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  • The ‘Bachelor’ Women Are Taking Leaps for Joey’s Attention. Plus, ‘The Traitors’ Season 2.

    The ‘Bachelor’ Women Are Taking Leaps for Joey’s Attention. Plus, ‘The Traitors’ Season 2.

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    Join Juliet and Callie as they break down the Maria vs. Sydney confrontation (8:46), admire Joey’s ability to handle drama and tears (15:00), and laugh at the ridiculous yet entertaining game of capture the flag (28:27). They discuss Joey’s chemistry with Daisy during their one-on-one (31:17), and break down the final Rose Ceremony (38:24). Finally, they discuss updates to Season 2 of The Traitors, including Pilot Pete’s development, their favorite contestants, and much more (41:01).

    Hosts: Juliet Litman and Callie Curry
    Producer: Olivia Crerie
    Music: Devon Renaldo

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS

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    Juliet Litman

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  • The Away End at Glastonbury

    The Away End at Glastonbury

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    Flo Lloyd-Hughes is joined by Jessy Parker Humphreys and Becky Taylor-Gill to discuss a big weekend in the WSL. They start by discussing the Traitors finale (spoiler alert) before moving on to Liverpool-Arsenal, Manchester City’s blistering run of form and a relentless Bunny Shaw. Plus, more Marc Skinner quotes and a NewCo CEO interview that ended in Glastonbury discourse.

    Host: Flo Lloyd-Hughes
    Guests: Jessy Parker Humphreys and Becky Taylor-Gill
    Producer: Jonathan Fisher

    Subscribe: Spotify

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    Flo Lloyd-Hughes

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  • Galit and Chef Paul Virant Earn Local Banchet Honors

    Galit and Chef Paul Virant Earn Local Banchet Honors

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    Sunday night marked a new beginning for the Jean Banchet Awards, the local honors that recognize Chicago restaurants and chefs (it’s also named for the esteemed French chef). The Banchets skipped 2023 as the committee of local chefs and tastemakers who vote on the awards reassembled itself with a new charitable beneficiary. Those efforts produced a brisk two-hour ceremony at Venue SIX10 where Galit, the upscale contemporary Middle Eastern eatery, won Restaurant of the Year.

    “I want to thank this lovely chef and bald gentleman, Zach [Engel], for giving me a call several years ago,” Galit co-owner Andres Clavero said Sunday night while onstage. “The stories of food have been so emotionally important and personal to the two of us. In a year where everyone was asked to do what’s changing what is different and nothing has changed — we will continue to share stories of those that are unheard and food that is meaningful and showcase people who don’t necessarily have a voice.”

    Clavero and chef Engel keep adding to their trophy case. The Lincoln Park restaurant has already achieved a Michelin star status for the last three years. Engel is a James Beard Award winner for 2017’s Rising Chef of the Year while he worked at Shaya in New Orleans. Later this year, the duo plans to open a second restaurant, a few doors away from Galit on Lincoln Avenue.

    Meanwhile, Paul Virant, a venerable chef behind hits like Gaijin in Fulton Market and Vistro Prime in suburban Hinsdale, won Chef of the Year. Virant’s influence, through cookbooks and as a role model to many chefs who attended the ceremony, is also evident at two of his shuttered restaurants, Perrenial Virant in Old Town, and Vie in suburban Western Springs.

    Awards host Michael Muser, the master sommelier and co-owner at Ever, kept the event running smoothly. While he peppered the show with jokes, he had only one meaty comedic bit which came in the opening monologue, a David Letterman-style Top 10 list, “Top 10 Ways to Tell if Your Restaurant Employee is High on the Job.”

    “No. 5: You serve a consummé that tasted like bong water because it actually is bong water,” Muser said.

    Muser dedicated that line to retired Chicago Tribune dining critic Phil Vettel, the recipient of the night’s Culinary Excellence of the Year Award. Breakfast Queen Ina Pinkney, looking spry before her 81st birthday on Valentine’s Day, presented the awarded Vettel with a charming story about when Vettel, then an anonymous critic, revealed his identity to her while interviewing her before her 2013 retirement. Vettel would retire in 2021 after 31 years at the Trib.

    “Do you know what a forager bee does?” Vettel told the audience. “The forager bee looks for flowers, looks for nectar — finds areas with really good quality nectar and then it goes back to the hive and does this little nectar dance which tells all the other bees ‘follow me I know where the good shit is.’”

    “And that’s my career.”

    For 2024, the Banchets partnered with Chicago Chefs Cook, a nonprofit that formed in 2020 and has raised more than $1 million for numerous charitable causes both internationally and locally. For the previous 20 years, the awards were associated with the Cystic Fibrosis Foundation, but after the 2022 show, the sides separated.

    For Sunday’s event, Chicago Chefs Cook picked James Beard and Jean Banchet award winner Erick Williams’ group, the Virtue Leadership Development Program, as the beneficiary. Williams has stressed the importance of mentors — one example is Damarr Brown his chef de cuisine at Virtue and the 2023 Emerging Chef of the Year by the Beard Foundation. Williams spoke about the need to invest in underserved communities, and how those resources impact growth. Equity (versus equality) is about more than just what spaces look like in terms of representation.

    “By having the opportunities — or tools, equipment, the books, the support, the mentorship, and the development — I have the grand opportunity to speak with heads of states, heads of cities, and everyone down to someone’s 90-year-old grandmother who wanted to just celebrate being 90 years old,” Williams said.

    Another highlight from Sunday came after Rubi’s on 18th, the winner of Heritage Restaurant of the Year. Members of the family who owns Pilsen taqueria — once a staple at the Maxwell Street Market — took the stage. Owner Gilberto Ramirez hid tears behind a white cowboy hat he used to cover his face. After his family gave their remarks, he took the podium and simply yelled “I love Chicago!” That earned the loudest applause of the night.

    1462 E. 53rd Street, Chicago, IL

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    Ashok Selvam

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  • Double Detective: ‘True Detective: Night Country’ Episode 3 and ‘Monsieur Spade’ Episode 3

    Double Detective: ‘True Detective: Night Country’ Episode 3 and ‘Monsieur Spade’ Episode 3

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    Chris and Andy break down the latest episode of True Detective: Night Country. They talk about how the lack of Easter-egging in this episode worked to its advantage (1:00) and the dynamic between Danvers and Navarro (24:07). Then they talk about the latest episode of Monsieur Spade and the show’s very dense plotline (35:55).

    Hosts: Chris Ryan and Andy Greenwald
    Producer: Kaya McMullen

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS

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    Chris Ryan

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  • The Greatest Night in Pop has more star power per second than any other 2024 movie

    The Greatest Night in Pop has more star power per second than any other 2024 movie

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    This initial report on The Greatest Night in Pop comes from our team following the premieres at the 2024 Sundance Film Festival. We’ll update this piece when there’s more information about the movie’s release.

    Logline

    On Jan. 28, 1985, more than 40 of the United States’ most famous musicians, from Michael Jackson and Diana Ross to Paul Simon and Billy Joel, gathered in secret to record a charity song. “We Are the World” was intended as a fundraiser for famine relief in Africa. The Greatest Night in Pop, a documentary coming to Netflix soon, is about how that song got recorded in just one night.

    Longerline

    “We Are the World” is one of the bestselling, most popular singles of all time, featuring perhaps the most star-studded lineup to ever record together. Bao Nguyen’s film runs through the making of the song, from the initial idea to the writing to getting talent on board to the recording itself.

    Nguyen presents all of this through archival footage from when the recording session was initially filmed, as well as talking-head interviews with some of the musicians involved, including Lionel Richie, Cyndi Lauper, Bruce Springsteen, and Kenny Loggins.

    What’s The Greatest Night in Pop trying to do?

    Besides just documenting one of the most important moments in 20th-century pop culture, The Greatest Night in Pop also tries to communicate the sheer star power that came together in A&M Studios on that night in 1985. It was a who’s who of the most famous musicians on the planet, which meant that there was both a clashing of egos and an easiness that came from shared levels of fame: These superstars were in the only room in the world where most of the people around them truly understood what life was like at that level of celebrity.

    Does The Greatest Night in Pop live up to its premise?

    The Greatest Night in Pop is after a more relaxed and celebratory version of the harried energy that director D.A. Pennebaker captured in Original Cast Album: Company, his filming of that album’s all-night recording session. Mostly, Nguyen gets it there. His doc is airy and fun, and while it narrativizes the night well, thanks in large part to Richie’s fantastic narration, it mostly has the good sense to get out of the way of the personalities that were actually in the room. This approach holds it back from being a truly great documentary: It rarely adds much context to the footage we’re seeing, beyond the backstory, and it pointedly avoids any controversy, or any criticism of even the most difficult celebrity participants. But the footage-forward approach does make the whole thing tremendously fun to watch.

    Seeing Bob Dylan look uncomfortable in a sea of famous faces, Stevie Wonder joking around with Ray Charles, or Huey Lewis nervously working out a harmony is as close to unguarded as most of these stars have ever been on film. It’s a fascinating document. And the way every second of that footage is still captivating nearly 40 years later is a testament to the raw, all-encompassing, absolutely magnetic star power that everyone in that room has.

    Image: Netflix

    The quote that says it all

    As the movie itself points out, the most important aspect of the whole night was when producer Quincy Jones posted a sign inside the recording studio that said “Check your ego at the door.” That’s what makes The Greatest Night in Pop feel special: It lets us inside the room where all-time great musicians simply felt like they were among friends and equals.

    Most memeable moment

    There are a number of incredible moments, like Waylon Jennings walking out of the recording studio while muttering “Ain’t no good ol’ boy ever sung in Swahili,” or Cyndi Lauper realizing that her massive necklaces were making so much noise that the microphones were picking them up alongside her voice. But if anything from this movie is going to be a meme, it’s Bob Dylan’s awkward grimace, right smack in the middle of the most famous faces in music, as he desperately tries to figure out how to sing in chorus with them. It’s incredible, and as Bob Dylan as anything could be.

    Is The Greatest Night in Pop good?

    Absolutely. It doesn’t quite reach the heights of documentary classics, falling short of the insight into the tortured circumstances and frustrated production of Original Cast Album: Company, or the pure musical excellence of Monterey Pop. But there’s something special about seeing these stars mingle that makes this movie a fascinating document on fame and the people behind it.

    When can we see it?

    The Greatest Night in Pop will be released on Netflix on Jan. 29.

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    Austen Goslin

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  • Why Is Everyone Playing (or Complaining) About ‘Palworld’?

    Why Is Everyone Playing (or Complaining) About ‘Palworld’?

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    Pocket Pair, Inc.

    Ben, Matt, and Justin ask and answer 10 questions raised by the success of ‘Palworld,’ the controversies it has caused, and more

    Join Ben, Matt James, and Justin Charity as they delve into the biggest gaming phenomenon of the year: Palworld. They ask and answer 10 questions raised by the game’s success, including how Palworld became so popular (06:05), whether it’s more than just “Pokémon with guns,” the controversies it has caused, whether Palworld will be a mainstay or a flash in the pan (62:33), and more.

    Host: Ben Lindbergh
    Guests: Matt James and Justin Charity
    Producer: Eduardo Ocampo
    Additional Production: Arjuna Ramgopal
    Photo Suggestions: Stills from Palworld

    Subscribe: Spotify / Apple Podcasts

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    Ben Lindbergh

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  • Goodbye Monica! Plus, ‘Beverly Hills’ and ‘Miami.’

    Goodbye Monica! Plus, ‘Beverly Hills’ and ‘Miami.’

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    Bravo

    Rachel is joined by Juliet Litman to discuss their SLC-themed news of the week, then Callie Curry hops on to discuss ‘Miami’

    Rachel Lindsay is joined by special guest Juliet Litman to discuss our SLC-themed news of the week (01:47), before diving into Part 3 of the Real Housewives of Salt Lake City Season 4 reunion (05:06). Rachel and Juliet then discuss Season 13, Episode 13 of The Real Housewives of Beverly Hills (29:50), then Callie Curry hops on to discuss Season 6, Episode 13 of The Real Housewives of Miami (44:39).

    Host: Rachel Lindsay
    Guests: Juliet Litman and Callie Curry
    Producer: Devon Baroldi
    Theme Song: Devon Renaldo

    Subscribe: Spotify

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    Rachel Lindsay

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  • ‘Percy Jackson and the Olympians’ Episodes 5, 6, and 7 Reactions

    ‘Percy Jackson and the Olympians’ Episodes 5, 6, and 7 Reactions

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    House of R has returned to talk about the last three episodes of Percy Jackson and the Olympians (08:43). They begin their deep dive with the continued godly quest of Percy and his friends (14:40). Later, they dive into their book section of the pod to talk about possible future spoilers, as well as comparisons to the books (96:15).

    Hosts: Mallory Rubin and Joanna Robinson
    Senior Producer: Steve Ahlman
    Additional Production: Arjuna Ramgopal
    Social: Jomi Adeniran

    Subscribe: Spotify / Apple Podcasts / Stitcher / Pandora / Google Podcasts

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    Mallory Rubin

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  • ‘American Nightmare’ and Following the Gypsy Rose Blanchard Story

    ‘American Nightmare’ and Following the Gypsy Rose Blanchard Story

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    In our inaugural true crime episode of Guilty Pleasures, Jodi and Chelsea talk through their feelings about the many twists and turns of the new three-part true crime Netflix docuseries, American Nightmare (1:00). Then they catch up on the viral news story of Gypsy Rose Blanchard, who has very recently been released from prison, and the many pieces of culture surrounding her wild story of Munchausen syndrome by proxy, including the brand new Lifetime series: The Prison Confessions of Gypsy Rose Blanchard (35:05).

    Hosts: Jodi Walker and Chelsea Stark-Jones
    Producer: Sasha Ashall

    Subscribe: Spotify / Apple Podcasts / Stitcher

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    Jodi Walker

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  • ‘True Detective: Night Country’ Theories

    ‘True Detective: Night Country’ Theories

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    Two episodes into True Detective: Night Country, Charles and Van dive into their theories about who could be the killer, how the polar bear figures into the mystery, and more.

    Hosts: Charles Holmes and Van Lathan
    Producers: Steve Ahlman and Sasha Ashall

    Subscribe: Spotify

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    Charles Holmes

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  • Tips for Aspiring Journalists! Plus, Jon Stewart, New Hampshire, and ‘Barbie’ Think Pieces With Chris Suellentrop.

    Tips for Aspiring Journalists! Plus, Jon Stewart, New Hampshire, and ‘Barbie’ Think Pieces With Chris Suellentrop.

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    On the Final Edition, Bryan is joined by his big brother in the media, The Washington Post’s Chris Suellentrop. After thousands of conversations, their first recorded discussion will address the following:

    • Advice you give to students who want to be in journalism (2:30)
    • Whether or not the New Hampshire primary is a semi-decisive moment (13:02)
    • The expectations set for Nikki Haley and how to interpret the results in real time (24:52)
    • Jon Stewart’s new show coming in February (36:27)
    • An inevitable “somebody’s got to say it” think piece on ‘Barbie’ (45:52)

    Host: Bryan Curtis
    Guest: Chris Suellentrop
    Producer: Brian H. Waters

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS

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    Bryan Curtis

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  • Inside the Ramova, a Righteous Restoration of a Bridgeport Classic

    Inside the Ramova, a Righteous Restoration of a Bridgeport Classic

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    On Friday night, the team behind the Ramova Theater will celebrate the venue’s reopening, reveling in 95 years of history and a reopening that involves the city, a trio of celebrities, and 49 local investors. There’s also a local chef who grew up in Bridgeport in charge with a notepad brimming with ideas.

    “If you had told me, a year or two before Duck Inn, that I would open up a restaurant on the street I grew up on, I’d have told you you were insane, that will never happen,” says Kevin Hickey.

    The Ramova on Friday will hold a symbolic sign-lighting ceremony. Hickey, who is also celebrating Wednesday’s news that the Duck Inn had earned a James Beard nod for outstanding restaurant, is the chef behind the venue’s restaurant component, the Ramova Grill. It’s his second restaurant in the neighborhood. The Ramova is part music venue, restaurant, community gathering place, and brewery. New York’s Other Half Brewing has taken residence, but due to delays with licensing, they haven’t brewed on-site. The limited supply of beer that’s been sold has been shipped over from other breweries. The venue officially opened on New Year’s Eve.

    “For us to be community- and artist-owned is rudimentary,” says Nevius, rattling names of nearby supporters, like Zhou B Arts Center and Let’s Boogie Records and Tapes. He’s also been in contact with the Dinos family, the owners of the original Ramova Grill: “They’re very excited, they’re very happy to see the Ramova Grill coming back.”

    On Friday night, the Ramova will hold a sign-lighting ceremony.

    The two co-founders of the Ramova Theater stand behind their bar.

    Emily and Tyler Nevius are the Ramova’s co-founders.

    The restaurant closed in 2012 at 3520 S. Halsted Street. Hickey is flooded with memories of a vibrant commercial corridor. He says his family’s history in the area extends to five, maybe six, generations. The Hickey family story is a familiar one, and one of the reasons Tyler and Emily Nevius worked so hard to restore the Ramova. They found a trio of celebrity investors who also helped, Quincy Jones, Chance The Rapper, and Jennifer Hudson. Tyler Nevius says they’ve all been helpful. Hudson, for example, helped make sure the artist’s green room was laid out properly. He adds that he considers other local businesses as partners. Its proximity to Sox Park will make baseball season exciting. Nevius is stoked to see fans of Other Half — which has breweries in Philadelphia, New York, and Washington, D.C.— wear their visitor jerseys and pack the place.

    Hickey sees the project with the potential of revitalizing the area much like Thalia Hall did for 18th Street in Pilsen when it reopened in 2013 with eventually Michelin-starred Dusek’s as its flagship restaurant. Nevius agrees with the sentiment but says Bridgeport has a different rhythm.

    A diner with red stools and black and white checkered floor.

    The original Ramova Grill closed in 2012.

    a Bowl of Chili

    Ramova’s chili

    “16” On Center is so impressive,” Tyler Nevius says of Thalia Hall. “But we really have to earn our spot at the table now.”

    The restaurant Hickey with an outlet to try ideas like Pork Chop Suey. Read that literally — it features a bed of noodles and vegetables beneath a grilled char siu-style pork chop. Hickey says he’s been dining at Chinatown restaurants to ensure he gets his dish right.

    Pork Chop Suey is a Tuesday special at the Ramova Grill. The standard menu features chili, a Ramova staple. Hickey takes a few liberties here, noting that “no one has tasted that chili in 12 years,” which is when the original restaurant closed: “I don’t remember what it was like,” Hickey says.

    The chili was a celebrated item at the old Ramova, and Hickey created a bit of a tall tale when he cooked it for the festival circuit, involving his dad in the telling, calling it “Jack’s Stolen Chili.” Ramova’s chili is a little thinner than Midwesterners are used to, which lends it well when mixing in mac and cheese or a dollop of sour cream. The chili is also ideal for dunking, for friends or with the duck-infused corn dogs. Another departure is the vegan version which uses portobello mushroom stock.

    Another highlight is a dish few have ever seen. Back before on-demand streaming, DVDs, and VHS tapes, hotels used a service, called Spectra Vision, which played movies on a loop as in-room entertainment. One of the films featured when Hickey watched incessantly on family trips was The Jerk, a comedy starring Steve Martin. The film features a scene where Martin is eating something called “pizza in a cup.” Hickey says he’s been obsessed with creating his version and was inspired several years ago when Moody Tongue Brewing chef Jared Wentworth made the dish at a food festival in Lincoln Park.

    Ramova’s pizza in a cup is a communal snack, a fried flatbread surrounds a cup filled with melted cheese, sausage, giardiniera, and other pizza toppings — it’s like a fondue, Hickey says. Break off a piece of the crispy ring and dip it into the cup.

    There have been some bumps. Social media revolted after the Ramova charged $16 per beer on opening weekend. Tyler Nevius apologized, saying it was a problem with signage, a perfect storm of missteps. He feels bad for Other Half and takes accountability for the overcharge: “I don’t think we understood how hard it was going to be,” Nevius says.

    But once they secure their beer-making license and have the right signage up, Tyler Nevius says visitors will start seeing the Ramova’s true potential. Take a look around the space in the photos.

    Ramova Grill, 3520 S. Halsted Street

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    Ashok Selvam

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  • glorious runtime paced

    glorious runtime paced

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    While she grew up wanting to live among animals, she was actually approached to study the chimpanzees by Louis Leakey, an anthropologist whos research she was helping. Until Jane Goodall’s research, chimps were believed to be passive vegetarians and that only humans used tools.

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  • Here’s the Next Great Angle on Chicago’s Beloved Rat Hole

    Here’s the Next Great Angle on Chicago’s Beloved Rat Hole

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    The Lunar Calendar may read that this is the Year of the Dragon, but so far in Chicago it looks like the Year of the Rat… Hole.

    Even though a squirrel may have left the indentation, this story has provided viral gold to news organizations all around town and beyond. We at Eater are simultaneously champing and chomping at the bit for a food-related angle to show itself. But will it? Or will we yet again stand around lonely, fumbling our thumbs and watching another story of the century pass us by? We vowed Chance the Snapper wouldn’t happen to us ever again, yet here we are. Sure, locals might be sick of the rat hole, but the rest of the country is hungry for rat hole content. To sate them, here are 28 completely untrue restaurant world headlines related to Chicago’s rat hole.

    The Rat Hole now shows up on Google Maps.
    Photo by Scott Olson/Getty Images

    • Will ‘The Bear’ Feature the Rat Hole in Season 3?
    • Grant Achatz’s New Alinea Menu Pays Tribute to the Rat Hole
    • Lou Malnati’s Rat Hole-Shaped Deep-Dish Pizza Wins Over ‘Emily in Paris’
    • Swedish Bakery Returns for Fat Tuesday With Rat Hole Paczkis
    • Lettuce Entertain You Rebrands RPM Italian, Swaps ‘Rancics’ For ‘Rat Hole’
    • CH Distillery Finally Takes Malört Too Far With New Rat Hole Infusion
    • Kroger Discards Jewel and Mariano’s Brands for Rat Hole Finer Foods
    • Hogsalt to Open Sexy New French West Loop Spot, Randolph’s Rat Hole
    • Disney Threatens to Sue Hogsalt Over ‘Ratatouille’-Themed French Restaurant
    • Harold’s Chicken to Sell Mild Sauce in Rat Hole-Shaped Bottles
    • Rat Hole Enrages Rick Bayless Even Though He Hasn’t Seen It In Person
    • Stephanie Izard Reinvents Herself With This Little Rat Hole Diner
    • I Drank Jeppson’s Malört Out of the Rat Hole and Lived to Tell the Tale
    • Goose Island Launches Rat Hole County Stout Aged in Rat Holes Made From 3D Printers
    • Inside the Rat Hole, A Not-So-Family-Friendly Affair in Roscoe Village
    • Rat Hole Pops Up in Hyde Park; It’s as Far South as It Will Go
    • JP Graziano Announces Limited Edition Rat Hole Giardiniera Collab With Old Style
    • What to Serve and Wear at a Rat Hole-Inspired Party
    • Rat Hole 2.0 to Open in Avondale With More Seating, Expanded Menu
    • Wieners Circle Staffer Yells ‘You Look Like a Rat Hole, Bitch’ at Tearful Customer
    • Vandal Fills Rat Hole With Ketchup, Discovers a Use for the Hated Condiment
    • The St. Louis Department of Provel Claims It Discovered the Rat Hole First
    • Jean Banchet Committee to Honor Rat Hole With Its Lifetime Achievement Award Presented by Jones BBQ and Foot Massage
    • Ten Speed Press to Release ‘Cookery Fit For a Rat Hole’ With Forward by Paul Kahan
    • DoorDash Unveils DJ Khaled’s Rat Hole, a New Virtual Restaurant
    • Foxtrot Debuts Rat Hole At-Home Meal Kits
    • The Rat Hole Is Eater Chicago’s Restaurant of the Year
    • Readers Ask Eater to Stop Writing About the Rat Hole — Go Back to Covering ‘The Bear’

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    Ashok Selvam

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  • Lil Dicky Has Said Enough About His Dick—but He’s Still Got More to Say

    Lil Dicky Has Said Enough About His Dick—but He’s Still Got More to Say

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    Lil Dicky wants to be taken seriously. The rapper born Dave Burd released his first album in nearly a decade last week, titled Penith (The DAVE Soundtrack). As the name states, it doubles as the soundtrack to Dave, Burd’s TV show not-so-loosely based on his own life as a rapper. Together, the show and the music create a meta feedback loop. The FXX show chronicles Burd’s creation and promotion of an album called Penith. (“Penith,” naturally, is pronounced like “zenith” crossed with the word “penis.”)

    In addition to writing and starring in his own comedy, Burd also created the music for the show. Now he is releasing the songs featured in the show as a real-life album. Appropriately, he gave it the same inappropriate name from the show: Penith. It’s art imitating life imitating art imitating dick jokes.

    “I’m just over here redefining the alpha male,” Dicky raps on his new song, “HAHAHA,” a nearly uninterrupted three-minute verse intended to flex his rapping bona fides. Later on the album, on the song “No Fruits or Vegetables,” the chorus goes, “I don’t eat fruit or vegetables, no fruits or vegetable.” Burd is the alpha man-child. But Burd’s show is so good that the next phase of his career will be taken seriously.

    Dave has perhaps the best celebrity cameos in a television show since Entourage. At various points, the show features Justin and Hailey Bieber, Kendall Jenner and Kourtney Kardashian, and Megan Fox and Machine Gun Kelly. But the star power isn’t as impressive as the way it is used. In Season 1, Dave learns that a young fan of his has died, and the kid’s parents ask Dave to perform at the memorial service. But when Dave arrives, he sees Macklemore showing up to a hero’s welcome. The parents ask Dave to cancel because their son liked Macklemore better. In Season 2, Dave releases a song called “Kareem Abdul-Jabbar” and is elated when Kareem reaches out to talk to him about the song. But to Dave’s horror, Kareem ends up interviewing him about white rappers appropriating Black culture for a profile in Time.

    Burd’s greatest strength has been taking his weaknesses and making them his armor. His rap name is based on his insecurities about having hypospadias, a birth defect that led to a surgery that accidentally created a second hole in his penis. (When Burd explained that childhood trauma to The Ringer back in 2020, he explained that when he pees, he has to cover the second hole with his finger or it comes out “like a Super Soaker.”)

    On the show, Burd’s craven, shameless desire for fame is spun into an episode in which an internet rumor that he is dead goes viral. When he sees that he is the no. 1 trending person on Twitter, he decides to hide at a motel and wait an extra day for his songs to reach no. 1 on Billboard before announcing that he is still alive (even to his parents).

    With the help of Seinfeld writer and Curb Your Enthusiasm producer Jeff Schaffer, the show touches on a stunningly wide range of jokes and emotions. Burd’s friend and real-life hype man GaTa, who also plays himself, gives a genuine and stunning view into the relationship between childhood trauma and sex addiction. This is from the same show where Burd, who is Jewish, hallucinates a conversation where he teaches Anne Frank how to do the “Whip/Nae Nae” dance.

    Burd’s next trick is blurring the lines between his TV show and his music. At the end of the second season, Burd buys an ad on a billboard in Los Angeles to announce his (then-fictitious) album, Penith. His plan in the episode is to tape himself, practically naked, to the billboard as the “t” in “Penith” like Jesus on the cross. But Ariana Grande releases a single the same day, and nobody shows up to see him. The image is now the real-life album cover for Penith.

    (Incredibly, two years after that joke appeared on the show, Grande released a single on January 12, 2024, one week before Burd’s Penith album came out in real life. Art imitates life, etc.)

    Burd is hoping to do what his show did and defy genre. For white guys with white-collar jobs who love rapping Drake lyrics alone to themselves in the car, Lil Dicky is the embodiment of the American dream. He had an excellent career at the powerhouse advertising firm Goodby, Silverstein & Partners working on campaigns like the NBA’s legendary playoff commercials. But Burd quit a potentially lucrative and relatively creative job to become a rapper. Wear your weaknesses like armor, and you too can quit your job to be a famous rapper who writes a TV show about his own life and then convinces Brad Pitt and Drake to be in a season finale. We sat down with Dave to discuss his new album, cold-emailing Brad Pitt to be in his show, what comes next, his custom sex doll, and why he does not eat fruits or vegetables at 35 years old.

    What was the weirdest thing about making a show about your own life that you didn’t see coming?

    Probably just the amount of people asking, “Is this true? Is that true?”

    You want to do a rapid-fire true or false?

    Sure.

    Rick Ross lent you a chain, and then you got robbed. Is any of that true?

    No, no, no, it’s not true. I’ve never experienced anything like that, but GaTa has had a chain get stolen and has had to go through steps to get it back. So it’s like part of the details of that were inspired by stuff that GaTa’s gone through, but I’ve never experienced that.

    So do you have a stalker? Was that real?

    No, I don’t have a stalker, thank God.

    OK. Did you order an absurdly expensive custom sex doll?

    Yeah.

    What did it cost?

    I got the $3,000 model. There were other models that I could have splurged on. There’s a scene in the show where I have sex with the sex doll and very much based on—please, for all the readers, just know that I didn’t bring this up; I was asked this question, and I’m not trying to be intentionally vulgar.

    But the first time I did have sex with the sex doll, I just remember being shocked at how heavy it was. Literally. My favorite sexual position is girl on top. So I don’t know why I thought that that was the right thing to do with this 80-pound doll, but that’s where my head went for the first time I ever experienced it. Then it was so hard to get it positioned. I remember by the time I was actually in a position where I could start doing anything, I was so physically tired. The wig started to fall off of it. I remember thinking in my head as it was happening it felt so much like Ex Machina.

    Pre-nut clarity?

    I didn’t find the experience to be overwhelmingly positive. It was really tiring. But after that, I just immediately went and got on my laptop and started writing things down and details that I don’t want to forget. I remember thinking, “This is such a crazy scene for the show.” So there are times where I’m living life and I’m thinking, “Wow, this is a great scene for the show.”

    So you do that a lot? You’ve basically been chronicling this stuff for years?

    Even before I had the show, when I was just a rapper going on tour with GaTa, I was like, “I know I want to be a comedian. I know that this life that I’m living right now as I’m a rapper going around the road, it’s really funny.” I don’t have a great memory. I’m not going to leave it up to hoping I remember the insane thing that happened in Iowa. I just have to write it down. So I’ve been writing this stuff down for over a decade.

    Did you actually match with Doja Cat on a dating app?

    I have matched with Doja Cat.

    What happened?

    We matched, and we talked. She was very sweet, and we’re friends, but we matched during a time where we didn’t work out. It was always very difficult. I think I was shooting Season 1 or something, or I was just very much doing something and she was doing something. It just was friendly banter, but then I reached out to her for the show, and I was like, “Remember that time we matched?” She was like, “Yeah.” Then I was like, “I want to make an episode based on online texting.”

    On the show, you cannot ride a bike. Was that true? And have you learned?

    I learned when I was a kid. What’s the phrase? You can’t forget how to ride a bike. Well, I forgot. If you put me in a meadow and there’s a path, I can ride straight. I’m just not good at turning. I’m not comfortable on the road. I don’t know how people can ride. Then if there’s a stick, they get smacked by a car. So, no, I’m no more comfortable riding bikes. I’ve always been a Rollerblader. I’m still a Rollerblader. They always think Rollerblading is a bit or that I’m joking, but no.

    On your song “No Fruits or Vegetables,” the chorus goes, “I don’t eat fruit or vegetables, no fruits or vegetable.” When you say no fruits or vegetables, are we talking zero?

    I mean, look, 10 years ago, I hadn’t even tried fruits or vegetables.

    How old are you?

    I’m 35.

    Hmm.

    When I was 25, I had tried an apple, but I didn’t eat any fruits or vegetables. Today, I’ve tried—when I say tried, I’ve taken a single bite—I’ve tried a lot of them. But I don’t on a regular basis eat any fruits or vegetables. I will eat something like a Caesar salad or a kale Caesar salad. Besides that, no. There’s a lot I haven’t tried. I have never tried a cherry. I could really list endless things that I’ve never tried.

    Are you worried about getting scurvy?

    I worry about my health in the sense that I live a very high-stress life, and I know that my diet can’t be good. It’s not a good diet. So I don’t know if I worry about scurvy, but I worry about when I go and get my levels checked that they’re going to be like, “Oh my God. The inside of your body is like tar.”

    Why didn’t you try stuff?

    I think it’s a textural thing for me and my parents. I put this in the show too. I always blame them for not forcing these foods on me when I was young so I could grandfather them in and eat them today, but my mom always said it wasn’t worth ruining her own life. Apparently, I really objected.

    While we’re separating fact from fiction, you have a Coca-Cola commercial where you call Jordan Poole the best stealer ever. Do you want to correct anything on the record?

    Yeah. I didn’t write that line. I questioned it when it came out, and I just had to go along with corporate. I didn’t want to put up a stink. I think they only had so many players that could be featured. Of course, I was the guy writing these ads 15 years ago, so I empathize with their position. I don’t want to be the talent on set being like, “No,” but I didn’t write that line, and I know that he’s not. Blame Coca-Cola.

    You did a video with Benny Blanco where, among many other things, you ordered an unsliced bagel and said, “I’ll slice it myself.” Was that a bit for the video? Or do you actually want to slice a bagel yourself when you get a bagel?

    So I find that if you get the bagel sliced by the bagel place, they have that machine that goes like this [uses his hands to mimic a bagel-slicing machine]. The bagel ends up being very texturally flat. But if you use your own knife and you slice it in a human way, there’s a rigidity and fluffiness to the bagel that you wouldn’t have gotten otherwise. It’s not that difficult to slice a bagel. Whenever I order a bagel from a bagel place, I always say, “Untoasted, unsliced.”

    You want to create your own texture, map your terrain, create your own landscape?

    Right.

    Speaking of your own terrain, your new album doubles as the soundtrack to your TV show. Is this an album, or is it a soundtrack?

    I don’t know why it would have to be one or the other. I feel like it’s labeled as Penith (The DAVE Soundtrack) because the common theme of the music is they’re songs that have existed in the show. But my process for making music is whenever I get free time from the show, I then work really hard on making music. I make music to make music, and I think about it existing on an album one day. Or I think about various ways it could exist, and then it’s time to make the show again. The show is obviously about me, and I’m a rapper in the show. So there’s obviously a need for music in the show. So oftentimes some of my favorite work can get plucked up and put in the show.

    It varies in the sense that sometimes I make songs that aren’t for the show at all, and then I’m like, “Oh, OK, we’re making the show. We need music. What’s good music that we could build around and put in the show?” Other times I do make music directly for the show. I didn’t envision my second album being a soundtrack album, but I think this is the right thing to do because I love all this music and I want to get it out as opposed to just waiting to finish whatever’s coming next. I want people to have music, and it’s been so long.

    Why is the soundtrack to your TV show coming out eight months after the show ended?

    I wasn’t going to put it out during the writers strike. You can’t really promote it and do anything like that, and I just needed to finish. Songs will enter the show in this demo, unmixed form. Maybe there’s not a second verse on some things that I want to add a second verse to maybe. So it’s like certain songs had to get finished, and not only finished, but then mixed and mastered. It’s the whole process. And then we want to shoot videos for it. So it’s like we have to like them. We got to edit the videos, and there’s a little bit of a production timeline. You got to realize I’m working on the show every day up until four days before that episode. So it’s like there’s no time to do all those things that I just mentioned until after I wrap on the season.

    You cranked out a lot of TV in a very short amount of time. That’s in an era when people aren’t really doing that anymore. Meanwhile, you have not put out a huge amount of music. My editor always says, “Go where your effort takes you.” At this point, do you like making TV shows, movies, whatever more than the music?

    Well, look, I’ll bring it back to the beginning of my career. I always wanted to be a comedian, and that was my grand vision. I started making music with the hope of being found as a comedic presence. Then I fell in love with making music and began making realer and realer music that didn’t even have to rely on being funny as much and started doing real tours. Then my initial dream of being a comedian took a back seat for a few years because I was really rolling with the momentum of music and just going on tour and doing all these things, and the comedy thing had to be put on hold. Then the TV show happened, and it takes up all my time in that way. Then the momentum happened there, and it really started rolling. I had less and less time to make music.

    I think what happened was when the strike happened, I was able to finish this body of work, and I thought it was a really good idea. I designed this project to be the type of thing where even if you’ve never seen the show, you can listen to it and sit, and it flows really well, because I think it really is a real album. But in the process of doing that, I’ve re-fallen in love with music again. I’ve always been working on it whenever I can, but I’ve now really been able to start focusing on it without being pulled in all these different directions. If you’re asking me present-day today, what I’m focused on right now, it’s music today. Will that change? Of course. I’ve always loved film and TV, and I will always have a future in that.

    Season 3 of Dave ended in May. I know it’s up in the air, but will there be more of the show?

    I’m trying to operate under the mentality of focusing on one thing at a time. Like you said, I’ve put out just three seasons. The amount of work that it’s taken to get those three seasons to where it’s been, it has been so unbelievably strenuous to the point where I still feel like I just wrapped Season 3. I feel like I just finished that, and I’m sure, yes, eventually, the story of my life will continue. I’m not kidding when I say I’m really excited about being focused on music for the first time in a while.

    Last time we talked about how you have hypospadias. Just wanted to follow up and confirm: You did not get the corrective surgery?

    No, nothing as an adult, thank goodness. My dick still is fucked up in the sense that I am peeing out of two holes, but I shouldn’t be. So there is a surgery that could fix that that I could get. I’m just not trying to deal with that. I’d rather just piss on myself.

    How long were you friends with Benny Blanco until he was like, “I want to watch you pee”? Because I know he’s seen you pee.

    Oh, very soon [after meeting]. Me and Benny are just such instant soulmate friends that I feel like within four times of hanging out, our dynamic was that of best friend brothers. So I’m sure I showed him very early.

    You guys do seem like long-lost friends. In one of the early episodes of the show, you’re pulling gum out of his ass or something. For people who perhaps don’t have a relationship like that, how would you describe that bromance, why you and Benny are like that?

    Yeah, obviously it’s a foreign relationship to certain people, but I feel like other people can relate to it. It’s weird. I get stopped in the street, and some guys are like, “I got friends who were like that too.” Then other people would be like, “That’s the weirdest dynamic I’ve ever seen.” So it varies, but really it’s just we love each other, not romantically, but just as best friends. I’ve never met someone who I just hit it off with. So we make each other laugh nonstop. Then even if Benny was a plumber, we’d still be best friends.

    So to have your best friend who, when you meet this guy, you’re like, “Oh my God. That’s the guy who’s always meant to be my best friend in life,” and then he also happens to be the biggest music producer and best music producer in the world. It’s so fantastic to be able to work on this album with Benny, Penith. Literally, it’s like we’re finishing songs that I love while also sleeping over with your best friend. You’re not even a kid anymore, but it feels like you are. It’s really a joyous experience.

    You repeatedly have said, “I will be the biggest star in the world.” You’re also one degree of separation removed from Taylor Swift [Editor’s note: Dave’s friend Benny is dating Taylor Swift’s friend Selena Gomez.] Deep down, when you’re watching this Taylor Swift Eras Tour, is any part of you like, “Damn, I got to do that”?

    Not really. No, no, no. In my heart, I know that I’ll never be as big of a musician as Taylor Swift. It’s like ambitious, and she’s the biggest and best of all time. You know what I mean? So, yeah, I obviously have always believed in myself for sure. I think maybe 10 years ago or five years ago, we had our conversation, I would be more likely to say, “My desire is to be the biggest star in the world,” but I don’t even think that’s my actual desire anymore. I think my desire is to make the best stuff in the world and to feel really proud of the stuff that I make, and my desire is to be really, really happy in life.

    But there are certain things that come along with being the biggest star in the world that I have no interest in experiencing for my fame. You know what I mean? You got to plan every single time you go outside, and I like the comfortable life I live of feeling like I have achieved the things that I want to achieve while not feeling burdened by a toxic level of fame that is truly damning to your life.

    Some of Brad Pitt’s last words in the finale are explaining to you that fame is a prison.

    I think Season 3 in a nutshell is it’s under the umbrella of looking for love and romance and then the bait and switch of realizing when you’re living in this endless loop of validation seeking, and then you’re not even truly loving yourself if every single moment is based on how you’re being received and whatnot. So the end message is there’s more to life than seeking validation. I think that’s a real valid lesson from Brad Pitt.

    About the cameos: You’re just cold-emailing Brad Pitt?

    I did cold-email Brad Pitt.

    Will you send me a copy of that?

    I won’t send you a copy. It’s between me and Brad, but it was really well-written, and I took my time with it. I didn’t write it in 20 minutes. I wrote it, and then I reread it the next day, and then I thought about it, and then I trimmed it. You only get one shot of Brad reading your email. People always say, “How do you get all the people in the show?” It’s a combination of two things. One, pretty much at this point, anyone who I’m getting in the show has seen the show and loves it. When I didn’t have a show, and I’m trying to get YG in a pilot for a show that he’s never seen, it’s a much harder sell to be like, “Trust me, it’s going to be great.” Now it doesn’t feel crazy to me to email Rachel McAdams and Brad Pitt, the biggest stars of our time, and be like, “Hey.”

    Because what I find about the show is that it’s incredibly well-respected in the community of artists—I’ll say, the talent of L.A., the pool of actors, the musicians. It’s everyone’s favorite show, and I’m able to really sell them on it. Oftentimes that’s enough. But back in the day, I think when I moved to L.A. and I became friends with Benny, yeah, I think that it’s like our social circle, and I’m at a party, and I meet Kendall Jenner. I try to be a nice person whenever I’m meeting anybody. If someone likes you, they’re more likely to be like, “Yeah, I remember that guy. He’s cool.” But it depends. It’s just living life and meeting people when you meet them, but at this point, I really feel like it’s just the product speaks for itself.

    People like Drake and Brad and Rachel and Killer Mike and Usher, these people, they love the show. There’s really no better feeling than having that belief of these people who are just icons, even to the point where I’ve grown up idolizing a lot of these people. Now they’re so willing to come play in my sandbox and trust me. There’s no more gratifying feeling that I’ve ever had than being on set with Brad Pitt, giving him notes, and him respecting what I’m saying. I can tell that he was looking at me the way he would look at any other director that he works with. This guy’s the biggest star of our time, working with my favorite directors of all time. I think that feeling as a filmmaker was so gratifying.

    Last time we spoke, you told me the best day of your life was when you put out the video for your song “Ex-Boyfriend.” It was April 25, 2013. Ten years later, April 2023, you’re putting out Season 3 of a show about your life with Brad Pitt and Drake. So, with the utmost seriousness, I ask you, with everything you’ve done, 10 years from now, what would make you satisfied?

    The truth of the matter is 10 years ago, if you asked me this question, I would’ve listed out all the things that I have achieved. When I describe 10 years from now, I’m not listing out, “I want an Oscar.” It’s more like, “I have kids and a family, and I’m married. Life is as good as it possibly can be, independent of all the art that I create.” The tricky thing about me is I’m so aware that wrapping your whole identity up in the art that you create is a never-ending cycle. There’s always more—there’s always improvements, things to do—and I try to infuse that in the show. Trying to be that lesson is something that I try to deal with on a day-to-day level.

    Having said that, you’ve alluded to making movies next, including a screenplay about your childhood; you’ve said going through puberty with your condition was formative. Is that basically your next project? A movie about being a kid growing up with a messed-up dick?

    [Laughs.] I think that I’ve said enough about the dick, if I’m being quite honest with you. There’s other TV series I’m developing, and I have a bunch of other things at play for sure. The future, there’s so many other things I want to do besides just make the show Dave and even just make music. I feel like I’m only getting started. I know I’ve been in this for 10 years, but I do feel like the things that I’ve done for 10 years have all been setups for the future. I don’t think I need to make another movie about [my penis].

    I feel like so much of your stuff started with taking this insecurity about your penis and frankly wearing it like armor. Do you feel like you’ve grown up? Do you feel like you’re over it?

    I’m not saying I’m over it in the sense that it’s not an important part of shaping who I am. I just think that I don’t need to make art about the same material every time. Do I feel like I’ve grown up? Yes and no. I definitely feel like the things that I’m saying now are different than the things I would’ve said five years ago, are different than the things I would’ve said 10 years ago. Do I feel any more ready to have children today than I did when I was 16 years old? No, I feel like I’m still a kid at heart, but I think a lot of people feel that way even when they have kids.

    In 10 years, I’ll be 45 years old. My back’s starting to hurt. I want to figure out ways to make my back stop hurting. That’s one of my main priorities right now, is to fix my back this year. It’s not really answering your question, but do I feel grown-up? No, but I definitely feel like I’m actively growing up at all times. All you can do is just do that as things are thrown at you and as you live life. I don’t think I’ll ever feel grown-up until I’m dead. I think I’m about to enter the second half of my life. Maybe not half, but the middle of my life.

    Well, it’ll be the middle third of your life as long as you start eating vegetables.

    Yeah, I’m entering the second half if I don’t fix something.

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    Danny Heifetz

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