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  • ‘House of the Dragon’ Season 2 Power Rankings: The Red Sowing

    ‘House of the Dragon’ Season 2 Power Rankings: The Red Sowing

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    House of the Dragon is back, and the Dance of the Dragons is underway. The Targaryen war of succession will come down to control—who can control their impulses, their sycophants, and, yes, their dragons. With each passing episode, The Ringer will examine how Westeros’s key players are aligning their pieces on the board. As the saying goes, chaos can be a ladder. Welcome to the House of the Dragon power rankings.


    The penultimate episode of House of the Dragon’s second season, “The Red Sowing,” is pretty much made for power rankings. Every episode of Dragon and Game of Thrones is ultimately about power, but this one presents its power dynamics more clearly than most. Often, in this franchise, shifts in standing are communicated subtly, with words or a glance. Other times, though, characters convey dominance or obeisance with an unmistakable, full-body display—the human equivalent of a dog rolling over, vulnerable belly to the sky.

    I’m talking, of course, about bending the knee.

    Early in Episode 7, newly minted dragonrider Addam of Hull bends the knee to Rhaenyra. “You kneel quickly for a man so suddenly elevated,” she says—wary, but eager to add to her air power.

    Later, at Harrenhal, Willem Blackwood brags, “They who bent the knee to the usurper have been brought to heel.” Then he bends the knee to his new liege lord, Oscar Tully … who promptly orders his execution. Willem is still doing a deep knee bend as Daemon cuts off his head.

    Finally, Vermithor and Silverwing bend their knees, and their necks, to Hugh and Ulf, respectively. (Dragons do have knees, right?)

    All of which reminded me (sorry) of something Donald Trump Jr. recently said about conservative media mogul Rupert Murdoch. “There was a time where if you wanted to survive in the Republican Party, you had to bend the knee to him or to others,” Trump Jr. told Axios earlier this month. “I don’t think that’s the case anymore.”

    Even if Murdoch is no longer kneel-worthy, Trump Jr.’s preferred running mate for his father, JD Vance, gave his first post-nomination interview to a Murdoch-owned outlet, Fox News. Vance’s, well, sudden elevation prompted numerous mentions of knee-bending by political pundits, such as this one by New York Times columnist David French: “Trump loves it when his previous critics bend the knee, and few people have bent the knee more deeply than Vance.”

    A decade ago, most of America was blissfully ignorant of everything Trump Jr. said. But there’s no way he would’ve used the specific phrase “bend the knee” on, say, the last season of The Apprentice in 2010, right? Game of Thrones didn’t premiere until 2011. And seemingly thanks to Thrones (and, perhaps, A Song of Ice and Fire), these days, everybody “bends the knee.”

    Thrones has long been a staple of political discourse. (If you think Vance’s stances have been divisive, check out what one of the Democratic VP hopefuls just said.) But it’s not just the political class that’s newly enamored of this saying. The culture’s increasing knee-diness is evident in this graph from the Google Books Ngram Viewer, which displays data through 2019:

    Search traffic tells the same story, via Google Trends:

    What if we compare “bend the knee” to a similar phrase?

    Kissing the ring is out. Bending the knee is in. (By the way, if you’re wondering why “kiss the ring” popped in 2012, you can credit DJ Khaled. That 2017 spike for “bend the knee” was all Jon and Dany.)

    George R.R. Martin didn’t come close to coining “bend the knee,” the way that he seems to have coined, say, the specific phrase “sweet summer child” (with its modern meaning of “naïve”). But he’s certainly made us say it much more often. Words are wind—another phrase Martin has seared into our brains—but wind can fan a fire, and every reference to knee bending reminds us that the world has collectively bent the knee to Martin’s (and HBO’s) creations. Which is, after all, why you’re reading these words … which are supposed to be about ranking characters.

    1. Rhaenyra Targaryen

    In a single episode, Rhaenyra doubled the number of dragons at her disposal on Dragonstone. And we’re not talking tiny ones, like Daeron’s dragon, who reportedly took wing this week in Oldtown. These are combat-ready, adult dragons, including one who’s almost as massive as Vhagar (and may be more fierce). Before receiving these reinforcements, Rhaenyra said, “I have only Syrax who may give Aemond a second thought.” But by the end of the episode, Rhaenyra has more dragons than she knows what to do with, and Aemond and Vhagar are forced to turn tail.

    Not only did Rhaenyra assemble enough riders to turn Dragonstone into a no-fly zone for Team Green and potentially establish air superiority over the mainland, she did so by addressing another longstanding deficiency: her subpar political instincts. This week, she showed some serious savvy and spine by ignoring the naysayers—including Bartimos Celtigar, the dragonkeepers, and her own son and heir—recognizing the merits of Mysaria’s suggestion, and making Vermithor come when she called. She overcame her own prejudices in the interest of expediency and showed an unsuspected knack for pregame pep talks. Clear eyes, full hearts, quick fuse!

    On top of all that, Rhaenyra—unbeknownst to her—gained the allegiance and swords of the Riverlords, who supported her despite Daemon’s attempt to soft-launch himself as king. Perhaps her troubles with her coup-curious consort are coming to an end. Plus, she got to meet some of her extended family! Sadly, most of her relatives’ visits didn’t last long. Family gatherings can be so incendiary. This one wasn’t heartwarming, but it was, well, warm.

    2. Bastards

    Episode 7 was quite a come-up for bastards, one of Westeros’s traditionally downtrodden groups. As a bastard born myself, I salute the ascendance of my fellow out-of-wedlock kids; Addam, Hugh, and Ulf may be illegitimate, but they proved that they’re legit. Even if Rhaenyra was just grinning and bearing the bastards in her midst, they came up clutch enough that the queen couldn’t front about the bastards bailing her out. Who knew that in this war among the highborn, the baseborn would prove so pivotal? (Other than millions of readers of Fire & Blood.)

    Of course, things didn’t go great for every bastard: In Westeros, events that start with “The Red” and end with “-ing” must be bad news for someone. As is often the case, the sowing wasn’t so bad, but the reaping was a problem.

    If I have any critique of Rhaenyra, who was Reaganing this week, it’s that the bastard barbecue in the Dragonmont may have been avoidable. I couldn’t help but notice that she and her retinue got well out of range of Vermithor’s flames before Silver Denys’s ill-fated dragon-taming attempt. Why not send out the aspiring dragonriders one by one to decrease casualties and increase the chances of a successful bonding, instead of making them cluster together for maximal collateral damage and then barring their escape? I don’t expect Rhaenyra to care about the bastards’ well-being, but you’d think she’d care about upping the odds of finding a match.

    3. Hugh Hammer

    How Hugh like me now? When this episode started, Hugh was an unpaid contractor in King’s Landing, bereaved and bereft. Now he commands the baddest dragon on Team Black, if not in all the land. Unlike Ulf, he looks the part of a dragonlord, but he didn’t master Vermithor just by being a nepo baby with the right Valyrian midi-chlorian count. He won his dragon—and, perhaps, his fortune—by being bold and courageous. “I have to do something!” he exclaimed. Well, that was certainly something. His next chat with Kat should be a fun one.

    4. Addam of Hull

    “We spent the whole of our lives in the shadow of the Sea Snake’s great castle,” Addam complained last week. Now he has his own room in an even greater castle. Corlys said it: “How you have come up in the world.”

    Addam doesn’t just have a way with Seasmoke; he also has a way with words. As the first of the non-Targaryens to claim a dragon, Addam had the toughest time convincing Rhaenyra of his intentions. But by pledging his loyalty and bending his knee, he opened the queen’s closed mind to the possibility of “an army of bastards.” “The order of things has changed, Your Grace,” Mysaria says to Rhaenyra. This Ad(d)am actually changed the hierarchy of power.

    Pulling off the “impossible” stunt of claiming a dragon—and being rewarded with a sweet cloak, plus some time off work—was nice enough. But after last week’s lament about the Sea Snake—“Me he ignores … as he always has”—you know that “Well done” from Daddy was the greatest prize of all. Hey, people have probably done more dangerous things for parental approval.

    5. Ulf the Dragonlord

    So, Ulf wasn’t just boasting about being the blood of the dragon for the free drinks. Yes, he had to be peer pressured into leaving King’s Landing, and sure, he covered himself in mud more than glory when he accidentally stumbled into Silverwing’s lair. But Baelon’s sot of a son—at least, he’s believed to be Baelon’s—is now a genuine dragonrider who ends the episode by soaring over the city where he once huddled among the smallfolk. It’s a pleasure to see someone flying just for fun, for once.

    It’s nice work if you can get it. Still, it’s sort of a letdown that you evidently don’t have to do anything to claim a dragon. Hugh, at least, stood up to Vermithor and faced his dragon down. Ulf literally falls down in front of his dragon, yet Silverwing accepts him. I know Silverwing is laid-back by dragon standards, so maybe she sees the more mellow Ulf as a kindred spirit, but shouldn’t claiming a dragon be like breaking a horse or taming an ikran—a task that requires some skill or bravery? I guess it’s sort of a soulmate thing, but the bond would be more meaningful to me if it had to be built up over time or earned through an act that revealed the rider’s character. And shouldn’t you have dragonriding lessons before you go joyriding—kind of uncontrollably, to be fair—over Blackwater Bay? How much art is there to dragonriding, really?

    That nitpick aside: There’s undoubtedly an art to depicting dragons on-screen, and the combination of HBO’s budget and its VFX artists’ skill made this episode a masterstroke in that respect. And though there’s only so much depth to the dragonseeds, the series has made major strides toward rectifying the first season’s lack of lowborn characters.

    6. Mysaria

    So, uh … are Mysaria and Rhaenyra going to talk about that (truly) spontaneous face-sucking sesh from last week, or are they just going to pretend it didn’t happen? Granted, these two have many matters other than making out on their minds. But if Mysaria thought Rhaenyra looked good with a sword at her side last week, you can’t tell me that the sight of the queen cowing a dragon and intimidating Aemond didn’t do it for her.

    Whether or not Rhaenyra and Mysaria smooch again, Mysaria has once again demonstrated her platonic utility to the queen and solidified her status as Team Black’s most valuable adviser. You have to hand it to her: Keeping track of fourscore Targaryen progeny—some of whom don’t look at all like typical Targaryens—is a nifty feat of sleuthing and surveillance. It’s not like she has 23andMe.

    7. Oscar Tully

    Well, now we know how House Tully has kept the factious Riverlords in line: by applying a deft diplomatic touch that young Oscar seems to have inherited. Lord Oscar isn’t quite as precocious as Lady Lyanna Mormont, but he seems like an old hand at reading a room of proud rivermen. In private, he professes uncertainty about whether his vassals will heed his authority, but once the spotlight is on him, he performs flawlessly while projecting a winsome humility that the Targaryens lack. He even audaciously dresses down Daemon to his face, in front of a noble audience, knowing that Daemon can do nothing if he wants to walk away with a win.

    “I hope to begin well, and go on from there,” Oscar tells his bannermen. Well, the beginning is going great. Why can’t Oscar be king? Can we get this kid a dragon?

    8. Alyn of Hull

    Addam is a dragonrider; might Alyn possess that power, too? He doesn’t know, nor does he care to find out. “I am of salt and sea,” he says when Corlys implies that maybe both of his bastard sons could bolster Rhaenyra’s dragon depth chart. “I yearn for nothing else.” You have to respect someone who understands their strengths and knows what they want in life, but even if he’d rather do his job in the background, Alyn’s low-profile life is probably behind him.

    9. Corlys Velaryon

    Corlys is Rhaenyra’s hand, so in general, events that help her also help him. And in this case, his sons are instrumental to her success—though he hasn’t publicly acknowledged them as his sons. Maybe it’s High Tide—er, high time—that he did. Rhaenys is dead, and Laenor’s long gone; now that Rhaenyra is indebted to Addam and Alyn and the Targaryens’ bastards have been brought into the fold, what reason does he have to hide them? “The Sea Snake would sooner have High Tide claimed by the sea than call us his sons,” Alyn told Addam last week. That was before Addam mounted a dragon and Alyn smuggled two other future riders to Dragonstone. Come on, Corlys: Let the father-son bonding begin.

    10. Jacaerys Velaryon

    Jace has been a voice of reason and an effective emissary for the blacks, even when Rhaenyra was rudderless, but their roles reverse this week when his mom’s new plan puts him on tilt. I get it: All that talk about bastards, and the sight of so many dragonseeds who look more quintessentially Targaryen than he does, are dredging up some insecurities. So is suddenly finding his dragon so outclassed. Pouting isn’t a good look on him, but hopefully it’s healthy that he and his mother had the Harwin talk; sometimes it’s good to get these things out there.

    Perhaps Jace is right to be skeptical; we’ll see whether Rhaenyra’s pride goes before a fall. But Jace: You have to win the war before you stress about succession. Also, the smallfolk are saving your side’s ass, yet you’re calling underprivileged people “mongrels”? Come on, man. This is the Dance of the Dragons, not Project 2025.

    11. Daemon Targaryen

    Daemon accomplished his mission—uniting the Riverlands—but he did so, inadvertently, by uniting the region against him. He also suffered the indignity of a tongue-lashing from a whelp of a lord Daemon had dismissed in their last meeting. And then he dispensed “justice” by murdering a man for following his own orders.

    Willem’s bloody demise extended a violent motif from this season. The first episode started with giving head and ended with taking one. In Episode 2, Jaehaerys’s killer, Blood, got caught head-handed, then had his head bashed in. In Episode 4, Daemon envisioned beheading young Rhaenyra. And this week, he decapitated Blackwood, who was doing Daemon’s bidding. By swinging his sword, Daemon tacitly admits that he deserves death.

    “I don’t need their love,” Daemon says. “I need their swords.” Unlike Oscar, he doesn’t realize that gaining the former might make obtaining the latter more likely—or that people fight harder for causes they care about. However, he does show some signs of growth. In his latest Harrenhal hallucination, Daemon visits Viserys as an old man. “You always wanted it, Daemon,” the decrepit king says, holding out his crown clasped in one bony hand. “Do you want it still?” To his credit, Daemon doesn’t take it. Maybe he’s ready to give up the ghost, so to speak, and rededicate himself to supporting Viserys’s rightful heir.

    12. Larys Strong

    Larys showed a lousy nose for news in dismissing Ironrod’s intel about Seasmoke’s new rider—unless he’s trying to sabotage Aemond—but who wants to be the bearer of bad whispers, anyway? The real problem for Larys isn’t one whiff on a whisper; it’s that he’s hitched his star to a king who hardly has the will to live. Having been rebuffed in his bid to be Aemond’s hand, Larys pivoted to currying favor with the nominal monarch, whom he thinks will welcome his help adjusting to a less mobile life. Now his own survival and advancement depend on Aegon’s—hence the strict regime Larys has prescribed in his informal capacity as the king’s drill sergeant/personal trainer/physical therapist. I see the vision, but I’m not sure Larys picked the right pupil. He does lend a hand to Aegon in this episode, but it could be awhile before Aegon is in any kind of condition for him to serve as one.

    13. Grand Maester Orwyle

    Orwyle has little power, per se, but he’s a healer—and in wartime, those are much in demand. I don’t see why he has to take orders from Larys, though, so he should probably put his foot down. Larys tends to respond to that.

    14. Aegon Targaryen

    The good news is that the king is conscious and semi-ambulatory. The bad news is that he doesn’t want to be. Also, he has to be hidden away, lest his not-so-loving subjects see how weak and disfigured their monarch has become. The greatest indignity, though, is that he takes a spill during physical therapy because his cane cracks. Aegon styles himself King of the Andals, the Rhoynar, and the First Men, Lord of the Seven Kingdoms, and Protector of the Realm. Is a solid walking stick too much to ask?

    15. Aemond Targaryen

    Tough look for my guy One-Eye. Not only is his brother (slowly) on the mend, endangering his regency, but his Small Council is much smaller than usual. Worst of all, he’s no longer invincible on Vhagar, whose Swiss-cheese wings and wattle are making her look a little old. Until this week, the blacks could’ve triple-teamed Vhagar and still stood to lose, so great was Vhagar’s size and strength advantage over any of Rhaenyra’s individual dragons. But even Vhagar wouldn’t survive a six- or seven-on-one attack—especially not with Vermithor, who’s nearly as large, in the mix. With her revamped roster, Rhaenyra could put the Vhagar Rules into effect while holding a dragon or three in reserve. As his 180 at the end of this episode shows, Aemond knows it. If he nears Dragonstone, he’ll be at great risk … but if he flies anywhere else in the realm, he’ll leave the city exposed.

    16. Alicent Hightower

    “Nothing is clean here,” Alicent says, staring at a rat that looks at home in her chambers. It can’t have helped that her son had the ratcatchers killed … but who bears more blame for Aegon’s ascent to the throne than Alicent? It would seem that the list of things that aren’t clean includes the dowager queen’s conscience, and understandably so.

    In an effort to cleanse that much, at least, Alicent goes glamping in the Kingswood with Rickard Thorne and tries to wash away her sins. When she emerges from the figurative baptism, she finds she’s in no rush to return to court. When Thorne—who seems a little less enthused about this outdoors adventure—asks, more or less, when she means to release him from roughing it, Alicent answers, “I’m not yet certain I do.”

    At least Alicent got some screen time this week, unlike estranged slam piece Criston Cole, who’s missing in action. (I can’t say that I missed the man.) She’s plummeting in the power rankings; if she falls much further, she might cease to merit Kingsguard protection, and she’d have to go glamping alone. But her demotion would be worth it if it came with a corresponding drop in the misery rankings. Maybe this dark night of Alicent’s soul will be for the best: Hasn’t she done enough damage, to Westeros and herself? If proximity to the crown is crushing, as Daemon’s vision of Viserys says, then Alicent is probably better off away from the rats and the rat race.


    T-17. Baela and Rhaena Targaryen

    “It must be the dragon who speaks,” Rhaenyra says in Episode 7. Evidently it mustn’t be either Baela or Rhaena who speaks, because neither of them had a line this week. At least Rhaena is hot on Sheepstealer’s trail, not that Team Black seems to need more dragons right now. Back in Episode 6 of Season 1, Rhaena griped, “Father ignores me.” Good news: If Addam of Hull’s example is any guide, there’s no better way to get a distant dad’s attention than to claim a dragon. Then again, in that same Season 1 episode, Rhaena’s late mother told her, “If you wish to be a rider, you must claim that right.” So maybe Rhaena’s doing it aaaall for Leyna Laena.

    19. King’s Landing Security

    First, Daemon sneaked into King’s Landing and hired assassins to kill a member of the royal family within Maegor’s Holdfast. Next, Rhaenyra herself sneaked into the sept to see Alicent, right under the noses of the dowager queen’s guards. Now 80 dragonseeds have sneaked out of the city at Rhaenyra’s behest. By contrast, it took an identical twin of a Kingsguard member for the greens to (briefly) breach the blacks’ defenses. Granted, it’s easier to lock down Dragonstone than the capital city, but is there no limit to the incompetence of King’s Landing security and counterintelligence? I’d say “heads must roll,” but as we established, a lot of heads have rolled already.

    20. Hugh’s Daughter

    Farewell, Whatever Your Name Was. I’ll miss the mopping of your feverish brow, but I guess you died on the way back to your home planet. I’m sorry that the lettuce Hugh stole last week wasn’t enough to sustain you.

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    Ben Lindbergh

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  • A Refreshing ‘Bachelorette’ Episode! Plus, ‘Love Island USA’ Updates and Olympic Recommendations.

    A Refreshing ‘Bachelorette’ Episode! Plus, ‘Love Island USA’ Updates and Olympic Recommendations.

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    Juliet and Callie are back to cover Episode 4 of The Bachelorette! First, they discuss Jenn’s ex flying from Colombia to try to win her back (04:25). They bond over their mutual distaste for Sam N. (08:48) and talk about the entertaining rugby date (12:28). They discuss Devin’s social media presence not being what they would expect (16:55) and pity Jenn for the torturous dates they are making her go on (22:44). Finally, they give predictions on the show before sharing Love Island USA updates and Olympic documentaries they like (46:04).

    Host: Juliet Litman and Callie Curry
    Producer: Olivia Crerie
    Theme Music: Devon Renaldo

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS

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    Juliet Litman

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  • ‘House of the Dragon’ Season 2, Episode 7 Reactions

    ‘House of the Dragon’ Season 2, Episode 7 Reactions

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    They’re not Rhaenyra’s newest dragonriders, but Chris Ryan, Joanna Robinson, and Mallory Rubin are back to break down the seventh episode of House of the Dragon! Daemon is getting some pushback, Alicent is going camping, Jace is unhappy, and so much more for our trio of lords to get through.

    Hosts: Chris Ryan, Joanna Robinson, and Mallory Rubin
    Production: Jack Wilson, Felipe Guilhermino, Chris Wohlers, Kevin Cureghian, Bobby Gibbons, Jonathan Frias, Ryan Todd, Tony Perry, Cory McConnell, Aleya Zenieris, Arjuna Ramgopal, Steve Ahlman, Jomi Adeniran, Abreanna Corrales, and Yvonne Wang

    Subscribe: Spotify / Apple Podcasts / Stitcher / Pandora / Google Podcasts

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    Chris Ryan

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  • Give Shannon’s Trainer an Orange! Plus, ‘New Jersey’ and ‘Dubai.’

    Give Shannon’s Trainer an Orange! Plus, ‘New Jersey’ and ‘Dubai.’

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    Bravo

    Rachel Lindsay, Callie Curry, and Chelsea Stark-Jones break down the week in Bravo news

    Rachel Lindsay and Callie Curry begin today’s Morally Corrupt with a breakdown of the lackluster Real Housewives of New Jersey Season 14, Episode 11 (10:20). They then dive headfirst into a discussion about the disappearance and reappearance of Caroline Brooks in The Real Housewives of Dubai Season 2, Episode 8 (19:02). Later, Chelsea Stark-Jones joins the pod to recap Alexis’s best Single White Female impression from The Real Housewives of OC Season 18, Episode 3 (33:44).

    Host: Rachel Lindsay
    Guests: Callie Curry and Chelsea Stark-Jones
    Producer: Devon Baroldi
    Theme: Devon Renaldo

    Subscribe: Spotify

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    Rachel Lindsay

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  • Where to Indulge With Bottomless Brunch in Chicago

    Where to Indulge With Bottomless Brunch in Chicago

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    Get plenty of variety with a $60 two-hour brunch that includes Modelo, punch, house margaritas, mimosas, micheladas, a breakfast buffet, chips & salsa, and a choice of tacos or a brunch dish like chilaquiles or s’mores french toast. The same package is also available at the restaurant’s Lakeview location. Make a reservation on OpenTable.

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    Samantha Nelson

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  • ‘Deadpool & Wolverine’ Instant Reactions With ‘The Midnight Boys’ and ‘The Big Picture’

    ‘Deadpool & Wolverine’ Instant Reactions With ‘The Midnight Boys’ and ‘The Big Picture’

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    The Midnight Boys are here to talk all things Deadpool & Wolverine, the summer’s most anticipated alliance in the comic book world, so they decided to make an alliance of their own! Joining them on the pod today are Sean Fennessey and Amanda Dobbins from The Big Pic (07:14), and together they discuss comic book lore, Wolverine’s wardrobe changes, and Van’s vitamin supplements.

    Hosts: Van Lathan, Charles Holmes, and Jomi Adeniran
    Guests: Sean Fennessey and Amanda Dobbins
    Producers: Aleya Zenieris and Jonathan Kermah
    Additional Production Support: Arjuna Ramgopal

    Subscribe: Spotify / Apple Podcasts

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    Van Lathan

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  • A ‘Bachelorette’ Pick-Me-Up

    A ‘Bachelorette’ Pick-Me-Up

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    Juliet welcomes Jared Freid back to the pod for an attitude reversal. They talk about a wide range of topics related to The Bachelorette, including who Jenn has a genuine connection with, ideal dates if Jared were the Bachelor, how to feel about Devin, and predictions for the final two. They also talk about a lot of real-world dating topics, including dating in your 30s, why Charlotte could be a good dating city, dating apps and Jared’s return to Hinge, and the language of dating. Jared is always a Bachelor Nation pick-me-up!

    Host: Juliet Litman
    Guest: Jared Freid
    Producer: Olivia Crerie
    Theme Music: Devon Renaldo

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS

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    Juliet Litman

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  • ‘Presumed Innocent’ Season 1 Finale: Closing Arguments

    ‘Presumed Innocent’ Season 1 Finale: Closing Arguments

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    Jo and Rob await the jury’s decision to recap the Season 1 finale of Presumed Innocent. They open by discussing why the episode felt unsatisfying, the shocking revelation that [redacted] is the killer, and how the ending affects the season as a whole (8:39). Along the way, they talk about what they want out of Season 2 (16:45). Later, they compare the show’s conclusion to that of its cinematic and literary counterparts (24:19).

    Hosts: Joanna Robinson and Rob Mahoney
    Producer: Kai Grady
    Additional Production Support: Justin Sayles

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    Joanna Robinson

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  • Into the Ringer-Verse Live Show!

    Into the Ringer-Verse Live Show!

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    Did you miss our live show in L.A. this summer? We got you! Here is all of the fun The Midnight Boys (00:00) and House of R (30:12) had with the Bad Babies and the Midnight Mafia.

    Hosts: Van Lathan, Charles Holmes, Jomi Adeniran, Mallory Rubin, and Joanna Robinson

    Subscribe: Spotify / Apple Podcasts

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    Van Lathan

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  • Humble’s Heatwave sale is the perfect excuse to stay inside

    Humble’s Heatwave sale is the perfect excuse to stay inside

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    The mercury is rising, but Humble is providing the ideal way to beat the heat.

    Through July 25, Humble is offering discounts on a variety of AAA and indie games with its Heatwave of Hits sale. Titles include Dragon’s Dogma 2, Cult of the Lamb, Resident Evil 4, and more. There are dozens of games to choose from, but if you need some suggestions, we’ve highlighted some of our favorites below.


    Image: Ironwood Studios

    If you ever wondered what it might be like taking a road trip through the Upside Down from Stranger Things, you should definitely check out Pacific Drive. Pacific Drive is currently on sale for $17.99 at Humble (was $29.99).


    A screenshot from Against the Storm

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    A bold title that blends elements of city-building and real-time strategy with roguelite elements, Against the Storm distills the typical marathon of management sims into two-hour sessions. This title is currently on sale for $18.99 from Humble (was $29.99).


    A screenshot from Children of the Sun

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    Sniping a bunch of unsuspecting targets can get a bit tricky when you only have one bullet. Children of the Sun lets you artfully string together headshots by curving your bullets, allowing you to eliminate several foes with one sublime shot. Children of the Sun is on sale for $11.99 at Humble (was $14.99).


    A screenshot from Pepper Grinder

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    Pepper Grinder combines a vivid, and deliciously chunky aesthetic with innovative and fluid movement to produce what is easily the best platformer of 2024. You can pick up this title for just $11.99 at Humble right now (was $14.99).


    A screenshot from Shadow Gambit: The Cursed crew, showing an overview of the Dreadvine Cove Island, highlighting the vine covered skull that sits at the center of the map.

    Image: Mimimi Games

    Take control of an undead crew of pirates as you attempt to stealthily shank and shiv your way across the Caribbean. This stealth tactics game is witty, charming, and full of interesting tactical puzzles for your to dissect. You can pick up Shadow Gambit: The Cursed Crew from Humble for $29.99 (was $39.99).


    A screenshot of Ultros

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    With every frame looking like a living blacklight poster, Ultros is perhaps the artistic antithesis of Hollow Knight. If you’re hunting for another awesome Metroidvania to tide you over until we get more Hollow Knight: Silksong news, you should take Ultros for a spin. You can pick up this title from Humble for $14.99 (was $24.99).

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    Alice Jovanée

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  • ‘The Acolyte’ Episode 8 Deep Dive

    ‘The Acolyte’ Episode 8 Deep Dive

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    It’s time to bleed the crystal, as Jo and Mal are here to dive deep into the season finale of The Acolyte. They begin with their opening snapshot on this episode and their thoughts on the season in general (06:54). Then they get into the nitty gritty of revelations and surprise cameos that make up this divisive season of TV (17:02).

    Hosts: Mallory Rubin and Joanna Robinson
    Senior Producer: Steve Ahlman
    Additional Production: Arjuna Ramgopal
    Social: Jomi Adeniran

    Subscribe: Spotify / Apple Podcasts / Stitcher / Pandora / Google Podcasts

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    Mallory Rubin

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  • Ser Criston Cole could rule the world if it wasn’t for all these dragons

    Ser Criston Cole could rule the world if it wasn’t for all these dragons

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    Criston Cole (Fabien Frankel) should be the kind of man who has songs written in his honor. A low-born knight, elevated to the Kingsguard, then made Lord Commander, before finally rising to the position of Hand of the King. Our handsome knight has some … anger issues, yes (who doesn’t in this world?), but he appears to be an honorable and gallant knight — and really that’s all that matters as far as the histories are concerned. He does have one fatal flaw though, something entirely outside of his control: he was born in the age of dragons.

    Episode 4 saw Criston rise to his highest yet. His successive military victories earn him the acclaim of the masses. For a low-born knight to be named “kingmaker” is the stuff of legend, but here we saw just how far he can fall. As dragons clash in the sky over Rook’s Rest, Criston is thrown from his horse and spends most of the battle unconscious. While there is no shortage of sweeping dragon-on-dragon action, the focus of this sequence is remarkably human. This climactic battle represents one of the most important days of Criston’s career, the moment this entire campaign has been leading to, but he spends it face down in the mud. It doesn’t matter what someone’s status is, when faced with a dragon they are little more than a sack of meat and bone.

    But this is just one setback in what has been a long line. He was elevated to the Kingsguard, only to discover the limits of his station. He is constantly beneath royalty (and you can take that in any way you will), which means he rarely has leave to act of his own accord. He has had two royal flings so far, and neither have gone particularly well. Even when things go his way, he is uncomfortably aware of his own fragility. No matter what he does, how hard he tries, he just isn’t enough. His military is larger and better equipped than that of team Black, but they are little more than specks when viewed from dragonback. He has seen men tossed aside like dolls, and burned in dragonfire. He knows that his little battle of men and land is a farce — there are greater powers in the sky. But Criston rails against these limits. Faced with his own powerlessness, we see him declare this a war of dragons, not men. He is restless in his position, and it’s easy to see why.

    Criston is entirely convinced of his own self-importance. To be fair, he has a good deal of evidence to support that perspective, even beyond what’s outlined above. He unseated Daemon at the tourney and quickly won his position on the Kingsguard, and his military victories are all his own. Aegon looks pathetic when placed next to Criston (though this is true of most people, to be fair), but even the more formidable Prince Aemond was his pupil. He has done the impossible already, so it is no wonder that he is so confident in his own abilities; he can already hear the songs that will be sung in his honor.

    Photo: Theo Whiteman/HBO

    But that honor is fragile. He tries to bury any and all evidence that suggests he is not suited to his position, first by murdering Joffrey back in season 1, and more recently by deflecting blame for Jaehaerys’ murder onto Ser Arryk and sending him to his death. Criston is skilled, yes, but he is also recklessly prideful. He is locked in a constant battle to prove to himself and others that he deserves his position, but he constantly falls short. Episode by episode we can see his frustration mounting, Frankel deftly portraying the rising anger of a man who can’t quite get it right. We can all sense the danger here: We have a man who wants to prove his own greatness, who blinds himself to his shortcomings, yet is cursed to spend his life in the shadow of dragons.

    In most cases, this kind of self belief would serve one well. Criston is ruthless and bold, and while that aids him on the battlefield, it presents a problem when the conflict begins to escalate. The battle at Rook’s Rest has clearly shaken him, but where some would reconsider, he doubles down. He endorses Aemond as regent, knowing that he will escalate the war. Criston has seen a fight between dragons firsthand, he knows the chaos it will bring to the Seven Kingdoms, yet he still leads team Green down the path of war. He’s not pure evil, but he is delightfully hateable in this moment. Alicent pushes for him to side with her, but he knows he can’t. It’s the dilemma at the core of the series, and Criston would rather see the Seven Kingdoms fall to ruin than be on the losing side. He’s just as doomed as anyone else in King’s Landing, no matter how high he climbs.

    Criston’s attempts to rise above the dragons ultimately ensure that he will always be under them. Desperate to prove himself, he will lead this war of dragons to its bloody end. His legacy is set in stone, at least as far as his brief mention in A Feast for Crows is concerned. Of all the tragic and thoughtless mistakes characters in House of the Dragon have made so far, pitting the dragons against one another might just be the most significant.

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    Duncan Butcher

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  • ‘House of the Dragon’ Season 2, Episode 5 Instant Reactions

    ‘House of the Dragon’ Season 2, Episode 5 Instant Reactions

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    Dragon meat’s back on the menu as the Midnight Boys get into HotD with reactions to the latest episode of Season 2 (05:03). Later, listen as the guys discuss their initial feelings about Captain America: Brave New World after watching the trailer (01:18:00).

    Hosts: Van Lathan, Charles Holmes, Jomi Adeniran, and Steve Ahlman
    Producers: Aleya Zenieris, Cory McConnell, Jonathan Kermah, and Steve Ahlman
    Additional Production Support: Arjuna Ramgopal

    Subscribe: Spotify / Apple Podcasts

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    Van Lathan

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  • Does Hollywood Need Deregulation?

    Does Hollywood Need Deregulation?

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    Matt is joined by Bloomberg’s Lucas Shaw to discuss Warner Bros. Discovery CEO David Zaslav’s latest comments from the Sun Valley conference, during which he advocated for less regulation in Hollywood. They unpack his statement and speculate how the election results might affect the regulatory environment for media companies, which companies would benefit the most from M&A possibilities, and why a company like Netflix might not mind consolidation (03:07). We finish the show with a mid-year check-in of the 2024 Box Office Draft (23:16).

    For a 20 percent discount on Matt’s Hollywood insider newsletter, What I’m Hearing …, click here.

    Email us your thoughts!

    Host: Matt Belloni
    Guest: Lucas Shaw
    Producers: Craig Horlbeck and Jessie Lopez
    Theme Song: Devon Renaldo

    Subscribe: Spotify

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    Matthew Belloni

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  • A Local Hut of Pizza With New York Slices Hopes to Outduel the Competition

    A Local Hut of Pizza With New York Slices Hopes to Outduel the Competition

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    The owners of Replay Lincoln Park are continuing to serve up ‘90s pop-culture nostalgia with the arrival of a New York-style pizza shop inside the former Broken English Taco Pub in Lincoln Park.

    Seemingly a call out to the space’s former life 14 years ago as Hoagie Hut, hospitality veteran Mark Kwiatkowski has opened the Slice Hut at Neon Gardens inside the sprawling unique corner space at Lincoln and Sheffield. The Hut, which opened in early June at 2580 N. Lincoln Avenue, represents the first phase of a two-part opening featuring gelato, Sicilian slices, and whole pies.

    The Slice Hut is open in Lincoln Park.

    The space went through extensive remodeling in 2015 — melding a few neighboring buildings into a single complex. Kwiatkowski says he’s long wished for a New York-style specialist in the neighborhood. He also understands the power of a nostalgic reference — he’s deployed a team of artists while producing a lengthy list of unofficial pop-up events, tapping into a potent cast of characters synonymous with pizza parties. “We started thinking about pizza — what’s the pop-culture reference?” he says. “Teenage Mutant Ninja Turtles partnered with Pizza Hut in the ‘90s for a promotional deal, and the Slice Hut lends itself perfectly to a retro Pizza Hut-inspired design.”

    The 16-seat space evokes a time capsule of the chain in its heyday, from its exposed brick walls and Coca-Cola clock to Pizza Hut’s signature red-and-white checkerboard tablecloths. Pizza options include chicken bacon ranch (Italian pico), Buffalo chicken with blue cheese sauce, and macaroni and cheese, alongside pizza pinwheels that resemble cinnamon buns, salads, sandwiches, and gelato from Vero Coffee & Gelato in suburban Elmwood Park. There’s a loading zone outside for takeout customers and a walk-up window for those who want to grab a quick slice from the sidewalk.

    Two New York-style pizzas behind a counter.

    Pies are available whole or by-the-slice.

    A pizza shop with exposed brick walls and red-and-white checkerboard tablecloths.

    The Slice Hut’s design pays tribute to a certain infamous pizza chain.

    Not content to open just one new business, the team is preparing to launch adjoining spot Neon Gardens, a full-service restaurant and bar that takes the chaotic aesthetic of four famous, ninjutsu-trained reptiles to new heights. It will open Friday, July 19 with a 50-seat bar area bears a gallery wall of works from Renaissance painters (say, Michelangelo) that the squad altered with spray paint and illustrations, and a sunny atrium (which also seats 50) designed to resemble an overgrown Roman statuary garden laden with graffiti, as if “some street artist came in and had all this great canvas to play with,” Kwiatkowski says.

    It also houses a game room, which embraces the neon-lit, underground energy of the Turtles’ sewer lair complete with slimy green substances oozing down the walls and more than a dozen games including darts, shuffleboard, and arcade games. Patrons can also expect an array of TVs hooked up to multi-game consoles with hits like Super Smash Bros. that will rotate based on popularity. The venue is topped off with a patio where the team can host pop-ups, kicking off later this summer with a Portofino-themed event with Aperol spritzes, salumi, and TikTok-friendly visuals like a Vespa and classic Italian films on a projection screen.

    A dining room atrium with large red booths and street art all over the walls.

    The atrium’s design bears a whiff of late-stage capitalism.

    During the day, Neon Gardens is a family-friendly affair, but after 9 p.m., staff will dim the lights, turn up the music, and transform the space into a 21-and-up venue. Kwiatkowski hopes it will attract a lively crowd and help boost the neighborhood’s energy overall. “Lincoln Park is coming back — it sleepy for so many years,” he says. “but now, with some of the young people who are maybe a little tired of River North or West Loop, it’s got some energy and excitement again.”

    Behold the Slice Hut and Neon Gardens in the photographs below.

    The Slice Hut at Neon Gardens, 2580 N. Lincoln Avenue.

    A person lifts a slice from a chicken bacon ranch pizza.

    Chicken bacon ranch pizza.

    A round tray of cinnamon bun-shaped pizza pinwheels.

    Pizza pinwheels.

    A row of New York-style pizzas behind a counter.

    A pizza shop with exposed brick walls.

    A long bar space with a bright purple bar.

    The bar area at Neon Gardens applies a street art-style spin to classic Renaissance paintings.

    A close-up of a piece of wall art.

    A close-up of a table and chairs beside a window.

    A dining room atrium with red furniture.

    Neon Gardens’ atrium seats 50.

    A dining room atrium with red furniture.

    A section of a game room filled with arcade and video games.

    Go ninja, go ninja, go — to the game room.

    Two arcade games inside Neon Gardens’ game room.

    Don’t eat that green ooze.

    A wall painted with cartoon characters.

    A table and arcade games inside Neon Gardens’ game room.

    A close-up of a retro video game unit.

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    Naomi Waxman

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  • There’s a secret reason Nicolas Cage’s face looks so weird in Longlegs

    There’s a secret reason Nicolas Cage’s face looks so weird in Longlegs

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    Oz Perkins’ oddball movie Longlegs does a lot of genre-hopping: It’s part police procedural, part serial-killer thriller, part supernatural horror movie, with a lot of little detours down lanes that shuffle it further into various subgenres. And it raises a lot of questions it never answers. In particular, the killer — an isolated oddball who styles himself as “Longlegs” in cryptic messages he leaves for law enforcement — has such an odd appearance that it raises the question of whether there’s a supernatural element to that, as well.

    Image: Neon

    Longlegs’ look isn’t addressed during the movie, apart from a scene where a hardware-store employee (played by Perkins’ daughter Bea) calls Longlegs a weirdo. People don’t even seem to acknowledge that he looks like someone slapped wet, greasy, white modeling clay all over his face, then walked away. While the prosthetics job could be seen as just a way to hide Nicolas Cage’s face out of a fear that the iconic actor is too familiar and his presence might be distracting, the press notes for the movie have a different explanation that the movie doesn’t even hint at.

    [Ed. note: Major spoilers ahead for Longlegs.]

    As viewers eventually learn, Longlegs, as he styles himself, is a Satanist who’s been busily gathering souls for the devil by making evil dolls and sending them to families under the guise that they’ve won some sort of contest. Once the doll enters each household, the father of the family succumbs to a form of possession and murders everyone in the house, then kills himself. When Longlegs is caught, he makes it clear to protagonist Lee Harker (Maika Monroe) that he expects Satan to lavishly reward him for these deeds — he isn’t afraid of his impending death, because (something like Obi-Wan Kenobi in Star Wars: A New Hope), he expects to be “everywhere” after he dies.

    This fervent dedication to Satan, as it turns out, actually explains his pale, lumpy, plasticky appearance. According to the movie’s press notes, Longlegs’ face is a result of repeated plastic surgeries gone wrong:

    When Perkins initially approached special makeup effects artist Harlow MacFarlane about creating the face of Longlegs, MacFarlane says, “From the beginning, Oz always had this glam rock vibe in his head.” The big hair, the garish makeup, the superficial aesthetic fixation that might lead a person to go under the knife so they could remain forever young. But more than being driven by style, Longlegs would be a man driven by obsessive devotion.

    “His jam is really that he’s trying to make himself beautiful for the Devil,” explains MacFarlane. “He’s in love with the Devil, and he’s trying to impress the Devil, so he’s gone through all these plastic surgery botch jobs to make himself look as pretty as he can for the Devil. Every thing he does is for this evil force that he’s trying to impress.” […]

    Getting the faded glam sadist look just right meant researching the state of elective surgery in the late 70s and early 80s — with characters living in semi-rural Oregon, no less — and then building from a foundation of bad work marked by overfilling and visible scarring. There would be layers of pain atop layers of pain. “You can just imagine it’s some hack job of a doctor in a strip mall somewhere,” says MacFarlane, who worked closely with Perkins and Cage to hone the final product.

    According to the same notes, MacFarlane looked at Gary Oldman’s makeup as Mason Verger in the movie Hannibal as one potential source of inspiration. In the 2001 sequel to The Silence of the Lambs, Mason was a rapist and pedophile who Hannibal Lecter drugged and convinced to slice off his own face, resulting in tremendous mutilation that could only be partially repaired with surgery.

    Cage also suggested an approach similar to Lon Chaney’s makeup in the 1925 Phantom of the Opera. Both inspirations were ultimately considered over-the-top for Perkins’ movie, but both are somewhat reflected in the final results. A note at the end of that section also reveals something Cage was hoping to see on screen that never happened: He wanted Longlegs to “fully pull his nose off at one point during the movie.”

    Lon Chaney as the Phantom in 1925’s The Phantom of the Opera — a monstrous figure with a piglike, turned-up nose, withdrawn lips exposing bare teeth, huge swollen bags under recessed eyes, and a small cap of hair on top of a very high forehead

    Lon Chaney in The Phantom of the Opera (1925)
    Image: Universal/Everett Collection

    There is no word in the movie or the press notes about how Satan feels about Longlegs’ current face.

    Another interesting piece of trivia does come up in the notes: Perkins concealed the character’s final appearance from Monroe until he shot the scene where they first come face-to-face in an FBI interrogation room, because he wanted her unnerved response to be authentic in the moment.

    “On horror sets, so many people ask if it’s scary or is it spooky. And it really isn’t! You see all the gags. You see the fake blood,” Monroe says in the press notes. “But for the first time, I was really able to experience this genuine feeling of being very uncomfortable and nervous and scared and fearful of opening that door, of what I was going to see. […] Oz didn’t let me see any photos or anything. I knew [Cage] was sitting in the hair and makeup chair for several hours, but I had no idea! It was a pretty surreal experience that I will definitely never forget.”

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    Tasha Robinson

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  • ‘The Blair Witch Project’ and Other Must-See Found Footage Films

    ‘The Blair Witch Project’ and Other Must-See Found Footage Films

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    Adam Nayman takes a look at some must-see found footage films

    ‌To celebrate the 25th anniversary of the release of The Blair Witch Project, Ringer contributor Adam Nayman takes a look at some must-see found footage films.

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    Adam Nayman

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  • The Bikeriders, The Kingdom of the Planet of the Apes, and every movie new to streaming this week

    The Bikeriders, The Kingdom of the Planet of the Apes, and every movie new to streaming this week

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    Each week on Polygon, we round up the most notable new releases to streaming and VOD, highlighting the biggest and best new movies for you to watch at home.

    This week, The Bikeriders, the new crime drama starring Jodie Comer (The Last Duel) and Austin Butler (Dune: Part Two), comes to VOD alongside The Kingdom of the Planet of the Apes and several other exciting new releases. That’s not all — there’s tons of other movies new to streaming to watch this weekend, like the hybrid animated period drama The Peasants on Netflix, the sci-fi drama The Animal Kingdom on Hulu, a documentary on the life and career of actress Faye Dunaway on Max, and much more.

    Here’s everything new that’s available to watch this weekend!


    New on Netflix

    The Peasants

    Where to watch: Available to stream on Netflix

    Image: Breakthru Films/Sony Pictures Classics

    Genre: Animated historical drama
    Run time: 1h 54m
    Directors: DK Welchman, Hugh Welchman
    Cast: Kamila Urzędowska, Robert Gulaczyk, Mirosław Baka

    Loving Vincent directing duo DK Welchman and Hugh Welchman return with yet another period drama composed of thousands of hand-painted images. Set in a 19th-century Polish village rife with feuding and gossip, a young woman named Jagna strives desperately to forge a life for herself beyond the expectations of those around her.

    New on Hulu

    The Animal Kingdom

    Where to watch: Available to stream on Hulu

    A bearded man with his arm around the shoulders of a teenage boy in The Animal Kingdom.

    Image: Magnet Releasing

    Genre: Sci-fi
    Run time: 2h 10m
    Director: Thomas Cailley
    Cast: Romain Duris, Paul Kircher, Adèle Exarchopoulos

    In a world where humans have been stricken with a genetic mutation that transforms them into animal hybrids, a desperate father (Romain Duris) takes his son (Paul Kircher) to search for his wife, who has disappeared into a nearby forest along with other similarly affected hybrids. Think Sweet Tooth meets The Lobster. Polygon had the opportunity to speak with Cailey about the origins and creature design of the film.

    New on Max

    Faye

    Where to watch: Available to stream on Max

    Genre: Documentary
    Run time: 1h 31m
    Director: Laurent Bouzereau

    This documentary looks back on the life and career of Faye Dunaway, the Academy Award-winning actress known for her iconic performances in such films as Bonnie and Clyde, Network, and Chinatown. Bouzereau’s film collects testimonies from Dunaway’s peers and admirers, as well as extensive interviews with Dunaway herself.

    New on Prime Video

    Divorce in the Black

    Where to watch: Available to stream on Prime Video

    Two people sit at a tense dinner

    Image: Prime Video

    Genre: Drama
    Run time: 2h 23m
    Director: Tyler Perry
    Cast: Meagan Good, Cory Hardrict, Joseph Lee Anderson

    Tyler Perry’s newest movie follows a young bank professional whose husband leaves her. At first she’s determined to fight for their marriage, but she soon realizes that her husband once sabotaged her chance at true love.

    New on Shudder

    Arcadian

    Where to watch: Available to stream on Shudder

    A man and two boys seated behind the wheel of a dilapidated vehicle in Arcadia.

    Photo: Patrick Redmond/RLJE Films

    Genre: Action horror
    Run time: 1h 31m
    Director: Benjamin Brewer
    Cast: Nicolas Cage, Jaeden Martell, Maxwell Jenkins

    If you already caught Nicolas Cage in Longlegs, here’s another Cageian drama for you. The actor stars as a father of two sons desperate to protect and raise his family in a near future Earth decimated by the arrival of a ferocious nocturnal creatures. When their father is wounded by one of these creatures, his sons must band together and call upon every lesson of their training in order to survive.

    From our review:

    Once the action really gets underway, though, Cage is largely absent, and muddy spatial relationships and confusing, hard-to-see action take a significant percentage of the power out of what should be an explosive final act. And once the film settles into a fairly standard chase-and-fight movie, its lack of more character depth or nuance, or more compelling relationships between the protagonists, limits what the filmmakers can do to make this story stand out from all the past projects it echoes. Arcadian does a few things remarkably well for a sci-fi/horror movie, but it needed a lot more to really spark: more commitment to its vaguely realized setting, more energy between the two very different brothers at its center, and above all, more Nicolas Cage — either version of him.

    New to rent

    Kingdom of the Planet of the Apes

    Where to watch: Available to rent on Amazon, Apple, and Vudu

    A gorilla from Kingdom of the Planet of the Apes snarls at the camera

    Image: 20th Century Studios

    Genre: Post-apocalyptic sci-fi
    Run time: 2h 25m
    Director: Wes Ball
    Cast: Owen Teague, Freya Allan, Kevin Durand

    Picking up 300 years after the events of Matt Reeves’ War of the Planet of the Apes, this new installment in the franchise follows Noa (Owen Teague), a young ape who embarks on a journey to rescue his tribe from Proximus Caesar (Kevin Durand), a maniacal ape who has twisted Caesar’s legacy to create an empire built on conquest and slavery.

    From our review:

    As a story, Kingdom of the Planet of the Apes rarely reaches above narrative competence. But because of its almost single-minded focus on the apes, its technical prowess in their rendering is always front and center. It is frankly incredible what the team at Wētā FX has done in conjunction with all of the film’s other effects artists to bring the apes to life, to give them all distinct body language, and to faithfully transpose actors’ every tic and subtle expression onto their faces. These are some of the most soulful digital creations ever seen in a blockbuster action movie, and it’s incredible to see them in a film that is so pedestrian.

    The Bikeriders

    Where to watch: Available to rent on Amazon, Apple, and Vudu

    Austin Butler, with mussed-up hair, wearing a black sleeveless top, leans forward in a moody way in The Bikeriders

    Image: 20th Century Studios

    Genre: Crime drama
    Run time: 1h 56m
    Director: Jeff Nichols
    Cast: Jodie Comer, Austin Butler, Tom Hardy

    The Bikeriders follows a motorcycle club over the course of a decade, as they go from a simple gathering of enthusiasts to a hardened gang. Jodie Comer plays Kathy, a young woman who gets swept up in the biker gang world after meeting hotheaded Benny (Austin Butler).

    From our review:

    The Bikeriders is a film of old-fashioned, simple pleasures: great tunes, perfect costumes, myth-making shots, and a cast of great character actors really going for it. (Including, but not limited to, Michael Shannon, West Side Story’s Mike Faist, Justified’s Damon Herriman, and a completely unrecognizable Norman Reedus as a shaggy Californian wildman biker.) It’s a film about looking at the gorgeous, unknowable people on the screen — and that one gorgeous, unknowable person in particular — just as Hardy’s character does at one point with Marlon Brando in The Wild One, and thinking: What would it be like to be them?

    The Exorcism

    Where to watch: Available to rent on Amazon, Apple, and Vudu

    Russell Crowe dressed as a priest with dried bile and blood covering his beard in The Exorcism.

    Image: Vertical Entertainment

    Genre: Horror thriller
    Run time: 1h 35m
    Director: Joshua John Miller
    Cast: Russell Crowe, Ryan Simpkins, Sam Worthington

    Russell Crowe plays an actor on the set of a supernatural horror film that resembles the original Exorcist movie. His mental state is in slow decline, and as his behavior becomes more erratic, his daughter begins to suspect that there might be a more sinister cause behind it than his previous substance addictions.

    The Garfield Movie

    Where to watch: Available to rent on Amazon, Apple, and Vudu

    Jon Arbuckle shaves parmesan cheese over Garfield’s lasagna while Odie watches in a still from The Garfield Movie

    Image: Sony Pictures

    Genre: Adventure comedy
    Run time: 1h 41m
    Director: Mark Dindal
    Cast: Chris Pratt, Samuel L. Jackson, Hannah Waddingham

    It’s Chris Pratt! As Garfield! The lazy orange cat reunites with his long lost father Vic (voiced by Samuel L. Jackson, of all people). Along with Odie, Vic and Garfield plan a heist to a farm so that they can steal a lot of milk in order to appease the Persian cat crime boss that Vic works for. The movie comes by way of director Mark Dindal, best known for The Emperor’s New Groove.

    The Convert

    Where to watch: Available to rent on Amazon, Apple, and Vudu

    A stern looking beared man with bruises on his face staring off at something in the distance with a large wooden totem behind him in The Convert.

    Image: MBK Productions/Magnolia Pictures

    Genre: Historical drama
    Run time: 1h 59m
    Director: Lee Tamahori
    Cast: Guy Pearce, Tioreore Ngatai-Melbourne, Antonio Te Maioha

    In this historical drama, a preacher comes to a remote outpost in New Zealand — only to get caught in the middle of a war between Māori tribes. It’s based on the 2011 novel Wulf by New Zealand author Hamish Clayton.

    Wildcat

    Maya Hawke as Flannery O’Connor reading a letter while standing next to her open mailbox in Wildcat.

    Image: Renovo Media Group/Oscilloscope Laboratories

    Genre: Biographical drama
    Run time: 1h 43m
    Director: Ethan Hawke
    Cast: Maya Hawke, Rafael Casal, Philip Ettinger

    Maya Hawke (Stranger Things) stars in her father Ethan Hawke’s latest film: a biographical drama centering on the life and struggles of the inimitable Southern Gothic author Flannery O’Connor. Wildcat follows O’Connor’s efforts to publish her first novel, interspersed with episodes reenacting characters and scenes inspired by the author’s own short stories.

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    Toussaint Egan

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  • Lindsay’s Boyfriend and Phaedra’s Return and Rachel’s Court Date! Plus, ‘Orange County’ and ‘Dubai.’

    Lindsay’s Boyfriend and Phaedra’s Return and Rachel’s Court Date! Plus, ‘Orange County’ and ‘Dubai.’

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    Bravo

    And later, they debate what the hell is going on with Caroline Brooks

    Rachel Lindsay welcomes Chelsea Stark-Jones back to the podcast to break down all of the Bravo news from the past two weeks (2:27) before they launch into a recap of the promising Season 18 premiere of The Real Housewives of Orange County (17:39). Then, Rachel is joined by Callie Curry to discuss Season 2, Episode 6 of The Real Housewives of Dubai and debate what the hell is going on with Caroline Brooks (42:06).

    Host: Rachel Lindsay
    Guests: Chelsea Stark-Jones and Callie Curry
    Producer: Devon Baroldi
    Theme: Devon Renaldo

    Subscribe: Spotify

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    Rachel Lindsay

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  • Sal’s Pals With Jimmy Kimmel, Joel McHale, and Guillermo Rodriguez

    Sal’s Pals With Jimmy Kimmel, Joel McHale, and Guillermo Rodriguez

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    In this week’s episode, we replay Sal’s interviews with Jimmy Kimmel and Joel McHale, then Guillermo Rodriguez of Jimmy Kimmel Live! joins.

    Host: Cousin Sal
    Guests: Jimmy Kimmel, Joel McHale, Guillermo Rodriguez
    Producers: Michael Szokoli, Joel Solomon, Jack Wilson, Chris Wohlers, Jonathan Frias

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS

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    Cousin Sal Iacono

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