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Tag: Tokyo

  • Exclusive | Why U.S.’s Trade Pact With South Korea Has Gotten Messier

    President Trump’s trade deal with South Korea is on shaky ground, with Commerce Secretary Howard Lutnick taking a tough line in talks as some Seoul officials privately argue to allies that the White House is moving the goal posts.

    Lutnick, in recent conversations with South Korean officials, has discussed with Seoul the idea of slightly increasing the $350 billion they had previously guaranteed to the U.S. in July and suggested the final tally could get a bit closer to the $550 billion pledged by Japan, according to people familiar with the discussions, including an adviser to South Korea’s government.

    Copyright ©2025 Dow Jones & Company, Inc. All Rights Reserved. 87990cbe856818d5eddac44c7b1cdeb8

    Brian Schwartz

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  • How a Traditional Blacksmith Created Ninja Gaiden 4’s Swords in Real Life – Xbox Wire

    When we set out to launch Ninja Gaiden 4, we asked ourselves: what if the blades of legend weren’t confined to the game? What if Ryu Hayabusa’s iconic Dragon Sword and new protagonist Yakumo’s Takeminakata — weapons rooted in centuries of lore — could be forged in the real world? That question brought us to Kyoto, Japan, where ancient swordsmithing traditions met the next chapter of Ninja Gaiden.

    In association with master swordsmith Yuya Nakanishi and the Masahiro Tantoujou Sword Forge, we set out to create real-life versions of the Dragon Sword and the Takeminakata. These aren’t just props — they’re living, breathing testaments to craft, power, and story.

    The Stories of the Swords

    The Dragon Sword has always been more than steel. In-game, it’s the ancestral blade passed down through the Dragon Lineage for generations.,

    Combined with the Eye of the Dragon, a sacred jewel granted to Ryu by his childhood friend Kureha, the blade now displays its full power, transforming into the “True Dragon Sword.” With this legendary blade in hand, Ryu has purged the encroaching forces of evil and saved the world time and time again.

    Yakumo’s Takeminakata has also been passed down through generations of the Raven Clan, who have actively collected cursed blades to utilize with Bloodbind Ninjutsu. Yakumo uses Bloodbind Ninjutsu to share the life force of blood with Takeminakata and the accursed armaments to maximize their destructive potential.

    The Creation Process

    Creating these blades in real life took months. Hundreds of hours. And no compromises. Each artisan at Masahiro Tantoujou Sword Forge approached their part of the process with the same dedication Ryu and Yakumo bring to battle — patience, discipline, and unwavering focus.

    The result? Two swords that don’t just mirror their in-game counterparts — they embody them. When you see the Dragon Sword’s gleam or the Takeminakata’s raven feather-imbued blade, you’re not just looking at steel. You’re looking at the legacy of the Dragon Clan and the Raven clan, and the Master Ninjas that define Ninja Gaiden 4.

    This collaboration is more than a celebration of a game. It’s where story meets steel, and where fantasy becomes something you can hold in your hands. Because in Ninja Gaiden 4, legends aren’t imagined — they’re forged.

    NINJA GAIDEN 4 Preorder Deluxe Edition

    Xbox Game Studios




    $89.99


    Pre-order now to receive the Dark Dragon Descendant Yakumo Skin at launch

    Experience a return to the intense, high-octane action of NINJA GAIDEN with the Deluxe Edition! The Deluxe Edition includes:

    • NINJA GAIDEN 4 base game
    • Future Gameplay Content “The Two Masters”*
    • Traditional Dark Blue and Legendary Black Falcon Ryu Skins
    • Blade of the Archfiend Ryu Weapon Skin
    • Divine Chimera and Raven Master Yakumo Skins
    • Divine Chimera Yakumo Weapon Set
    • 50,000 Bonus NinjaCoin
    • Additional In-Game Items such as Life Elixirs, Incense of Rebirth, Kongou Iron Brew, and more!

    The definitive ninja hack & slash franchise returns with NINJA GAIDEN 4! Embark on a cutting-edge adventure where legacy meets innovation in this high-octane blend of style and no-holds-barred combat.

    RETURN OF THE LEGEND
    Experience a return to the intense, high-speed combat that established NINJA GAIDEN as a premier action game series. Prepare for a legacy reborn with captivating style for a new generation of players.

    EPIC HACK AND SLASH COMBAT, EVOLVED
    NINJA GAIDEN 4 fuses Team NINJA’s tempered combat philosophy with the stylish, dynamic action gameplay of PlatinumGames. Engage in visually stunning combat that rewards precision and strategy. Use Bloodbind Ninjutsu to transform your weapons and unleash devastation upon your enemies, alongside legacy techniques like the Izuna Drop and Flying Swallow. The legendary Ryu Hayabusa also returns with a revamped yet familiar set of tools to master. With a customizable player experience, NINJA GAIDEN 4 will push action game veterans to their limits while allowing newcomers to enjoy a heart-pounding adventure full of twists and turns.

    AN ANCIENT ENEMY RETURNS
    An endless rain of miasma hangs over a near-future Tokyo in the wake of an ancient enemy’s resurrection. The fate of the city lies in the hands of young ninja prodigy, Yakumo. Fighting his way through cybernetic ninja soldiers and otherworldly creatures, Yakumo must reconcile a destiny he shares with the legendary Ryu Hayabusa himself and free Tokyo from the ancient curse that brought the city to its knees.

    *For release date when announced, see https://www.xbox.com/games/ninja-gaiden-4.

    NINJA GAIDEN 4 Preorder Standard Edition

    Xbox Game Studios



    4



    $69.99


    Pre-order now to receive the Dark Dragon Descendant Yakumo Skin at launch

    The definitive ninja hack & slash franchise returns with NINJA GAIDEN 4! Embark on a cutting-edge adventure where legacy meets innovation in this high-octane blend of style and no-holds-barred combat.

    Return of the Legend
    Experience a return to the intense, high-speed combat that established NINJA GAIDEN as a premier action game series. Prepare for a legacy reborn with captivating style for a new generation of players.

    Epic Hack and Slash Combat, Evolved
    NINJA GAIDEN 4 fuses Team NINJA’s tempered combat philosophy with the stylish, dynamic action gameplay of PlatinumGames. Engage in visually stunning combat that rewards precision and strategy. Use Bloodbind Ninjutsu to transform your weapons and unleash devastation upon your enemies, alongside legacy techniques like the Izuna Drop and Flying Swallow. The legendary Ryu Hayabusa also returns with a revamped yet familiar set of tools to master. With a customizable player experience, NINJA GAIDEN 4 will push action game veterans to their limits while allowing newcomers to enjoy a heart-pounding adventure full of twists and turns.

    An Ancient Enemy Returns
    An endless rain of miasma hangs over a near-future Tokyo in the wake of an ancient enemy’s resurrection. The fate of the city lies in the hands of young ninja prodigy, Yakumo. Fighting his way through cybernetic ninja soldiers and otherworldly creatures, Yakumo must reconcile a destiny he shares with the legendary Ryu Hayabusa himself and free Tokyo from the ancient curse that brought the city to its knees.

    Joe Skrebels, Xbox Wire Editor-in-Chief

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  • An Autumnal Pairing: Hotel Chinzanso Tokyo and Kubota Sake Present a Japanese Twist on Afternoon Tea

    The Collaboration Offers a Fusion of Seasonal Washoku, Sake and the British Afternoon Tea Tradition

    Hotel Chinzanso Tokyo, renowned for its cultural heritage and hospitality, is delighted to announce a limited-time collaboration with Asahi Shuzo’s Kubota sake. This exclusive experience, available from September to November 2025 at the hotel’s traditional Ryotei Kinsui restaurant, commemorates two milestone anniversaries: the 40th anniversary of Kubota sake and the 100th anniversary of Hotel Chinzanso Tokyo’s iconic three-story pagoda.

    Guests can look forward to a seasonal menu that features 13 varieties of Kubota sake, showcased through both sake-infused creations and expertly curated pairings. Suite room guests can also enjoy an exclusive sake pairing event in the hotel’s Executive Lounge, Le Ciel.

    This immersive dining experience highlights the harmony of Japanese flavors and aesthetics. The selection of autumnal dishes features ingredients such as chestnuts, figs, apples, persimmons, and matsutake mushrooms, which pair wonderfully with Kubota sake varieties. Notable menu items include chestnut-fig seasonal vegetable pairings and an apple compote tart infused with Kubota Hyakujyu sake.

    A standout feature is the Kubota sake tasting set, offering some of the brand’s most celebrated sake varieties, including Kubota Manjyu, Kubota Senjyu Akiagari, and the limited-edition Kubota Manjyu Original Yeast. Guests will also enjoy a Kubota Sparkling Sake welcome drink and leave with an ochoko sake cup.

    “Our afternoon tea offers international guests a singular way to experience Japanese culture,” remarks Tomohiko Chihiro, General Manager of Hotel Chinzanso Tokyo. “By reimagining afternoon tea with seasonal washoku and premium sake, we hope to delight those who are curious about Japanese hospitality and culture.”

    During the event period, guests staying in suite rooms will have access to the hotel’s Executive Lounge where they can enjoy a light meal paired with a three-sake tasting flight of Kubota sake varieties.

    KUBOTA Afternoon Tea Information:

    • Dates: Sept. 9 through Nov.13, 2025 (select weekdays)

    • Time: 12:00 / 13:00 (2-hour seating)

    • Location: Ryotei Kinsui

    • Price: ¥10,000 per person (tax included, service charge additional)

    • Prior reservation through the following page is required to attend

    • URL: https://hotel-chinzanso-tokyo.com/kubota2025/

    About Hotel Chinzanso Tokyo

    Hotel Chinzanso Tokyo is one of the city’s most iconic luxury hotels with over 70 years of history. The property includes 265 guest rooms/suites, eight restaurants, an executive lounge, 38 meeting/banquet rooms, and a full-service spa with a Japanese onsen. Its award-winning garden has a wide variety of botanicals, including more than 100 cherry trees and 1,000 camellia trees. The standout feature of the garden is the “Tokyo Sea of Clouds,” a recreation of the natural phenomenon that can usually only be found in the mountainous regions of Japan. The hotel is owned and managed by Fujita Kanko Inc., a publicly traded tourism industry corporation headquartered in Tokyo. For more information, please visit https://hotel-chinzanso-tokyo.com/.

    Source: Hotel Chinzanso Tokyo

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  • Firefly Season Returns to Hotel Chinzanso Tokyo From Mid-May, Enhanced With the New ‘Firefly Path’

    The historic garden expands its 70-year firefly viewing tradition with a new scenic walkway.

    Hotel Chinzanso Tokyo, a luxury urban resort known for its historic Japanese garden, has announced the opening of its Firefly Path. Designed to enhance the hotel’s renowned firefly viewing experience, which begins mid-May, the new promenade offers guests an immersive way to enjoy the fireflies while preserving the garden’s serene landscape.

    Firefly viewing has been a signature experience at Hotel Chinzanso Tokyo since 1954, making it one of Tokyo’s premier locations for enjoying this seasonal tradition. The garden, which is carefully maintained to support the delicate firefly ecosystem, sees approximately 10,000 fireflies lighting up the evening during peak season.

    In Japan, fireflies represent fleeting nature, much like cherry blossoms in spring. They have become increasingly scarce in cities, making Chinzanso Garden a rare urban sanctuary for the species. The hotel’s sustainable practices have been key to preserving the insect’s population for more than seven decades.

    The Firefly Path has been designed to elevate the viewing experience without compromising the garden’s aesthetics. Winding through the most frequented firefly habitats, the path offers multiple vantage points for guests to observe their glow.

    The project reflects the hotel’s commitment to balancing heritage with innovation. “Firefly viewing has been a cherished tradition at Hotel Chinzanso Tokyo for over 70 years,” said Tomohiko Chihiro, General Manager of Hotel Chinzanso Tokyo. “We are excited to welcome guests to the Firefly Path, where they can experience this tradition in an enhanced way.”

    The 2025 firefly season will run from May 16 to June 30, accompanied by experiences for guests to enjoy alongside their garden visit. The hotel will offer a package that comes with an after-hours firefly tour, providing a more intimate experience. Seasonal dining options, including a buffet featuring the flavors of early summer, will also be available. Children under 12 dining at the buffet will receive a complimentary firefly guidebook as a souvenir.

    The Firefly Path will be accessible to hotel guests and restaurant patrons, with reservations recommended for those interested in dining experiences. Further details about the garden and experiences can be found on the hotel’s website.

    About Hotel Chinzanso Tokyo
    Hotel Chinzanso Tokyo is one of the city’s most iconic luxury hotels with over 70 years of history. The property includes 265 guest rooms/suites, eight restaurants, an executive lounge, 38 meeting/banquet rooms, and a full-service spa with a Japanese onsen. Its award-winning garden has a wide variety of botanicals, including more than 100 cherry trees and 1,000 camellia trees. The standout feature of the garden is the ‘Tokyo Sea of Clouds,’ a recreation of the natural phenomenon that can usually only be found in the mountainous regions of Japan. The hotel is owned and managed by Fujita Kanko Inc., a publicly-traded tourism industry corporation headquartered in Tokyo.

    Source: TAMLO Ltd.

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  • A Storied Century: Hotel Chinzanso Tokyo Honors 100 Years of Its Three-Story Pagoda

    Special anniversary offerings include a stay in their luxury suite and signature dishes crafted with sake from the pagoda’s original location.

    In celebration of the 100th anniversary of the relocation of its three-story pagoda, Hotel Chinzanso Tokyo is launching a series of exclusive offerings honoring the Tangible Cultural Property. The award-winning luxury hotel’s limited-time dining and stay experiences are available from January 8, 2025.

    The commemorative 100th Anniversary of the Three-Story Pagoda Luxury Stay package includes two nights in the lavish Ambassador Suite, complete with views of the pagoda, private dining at the hotel’s Japanese restaurant Ryotei Kinsui and Italian restaurant Il Treatro, and a private garden tour highlighting the historical significance of the pagoda. Also included is a martini of choice from the “Hundred Martinis Selection” at the hotel’s signature bar, Le Marquis. Bookings for the package, priced at a special rate of 1,000,000 JPY, are available exclusively by phone from December 9, 2024.

    In tribute to the pagoda’s origins in Higashi-Hiroshima, the hotel’s culinary team has partnered with Kamotsuru Sake Brewing, established over 100 years ago in the same town. This collaboration will be showcased through special menus at Japanese restaurant Miyuki and Italian restaurant Il Teatro. Miyuki’s menu features a traditional “Bishu-nabe” hot pot, a dish beloved by local sake brewers, while Il Teatro will prepare a risotto made with sake lees and a dessert featuring umeshu (plum wine).

    Originally built in the Muromachi period over 600 years ago, the pagoda is a rare sight in Tokyo, being one of just three ancient pagodas in the city. It was relocated from Hiroshima to Chinzanso Garden in 1925 by Baron Heitaro Fujita. Surviving the 1945 Tokyo air raids, the pagoda has since become an official Tangible Cultural Property and underwent a major renovation in 2010. The pagoda celebrates its 100th anniversary at Hotel Chinzanso Tokyo in 2025, symbolizing a century of cultural heritage and resilience.

    For more information on bookings and details, please call +81-3-3943-1111 or visit the website.

    About Hotel Chinzanso Tokyo

    Hotel Chinzanso Tokyo is one of the city’s most iconic luxury hotels with 70 years of history. The property includes 265 guest rooms/suites, nine restaurants, an executive lounge, 38 meeting/banquet rooms, and a full-service spa with a Japanese onsen. Its award-winning garden has a wide variety of botanicals, including more than 100 cherry trees and 1,000 camellia trees. The standout feature of the garden is the ‘Tokyo Sea of Clouds,’ a recreation of the natural phenomenon that can usually only be found in the mountainous regions of Japan. The hotel is owned and managed by Fujita Kanko Inc., a publicly-traded tourism industry corporation headquartered in Tokyo.

    Contact Information

    TAMLO Ltd.
    chinzanso_pr@tam-tam.co.jp

    Source: Hotel Chinzanso Tokyo

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  • Japan plans automated cargo transport system to relieve shortage of drivers and cut emissions

    TOKYO (AP) — Japan is planning to build an automated cargo transport corridor between Tokyo and Osaka, dubbed a “conveyor belt road” by the government, to make up for a shortage of truck drivers.

    The amount of funding for the project is not yet set. But it’s seen as one key way to help the country cope with soaring deliveries.

    A computer graphics video made by the government shows big, wheeled boxes moving along a three-lane corridor, also called an “auto flow road,” in the middle of a big highway. A trial system is due to start test runs in 2027 or early 2028, aiming for full operations by the mid-2030s.

    “We need to be innovative with the way we approach roads,” said Yuri Endo, a senior deputy director overseeing the effort at the Ministry of Land, Infrastructure, Transport and Tourism.

    Apart from making up for a shrinking labor force and the need to reduce workloads for drivers, the system also will help cut carbon emissions, she said.

    “The key concept of the auto flow-road is to create dedicated spaces within the road network for logistics, utilizing a 24-hour automated and unmanned transportation system,” Endo said.

    The plan may sound like a solution that would only work in relatively low-crime, densely populated societies like Japan, not sprawling nations like the U.S. But similar ideas are being considered in Switzerland and Great Britain. The plan in Switzerland involves an underground pathway, while the one being planned in London will be a fully automated system running on low-cost linear motors.

    In Japan, loading will be automated, using forklifts, and coordinated with airports, railways and ports.

    The boxes measure 180 centimeters in height, or nearly six feet, and are 110 centimeters, or 3.6 feet, by 110 centimeters in width and length, about the size of a big closet.

    The system, which is also intended for business deliveries, may be expanded to other routes if all goes well. Human drivers may still have to do last-mile deliveries to people’s doors, although driverless technology may be used in the future.

    Japan’s shortage of truck drivers is worsening due to laws that took effect earlier this year that limit the amount of overtime drivers can log. That’s seen as necessary to avoid overwork and accidents and to make the jobs tolerable, but in Japanese logistics, government and transportation circles, it’s known as the “2024 problem.”

    Under current conditions, Japan’s overall transport capacity will plunge by 34% by 2030, according to government estimates. The domestic transport capacity stands at about 4.3 billion metric tons, almost all, or more than 91%, by trucks, according to the Japan Trucking Association.

    That’s a fraction of what’s moving in a massive country like the U.S. About 5.2 trillion ton-miles of freight are transported in the United States each year, and that’s projected to reach more than 8 trillion ton-miles of freight by 2050. A ton-mile measures the amount of freight shipped and how far it’s moved, with the standard unit being one ton being moved one mile.

    Demand for deliveries from online shopping surged during the pandemic, with users jumping from about 40% of Japanese households to more than 60%, according to government data, even as the overall population keeps declining as the birth rate falls.

    As is true in most places, truck drivers have tough jobs requiring them to be on the road for days at a time, work that most jobseekers find unappealing.

    In recent years, annual fatalities from delivery trucks crashing on roads have hovered at about 1,000 deaths. That’s improved from nearly 2,000 deaths in 2010, but the Trucking Association, which groups some 400 trucking businesses and organizations in the nation, would like to make deliveries even safer.

    The association is also urging consumers to hold back on delivery orders or at least bundle their orders. Some industry experts are urging businesses to limit free delivery offers.

    Trucks carry about 90% of Japan’s cargo, and about 60% of Japan’s fresh produce, like fruits and vegetables, come from distant places requiring trucking, according to Yuji Yano, a professor at the Ryutsu Keizai University, which is funded? by deliveries giant Nippon Express Co., now called NX Holdings, and focuses on economics and liberal arts studies, including trucking problems.

    “That means the 2024 problem isn’t just a transportation problem but really a people’s problem,” Yano said.

    ___

    Yuri Kageyama is on X: https://x.com/yurikageyama

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  • Northern Lights in Japan’s Capital: All-New Winter Festivities at Hotel Chinzanso Tokyo

    Northern Lights in Japan’s Capital: All-New Winter Festivities at Hotel Chinzanso Tokyo

    Guests can see the “Forest Aurora” and two other brand-new light installations in Chinzanso Garden from November 12

    Hotel Chinzanso Tokyo has announced the launch of this year’s winter events, including the annual “Forest Aurora”, beginning on Tuesday, November 12, 2024. These enchanting displays will transform the hotel’s garden into a magical space with breathtaking light installations and two new highlights – the “Christmas Tree on the Water” and the “Crystal Snow Path”.

    Featuring a mesmerizing light show that mimics the northern lights, the Forest Aurora has delighted visitors since it first started in 2021. This year, guests can experience the debut of the Christmas Tree on the Water and the Crystal Snow Path, two brand new illuminations that add extra holiday charm to the winter season. The Christmas Tree on the Water will be projected onto the mist above Yusuichi Pond while the artificial aurora borealis fills the sky with multi-colored lights, turning every evening into a winter fantasy.

    Visitors can also explore the Crystal Snow Path, where snowfall is projected onto Chinzanso Garden’s walkway. A snowman and footprints will appear in the snow, adding a playful touch to an evening walk through the traditional Japanese garden. 

    The Forest Aurora will be on display every evening throughout the event and uses advanced light projection technology to shine vibrant colors from six different directions onto the mist created by the Tokyo Sea of Clouds.

    Additionally, visitors can enjoy Christmas decorations in the hotel lobby, Christmas and Holiday afternoon tea at Le Jardin, and a Year-End Buffet in the hotel’s banquet hall. Guests who would like a more private experience can also reserve a special accommodation plan that includes breakfast and private night viewings of the Forest Aurora. 

    The winter garden displays run from November 12, 2024, to February 6, 2025. More information about the accommodation plan and other event details can be found on the official webpage

    About Hotel Chinzanso Tokyo

    Hotel Chinzanso Tokyo is one of the city’s most iconic luxury hotels with 70 years of history. The property includes 265 guest rooms/suites, nine restaurants, 38 meeting/banquet rooms, and a full-service spa with a Japanese onsen. Its award-winning garden has a wide variety of botanicals, including more than 100 cherry trees and 1,000 camellia trees. The standout feature of the garden is the ‘Tokyo Sea of Clouds,’ a recreation of the natural phenomenon that can usually only be found in the mountainous regions of Japan. The hotel is owned and managed by Fujita Kanko Inc., a publicly-traded tourism industry corporation headquartered in Tokyo. 

    Source: Hotel Chinzanso Tokyo

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  • Dedicated artists are keeping Japan’s ancient craft of temari alive

    Dedicated artists are keeping Japan’s ancient craft of temari alive

    KAWARAMACHI, Japan (AP) — Time seems to stop here.

    Women sit in a small circle, quietly, painstakingly stitching patterns on balls the size of an orange, a stitch at a time.

    At the center of the circle is Eiko Araki, a master of the Sanuki Kagari Temari, a Japanese traditional craft passed down for more than 1,000 years on the southwestern island of Shikoku.

    Each ball, or “temari,” is a work of art, with colorful geometric patterns carrying poetic names like “firefly flowers” and “layered stars.” A temari ball takes weeks or months to finish. Some cost hundreds of dollars (tens of thousands of yen), although others are much cheaper.

    These kaleidoscopic balls aren’t for throwing or kicking around. They’re destined to be heirlooms, carrying prayers for health and goodness. They might be treasured like a painting or piece of sculpture in a Western home.

    The concept behind temari is an elegant otherworldliness, an impractical beauty that is also very labor-intensive to create.

    “Out of nothing, something this beautiful is born, bringing joy,” says Araki. “I want it to be remembered there are beautiful things in this world that can only be made by hand.”

    Natural materials

    The region where temari originated was good for growing cotton, warm with little rainfall, and the spherical creations continue to be made out of the humble material.

    At Araki’s studio, which also serves as head office for temari’s preservation society, there are 140 hues of cotton thread, including delicate pinks and blues, as well as more vivid colors and all the subtle gradations in between.

    The women dye them by hand, using plants, flowers and other natural ingredients, including cochineal, a bug living in cacti that produces a red dye. The deeper shade of indigo is dyed again and again to turn just about black. Yellow and blue are combined to form gorgeous greens. Soy juice is added to deepen the tints, a dash of organic protein.

    Outside the studio, loops of cotton thread, in various tones of yellow today, hang outside in the shade to dry.

    Image

    Cotton thread used for making the Japanese traditional craft “tamari” hang to dry at Sanuki Kagari Temari in Kawaramachi, Kagawa prefecture, Japan, on Sept. 5, 2024. (AP Photo/Ayaka McGill)

    Image

    Various shades of cotton thread used for making the Japanese traditional craft of Sanuki Kagari Temari are stored in shelves in Kawaramachi, Kagawa prefecture, Japan, on Sept. 5, 2024. (AP Photo/Yuri Kageyama)

    Creating and embroidering the balls

    The arduous process starts with making the basic ball mold on which the stitching is done. Rice husks that are cooked and then dried are placed in a piece of cotton, then wound with thread, over and over, until, almost magically, a ball appears in your hands.

    Then the stitching begins.

    The balls are surprisingly hard, so each stitch requires a concentrated, almost painful, push. The motifs must be precise and even.

    Each ball has lines to guide the stitching — one that goes around it like the equator, and others that zigzag to the top and bottom.

    Image

    A staff member works on the temari at Sanuki Kagari Temari in Kawaramachi, Kagawa prefecture, Japan, on Sept. 5, 2024. (AP Photo/Ayaka McGill)

    Image

    Several completed Sanuki Kagari Temari balls are on display in Eiko Araki’s studio in Kawaramachi, Kagawa prefecture, Japan, on Sept. 5, 2024. (AP Photo/Yuri Kageyama)

    Appealing to a new generation

    These days, temari is getting some new recognition, among Japanese and foreigners as well. Caroline Kennedy took lessons in the ball-making when she was United States ambassador to Japan a decade ago.

    Yoshie Nakamura, who promotes Japanese handcrafted art in her duty-free shop at Tokyo’s Haneda airport, says she features temari there because of its intricate and delicate designs.

    “Temari that might have been everyday in a faraway era is now being used for interior decoration,” she said.

    “I really feel each Sanuki Kagari Temari speaks of a special, one-and-only existence in the world.”

    Araki has come up with some newer designs that feel both modern and historical. She is trying to make the balls more accessible to everyday life — for instance, as Christmas tree ornaments. A strap with a dangling miniature ball, though quite hard to make because of its size, is affordable at about 1,500 yen ($10) each.

    Another of Araki’s inventions is a cluster of pastel balls that opens and shuts with tiny magnets. Fill it with sweet-smelling herbs for a kind of aromatic diffuser.

    A tradition passed down through generations

    Araki, a graceful woman who talks very slowly, her head cocked to one side as though always in thought, often travels to Tokyo to teach. But mostly she works and gives lessons in her studio, an abandoned kindergarten with faded blue paint and big windows with tired wooden frames.

    She started out as a metalwork artist. Her husband’s parents were temari masters who worked hard to resurrect the artform when it was declining in the modern age, at risk of dying out.

    Image

    Eiko Araki, a master of the traditional Japanese craft of Sanuki Kagari Temari, talks to The Associated Press at her studio in Kawaramachi, Kagawa prefecture, Japan, on Sept. 5, 2024. (AP Photo/Ayaka McGill)

    Image

    Eiko Araki, a master of the traditional Japanese craft of Sanuki Kagari Temari, shows several temari balls at her studio in Kawaramachi, Kagawa prefecture, Japan, on Sept. 5, 2024. (AP Photo/Ayaka McGill)

    They were stoic people, rarely bestowing praise and instead always scolding her, she remembers. It’s a tough-love approach that’s common in the handing down of many Japanese traditional arts, from Kabuki acting to hogaku music, that demand lifetimes of selfless devotion.

    Today, only several dozen people, all women, can make the temari balls to traditional standards.

    “The most challenging aspect is nurturing successors. It typically takes over 10 years to train them, so you need people who are willing to continue the craft for a very long time,” Araki said.

    “When people start to feel joy along with the hardship that comes with making temari, they tend to keep going.”

    ___

    AP journalist Ayaka McGill contributed to this report.

    ___

    Yuri Kageyama is on X: https://x.com/yurikageyama

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  • For many investors and intellectuals leaving China, it’s Japan — not the US — that’s the bigger draw

    For many investors and intellectuals leaving China, it’s Japan — not the US — that’s the bigger draw

    TOKYO (AP) — One by one, the students, lawyers and others filed into a classroom in a central Tokyo university for a lecture by a Chinese journalist on Taiwan and democracy — taboo topics that can’t be discussed publicly back home in China.

    “Taiwan’s modern-day democracy took struggle and bloodshed, there’s no question about that,” said Jia Jia, a columnist and guest lecturer at the University of Tokyo who was briefly detained in China eight years ago on suspicion of penning a call for China’s top leader to resign.

    He is one of tens of thousands of intellectuals, investors and other Chinese who have relocated to Japan in recent years, part of a larger exodus of people from China.

    Their backgrounds vary widely, and they’re leaving for all sorts of reasons. Some are very poor, others are very rich. Some leave for economic reasons, as opportunities dry up with the end of China’s boom. Some flee for personal reasons, as even limited freedoms are eroded.

    ——

    EDITOR’S NOTE: This story is part of the China’s New Migrants package, a look by The Associated Press at the lives of the latest wave of Chinese emigrants to settle overseas.

    ——

    Chinese migrants are flowing to all corners of the world, from workers seeking to start businesses of their own in Mexico to burned-out students heading to Thailand. Those choosing Japan tend to be well-off or highly educated, drawn to the country’s ease of living, rich culture and immigration policies that favor highly skilled professionals, with less of the sharp anti-immigrant backlash sometimes seen in Western countries.

    Jia initially intended to move to the U.S., not Japan. But after experiencing the coronavirus outbreak in China, he was anxious to leave and his American visa application was stuck in processing. So he chose Japan instead.

    Chinese journalist Jia Jia talks with a friend at a bookstore in Tokyo, Japan, Tuesday, Aug. 20, 2024. (AP Photo/Shuji Kajiyama)

    Image

    Chinese journalist Jia Jia poses for a photo in front of a bookstore in Tokyo, Japan, Tuesday, Aug. 20, 2024. (AP Photo/Shuji Kajiyama)

    “In the United States, illegal immigration is particularly controversial. When I went to Japan, I was a little surprised. I found that their immigration policy is actually more relaxed than I thought,” Jia told The Associated Press. “I found that Japan is better than the U.S.”

    It’s tough to enter the U.S. these days. Tens of thousands of Chinese were arrested at the U.S.-Mexico border over the past year, and Chinese students have been grilled at customs as trade frictions fan suspicions of possible industrial espionage. Some U.S. states passed legislation that restricts Chinese citizens from owning property.

    “The U.S. is shutting out those Chinese that are friendliest to them, that most share its values,” said Li Jinxing, a Christian human rights lawyer who moved to Japan in 2022.

    Li sees parallels to about a century ago, when Chinese intellectuals such as Sun Yat-sen, the founding father of modern China, moved to Japan to study how the country modernized so quickly.

    “On one hand, we hope to find inspiration and direction in history,” Li said of himself and like-minded Chinese in Japan. “On the other hand, we also want to observe what a democratic country with rule of law is like. We’re studying Japan. How does its economy work, its government work?”

    Over the past decade, Tokyo has softened its once-rigid stance against immigration, driven by low birthrates and an aging population. Foreigners now make up about 2% of its population of 125 million. That’s expected to jump to 12% by 2070, according to the Tokyo-based National Institute of Population and Social Security Research.

    Chinese are the most numerous newcomers, at 822,000 last year among more than 3 million foreigners living in Japan, according to government data. That’s up from 762,000 a year ago and 649,000 a decade ago.

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    A canteen popular among Chinese living in Japan is seen Wednesday, Sept. 4, 2024, in Tokyo. (AP Photo/Eugene Hoshiko)

    Image

    A commuter rides past a billboard of a Sichuan restaurant, popular among Chinese living in Japan, is seen Wednesday, Sept. 4, 2024, in Tokyo. (AP Photo/Eugene Hoshiko)

    In 2022, the lockdowns under China’s “zero COVID” policies led many of the country’s youth or most affluent citizens to hit the exits. There’s even a buzzword for that: “runxue,” using the English word “run” to evoke “running away” to places seen as safer and more prosperous.

    For intellectuals like Li and Jia, Japan offers greater freedoms than under Chinese leader Xi Jinping’s increasingly repressive rule. But for others, such as wealthy investors and business people, Japan offers something else: property protections.

    A report by investment migration firm Henley & Partners says nearly 14,000 millionaires left China last year, the most of any country in the world, with Japan a popular destination. A major driver is worries about the security of their wealth in China or Hong Kong, said Q. Edward Wang, a professor of Asian studies at Rowan University in Glassboro, New Jersey.

    “Protection of private property, which is the cornerstone of a capitalist society, that piece is missing in China,” Wang said.

    The weakening yen makes buying property and other local assets in Japan a bargain.

    And while the Japanese economy has stagnated, China’s once-sizzling economy is also in a rut, with the property sector in crisis and stock prices stuck at the level they were in the late 2000s.

    Du first visited Japan when he was 26. There was no intention to relocate at the time, but the doors opened when he was invited to join the Tetsuya Kumakawa’s ballet company with his wife. AP video by Mayuko Ono

    “If you are just going to Japan to preserve your money,” Wang said, “then definitely you will enjoy your time in Japan.”

    Dot.com entrepreneurs are among those leaving China after Communist Party crackdowns on the technology industry, including billionaire Jack Ma, a founder of e-commerce giant Alibaba, who took a professorship at Tokyo College, part of the prestigious University of Tokyo.

    So many wealthy Chinese have bought apartments in Tokyo’s luxury high-rises that some areas have been dubbed “Chinatowns,” or “Digital Chinatowns” — a nod to the many owners’ work in high-tech industries.

    “Life in Japan is good,” said Guo Yu, an engineer who retired early after working at ByteDance, the parent company of TikTok.

    Guo doesn’t concern himself with politics. He’s keen on Japan’s powdery snow in the winter and is a “superfan” of its beautiful hot springs. He owns homes in Tokyo, as well as near a ski resort and a hot spring. He owns several cars, including a Porsche, a Mercedes, a Tesla and a Toyota.

    Guo keeps busy with a new social media startup in Tokyo and a travel agency specializing in “onsen,” Japan’s hot springs. Most of his employees are Chinese, he said.

    Like Guo, many Chinese moving to Japan are wealthy and educated. That’s for good reason: Japan remains unwelcoming to refugees and many other types of foreigners. The government has been strategic about who it allows to stay, generally focusing on people to fill labor shortages for factories, construction and elder care.

    “It is crucial that Japan becomes an attractive country for foreign talent so they will choose to work here,” Japanese Prime Minister Fumio Kishida said earlier this year, announcing efforts to relax Japan’s stringent immigration restrictions.

    That kind of opportunity is exactly what Chinese ballet dancer Du Hai said he has found. Leading a class of a dozen Japanese students in a suburban Tokyo studio one recent weekend, Du demonstrated positions and spins to the women dressed in leotards and toe shoes.

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    Du Hai, center, a Chinese ballet dancer who has made Japan his home, teaches a class at a studio in Ichikawa, east of Tokyo, Japan, Saturday, Aug. 10, 2024. (AP Photo/Shuji Kajiyama)

    Image

    Du Hai, a Chinese ballet dancer who has made Japan his home, speaks during an interview with the Associated Press, at a studio in Ichikawa, east of Tokyo, Japan, Saturday, Aug. 10, 2024. (AP Photo/Shuji Kajiyama)

    Du was drawn to Japan’s huge ballet scene, filled with professional troupes and talented dancers, he said, but worried about warnings he got about unfriendly Japanese.

    That turned out to be false, he said with a laugh. Now, Du is considering getting Japanese citizenship.

    “Of course, I enjoy living in Japan very much now,” he said.

    ___

    Kang reported from Beijing.

    ___

    Yuri Kageyama is on X: https://twitter.com/yurikageyama

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  • Japan and Australia agree to increase joint military training

    Japan and Australia agree to increase joint military training

    MELBOURNE, Australia (AP) — Japan and Australia agreed on Thursday to increase joint military training exercises as their government ministers shared concerns over China’s recent incursions into Japanese airspace and territorial waters.

    Japanese Foreign Minister Yoko Kamikawa and Japanese Defense Minister Minoru Kihara met for a regular summit with their Australian counterparts, Foreign Minister Penny Wong and Defense Minister Richard Marles in the Australian coastal town of Queenscliff.

    They discussed greater security cooperation in the context of the ministers’ shared support for peace and stability in the Taiwan Strait and concerns over China’s increasingly aggressive territorial claims in the South and East China Seas, Wong said.

    The ministers agreed on more engagement in training exercises involving the two air forces after F-35A Lighting II stealth fighters from both countries joined in combat training over Japan last year in Exercise Bushido Guardian, Marles said.

    Next year, Australia will participate for the first time in Orient Shield, the largest annual field training exercise between the U.S. Army and Japan Ground Self-Defense Force.

    Australia and Japan also plan to involve the Japanese Amphibious Rapid Deployment Brigade, a marine unit of the Japan Self-Defense Forces, in annual training rotations of U.S. Marines in the northern Australian city of Darwin.

    Chinese Foreign Ministry spokesperson Mao Ning said Japan and Australia’s cooperation should not disadvantage any third country.

    “China believes that defense and security cooperation between countries should be conducive to maintaining regional peace and stability and enhancing mutual trust among regional countries, and should not target third parties,” Mao said at a daily briefing in Beijing.

    China’s increasingly assertive activity around Japanese waters and airspace has caused unease among Japanese defense officials, who are also concerned about the growing military cooperation between the Chinese and Russian air forces.

    Japan lodged a formal protest through the Chinese Embassy in Tokyo against what it called an incursion by a Chinese survey ship in its waters last weekend.

    This followed Tokyo’s protest after a Chinese military aircraft briefly entered Japan’s southwestern airspace on Aug. 26. It was the first time the Japan Self-Defense Forces detected a Chinese military aircraft in Japan’s airspace.

    Chinese Foreign Ministry spokesperson Lin Jian said later his country had “no intention” to violate any country’s airspace.

    Kihara confirmed the incidents were discussed with the Australian counterparts.

    “We have shared very strong concern over these incidents and, for the East China Sea and South China Sea, any attempts to unilaterally change the status quo by force or by coercion, we have put forward our strong opposition,” Kihara told reporters through an interpreter.

    Marles said he and Wong “did express our support for Japanese sovereignty in that moment.”

    “It really underlined our shared commitment to asserting the rules-based order in the Indo-Pacific, in our neighborhood,” Marles said.

    “The countries of the region and indeed the world want to be in a world where disputes are resolved not by power and might but by reference to international law,” Marles added.

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  • More Than 120 People Died In Tokyo From Heatstroke In July – KXL

    More Than 120 People Died In Tokyo From Heatstroke In July – KXL

    TOKYO (AP) — More than 120 people died of heatstroke in the Tokyo metropolitan area in July, when the nation’s average temperature hit record highs and heat warnings were in effect much of the month.

    The Tokyo Medical Examiner’s Office said Tuesday that many of the people who died were elderly.

    Officials say more than 37,000 people were treated at hospitals for heatstroke across Japan from July 1 to July 28.

    On Tuesday, heatstroke warnings were in place in much of Tokyo and western Japan and authorities urged people to take precautions.

    Many people carried parasols or handheld fans.

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    Grant McHill

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  • Japan’s Nissan is developing ‘cool paint’ for cars to keep drivers cooler

    Japan’s Nissan is developing ‘cool paint’ for cars to keep drivers cooler

    TOKYO (AP) — Nissan showed Tuesday what it called a “cool paint” to keep people inside vehicles cooler, although the coating is six times thicker, making commercialization still a challenge.

    The company’s announcement Tuesday was timely, coming as Japan was enduring record sweltering temperatures.

    Nissan Motor Co. tested the paint on vehicles scuttling around Tokyo’s Haneda airport, where there are plenty of unshaded areas that make it a good place to assess the technology.

    The vehicles with the special paint looked like ordinary cars, but felt much cooler to the touch.

    The cool paint lowered the cars’ roof-panel temperature by 12 degrees Celsius (22 degrees Fahrenheit) and the interiors by 5 C (9 F), according to Nissan.

    Cooling materials already are widely used in buildings and other items. Cooler cars can reduce use of air-conditioning and relieve the toll from heat on engines and electric vehicle batteries.

    Toyota Motor Corp. has also been experimenting with paint that delivers lower cabin temperatures, mostly focusing on colors that refract the sun’s rays.

    Nissan’s cool paint reflects sunlight better and also creates electromagnetic waves that block the rays, redirecting energy away from vehicles.

    Nissan’s paint was developed with Radi-Cool of China, which developed a film, fabric and coating that cut heat. Radi-Cool works with various other Japanese companies, offering cooler-feeling hats and sun parasols. Nissan is the only Japanese automaker partnering with Radi-Cool.

    Susumu Miura, a Nissan Research Center manager, said there were no discernable negative effects to people’s health from the electromagnetic waves emitted by the paint. Such waves are all around us, he said.

    “My dream is to create coolers cars without consuming energy,” he said.

    ___

    Yuri Kageyama is on X: https://X.com/yurikageyama

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  • Two female boxers meet Paris Olympics rules after gender test issue at world championships, IOC says

    Two female boxers meet Paris Olympics rules after gender test issue at world championships, IOC says

    PARIS (AP) — Two female boxers at the Paris Olympics who were disqualified at the 2023 world championships after being judged to have failed gender eligibility tests have complied with all rules to fight at the games, the IOC said Monday.

    Lin Yu-ting of Taiwan and Imane Khelif of Algeria are competing at their second Summer Games. Both finished outside the medals at the Tokyo Olympics held in 2021.

    “All athletes participating in the boxing tournament of the Olympic Games Paris 2024 comply with the competition’s eligibility and entry regulations, as well as all applicable medical regulations,” the International Olympic Committee said in a statement.

    The 28-year-old Lin is a two-time worlds gold medalist and the 25-year-old Khelif won a silver at the 2022 tournament.

    Both were removed from their competitions in New Delhi last year at the world championships, run by the International Boxing Association which has been banished from Olympic boxing since before the Tokyo Games.

    The different status of Lin and Khelif at the Olympics and worlds is fallout from the years-long dispute between the IOC and the Russian-led IBA over alleged failures of governance and integrity, plus reliance on funding from state energy firm Gazprom.

    The IOC has appointed officials to run boxing at two straight Summer Games and acknowledged Monday the tournament rules for Paris are “descended from” those in place eight years ago at the Rio de Janeiro Olympics.

    Boxing officials picked to run Paris qualifying and finals tournaments tried “to restrict amendments to minimize the impact on athletes’ preparation and guaranteeing consistency between Olympic Games,” the IOC said.

    The IOC-run database of about 10,700 athletes competing in Paris detailed both boxers’ experiences at the 2023 worlds.

    Khelif was disqualified “just hours before her gold medal showdown” against a Chinese opponent “after her elevated levels of testosterone failed to meet the eligibility criteria.”

    Lin “was stripped of her bronze medal (by the IBA) after failing to meet eligibility requirements based on the results of a biochemical test,” the IOC database stated.

    On Thursday, Khelif will fight Italy’s Angela Carini in the 66-kilogram category at the North Paris Arena. Lin, who got a first-round bye as the top seed in the 57-kilogram category, will have her opening bout Friday in the round of 16.

    Medal bouts in boxing at Paris will be staged at the Roland Garros tennis venue.

    ___

    AP Summer Olympics: https://apnews.com/hub/2024-paris-olympic-games

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  • Russian duo confess to cyber heist that forced $500 million in ransom payments

    Russian duo confess to cyber heist that forced $500 million in ransom payments

    Two Russian nationals pleaded guilty to their roles in ransomware attacks in the U.S., Asia, Europe and Africa for a notorious hacking gang known as LockBit.

    Ruslan Magomedovich Astamirov and Mikhail Vasiliev admitted they helped to deploy the ransomware variant, which first appeared in 2020. It soon became one of the most destructive in the world, leading to attacks against more than 2,500 victims and ransom payments of at least $500 million, according to the Justice Department. 

    The men pleaded guilty Thursday in federal court in Newark, New Jersey, where six people have been charged over LockBit attacks, including Dimitry Yuryevich Khoroshev, described by the US as the creator, developer and administrator of the group. US authorities are offering a reward of up to $10 million for his arrest. 

    Astamirov, 21, of the Chechen Republic, and Vasiliev, 34, of Bradford, Ontario, pleaded guilty to charges including conspiracy to commit computer fraud and abuse. 

    LockBit is the name of a ransomware variant, a type of malicious code that locks up computers before hackers demand a ransom to unlock them. Hacking gangs are often known by the name of their ransomware variant. LockBit successfully deployed a ransomware-as-a-service model, in which “affiliates” lease the malicious code and do the actual hacking, in exchange for paying the the gang’s leaders a cut of their illegal proceeds. Astamirov and Vasiliev were affiliates, according to the Justice Department.

    In recent years, the US and its allies have aggressively tried to curb ransomware attacks by sanctioning hackers or entities associated with them or disrupting the online infrastructure of cybercriminal gangs. But many hackers are located in places such as Russia, which provide them safe haven, making it difficult for Western law enforcement to arrest them.

    In February, US and UK authorities announced they disrupted LockBit operations, arresting alleged members, seizing servers and cryptocurrency accounts, and recovering decryption keys to unlock hijacked data. 

    “We’ve dealt significant blows to destructive ransomware groups like LockBit, as we did earlier this year, seizing control of LockBit infrastructure and distributing decryption keys to their victims,” said Deputy Attorney General Lisa Monaco, in a statement.

    Vasiliev deployed LockBit against at least 12 victims, including an educational facility in the UK and a school in Switzerland, the US said. He was arrested by Canadian authorities in November 2022 and extradited to the US in June. 

    Astamirov was arrested by the FBI last year. In May 2023, he agreed to an interview with FBI agents in Arizona, where they seized his electronic devices. He initially denied having anything to do with an email account through a Russian-based provider, but agents later found records related to it on his devices, according to the arrest complaint. Records showed that Astamirov used the email to “create multiple online accounts under names either fully or nearly identical to his own name,” the complaint said. 

    After August 2020, Astamirov executed cyberattacks on at least five victims, according to the FBI complaint. They included: businesses in France and West Palm Beach, Florida; a Tokyo firm, which refused to pay a ransom, leading the group to post stolen data on a “leak site” of extortion victims; a Virginia company that stopped an attack after 24,000 documents were stolen; and a Kenyan business that agreed to pay ransom after some of its stolen data was posted to the LockBit website. 

    Both are scheduled to be sentenced on Jan. 8, 2025. 

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    David Voreacos, Bloomberg

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  • Calder and the Japanese Effect: A Major Show Celebrates Pace Gallery in Tokyo

    Calder and the Japanese Effect: A Major Show Celebrates Pace Gallery in Tokyo

    A new Calder show in Tokyo features around 100 works from the Calder Foundation’s collection spanning the 1920s to the 1970s. Photo : Tadayuki Minamoto , © 2024 Calder Foundation New York / Artists Rights Society (ARS) , New York

    One of the absolute highlights of the second edition of Tokyo’s art week was the Alexander Calder show, “Calder: Un effet du Japonais,” now on view through September 6 at Azubudai Hills Art Gallery in collaboration with Pace Gallery. The exhibition celebrates Pace’s new Japanese outpost, which had its soft opening and preview timed to coincide with Tokyo Gendai. The ambitious show marks the first extensive presentation of the artist’s work in the city, following a series of institutional shows in other parts of Japan. “It took us twenty years to do a Calder show in Tokyo,” Calder Foundation president and curator of the exhibition, Alexander S. C. Rower told Observer. We had the pleasure of walking through the exhibition with Rower (whom many might know as Sandy Rower, Calder’s grandson). “This is really a gift to Japan,” he said. “He could have had a big party, but Marc [Glimcher] decided on this multimillion-dollar show instead.”

    Despite Calder never actually traveling to the country and never openly claiming any direct connection with Japanese culture, the show sheds new light on how much of his art had absorbed and inventively interpreted an approach to form and space typical of the Japanese aesthetic. As Rower explained, this was probably the result of Calder’s parents collecting many Japanese tools and prints that then surrounded the artist during his youth.

    Featuring around 100 works from the Calder Foundation’s collection spanning the 1920s to the 1970s, the exhibition was not conceived as a retrospective but aims instead to explore the relationship Calder’s art had with Japan and how the country’s aesthetic influenced and nourished his endless inventiveness in poetically reimagining sculptural forms. According to Rower, it’s about looking at Calder’s work with fresh eyes. The line, of course, appears as a leading element throughout Alexander Calder’s career, shaping a formal journey into the rhythm of nature and natural circles. As masters of Japanese ink painting would do, Calder was able to suggest form, space, energy and movement with nothing more than a black line.

    The exhibition, which is the artist’s first solo show in Tokyo in almost thirty-five years, draws its title from the enigmatic piece positioned right at the entrance of the show, Effect Japonaise, which mirrors the beauty of a tree’s floating leaves moving with the wind and the beauty of a star suspended in the sky, also recalling the dancing movement of the fans during the traditional Kabuki dance, which can be adjusted to evoke the wind, the water, the snow and other natural phenomena.

    Calder’s oeuvre is deeply imbued with the Japanese “aesthetics of emptiness,” based on a necessary dialectic relation between emptiness and presence that allows a dynamic space of transformation—a place where processes can still flow and find a balance. His sculptures appear to translate the philosophical and construction concept of “MA,” namely the interchangeable relation that needs to exist between place, space and void. Yet his use of the line on canvas often follows the lesson of Japanese traditional ink paintings, and the haboku technique in particular, where a few very rapid monochrome ink strokes can suggest a landscape not explicitly identified and, more importantly, the air circulating in between the subjects, translating a simultaneous both sensory and spiritual engagement with the scene.

    SEE ALSO: New Nicole Eisenman Work Debuts in Paris Parallel to Her MCA Show

    The first epiphany related to these crucial aspects of Calder’s practice comes with the first artworks we encounter in the exhibition: sketches of animals hanging on the first wall, just a few single linear traits quickly drawn on white paper to describe creatures and the dynamics between them. These works remind one of the Cirque Calder, one of his early works. Calder, in the 20s, was working as a toy designer, and in 1926 he made mechanical toys that led to the creation of his Circus, now on permanent view at the Whitney Museum of American Art in New York. However, the Azubudai Hills Art Gallery show purposely avoids presenting his wire sculptures, focusing instead on what Calder was sharing with the Japanese traditional aesthetic and philosophical approach to the line as space: “drawing in space,” as critics describe the artist’s practice.

    On the first wall, we are also invited to examine two large paintings, which are very much not what Calder fans might regard as his most significant. They’re there, Rower explained, because they were the first two works by Calder shown in Japan in 1965 as part of an extensive show of Western art in, of all places, a department store. In one, we see a view of Calder’s studio in 1955.

    As we move to the second cluster of works in this survey, a series of early abstract paintings from the ’30s show how Calder was absorbing and elaborating in a very personal way the lessons of the avant-garde and the sensibility of surrealism. The burgeoning surrealist movement naturally influenced Calder, and some of its most prominent voices, including Joan Miró, André Breton and Jean Arp, became his friends. Some of Calder’s abstract paintings show his closeness with Mirò, as they shared an interest in establishing rhythmic and dialectic relations between organic forms and flattened picture planes drawn together with sharp and interlacing lines into new “constellations.”

    View of the exhibition from multiple angles showing sculptures and paintings in thee exhibition designView of the exhibition from multiple angles showing sculptures and paintings in thee exhibition design
    An installation view of “Calder: Un effet du japonais” on view at Azabudai Hills Gallery. Photo : Tadayuki Minamoto , © 2024 Calder Foundation New York / Artists Rights Society (ARS) , New York

    A significant contribution in translating this formal and narrative rhythm into the space in this extensive show is provided by thoughtful exhibition design conceived of by Japanese architect Stephanie Goto, a longtime Calder Foundation collaborator. Rooted in the proportion of the geometry of a 3:4:5 triangle, the design plays with traditional Japanese materials such as cherry wood and the mysterious blackboard black paper, which create a framework where Calder’s sculptures can differently emerge or be camouflaged to create a new tension between the elements and offer new suggestive allusions to their parallels in nature.  The black paper background, in particular, allows for an entirely different experience of Calder’s use of color. The three red spheres suspended in space become the protagonists; there’s the structure, but like a trunk, it serves to elevate and connect with these suspended celestial presences.

    In our walkthrough with Rower, we stopped to contemplate a curious story connected with one of the works on view that showcased the inventiveness of the American Modernist sculptor: one of the sculptures is kept together with both permanent rivets and removable screws, which let the sculpture to come apart and be reassembled. The piece is from 1945, right after the war, and Rower explained that at the time, due to the limited resources, Calder was repurposing everything he could find in the studio. Duchamp once visited him and, fascinated by the recent evolution of Calder’s work, now all made from scraps, he wanted to organize a show in Paris, suggesting they could send the sculptures by airmail. “Calder made demountable sculptures that could fit in a small package that could be in Paris the next day, where the work would be reassembled,” said Rower. “As with a teleport, you could collapse a work of art down and then send it, and then it reappears the same as what it was, which has something extremely pioneering both on a technical and conceptual level at the time.”

    A redd sculpture looking similar to a small plant stands in the center of two paintings against a background made of black papers. A redd sculpture looking similar to a small plant stands in the center of two paintings against a background made of black papers.
    Sculptures and works on canvas in “Calder: Un effet du japonais.” Photo : Tadayuki Minamoto , © 2024 Calder Foundation New York / Artists Rights Society (ARS) , New York

    As we proceeded through the exhibition, we encountered the sculptures depicted in the two paintings at the entrance. One of those, in particular, seemed quite explicative of the idea of “drawing in space.” It stands in the extreme synthesis of its thin, linear sculptural body thanks to the specific inclination and angle that allows it to stand, counterbalancing the busy top part. Above, there is a strange mobile with a more symbolic appearance floating in space, reminding us of the iconography of the dragon in some ancient Asian mythology. Rower explained that this is the only piece that didn’t come directly from the Calder Foundation. In the corner, a towering black stabile is a meditation on the shape of the triangle; between compression, expansion and elevation, it eventually recalls a Pagoda, as its title suggests.

    To the other side, the exhibition’s second section presents much more of what one expects to see in a show of Calder’s work, with some beautiful examples of his stabiles and gouaches carefully selected for their resonances with Japanese aesthetics and sensibility. And in between, Rower opted to include a video by John Cage filming a selection of Calder’s sculptures from different perspectives with an accompanying score of dedicated music that enhances the rhythmicity in their perception. It’s almost hypnotic and does a fine job of translating on video the actual experience of Calder’s sculptures, as they dance in a sort of ritual, moving organically like leaves on a tree.

    This video and certain other works in the exhibition particularly exemplify how Calder’s idea of sculpture is all about staging constellations of forms in space, often with the ambition to replicate broader cosmic orders and processes. As in the traditional Japanese ink paintings, Calder uses empty space as the climax of action: in the dialectic between complete and void, the free space allows the void to circulate between subjects, distinguishing them, amplifying and enhancing their action bringing to fruition the height of the representation/presentation. Viewers are drawn into these endless dynamics between the form and the space, in a similar dialectic tension that characterizes all the interrelational exchanges with the outside world. Calder’s sculptures invite us to experience art from multiple perspectives, drawing visual lines in the tridimensional space—something that anticipated the research of Minimalist artists just a few years later.

    A group of paintings and gouaches toward the end of “Calder: Un effet du Japonais” highlights how his use of circular lines and forms resonates with “ensō,” another key concept in traditional Japanese calligraphy and ink painting. As one of the most potent symbols of Zen 禅, the circular shape becomes synonymous with the cosmic circle enclosing emptiness. It is a symbol of the absolute, of the totality of phenomena, and at the same time, of the extreme intuition and understanding of both the formal and philosophical role of emptiness, which the art of Calder attempts to reach.

    Black scultures aroiund thee space accompanied by a primary colors hanging one and paintings on the wall.Black scultures aroiund thee space accompanied by a primary colors hanging one and paintings on the wall.
    “Calder: Un effet du japonais” is on view through September 6. Photo : Tadayuki Minamoto , © 2024 Calder Foundation New York / Artists Rights Society (ARS) , New York

    Ironically, the show’s closing piece is a metal maquette for an outdoor sculpture that recalls in its shape and movement the Great Wave by Hokusai, playing with what is arguably one of the most iconic paintings of Japanese art known by the international public, while still moving beyond such art historical stereotypes. Ultimately, Rower’s unique Calder exhibition effectively reveals unexpected and largely unexplored connections between the art of the Modern American master and Japan, demonstrating how modern art is shaped by cultural exchanges between artists operating at the historical intersection of local/nationalist resistance and the unstoppable forces of globalization.

    Calder: Un effet du japonais” is on view through Friday, September 6, 2024 at Azubudai Hills Art Gallery in Tokyo.

    Calder and the Japanese Effect: A Major Show Celebrates Pace Gallery in Tokyo

    Elisa Carollo

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  • Where History and Culture Meet: New Executive Lounge in Central Tokyo Opens at the Hotel in the Clouds

    Where History and Culture Meet: New Executive Lounge in Central Tokyo Opens at the Hotel in the Clouds

    Inspired by Its ‘New Heritage’ Concept, Le Ciel Will Open at Hotel Chinzanso Tokyo This Summer With a Rare Outdoor Terrace on July 26

    Hotel Chinzanso Tokyo announces the grand opening of its new executive lounge, Le Ciel, this summer. This luxurious private lounge will be open to guests staying in the hotel’s suites.

    Le Ciel will boast a spacious outdoor terrace with views of Chinzanso Garden and the Tokyo Sea of Clouds that fills it with mist. Guests will be able to watch the garden transform with the seasons at one of the few executive lounges in Tokyo with an outdoor balcony.

    Hotel Chinzanso Tokyo’s concept of “New Heritage” is at the core of Le Ciel’s design. Known as “Camellia Hill” since the 1300s, the hill where the hotel sits was depicted by Utagawa Hiroshige, one of Japan’s great artists of the Ukiyo-e movement. Prime Minister Yamagata Aritomo first designed and built Chinzanso Garden in 1878, inviting visitors to come and enjoy the location’s natural beauty. Over 140 years later, Hotel Chinzanso Tokyo still carries out that tradition. With a deep respect for its history and an eye for the future, Hotel Chinzanso Tokyo built a space where new history can be born.  

    Guests can enjoy seasonal foods at any of three meal services throughout the day. Le Ciel will offer a morning meal from 8:30-10:30 a.m., an early afternoon selection of sweet and savory dishes from 2:30-5 p.m., and a light evening meal from 5:30-8:30 p.m. The breakfast service will feature honey produced by bees that pollinate Chinzanso Garden, the taste changing with the seasons as different flowers bloom.

    There is also a gallery space with 10 displays showcasing traditional Japanese lacquerware and other traditional art forms like pottery, metalwork, wood and bamboo work, glasswork, and more. These artworks will blend tradition and innovation, further embodying the hotel’s principle of “New Heritage.” These displays will rotate seasonally.

    The lounge is also child-friendly, making it the perfect place for private relaxation with your family.

    Find out more here: https://www.hotel-chinzanso-tokyo.com/executivelounge

    About Hotel Chinzanso Tokyo

    Hotel Chinzanso Tokyo is one of the city’s most iconic luxury hotels with 70 years of history. The property includes 266 guest rooms/suites, nine restaurants, 38 meeting/banquet rooms, and a full-service spa with a Japanese onsen. Its award-winning garden has a wide variety of botanicals, including more than 100 cherry trees and 1,000 camellia trees. The standout feature of the garden is the “Tokyo Sea of Clouds,” a recreation of the natural phenomenon that can usually only be found in the mountainous regions of Japan. The hotel is owned and managed by Fujita Kanko Inc., a publicly traded tourism industry corporation headquartered in Tokyo. 

    Source: Hotel Chinzanso Tokyo

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  • Studio Sushi is Revolutionizing Tourism With Their Brand New Japanese Game Show Cooking Course

    Studio Sushi is Revolutionizing Tourism With Their Brand New Japanese Game Show Cooking Course

    Delighting tourists with a blend of authentic sushi cooking classes and interactive entertainment, Studio Sushi offers a whole new perspective on Japanese culture and heritage

    Japan has become a hotspot for international tourists, welcoming a record-breaking 3,081,600 visitors in March, as reported by the Japan National Tourism Organization. This figure surpasses the pre-pandemic numbers of March 2019 by 11.6%, setting a new historical high for the month.

    A significant factor driving this tourism boom is the depreciation of the yen, with it recently hovering near 150 yen per dollar, marking the weakest yen in approximately 34 years. For tourists, this translates to an exceptional opportunity to enjoy Japan’s exquisite cuisine and heartfelt hospitality at an affordable price.

    In response to the profound impact of COVID-19 on its tourism industry, Japan has been actively revitalizing its attractions. One of the standout additions is Studio Sushi, a sushi experience entertainment venue that opened its doors in May 2024. Studio Sushi emerged with the mission to educate visitors on the art of sushi and Japanese culinary culture while delivering a highly entertaining and unforgettable experience. The result is a bilingual and fully immersive sushi-making class combining a rich cultural experience with modern entertainment.

    The innovative experience includes a hands-on session where participants learn the art of sushi-making from preparing sushi rice to making nigiri, sushi rolls, and chirashi-zushi.

    However, what sets Studio Sushi apart is its emphasis on entertainment, a component often sidelined in traditional cooking classes. Each session incorporates exciting quizzes and challenges, enriching the overall educational experience, while also encouraging guests to laugh, relax, and learn in a fun and comfortable environment.

    Studio Sushi goes a step further by offering participants the chance to step behind an upscale sushi counter and become a chef themselves. Guests are challenged to create one final masterpiece sushi under the watchful eye of their resident chef Baba Masato and present their creation to the restaurant, adding an exciting layer of authenticity to the experience.

    Guests leave not only with the knowledge and ability to create their own sushi at home but also with several mementos, including a chef’s hat, access to exclusive instructional videos to recreate the magic at home, as well as immediate access to all of the photos and videos taken on the day.

    Through the captivating blend of culture, cuisine, and competition, Studio Sushi is changing the face of tourism in Japan. Their innovative approach provides a unique perspective on Japanese heritage, leaving guests with memories, skills, laughs, and an enriched understanding of the gastronomic art that sushi truly is.

    About Studio Sushi

    Studio Sushi is an immersive entertainment facility in Tokyo, opened in May 2024, where you can learn, experience, and savor the art of sushi.
    Website: https://studio-sushi.com
    Location: 2-13-13 Orange Bldg Basement 1fl, Akasaka, Minato City, Tokyo, Japan 107-0052

    For media inquiries or further information about Studio Sushi, please contact:
    info@studio-sushi.com

    Source: Studio Sushi

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  • Celebrating 70 Years of Fireflies at Hotel Chinzanso Tokyo

    Celebrating 70 Years of Fireflies at Hotel Chinzanso Tokyo

    Firefly viewing is a beloved Japanese tradition; this event is perfect for those looking to experience the spectacle during their stay in Tokyo.

    Hotel Chinzanso Tokyo, a luxury resort in the heart of the city, hosts its 70th annual firefly viewing event. The festivities include its yearly firefly-themed buffet and the opportunity to reserve a private firefly viewing. This year, guests can enjoy evenings illuminated by fireflies from May 17 until June 30.

    Since 1954, Chinzanso Garden, a traditional Japanese garden, has been an important location for firefly viewing in Tokyo. Originally organized to give children the opportunity to see fireflies, the event has evolved into a yearly celebration. Viewing fireflies in early summer is one of Japan’s most significant traditions each year, similar to viewing camellias in winter and cherry blossoms in spring. 

    Hotel Chinzanso Tokyo’s dedication to protecting its garden’s ecosystem means that approximately 500 fireflies take flight every day during peak season. By hosting events emphasizing the importance of environmental protection and prioritizing sustainability year-round, Hotel Chinzanso Tokyo is able to preserve the fireflies’ delicate habitat. Learn more about how the hotel is implementing sustainable practices on its website.

    The hotel is hosting its yearly Firefly Evening Dinner Buffet with a selection of modern and traditional dishes inspired by the early summer season. A special menu featuring two types of tuna sushi and a themed children’s meal is also available. The hotel also provides a complimentary firefly guidebook for children under 12 years old. More details about the buffet can be found on the firefly buffet webpage.

    Customers who want a more intimate viewing experience can reserve a special package featuring dinner at Japanese restaurant Miyuki, an after-hours private tour of the garden, and breakfast the following morning. Those interested in this exclusive evening can book their place over the phone, and more information can be found on the event page.

    The garden is open to guests staying at the hotel or visiting the hotel’s restaurants. Hotel Chinzanso Tokyo has 10 dining venues to choose from, offering a wide selection of cuisines including Italian, Japanese, and casual dining options. Visit the hotel’s website for further event details. 

    About Hotel Chinzanso Tokyo 

    Hotel Chinzanso Tokyo is one of the city’s most iconic luxury hotels with 70 years of history. The property includes 266 guest rooms/suites, nine restaurants, 38 meeting/banquet rooms, and a full-service spa with a Japanese onsen. Its garden has a wide variety of botanical species, including more than 100 cherry trees and 1,000 camellia trees. The standout feature of the garden is the “Tokyo sea of clouds,” a recreation of the natural phenomenon that can usually only be spotted in the mountainous regions of Japan. The hotel is owned and managed by Fujita Kanko Inc., a publicly traded tourism industry corporation headquartered in Tokyo.

    Source: Hotel Chinzanso Tokyo

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  • 2011 Japan Earthquake – Tsunami Fast Facts | CNN

    2011 Japan Earthquake – Tsunami Fast Facts | CNN



    CNN
     — 

    Here’s a look at the earthquake and tsunami that struck Japan in March of 2011.

    March 11, 2011 – At 2:46 p.m., a 9.1 magnitude earthquake takes place 231 miles northeast of Tokyo at a depth of 15.2 miles.

    The earthquake causes a tsunami with 30-foot waves that damage several nuclear reactors in the area.

    It is the largest earthquake ever to hit Japan.

    Number of people killed and missing

    (Source: Japan’s Fire and Disaster Management Agency)

    The combined total of confirmed deaths and missing is more than 22,000 (nearly 20,000 deaths and 2,500 missing). Deaths were caused by the initial earthquake and tsunami and by post-disaster health conditions.

    At the time of the earthquake, Japan had 54 nuclear reactors, with two under construction, and 17 power plants, which produced about 30% of Japan’s electricity (IAEA 2011).

    Material damage from the earthquake and tsunami is estimated at about 25 trillion yen ($300 billion).

    There are six reactors at Tokyo Electric Power Company’s Fukushima Daiichi plant, located about 65 km (40 miles) south of Sendai.

    A microsievert (mSv) is an internationally recognized unit measuring radiation dosage. People are typically exposed to a total of about 1,000 microsieverts in one year.

    The Japanese government estimated that the tsunami swept about five million tons of debris offshore, but that 70% sank, leaving 1.5 million tons floating in the Pacific Ocean. The debris was not considered to be radioactive.

    READ MORE: Fukushima: Five years after Japan’s worst nuclear disaster

    All times and dates are local Japanese time.

    March 11, 2011 – At 2:46 p.m., an 8.9 magnitude earthquake takes place 231 miles northeast of Tokyo. (8.9 = original recorded magnitude; later upgraded to 9.0, then 9.1.)
    – The Pacific Tsunami Warning Center issues a tsunami warning for the Pacific Ocean from Japan to the US. About an hour after the quake, waves up to 30 feet high hit the Japanese coast, sweeping away vehicles, causing buildings to collapse, and severing roads and highways.
    – The Japanese government declares a state of emergency for the nuclear power plant near Sendai, 180 miles from Tokyo. Sixty to seventy thousand people living nearby are ordered to evacuate to shelters.

    March 12, 2011 – Overnight, a 6.2 magnitude aftershock hits the Nagano and Niigata prefectures (USGS).
    – At 5:00 a.m., a nuclear emergency is declared at Fukushima Daiichi nuclear power plant. Officials report the earthquake and tsunami have cut off the plant’s electrical power, and that backup generators have been disabled by the tsunami.
    – Another aftershock hits the west coast of Honshu – 6.3 magnitude. (5:56 a.m.)
    – The Japanese Nuclear and Industrial Safety Agency announces that radiation near the plant’s main gate is more than eight times the normal level.
    – Cooling systems at three of the four units at the Fukushima Daini plant fail prompting state of emergency declarations there.
    – At least six million homes – 10% of Japan’s households – are without electricity, and a million are without water.
    – The US Geological Survey says the quake appears to have moved Honshu, Japan’s main island, by eight feet and has shifted the earth on its axis.
    – About 9,500 people – half the town’s population – are reported to be unaccounted for in Minamisanriku on Japan’s Pacific coast.

    March 13, 2011 – People living within 10 kilometers (6.2 miles) of the Fukushima Daini and 20 kilometers of the Fukushima Daiichi power plants begin a government-ordered evacuation. The total evacuated so far is about 185,000.
    – 50,000 Japan Self-Defense Forces personnel, 190 aircraft and 25 ships are deployed to help with rescue efforts.
    – A government official says a partial meltdown may be occurring at the damaged Fukushima Daiichi plant, sparking fears of a widespread release of radioactive material. So far, three units there have experienced major problems in cooling radioactive material.

    March 14, 2011 – The US Geological Survey upgrades its measure of the earthquake to magnitude 9.0 from 8.9.
    – An explosion at the Daiichi plant No. 3 reactor causes a building’s wall to collapse, injuring six. The 600 residents remaining within 30 kilometers of the plant, despite an earlier evacuation order, have been ordered to stay indoors.
    – The No. 2 reactor at the Daiichi plant loses its cooling capabilities. Officials quickly work to pump seawater into the reactor, as they have been doing with two other reactors at the same plant, and the situation is resolved. Workers scramble to cool down fuel rods at two other reactors at the plant – No. 1 and No. 3.
    – Rolling blackouts begin in parts of Tokyo and eight prefectures. Downtown Tokyo is not included. Up to 45 million people will be affected in the rolling outages, which are scheduled to last until April.

    March 15, 2011 – The third explosion at the Daiichi plant in four days damages the suppression pool of reactor No. 2. Water continues to be injected into “pressure vessels” in order to cool down radioactive material.

    March 16, 2011 – The nuclear safety agency investigates the cause of a white cloud of smoke rising above the Fukushima Daiichi plant. Plans are canceled to use helicopters to pour water onto fuel rods that may have burned after a fire there, causing a spike in radiation levels. The plume is later found to have been vapor from a spent-fuel storage pool.
    – In a rare address, Emperor Akihito tells the nation to not give up hope, that “we need to understand and help each other.” A televised address by a sitting emperor is an extraordinarily rare event in Japan, usually reserved for times of extreme crisis or war.
    – After hydrogen explosions occur in three of the plant’s reactors (1, 2 and 3), Chief Cabinet Secretary Yukio Edano says radiation levels “do not pose a direct threat to the human body” between 12 to 18 miles (20 to 30 kilometers) from the plant.

    March 17, 2011 – Gregory Jaczko, head of the Nuclear Regulatory Commission, tells US Congress that spent fuel rods in the No. 4 reactor have been exposed because there “is no water in the spent fuel pool,” resulting in the emission of “extremely high” levels of radiation.
    – Helicopters operated by Japan’s Self-Defense Forces begin dumping tons of seawater from the Pacific Ocean on to the No. 3 reactor to reduce overheating.
    – Radiation levels hit 20 millisieverts per hour at an annex building where workers have been trying to re-establish electrical power, “the highest registered (at that building) so far.” (Tokyo Electric Power Co.)

    March 18, 2011 – Japan’s Nuclear and Industrial Safety Agency raises the threat level from 4 to 5, putting it on a par with the 1979 Three Mile Island accident in Pennsylvania. The International Nuclear Events Scale says a Level 5 incident means there is a likelihood of a release of radioactive material, several deaths from radiation and severe damage to the reactor core.

    April 12, 2011 – Japan’s nuclear agency raises the Fukushima Daiichi crisis from Level 5 to a Level 7 event, the highest level, signifying a “major accident.” It is now on par with the 1986 Chernobyl disaster in the former Soviet Union, which amounts to a “major release of radioactive material with widespread health and environmental effects requiring implementation of planned and extended countermeasures.”

    June 6, 2011 – Japan’s Nuclear Emergency Response Headquarters reports reactors 1, 2 and 3 at the Fukushima Daiichi nuclear power plant experienced a full meltdown.

    June 30, 2011 – The Japanese government recommends more evacuations of households 50 to 60 kilometers northwest of the Fukushima Daiichi power plant. The government said higher radiation is monitored sporadically in this area.

    July 16, 2011 – Kansai Electric announces a reactor at the Ohi nuclear plant will be shut down due to problems with an emergency cooling system. This leaves only 18 of Japan’s 54 nuclear plants producing electricity.

    October 31, 2011 – In response to questions about the safety of decontaminated water, Japanese government official Yasuhiro Sonoda drinks a glass of decontaminated water taken from a puddle at the Fukushima Daiichi nuclear plant.

    November 2, 2011 – Kyushu Electric Power Co. announces it restarted the No. 4 reactor, the first to come back online since the March 11 disaster, at the Genkai nuclear power plant in western Japan.

    November 17, 2011 – Japanese authorities announce that they have halted the shipment of rice from some farms northwest of the Fukushima Daiichi nuclear power plant after finding higher-than-allowed levels of radioactive cesium.

    December 5, 2011 – Tokyo Electric Power Company announces at least 45 metric tons of radioactive water have leaked from the Fukushima Daiichi nuclear facility and may have reached the Pacific Ocean.

    December 16, 2011 – Japan’s Prime Minister says a “cold shutdown” has been achieved at the Fukushima Daiichi nuclear power plant, a symbolic milestone which means the plant’s crippled reactors have stayed at temperatures below the boiling point for some time.

    December 26, 2011 – Investigators report poorly trained operators at the Fukushima Daiichi nuclear power plant misread a key backup system and waited too long to start pumping water into the units, according to an interim report from the government committee probing the nuclear accident.

    February 27, 2012 – Rebuild Japan Initiative Foundation, an independent fact-finding committee, releases a report claiming the Japanese government feared the nuclear disaster could lead to an evacuation of Tokyo while at the same time hiding its most alarming assessments of the nuclear disaster from the public as well as the United States.

    May 24, 2012 – TEPCO (Tokyo Electric Power Co.) estimates about 900,000 terabecquerels of radioactive materials were released between March 12 and March 31 in 2011, more radiation than previously estimated.

    June 11, 2012 – At least 1,324 Fukushima residents lodge a criminal complaint with the Fukushima prosecutor’s office, naming Tsunehisa Katsumata, the chairman of Tokyo Electric Power Co. (TEPCO) and 32 others responsible for causing the nuclear disaster which followed the March 11 earthquake and tsunami and exposing the people of Fukushima to radiation.

    June 16, 2012 – Despite public objections, the Japanese government approves restarting two nuclear reactors at the Kansai Electric Power Company in Ohi in Fukui prefecture, the first reactors scheduled to resume since all nuclear reactors were shut down in May 2012.

    July 1, 2012 – Kansai Electric Power Co. Ltd. (KEPCO) restarts the Ohi nuclear plant’s No. 3 reactor, resuming nuclear power production in Japan for the first time in the wake of the Fukushima Daiichi meltdown following the tsunami.

    July 5, 2012 – The Fukushima Nuclear Accident Independent Investigation Commission’s report finds that the Fukushima Daiichi nuclear crisis was a “man-made disaster” which unfolded as a result of collusion between the facility’s operator, regulators and the government. The report also attributes the failings at the plant before and after March 11 specifically to Japanese culture.

    July 23, 2012 – A Japanese government report is released criticizing TEPCO. The report says the measures taken by TEPCO to prepare for disasters were “insufficient,” and the response to the crisis “inadequate.”

    October 12, 2012 – TEPCO acknowledges in a report it played down safety risks at the Fukushima Daiichi power plant out of fear that additional measures would lead to a plant shutdown and further fuel public anxiety and anti-nuclear movements.

    July 2013 – TEPCO admits radioactive groundwater is leaking into the Pacific Ocean from the Fukushima Daiichi site, bypassing an underground barrier built to seal in the water.

    August 28, 2013 – Japan’s nuclear watchdog Nuclear Regulation Authority (NRA) says a toxic water leak at the tsunami-damaged Fukushima Daiichi power plant has been classified as a Level 3 “serious incident” on an eight-point International Nuclear Event Scale (lINES) scale.

    September 15, 2013 – Japan’s only operating nuclear reactor is shut down for maintenance. All 50 of the country’s reactors are now offline. The government hasn’t said when or if any of them will come back on.

    November 18, 2013 – Tokyo Electric Power Co. says operators of the Fukushima nuclear plant have started removing 1,500 fuel rods from damaged reactor No. 4. It is considered a milestone in the estimated $50 billion cleanup operation.

    February 20, 2014 – TEPCO says an estimated 100 metric tons of radioactive water has leaked from a holding tank at the Fukushima Daiichi Nuclear Power Plant.

    August 11, 2015 – Kyushu Electric Power Company restarts No. 1 reactor at the Sendai nuclear power plant in Kagoshima prefecture. It is the first nuclear reactor reactivated since the Fukushima disaster.

    October 19, 2015 – Japan’s health ministry says a Fukushima worker has been diagnosed with leukemia. It is the first cancer diagnosis linked to the cleanup.

    February 29, 2016 – Three former TEPCO executives are indicted on charges of professional negligence related to the disaster at the Fukushiima Daiichi plant.

    November 22, 2016 – A 6.9 magnitude earthquake hits the Fukushima and Miyagi prefectures and is considered an aftershock of the 2011 earthquake. Aftershocks can sometimes occur years after the original quake.

    February 2, 2017 – TEPCO reports atmospheric readings from inside nuclear reactor plant No. 2. as high as 530 sieverts per hour. This is the highest since the 2011 meltdown.

    February 13, 2021 – A 7.1 magnitude earthquake off the east coast of Japan is an aftershock of the 2011 quake, according to the Japan Meteorological Agency.

    April 13, 2021 – The Japanese government announces it will start releasing more than 1 million metric tons of treated radioactive water from the destroyed Fukushima nuclear plant into the ocean in two years – a plan that faces opposition at home and has raised “grave concern” in neighboring countries. The whole process is expected to take decades to complete.

    September 9, 2021 – The IAEA and Japan agree on a timeline for the multi-year review of Japan’s plan to release treated radioactive water from the destroyed Fukushima nuclear plant into the ocean.

    February 18, 2022 – An IAEA task force makes its first visit to Japan for the safety review of its plan to discharge treated radioactive water into the sea.

    July 4, 2023 – An IAEA safety review concludes that Japan’s plans to release treated radioactive water from the Fukushima nuclear plant into the ocean are consistent with IAEA Safety Standards.

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  • American Airlines Will Launch New Service Between York JFK and Tokyo HND on June 28

    American Airlines Will Launch New Service Between York JFK and Tokyo HND on June 28

    American Airlines Will Launch New Service Between York and Tokyo 

    American Airlines announced today that it will soon launch service between New York (JFK) and Tokyo’s Haneda International Airport (HND). Last week, the United States Department of Transportation (DOT) formally approved American’s application to become the only U.S. carrier operating nonstop service between JFK and HND.

    “American looks forward to launching flights between JFK and HND this summer,” said Brian Znotins, American’s Senior Vice President of Network and Schedule Planning. “This new service will complement flights offered by our joint business partner, Japan Airlines, giving more ways for our customers travel between the U.S. and Japan.”

    American will launch service between New York (JFK) and Tokyo’s convenient downtown Haneda Airport (HND) June 28. Tickets will be available for purchase Feb. 26 at aa.com or American’s mobile app.

    Starting this summer, customers traveling between JFK and HND will have up to three daily flights to choose from operating at convenient times throughout the day. American’s new daily flight will offer roundtrip connections to more than 30 cities across Japan and East Asia operated by Japan Airlines, including major cities such as Osaka, Sapporo and Fukuoka.

    The new JFK–HND service will be American’s fourth daily nonstop flight to HND, joining existing daily service from Dallas-Fort Worth (DFW) and two daily flights from Los Angeles (LAX). United Airlines flies to Tokyo Haneda and Narita daily from nearby Newark. 

    American’s schedule of services






    Departure Airport Arrival Airport Departure Time Arrival Time Aircraft Type
    JFK HND 11:25 a.m. 2:30 p.m. (next day) Boeing 777-200
    HND JFK 4:30 p.m. 4:35 p.m. Boeing 777-200


    Japan Airlines’ schedule of services








    Departure Airport Arrival Airport Departure Time Arrival Time Aircraft Type
    JFK HND 1:20 p.m. 4:35 p.m. (next day) Airbus 350-1000
    HND JFK 11:05 a.m. 11:00 a.m. Airbus 350-1000
    JFK HND 1:30 a.m. 4:45 a.m. (next day) Boeing 777-300
    HND JFK 6:30 p.m. 6:25 p.m. Boeing 777-300


    DDG

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