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The exhibition “Ming Smith: Feeling the Future,” showcases the evocative work of Ming Smith, and is more than a traditional gallery presentation—it’s an experience showcasing her works from surrealist jazz portraits to intimate portraits.
On August 22, The Spelman College Museum of Fine Art celebrated Smith’s contributions to photography with a preview of her work.
Co-curator J.E. Azmi, formerly known as James Bartlett, described the genesis of the exhibition’s title, “Feeling the Future,” which emerged from conversations with Ming Smith about the nature of her work. “It was Ming’s idea,” Azmi shared. “From the beginning, she and I always talked about this being an exhibition that you feel even more so than the view.”
A central feature of the exhibition is the meditation room, designed to enhance this sensory experience. “Ming really wanted a space where visitors could sit with the work and actually feel it, rather than just view it,” Azmi explained. This contemplative space allows students and gallery attendees to connect with Smith’s work on a deeper emotional and spiritual level, fulfilling the exhibit’s goal of fostering a profound engagement with art.
Ming Smith’s photography has always centered on capturing the essence of Black life and culture. A native of Detroit and graduate of Howard University, Smith moved to New York City, where she said she became deeply involved in the city’s vibrant artistic community. Her work, spanning nearly fifty years, portrays the everyday beauty, struggles, and triumphs of Black individuals and communities.

Among the distinguished guests at the exhibition opening was Sue Ross, an Atlanta-based photographer and historian. Ross, along with several artists who have been impacted by Smith’s work, and members of the photography collective Sistagraphy, came to honor Smith with flowers. Ross expressed her admiration for Smith’s work, stating, “I’ve known Ming for maybe 30 years. But we rarely see each other; she’s in New York, and I’m here. Most of the time, I see her work in just one or two pieces as part of a group exhibition, but to see the whole body of work here is thrilling. I love this museum, and I love that it’s dedicated to the work of African American women. To see this retrospective of Ming’s work here is incredible.”
Reflecting on her career at the Spelman opening, Smith shared the emotional significance of being honored by her peers and the broader community. “I felt really honored, and I had to stop myself from tearing up,” Smith said. “My photographs have always been about the culture and passing it on—how beautiful we are, how powerful, and just how much value we have.
“I wanted to capture everyday people, and hearing the stories of how my work moved others—whether it was a little girl saying she cried or someone reflecting on their own life experiences—it was incredibly moving. That’s what I wanted: some kind of healing, some incentive to create their own story and honor themselves, our experience, and our culture.”
Smith’s work not only reflects a deep love for her community but also serves as a powerful narrative tool. Smith hopes that through this exhibition, visitors will leave with a renewed sense of purpose and a greater appreciation for the shared stories and histories that bind us.

Janice Bond, co-curator of the exhibition, recounted her decade-long journey with Smith . This relationship eventually led Bond to study Smith’s work closely and collaborate with J.E. Azmi is curating the exhibition. “We were both working independently on projects, and then Ming mentioned we both had ideas for an exhibition, so she suggested we work together. It felt almost fated,” Bond reflected.
Bond emphasized that the exhibit, while comprehensive, does not fully encapsulate the gravity of each piece but provides a powerful entry point into Smith’s artistry. “Ming’s portraits are more than just photographs; they are mirrors reflecting depth, mystery, and tenderness,” Bond noted. Highlighting the role of curators as stewards of an artist’s legacy, she concluded, “Ming has trusted us with her life’s work, and that makes us more than just curators—we are stewards of her essence and journey.”
Ming Smith’s career is marked by significant achievements, including becoming the first woman to join the Kamoinge Workshop in 1972 and the first Black woman photographer to be included in The Museum of Modern Art’s collection in 1979.
“Ming Smith: Feeling the Future” opens on August 23, 2024, and will be available to view through December 7, 2024.
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Donnell Suggs
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CHICAGO – Georgia Senator Raphael Warnock spoke during night one of the Democratic National Convention on Monday. Early on day two of the convention during the Georgia Delegation breakfast his words were still on the minds of his fellow democrats.
Warnock gave The Atlanta Voice a few minutes to speak about his momentous speech.
“I was deeply honored last night to have the opportunity to have the country hear from Georgia,” said Warnock, who spoke to this reporter by phone. “What I endeavored to do was stand in the moral tradition of Georgia’s native son, Dr. Martin Luther King, Jr.
Asked what he felt like immediately after the speech, Warnock said it was the “honor of his life to represent the people of Georgia.”
“That’s a sacred commitment and covenant,” he continued. “It’s not unlike my commitment as a pastor.”

Long-time Georgia Congressman Hank Johnson (2nd district) and Congressman Sanford Bishop (4th district) were on hand for the breakfast and both used the words “proud” and “sermon” when they spoke about Warnock’s speech.
“It was right on point. He told us what we needed to hear, he told America what they needed to hear,” Bishop said of the speech. “He was able to translate what would normally be a sermon into a message.”
Johnson said, “Reverend Warnock is a gifted speaker, a motivational speaker, and a truth-teller. What is so unique about Warnock is that he speaks to all Americans regardless of their religion. I was so proud of him as one of Georgia’s senators.”

Illinois Governor JB Pritzker, Michigan Governor Gretchen Whitmer, Florida Congresswoman Debbie Wasserman Schultz, and the event’s host, Georgia Democratic Party Chair Nikema Williams, were all complimentary of Warnock’s turn on stage that night.
“What a great speech he gave yesterday,” Whitmer said of Warnock. The Michigan Governor was one of several politicians who took the stage during the breakfast, which took place inside the Hyatt Regency downtown.
Pritzker, in his second term as governor, echoed a popular sentiment that if people around the country didn’t know Warnock, they did now following his speech.
Senator Cory Booker, who was a surprise guest to the breakfast, took the stage and was immediately complimentary of Warnock as well, stating that Warnock was a strong presence in the United States Senate and a great representative for Georgia.
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Donnell Suggs
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Atlanta
“I feel like it’s very much needed, especially in my community where we deal with a lot of crap, a lot of poverty, a lot of trauma, and a lot of gun violence. I mean, there’s a lot of negativity to me. I’m 44 years old, and just from my upbringing, man, I have witnessed over 300-400 kids that have died, and so, you know, I’m traumatized myself. I definitely know I need to be in some therapy just for the line of work I do. I’m a Violence Interrupter for an organization called Cure Violence Atlanta.”
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Vincent Christie
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Journalism has the ability to connect millions of Americans and billions of people across the world. Sometimes that reach can simply be a few miles down Peachtree Rd.
The Office of the Consulate General of Japan and Atlanta’s one and only Black-owned and operated newspaper, The Atlanta Voice, may not seem to have many things in common, but in fact, they do. Both entities are preparing to celebrate milestone anniversaries of representing their respective communities.
On Monday, Aug. 12, two representatives from the Consulate General of Japan visited The Atlanta Voice headquarters in the Mechanicsville section. Their visit marks the first time a foreign consul has stepped foot into The Atlanta Voice office under publisher Janis Ware’s current regime. Deputy Consulate General of Japan Hiroyuki Kaneda and Political, Economic, and Cultural Adviser Ike Chi made their way into the office to meet with the publisher, editor-in-chief, and support staff.

Though the discussion was private, the meeting was definitely one to mark for the history books. Both men were given a tour of the office and some of the framed historical front pages of The Atlanta Voice, including coverage of Atlanta’s first Black mayor, Maynard Jackson, and its first female mayor, Shirley Franklin, and the passing of luminaries such as Congressman John Lewis.
Kaneda said he wanted to “express gratitude to the people of Georgia” and thought it was only right to do that through the 59-year-old The Atlanta Voice. All parties agreed to have future audiences with Ware, including at Japan Fest Atlanta at Gas South Arena on Sept. 21-22.
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Donnell Suggs
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Georgia Senator Jon Ossoff, in his trademark suit without the tie, walked over to a position in front of the new Ebenezer Baptist Church, where a group of people were waiting. Among the people waiting were school-aged Black children on a field trip, former U.S. Ambassador to the United Nations and Atlanta Mayor Andrew Young, and other local and statewide civil rights leaders.
“I’m here to thank these distinguished civil rights leaders,” Ossoff said as he explained how he got the Federal Prison Oversight Bill, which he first introduced in 2022, passed. The bill was recently signed by United States President Joseph R. Biden.
Following the press conference on Tuesday morning, Ossoff dropped by The Atlanta Voice office to speak with newspaper leadership about other moves he is making to improve the lives of millions of Black families around the state.

The Atlanta Voice: What makes you want to fight for Black families the way you continue to do in the U.S. Senate?
Sen. Jon Ossoff: When I ran for the Senate I focussed on health, jobs, and justice. When I think about the challenges faced by Georgia’s African American community, the health disparities in our state are vast, the gap in economic opportunity and empowerment are vast. The justice gap also remains vast, so I have focused legislative energy, both in terms of oversight and reform efforts and tangible deliverable resources appropriated to the state of Georgia on addressing those critical gaps.
AV: What has some of that legislative energy wrought?
JO: There’s a huge shortage of facilities and resources for Black Georgians. That’s on the southside of Atlanta, but also in rural communities across the state. That’s why I have appropriated funds for example, to Southern Regional Hospital. That’s why I appropriated funds to clinics in rural areas in Georgia, as well as to transportation services that help folks in rural and underserved areas get to their appointments, get to the pharmacy, get what they need.
AV: There is a huge gap between Black and white women in maternal services in Georgia. What’s up with that?
JO: The maternal health gap in Georgia, the racial divide is so extreme. Georgia has been at the bottom of the national rankings, basically last or second to last, in maternal health overall for over a decade. By some measures in recent years, maternal mortality for Black women in Georgia has been higher than maternal mortality in Iraq, a country that has been in a state of active conflict for more than two decades.

Editor’s note: Ossoff recently held a senatorial hearing highlighting the testimony of OBGYN’s and maternal health doctors from Georgia. During the hearing Georgia’s six-week abortion ban was the main topic of discussion.
JO: We heard testimony about women who were miscarrying, who were unable to get health care until they became sicker, sicker, and sicker. We heard testimony about a Georgia woman who had to leave the state, fly to Massachusetts to get healthcare, lost the pregnancy while traveling, and then upon arriving in Massachusetts went into sepsis. The extreme laws in Georgia are criminalizing the practice of obstetric medicine and worsening our shortage of OB GYN doctors in Georgia, who provide that vital prenatal care.
AV: Medicaid is very important to millions of American families, and particularly to the state’s Black families, so why do you think it’s not as equally important to some of Georgia’s leaders?
JO: Georgians pay the same federal taxes as residents of every other state in the country, but we are one of just 12 who refuse to get those resources back to help working families access health care. It doesn’t just deprive working families of healthcare, it deprives our hospitals of revenue. Because of there being insured patients coming through the door, there are uninsured patients coming through and the hospitals have to foot the bill.
AV: That might be why hospitals like Atlanta Medical Center were so easy to close?
JO: They don’t have an insured patient population, because the state still refuses to expand Medicaid. And really, the only reason is that the underline legislation was advanced by former United States President Obama. There are still those lingering petty political grievances over the Affordable Care Act from more than a decade ago. So we have to think about health and in particular maternal health and the health of Black women.
AV: Part of that health is eating right, correct? There are so many counties in this state that aren’t as fortunate to have supermarkets and farmers markets within minutes like we do in Atlanta.
JO: I’m introducing legislation called the Fresh Foods Act to help incentivize grocery stores, whether they are local community family-owned grocers or big supermarkets, to open new locations in underserved areas where they will sell fresh fruits and vegetables. If you’re somewhere there’s no hospital, no health clinic, no grocery store offering fresh fruits and vegetables, the state hasn’t expanded Medicaid, so there’s a lack of access to health insurance, it’s not like it’s a mystery why health outcomes are so much worse.
AV: Why are organizations like Big Brothers Big Sisters of Metro Atlanta, for example, so important for you to get federal funding?
JO: I look at my job as a legislator and I think about it in the context of an entire human life. I thought about how we can focus on mentorship to children and adolescents, so I delivered resources for the organizations that specialize in mentorship, but for organizations here [in Georgia] that are healing place mentors and mental health professionals in schools too.

Editor’s Note: Mentorship and mental health resources, after school opportunities, community centers, and safe public parks are also things Ossoff mentioned were targets of his funding efforts. “These are all areas where I have delivered resources to upgrade facilities on the southside of town and in rural communities, and will continue to do so,” he said.
AV: Lastly, I want to talk to you about the Federal Prison Oversight Act that you helped get to the president’s desk and now into law. How important was that bill to you personally, and to Georgia’s Black families that are so oftentimes most affected?
JO: My political upbringing and my first introduction to public life was working as a very young man for Congressman John Lewis. What’s happening behind bars across the country is a humanitarian crisis. It makes a mockery of the Eighth Amendment of our Constitution which prohibits cruel and unusual punishment.
It is an issue that I care about, it is an issue where I’ve focused oversight and investigative resources. And now with passage of the Federal Prison Oversight Act, we have passed the most significant prison transparency and inspection legislation in many, many years.
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Donnell Suggs
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“We have 98 days to get this done,” said former Georgia gubernatorial candidate Stacey Abrams, after she came out to a large applause and chants of “Stacey, Stacey, Stacey.” Abrams was making her first appearance in support of United States Vice President Kamala Harris’ run for the presidency. “What is coming is better than what was had. Together we will do the work of Kamala Harris. Together we will get it done.”
Along with Abrams, Georgia Congresswoman Nikema Williams (District 5), Atlanta Mayor Andre Dickens, and Senators Jon Ossoff and Rev. Raphael Warnock took the stage to pump up the crowd before Harris made her first appearance in Atlanta as a presidential candidate. “Georgia, are you ready to make history again?,” Dickens asked the crowd. “Then let’s elect Kamala Harris.”

Ossoff, who took the stage alongside Warnock, said Trump was “too scared” to debate Harris and Warnock added that Georgia saved the nation during the last election and “I have a feeling, Georgia, you’re going to save the nation once again. Everybody knows the road to the White House goes through Georgia.”
Grammy-winning artists Meg the Stallion and Quavo joined the celebration. Meg the Stallion performed a number of her hit sings before Harris took the stage at 7 p.m. She said, “Let’s get this done, Atlanta” in between songs. “We’re about to make history, Atlanta.”
Kamala Harris immediately went into being clear that the road to the White House goes through the state of Georgia. She also repeated her popular line of “knowing Donald Trump’s type.”
“I will proudly put my record against his any day,” said Harris.

During her speech she touched on abortion, building up the middle class, working on being able to bring down the prices of housing and childcare, the dangers of Project 2025, and providing border control. All of the hot topics this election season.
“Donald Trump doesn’t care about border security,” she said. “He only cares about himself. When I am president I’m going to work to solve the problem.”
The Georgia State University Convocation Center has 8,000 seats in it and on Tuesday night nearly all of them were full of supporters by the time Harris took the stage.
“Generations before us led the fight for freedom and now the baton is on our hands,” Harris said. “The momentum in this race is shifting and there are signs that Donald Trump is feeling it.”
Supporters from all over metro Atlanta filled the arena seats and what would normally be the playing floor for the Georgia State University Panthers basketball and volleyball teams. People like Frank Turpin who said he braved the weather and ling lines to be inside the arena to see and hear Harris.

“I didn’t know her candidacy would be like this,” said Turpin, who added he wasn’t excited about a Biden/Trump rematch before everything changed “This is the best thing [they] could done.”
Linda Jordan, a democratic voter and Harris supporter said she feels connected to the vice president in many ways past them both being women of color.
“I think she is about community, I think she’s about the future and not the past,” said Jordan. “I’m here to support her. It feels like she’s bringing hope to America.”
Tuesday was Harris’ sixth visit to metro Atlanta this year, 15th overall since she became vice president in 2020, and her first visit to the Convocation Center. Kentucky Governor Andy Beshear, a serious candidate to become Harris’ vice president, was in Forsyth County on Sunday to stump for the vice president.
Kim Amis, a first time political campaign volunteer, walked around helping people find their seats and sharing campaign information. Amis, a democrat, said she got involved in the campaign because of Harris.
“This right here,” she said as she pointed to the large crowd, “I thought I’d never see this. When she stepped forward it was like electricity.”

Harris, along with United States President Joseph R. Biden, are scheduled to be in Houston for the funeral of Congresswoman Shelia Jackson Lee later this week. Former President Donald J. Trump is scheduled to meet with journalists during the first day of the National Association of Black Journalists convention in Chicago on Wednesday. According to the organization’s website, Harris has also been invited to the conference.
Before she was done with her speech Harris said she hoped Trump would reconsider debating her before Election Day. There are only 98 days till November 5.
“Georgia, today I ask you, are you ready to get to work?, said Harris.
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Donnell Suggs
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Conyers
“I was upset that he dropped out of the race. [But] I woke up today with a different outlook because I don’t like a quitter, and I wouldn’t say I liked the fact that the Democrats were not being unified like the Republicans. But I wanted Kamala to be at the top of the ticket in the future, and now she is. I do feel encouraged today with Kamala at the top of the ticket. So, I’m looking forward to the first black female president. I do hope that she does unify the country.”

College Park
“I was happy he dropped out, but I’m stuck with who will replace him. I’m all for Black women. Let’s get together and uplift and empower our Black women. But I don’t think she’s authentic. I’ve been reading a lot of your articles where she kept black men [locked up] and incriminated a lot of black men that she could have helped them. I wish it were somebody like Joe that was more authentic. At one point, she was claiming she was Indian and not necessarily black. To me, it’s no different than what Trump is doing. I don’t want him. I know he doesn’t like us, but she pretends she is for us only for her cause. That’s what she’s done her whole life.”

Newnan
“I believe it will be an interesting race because One, she’s Black. Two, she’s a woman. Third, there was still some controversy about how she was as a D.A. On the other hand, Trump has a lot of followers, but in my opinion, he’s a cult leader. [I hope] people get out and vote for who [they feel is] their best person that they think will take care of our country.”

Atlanta
“I was relieved because I was really for Biden and his family and relieved that maybe there’s a chance of beating Trump. I hope that Kamala gets the nomination, that she wins, and that people accept that you can have a female president. It’d be great to have the first black female president. I mean, we’re in peril. We’re in a moment of crisis. And she’s running against a guy that has 34 felonies. So, I don’t know how that’s a choice.”
The post Your Voice: What was your initial reaction to Biden pulling out of the campaign, and what do you want to see happen next? appeared first on The Atlanta Voice.
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Vincent Christie
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Editorial Independence Policy
The Atlanta Voice maintains full authority over editorial content to protect journalistic and business interests. We ensure a clear separation between news coverage decisions and revenue sources. Accepting financial support does not imply endorsement of donors or their products, services, or viewpoints. While we welcome contributions, grants, and sponsorships to support our work, our editorial decisions remain independent and unaltered by donor support. We may accept paid sponsored content from advertisers for specific subjects, but we maintain editorial control over such coverage. The Atlanta Voice retains the right to review, change, or modify editorial content, and does not permit unauthorized distribution of such material. When applicable, we disclose our donors and stakeholders in an editor’s note or within the report.
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Vincent Christie
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Atlanta
“My initial reaction was it was an inside job. I believe that the shooter and also the victim were part of Donald Trump’s plan. This is just a derailment to get off the subject of what he’s facing, and I truly believe it is an inside job. I do. I believe it was an inside job until I see proof that this man was not part of a plan.”

Covington
“I think it was absurd. I think it was uncalled for. I’m not a big fan of politics like that. I’m not even a big fan of Donald Trump. However, he’s for the people from listening to Donald Trump and what he represents and speaks about. And all he wanted to do was the right thing. So I don’t I don’t want him to get killed. I don’t want anybody to get killed. But, you know, I thought it was absurd. And I’m more than grateful that he survived. And I wish the best for him. I don’t want anything to happen to Donald Trump. And that’s my answer. It’s good.”

Fayetteville
“I didn’t believe it. I didn’t know what was going on. I didn’t hear about it. My coworker just told me. And the first thing that came to mind was that it was staged. It was not real to provoke sympathy or empathy. I’m not sure which one. That’s it.”

Atlanta
“My first reaction to what happened to Trump is that I believe the government set it up because a real sniper is not going to miss; if they wanted to shoot you, they would have shot you. A real sniper is not going to miss. I think it was politically set up for him to get more votes, get more attention, and for him to make history because he was almost assassinated. I mean, it’s all publicity.”
The post Your Voice: What was your initial reaction to the assassination attempt on Republican candidate Donald Trump? appeared first on The Atlanta Voice.
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Vincent Christie
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The Metro West food truck held their fourth and final stop of their free fish fry tour in the parking lot of The Atlanta Voice in Mechanicsville Tuesday afternoon.
Through social media and word of mouth, neighborhoods such as Mechanicsville and those in the South Downtown Atlanta area came to retrieve fish filets, fries and a beverage of their choice free of charge. Children and adults gathered in line before the food truck opened to ensure they were served before food ran out.
Entrepreneurs and married couple Dominique Billings and Radreckia Allen-Billings are the founders of two Metro West locations, along with an upscale restaurant, Party of 5. Even before their restaurants came about, the couple has always been a proponent of catering to the needs of their community. The family began by working for a nonprofit organization feeding children in after-school programs. Furthermore, Billings grew up in a less fortunate predicament, where he did not always have access to hot meals, motivating him to give back.
“Growing up, my mom worked a lot. So I was one of those kids that was raised by my older sister. Most times, kids aren’t able to cook and do whatever they want, but they want hot meals,” Billings said. “That was the biggest thing that I thought about when becoming an entrepreneur. I thought about how I can serve the people who were just like me.”
The family began traveling to other areas in Atlanta due to high demand of service, as the Metro West restaurants are located in Decatur and College Park. However, the free fish fry tour was made into a reality when he saw kids in these underrepresented areas who reminded him of his younger self.
“I saw a bunch of kids in Bankhead walking around with swimsuits coming from the pool, and I thought about how that used to be me outside all day. I didn’t have any money to buy my own food, but I didn’t want to go home. So I called my wife and told her we should do a free fish fry,” Billings said.

The Billings’ philosophy entails putting themselves in the shoes of others and listening to the people they serve. They claim that one cannot just try to serve a community from an outsider perspective and expect to remotely understand them.
Growing up, Billings lacked positive role models, ultimately leading to his incarceration on account of poor decision making. He wants the youth to know that they can make just as much, if not more money being an entrepreneur than they could make selling drugs.
“Offer whatever you can because you never know what that little bit can do, it may mean millions to somebody else. It isn’t necessarily about giving back money but giving back education and knowledge, because those are everything,” Allen-Billings said.
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Erinn Gardner, DTU Intern
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The Atlanta Voice was a part of the presidential press pool Thursday that met with United States President Joseph R. Biden hours before he was scheduled to meet former United States President Donald J. Trump for the first of two debates. The first being inside Georgia Tech’s McCamish Pavilion in Midtown. Biden returns to Atlanta after having delivered the commencement speech at Morehouse College in May.
The Biden-Harris administration has made several appearances in Atlanta this year, including multiple solo appearances by United States Vice President Kamala Harris as recently as mid-June for an gun violence awareness discussion with former Migos member Quavo.

3:15 p.m. – Air Force One lands at Dobbins Air Reserve Base and President Biden is greeted on the tarmac by Atlanta Mayor Andre Dickens, former United States Ambassador to the United Nations Andrew Young, former Atlanta Mayor Keisha Lance Bottoms, and two-time Georgia gubernatorial candidate Stacey Abrams and others. Biden took a moment to speak with each of them before leaving and joining the presidential motorcade.
3:43 p.m. At the corner of Baker Street in downtown Atlanta dozens of Biden supporters waved signs and shouted “Let’s Go Joe”, “Four More Years”, and “If You’re Happy and You Know It Vote for Joe.”Biden got out to shake hands and sign autographs. The organized gathering spilled into the lobby of the Hyatt Regency Atlanta where more Biden-Harris supporters were waiting.
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Donnell Suggs
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Joy Bramble, founder of The Baltimore Times, was awarded the prestigious Publisher of the Year Award at the National Newspaper Publishers Association (NNPA) annual convention, held from June 19–22, at the Four Seasons in Baltimore. Bramble began her newspaper at her kitchen table on Madison Avenue in November 1986. She has been recognized for her unwavering commitment to community involvement, empowering Black Baltimore, and engaging younger readers and writers.
Bramble’s unwavering dedication to her work, which includes various programs and projects that have significantly strengthened the local community, was a key factor in her receiving the honor. Her tireless efforts have not only transformed The Baltimore Times from a monthly publication into an indispensable newspaper for its readers but have also inspired a new generation of community leaders.
The convention also saw The St. Louis American leading the pack with a dozen awards, including first place in the Armstrong Ellington Entertainment category and the Robert L. Vann Layout & Design Award. Real Times Media publications, the Michigan Chronicle, and the New Pittsburgh Courier secured a combined total of eight awards at the NNPA Fund’s Messenger Awards on June 20.
The Michigan Chronicle won five awards, including a first-place prize in the Facebook Campaign category and second in the A. Philip Randolph Website Excellence and Armstrong Ellington Entertainment categories, and third place in the Education, Frank L. Stanley Award, and Original Photography Use categories. Meanwhile, the New Pittsburgh Courier earned three awards, including third in the Business category for excellence in storytelling and second in the Newsletter Excellence and Broadsheet Layout & Design (Robert L. Vann Award) categories.
Hiram E. Jackson, CEO of Real Times Media and Publisher of the Michigan Chronicle, praised the dedication of their newsrooms, including the Atlanta Daily World and the Chicago Defender. “These awards are truly a testament to the dedication of our teams to tell stories that are reflective of our communities,” said Jackson. “I want to congratulate the Real Times Media staff for constantly staying abreast of the most important issues and reporting on these issues through the lens of the Black press, which has served as our collective voice for the last 197 years.”
Rod Doss, Publisher of the New Pittsburgh Courier, added “It’s a great honor to be recognized for excellence by your peers, and it’s the collective hard work of the Real Times Media team – constantly learning and adapting with the times – that makes these honors truly special.”

“We are constantly searching for new ways to serve our communities, and it’s critically important, especially during such a tumultuous political climate, to continue to inform, educate, and entertain our readers with accurate and insightful journalism,” Doss stated.
The Atlanta Voice also earned six awards for journalistic excellence, including the Emory O. Jackson Award for health coverage and the Ada S. Franklin Award for fashion. The Sacramento Observer, whose publisher Larry Lee won the 2023 Publisher of the Year, earned six awards. Additional winners included The Washington Informer, Texas Metro News, Houston Forward Times, Houston Defender, Insight News, Minneapolis Spokesman-Recorder, Los Angeles Sentinel, New York Amsterdam News, and Seattle Medium.

The NNPA’s daily digital show, “Let It Be Known,” was also honored with the Black Press of America’s “Black Excellence in Media” award. The NNPA, a beacon of the Black Press of America for 197 years, representing more than 200 African American-owned newspapers and media companies, has been the voice of the Black community, celebrating excellence in journalism and community service. “These awards are not just a testament to the dedication of our teams to tell stories that are reflective of our communities,” said Jackson, “but also a testament to the rich history and legacy of the NNPA.”
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Stacy M. Brown, NNPA Newswire Senior National Correspondent
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Legacy filled the room. June is Black Music Month and this year brings a special tribute to the legendary artist and Augusta native, the late James Brown.
On June 15th, Buckhead Art & Company, in collaboration with the James Brown Foundation, debuted the James Brown exhibit, “Echoes Of The Flame.” Running until June 30th, the exhibit showcases multiple artists paying homage to the iconic “Get On Up” singer.
LaMont Z. Russell, events and marketing manager for Buckhead Art & Company, explained that the idea originated with a phone call to the gallery. The proposal for the show in Buckhead was made possible through collaboration with the James Brown estate and Primary Wave, the record company that holds the rights to Brown’s music as well as music by Whitney Houston, Burt Bacharach, and Prince.
Russell highlighted the cultural importance of James Brown’s music and its connection to various genres, especially hip-hop. Brown’s pioneering work in freestyling and his broader impact on music underscored the necessity of bringing the exhibit to a city renowned for its place in the art and music worlds, “Everyone loves James Brown, especially here in the south, but also just looking at the hip- hop show that we did and how his music relates to so many other genres,” Russell told The Atlanta Voice.
Selecting the artists for the exhibit was straightforward for Buckhead Art & Company. They chose artists already affiliated with their gallery, focusing on those skilled in realism and depictions of people. These artists were invited to contribute their unique perspectives and talents to the exhibit. The exhibit’s alignment with Black Music Month added an extra layer of significance.

Among the featured artists is Shawn Stewart, known professionally as “Stu.” Originally from Dayton, Ohio, Stewart moved to Atlanta in 2017 with little more than clothes on his back and big dreams. Reflecting on his journey, Stewart shared that the move was driven by a lack of opportunities in Dayton and a desire to give his art a chance to flourish. Before pursuing art, Stewart had played football since he was seven years old. When his football dreams ended, he felt a void that was unexpectedly filled when he decided to create a painting for his new condo’s dining room.
Stewart expressed deep admiration for James Brown’s cultural contributions, both musically and artistically. For his piece in the exhibit, Stewart chose an image of James Brown that deeply resonated with him. The image, depicting Brown in a tracksuit and glasses, captured a different side of the artist—one of comfort and confidence, contrasting with the more familiar image of Brown as a sweaty, cape-clad performer. “James Brown represents a golden age of music, laying the foundation for future generations of African American artists to express themselves creatively,” said Stewart.
Veteran Buckhead Art & Company artist Dean Beresford from Clayton County, was also among one of the artists submitting for the exhibit. Upon the initial invitation to submit a piece for the exhibit, his immediate thought was to capture James Brown’s dynamic stage presence. Recognizing Brown as one of the greatest entertainers of all time and the Godfather of Soul, Beresford felt compelled to depict him performing with all the intensity and passion he was known for. Over 60 hours, Beresford transformed a carefully selected reference photo into a stunning pencil drawing, enhanced with rhinestones and stones to add an extra pop. “I wanted to do a piece that just invoked him, performing, singing his heart out, and just using that to showcase my skills and my pencil drawings,” said Beresford.
Dr. Yamma Brown, a clinical pharmacist, and James Brown’s daughter, expressed deep pride in seeing her father’s legacy celebrated in such a meaningful way. Dr. Brown highlighted how the exhibit honors her father’s monumental impact on music and serves as an inspiration for new generations of artists. “Atlanta is very near and dear to my heart because I’ve lived here for so many years, and it is a very richly rooted African American city, and has been for a long, long time. It’s apropos for a city like this to be the city that gives back to my dad,” said Dr. Brown.
Heather Hayes, a close friend of Dr. Yamma Brown and daughter of legendary musician Isaac Hayes, shared her thoughts on the exhibit. Hayes, who danced for James Brown for six years starting in 1995, described the experience as a profound blessing. She recounted their first meeting at a show, where she hid her identity for the first six months, auditioning under her mother’s maiden name.“Once he found out, he was like, ‘You should have told me Isaac was your daddy. I know your dad,’ ” Hayes shared. This discovery brought Hayes closer to Brown and his family; their bond growing stronger during rehearsals. “If Yamma would come on the road and she would want to go out, he would only let her go out with me,” Hayes recalled.
The exhibit is open through June 30.
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Noah Washington
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For more than 58 years, The Atlanta Voice has ably provided a voice for the voiceless. It is the largest audited African American community newspaper in Georgia. Founded in 1966 by the late Ed Clayton and the late J. Lowell Ware, The Atlanta Voice has evolved and redefined its efforts to better connect with the community it serves.
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For more than 58 years, The Atlanta Voice has ably provided a voice for the voiceless. It is the largest audited African American community newspaper in Georgia. Founded in 1966 by the late Ed Clayton and the late J. Lowell Ware, The Atlanta Voice has evolved and redefined its efforts to better connect with the community it serves.
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Damsel, the multi-level establishment, is no ordinary supper club, but much more.
Located in the Works on Atlanta’s Westside, Damsel brings not only a collection of global-inspired finger foods to try, but a cabaret-style show with the culinary experience.
To better describe the 10,000 square-foot restaurant, think “sexy and 1880s Paris, the Moulin Rouge meets 21st century Cabaret/Musical Theater, with a touch of disco madness thrown in for good measure”.
Damsel offers three separate dining experiences.
Downstairs offers small plates, the restaurant’s private club has elevated cuisine, and the lounge features interactive cooking displays. Damsel also has live shows every night featuring dancers, musicians, and other forms of entertainment.
Damsel’s vision is to create a haven where art, elegance, and entertainment converge to form a tapestry of unforgettable moments.
With the culinary experience curated by owner and restauranteur Dave Green, who also is owner of The Select, another top-rated dining spot in Atlanta, and entertainment referred to as “The Show” was directed by the esteemed choreographer Otis Sallid.

Damsel’s creation
With their grand opening back in April, Green said it feels “amazing” to finally be open.
“It’s amazing because we’re finally able to share what we wanted to create with the public,” Green said. “The grand opening was an eye opener, I think for everyone and now we get to go around, meet everyone, and get their feedback.”
Green also said the experience has been “extraordinary” and live entertainment had “gone early from Atlanta, especially at this level.”
“I think the response has been overwhelming,” he said.
Damsel was a two-year project, according to Green.
Furthermore, Sallid was tasked with producing “The Show”, with his company Creative Otis. The Show is a highly stylized cabaret that’s described as ‘sexy, seductive, sassy, at times bawdy, always elegant, and a fashionista’s dream.’
Green said a cabaret-style restaurant was always in the works because live entertainment was non-existent in Atlanta. One day, he was telling a group of people at his restaurant about why he named it, “The Select”, which is about the 1920s restaurant where a lot of luminaries gathered and wanted to change culture forever.
“They were very successful in brining all of Europe together and it was an interesting time after World War One and became the roaring 20s, which was the Jazz Age in Europe,” he said. “Cabarets were a place to bring people together.”
As he’s talking about The Select’s history, a young lady who’s a producer comes out of the bathroom and overhears the story, which she thinks is amazing, according to Green. This is where the lady introduces Green to Sallid.
“She told me who Otis was and I was completely blown away but thought he had way too much going on to work with me on this cabaret,” he said. “When I met him, it was wonderful.”
Additionally, Sallid said producing and choreographing “The Show” was about making history.
Sallid and his wife visited The Select one day and sat listening, talking, and saw how Green treated his staff and how he moved around the room.
“This time in my life, we’re not looking for a job, but we’re looking to make history and so he was saying all the right things through all the right things and treating his dad and being the kind of person, we believed in,” Sallid said.
The process, Sallid said, was like “making soup” and having to find the right ingredients for the show to fly
“We needed a certain kind of dancer, a certain kind of person, in which we found a lot of great people, not just in Atlanta. We needed to find the right people for this, and we found five great dancers,” he said.
The shows last five minutes, then you have small bites for 15 minutes, vice versa. Sallid said he wasn’t sure if it was going to work, but Green told him it would work.
Sallid said they both operate in trust, which is the bonding of their relationship.
“When we started doing it, it really worked,” he said.
“I just have tremendous respect for him, his wife, and his life’s work. He represents 50 years of modern American dance culture and he’s here in Atlanta and for us to meet was like the planets aligned,” Green said.

The Damsel Menu
Executive Chef Julian Parker and his eloquently trained team experiment with unique, globally inspired cuisine like their crab canapés, lobster cones and foie gras benedict to deliver a burst of flavors, all in one delicious bite.
Aside from the bites in the supper club, guests can find a private space on-site for exclusive, members-only dining as well as a rooftop lounge with interactive food carts for display cooking and midnight breakfast.
Green also said curating the menu with Executive Chef Julian Parker was amazing.
Some of Sallid’s favorites are the Shrimp Phyllo and the Tuna Roll.
“He’s (Julian) an artist, those are my favorites,” he said.
Green said he likes the A5 Wagyu Nigiri and the lobster cones because it’s full of lobster.
“We also do truffle arancini, tenderloin, Beef Wellington, Sliders, and more,” Green said. “We have a vegan presentation in our what we call, ‘Count Me In’, which is our first platter that you get in one of the interstitials.”

Damsel & Beyond
After the show, Damsel turns into a dance club, reminiscent of New York’s Studio 54, so the party can continue.
“We stay open until 2 a.m. Thursdays, Fridays, and Saturdays,” Green said.
He also said they are going to be adding Happy Hour and going to give free bites away on the rooftop from 5 p.m. to 8 p.m. Green added there will be what’s called, “Midnight Breakfast”, so when guests hang out late, they can order breakfast items such as pancakes and chicken and waffles as well.
“The rooftop has the happy hour and then it becomes the place where there’s food carts, which we’re thinking about getting a Flambé station, so after your meal, you can come to the dessert room, which will be the rooftop,” he said.
By phase three, Green said, Damsel is going to be the hottest place in Atlanta.
“That’s what we’re shooting for,” he said.
Both Green and Sallid said to pay attention to the dress code and what people are wearing.
“Look at the elegance and how people are dressing up in Atlanta. They’re paying attention to our dress code and trying to have an elegant night out whether it’s a date night, or if you want to meet somebody, or to go out with friends,” Green said.

No matter what it is, there’s a place for everyone at Damsel, and you will be welcomed with open arms, Green said.
“I love the feeling of being connected again and really feel at home,” Sallid said.
When guests visit Damsel, Sallid said there’s a feeling of joy, love, and happiness he wants to permeate the work they do because it’s something that will stick with guests for the rest of their lives.
Green said when people visit Damsel, he wants them to open their minds, be a part of something new, and have a good time.
“Be a contributor via giver when you come to Damsel. This is going to take a community to raise Damsel and we’re very clear on that and leave all your inhibitions at home,” he said.
For more information, visit https://www.damselatl.com.
The post Damsel: Dinner and a show appeared first on The Atlanta Voice.
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Isaiah Singleton
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For more than 58 years, The Atlanta Voice has ably provided a voice for the voiceless. It is the largest audited African American community newspaper in Georgia. Founded in 1966 by the late Ed Clayton and the late J. Lowell Ware, The Atlanta Voice has evolved and redefined its efforts to better connect with the community it serves.
Learn more about The Atlanta Voice
All gifts are tax-deductible to the extent allowed by law.
EIN: 58-1285890
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Vincent Christie
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For more than 58 years, The Atlanta Voice has ably provided a voice for the voiceless. It is the largest audited African American community newspaper in Georgia. Founded in 1966 by the late Ed Clayton and the late J. Lowell Ware, The Atlanta Voice has evolved and redefined its efforts to better connect with the community it serves.
Learn more about The Atlanta Voice
All gifts are tax-deductible to the extent allowed by law.
EIN: 58-1285890
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Vincent Christie
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For more than 58 years, The Atlanta Voice has ably provided a voice for the voiceless. It is the largest audited African American community newspaper in Georgia. Founded in 1966 by the late Ed Clayton and the late J. Lowell Ware, The Atlanta Voice has evolved and redefined its efforts to better connect with the community it serves.
Learn more about The Atlanta Voice
All gifts are tax-deductible to the extent allowed by law.
EIN: 58-1285890
PROUD MEMBERS OF:
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Vincent Christie
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