Sources confirmed that Marty Supremeis now, officially, the studioâs highest-grossing release of all time across the Atlantic, having so far accrued $8.6 million as of Jan. 6.
The dramedy, also starring Odessa Aâzion, Gwyneth Paltrow and Tyler, The Creator, surpassed the previous record-holder â Alex Garlandâs 2024 thriller Civil War â in just less than two weeks. The story of the arrogant but assured New Yorker Marty Mauser hit theaters Dec. 26.
The film also reigned supreme by nabbing $4.38 million over its first weekend in around 130 locations, another new high for the indie studio and a stat that pips awards rival One Battle After Another to the post. Paul Thomas Andersonâs political thriller grossed around $3.3 million in its first weekend in U.K. cinemas.
Marty Supreme was distributed by Entertainment Film Distributors in Britain and its box office success was no doubt advantaged by Chalametâs eyebrow-raising marketing tactics, which have included global pop-ups for Marty merch â Londonâs queue was made up of thousands of fans and resellers desperate to get their hands on anything orange ping-pong ball-adjacent â and listing Britainâs Got Talent singer Susan Boyle among his list of British heroes.
Chalametâs character, loosely based on â50s table tennis champion Marty Reisman, embarks on a self-destructive pursuit of greatness and has allowed the actor to run wild with the tagline âDream Big.â When Chalamet told BBC News that Boyle âdreamt bigger than all of usâ while taking to the BGT stage in 2009, thousands were surprised he even knew her name. âWho wasnât moved by that?â asked the star. She was swiftly gifted the iconic Marty Supreme jacket, to the delight of nostalgic Brits.
In another unpredictable move, Chalamet put to bed the rampant online rumors that heâs moonlighting as British rapper EsDeeKid by jumping on a remixed version of â4 Rawsâ before Christmas. The accompanying video â showing an unmasked Chalamet beside an obscured EsDeeKid, dropping bars about Marty Supreme and girlfriend Kylie Jenner â went stratospherically viral.
As of Jan. 5, Marty Supreme has captivated critics and fans alike, grossing $57.5 million in the U.S. and Canada. Chalamet is currently one of the favorites for the best actor Academy Award for his performance and on Sunday, picked up the coveted Criticsâ Choice Award.
Now, in addition to rapping, heâs seeking his third Oscar nod for A24âs Marty Supreme, in which he plays a ping-pong hustler dreaming big. This time, Chalametâs preparation â training to perform the sport at its highest level â was once again extensive.
âHe was singularly dedicated to getting this to be the same quality as the rest of the movie,â says Diego Schaaf, the filmâs table tennis instructor. Schaaf grew up playing the sport in Switzerland but never competed professionally.
Chalametâs preparation began long before Schaaf entered the picture. He secretly trained for years while working on projects like The French Dispatch, Wonka, and Dune: Part Two. So when he arrived for rehearsals for Marty Supreme, his skill level impressed Schaaf, an expert who previously worked on Forrest Gump (1994), Balls of Fury (2007) and an episode of NBCâs Friends. Schaafâs wife, Wei Wang â a U.S. Olympian â also helped elevate Chalametâs performance.
âWe really dove into it last summer,â Schaaf says. âWe had to bring the mechanics of the strokes to a world-class level from the 1950s, which is distinctly different from how the sport is played today.â
Wang worked closely with Chalamet to nail the period-specific techniques. âDifferent styles have very different strokes, and he understood all of it,â Schaaf says. âHe wasnât interested in doing the minimum. Even when he got it right, heâd say, âLetâs do it again.ââ
That commitment came with challenges â especially since, as Schaaf notes, Chalamet performed all of his table tennis sequences himself, instead of using a stunt double.
âWe considered finding a double,â Schaaf admits, âbut it was hard to find someone who matched his physique and could play. From the beginning, I told Josh we needed the best possible players, because they can perform under pressure.â
That understanding was crucial when choreographing matches. âIn recreational table tennis, you barely move,â Schaaf says. âThis was very athletically demanding. He memorized every point, every movement, every shot. Timing was critical â some shots float, others travel fast â and he understood that immediately. He performed unbelievably well.â
Another high-profile name in the film, Tyler, the Creator, also trained with Schaaf and Wang at their club in Los Angeles, the Westside Table Tennis Center. Unlike Chalamet, Tyler had never played table tennis before.
âItâs rare to find someone whoâs literally never hit a ball,â Schaaf says. âHe loved it. One time he came straight from the airport, ran into the club and said, âIâm going to buy myself a table!ââ
But Tylerâs skill level in the film was intentionally much lower than Chalametâs. âIn the bowling alley scene, heâs not supposed to be a high-level player,â Schaaf explains. âBut after just one or two sessions, he was already returning 10 or 12 balls, which isnât easy. He was an absolute sweetheart â smiling the whole time.â
While the training took place in Los Angeles, Marty Supreme is set in 1950s Lower East Side Manhattan. Since both Safdie and Chalamet are from New York, capturing the cityâs ping-pong culture was another priority.
âI donât play in New York, but Iâve met a lot of New York players,â Schaaf says. âIt felt very accurate. Thereâs more gambling, more of an underground vibe. When New York players come out West, itâs a different kind of energy.â
Though the film follows Martyâs hunger for success in table tennis, the fast-paced, anxiety-fueled intensity that the Safdie brothersâ films like Good Time (2017) and Uncut Gems (2019) are known for, remains front and center â even as Marty Supreme marks Safdieâs first solo feature without his brother Benny.
âI watched the movie and almost forgot there was table tennis in it,â Schaaf says with a laugh. âIt was so enthralling. Then the first tournament scene comes up and I thought, âOh right â here we go.â Josh did a great job cutting it so you really feel the tension.â
Schaaf also makes a cameo in the film as the final matchâs umpire â a last-minute surprise. âThe night before, I get a text asking if I want to do it,â he says. âI figured Iâd be there anyway. I had no idea that was going to happen.â
Chalametâs dedication to the role didnât come without risk. At the filmâs New York City premiere earlier this month, Safdie said that the actor âalmost lost an eyeâ during filming. While details werenât shared, Chalamet has previously said he wore contacts to âmess upâ his vision so he could wear real glasses for Martyâs signature look â which ultimately led to an ânastyâ eye infection.
Chalamet mirroring Martyâs high ambition has put a spotlight on table tennis.
âI really hope this gives the sport the breakthrough itâs deserved,â Schaaf says. âPeople donât realize how many levels there are. You think youâre close to the top, and there are 30 levels in between. The better you get, the more you realize how little you know.â
He pauses, then laughs. âIt takes a specific person â like Marty. Someone who says, âNo matter how hard this is, Iâm going to do this.â Hopefully weâll get more of those.â
Marty Supreme made headlines last weekend with a record-breaking per-location average of $145,913 across six locations in New York City and L.A., the best in A24âs history and the best of any film since 2016âs La La Land. Sporting a pricey budget of $60 million to $70 million, it is reportedly the most expensive movie ever made by the esteemed indie studio.
Both films launched in previews on Christmas Eve before expanding everywhere on Thursday, with Anaconda earning an estimated $2.1 million, versus $2.01 million for Marty Supreme. Anaconda is arguably the more commercial offering and is projecting a four-day Christmas weekend north of $20 million. However, the reboot has been skewered by critics. Its ranking on Rotten Tomatoes is presently a rotten 44 percent, compared to a 95 percent fresh rating for Chalamet film (audience scores wonât be posted until tonight or tomorrow.
Gwyneth Paltrow, Odessa Aâzion and Tyler, the Creator also star in this tale of an aspiring table tennis champion angling to ping pong his way out of 1950s Lower East Side Manhattan
Chalamet has stopped at nothing to help market the movie â culminating with becoming the first person to stand atop The Sphere in Las Vegas on Dec. 22 â and it appears to be paying off. In the weeks leading up to the filmâs release, he wrote and directed a staged Zoom call with A24âs marketing team in which he presented increasingly ridiculous ideas to promote Marty Supreme. One of the ideas presented actually became reality: fly a bright orange rented blimp with the movieâs title imprinted on each side. While there was talk of a cross-country tour, the blimp is based in the Los Angeles area. And the idea for Safdie and the cast to light the Empire State Building orange ahead of the New York premiere also emerged from something said in the staged Zoom call.
The big question facing Marty Supreme is whether it can break out and play to mainstream audiences, versus the more traditional specialty crowd.
And, according to Angie Hanâs Anaconda review for THR, âAn action-comedy starring Jack Black, Paul Rudd and a giant CG snake should be way more fun. Director Tom Gormicanâs meta-take on the previous Anaconda films follows a director (Black) and his crew as they travel to the Amazon to make the defining movie about the storied monster. Thandiwe Newton and Steve Zahn co-star.
Of course, the overall winner of the holiday box office contest will be Avatar 3, which is crossing the $500 million mark on Christmas Day after topping Wednesdayâs domestic chart with another $10.7 million for a North American tally of $129.2 million. Overseas, it added $11 million for a foreign tally of $353.6 million â including $71 million from Chinaâ for a worldwide haul of $483.3 million through Wednesday. And Disney Animationâs Zootopia 2 is still going strong after opening at Thanksgiving, helping to propel the studio past the $6 billion mark in global ticket sales for the first time since 2019, prior to the pandemic.
Elsewhere on Wednesdayâs domestic chart, Angel Studioâs faith-based David placed third with $2.6 million, followed by Paramountâs The SpongeBob Movie: Search for SquarePants ($1.8 million) and Lionsgateâs femme-skewing thriller The Housemaid ($1.8 million), starring Sydney Sweeney and Amanda Seyfried. All three films opened opposite Avatar on the 19th, followed by the Dec. 25 entries.
Christmas Day falling on a Thursday is a dream scenario for theater owners, since the long holiday weekend will be free and clear. And the final two weeks of the year are the most lucrative for moviegoing, considering that schools and colleges are closed, with many adults off from work as well.
While overall box office revenue wonât make any gains in 2025, the same canât be said of Disney.
The studios sprawling film empire on Wednesday will cross the $6 billion mark in global box office revenue for the year, having earned $5.967 billion globally through Tuesday, including $2.310 billion domestically and $3.656 billion internationally. Â
This marks the first time Disney has hit $6 billion since 2019, just before the pandemic struck and decimated moviegoing. Even before COVID, clearing $6 billion was no easy feat. No other studio has done so since 2015, while Disney is a now a five-time multiple offender (2016-2019, 2025).
Disneyâs success this year has been fueled by 16 wide releases, led by the only two titles that have crossed $1 billion at the worldwide box office: Zootopia 2, which has earned $1.311 billion to date, and Lilo & Stitch, which topped out at $1.038 billion earlier this year. Thanks to some nifty math, Disney is also reporting that three Marvel Studiosâ titles have collectively grossed more than $1.3 billion worldwide, even if not one title did so on its own; The Fantastic Four: First Steps, Thunderbolts* and Captain America: Brave New World.
Other titles helping to propel Disney past $6 billion were Predator: Badlands, Freakier Friday and Elio, albeit at much smaller numbers.
James Cameronâs Avatar: Fire and Ash is the icing on the cake, grossing $450.1 million at the global box office after only seven days in release, including worldwide earnings of $51 million on Tuesday. In North America, it topped Tuesdayâs chart with $16.5 million for a domestic tally of $119 million. Overseas, it finished the day with a foreign tally of $331.1 million.
Anaconda, Song Sing Blue, and Marty Supreme â which is expanding nationwide after opening in New York and L.A. last weekend to supremely impressive numbers after a massive marketing blitz by its leading man â will all hold Wednesday previews before opening everywhere on Christmas Day, which can be a busy day for moviegoing once presents are unwrapped.
Could this be a recession indicator, or has Hollywood truly gone insane?
In case you arenât chronically online like me and many other millennials and Gen Zs, you may not be aware that there are several actors who have taken it upon themselves to allegedly create alter egos online, which have unsurprisingly gone viral. And you might be thinking: arenât these people busy with their film careers? Which is a totally valid question. But itâs clear some of them have found some free time in their schedules.
One of the more recognizable personas on TikTok is elementary school art teacher Matt Taylor, who fans believe is actually Paul Blart: Mall Cop star Kevin James. Currently sitting with more than 800,000 followers, âMr. Taylorâ starts every video with, âHey guys! Mr. Taylor here,â before sharing some motivational words as well as his artwork (which is quite good, if Iâm being honest).
Though James hasnât officially confirmed heâs the man behind the mysterious TikTok art teacher, their identical appearance makes it pretty obvious, and James doesnât have an identical twin. At least not one the public knows about.
But some may be wondering the reason behind the alter ego. Only time will tell, but it could potentially be a promotional effort for an upcoming role or movie. James is slated to next star in the rom-com Solo Mio, releasing on Feb. 6.
Now, a face thatâs a little less recognizable is Mr. Fantasy, who fans suspect is Riverdale star KJ Apa. With more than 1.1 million followers on TikTok, he became a viral sensation due to his eccentric personality, quirky style and unforgettable black bob and fake teeth (completely opposite to Apaâs appearance).
Since his first video in August â which captured peopleâs attention as theories started to spread that heâs really Apa, as they share the exact same tattoos â Mr. Fantasy has fully committed to the persona, traveling around the world making videos, dropping three original songs and even performing at the Macyâs Thanksgiving Day Parade.
Though Apa has yet to confirm their connection or the reason for the alter ego, Mr. Fantasy previously told The Hollywood Reporter that heâs also not bothered by people comparing them on social media.
âNot bothered by it, not bothered by it,â he said. âThings bother me sometimes, but I keep my eyes upward, and I keep trudging the happy road of happy destiny. You know, things can be hurtful, sure, but I focus on the positive. I focus on the people whom I love and who love me and that have a positive influence on my life, like James Franco.â
However, during a new interview with Heart Radio in the U.K., Chalamet said, âIâve got no comment,â when asked about the rumors, before vaguely teasing, âIâve got two words on that. All will be revealed in due time.â
Although thatâs still not a confirmation, it was likely enough to keep the theories swirling online. Especially since Chalamet is a known fan of hip-hop music, and even rapped under the alias Lilâ Timmy growing up.
But as Mr. Fantasy, Mr. Taylor and EsDeeKid continue to find their own stardom outside of their true identities, letâs not forget the O.G. alter ego: Hannah Montana, aka Miley Stewart, aka Miley Cyrus. That role originated on the hit Disney Channel series that premiered in 2006, launching Cyrusâ career as a teen.
In a recent interview with NME while promoting âDune: Part Two,â Chalamet said he wants Austin Butlerâs Elvis Presley to appear in his and James Mangoldâs upcoming Bob Dylan film, âA Complete Unknown.â
âI canât wait for that film,â Butler said of the Dylan project. âI wish I could be on set every day to just watch the magic happen.â
âI wish you were in it!â Chalamet replied. âThereâs an Elvis character in the Johnny Cash biopic [âWalk the Lineâ]. Itâs really brief, itâs very brief, but I was kind of wishing we could create a musical cinematic universe.â
Butler nabbed a Golden Globe and a BAFTA for his performance as Presley in Baz Luhrmannâs 2022 film. He also received his first Academy Award nomination for his portrayal of the King of Rock ânâ Roll.
Chalamet will play Dylan in âA Complete Unknown,â from âFord v. Ferrariâ and âWalk the Lineâ filmmaker Mangold. The upcoming film, originally titled âGoing Electric,â was first announced in early 2020.
âIâve been picking Austinâs brain non-stop, but I feel â letâs let my film come out before Iâm so lucky as to get included with Austin, he did such a phenomenal job,â Chalamet said, when asked if he and Butler have had conversations with each other about playing music legends. âBut I do feel prideful about that too, because those are two artists that â I canât speak from Elvisâ perspective, but deep in the Bob Dylan lore now, he had tremendous respect for Elvis and Sun Records.â
Chalamet and Butler star in Denis Villeneuveâs sci-fi epic âDune: Part Two.â Chalamet reprises his role as Paul Atreides from Villeneuveâs 2021 âDune,â while Butler portrays the villainous Feyd-Rautha Harkonnen in the sequel.
In an eyebrow-raising moment that immediately trended across social media, Selena appeared to spill some sort of scalding hot âteaâ to Taylor Swift who appeared to be appalled at what she was told.
Naturally, social media created its own juicy narrative without actually knowing what was being said which prompted a Selena source to clear things up in PEOPLE.
Other notable moments included emerging stars Ayo Edebiri (Best Actress in a Television Comedy, The Bear) and DaâVine Joy Randolph (Best Performance by a Female Actor in a Supporting Role in any Motion Picture award, The Holdovers) exuding Black girl magic, Charles Melton melting panties through the screen, and host Jo Koy doing everything in his power to get booâd off the stage.
Taylor Swift reacts to joke from #GoldenGlobes host Jo Koy about the NFL.
âThe big difference between the Golden Globes and the NFL? At the Golden Globes, we have fewer camera shots of Taylor Swiftâ
At one point, he snapped at the audience who grew increasingly sick of his jokes as the night went on.
Golden Globes host Jo Koy just went off-script after one of his jokes bombed: âI got the gig 10 days ago! You want a perfect monologue? Yo, shut up. Youâre kidding me, right? Slow down. I wrote some of these, and theyâre the ones youâre laughing at.â#GoldenGlobes2024pic.twitter.com/K6DIDtdCes
âThere was an idea for Saoirse Ronan and I to do a cameo in it,â Chalamet said during an appearance on The Tonight Show starring Jimmy Fallon. âI donât know what the cameo wouldâve been. I think it wouldâve been one of the rejected Kens or Barbies â not Allan.â
He continued, âMaybe there was a reject French one along the way. I donât know what that wouldâve been.â
Earlier this year, Gerwig talked about hoping to team up with Chalamet and Ronan again after working with them on films like Lady Bird and Little Women.
âWell, it was always going to have to be a sort of smaller thing because [Saoirse] was actually producing at the time, which I am so proud of her for. And of course, itâs brilliant. But it was going to be a specialty cameo,â Gerwig told CinemaBlend in a recent interview. âI was also going to do a specialty cameo with Timmy, and both of them couldnât do it and I was so annoyed. But I love them so much.â
Although Chalamet didnât film a cameo for Barbie, he did visit Gerwig on the set of the movie that starred Margot Robbie and Ryan Gosling. Wonka was shot on the same production lot where Barbie was filmed.
The musical, which hit theaters Friday, features the 14-year-old actress as Noodle, a hard-working but underprivileged orphan who has never tasted chocolate until she ends up in the same boarding facility as Chalametâs dessert-adoring Willy Wonka. Depicting the early years of the character who originated in Roald Dahlâs 1964 novel Charlie and the Chocolate Factory, director Paul Kingâs movie also stars Hugh Grant, Olivia Colman and Keegan-Michael Key.
Lane, who earned a Critics Choice nomination for her breakout role, grew up in Fort Worth, Texas, and first showed an interest in performing when her mother filmed her belting out a Michael Jackson hit at age 2. After that, she landed a supporting part in a production of Annie at age 4 and later appeared on Kidding, Hollywood, This Is Us and Family Reunion, in addition to a pair of Jimmy Kimmel Live! episodes on which she sang background vocals.
The actress tells The Hollywood Reporter that she had only seen Tim Burtonâs Johnny Depp-led Charlie and the Chocolate Factory (2005) prior to her audition and assumed that it was the first Wonka movie, having not been aware of the 1971 film Willy Wonka and the Chocolate Factory that starred Gene Wilder. As it happened, she didnât even realize what she was getting into when she first threw her hat in the ring.
âI got an audition, and I had no idea it was even for Wonka,â Lane recalls. âMy name was Nutmeg. It said âUntitled Project,â and I think Willy Wonkaâs name was like Jimmy or something. I found out that it was for Wonka when I went to England for a screen test.â
Lane first connected with Chalamet for a virtual screen test and then met him during a rehearsal after booking the part. The actress praises her co-star for making her feel at ease: âSometimes itâs hard for me to get into character. When I watched him on set, I was like, âWow, he can do this really, really, really good.â And I kind of learned from that. But heâs very fun on set.â
Calah Lane (hair: Tiffany Daugherty; makeup: ShaDara Holmes; styling: April Lim)
Emily Malan
The pair share frequent scenes together and got plenty of time to connect, including during a memorable musical number involving a giraffe and another trapped in gallons of liquid chocolate. The latter scene was first rehearsed in a brown lotion, and then later, the elixir contained actual chocolate.
âEven though it was chocolate, they were like, âPlease do not eat it,’â Lane remembers about the filmâs team. Itâs safe to say the liquid left a lasting impression in more ways than one: âMy hands were yellow, and my feet were yellow, and it was really weird.â
Speaking of chocolate, the role required consuming plenty of the confection. âI ate so much chocolate because we would do take after take after take,â she says. âIt wasnât bad chocolate, which was good because they actually had a chocolatier on set. There was so much detail in the chocolate, and it was so great. She made all the chocolates by hand.â
Needless to say, Lane isnât complaining. âI love chocolate, so Iâll eat 30,000 pieces if I could,â she quips. (Luckily, the role didnât require putting away quite that much.)
As for her career path, Lane, who continues her schooling from home, says she would enjoy trying an action role or possibly a Mean Girls-type high school project. And if she has another gig that requires singing and dancing, she would be more than capable, considering she even taught Chalamet some fleet-footed moves during their downtime.
âI taught him the âThrillerâ dance,â Lane says proudly. âIâm the No. 1 fan of Michael Jackson. I know everything.â