Ebony-Renee Baker
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Ebony-Renee Baker
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Alexandra Polk
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Kendall Becker
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Eliza Huber
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Frances Solá-Santiago
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Ebony-Renee Baker
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Sarah Chiwaya
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Welcome to Refinery29 Loves, the monthly news bulletin where you’ll find the best things to shop and see in fashion and beauty right now.
February has arrived. We’re finally past the dreariness of January and heading full steam ahead into a new month that celebrates falling in love — whether that’s with a new romance, a new movie or book, or, for many of us here at Refinery29, new fashion and beauty products.
And there’s something for everyone. For those searching for a new edition for their handbag collections, there’s not one but two launches we have our their eyes on. Plus, skincare lovers can indulge in a serum that has been 10 years in the making. From hair oils by the legendary Sam McKnight to Simone Rocha’s Valentine’s Day collection, click through to discover everything that is on our radar this February.
At Refinery29, we’re here to help you navigate this overwhelming world of stuff. All of our market picks are independently selected and curated by us. All product details reflect the price and availability at the time of publication. If you buy or click on something we link to on our site, we may earn a commission.
Straight off the back of a hugely successful Couture Week collection with Jean Paul Gaultier, Simone Rocha is launching sweet treats for Valentine’s Day. The Irish designer is bringing love in the form of a top-handle Valentine bag featuring the brand’s signature floral pearls. Available in two sizes, the handcrafted leather bags come in four different colorways, including classic cream and baby pink, alongside moodier iterations like oxblood and jet black. Each bag comes with two customizations: a crystal beaded charm (complete with the designer’s synonymous bow) or a pearl crossbody strap. Happy Love Day, indeed.
Shop at Simone Rocha and in stores
Simone Rocha Valentine Bag With Beaded Flower, $, available at Simone Rocha

When we think about some of the world’s most famous faces, such as Princess Diana, Kate Moss, and Lady Gaga, one thing they all have in common is their hairstylist: Sam McKnight. A legend in his own right, McKnight has been behind some of the most iconic, high-profile magazine covers and runway looks. Now, his namesake brand is launching a “foolproof” hair oil that’s perfect for the dry winter season. The serum-oil hybrid includes three seed oils for extra nourishment and deep, penetrating conditioning so your hair can wave goodbye to flyaways and welcome in weightless shine.
Shop at sammcknight.com.
Hair By Sam McKnight Love Me Do Nourishing Shine Oil, $, available at Hair by Sam McKnight

February may be synonymous with romance, but Coach’s sister line, Coachtopia, aims to celebrate friendship this Love Month with the launch of their Friends collection. Designed by Coachtopia beta community member Sabrina Lau, the capsule toasts to the importance of BFFs via a range of ready-to-wear and accessories. For those looking for heart-adorned pieces, don’t fret: The collection includes a selection of graphic tees, hoodies, and even a puffy lime heart skirt. Another highlight is a range of handbags designed by Marissa Crider of Offbeat Sweet constructed from post-consumer waste.
Shop at Coach from February 1st
Coachtopia Cropped Tee: Floating Heart, $, available at Coach

French pharmacies are known for their gentle but effective ingredients, and La Roche-Posay is perhaps the most recognizable of the bunch. For winter, the brand launched an anti-hyperpigmentation serum that aims to correct the appearance of dark spots (even if they’re longstanding) and skin unevenness. Working alongside well-known skin saviors such as niacinamide, retinol, and hyaluronic acid is Melasyl™, a new, multi-patented ingredient described as an active “melanin trapper.” The powerful yet lightweight serum brightens the most stubborn dark spots while maintaining the ever-important skin barrier. Expect visible results in just 12 weeks.
Shop at La Roche-Posay,
La Roche-Posay Mela B3 Dark Spot Serum, $, available at La Roche-Posay

Known best for its dickey jackets and classically cool denim, New York-based fashion brand Veronica Beard is expanding its offering with the introduction of handbags. Having forayed into footwear in 2017, the brand’s newest non-apparel launch includes seven silhouettes in a range of sizes, colors, and fabrics such as leather, canvas and raffia. The standout design, the Goody Bag, boasts a drawstring top handle and three distinct colorways (including an eye-catching olive green). It is designed as a practical addition to any wardrobe as it can be worn as a crossbody or shoulder bag. “When we started designing handbags, we thought a lot about what would complement our customer’s lifestyle. We want to give her the dream handbag, crafted with luxurious materials and finishes, a bag that is chic, timeless, and versatile,” cofounder Veronica Miele Beard said in a press release.
Shop at Veronica Beard and Neiman Marcus
Veronica Beard Crest Lock Bucket Bag, $, available at Veronica Beard

L’Agence — known for its effortless blend of laidback California vibes and Parisian sophistication — is kicking off pool season early. The L.A.-based brand just launched a 58-piece swimwear collection inspired by ’70s-era glam and scenic Côte d’Azure. Find bikini separates and one-pieces — most of which are made with shaping fabric and feature underwire support — as well as cover-ups that can also be worn going out and crystal-embellished mesh sarongs. Prices range from $100 to $425.
Shop at lagence.com.
L’Agence Maribel Mesh Pareo, $, available at L’Agence
L’Agence Gabrielle Grommet One-Piece, $, available at L’Agence

If the eyes are the window to the soul, then our eyelashes act as very important curtains. While some may say that all mascaras are created equal, we know that a big, fluffy brush is the only way to build an elite eyelash and L’Oréal Paris often has some of the best affordable options in the game. Dubbed its biggest makeup launch of the year, the brand is changing the lash game with the new Panorama Mascara. For those looking for a pumped-up lash look, the mascara uses a new multi-level bristle brush that makes lashes look 1.4 times bigger. No lash is left unturned as the brush is engineered to catch every individual lash (including the pesky corner pieces), and the mascara is made with a clump-free formula that’s buildable for both a subtle or statement eye.
Shop at L’Oreal Paris and Target
L’Oreal Paris Voluminous Panorama Mascara, $, available at Target
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Go bold with a large argyle print in a fun color (see the lilac and yellow sweaters below) or a bit more subtle with a smaller, more monochromatic print (like the pleated skirt and collared dress). And don’t think argyle is only intended to be worn in formal situations. You can sport the print in your activewear for a game of tennis or a hot girl walk, too.
Victoria Montalti
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Irina Grechko
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Irina Grechko
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Like Bode, Rose, who has collaborated with brands like Nike and Clarks, is one of menswear’s most exciting names, captivating even women. “The thing about menswear is that while I can appreciate it, it is never really my focus when fashion week occurs,” says Sumbu. “But the way Martine Rose makes menswear made me pay attention.” She points to Rose’s fall/winter 2024 collection, which played with oversized, asymmetric proportions, as a good example of the designer’s genius. “I truly believe, especially with the drought of female fashion designers within luxury houses, that she will be leading the creative direction for one of them soon,” says Sumbu.
Frances Solá-Santiago
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Vivien Lee
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Karina Hoshikawa
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In Ryan Murphy’s second installment of the Feud anthology, Breakfast at Tiffany’s author Truman Capote (Tom Hollander) faces the fallout after revealing the secrets of the doyennes of the New York City haute monde: Babe Paley (Naomi Watts), Slim Keith (Diane Lane), CZ Guest (Chloe Sevigny), and Lee Radziwill (Calista Flockhart), otherwise known as The Swans. But while some viewers will be tuning in for the dramatized events that got Capote kicked out of high society, others will be paying attention to the Capote Vs. The Swans fashion — designed by Murphy’s go-to fashion collaborator and producer Lou Eyrich and her New York City-based co-costume designers Leah Katznelson and Rudy Mance — spanning from the 1950s to the 1980s.
“I’ve been studying The Swans forever because Ryan’s been obsessed with them forever,” says Eyrich. “We’re always using The Swans in our references [for the other shows], but this time it was digging much deeper.”
The challenge was to illustrate each character’s distinctive style while also making them complement each other in group scenes, like the one featuring the foursome sauntering in slow-motion down the stairs, like a posh all-girl group, at CZ’s black-tie Thanksgiving soirée or lunching at their off-Fifth Avenue local, La Côte Basque (which provided the title for the scandalous 1975 Esquire excerpt from Capote’s book, Answered Prayers, that featured thinly veiled characterizations of The Swans).
To create the looks, Eyrich and her team sourced designer vintage as much as possible, tapping their ever-growing list of dealers and collectors while also scouring Instagram and TikTok. “[Sourcing] was a full-time job,” says Eyrich. They also — for episode three, which reenacts Capote’s legendary 1966 Black and White Ball — brought red carpet designer Zac Posen on board. “I’m such a Hollywood buff,” says Posen. “I was living my best Hollywood [costume designer] Adrian, Edith Head, Irene Sharaff fantasy.”
Ahead, Eyrich discusses each of the Swans’ wardrobes, while Posen reveals the inspiration behind the opulent masquerade gowns.

Before marrying the chronically philandering head of CBS, Bill Paley (Treat Williams), in 1947, Babe Cushing worked as a Vogue editor. Thanks to her refined sense of fashion, she graced the International Best Dressed List in 1958, famously wearing dazzling Fulco di Verdura and Jean Schlumberger jewels (portrayed as guilt gifts from Bill in the show) and designs from haute couture houses like Balenciaga, Valentino, and Givenchy.
“She didn’t need a lot of fluff. She’d have earrings, maybe a brooch, an Hermès scarf. Everything was very simple, but extremely chic and polished… Everything matched: the gloves, the purse, the shoes, all the time,” says Eyrich, who referenced society photos and books like Swans: Legends of the Jet Society by Nicholas Foulkes and Bill Paley’s memoir before creating a palette of creams, caramels, camels, rose pinks, and pastel blues for Watts, whose meticulously put-together wardrobe meant to also serve as an armor and a facade as her character’s personal life deteriorates.
In a standout fashion moment in the premiere, Watts attends a runway show and fitting at the Givenchy atelier in Paris. Eyrich hunted high and low (including in the Parisian house’s archives) before finding the boat-neck, cap-sleeve black dress that exhibited Hubert de Givenchy’s trademark wasp-waisted silhouette in a collector’s collection: “We were trying to find something show-worthy.”

To contrast Watts’ character’s cosmopolitan elegance, Eyrich dressed down Sevigny — in houndstooth blazers, crisp button-ups and fine-knit turtlenecks — for scenes featuring the socialite tending to her sprawling garden and finely bred horses at her Connecticut estate. “We made her more practical, but she always had her pearls,” says Eyrich. To portray the Salvador Dalí muse, Eyrich used a lot of American designers, including Geoffrey Beene, Bill Blass, and Ralph Lauren, as well as vintage pieces from European brands like Lanvin, Pierre Cardin, and Céline.
Sevigny’s strongest look comes in episode two. While at the Guests’ ultra-swanky annual Thanksgiving in Palm Beach, the Swans don beachside hues: Watts in a vintage cream jumpsuit and gold belt and Lane in a raspberry metallic silk gown. “We tried to use fruit colors, like tangerines, and just more softness because they were in the Sunshine State,” says Eyrich. “Then, a little bit of an icy feel because they’re starting to shut Capote out.” Eyrich — who referenced Guest’s couture gowns in the Metropolitan Museum of Art’s archives, plus photos from the ’60s and ’70s — dressed Sevigny in a custom-designed lilac caftan ensemble, with billowing ruffling at the fluted sleeves and toward the hemline: “This is her home. It’s a hostess dress, so to speak, so we chose a caftan, but [designed into] more sophisticated, upscale evening wear.”

“Slim was a trickier one,” says Eyrich. While the California-born model’s tailored and slightly sporty fashion aesthetic was well documented in the ’50s and ’60s thanks to her work with high-society photographer Slim Aarons, documentation of Slim proved sparse by the ’70s. This proved a challenge for Eyrich, especially for the private at-home moments depicted in the series.
“Diane Lane, who loves to be in the costume process, and I talked a lot about it,” says Eyrich, landing on a wardrobe built around tailored, flowing pants. “A little bit menswear-inspired, and married into more feminine,” says Eyrich, referencing a photo of Slim in a long wrap-front gown. “She didn’t wear the soft silky dresses, but more structured, belted and chic, and with boots rather than a heel.”
Eyrich and her team custom-built a majority of Lane’s closet, including lots of jewel-toned collared or bow blouses, high-waisted pants and one dramatic wool cape for a trip to Connecticut. Eyrich also incorporated Slim’s beloved brands, like Gucci, Lanvin, and Dior, plus homegrown designers Geoffrey Beene and Bill Blass.

Despite her old-world European nobility bonafides, Lee — or Her Serene Highness Princess Caroline Lee Radziwill, thanks to her marriage to Polish Prince Stanislaw Albrecht — was a fashion trailblazer. “She was the most photographed, so she was always conscious of her look,” says Eyrich. Following events depicted in the show, Lee continued developing relationships with influential designers, serving as a Giorgio Armani brand ambassador and becoming friends with Louis Vuitton’s then-new enfant terrible creative director Marc Jacobs in the ’90s.
In the show, the Boston-Brahmin-debutante-turned-socialite wears bolder statement pieces than the rest of the Swans, like a leopard print coat and a squiggly pinstripe Galanos dress and vest. “For [Flockhart], we really focused on the contemporary designers of the time period,” says Eyrich, counting off names like Adolfo, Hermès, Halston, and Guy Laroche. Flockhart’s edgier style progression also telegraphs Lee’s forward-thinking mindset that’s more prepared for the relaxation of fashion — and societal standards — in the ’80s. “She was fine wearing jeans on the street,” says Eyrich, referencing photos of Lee in the late ’70s. “We never put [Watts], [Sevigny] or [Lane] in jeans.”

To costume design show-stopping ensembles for the episode depicting the famous Black and White Ball — which was inspired by the Ascot Race scene in 1964’s My Fair Lady and called for women to wear black or white looks — Zac Posen studied everything from old WWD and Vogue clippings to dusty CBS video footage and decades of fashion sketches. “Like, one of those crime shows,” jokes Posen. But, instead of precisely recreating each look, the designer leaned into Murphy’s soaring vision. “Ryan’s like, ‘I want a lot of drama,’” says Posen, who coined a new term: “Ryan Murphy Fabulosity.”
Posen also wanted to convey The Swans’ competition with each other in vying for Truman’s — and high society’s — spotlight during what the NYT described as “the most exquisite of spectator sports.” So, he cleverly incorporated swan-referential clues into each of their elaborate ensembles.
For Watts, the designer evoked “Queen Swan” through a mélange of references, including Da Vinci’s drawings of the majestic birds and Art Deco illustrator Erté’s black-and-white illustrations. He also replicated an element of Babe’s real-life look to symbolize her growing dissatisfaction with Capote: “Babe’s [ivory Zibeline] dress was lined in a crimson.”
With no photographs of Slim to reference, Posen, who makes a cameo as Lane’s fedora-masked walker at the gala, took full creative license for the character’s look. “[It] was carte blanche. It’s totally made up,” confirms Posen. “What would she do? There’s all these great photos of [Slim] in pants. She traveled the world. So I designed a tuxedo jumpsuit.” The black-and-white blocking on her opera cape was a nod to the look worn by Bill and Babe’s daughter, Amanda Burden, who borrowed a starburst stripe-paneled gown from My Fair Lady, designed by Cecil Beaton. “I wanted this graphic color,” says Posen. “The cape is a silk taffeta that catches air and inflates. It’s more understated, loose, louche, too cool for school — and it’s Diane Lane.”
For Radziwill’s look, which included a mod metallic sequin and bead-embellished set by Italian designer Mila Schön, Posen stayed true-ish to real life. “She’s a marker of the time period,” he says. “She’s the futuristic swan.” Conjuring “film magic” through Flockhart’s sculpted robe, Posen concocted a “decoupage” of gold, silver and ivory embellishments, like mesh sequin and horsehair. “I found this bizarre plastic metallic trim that I would layer and braid,” he continues. “It looks incredibly rich and decadent.”
Finally, to interpret CZ’s gown, designed by her favorite American couturier Mainbocher, Posen revisited a mid-century “classicist” style with “a little Charles James-y there.” Amplifying CZ’s equestrian pursuits, Posen embellished the back of Sevigny’s gown with two florets that resemble “horse prizes.” He also draped the bottom of her strapless gown to resemble a swan’s neck. “It’s supposed to look evil,” says Posen. “Gorgeous, deliciously evil aquatic birds, each one of them.”
The Real Housewives of New York have nothing on these wild swans.
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While you can splurge on a specialty charm from Catbird or Mejuri, we love that you can find millions of styles that are more affordable and get the job done just as well. And we just know that once you find and collect your favorite charms, it’ll be so gratifying to build a timepiece you can add to and take away from. That way it can always represent your stage of life and reflect new trends.
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