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Tag: The Walking Dead recap

  • ‘The Walking Dead’ Keeps Pulling Punches Even In Its Second-To-Last Episode

    ‘The Walking Dead’ Keeps Pulling Punches Even In Its Second-To-Last Episode

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    As I watch these final episodes of The Walking Dead, I find myself thinking a lot about missed opportunities. I shouldn’t be thinking about this. I should be deeply invested in these characters and the conclusion to their stories. There are a number of reasons why I’m not, of course:

    • The show has gone on far too long at this point. I’m hardly alone in feeling burnt out on what feels very much like a story that passed its expiration date a few years ago.
    • The cast is far too big still. Somehow, in nearly 24 episodes, they have barely killed off any of our heroes. Some villains are dead, naturally, but our heroes remain intact (more on this in a minute). It makes the show feel toothless; and a toothless zombie drama is about as effective as a toothless zombie.
    • Several main characters’ fates have already been spoiled thanks to AMC’s insistence on making early announcements about spinoffs (which is on brand given how frequently the show either straight-up announced or telegraphed a character’s departure).

    These factors, combined with my antipathy toward the Commonwealth and its boring leader, Pamela Milton, makes it hard to become emotionally invested in the final season. It’s hard to care about characters dying when they never seem to and I’ve lost my feelings for almost all of them—and those who I still care about, like Negan and Daryl, have spinoff shows announced. Sure, I’m worried about some characters like Rosita and Princess, and I’ve started liking Gabriel and Aaron more, but overall . . . I just don’t care that much.

    So I think about missed opportunities instead. For one, this entire season could have been spent killing off more of the cast. Some much-needed sense of impending doom and rising tension could have been put in place long ago (or even just at the end of the second block of eight episodes) that would have upped the emotional ante at this point. If Pamela had killed off some of our heroes six or seven episodes ago, that drive for revenge would be fresh and raw.

    Instead, everything feels rushed and messy as we near the end of the line. The good guys have overcome their captors and return to the Commonwealth on the train they commandeered to take down Pamela once and for all. With Eugene escaped, Pamela’s faith in Mercer has crumbled, and she puts a plan into motion to take him down and quell the rising anger among the populace over Eugene’s sentencing. She has troops steering a herd of walkers toward the walls, which she uses both to send Mercer away and to order the streets cleared. Aaron, Jerry, Lydia and that group is walking amongst the herd in their half-assed zombie gut disguises.

    I actually really enjoyed Aaron and Jerry playing Whisperer during this scene. It made me think of missed opportunities. Like, what if instead of the show fighting the Whisperers, they’d taken it in a radically different direction and had the heroes become the Whisperers instead? Their motivation would have been rebellion against the Commonwealth. They would have devised this whole method of hiding among the walkers wearing zombie masks and whispering to each other in order to avoid detection from the Commonwealth’s superior military might and waged a series of guerilla warfare battles and terrorist attacks on their enemy.

    That’s not the story we got, however. Instead, as the group tries to get inside an RV and Luke and Elijah are pushed away from the others by the herd, Lydia reaches out to save her new boyfriend and a zombie bites her. Inside the RV, they tie a tourniquet on her arm and Jerry hacks it off with his sword. It’s a gruesome scene and you feel bad for Lydia—and then for Jerry who agrees to go looking for the others—but it feels like too little, too late. Lydia’s arm is one of just two casualties in the penultimate episode of The Walking Dead.

    The other is Judith, who may or may not be dead, though I’m guessing she survives. She’s shot when Pamela springs an ambush on Daryl and the others as they try to enter the city. Mercer was supposed to meet them, but he’s been arrested along with his loyal troops. Pamela’s men show up and start firing immediately and a big gunfight ensues. For whatever reason, Pamela joins the fight, grabbing a gun and shooting at Daryl. Judith leaps forward to save him and takes the bullet instead. Pamela is shocked, clearly not wanting the blood of a child on her hands. “You did this!” she shouts at them as she retreats. “You did this!”

    Pamela’s plans go awry in more ways than one. The zombies have evolved and the walls no longer hold them back with the few troops she has to spare now that Mercer and his men are in custody. The undead climb the walls, quickly overwhelming the Stormtroopers and opening the gates to the city. The entire horde makes its way toward the Commonwealth and Pamela orders her troops to seal off the “Estates” where she and the other rich and powerful live. When the woman she has running the army now protests—thousands could die if left to fend for themselves—Pamela tells her that their job is to protect the Estates.

    Our heroes make it into the city but the dead are there as well, and barricades have already been set up to funnel the dead away from the Estates and into the rest of the city (though these evolved zombies should be able to make their way past the barricades easily enough).

    The goal now is survival more than rebellion. The survivors fight through the zombies, clearing an opening for Daryl, now carrying Judith’s near-lifeless form, so that he can break through and find medical help. “Daddy?” she says at one point, looking up at him through blurry eyes. This is probably the best moment of the episode, packing an actual emotional punch for once. Earlier in the episode, Daryl promised that when all this was over, he’d tell her all the stories he could remember about all the people who ever loved her—Carl, Michonne, her birth-mother Laurie and her long-disappeared father, Rick. Judith had talked about having two mothers, but in reality she’s had two fathers as well. Daryl has stepped in as her adoptive father now that everyone else is gone. It’s a sweet, sad moment when she calls him that for the first time, and probably by mistake.

    I’m not sure if this show will kill off its final Grimes family member or not. I guess we’ll find out in the finale.

    The problem right now, however, is that they haven’t killed off anyone yet. Eugene, once again finding that small pouch of courage he keeps buried deep within, overcomes the soldier searching for him and joins up with the other fighters. Everyone is still alive, even if things look bad for Judith and Lydia. Magna, Yumiko, Luke, Rosita, Princess, Negan, Annie—really, there are even more main characters alive in Season 11 than in Season 10 with the addition of Negan’s new wife and the return of Maggie and her son (and Elijah and all those other people from her community that this show had no problem killing off as fast as possible).

    The plot armor is a problem. The fact that any meaningful deaths have to take place in just one episode is bizarre. Jerry is probably a goner, which sucks. I wouldn’t mind if Jerry, Aaron, Gabriel, Rosita, Princess, Negan, Daryl and the kids survived. Honestly, though, if this show had real steel—and AMC wasn’t so interested in spinoffs—it would end like The Mission, with just the children left to pick up the pieces of a broken, tragic world.


    The series finale of The Walking Dead won’t come to AMC+ today, which is a good thing. Frankly, I wish AMC had never broken up the show’s audience this way. Far better to air the episodes at the same time for everyone. That’s what event TV is supposed to be and we’ll get it one last time next Sunday, November 20th, when the very last episode finally airs. What a long strange trip it’s been.

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    Erik Kain, Senior Contributor

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  • ‘The Walking Dead’ Season 11, Episode 20 Review: They Keep Killing The Wrong Characters Off

    ‘The Walking Dead’ Season 11, Episode 20 Review: They Keep Killing The Wrong Characters Off

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    The Walking Dead seems intent to limp its way to the finish line in its eleventh, and final, season. I know that this is partly the fault of the source material and partly a problem with losing Andrew Lincoln (and thus the entire Rick Grimes arc here) but I still can’t quite believe that the final season of this long-running zombie show is going out with a whimper rather than a bang.

    There’s just not much here from one episode to the next, which makes me wonder why they needed an extended 24-episode season to wrap things up. Half of each episode feels like filler. The cast is still too big, filled with characters we don’t care about. Weirdly, newcomer Lance Hornsby (Josh Hamilton) has become one of the most interesting characters on the show.

    In ‘What’s Been Lost’ we follow Carol (Melissa McBride) and Daryl (Norman Reedus) as they attempt to find their missing compatriots, most of whom having been disappeared by Pamela Milton (Laila Robins). They rescue Hornsby—taking out the ‘rotter’ Sebastian—and enlist his help. Soon, Carol and Hornsby are separated from Daryl, who hangs back to fight off some Stormtroopers.

    The two make their way toward wherever Pamela is holding Carol’s friends, eventually running into some sewer zombies. A fight ensues, in which Hornsby hides while Carol takes out the undead.

    This was probably my favorite scene of the episode. For all this show’s flaws they really do make some great zombie special effects.

    When the two are caught by more Stormtroopers, Daryl shows up in the nick of time to save them. They continue on their journey and then tell Hornsby that his time is up. “You’re just gonna kill me?” he says. “You can run,” Carol replies.

    He walks slowly away, then lunges at a nearby jeep and grabs a gun. Carol shoots him with her bow. RIP Hornsby. The show keeps all the most boring characters alive and unceremoniously discards the ones that are actually compelling.

    Elsewhere, Yumiko (Eleanor Matsuura) who has become legal counsel to Pamela, is put in the unenviable position of having to prosecute Eugene (Josh McDermitt) for the killing of Sebastian. She agrees and even goes to talk with Eugene, who says he understands what she has to do. But—to the surprise of nobody—when she gives her speech before the assembled Commonwealth citizens, she flips the script, announcing that she’ll be defending Eugene in court instead. Pamela could just have her arrested at this point, but Pamela isn’t a particularly effective dictator.

    And that’s about that. A pretty lackluster episode with a pretty disappointing death for Hornsby. He seems like a character whose story had not run dry just yet, who could have figured into the final showdown as some kind of wild card. In fact, they’ve now killed all the most interesting Commonwealth baddies: Hornsby, Sebastian and Carlson, the dude who threw all those people off the roof earlier this season. Now we just have Pamela, who is a pretty dull Big Bad.

    Oh well. Just a few episodes left at this point.

    The episode ends with the captured heroes being taken somewhere on a bus, under the watchful eye of a group of Stormtroopers, presumably to a place called Outpost 22, the title of the next episode.

    What did you think of this one? Let me know on Twitter or Facebook.

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    Erik Kain, Senior Contributor

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  • ‘The Walking Dead’ Season 11, Episode 19 Review: You Finally Have My Attention

    ‘The Walking Dead’ Season 11, Episode 19 Review: You Finally Have My Attention

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    See that expression Daryl (Norman Reedus) is making as he glares at Eugene (Josh McDermitt)?

    Yeah, that’s the same expression I make whenever Eugene is onscreen, blubbering or pontificating in his endlessly inventive—and irritating—way of speaking. Much of Season 11 has focused, bizarrely, on Eugene’s romance with Max (Margot Bingham) though at first he was duped by a fake version of his love interest, which makes the story even more preposterous and absurd.

    Suffice to say, I am not a fan of this subplot, and I don’t buy for a second—not one damn second—that sparks would ever fly between this pair. There’s no onscreen chemistry between McDermitt and Bingham, either.

    Eugene is just . . . not a believable love interest, and Max is a new character with very little depth who I’ve never been able to connect with—unlike, say, Princess who I find both hilarious and fascinating, and whose fractured mind contains all sorts of dark and mysterious secrets. More on her in a moment.

    In any case, Eugene and Max have taken center stage again in the current Commonwealth plot, having secretly recorded Sebastian Milton (Teo Rapp-Olsson) saying all sorts of terrible truths and then played that recording at the Founder’s Day celebration, directly after the utterly ridiculous WWE match.

    All hell breaks loose after they play the tape and some zombies show up (after Hornsby’s agents kill some workers and let them turn). Sebastian is killed and in this week’s episode Pamela Milton (Laila Robins) is out for blood. She has her sights on three targets: Max—who she tells Mercer (Michael James Shaw), Max’s brother, she’d like to spare—Eugene, and her wayward lieutenant, Lance Hornsby (Josh Hamilton) who she has in custody.

    Max is on the run and Eugene is being hidden by Daryl at the church. Pamela orders Milton to round up all the people associated with Eugene for questioning, bringing in Rosita (Christian Serratos) and Princess (Paola Lázaro)—two of my favorite characters on the show— as well as Carol (Melissa McBride) and Ezekiel (Khary Payton) for questioning.

    Princess was a highlight of this episode for me. Her tragic backstory is gripping and adds some welcome—in unpleasant—emotional resonance to the episode, as she explains to Mercer how she’s come to see the Commonwealth (which is willing to kill a good man like Eugene) like her abusive stepfather and stepbrother. She feels like she’d be just like her mom, who stood around and let the abuse take place, if she stayed in the Commonwealth.

    Rosita visits Eugene and agrees to go looking for Max so that he can remain hidden, though we soon discover through his conversation with Daryl about bravery and cowardice, that he’s too much the scaredy-cat to go looking for her himself. Rosita does eventually find Max, who is hiding in an alleyway of sorts, and stupidly runs out into the street the moment she sees Rosita without making sure the coast is clear. She’s apprehended. When Eugene learns the news he decides to man up and go turn himself in, confessing to the whole thing and claiming that Max wasn’t responsible. Max, for her part, refuses to throw Eugene under the bus even to save her own skin.

    The more interesting storyline in this week’s episode takes place outside of the Commonwealth. Aaron (Ross Marquand), Jerry (Cooper Andrews), Lydia (Cassady Marie McClincy) and Elijah (Okea Eme-Akwari) are on their way back to the settlements when they stop at a town to rest. It looks like a theme town of some sort, part actual town and part Renaissance Fair. Jerry says it would make a cool Kingdom 2.0 and I agree. This would have been a great setting for the original Kingdom, in fact.

    Alas, the place is overrun by a zombie horde that night and Jerry hurts his knee as they try to fight their way out. They climb to a rooftop and debate their next move as Jerry sits resting his injured appendage. Just then, we see zombie hands clambering up over the ledge. A zombie has climbed the ladder behind them and reaches down to pick up a rock. “Dude!” Jerry shouts at Aaron, who rushes into action, punching the zombie and tackling him to the ground.

    Thinking this is a Whisperer, he reaches down and rips off the “mask”—only to discover that it’s not a mask at all. He’s ripped the face off of an actual walker. A walker who can climb to the roof and has the wherewithal to pick up a makeshift weapon.

    A walker, in other words, like the ones from Season 1.

    This is a very cool moment actually. Probably the most exciting moment in years. I knew they were going to be doing some cool stuff with zombies but I wasn’t sure exactly what, and a return to the more sentient zombies that made Season 1 so fascinating is a great twist. For the first time since Maggie went full revenge back in Episode 9, I’m actually interested in what happens next. Hopefully it will be better than the rest of this largely dull and uninspired final season.

    Back in the Commonwealth, Pamela has all three of her targets now. She’s locked Hornsby in a cell with the zombified version of her son, still bound but with a machete to protect himself (somehow, with hands tied behind his back). Hornsby is slippery, however, and I’m sure he gets out of this pinch. I am curious to see what his next play is.

    What did you think of this episode? Let me know on Twitter or Facebook.

    Here’s my video review of this episode:

    As always, I’d love it if you’d follow me here on this blog and subscribe to my YouTube channel so you can stay up-to-date on all my TV reviews and coverage. Thanks!

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    Erik Kain, Senior Contributor

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  • ‘The Walking Dead’ Season 11, Episode 18 Review: The Good, The Bad And The WWE Wrestlers

    ‘The Walking Dead’ Season 11, Episode 18 Review: The Good, The Bad And The WWE Wrestlers

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    The Walking Dead offers up a somewhat better episode than last week, but still falls into some old (and new) traps.

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    Erik Kain, Senior Contributor

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