It was a send-off that was equal parts bittersweet when Murder by Death played the Social in the waning days of what they say is their final tour before calling it a day. Both Murder by Death and opener BJ Barham (American Aquarium) gave their hearts and souls, musical and otherwise, to a sold-out crowd at this downtown venue.
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Adam Turla has always possessed an eye for spotting hidden signs in life.
There were signs as a college student at Indiana University that he should take his gothic-country outfit Murder by Death seriously, and that there could be a future beyond playing shows at pizza parlors and basements.
“You get a lot of little signals,” Murder by Death’s frontman tells Orlando Weekly. “It could be something as small as playing a basement show and we got our little CDs out and everybody in that room buys a CD. Or having a show where people were engaged and paying attention.”
Turla saw the signs that he could take the guitar gifted to him from a garage sale, and go pretty damned far with it. He is also cognizant enough to recognize the signs that the show is over.
After playing thousands of gigs and releasing nine studio albums, the show is indeed over for Murder by Death. Their current tour, which heads to Orlando’s Social on Tuesday, is the band’s last. The seeds for closing up shop were planted back during the early days of the COVID pandemic in 2020.
“We were on the biggest tour we ever had and then one day we were driving 16 hours home and had no future in sight. No unemployment and no help was on the way. It was kind of an eye-opener,” says Turla.
“But also I realized I was in a state of feast or famine my entire adult life. I was either completely broke, waiting to go on tour or I just got home from tour and my body is destroyed.”
The band will still play their annual Cave Shows in Tennessee, but will stop touring permanently. Turla recognizes the way the industry has changed for the worse since Murder by Death started two decades ago, in particular thanks to Spotify.
“My instinct is to say that the music industry is worse than when we started,” explains Turla. “I feel like there are more predators out there 1762400650 like Spotify. There are people trying to take our intellectual property. The music industry has always had predators.”
One of the ways that Murder by Death has gotten ahead of the game is self-funding their albums via Kickstarter. The band started using Kickstarter as a vehicle for fundraising back in 2012.
One of the albums that was funded in this manner is their latest, Egg & Dart, released this past summer. The album is focused on something that Murder by Death have been saying a lot of these past few months: goodbyes. Whether saying goodbye to a relationship, or goodbye to consuming mainstream news, the band says farewell in many different ways on Egg & Dart.
They recorded the album in Los Angeles, around the time wildfires were ravaging the city. The setting of the recording of Egg & Dart still weighs on Turla’s mind; he plans on spending time volunteering with disaster relief after the tour is wrapped.
“We went to Los Angeles to record and right around the same time [were] the wildfires in Malibu and Altadena,” remembers Turla. “Our studio was less than five miles from Altadena, and it was a wild time to be there. We had masks on outside and there were windstorms that made it worse. There were wild animals like coyotes, foxes and bears that were fleeing Altadena and you would see them in the hillside. … The whole community stepped up, and it was cool to see the way people were engaging, whether collecting clothing or goods.”
Sometimes saying goodbye means having the freedom to be your truest self. For Murder by Death, growing, evolving and, yes, aging together has allowed the band to do things musically that they couldn’t when they were younger. Egg & Dart pushes at those previous limits.
“With the last couple of records one of the things I’ve had fun doing is trying to get into the headspace of myself in my teens or 20s,” says Turla. “Trying to go back and think about what if I write a song in my 40s that I would have loved to have written in my teens or 20s that I wasn’t as experienced to write back then. I have written certain songs trying to go back and reflect on what I would have to have gotten done that I couldn’t then.”
Lately we’ve seen bands try to relive past glories and reunite for tours. Bands that Murder by Death have worked with musically or toured with, such as My Chemical Romance and Minus the Bear, have reunited recently for reunion shows. But Turla is adamant (at the moment) that we won’t be seeing a Murder by Death reunion tour at the Social in 2035.
“When you do a farewell tour you are ending an era, even if you are a band that intends to come back. We don’t plan on touring again,” he says. “We might play some more shows down the line, but aren’t going to be a band that plays 26 shows in 30 days. The intention is not to do that again.”
With that in mind, Murder by Death are taking it all in on this last ride, and are excited to play the Social one more time.
“We would play at Will’s Pub and the Social once or twice a year back in the day,” says Turla. “I remember one time in 2006 we did this two-night stand at the Social with Lucero and it was this wild tour where we were up all night partying really hard every night. It was a different time, but it was really fun. Whenever we go to Florida we try to go to the ocean or try to go walk on the beach. We try to engage in nature in some way because there’s a great natural element to Florida.”
(Murder by Death with BJ Barham, 6 p.m. Tuesday, Nov. 11, The Social, 46 N. Orange Ave., foundation-presents.com, $35)
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Louche post-punk outfit French Police (actually from Chicago, and deffo not cops) are out on a two-month U.S. tour that swoops into Orlando this week. The exact date is the day after Halloween, noted here for those of you who need one last fix of Spooky Season stimulation before it’s all Mariah Carey Xmas jingle-jangle all the time.
The quartet released their newest single, “Libra,” just ahead of the tour, and it’s got a welcome lithe sensuality, in contrast to many of their peers’ leaden dourness. French Police understands, like Sisters of Mercy, you need some boogie with your brooding.
So come surrender yourself to the proper authorities.
6 p.m. Saturday, Nov. 1, The Social, 54 N. Orange Ave., foundation-presents.com, $22.
This bill is a tight capture of two good young bands on the up.
With taut songs that pack punch, kick and hooks galore, San Diego headliners Sun Room are a raggedly perfect merge of surf and garage that rocks like The Strokes partying with FIDLAR.
Baton Rouge indie-rock openers The Bends also bring the grit and concision, only with some Southern heat and drawl like a scrappier Kings of Leon.
Together, they’re a strapping double shot of bands who know how to deliver the goods with just the right amount of muss but zero fuss.
Although they were very much a product of the garage-punk boom of the 2000s, Mississippi-born band Bass Drum of Death were always more.
They were more concentrated with more pure kick than Black Lips, Jay Reatard and nearly any of their other peers. But they were also more than just garage punk. In more recent releases, including their flame-throwing new album Six, they’ve become a heat-seeking missile packing a hot payload of rock fuzz, punk propulsion, bluesy swagger and bull’s-eye melodies.
And now, their long-overdue Orlando appearance is finally here.
Best of Orlando®-winning Wednesday drag event Off the Record, usually headquartered at the Ren Theatre, hops downtown this week for a guest spot cheekily dubbed “Condemned.”
The Renaissance Theatre Co. in Ivanhoe Village was condemned by the city as of Friday afternoon, after an annual inspection by the fire department, effectively shutting down all events and operations at the theater.
The folks at the Ren are currently working with city officials to address these issues, with the hope that the space may be reopened in the coming weeks. Per Watermark, the City released a statement on Monday confirming that work is underway: “The City is actively working with the business to address and correct these violations, but until all code and safety issues are resolved, the property will remain condemned.”
For the queens of OTR, though, there will be no break. This Wednesday sees the cheekily named “Condemned” happening at the Social on Orange Avenue, business as usual with resident performers Allegra, Coco Cavalli, Myki Meeks and Black Magix Royal. Some special guests are along for the ride too this week: Eris Thee Doll, Kitty Kalico and the one and only Icesis Couture, winner of Season 2of Canada’s Drag Race.
“We’re working with the great folks in the City to get back to the Ren, but in the meantime, we bring you a special theme for the times: OTR: Condemned,” read the announcement on the OTR instagram Monday, complete with digital flyers that mimic the garish hues of the “Condemned” signs plastered all over the Ren Friday. “Dress like a highlighter, drape yourself in caution tape, and come out and show us what OTR means to you.”
Off the Record presents “Condemned” at the Social on Wednesday, Sept. 24, at 10 p.m. Tickets will run from $13-$23 and are available through the Ren.
One year later and our wigs are still flipped from seeing the volcanic Mdou Moctar at the Social. Well, hold on to your hairpieces because another outfit of Tuareg rock titans are on their way downtown.
Etran de L’Aïr (“Stars of the Air”) are a relatively newer proposition in the world of Tuareg international firebrands. Starting up in 1995 and releasing a string of recent albums on Portland label Sahel Sounds, they’ve made a name for themselves with (yes) celestial grooves and mantric boogies that create a joyous devotional ramble through vibrating sonic vistas.
All this to say, this band is going to be positively hypnotic in the Social.
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For those who like their headbanging scattered, smothered and covered, here’s a heaping sampler of trailer-park metal. That’s not me being condescending — just ask Orlando headliner Bodybox, whose frenzied, drug-obsessed death metal comes in titles like “Doublewide Stomp,” “Angeldust” and “Resin Scraper.”
As for Virginia’s Restrictor Plate, well, let’s see: They’re a death-grind band named after a racecar part and their music is self-described as “NASCORE.” In the event those clues were too subtle for you, songs like “Slamtona” and “Earnhardt Stomp”should complete the picture.
Finally, Florida’s Chain Gang specialize in the kind of tough-guy beatdown sound that’s custom-built for cage fighters to enter the ring. Oh yes, maximum ass will be kicked.
Since 1990, Orlando Weekly has served as the free, independent voice of Orlando, and we want to keep it that way.
Becoming an Orlando Weekly Supporter for as little as $5 a month allows us to continue offering readers access to our coverage of local news, food, nightlife, events, and culture with no paywalls.
One of the last stops on Armand Hammer’s tour is in Orlando
Left-field NYC rap duo Armand Hammer is finally touring behind last year’s stunning new album We Buy Diabetic Test Trips, and Orlando gets a listening session next week.
We Buy is a more loose-limbed undertaking for Elucid and Billy Woods, even by the duo’s own adventurous standards. The album grew out of a jam session and the free (jazz) and easy flow of the music spurs on the two MCs to ever-greater heights of nonlinear, space-is-the-place wonder.
The finished album featured contributions from everyone from JPEGMAFIA and EL-P to Moor Mother and Junglepussy, along with plenty of live instrumentation. But that’s not the only new material Armand Hammer are touring behind.
They’ll be previewing new material from BLK LBL, a surprise vinyl-only release with contributions from Dreamcrusher and Aesop Rock, and selling copies of the LP.
Thursday’s show at The Social is the penultimate show of their tour, the only Florida engagement and a rare chance to snatch up a copy of BLK LBL, so drag your carcass out on a weeknight because this will be a dizzying affair.