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Tag: The Princess Bride

  • How Rob Reiner Influenced Today’s Comedy Creatives: “I Owe a Large Part of My Career to Him”

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    After growing up with Rob Reiner‘s movies playing on repeat in his home, Jake Szymanski recently got to explore the beloved filmmaker’s legacy in a unique way. Szymanski — the director of Jury Duty and Netflix’s forthcoming Cameron Diaz-led Bad Day — helmed the buzzy 2025 Super Bowl commercial that reunited Meg Ryan and Billy Crystal at Katz’s Delicatessen for the first time since they filmed their iconic scene in When Harry Met Sally.

    “The best part for me was just getting to ask them questions and have them tell stories about making When Harry Met Sally and about Rob,” Szymanski tells The Hollywood Reporter. “He was very collaborative and let comedians do their thing, which I’m a huge believer in, and I don’t think I knew that’s what he was doing until later. Rob was able to make a movie that could only be his, while still letting comedic performers get their voice through.”

    Hollywood continues to mourn the legendary figure and process the senseless tragedy of Reiner and wife Michele having been found dead Sunday in their Brentwood home. Loved ones and former colleagues have shared endless praise for the entertainer behind such other indelible favorites as This Is Spinal Tap, The Princess Bride and A Few Good Men. But even if they didn’t know him personally, Reiner’s impact endures for the industry’s top creatives through his storytelling and devotion to character.

    “Movies like When Harry Met Sally and The Princess Bride are timeless because they’re built around people, not punchlines,” says Andy Jones, whose writing credits include It’s Always Sunny in Philadelphia. He points out that the dynamic between the When Harry Met Sally leads — a man (Crystal) and woman (Ryan) trying to remain platonic friends despite sexual tension — has continued to impact popular projects in recent years. This includes New Girl, the Fox comedy series that featured the will-they-won’t-they connection between Zooey Deschanel’s Jess and Jake Johnson’s Nick — and also saw Reiner portraying Jess’ father.

    Rob Reiner (left) and Christopher Guest in This Is Spinal Tap.

    Courtesy of Everett Collection

    Adds Jones, “It was great to see Rob play Jess’ dad on New Girl because Nick and Jess have the same dynamic as Harry and Sally, or Gib and Alison in [Reiner’s 1985 comedy] The Sure Thing. It’s that brand of comedy that’s rooted in awkwardness, sincerity and people slowly realizing they care more than they planned to.”

    One film that included direct acknowledgement of the joy from Reiner’s work was What If, the Daniel Radcliffe-Zoe Kazan romantic comedy that premiered at TIFF in 2013 and centers on two friends trying to ignore their romantic feelings. The movie includes references to When Harry Met Sally, and one scene involves the leads spotting each other at a screening of The Princess Bride.

    Elan Mastai, who wrote What If, has heard that Reiner was very touched that the film wore its affections for his work on its sleeve. “When Harry Met Sally is my Godfather, and Princess Bride is my Star Wars,” Mastai, who earned an Emmy nomination for his work on This Is Us, admits with a laugh.

    “It really strikes me just how rich the characters in these movies are, and you never feel like these are marionettes being put through the paces of a plot just to hit a punchline,” he continues. “These are fully fleshed-out characters, and the choices that they make, while hilarious, come from what makes these people tick — their wounds, their passions, their ambitions, their misguided beliefs. There’s such a deep empathy.”

    Zoe Kazan (left) and Daniel Radcliffe attend a screening of The Princess Bride in their film What If.

    Courtesy of Everett Collection

    While Reiner has been heralded for being somewhat genre-agnostic — given that his work includes thrillers, political comedies and quieter dramas — he will continue to be closely associated with the mockumentary thanks to his first directorial effort, This Is Spinal Tap, an eternal classic that spawned a sequel that hit theaters in September. Among those appreciating the impact of the 1984 original was the team behind American Vandal, the Netflix mockumentary series that satirized true-crime docs.

    “In Spinal Tap, you see this idea that every idiot has a story that’s worth telling and worth seeing, and that’s such a lovely way to approach not just characters or comedy, but people in general,” says American Vandal writer Lauren Herstik. “If you talk to anyone who’s making a mockumentary, in the first breath, they’re going to say, ‘Spinal Tap — that’s the guiding light. That’s what we’re going for.’”

    Szymanski, who directed Ryan and Crystal in the Super Bowl ad, grew up obsessing over The Princess Bride and Stand by Me but would later come to appreciate Spinal Tap. When he was working with the Lonely Island team on Saturday Night Live shorts and would then direct Andy Samberg in HBO’s sports mockumentaries Tour de Pharmacy and 7 Days in Hell, he found himself hoping to live up to such benchmarks as Reiner’s.

    Says Szymanski, “Rob’s one of those filmmakers who — even though I never spent time with him — in a way, I owe a large part of my career to him because of his work on things like Spinal Tap.”

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    Ryan Gajewski

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  • Rob Reiner Remembered by Maria Shriver, Kathy Bates, and More

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    Rob Reiner.
    Photo: Getty Images for IMDb

    Renowned cultural figures from Hollywood and beyond are paying tribute to director Rob Reiner, who was killed with his wife on December 14 in an apparent homicide. After Reiner’s death, his friends Larry David and Billy Crystal were seen at his home, per People, with Crystal looking on the edge of tears.

    Reiner began his career acting on the sitcom All in the Family, created by Norman Lear, who died in 2023. “Norman often referred to Rob as a son, and their close relationship was extraordinary, to us and the world,” his family said in a statement, per The Hollywood Reporter. “Norman would have wanted to remind us that Rob and Michele spent every breath trying to make this country a better place, and they pursued that through their art, their activism, their philanthropy, and their love for family and friends.”

    Maria Shriver, a close family friend, said she was “devastated, gutted, shocked, stunned, and so deeply saddened” by the news, adding that she had just had dinner with the couple last week. “I loved them, and I knew they loved me, for any friend like that is such a gift. They gave me and all their friends that gift all the time. They loved their kids so much, and they never stopped trying to be really good parents,” Shriver wrote.

    Kathy Bates, whom Reiner directed to an Oscar for Misery, was “devastated” by the loss, per NBC News. “I loved Rob,” Bates said in a statement. “He was brilliant and kind, a man who made films of every genre to challenge himself as an artist. He also fought courageously for his political beliefs. He changed the course of my life.” Now, people who worked with Reiner and those who were inspired by his films are mourning the loss of the great director.

    Below, tributes to the life and career of Rob Reiner from his friends, collaborators, and famous fans.

    The actor and politician called Reiner a “rare talent,” following a similar message from his son, Patrick. “He was a creative genius who left us some of the greatest movies of all time, and he was a wonderful friend. My thoughts are with his family,” he concludes.

    Deschanel remembered Reiner, who played her father on New Girl, fondly. “My heart is broken. Rob Reiner was the absolute warmest, funniest, most generous of spirits,” she wrote on Instagram on December 15. “A truly good human being. An incredible artist and such a playful and fun collaborator. I cherish the time we spent working together and the many films he made that have shaped who I am.”

    Reba remembered the filmmaker, who directed her in the 1994 film North, in a post on X. She writes, “I enjoyed every minute I was around Rob Reiner. He was one of a kind. I got to work with him on the movie North and he also helped us with our ending of my video, ‘Does He Love You.’ I sure will miss him. What a gift he was to this world. Rest in peace, my friend.”

    The country singer paid tribute to the late couple, sharing she was “shocked and saddened” by the tragedy.

    The Frankenstein director praised not only Reiner’s work, but his character off set, calling him “vital and honest.”

    The Academy paid tribute to the late director, praising his work from his first film, This Is Spinal Tap, to his Oscar-nominated film A Few Good Men.

    Shriver shared a sentimental message for the couple, remembering how they raised their children together and still remained good friends over the years. “We had dinner this past week, and they were in the best place in their lives: loving one another, loving their friends, their family, their country. They never gave up on our country. They wanted to make it better,” she explained.

    The Project Hail Mary co-director celebrated Reiner’s diverse filmography as “iconic all-time classics.”

    Reiner was a staunch Democrat who supported Obama’s presidential campaigns. “Beneath all of the stories he produced was a deep belief in the goodness of people — and a lifelong commitment to putting that belief into action,” the former president wrote of Reiner.

    Reiner, who endorsed Biden in the 2020 election, was a fierce supporter of the Democratic Party. “I think that if he becomes president, on day one, America will be brought back to where it belongs in the world,” Reiner said in 2019 to The Blast. Biden reflected on Reiner’s lasting contributions to culture, “We take solace in knowing their work will live on for generations to come.”

    Curtis released a statement on behalf of herself and her husband, Christopher Guest, who collaborated with Reiner multiple times, including on the film This Is Spinal Tap, which Guest co-wrote and starred in. “Christopher and I are numb and sad and shocked about the violent, tragic deaths of our dear friends Rob and Michele Singer Reiner and our ONLY focus and care right now is for their children and immediate families and we will offer all support possible to help them,” she wrote, per Deadline. “There will be plenty of time later to discuss the creative lives we shared and the great political and social impact they both had on the entertainment industry, early childhood development, the fight for gay marriage and their global care for a world in crisis.”

    Legendary English comedian Eric Idle, an original member of Monty Python’s Flying Circus, mentioned that he’d spoken with Reiner just the night before.

    “What a huge loss,” Stiller, a documented fan, wrote on X. “Rob Reiner was one of my favorite directors. He made some of the most formative movies for my generation. He came out form behind a huge comedic shadow of the great Carl Reiner and being a tv actor to being a a great director who made an incredible run of movies. Spinal Tap is one of the best comedies ever made — and the list goes on. He was a kind caring person who was really really funny. I didn’t know him well but was always a fan and I feel a real sadness for those who did, and his family.”

    King called Reiner a “Wonderful friend, political ally, and brilliant filmmaker (including 2 of mine).” Stand by Me, one of Reiner’s most popular films, is an adaptation of Stephen King’s book The Body. Reiner also directed the 1990 King adaptation Misery.

    Reiner spent time and effort focusing his political activism on his home state of California, where Newsom is the current governor. “Rob was a passionate advocate for children and for civil rights — from taking on Big Tobacco, fighting for marriage equality, to serving as a powerful voice in early education,” Newsom wrote. “He made California a better place through his good works.”

    Pelosi and Reiner worked together on liberal agendas throughout his life, and he endorsed Joe Biden in the 2020 election. “It’s hard to think of anyone more remarkable and excellent in every field and endeavor they pursued,” Pelosi said in her tribute. “Rob was creative, funny, and beloved.”

    Bass, the mayor of Los Angeles, knew Reiner personally. “This is a devastating loss for our city and our country,” she said in a post. “Rob Reiner’s contributions reverberate throughout American culture and society, and he has improved countless lives through his creative work and advocacy fighting for social and economic justice.”

    Barr and Reiner were both worked in mainstream Hollywood comedies in the ’80s. Barr later described getting into a fight with Reiner over politics and telling him, “You’re buying fake news.” She mourned Reiner on X, and prayed for “swift justice.”

    Ron Howard and Reiner both made the transition from acting to directing during their careers, and, in Howard’s words, “intersected often.” Howard complimented Reiner, saying he was a “superlative filmmaker, a supportive colleague and at all times a dedicated citizen.”

    Actress Ming-Na Wen recalled Reiner’s “class & kindness” when they worked together on a reading of the Declaration of Independence, and called his death a “huge loss.”

    Actor and screenwriter John Cusack had his breakout performance in Reiner’s 1985 teen comedy The Sure Thing. He went on to play Denny Lachance in Stand by Me. In his brief post, Cusack said he was “shocked” and called Reiner “a great man.”

    Director Paul Feig is a progeny of Reiner’s comedic legacy, and he moderated a Q&A with Reiner about Spinal Tap II: The End on October 20, 2025. “I just want the world to know what so many of us know in the industry,” Feig wrote. “Rob was the best.”

    Feig had also invited him as a guest to the premiere of his latest film, The Housemaid.

    Feldman, who is perhaps best known for starring as Teddy Duchamp in Reiner’s Stand by Me, wrote on X that he is “shocked & saddened” by Reiner’s death. He added, in all caps, “U will B 4ever missed.”

    Wood, who starred in Reiner’s 1994 film North as the titular character, opposite Jon Lovitz and Bruce Willis, said he was “horrified” by Reiner’s death.

    Comedian Dane Cook and Reiner never worked together, but in his tribute, Cook wrote that he was “broken hearted to hear the news.”

    Scientist Neil deGrasse Tyson shared a selfie of himself with Reiner, with whom he appeared on a 2021 episode of Real Time with Bill Maher. Tyson called Reiner’s death especially “devastating” because he cared so “deeply about humanitarian causes.”

    Josh Gad and Reiner once acted together in a spoof on The Princess Bride, in which Reiner read Gad’s comic book The Writer as a bedtime story. “He cared so much for those who had no voices,” Gad said in a tribute. “This loss is devastating. I cannot express how much this hurts.”

    Comedian and actor Kevin Nealon wrote that Reiner’s films were simply “part of the air for us.”

    This is a developing story.

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    Jason P. Frank

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  • Damsel Leaves Only Distress (And a Yearning to Watch The Princess Bride)

    Damsel Leaves Only Distress (And a Yearning to Watch The Princess Bride)

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    Being that Millie Bobby Brown has, thus far, been known for her discernment when it comes to choosing roles in her still germinal career, Damsel has proven to be a noticeable disappointment in her filmography (not that her Godzilla forays are for everyone). Directed by Juan Carlos Fresnadillo (whose most major work is 28 Weeks Later, not even 28 Days Later), the problem isn’t as much in the flat style of the film, but its script, written by Dan Mazeau, who is known for directing more male-oriented movies like Wrath of the Titans and Fast X. In tapping Mazeau to write the script, perhaps Netflix was hoping to bring a dash of “laddishness” to the “strong” and “willful” character played by Brown, Elodie. In fact, all we really know about Elodie is that she is strong and willful…for a girl. That usual backhanded caveat that materializes when women can prove themselves to have the same qualities as men. Or rather, the same qualities that men are supposed to embody based on societal expectations. 

    Damsel is all about expectations, even if not really societal ones. Instead, the expectations are unique to the fictional milieu of Aurea. A place briefly shown (albeit in a cave) during the first few moments of the film when a king and his soldiers come face to face with a fire-breathing dragon that’s about to kill them all. Before we can find out if or how the king is spared, Fresnadillo cuts to the title card: “CENTURIES LATER…IN A FARAWAY LAND.” The viewer is then introduced to Elodie in a way that establishes what a “special” and “unusual” girl she is (in the same way as Belle from Beauty and the Beast—another role one could see Brown playing if Emma Watson hadn’t already done it for the live action version). Because—gasp!—she’s chopping wood. So hardcore! So self-sufficient! And she has to be, because she lives in a barren land where her people are starving. Not yet a queen, her father, Lord Bayford (Ray Winstone, more than slightly out of place in a movie like this), remains the rather incompetent king married to Elodie’s stepmother, Lady Bayford (Angela Bassett, who apparently needed a paycheck as well). This union between a white man and a Black woman goes unacknowledged in terms of being anything “unusual” for that epoch, as it seems to be the Netflix way to employ revisionist histories (à la Bridgerton). 

    What also goes unacknowledged as viewers watch the plot unfold is the idea that there isn’t really any need for all the pomp and circumstance surrounding the Aurean tradition of sacrificing a bride to the dragon that the Aurean king from the intro struck a deal with all those centuries ago. Mainly because, if the whole means of tricking the dragon into believing that the Aurean royals are sacrificing their own “daughters” as recompense for the three baby dragons the Aurean soldiers brutally murdered is as simple as slicing open any girl’s palm and slapping it with an Aurean royal’s sliced-open palm, then, honestly, why bother with a wedding? Or searching far and wide for a girl to fit the bill when, clearly, as viewers will see by the end of act two, when Elodie’s younger sister, Floria (Brooke Carter), is taken captive as a “replacement” for Elodie once she achieves the formerly impossible by escaping from the dragon’s lair, any human with a vagina can suffice. What’s more, the Aurean royals could have simply indoctrinated their “common people” with the rhetoric that being a sacrifice to the dragon was the ultimate “good deed” they could do for their king and queen. Problem solved…and any expenses on a wedding spared.

    Queen Isabelle (Robin Wright, who has fallen far from the gritty grandeur of The Princess Bride in this outing), the “queen bee” of the royals who arranged these nuptials in the first place, is certainly not happy about the revelation regarding Elodie’s escape (sounding kind of like a Scooby-Doo villain when she says, “I knew that girl was going to be trouble!”). Thus, she leverages Floria as bait, knowing full well that someone as “brave” and “morally upstanding” as Elodie will be foolish enough to come back for her. Plucking her from the ship that her father and stepmother kept waiting after Lord Bayford developed a guilty conscience and tried to go back and rescue his daughter (to no avail), Floria is taken to the same cave. It is there that Elodie’s not so princely husband, Henry (Nick Robinson), reaches his breaking point (apparently, a girl being too childlike is enough for him to miraculously develop a conscience). And so, when he decides to refuse his mother’s demands to toss Floria in the hole, too, she snaps, “A prince protects his kingdom. Without hesitation or complaint. Give me your hand” (sounds like what “King” Charles might have said to Prince William before posting the doctored photo of Kate Middleton). Henry replies, “I cannot do this. She’s just a child.” Irritated by his flickers of humanity, Queen Isabelle spits back, “You’re weak” before then approaching Floria herself to perform the blood oath. With all the pretense cast aside in a moment of “desperation,” the viewer has it officially confirmed that this entire movie is built on an extremely flimsy pretext. 

    A pretext that doesn’t even lead to something all that worthwhile filmically, unless one enjoys watching Elodie wander blindly through a cave for the majority of the movie. And yes, there are pervs who might particularly enjoy it when she stands beneath a dripping portion of the “orifice” with her mouth agape, full-on blow job-style. Or perhaps one might find the dragon’s incessant gabbing (voiced by Shohreh Aghdashloo) a source of “charming amusement” when all else fails. 

    Considering the casting of Robin Wright, it’s obvious the creators were hoping for some kind of “update” to 1987’s The Princess Bride—for it’s in that same realm of the fantastical, medieval genre (adventure fantasy, if you prefer). These types of movies being far more pervasive in the 1980s perhaps because things had become too modern for people. If there’s a resurgence of the genre now, then it’s likely for the same reason. Unfortunately, 1) they just don’t make such movies the way they used to and 2) in order to make this kind of movie in the present, the new requirement is that there needs to be a gimmick. In this case, the one about how Elodie is no damsel in distress, taking that word and its association and slaying it with as much vitriol as she does the dragon. Except, oh wait, the other twist/“modern update” to how one tells a medieval story is that she does not slay the dragon. Instead sparing it because it has its own empathetic backstory. And to drive home the point that women themselves have more empathy for others than men.

    While “passable” for those who don’t know any better, one imagines that Brown and others working on the project hoped Damsel would offer some grand message about female independence (this heightened by the overt marketing ploy of releasing it on March 8th, International Women’s Day), and that any other actual plot holes (apart from just the hole Elodie is thrown into) could easily go ignored thanks to an aura of empowerment. Alas, not so much. And if you’re looking to watch a movie with the word “damsel” in its title, you might be better off trying Whit Stillman’s Damsels in Distress.

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    Genna Rivieccio

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