it painting or is it sculpture? Is it sculpture or is it architecture?”

    As visitors walk through the exhibit, they encounter 15 paintings and 4 sculptures.  The structures Locke created defy easy classification. His experimental techniques were designed to provoke thought and conversation, and Nexus does exactly that. “Donald’s work wasn’t meant to fit into neat categories,” Ali explained. “He wanted to challenge our perceptions of what art could be, and he succeeded in doing that.”

    One of Ali’s favorite pieces in the exhibit isn’t a painting or a sculpture, but a photograph of Locke himself. “This is him literally standing in his studio down the hall,” she said, pointing to the image. “I love this photo of him. It brings everything together.” The photograph, enlarged to a scale, captures Locke in a moment of creation—bringing viewers back to the origins of his artistic practice at Atlanta Contemporary.

    The three anchor exhibits will be on display till Feb. 2, 2025.

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    Noah Washington

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