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  • Girl, I Get It: ‘The Idea of You’ Review

    Girl, I Get It: ‘The Idea of You’ Review

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    It’s been a fun and flirty few weeks for film releases. Last year’s surprise summer romance Anything But You finally came to streaming and is sitting pretty on Netflix’s Top 10. Zendaya and Luca Guadagnino’s Challengers is all sweat, sex, scorn, and some truly fine tennis — no wonder it’s the number-one movie at the box office.


    And now, the long-awaited Amazon Prime Video drama
    The Idea of You is finally-finally out…and the internet can’t get enough.

    After months of promo — and
    a viral trailer that garnered over 125 million global views across all social media platforms, breaking the record for the most watched trailer for any original streaming movie — Anne Hathaway’s turn as a single mother who falls in love with the most famous popstar on the planet is. Finally. Here.

    Any clip of the film reveal what’s at its core: sizzling chemistry, Hathaway’s unfailing charm, and a sudden tenderness that reveals that The Idea of You is not just one more spicy mommy movie (sorry, Fifty Shades of Grey). It’s a character study of Solène, Hathaway’s character, who turns 40 and is a woman in search of herself. Where does she find herself? In the arms of a 20-something-year-old rockstar based loosely on Harry Styles.

    Is The Idea of You based on a true story?

    Directed by Michael Showalter,
    The Idea of You is based on Robinne Lee’s best-selling novel of the same name. The book’s now cult-like devotees slowly but surely gained momentum. The novel found a feral fanbase during those cold and lonely months of the early pandemic when everyone had the “Watermelon Sugar” music video on repeat simply to recall what outside air and human touch felt like.

    But the book initially published way back in 2017 — doesn’t that feel like the Paleolithic Era? — just about a month to the
    day after Harry Styles released his debut album. This is significant because, in the years that followed, the book seems to predict certain events and themes in the popstar’s relationships — specifically his headline-grabbing love affair with Olivia Wilde.

    The pretty much predictive elements of the book are proof of why Lee’s novel is so compelling. It’s not just about the fantasy. And it’s not, she insists, a fan-fiction — though she has admitted it’s based on Harry Styles as well as Prince Harry and Eddie Redmayne … interesting mix. It’s about love. It’s about women. And it’s about coming of age or coming into your sexuality, at a time when society has put you on the shelf.

    Is The Idea of You good?

    The
    Idea of You is bringing back the rom-com. Watching the film, I couldn’t help but say aloud: “we’re so back.” From a classic awkward-but-charming meet-cute to the sexy montages of relationship bliss set to upbeat music, The Idea of You does everything you want a rom-com to do. And because it’s been so long since we’ve seen a high-budget romantic comedy of this caliber — with Anne Hathaway no less! — it doesn’t feel trite, it feels refreshing. Invigorating. Addictive.

    This is due in no small part to the stunningly sensual performances by Hathaway and her leading man, Nicholas Galitzine (
    Bottoms and Red, White, and Royal Blue), who plays Hayes Campbell. Hathaway raves about her co-star’s ability to create chemistry with anyone. So, paired with an Oscar-winning actress, of course, the sparks were flying.

    If you didn’t believe in the characters’ chemistry, the film would fall apart. The tension between them must be strong enough to withstand a world tour, societal judgments, and Sol’s own self-doubts. And this pair delivers. As you watch, you’ll fall in love with Galitzine, too. In interviews, he’s got the same quintessential British charm of a young Hugh Grant. On-screen, he’s every bit the magnetic rockstar that easily packs a stadium full of girls hoping to catch his eye and his heart.

    For her part, Hathaway plays the somewhat farfetched role with grounded authenticity. She’s not the typical someone who gets swept away by this young rockstar. She’s a complex character who allows herself to take a risk. To meet her complexity, Galitzine has to imbue his own character with far more than rock’n’roll, fake tattoos, and that one little earring. He crafts exactly the kind of dream boy you hope is underneath your fave heartthrobs. Sensitive and boyish, but full of depth, Galitzine’s Hayes Campbell plays perfectly against Hathaway’s Solene —
    literally.

    I get what Anything But You is trying to say — but did it get there?

    For what it is, this film is spectacular. Give it a Teen Choice Award, a People’s Choice Award,
    and a VMA for the promotional August Moon visuals. It’s certified Fresh with a 94% rating on Rotten Tomatoes. For too long, the genre’s been handed paltry budgets for trite storylines and left in the dust. But after years of being underinvested in and undervalued by the gatekeepers of cinema, The Idea of You proves why we should bet on character-driven movies about women.

    Though we still adore many of those heroines from the rom-com heyday — that includes Anne Hathaway as Andy in
    The Devil Wears Prada or The Princess Diaries — there’s one notable difference between this story and the films of yore. Our protagonists’s age.

    Despite Hathaway’s youthful appearance, Solène isn’t just some ingenue. She’s not a 20-year-old trying to make it in the big city. She’s not a naive Manic Pixie Dream Girl from a small town whose purpose is to introduce all the beauty in the world to a jaded man. And she’s certainly not a corporate Girlboss who just needs a man to show her there’s more to life. No, Solène’s a divorced mother and gallerist who is on her journey to self-discovery.

    We meet her as she’s embarking on a camping trip in an attempt to find herself in nature. But when that camping trip morphs into a chaperoning expedition to Coachella, Solène is thrust into the giddy world of being a rockstar girlfriend for a man more than 15 years her junior.

    Anne Hathaway says this age dynamic is part of why she wanted to take on this role. Some skeptics have asked why Hathaway is already being relegated to mom roles or why she took on a fluffy film, the hidden complexity is what drew her to it.

    “For some reason, we talk about coming-of-age stories as being something that happens to you in the earliest part of your life, and I don’t know about you, but I feel like I keep blooming,” Hathaway said at the film’s
    SXSW premiere.

    Indeed, the film focuses on Sol’s age from many different angles. There are the establishing shots of Sol forced to make lackluster conversation with men her age at her birthday party. There’s her toxic dynamic with her ex-husband and the sense that she’s trying to emerge whole from the shell of a bad marriage. There’s of course, the contrast between her teenage daughter (Ella Rudin) insisting she’s too old for the group August Moon while Sol herself has a steamy affair with its lead singer. But most of the focus on her age is external.

    The Idea of You tackles society’s expectations and constraints of middle-aged women. It parrots back outdated attitudes slamdunk debunks them — by showing you that Sol is still sexy, thank you very much.

    While looking like Anne Hathaway and being attractive to a 24-year-old shouldn’t be the metrics for one’s worth, they don’t hurt. But in Sol’s case, we don’t see much of her personal development beyond this brief tryst. What we do see, is the people in her life grappling with the external pressures thrust upon them by hyperbolic headlines and social media abuse.

    “It’s because you’re a woman,” Rudin’s character plainly states. Yet, the film doesn’t get more nuanced than that. But does it have to? After all, we’ve seen this familiar trope play out in real life. Namely, with Olivia Wilde during the
    Don’t Worry Darling press tour firestorm. And I worry any further extrapolation would have resulted in a Barbie-type monologue.

    At its core,
    The Idea of You is a step above fan-fiction but it achieves what the best fan-fics do: validate your fantasies. It says, hey [your name], you, too, deserve love. Love in this case is the attention of a Coachella performer (Sabrina Carpenter, call me), but it’s also the belief that you’re worthy of that attention. And watching that sort of lavish affection bestowed on a woman over 25 on screen is refreshing and thrilling.

    Even more, it’s proof that the female gaze is ruling cinema and it’s here to stay.

    How to watch The Idea of You

    The Idea of You is streaming on Amazon Prime Video starting May 2nd.

    Like all rom-coms, this movie is just as good if you watch it alone in your room, giggling and kicking your feet as if you’re watching it sleepover-style with all your besties. It’s also screening at a select number of theaters. So, check your local showtimes for tickets, take your blankets to the cinema, and giggle and gasp along with the crowd as you all fall in love with Nicholas Galitzine together.

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    LKC

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  • Anne Hathaway Recalls Being Told That Her Career Would Fall Off When She Turned 35: “Something I Know a Lot of Women Face”

    Anne Hathaway Recalls Being Told That Her Career Would Fall Off When She Turned 35: “Something I Know a Lot of Women Face”

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    Anne Hathaway is reflecting on how she was told when she was young that she would only be successful until she hit a certain age.

    In an interview with Porter Magazine, the actress opened up about her decades-long career and major fashion moments of the last year, at the hand of stylist Erin Walsh.

    “When I started out [in this industry] as a child, I was warned that my career would fall off a cliff at the age of 35, which is something I know a lot of women face,” Hathaway told the publication. “The thing that has evolved during [that time] is that more women are having careers deeper into their lives, which I think is fantastic.”

    However, she acknowledged there is still progress to be made.

    “Obviously, it doesn’t mean we should have a ticker-tape parade – someone said this to me the other day: ‘There’s so much to be proud of, and there’s so much to fix,’” she added.

    Elsewhere in Porter‘s cover story, Hathaway also looked back on her long list of films from earlier in her career that resonated with people when they came out and still do to this day. From blockbusters like Brokeback Mountain and Interstellar to rewatchable coming-of-age movies like The Princess Diaries and The Devil Wears Prada, Hathaway cemented herself across several generations.

    “It is such a sweet feeling to know that you’re kind of woven into someone’s life,” she said. “I can’t describe the honor of knowing that I’m involved in the moments where people need comfort. It makes me really excited that my journey as a performer has connected with people. I love [when] projects have a life beyond their initial release.”

    Last year, Hathaway starred opposite Jeremy Strong in Armageddon Time and Jared Leto in WeCrashed, among other projects. This year, the actress has two films that are hitting theaters almost back to back. She Came to Me, also starring Peter Dinklage and Maria Tomei, released Oct. 6, while William Oldroyd’s Eileen, in which she portrays a 1960s prison psychologist, launches Dec. 8.

    In January, at the world premiere of Oldroyd’s psychological thriller, the actress recalled one of the first questions she ever got asked when she started acting was, “Are you a good girl or a bad girl?”

    “I was 16, and my 16-year-old self wanted to respond with this film,” she said of Eileen. “Though I did not know that when I read the script, I think a part of me hoped for this exact moment.”

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    Christy Pina

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  • What’s With Our Need For Nostalgia?

    What’s With Our Need For Nostalgia?

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    I grew up during Disney Channel’s golden era — you know exactly what I’m talking about. It was the when Disney Channel Original Movies (DCOMs) were at their prime and peak Disney TV starring the Jonas Brothers, Miley Cyrus, Demi Lovato, the Sprouse twins, and more. In hindsight, it was wild. There has never been such a hotbed for stardom since Ryan Gosling, Justin Timberlake, Britney Spears, and Christina Aguilera were all on the Mickey Mouse Club.


    And, yes, as I continue growing up I miss having these lighthearted shows and movies to watch. Every so often, my roommates and I will binge Disney movies like
    High School Musical or classics like The Princess Diaries. But lately, there’s been a shift.

    Has anyone noticed that we as a society are lacking a little…creativity? I mean, sure, it’s completely normal to crave a little dose of your childhood here and there — who isn’t comforted by memories of your life before you had an overwhelming sense of anxiety. But I almost feel as though we’ve gotten
    too comfortable with bringing back the old.

    Some of the nostalgia-inducing events are
    exciting. Think: the fervor for Taylor Swift’s Eras Tour or The Jonas Brothers’ The Tour, where they play all of their old songs spanning their entire career. It’s exciting and it’s a good way to get fans of old and new in the room.

    We’re also in an era of reboots galore. Take a short glance at any of your streaming platforms and you’ll see a lot of familiar titles. Former early 2000s favorites like
    Zoey 101, iCarly, and That’s So Raven are finding themselves back on our television screens. And if you think that’s all…oh, boy.

    Some reboots are reimaginations of the show…like
    Gossip Girl with a new cast and fresh, young faces. While others are continuations of the show just in the future – think iCarly and Zoey 101 (the reboot being Zoey 102).

    And then, there’s Disney.

    Disney is constantly trying to get the older generations into theaters, not only with Marvel, but with live action remakes of our favorite films. Over the past decade, we’ve seen versions of
    Aladdin, The Lion King, Beauty and the Beast, and most recently, The Little Mermaid. And while I surely will watch out of curiosity and lack of alternatives, I’m always left feeling a little underwhelmed.

    Nostalgia-core is literally
    everywhere. It’s in the way we dress, with Y2K trends consistently leading the pack. People are preferring jelly shoes and mini skirts over any other decades-inspired trend. But when do we border the line between nostalgia and overdoing something?

    Maybe it’s because we went through a global pandemic for so many years, we are craving stability and childhood…going back to our roots and finding comfort in what we know after a lot of uncertainty.
    Watching reboots of your fave show or movie can feel like the adult version of a pacifier.

    Or maybe it’s because we have completely lost identity in today’s society…where we can’t thrive on anything but the past. Unoriginal ideas cycling back into the trendscape just because we can’t think of anything new.

    Or maybe, just maybe, it’s the “if it ain’t broke, don’t fix it” mentality. If something is getting those viewers in and bringing in the money, why wouldn’t they keep rebooting shows? Why wouldn’t Disney just make live action versions of their entire filmography? That way, they can release one original and make it really amazing in the interim.

    One thing I know for sure is that trends recycle all the time. There was a time not so long ago where anything low-rise was considered a fashion crime and you wouldn’t dare wear Crocs out of your house unironically. But in the early 2000s, and subsequently in 2023, you would be considered right on trend.

    And while the Disney films will always be successful in some capacity, I don’t know if every show needs a reboot. Some shows ended where they ended, and that’s how it should stay. Honestly, I feel like I’m getting bored too easily, I already know the plotline of everything coming out!

    With popular shows like
    Succession and Ted Lasso in their final episodes forever, we are met with the realization that we will soon run out of original content if we keep rebooting everything. And yes, I get that a reboot is still somehow original if it’s a continuation of the series…you know that’s not my point here.

    So, I’m left with the question: when is it time to let the past be….the past?

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    Jai Phillips

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