ReportWire

Tag: textbelowcenterfullbleed

  • NBA Referee Che Flores on Becoming the First Out Trans and Nonbinary Ref in American Pro Sports

    NBA Referee Che Flores on Becoming the First Out Trans and Nonbinary Ref in American Pro Sports

    [ad_1]

    “Once I was on the court, I fell in love with it,” Flores says. It felt like a natural way to earn some cash and stay involved with the sport they loved. And, increasingly, gender didn’t seem like a barrier to a career at the highest levels of the game. “I had no idea to what degree, but I do remember Violet Palmer being in the NBA and she was the only different one out of that entire staff,” Flores says, referring to the league’s first female ref. “And that was some sort of glimmer of hope, like, Oh, is the NBA actually a destination?

    Despite their initial reticence, Flores immediately took to reffing, and their talent got noticed. It’s a long climb from high school games to the premier pro basketball league in the world, but referees share a special comradeship, and tend to look out for one another. (They also, it turns out, have lives off of the basketball court: Flores is a capable stick-and-poke tattoo artist, and in our interview revealed they were the “mystery ref” who gave soccer star Megan Rapinoe a tattoo during their final night in the Wubble, the WNBA’s pandemic campus.) They are bonded by a strange shared experience: fans usually only remember the officiating from a game if they really hated it. Veteran officials tend to look out for budding talent and establish mentor relationships early on to help them climb through the ranks. That summer, Flores started to get invited to camps, where refs get their “true training.”

    “We would come in and then every referee would assess every other referee, and we would all decide collectively who would move on and who would literally get voted off the island,” Flores says. “It was like Survivor with referees.”

    Billy Kennedy, the veteran NBA ref, remembers noticing Flores at those camps, where, he says, “the cream will rise to the top. Che is one of those that has risen to the top and has done it all on their own.”

    By 2012, Flores was working a year-round schedule as a referee for the NCAA, NBA G League, and WNBA, a grueling grind they more or less kept up for 10 years. “I was working five days a week,” they say. “There was really no off-season.” They would work a game, then catch a flight to the next city that night or early the next morning. Professional leagues take care of referees’ travel accommodations, but NCAA refs act as independent contractors, and are responsible for making their own schedules and booking their own travel, which can make for some dizzying calculations. “If I work for four different college supervisors for any of the Power Fives, I’m getting schedules from all four of them, and I have to decide which games I’m taking,” Flores explains. “With that, I have to look at the next four months and make sure I don’t double book, [and that] I’m able to get to Billings, Montana, from Florida State.”

    [ad_2]

    Emma Carmichael

    Source link

  • Earthgang Are Getting—Believe It or Not—Even More Existential

    Earthgang Are Getting—Believe It or Not—Even More Existential

    [ad_1]

    Southern hip-hop duo Earthgang—comprised of eccentric yogi Olu and mystic WowGr8— have accomplished a lot for two friends who bonded over a shared love of music back in high school. Since signing with J. Cole’s Dreamville in 2017, they’ve released several projects, solidifying their knack for making trippy, melodic odes to life in their native Atlanta, including last year’s Ghetto Gods , the 2020 Spillage Village album Spilligion (alongside JID, 6lack and others), and 2019’s Grammy-nominated Dreamville compilation Revenge of the Dreamers III. Their new EP, RIP Human Art, is the start of a longform project—but music is far from their only concern these days.

    When we meet up in early October, they’re not in rap star mode despite attending the BET Hip-Hop Awards the previous night. Instead, the pair are indulging their other passion: environmental justice. The duo’s new organization, The Earthgang Foundation, was created to create community-based approaches to solving issues such as food insecurity and climate change. The duo have ambitious, global goals for the nonprofit, but they’re starting their efforts in their hometown. When they arrive at the Hands on Atlanta office, as a group of students volunteering with the organization have just finished packing food kits full of organic spaghetti noodles, granola bars, cans of tomato soup and black beans, and more. They speak with the kids about communal responsibility and even answer a few questions about their plans for new music from the nephew of a peer who is among the group. Olu—who chuckles and says he recently visited this building to complete some court-mandated community service—commends the kids for volunteering.

    Afterwards, I sat down with my fellow southwest Atlanta natives to discuss the work their nonprofit has done in the community, as well as how recent industry conversations about AI inspired their most recent EP, RIP Human Art.

    What inspired the RIP Human Art concept?

    WowGr8: Algorithms, playlists, the likes you get on social media…all of these things are created by these equations that no one had a say in. Why is our value reduced to these numbers when we came out the gate with our talents from God? It’s about the human element. We wanted to celebrate that and the intangible factor of art.

    Olu: Even with the writers’ and actors’ strikes and what’s going on with them trying to use their likeness without their consent and completely do away with the human element of creativity. I believe that’s why we’re put on this earth…to create. If we take that purpose away from us, a lot of people are going to live purposeless lives and you know what that leads to.

    Do the AI-created songs, images and even videos of artists freak y’all out as musicians?

    WowGr8: I do enjoy it. I’m a futurist. Now, do I want to maintain my own dominating presence in my art and my career? My view has always been you gotta find the best way to use it and make a tool stay a tool.

    Olu: The songs I’ve heard , [they] don’t hit. It sounds fake.

    The dystopian view of the EP continues with y’all having your own funerals in the “Die Today” video.

    Olu: It’s about the musical aspect of what we said about creativity and the strikes. When artists die, that’s when people show them the most love and they get the most followers. They did that with Sinead O’Connor…

    …We’ve talked about it in regards to Mac Miller before…

    Olu: Yeah, people would turn them into outcasts and pariahs when they were alive, but once they die the government starts recognizing them and they have national days and stuff. On the flip side, sometimes people feel like the only way to get stardom is to damn-near fake their own death. We just wanted to jump into that in the video.

    [ad_2]

    Jewel Wicker

    Source link

  • The Black Friday Menswear Sales Are Fashionably Early

    The Black Friday Menswear Sales Are Fashionably Early

    [ad_1]

    We realize that Black Friday is a month away (November 24), but tell that to all the early Black Friday clothing deals already packing the digital shelves. “But we haven’t even gotten to Halloween, let alone November!” True, but look at it this way: you can score some sweet duds and cobble together a costume in time for the spooky festivities (David and Victoria Beckham, anyone?). But where do you even begin? While stores haven’t hung up their Black Friday banners just yet, there’s a whole grip of pre-BF deals strewn across the internet and lucky for you, you’ve got the Avengers of the DCU (Deal Copping Universe) at your disposal. So we searched high and low to the far corners of the World Wide Web to find the best early Black Friday clothing deals around.

    Looking to stride into fall wearing some slick new shoes? Aiming to cozy up to some decadently soft sweaters? Or perhaps you’re in need of a floor-to-ceiling wardrobe refresh. Whatever your fashion desires are, you’ve come to the right place. Below you’ll find the all best early Black Friday clothing deals 2023 has in store, with a smattering of our favorites curated at the top. Pro tip: Be sure to check back here regularly, because we’ll be updating this expansive list with the hottest, freshest deals until the wee hours of the morning.


    Our Favorite Deals

    G.H. Bass & Co.

    Weejuns Heritage Larkin Glossed-Leather Tasselled Loafers

    J.Crew

    Brushed Wool Crewneck Sweater

    Madewell

    Poplin Easy Long-Sleeve Shirt

    Our Favorite Sales

    SSENSE: Score 25% off on designer goods, homewares, accessories, and more at the infamous SSENSE Sale (limited time only)

    J.Crew: Save up to 30% off your purchase plus an extra 50% (discounts on discounts!) off select sale styles with code SHOPNOW (limited time only)

    Todd Snyder: Save up to 60% off sale items including legendary polos, crispy denim, fine tailoring and so much more (limited time only)

    Lululemon: Score a grip of top-notch, yoga gear, running apparel, and other activewear (limited time only)

    Matches Fashion: Enter code WINTER20 and you’ll get 20% off designer grails, upgraded closet staples, even fine jewelry home decor, and more (limited time only)

    Huckberry: Snatch up a grip of workwear, outdoors gear, home goods and plenty more for up to 40% off (limited time only)

    Percival: Celebrate Percival’s birthday by taking up to 25% off on modern menswear staples like polos and fleece jackets (limited time only)

    Levi’s: Take 40% off all the jeans your heart can handle (limited time only)

    Amazon: Daily deals on brands like Ray-Ban, Adidas, and more (ongoing)

    Haven: Haven’s eclectic mix of streetwear and gorpcore is 30% off thanks to the Canadian retailer’s mid-season sale (limited time only)

    [ad_2]

    The Editors of GQ

    Source link

  • David Beckham Makes a Strong Case For the Power Cardigan

    David Beckham Makes a Strong Case For the Power Cardigan

    [ad_1]

    Logan Roy. Mr. Rogers. The Dude. The power cardigan has a long and storied history in pop culture. Now, there’s a cardigan wearer whose place in this pantheon we must duly celebrate: David Beckham.

    The new four-part docuseries Beckham, directed by Fisher Stevens, has made quite a stir since it debuted on Netflix. It’s a rare intimate look into the soccer player’s dramatic ascendancy, his marriage to Victoria Beckham (née Posh Spice), and his turbulent relationship to fame and the sport that made him. The docuseries is also a veritable banquet of fits, from Beckham’s ‘90s Manchester United jersey to a cavalcade of the most mind-melting Y2K couples style imaginable. (The matching purple wedding looks! The blonde highlights! The sarong!)

    When present-day Becks is featured in Beckham, though, his personal style is noticeably more muted and mature than the flashiness we see in the archival footage. It’s a reflection of how his life, once a rollercoaster, has similarly settled into a comfortable rhythm. Now 48 and retired from the beautiful game, the doc literally opens with Beckham gently tending to his beehives. Even the glimpse we get into his closet shows a hyper-organized wardrobe teeming with timeless classics.

    Similarly, the most notable look that he wears while being interviewed is a glorious knit cardigan. It’s a collared, cream-colored number with double-breasted buttons, which Beckham pairs with a chambray shirt and jeans. It’s the rare sweater perfect for both padding around the house on an off day, and for being interviewed for a documentary in which you must reflect on your entire life. In this cardigan, Beckham appears unbothered, moisturized, happy, in his lane, focused, flourishing, and—crucially—supremely cozy.

    Courtesy of Netflix

    [ad_2]

    Gabriella Paiella

    Source link

  • I Confronted the Sweater Curse

    I Confronted the Sweater Curse

    [ad_1]

    August 27
    Progress: The body of the sweater, including shoulders and neckline, is done.
    We were in Vermont for a wedding between two of his friends, and he was one of the groomsmen. I didn’t realize that this would mean that on the day of the ceremony I would be completely on my own with people who have known the bride and groom since they were born. As a result of the drinking that was required for me to blend in in such an environment, by the end of the night I’d broken a champagne glass and spilled a bottle of beer all over the dance floor. Mazel!
    How close were we to breaking up? 3. I could have smashed the entire bar and still benefited from the weekend-long immunity that comes from driving five hours and being Such A Good Sport™ (except for the small tantrum I threw over text when I was, quite literally, standing alone in a field).

    September 6
    Progress: Starting the first sleeve
    He needed to briefly step out during a Zoom grad school class, so he turned off his camera and muted his microphone. I told him I’d keep an eye on his computer in case anything happened. Almost as soon as the door shut behind him, the professor called his name, asking a question. I froze.
    “Sorry, my video isn’t working! One second,” I typed into the chat while frantically calling him on the phone. He dictated his answer to me, which I sent with my heart pounding.
    “Yes, very good point,” the professor said. I felt like we had pulled off a heist.
    How close were we to breaking up? 0. If we could get through that, we could get through anything.

    September 28
    Progress: Almost done with the second sleeve.
    To celebrate our five-year anniversary, we took a weekend trip to New Orleans where I was hellbent on getting a good picture of us. We don’t pose for photos very frequently, which means we have hardly any documentation of our now quite significant relationship. After 36 hours of failed attempts, I had a meltdown on our final evening after the poor hotel receptionist took what, to anyone else, is a perfectly acceptable photo but, to me, was evidence I should never show myself in public again.
    How close were we to breaking up? 5. I walked to dinner in silence, but perked up after remembering that we would get a free dessert because I had flagged our anniversary to Resy.

    October 5
    Progress: COMPLETE!
    To provide some respite from what has been a wedding-heavy year, my boyfriend let me off the hook from a ceremony in his hometown, and I went back to my parents’ house for a belated birthday celebration for my dad. During the car ride home, I finished the godforsaken sweater, only two months later than I had originally thought it would be done. Luckily, the weather finally turned as soon as I put my needles down, meaning my boyfriend would be able to put it on right away. Theoretically. After 90 days, seven arguments, and zero breakups, he has yet to actually wear this labor of love out of the house. Maybe this is where we break up after all.

    [ad_2]

    Kate Lindsay

    Source link

  • Justin Bieber Wore One of the Most Playful Rolexes of All Time

    Justin Bieber Wore One of the Most Playful Rolexes of All Time

    [ad_1]

    Want more insider watch coverage? Get Box + Papers, GQ’s newsletter devoted to the watch world, sent to your inbox every Friday. Sign up here.

    Justin Bieber added to his collection of eclectic accessories this week with a vintage yellow gold Rolex Day-Date with a money-green “Stella” dial, a rare and collectible watch that strikes the perfect Bieber-esque balance between freaky and refined. The watch was introduced in the 1970s as part of a series of colorful lacquered dial options for the 36mm Day-Date, but like many bold ideas, the Stella seems to have been ahead of its time. Despite the popularity of colorful pieces from brands like Piaget and Cartier during that era, it seems Rolex buyers weren’t quite yet ready for the Stella’s exuberance, and it’s thought that many Stella dials were later replaced with more traditional ones in white, black, and silver over the years.

    Backgrid

    Justin Bieber Wore One of the Most Playful Rolexes of All Time

    As Cam Wolf notes in this week’s edition of Box + Papers, however, the times have finally caught up with the Stella’s colorful personality—which fits perfectly alongside recent Rolex drops like the Puzzle Dial Day-Date and “Celebration” dial Oyster Perpetual—and adventurous collectors like the Biebs are snapping them up. Speaking of which: If you’re looking to add a Stella to your own collection, Cam notes that this week is an excellent time to do it, with a selection currently up for bids at the Monaco Legends auction in a tasty variety of flavors from eggplant to mint chocolate chip.

    Tom Brady attends Game One of the 2023 WNBA Playoffs finals between the New York Liberty and the Las Vegas Aces

    Ethan Miller/Getty Images

    Justin Bieber Wore One of the Most Playful Rolexes of All Time

    Tom Brady’s Patek Philippe Nautilus

    If anyone was concerned about what Tom Brady would do following his NFL retirement earlier this year, you can rest easy in the knowledge that the former quarterback is keeping busy cementing his reputation as a GOAT watch collector. Following recent appearances wearing a rose gold Puzzle Dial Rolex Day-Date, a solid gold “John Player Special” Rolex Daytona, and an extremely rare platinum Richard Mille, his hot streak continued courtside at the WNBA Finals this week with a Patek Philippe Nautilus 5980-1R-001. While not quite as rare as some of the other pieces in Brady’s rotation, this version of Patek’s iconic sports watch has a solid rose gold case that shines all the brighter against a moody black gradient dial, making for an extremely tasteful addition to the team.

    ionel Messi 10 of Inter Miami CF looks on prior to a game against the Charlotte FC

    Megan Briggs/Getty Images

    Justin Bieber Wore One of the Most Playful Rolexes of All Time

    Leo Messi’s Patek Philippe Calatrava

    It’s been a busy week for Leo Messi, who clinched Argentina’s 2-0 World Cup qualifying win against Peru on Tuesday before jetting back to Miami to watch his Inter Miami CF teammates tie with Charlotte in their last home game of the season. Messi looked suitably jubilant in the stands sporting a crisp white Inter Miami tee and one of the most coveted Patek Philippe watches of the year: the new Calatrava 6007G-011. Introduced in the 1930s, the Calatrava is a foundational piece in the Patek Philippe universe, with a refined, understated style and countless dressy variations. The latest version, however, might as well have been made with the Patek-loving footballer in mind, with its sporty sky-blue dial accents, a “carbon” motif at center-dial, and a matching contrast-stitched strap.

    Ronny Chieng poses backstage at the 2023 GoodFoundation “A Very Good Night of Comedy” Benefit

    Kevin Mazur/Getty Images

    Justin Bieber Wore One of the Most Playful Rolexes of All Time

    Ronny Chieng’s Mickey Mouse watch

    Comedian Ronny Chieng stepped on stage at Carnegie Hall this week wearing a timely reminder that there’s just as much enjoyment to be had in a $275 Snoopy tennis watch as in a six-figure Swiss grail. Chieng, whose diverse collection includes pieces from Rolex, Tudor, and Seiko x Rowing Blazers, wore a vintage kids’ Mickey Mouse watch that he’s had since he was four, proving once again that the most valuable watches in the world aren’t always the most expensive.

    Tyrese Maxey 0 of the Philadelphia 76ers attends game 4 of the 2023 WNBA Finals

    David Dow/Getty Images

    Justin Bieber Wore One of the Most Playful Rolexes of All Time

    Tyrese Maxey’s de Bethune DB28 Skybridge

    Maxey made an immediate impression as a man of adventurous tastes when he posed for his 2020 NBA Draft photo wearing a hypnotic matching houndstooth suit, shirt, and tie. It comes as little surprise, then, that the 76ers point guard also has a singular eye for watches. At this week’s WNBA Finals, Maxey was spotted courtside wearing the de Bethune DB28 Skybridge, an ultra-limited six-figure creation from one of Switzerland’s most avant-garde watchmakers. One of less than 300 watches de Bethune produces each year, the Skybridge features a deep blue polished titanium dial studded with white gold and diamond “stars” and a unique spherical moon-phase indication. Maxey isn’t the only one who appreciates de Bethune’s sci-fi styling, however: Tennis pros Tommy Paul and Jessica Pegula were both seen sporting the brand on-court at the US Open, and fellow hooper Kyle Kuzma is also known to be a fan.

    [ad_2]

    Jeremy Freed

    Source link

  • Noah Kahan Swings for the Fences

    Noah Kahan Swings for the Fences

    [ad_1]

    Noah Kahan isn’t exactly sure how he got here.

    Sure, the New England-raised singer-songwriter has been gigging pretty much nonstop for the better part of the last few years. And yes, the self-described “anxious Jew” knew the songs on his most recent album, 2022’s soul-baring Stick Season, were unlike anything he’d previously written — more vulnerable, more specific, more in line musically with the sort of acoustic-anchored folk music he’d long loved.

    But selling out stadiums and arenas, as he’s already done for next year’s We’ll All Be Here Forever tour? Playing his dream gig (multiple sold-out nights!) at Boston’s Fenway Park next summer? It’s all a bit much for the self-deprecating Kahan to comprehend right now. “I’ve definitely gotten to a place of complete surrealism where I feel like I’m living in The Truman Show or something and everyone is playing a joke on me,” Kahan tells GQ one recent October morning from a Florida hotel room. “I have a hard time believing any of it.”

    Only a few years ago, Kahan was a virtually unknown songwriter struggling to emulate the trendy indie-pop of the moment. “And then I was like ‘But I hate this,’” he says. “It wasn’t making me happy. So I went back to making the type of songs that I grew up on and loved — storytelling.”

    His heart belonged to folk-leaning, strummy lower-case-r rock music, full of banjos and mandolins and group sing-alongs. But as a lyricist, Kahan specializes in unfiltered confessionals, addressing all the things that make life complex—depression, anxiety, fractured family dynamics, and occasionally even happiness. He’s the sort of artist fans feel they know intimately, and even as his shows swell in size and he collaborates with massive artists from Post Malone (“Dial Drunk”) to Zach Bryan (“Sarah’s Place”) and Kacey Musgraves (“She Calls Me Back”), he strives to maintain that connection.

    “I think the community is really building itself and they’re doing all the work. So much less of it is me than them,” he says of his exploding audience. He pauses and laughs. “I can’t speak to what they’re seeing in the music, though. I have no idea.”

    GQ: Your life and career have recently been thrown into chaos — the good kind, I think. At what point did you notice things were really changing?

    [ad_2]

    Dan Hyman

    Source link

  • Terrell Suggs Still Doesn’t Like the Steelers

    Terrell Suggs Still Doesn’t Like the Steelers

    [ad_1]

    For really the entire 21st century, there has not been a force in professional football quite like the Baltimore Ravens. Since the 2000 season, only the Patriots have won more Super Bowls, and while the Pats built their franchise around a golden boy quarterback, the Ravens have always been about defense. Terrell Suggs was a pillar of that defense for 16 sizzling years. He joined the squad as a first-round pick in 2003, and by the time he left Baltimore in 2019, his resume included a Defensive Player of the Year award, seven Pro Bowls, the franchise sack record, and a 2012 Super Bowl ring he won just months after tearing his Achilles.

    Nowadays, he’s mostly chilling at home in Phoenix. His daughter spends her summers playing for Team Durant and Suggs, who was always one of the scariest dudes on the field, promises he’s not one of those sports parents who’s always yelling at the refs. That gridiron intensity is what made him so beloved in Baltimore, though, and this weekend he will officially become one of the city’s immortals. At halftime of the Ravens’ game against the Lions, all eyes will be on T-Sizzle as his name is added to the Ring of Honor at M&T Bank Stadium. Ahead of the ceremony, Suggs gave us a call.

    Are you not entertained?

    Patrick Smith/Getty Images

    How did you get the news that you were being inducted into the Ring of Honor?

    It was a phone call out of the blue. They was like, “Yeah, um, we just want you to know that we’re going to induct you in the Ring of Honor this year.” I was like, for real? I’m one of those guys that was really humble, you know what I mean? I didn’t expect that call to come. It’s one of those things you hope for, but you’re not really sitting around waiting on a phone call saying you’ll get inducted. Fortunately, mine’s is coming up.

    This was never something you thought about when you were playing?

    Not at all. As Ravens, we never played for those kinds of accolades or achievements. We played for each other, loved the game, and loved what we were doing. It all just happened to pan out this way. I’m fortunate enough to be branded a Raven for life.

    You just never know. You never know who makes those decisions or what they’re thinking or what goes into it. You don’t know! With something that’s not in your hands, you don’t really want to have your mind occupied with it. It was more like, okay! I guess that’s pretty awesome!

    What are your favorite memories from M&T Bank Stadium? You’re going to be part of it forever now!

    Definitely our battles against the Steelers. Opening day 2011, after they had just knocked us out of the playoffs, that would be my second favorite. But my first is Ray Lewis’ last ride, when we went on the Super Bowl run, when we all came out the tunnel for the last time with each other. That was a playoff game against the Colts.

    Did you actually hate the players on the Steelers, or did you just hate them because they were the Steelers and you were the Ravens?

    It went hand-in-hand, especially with guys like Hines Ward and James Harrison. We didn’t like them. It wasn’t a hate, like if we saw them on the street we weren’t going to get in a brawl. Nah, it wasn’t that kind of hate. It was a football rivalry. Their flag vs. our flag kind of thing.

    [ad_2]

    Matthew Roberson

    Source link

  • Jeremy Pope Strongly Endorses Taking Your Mom to Beyoncé’s Renaissance Tour

    Jeremy Pope Strongly Endorses Taking Your Mom to Beyoncé’s Renaissance Tour

    [ad_1]

    It’s a crisp fall evening in Soho, but Jeremy Pope is dressed for summer in a sensual, back-baring halter top and oversized Persol sunglasses. “It’s a backless fall,” says the 31-year-old actor, who shot to fame on hit shows like Pose and Hollywood before breaking out in last year’s A24 drama The Inspection. “That’s where we’re at today.”

    Given the summer Pope just had, it’s hard to blame him for wanting to extend the season as long as possible. A dedicated member of the Bey Hive, the Emmy and Tony nominee spent a good chunk of the year going to as many Renaissance World Tour shows as his schedule would allow. “There’s the initial shock viewing,” Pope explains, “and then there’s the second viewing where you can really receive the queen.”

    While Pope got to rub elbows with the likes of Jay-Z and Kris Jenner at various tour stops, the most memorable show he attended was the one he went to with his mom. “The last time we saw Beyoncé [together] was when I was 16, and she took me for my birthday,” he says. “I was at the show where she fell on them stairs! It was giving drama… That’s a YouTube staple.”

    Watching concerts with your mom? Just one of the many things Jeremy Pope Strongly Endorses these days.

    Scaring yourself with style

    Pope is known for his revealing red carpet looks, from his almost-shirtless moment at last summer’s Loewe show to tonight’s dangerously low-cut Fendi halter. “Me and my stylist, we always have a rule that if I’m not nervous or scared when we’re going to an event or a carpet that maybe we didn’t challenge ourselves enough,” he says. “And it’s not necessarily that we’re looking for the gag effect.”

    Instead, Pope explains, he dresses to express himself and radiate confidence, after a childhood spent feeling uncomfortable in his own body. “My dad was a pastor and a professional bodybuilder,” he says. “And those spaces really occupy extreme ideas of masculinity. Being a skinny little kid who was into the arts, it was always trying to find where I felt confidence in my boyhood, into manhood. Now, when it comes to fashion, I love using it as a tool to just express different energies—the yin and the yang, the mother and the father, the masculine and the feminine.”

    Apple Music’s Spa playlist

    Given his hectic travel schedule—jetting off to Paris Fashion Week one day, flying back to New York for a Broadway performance the next—Pope has developed several methods for creating comfort on the go. One of his go-to moves is spacing out to Apple Music’s Spa playlist. “It’s giving me spa as I’m in the air,” he says, laughing. “I don’t know what it is about just sleeping with the spa music… I need the massage part, but it gets me in the zone, you know what I mean?”

    The Wiz

    Another thing Pope loves to do while flying? Rewatching Sidney Lumet’s classic 1978 film The Wiz, starring Diana Ross and Michael Jackson. “It’s the Black people version of The Wizard of Oz,” he says. “It’s now on Netflix. There’s something about that movie—give it to Ms. Ross and Mr. Jackson. It’s just this iconic, feel-good, nostalgic movie. It has this Afro Harlem, New York feel.”

    Persol shades

    The night we meet, Pope is the guest of honor at the launch of Persol’s newest collection. Given the Italian eyewear label’s long-held association with iconic leading men—from Paul Newman to Steve McQueen—its alignment with a Black, queer actor like Pope seems like a clear salute to Hollywood’s more diverse future. “That’s where we’re at right now,” Pope says. “I love that they were down to call me.”

    [ad_2]

    Raymond Ang

    Source link

  • Restaurant Legend Mr. Chow Built Temples of Fame Where Art Came First

    Restaurant Legend Mr. Chow Built Temples of Fame Where Art Came First

    [ad_1]

    Just seconds before this interview is supposed to start, I panic. How am I supposed to address the person I’m talking to? He was born Zhou Yinghua, and took the name Michael Chow when he moved to the U.K. as a young man, but I’ve never heard anybody call him either of those names. People in his orbit famously refer to him simply as M, but the optimal word here is “famously”— I don’t think I quite rank with Chow’s famous friends past and present, like David Hockney, Michael Caine, or Jean-Michel Basquiat, so I’m uncomfortable just using the letter. I go with the third option, addressing him as Mr. Chow—but even that makes me feel a little strange, because that’s the name of the string of restaurants he began opening in the 1960s, always in the right place at the right time.

    As it turns out, none of this matters to the man I’m about to speak to.

    “I don’t even know who the fuck Mr. Chow is. I’ve never heard of him. I don’t know who the fuck I am. I still think I’m nobody,” he says before pausing. “Not nobody. That’s not true, but I’m not conscious of that shit.”

    The new HBO documentary AKA Mr. Chow, which premieres this Sunday, is a look at Chow’s life and times, his philosophies, and the decades he’s spent blurring the lines between art and dining at his restaurants in London, Beverly Hills, and Manhattan. When Chow made his way to America in the 1970s, Chinese food was supposed to be inexpensive. It was served in paper oyster pails that you’d take home to eat, and what you got when you opened up the white boxes often didn’t resemble anything they served in China. Chow’s goal was to elevate the cuisine of his homeland. Instead of the chop suey or General Tso’s chicken that Americans were familiar with, he gave customers Peking duck pancakes, a quail’s egg fried in shrimp toast, and noodles—pulled in-house and tossed with bits of pork, cucumber, and a little hot sauce. Reviews from the era suggest diners typically paid about $20 a person before tax, tip, or cocktails– or about $87 in 2023 currency.

    For the people who frequented his restaurants, the food—which generally earned mixed reviews—was never the point, nor was the price. It was never about going there because you had to try the minced squab nested in lettuce leaves; it was about eating it off of plates designed by Cy Twombly. You didn’t decide to dine there because you wanted a quiet meal; you hoped to be in the same room as Jack Nicholson, Julian Schnabel, Tina Brown, or any of the other famous people that Mr. Chow has counted among its patrons over the years. If you used matches from the restaurant to light your cigarette, you struck a matchbook with art by Ed Ruscha. If you were somebody people talked about, or you at least wanted to be associated with those people—in swinging ‘60s London, the Hollywood of the Easy Riders, Raging Bulls era, or New York during the neo-expressionism boom—all roads led to Mr. Chow, a place subsequently name-checked as shorthand for luxury by everyone from Steely Dan to Jay-Z.

    But as the documentary shows, there’s a lot about the famous restaurateur that most of us didn’t know or consider. It shows Chow the personality as well as Chow the boss, Chow the painter, and Chow the immigrant. Everybody from art world maven Jeffrey Deitch to Grace Coddington—ex-wife number one—shows up to talk about him. But the documentary also explores the more painful experiences Chow has dealt with over the years, from the racism he faced as a Chinese man moving to the West to the AIDS-related death of his second wife, Tina Chow.

    [ad_2]

    Jason Diamond

    Source link

  • How That Steel-Band 50 Cent Cover Ended Up in ‘Anatomy of a Fall’

    How That Steel-Band 50 Cent Cover Ended Up in ‘Anatomy of a Fall’

    [ad_1]

    In the opening scene of Anatomy of a Fall, which took home the Palme d’Or at this year’s Cannes film festival, author Sandra (Sandra Hüller) is being interviewed about her work by a young student. Then they’re interrupted, as Sandra’s husband Samuel (Samuel Theis) starts blasting music, replaying one song over and over. And not just any music– a cover of 50 Cent’s “P.I.M.P.”, by Bacao Rhythm & Steel Band.

    The song ends up being central to the story of the film, in which Sandra’s husband ends up dead, having fallen from the roof of their chalet, and she is charged with his murder. He was clearly trying to annoy her by bumping this track. But did they argue before he plunged to his death? And could their son hear over the steel drums?

    Another question: So how did this version of “P.I.M.P.”—a German funk ensemble’s jaunty steel-drum-accented take on a Caribbean-inflected 2000s rap classic—end up being so central to a French art film that conquered the Croisette? For starters, it wasn’t the filmmakers’ first choice. Director Justine Triet says she and co-writer Arthur Harari originally planned on Dolly Parton’s “Jolene” being the song that derails Sandra’s interview. They had even written an analysis of Parton’s lyrics into the courtroom scenes. But about a month before shooting, they realized they couldn’t get the rights. “We were really disappointed at the beginning,” Triet says.

    Forced to abandon her first choice, Triet eventually landed on Bacao Rhythm & Steel Band’s cover of “P.I.M.P.,” from the group’s 2016 debut album 55. She was already a fan, and had been listening to it consistently for years. The song had to represent Samuel—who the audience only sees in flashbacks after he’s dead—and Triet thought it would be appropriate that he picks a relatively obscure cover that still keeps the “essence of the tune.” You can see how someone like Samuel—a teacher and wannabe writer who probably thought of himself as pretty cool—would be drawn to this version.

    “I think the song is aggressive because we hear it a lot of times,” Triet says. “But it’s quite funny at the same time, no?”

    In death, Samuel has a way of putting Sandra in absurd situations that play out as grimly funny onscreen. When the investigators are trying to reenact the discussion she and Samuel might have had before his fall to see if their son could have possibly discerned their tone, “P.I.M.P.” is played again and again.

    Later, when Sandra is on trial, the prosecutor suggests that she might have had motive to murder Samuel because of the misogynistic lyrics. Her defense points out that it was an instrumental version. As soon as Triet and Harari knew that “P.I.M.P.” was going to be in the film, they knew they were going to have someone try to use it against Sandra, assuming she would be somehow triggered by the context behind the beats. “It’s very famous,” Triet says, adding that everyone knows the vixen-filled music video.

    The other major piece of music in Anatomy is a Chopin prelude that Sandra and Samuel’s son, Daniel (Milo Machado Graner), practices repeatedly. Triet liked the juxtaposition between something that sounded more melancholy versus something that was something of a joke for the viewer. As she explains, Chopin is classical, and “P.I.M.P.” is a classic—just in a different way.

    [ad_2]

    Esther Zuckerman

    Source link

  • ‘Killers of the Flower Moon’ Is the Hat Movie of the Year

    ‘Killers of the Flower Moon’ Is the Hat Movie of the Year

    [ad_1]

    Killers of the Flower Moon is an indisputable Martin Scorsese masterpiece. As the legendary director grapples with his own mortality, he’s put out one of the finest films of his career, one that characteristically muses on similarly heavy themes: greed, corruption, betrayal, colonialism, violence. Based on the 2017 David Grann book of the same name, Killers of the Flower Moon tells the little-known story of the Osage murders in 1920s Oklahoma and the formation of the FBI. See, the Osage Nation had the foresight to maintain mineral rights on their land so, when oil was discovered, it made them fabulously wealthy. It also made them the target of a vast murder plot by their white neighbors.

    I had eagerly been anticipating this movie since it was announced, an anticipation that only grew stronger when presented with the one single still that was available and then, each subsequent trailer. Something else I instantly clocked in the trailer? A cavalcade of hats, each bigger and more beautiful than the last. This was not false advertising, but merely a small sampling of the reality: I can confirm that all three hours and 26 minutes of Killers of the Flower Moon are absolutely teeming with hats.

    This film was costume designer Jacqueline West’s first time working with Scorcese (who, it must be noted, is no stranger to wild hats). “Few directors are as conversant about clothes,” she told me. “He really has incredible taste in clothing, and a wonderful Italian eye. It’s in his blood.”

    She floated two Westerns to the director when explaining what her influences would be: 1926’s The Winning of Barbara Worth and 1948’s Blood On The Moon.

    Of course, hats were a practical necessity in 1920s Oklahoma, to protect from the sun—these guys didn’t have any Supergoop SPF—and rain when working outdoors. But, more than that, West said, “the hats were meant to be there to tell a story.”

    More than 300 hats were created for the movie. The principal actors’ hats—Leonardo DiCaprio as Ernest Burkhart and Robert DeNiro as his uncle, William Hale, for instance—were made by Jack Scholl at Weather Hats in Belle Fourche, South Dakota. (West had a connection to them through her husband, who is a Bullock, as featured in HBO’s Deadwood.)

    [ad_2]

    Gabriella Paiella

    Source link

  • The Texas Rangers Have Embraced Creed with Arms Wide Open

    The Texas Rangers Have Embraced Creed with Arms Wide Open

    [ad_1]

    During the MLB postseason, teams will take any advantage they can get. A seemingly innocuous thing can become a powerful motivating factor. Like, say, the squirrel that dashed across the field during a 2011 Cardinals playoff series, powering St. Louis all the way to the World Series and earning its own Wikipedia page. For the last two years, the himbo Phillies have used the club anthem “Dancing On My Own” (though, sadly, not the original Robyn version) to soundtrack their champagne celebrations. This year, the Texas Rangers have adopted their very own, very specific tunes. They are being taken higher, to a place with golden streets. That’s right: they’re getting pumped up by listening to Creed.

    Creed, for the uninformed, is a band of Florida men who made extremely popular music in the late ‘90s and early 2000s. And facts are facts: the 2023 Rangers, who are on the cusp of a World Series appearance, possibly would not be in this position if not for Creed. But, to put it as bluntly as possible, Creed is not exactly relevant anymore—and they’ve long been the butt of jokes in the music world. While their turn-of-the-century banger “With Arms Wide Open” won them a Grammy for Best Rock Song, it is also older than Rangers’ left fielder Evan Carter, who was born in 2002—and revealed that the Rangers now have Creed-related handshakes. So, how did the Rangers end up appreciating the lyricism of lead singer Scott Stapp? Let shortstop Corey Seager explain.

    “It’s something to bond over,” Seager told the Fort Worth Star-Telegram. “That’s the hard thing about teams, right? You have people coming in and out. How do you gel? How do you come together? How do you fight for each other? You find little ways on different teams, and that’s one of our ways.” Sure! The entire Rangers’ universe seems to be on board with this. Earlier in the postseason, as the Rangers were sweeping aside the overmatched Baltimore Orioles, their entire stadium took part in some Creed karaoke.

    X content

    This content can also be viewed on the site it originates from.

    [ad_2]

    Matthew Roberson

    Source link

  • The Paul Hollywood Fandom is the Thirstiest Fandom

    The Paul Hollywood Fandom is the Thirstiest Fandom

    [ad_1]

    The Great British Baking Show has returned to Netflix, officially marking the end of summer. But for a certain demographic of Instagram and Facebook users, judge Paul Hollywood is always in season. In the tent, the silver-haired, 57-year-old bread expert strikes fear and doubt into the hearts of contestants. But online, his baking tips and advice appear to provoke a different emotion: abject horniness.

    Hollywood maintains an active presence across Instagram and Facebook, where he has 585,000 and 525,000 followers respectively. On both platforms, the baker will valiantly attempt to post a recipe or an earnest update about his professional life, and someone (typically a middle-aged woman with a cartoon rabbit sipping tea as her profile picture) will comment “you can knead my biscuits any time” under her full government name.

    Scroll through the comments on any Hollywood social media post, and you’ll find endless fawning over the judge’s piercing eyes (“Mesmerizing blue eyes! Handsome!”) alongside absolutely feral declarations of lust (“He can eat his way around me if he likes”) that could easily be dismissed as the spammy ravings of Instagram sexbots were they not attached to profiles of real women, most of whom appear to have husbands and/or children.

    If you, like me, figured this thirstiness must be a holdover from something Hollywood did earlier in his career—because it certainly doesn’t make sense when applied to the Paul Hollywood we see on the show—you’d be wrong. Hollywood has been a judge on The Great British Baking Show (known in its home country as The Great British Bake-Off) and its various offshoots for the past thirteen years. He’s been the sole fixture among an otherwise ever-shifting cast of hosts and other judges. While he co-hosted shows on Carlton Food Network and Taste CFN prior to this, he was best known for his cookbooks, and before that worked at a number of prominent bakeries.

    That being said, his lothario reputation is not entirely unearned. In 2013, Hollywood’s affair with Marcela Valladolid– his co-star on American Baking Competition, an early, ill-fated U.S. Bake-Off spin-off—resulted in his (first) split from then-wife Alex Hollywood. After a brief reconciliation, the two divorced for good in 2019. “My own marriage was too over seasoned with extra marital affairs for my taste,” Alex later wrote on Instagram, “and so I opted out and chose the single menu instead.”

    [ad_2]

    Kate Lindsay

    Source link

  • Heartstopper’s Kit Connor Proves Everyone Looks Better in a Carhartt Jacket

    Heartstopper’s Kit Connor Proves Everyone Looks Better in a Carhartt Jacket

    [ad_1]

    Heartstopper breakthrough Kit Connor has, unsurprisingly, got the world’s biggest brands calling. After a slew of left-field fits in Loewe, he likely has creative director Jonathan Anderson on speed dial. He’s a fan of Chinese-born, London-based designer Feng Chen Wang. There are too many nice suits from Scandi brand Acne Studios to mention. But for all the exclusive fresh-off-the-runway designs, he’s got a deep-rooted love for a brand that every guy can get their hands on: Carhartt. And listen: nothing says Big Fit™ like Carhartt.

    Dave Benett

    This week, Connor attended the premiere of Black Dog during the 67th BFI London Film Festival in support of his mate Georges Jacques. It was a red carpet gig, sure. But the 19-year-old dressed down in a muted fit made up of a Carhartt chore jacket, emblazoned with the brand’s offshoot WIP branding on the left breast and a molecular logo that reads ‘89: a reference to the sub-label’s birth year. Paired with clean black slacks (probably Carhartt too) and beater sneakers, it was a simple look executed exceptionally well.

    This isn’t the first time that Connor has gone down the Carhartt trail. He’s tapped into the curious case of the sudden Carhartt boom alongside the likes of Justin Bieber, Channing Tatum, Austin Butler and Kaia Gerber. Earlier this year, he linked up with his Heartstopper castmates for a little reunion in London’s Covent Garden. And yes, there was a Carhartt-heavy fit. Where his mates wore rainbow flags and shorts, he wore a washed-out navy jacket to London Pride with a pair of jeans. He’s worn black Carhartt zip-ups to other premieres. And his on-screen character Nick has his own tan Carhartt zip-up.

    It’s Normal Guy stuff. Because, aside from being one of the UK’s most recognizable 19-year-olds, Connor is just a normal guy who likes to dress like one in the stuff that always looks good. Connor told British GQ last year that he was “finding that fashion can be used as a suit of armour,” and it seems his Carhartt jacket is just that.

    This story originally appeared on British GQ with the title “Kit Connor is a dyed-in-the-wool, card-carrying Carhartt guy”

    [ad_2]

    Zak Maoui

    Source link

  • We’re Nearing Opinion Overload

    We’re Nearing Opinion Overload

    [ad_1]

    GQ columnist Chris Black enjoys chasing the conversation as much as the next Twitter power user. But more and more, he writes, civilians and celebrities alike are exercising their posting fingers when they should be exercising a little restraint.

    [ad_2]

    Chris Black

    Source link

  • John Mulaney Is Keeping the Skinny Suit Dream Alive

    John Mulaney Is Keeping the Skinny Suit Dream Alive

    [ad_1]

    John Mulaney loves a suit. The comedian retired his on-stage hoodies and flannels sometime around 2010 and has never looked back. Since then, it’s been one well-tailored ensemble after another, from his stand-up specials and Saturday Night Live monologues to late-night guest appearances and beyond. And throughout the years, the cut of Mulaney’s suits has stayed as trim and neat as a pin—even in 2023, a year where the big suit has reigned supreme, he’s stuck to his slim-cut guns.

    Mulaney leaving The Late Show in his slick black suit—no tie necessary.

    Jason Howard/Bauer-Griffin

    You’d think a celebrity with access to professional stylists and designer threads might be tempted to dip their toes in the slouchy suit waters, but not Mulaney. On The Late Show last week, he appeared in an immaculate black two-piece. It looked like could’ve worn at any point in the last 10 years—sharp and slim but not suffocating. However, there were a few subtle signals that Mulaney’s sartorial habits have evolved. “So…didn’t shave. No tie. You’ve changed,” quipped Stephen Colbert. “This is not the John Mulaney I remember.” It’s an astute observation from the host. Yes, Mulaney mostly looked and dressed as he had many times before, but the details were different.

    [ad_2]

    Tyler Watamanuk

    Source link