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Tag: "The Empire Strikes Back"

  • Drew Struzan’s Perfect ‘Star Wars’ Posters Are Getting a New Limited Release

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    Just like each generation has its own trilogy of Star Wars films, every generation also has its own trilogy of Star Wars art. If you grew up in the 1970s and 1980s, for example, the work of Greg Hildebrandt and Roger Kastel was your favorite. For those of us who grew up in the 1990s and beyond, Drew Struzan was the man. Not only did he do the main art for the prequel trilogy, but he also did brand-new posters for the Special Editions of the original trilogy. And those images are not only some of the most iconic in the history of Star Wars, but they’re also getting a brand new limited release this week.

    Bottleneck Gallery and Acme Archives have teamed up with Struzan to release limited-edition, screen-print versions of his legendary art for the original Star Wars trilogy. Three perfect posters that, when put together, make an epic image of everything good about Star Wars. They’ll be released in three separate limited editions starting at noon ET today, October 8, on BottleneckGallery.com, and here’s the breakdown.

    First is the main edition. Three 24×36 inch screen prints in an edition of 750. These cost $85 each or $245 for the set.

    Next are the art prints, variant editions without the titles. These are also 24×36 inch screenprints, but in an edition of 350. They cost $100 each or $290 for the set.

    Finally, there’s a “brushstroke variant edition” that has a little bit of a rough-around-the-edges, painting look. These are 24×36 inch giclées and cost $260 for the set.

    Now, we know what you are thinking because we thought the same thing. Those do not look like the posters we remember. The art is the same, but these have larger, more traditional title treatments instead of the gold ones created for the original Special Edition posters. Which certainly is a bit of a disappointment in terms of 1:1 nostalgia. But there are a few things to consider here.

    One is that Lucasfilm is pretty strict with officially licensed items like these. For example, you can’t release an official poster that says “Raiders of the Lost Ark” anymore. It’s always got to be “Indiana Jones and the Raiders of the Lost Ark.” Vomit. We know. And so, we assume it’s similar to Star Wars. For the most part, Lucasfilm doesn’t really acknowledge the “Special Editions” as “Special Editions” anymore. They are just, at least for now, the only editions. So that’s probably why we get these classic logos instead of the gold ones from 1997.

    Plus, Lucasfilm is famously stingy about credit blocks on products like these, and if you released these posters with the original gold logos and no credits below them, it would look weird. You need something to fill the space Struzan specifically left for the credits. So, it seems, these logos are a slightly unfortunate concession that had to be made to get these images officially released at this level of quality. It could be worse, too. It could say “A New Hope.”

    Plus, if it really bothers you, you can get the non-logo versions, which are just *chef’s kiss* perfect.

    Still, these are some of the best Star Wars posters of all time, and they’ve never been released in such a way. If you’d like to pick them up, they go on sale at noon ET on October 8 at Bottleneckgallery.com.

    Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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    Germain Lussier

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  • Darth Vader’s Lightsaber Auction Sale Sets Record for ‘Star Wars’ Item

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    A lucky Star Wars fan is embracing the dark side, as Darth Vader’s lightsaber from the franchise’s initial trilogy has sold at auction for an astronomical sum.

    The iconic character’s screen-matched primary dueling lightsaber that was used in the films The Empire Strikes Back and Return of the Jedi sold for $3,654,000 when it hit the block from Propstore in Los Angeles on Thursday, becoming the highest-valued piece from the Star Wars franchise ever up for auction. The winning bid came in at a franchise record of $2,900,000 and reached the final total with the additional buyer’s premium that is paid to the auction house.

    Star Wars actor David Prowse and stunt double Bob Anderson both held the item onscreen. It carried a presale value estimate ranging from $1 million to $3 million.

    This is said to be the only hero lightsaber from the original Star Wars trilogy to ever hit an auction. The Entertainment Memorabilia Live Auction coincides with this year marking the 45th anniversary of the release of The Empire Strikes Back.

    Darth Vader’s lightsaber was sold at auction from Propstore.

    Courtesy of Propstore

    The Star Wars buying force was strong with the auction, as Anakin Skywalker’s stunt dueling lightsaber for Hayden Christensen’s character from the prequels went for $126,000, with the buyer’s premium. This was nearly twice the presale estimate.

    Among the other items sold during the auction included Indiana Jones’ bullwhip and belt that Harrison Ford used in Steven Spielberg’s Indiana Jones and the Last Crusade, with the pair selling for $475,650. Also, Jean-Luc Picard’s Ressikan flute, which belonged to Patrick Stewart’s Star Trek: The Next Generation character, went for $403,200.

    Additionally, Rick Dalton’s flamethrower tank and backpack, as Leonardo DiCaprio wore in Once Upon a Time in Hollywood, sold for $346,500.

    Earlier this summer, The Hollywood Reporter reported exclusively that Darth Vader’s lightsaber would be hitting the auction block.

    “Surviving genuine lightsaber props from the original trilogy of films are exceedingly rare, and Propstore is honored to present this historic artifact in our September sale,” Propstore COO Brandon Alinger said in a previous statement. “It is a grail-level piece, worthy of the finest collections in the world.”

    In-person bidding took place at L.A.’s Petersen Automotive Museum on Thursday. Items will continue to be sold via online, telephone and absentee bidding as the auction continues through Saturday.

    Back in 2022, Propstore sold a screen-matched model miniature X-wing fighter that is 22 inches long and was created for director George Lucas‘ original Star Wars film. The item went for more than $2.3 million.

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    Ryan Gajewski

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  • James Earl Jones, iconic voice of Darth Vader in ‘Star Wars’ and Mufasa in ‘The Lion King,’ dead at 93

    James Earl Jones, iconic voice of Darth Vader in ‘Star Wars’ and Mufasa in ‘The Lion King,’ dead at 93

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    (CNN) — You can’t think of James Earl Jones without hearing his voice.

    That booming basso profundo, conveying instant dignity or menace, was Jones’ signature instrument. It brought power to all his stage and movie roles, most indelibly as Darth Vader in “Star Wars,” Mufasa in “The Lion King and as the voice of CNN.

    That remarkable voice is just one of many things the world will miss about the beloved actor, who died Monday, according to his agent. He was 93.

    Jones was with family when he died, according to his representative. No cause of death was shared.

    Jones had a distinguished career that spanned some 60 years and took him from a small-town theater in northern Michigan to the highest reaches of Hollywood, where he appeared in dozens of movies and TV series.

    Voicing Darth Vader

    In the mid-1970s “Star Wars” creator George Lucas cast towering British actor David Prowse as the guy inside Darth Vader’s black suit, but decided he wanted someone else to voice the character.

    “George thought he wanted a – pardon the expression – darker voice,” Jones once told the American Film Institute. “I lucked out.”

    Back then nobody imagined “Star Wars” would become a blockbuster, let alone an enduring franchise and cultural phenomenon. Jones recorded all his lines in a few hours and was not listed in the film’s credits. He said he was paid just $7,000 for the movie, “and I thought that was good money.”

    The actor and Lucas had disagreements about how he should voice the villainous Vader.

    “I wanted to make Darth Vader more interesting, more subtle, more psychologically oriented,” Jones said. “He (Lucas) said, ‘No, no … you’ve got to keep his voice on a very narrow band of inflection, ‘cause he ain’t human.”

    Darth Vader’s climactic duel with Luke Skywalker in 1980’s “The Empire Strikes Back” became a dramatic high point in the “Star Wars” series – punctuated by Jones’ delivery of one of the most famous lines in movie history: “No, I am your father!

    Jones said that almost two decades later, when he was voicing the dignified Mufasa for Disney’s animated “The Lion King,” it took him a while to strike the right tone.

    “My first mistake was to try and make him regal,” Jones said of the 1994 film.  “And what they really needed was something more like me. “They said, ‘What are you like as a father?’ and I said, ‘Well, I’m really a dopey dad.’

    “And so they began to impose my facial expressions onto Mufasa, and a different tone of voice. Yeah, he was authoritative, but he was just a gentle dad.”

    A prolific career

    Jones was born in 1931 in Mississippi. His father, Robert Earl Jones, left the family before James was born to become an actor in New York and Hollywood, working with playwright Langston Hughes and eventually earning supporting roles in hit movies including “The Sting.”

    Jones’ family moved from Mississippi to Michigan when he was 5, a traumatic upheaval that caused him to develop a stutter. His fear of speaking rendered him almost mute until he got to high school, where a poetry teacher helped him overcome his disability by encouraging him to read his poems aloud.

    “He began to challenge me, to nudge me toward speaking again … toward acknowledging and appreciating the beauty of words,” Jones said.

    Jones studied drama at the University of Michigan, served as an Army Ranger and then moved to New York, where he soon landed lead roles in Shakespearean stage productions. He made his film debut in 1964 as a bombardier in Stanley Kubrick’s “Dr. Strangelove.”

    In 1967 Jones was cast as troubled boxer Jack Johnson in a theatrical production of “The Great White Hope,” a career-changing role that won him a Tony. He reprised the role three years later in the film adaptation, becoming only the second African American man, after Sidney Poitier, to be nominated for an Academy Award.

    By the mid-1970s Jones was working steadily in movies and TV – a prolific run that never slowed. Over the next five decades he appeared in many memorable roles: As Alex Haley in TV’s “Roots:The Next Generations,” warlord Thulsa Doom in “Conan the Barbarian,” an African king in “Coming to America,” Kevin Costner’s reluctant recruit in “Field of Dreams,” Admiral Greer in “The Hunt for Red October” and “Patriot Games” and a South African preacher in “Cry, the Beloved Country.”

    The power of speech

    In 2019 he again voiced Mufasa in Disney’s remake of “The Lion King,” becoming the only cast member to reprise his role from the first film.

    Over the years he also guest-starred in dozens of TV series, from “L.A. Law” to “Sesame Street,” appeared regularly on the stage and lent his deep, rumbling voice to everything from “The Simpsons” to a popular audio recording of the King James version of the Bible.

    Jones said people in public sometimes didn’t recognize him until they heard his voice.

    “When you don’t talk it’s like going ninja,” he told Rachael Ray in 2016. “You get in the taxi and say where you’re going and the guy turns around and says, ‘Hey, aren’t you that Darth Vader guy?’”

    Over his long and prolific career Jones won three Tonys, two Emmys, a Grammy, a Golden Globe and numerous other awards. He also lent his voice to CNN’s tagline, “This is CNN,” complete with a dramatic pause after “This …”

    “It wasn’t acting. It was language. It was speech,” he said when asked what aroused his passion for acting. “It was the thing that I’d … denied myself all those years (as a boy). I now had a great — an abnormal — appreciation for it.

    “And it was the idea that you can do a play — like a Shakespeare play, or any well-written play, Arthur Miller, whatever — and say things you could never imagine saying, never imagine thinking in your own life,” he told the Academy of Achievement in 1996.

    “You could say these things! That’s what it’s still about, whether it’s the movies or TV or what. That what it’s still about.”

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    CNN

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