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  • Megan Thee Stallion to Star in Moulin Rouge! on Broadway

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    Megan Thee Stallion has joined the cast of Moulin Rouge! The Musical on Broadway. For eight weeks beginning in March, she’ll take on the mononymic role of Zidler—changed from Harold Zidler—the proprietor of the Moulin Rouge cabaret and the show’s de facto narrator.

    A statement obtained by The New York Times says that “a hint” of Megan Thee Stallion’s music will be added to Moulin Rouge!’s jukebox score, which spans 70 songs by the likes of Rolling Stones, Outkast, and Britney Spears. Boy George and Bob the Drag Queen have both previously played Howard Zidler on Broadway.

    In 2024, Megan Thee Stallion put out her album Megan and its deluxe version, Megan: Act II. She dropped the one-off singles “Whenever” and “Lover Girl” last year.

    Read about Megan Thee Stallion in The 200 Most Important Artists of Pitchfork’s First 25 Years.

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    Walden Green

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  • Metallica Confirm Life Burns Faster Residency at Sphere

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    After months of speculation, Metallica has confirmed a new residency at Sphere. The Las Vegas venue will host the metal band’s Life Burns Faster shows across eight dates: October 1, 3, 15, 17, 22, 24, 29, and 31. Check out their full 2026 tour itinerary below.

    “About 12 seconds into the opening night of Sphere with U2 back in ‘23, I thought ‘We have to do this, it’s completely uncharted territory!” drummer Lars Ulrich said in a statement. “This residency gives us another chance to reinvent how we interact with our fans in a live setting. We are beyond excited to share this with the world in six months time, and way fuckin’ psyched to go next level!”

    The residency will continue Metallica’s No Repeat Weekends tradition—where no two songs are repeated during Thursday and Saturday performances—that launched with the start of their M72 World Tour in 2023. In May, another European leg of the tour will start up again, with Metallica playing dates in Frankfurt, Glasgow, Zürich, and more.

    Revisit Pitchfork’s review of Load (Remastered Deluxe Box Set).

    Life Burns Faster: Metallica at Sphere

    Metallica 2026 Tour:

    05-22 Frankfurt, Germany – Deutsche Bank Park
    05-24 Frankfurt, Germany – Deutsche Bank Park
    05-27 Zürich, Switzerland – Stadion Letzigrund
    05-30 Berlin, Germany – Olympiastadion
    06-03 Bologna, Italy – Stadio Renato Dall’ara
    06-11 Budapest, Hungary – Puskás Aréna
    06-13 Budapest, Hungary – Puskás Aréna
    06-19 Dublin, Ireland – Aviva Stadium
    06-21 Dublin, Ireland – Aviva Stadium
    06-25 Glasgow, Scotland – Hampden Park
    06-28 Cardiff, Wales – Principality Stadium
    07-03 London, England – London Stadium
    07-05 London, England – London Stadium
    10-01 Las Vegas, NV – Sphere
    10-03 Las Vegas, NV – Sphere
    10-15 Las Vegas, NV – Sphere
    10-17 Las Vegas, NV – Sphere
    10-22 Las Vegas, NV – Sphere
    10-24 Las Vegas, NV – Sphere
    10-29 Las Vegas, NV – Sphere
    10-31 Las Vegas, NV – Sphere

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    Kiana Mickles

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  • Watch Baby Keem Get Scammed in “Birds & the Bees” Video

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    Baby Keem just dropped a music video for “Birds & the Bees,” a new track off the rapper’s latest album, Ca$ino. Directed by Jack Begert, the short stars Keem along with content creator Desmond Johnson as a mime and KATSEYE’s Lara Raj as a scamming love interest. Watch it below.

    Ca$ino is Keem’s second studio album and features contributions from his cousin Kendrick Lamar and Too $hort. Starting in April, Keem will celebrate the project’s release with an international tour making stops in major cities across North America and Europe.

    Read Pitchfork’s track review of “Good Flirts.”

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    Kiana Mickles

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  • Wednesday’s Karly Hartzman, Hayden Pedigo, June Chikuma, More Join NTS Radio as Residents

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    NTS Radio has revealed its next batch of residents joining the global radio station this spring. Wednesday singer-guitarist Karly Hartzman will host her Prison Divorce Bombshell show featuring ambient, experimental, and indie rock; Texas guitarist Hayden Pedigo is leading Amarillo on Everything where he’ll play country, electronica, and beats; and celebrated video game composer June Chikuma will spin DnB, electronics, and IDM.

    Over a dozen other artists have been tapped to step in as NTS Radio residents as well, including Chanel Beads, Sally Shapiro, Jennifer Walton, and the Femcels. Also joining the ranks are Abdullah Miniawy, Adam Curtis & God Colony, Antropoceno, Blind in 1 Eye, Blindboy Boatclub, Casey MQ, Cynthoni // onumi // .m0lly, Diana Ratsamee, DJ Fine, Edv3ctor, Gustavio Koslowski, ìyáàlù, Jennifer Loveless, Marylou, Miss Sheitana, Mohammad Adam, Rebe, Semir, Shida Shahabi, Troth, Salvatore, and Wes Baggaley.

    Read about Wednesday’s Bleeds and Hayden Pedigo’s I’ll Be Waving as You Drive Away in The 50 Best Albums of 2025.

    Last Night an NTS Radio Show Saved My Life

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    Nina Corcoran

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  • Tame Impala’s Kevin Parker Slept Through His 2026 Grammy Win

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    Tame Impala’s Kevin Parker won his second Grammy earlier this month, taking home the award for Best Dance/Electronic Recording category for the Deadbeat single “End of Summer.” But, as the artist revealed in a recent interview, he missed the whole thing.

    “Look, I’m going to be dead honest with you. I forgot they were even on,” Parker said of the Grammys in a conversation with Mac Demarco for Interview Magazine. “I forgot that I was nominated as well.”

    To Parker’s credit, he’s Australian, and his category was awarded during the Grammy Premiere Ceremony, which airs live from Los Angeles and precedes the main telecast. This year, the Premiere Ceremony kicked off around 12:30 PM PST; that equates to 4:30 AM in Perth, where Parker is based.

    “You have to imagine my confusion,” Parker explained to Demarco, “because in Australia, we wake up and then we find out about what happened in America last night, so my phone has absolutely blown up. I’ve got 30 messages on my phone, all saying congratulations. None of them are saying what for. And I’m like, “What for, motherfuckers?”

    Parker secured his first Grammy in 2025, also for Best Dance/Electronic Recording. He shared the win with Justice, for their song “Neverender.” Last week, Parker announced a 2026 Tame Impala tour, which will stop at arenas across the U.S. and Canada between July and mid-September. Djo and Dominic Fike will trade off support duties.

    Revisit 5 Takeaways From Tame Impala’s New Album Deadbeat.

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    Hattie Lindert

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  • How to Change Your Artist Photo on Wikipedia

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    On Wednesday (February 18), Mike Hadreas, the artist better known as Perfume Genius, posted a desperate plea on X: “Can someone please change my Wikipedia pictures? How do you do it? It’s haunted me for years.” What was then his artist photo dated back nearly a decade to 2017. (Hadreas’ frequent collaborator Blake Mills also caught a stray).

    Musicians have long suffered in silence at the capricious whims of Wikipedia editors. Artist photos on the site are almost always out of date, unflattering, or both. And Hadreas isn’t the only one speaking up. Swedish pop star Zara Larsson is apparently locked in a cold war with one user who keeps swapping out the photo on her page. In a new TikTok, Larsson addressed the rogue editor directly, vowing that “I will never stop changing that picture to a nice one. I will never stop.”

    Larsson’s page—like those of many high-profile artists—falls under what’s called extended confirmed protection, which restricts public editing. So while Hadreas was able to enlist one of his X followers to do away with what he called the “corpse in red lipstick,” Larsson would have required the assistance of a high-level Wiki user (someone who’s made at least 500 edits) or site administrator.

    Whether you’re a musician who cringes every time you Google yourself or a stan who knows your fave deserves better, here are several ways to change an artist photo on Wikipedia. Just be sure the image is freely licensed, which means you either took the picture yourself or you have the express permission of whoever took it.

    Via Social Media: Post a suitable picture on Instagram, X, Facebook, or another social media platform with a licensing statement in the caption. The Creative Commons Attribution-ShareAlike 4.0 International licence (CC BY-SA 4.0) ensures that you’re still credited in all future uses. Or you can cite Creative Commons Zero Public Domain Dedication 1.0 to release the photo completely into the public domain.

    Via Email: Submit a suitable picture via photosubmission@wikimedia.org, alongside a statement confirming that you own the copyright on the image and a specific licensing agreement (Wikipedia recommends CC BY-SA 4.0. If you don’t own the copyright to the photo you want to use, whoever owns the rights—usually the photographer, unless ownership has been transferred—should send in the release statement instead.

    Via Wikimedia Commons: Start by creating a Wikimedia Commons account, or logging in to Wikimedia Commons with a pre-existing Wikipedia account. Click “Upload file” on the left-hand menu, and fill out the upload form. Once you’ve uploaded a suitable picture, you can crop it and add a caption. Go to the page you want to update and click “Edit” in the top-right corner. In the edit window, look for “Infobox musical artist,” then delete whatever’s listed under “image.” Replace that text with the file name of the photo you uploaded, then scroll down and click “Publish changes.” (To be a good Wikipedia samaritan, you should also write an edit summary describing what you changed and why.)

    Via the Talk Page: Click “Talk” in the top left corner of the artist page. Go to “Add topic,” and make a post with the subject “Photo Edit Request.” Link out to another suitable picture anywhere else on the web, confirm that you’re the rights holder, and include one of the above licensing agreements. Help should soon be on the way.

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    Walden Green

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  • Rostam Premieres Original Version of Vampire Weekend’s “Campus”

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    Rostam is revisiting his Vampire Weekend days with the release of the original “Campus,” a fan-favorite B-side off VW’s acclaimed 2008 self-titled debut. You can hear the new/old version below.

    Rostam first recorded “Campus” in 2005 at Columbia University, a few months before the band’s founding. “Ezra wrote pretty much all of the lyrics on our debut album, but this song was an exception,” he said in a statement. “I was interested in creating a piece of music that was built around a cello, a kick drum, and a vocal that told a story. Robyn’s ‘Be Mine’ was an inspiration. From the first time we tried playing it as a band with rock instruments, it happened to work. That was a happy accident, but I always intended for this original version to see the light of day someday.”

    In a mini-doc about the song’s making, Rostam added that “Campus (Original Version)” is dedicated to students who have been protesting at Columbia and around the country. The single is also being released as a limited-edition 7-inch; fifty-one percent of the proceeds will be donated to Non-Profits Palestine Legal, CHIRLA, Palestine Children’s Relief Fund, and Sudanese American Physicians Association.

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    Alex Suskind

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  • Casey Wasserman to Sell Agency Amid Epstein Files Backlash

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    Note: This article contains descriptions of alleged sexual misconduct.

    Casey Wasserman is selling his eponymous talent agency, per the Wall Street Journal. The move arrives after the Wasserman Group founder and CEO’s name appeared in the Jeffrey Epstein files, prompting calls for his resignation and the departure of artists including Chappell Roan, Wednesday, and Weyes Blood from his firm.

    Wasserman reportedly announced the sale on Friday (February 13) in a memo to staff, noting that he had “become a distraction” to Wasserman Group’s work. Longtime agency executive Mike Watts will lead day-to-day operations going forward, while Wasserman, who is the chairman of the 2028 Los Angeles Olympics, focuses on planning the games.

    “I’m deeply sorry that my past personal mistakes have caused you so much discomfort,” the memo, reviewed by the New York Times, read. “It’s not fair to you, and it’s not fair to the clients and partners we represent so vigorously and care so deeply about.” Pitchfork has reached out to Wasserman and the agency for comment.

    The Department of Justice released the files containing Casey Wasserman’s name on January 30, after which he issued an initial apology. The documents revealed flirtatious emails between Wasserman and Ghislaine Maxwell and details of a 2002 flight Wasserman took to Africa on Epstein’s private plane, as part of a humanitarian trip organized by former President Bill Clinton. Maxwell is serving a 20-year federal prison sentence for conspiring with Epstein to sexually abuse minor girls; Epstein died by suicide in a New York jail in 2019 after he was convicted of sex trafficking.

    The revelation of Wasserman’s association with Epstein and Maxwell has triggered significant fallout at his company, with Wasserman-represented artists Bethany Cosentino, Beach Bunny, Water From Your Eyes, and Salute demanding he step down as CEO. “I did not consent to having my name or my career tied to someone with this kind of association to exploitation,” Cosentino wrote. Since the release of the files, Odesza, Orville Peck, Local Natives, Bully’s Alicia Bognanno, Dropkick Murphys, and Chelsea Cutler have all cut ties with the firm.

    Wasserman founded his agency in 2002; the talent management group oversees hundreds of high-profile musicians and sports players, including Kendrick Lamar, Coldplay, Skrillex, and Animal Collective. Last weekend, an artist roster was removed from Wasserman’s website.

    If you or someone you know has been affected by inappropriate sexual behavior, we encourage you to reach out for support:

    RAINN Hotline
    http://www.rainn.org
    1 800 656 HOPE (4673)

    Crisis Text Line
    http://www.facebook.com/crisistextline (chat support)
    SMS: Text “HERE” to 741-741

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    Hattie Lindert

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  • Alex G and the Blue Nile’s Paul Buchanan to Score Jane Schoenbrun Film

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    Jane Schoenbrun’s recently announced third feature, Teenage Sex and Death at Camp Miasma, will include an original score by Alex G and the Blue Nile’s Paul Buchanan, the director has revealed.

    Camp Miasma is the third collaboration between Alex G and Schoenbrun; the singer-songwriter scored their first two films, We’re All Going to the World’s Fair and I Saw the TV Glow. As for Buchanan, outside of co-writing a 2017 Jessie Ware track, the Blue Nile singer has been relatively quiet since the release of his 2012 solo album, Mid Air.

    Starring Hannah Einbinder and Gillian Anderson, Camp Miasma follows a young director tasked with handling the latest chapter of a fictional slasher franchise. But when they go to meet the star of the original movie, “the two women fall into a blood-soaked world of desire, fear, and delirium.”

    In a recent interview, Schoenbrun said, “I make movies I wish existed when I was a kid and Teenage Sex and Death at Camp Miasma is my best attempt at the ‘sleepover classic’: an insane yet cozy midnight odyssey that beckons to unsuspecting viewers from the horror section at the local video store.” Teenage Sex and Death at Camp Miasma hits theaters August 7.

    Read Sam Sodomsky’s Sunday Review of the Blue Nile’s A Walk Across the Rooftops.

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    Alex Suskind

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  • Lemonheads’ Fan Accuses Evan Dando of Sending Unsolicited Explicit Videos

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    Note: This article contains descriptions of alleged sexual misconduct that may disturb some readers.

    A Lemonheads’ fan says singer Evan Dando sent her a series of unsolicited, sexually explicit videos via X. After the story was broken on Tony Ortega’s The Underground Bunker—a blog that typically focuses on exposing Scientologists—a representative for Dando issued the following statement: “Evan Dando has long struggled with mental health issues dating back to his childhood. He’s been admitted to a local hospital where he’s receiving comprehensive help from experienced doctors and mental health professionals.”

    A woman pseudonymously identified as Dawn told Ortega that she used to tweet “back and forth” with Dando, usually about art. Last October, when the Lemonheads released Love Chant, Dawn says she sent Dando a congratulatory message. He did not reply until February 4, according to a screenshot of the messages on the blog, which Pitchfork is unable to independently verify. The note reads, “Cool I’m sorry I’m an exhibitionist.”

    Dawn’s response is shown in the image: “Don’t ever apologize for being you, my friend. Always be unapologetic. And you.”

    The following morning, Dawn says she awoke to several more messages from Dando, including a request to send “an art photo.” Dawn says this was followed by a video: “It’s him sitting in a basement or something, and he’s fully masturbating. You can see his penis, and his face. It’s definitely him. He’s filming it from a weird angle.” A day after opening the first video, Dawn received a new one, also of Dando masturbating. Dando then sent a message stating, “Ok sorry thanks I just need an outlet Cheers.”

    “I’ve never felt anger like that,” Dawn told Ortega. “Don’t call me an outlet, that’s gross.”

    Dando previously wrote about his history of drug addiction and mental illness in his 2025 memoir Rumors of My Demise.

    If you or someone you know has been affected by inappropriate sexual behavior, we encourage you to reach out for support:

    RAINN Hotline
    http://www.rainn.org
    1 800 656 HOPE (4673)

    Crisis Text Line
    http://www.facebook.com/crisistextline (chat support)
    SMS: Text “HERE” to 741-741

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    Jazz Monroe

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  • Doechii, Kacey Musgraves Celebrate Bad Bunny’s Super Bowl LX Halftime Show

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    In the wake of Bad Bunny’s momentous halftime show at Super Bowl LX on February 8, musicians, politicians, and many others are giving the Puerto Rican artist his flowers.

    On X, New York City Mayor Zohran Mamdani wrote, “NUEVAYoL” alongside the Puerto Rican flag emoji, while Mavi remarked: “this shit hard im finna stop speaking English actually fuck English.” The Marías expressed some Puerto Rican pride, writing: “boricuaaaa.” Rauw Alejandro posted about the many Latin genres and dance styles Bad Bunny included in the show. He wrote, in Spanish: “Long live the BOMBA, the PLENA, the SALSA, the HIPHOP and above all LONG LIVE REGGAETON.” Ben Stiller also congratulated him, posting: “Incredible Half time show Bad Bunny.”

    Kacey Musgraves pointedly called out the conservative non-profit Turning Point USA’s “All-American Halftime Show,” which streamed on YouTube at the same time as Bad Bunny’s performance and featured Kid Rock. “Well. That made me feel more proudly American than anything Kid Rock has ever done,” Musgraves wrote.

    Doechii, who made her own appearance at the Super Bowl in an ad for Levi’s jeans, posted on X: “Bad Bunny WOW ! Fucking, WOW. History.” On Threads, Kerry Washington echoed the sentiment, sharing: “I don’t know if I’ll ever recover from that… WHAT👏🏾A👏🏾SHOW👏🏾.” SG Lewis said: “Holy shit that was the best half time show I’ve ever seen” and Monte Booker concurred, posting: “one of the best half times.” Nick León also supported the artist, writing: “Love bad bunny forever.” Nancy Sinatra felt similarly, quoting a post from Lynda Carter about Bad Bunny with: “Love him.” John Mellencamp added, “I don’t know what Bad Bunny is saying, however, I do know he is standing up for Puerto Rico and I am standing up for him. His half time show was great.”

    Bad Bunny’s halftime show was a love letter to Puerto Rico and Latinx communities around the world with ambitious set design and many, many special guests. Artists who joined him included Lady Gaga (with whom he salsa danced), Ricky Martin, Karol G, Young Miko, and Cardi B. The performance capped off a huge week for Bad Bunny, who also won Album Of The Year for Debí Tirar Más Fotos at the Grammys on February 1.

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    Hattie Lindert

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  • Watch Mariah Carey Perform at Milan 2026 Olympics Opening Ceremony

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    Mariah Carey took part in the opening ceremony at the 2026 Olympic Winter Games in Milan, Italy. She sang a medley of Domenico Modugno’s Italian standard “Nel Blu, Dipinto di Blu,” commonly known as “Volare,” and “Nothing Is Impossible,” from her own 2025 album Here for It All. Watch clips of her performance on YouTube and TikTok.

    Legendary Italian tenor Andrea Bocelli also took take the stage during today’s ceremony, singing the aria “Nessun Dorma”. Carey has recently been honored with both the Video Vanguard Award at the 2025 MTV VMAs and MusiCares’ Person of the Year at the 2026 Grammys. In December, her modern Christmas staple “All I Want for Christmas Is You” became the longest-running No. 1 song in U.S. chart history.

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    Walden Green

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  • Bethany Cosentino Calls on Wasserman CEO to Step Down Over Epstein Emails

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    Note: This article contains descriptions of alleged sexual misconduct.

    Bethany Cosentino has shared an open letter calling on Casey Wasserman—the founder and CEO of her agency, Wasserman—to step down after his name and old emails appeared in the Jeffrey Epstein files. The documents, released by the Justice Department on January 30, contain intimate messages exchanged by Wasserman and Ghislaine Maxwell, Epstein’s longtime companion, throughout 2003, per The New York Times. In 2021, a New York court convicted Maxwell of conspiring with Epstein to recruit and sexually traffic minor girls; she is currently serving a 20-year sentence in federal prison.

    Wasserman Music has represented Cosentino and her band Best Coast since 2021. In her statement, Cosentino demanded Wasserman change its name, and said she has requested to remove both her and Best Coast’s names from the agency’s website. “Ghislaine Maxwell is not a neutral character in a messy story—she is a convicted sex trafficker who helped facilitate the abuse of minors,” Cosentino wrote. “I did not consent to having my name or my career tied to someone with this kind of association to exploitation.” (Pitchfork has reached out to Wasserman, his agency, and Cosentino for comment.)

    Cosentino described her statement as a “refusal to continue lining the pockets of people so closely tied to shady business and toxic, deeply harmful people.” She added: “Artists are not interchangeable assets. We are people. Many of us are women. Many of us, myself included, are survivors. We deserve systems that let us work without asking us to compromise our values in exchange for opportunity.”

    In his own statement to the press, shared on February 1, Wasserman said: “I deeply regret my correspondence with Ghislaine Maxwell which took place over two decades ago, long before her horrific crimes came to light. I never had a personal or business relationship with Jeffrey Epstein. As is well documented, I went on a humanitarian trip as part of a delegation with the Clinton Foundation in 2002 on the Epstein plane. I am terribly sorry for having any association with either of them.”

    Per Variety, Wasserman’s communication with Maxwell included an email where Maxwell offers to give Wasserman a massage, and another where Wasserman writes to her: “I think of you all the time. So, what do I have to do to see you in a tight leather outfit?” The files indicate that Wasserman and Maxwell remained in contact after a September 2002 flight to Africa, which former president Bill Clinton reportedly organized to conduct HIV research. A 2003 Vanity Fair report noted that Epstein, Maxwell, Wasserman, billionaire Ron Burkle, Kevin Spacey, and Chris Tucker were among those on board.

    Wasserman founded his eponymous talent management company in 2002, and launched Wasserman Music in 2021. Wasserman Group oversees hundreds of high-profile musicians and sports players; artists currently on the roster include Kendrick Lamar, Coldplay, Skrillex, Chappell Roan, Animal Collective, Wet Leg, the Knife, and Geese. Wasserman is also the chairman of the planned 2028 Summer Olympics in Los Angeles. During a press conference on February 4, International Olympic Committee President Kirsty Coventry said she had “nothing to add” to Wasserman’s statement on the files, per the Los Angeles Times.

    In 2024, Billie Eilish and her brother Finneas left Wasserman Music for WME shortly after a Daily Mail report alleged Wasserman had engaged in inappropriate relationships with multiple female subordinates. Wasserman and his company did not comment on the allegations at the time.

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    Hattie Lindert

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  • RCA Relaunches Jive Records

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    RCA is reviving Jive Records as a standalone label, the company announced today (February 3). Former UnitedMasters executives Mike Weiss and David Melhado will serve as co-presidents of the revamped imprint. They’ll run operations from Sony Music’s New York City headquarters.

    The announcement comes more than a decade after RCA shut down Jive, along with Arista Records and J Records. All three labels were dissolved into RCA’s roster in the wake of Sony’s 2008 merger with BMG, RCA’s parent company. RCA relaunched Arista as a standalone imprint in 2018.

    Founded in 1981 by Clive Calder, Jive was run by Barry Weiss—Mike Weiss’ father—from 1995 through 2011. The younger Weiss, who joined the imprint in 1982, helped build Jive into an incubator for prominent 1990s rap acts like A Tribe Called Quest, DJ Jazzy Jeff, and Boogie Down Productions. Jive also went on to make a name in the pop space. During its peak commercial years in the late ‘90s and early 2000s, it was home to artists including Britney Spears, Aaliyah, *NSYNC, the Backstreet Boys and Usher. BMG bought Jive in 2002.

    “JIVE Records is deeply personal to me–it shaped entire generations and the way I learned this business,” Mike Weiss shared in a statement. “Relaunching this iconic label with David allows us to carry forward JIVE’s legacy of creative and operational excellence while proving that major labels can deliver both innovation and fairness for artists.”

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    Hattie Lindert

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  • Watch Cardi B Perform “Bodega Baddie” and “ErrTime” on Saturday Night Live

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    Cardi B was the musical guest on Saturday Night Live last night (January 31), performing “Bodega Baddie” and “ErrTime” off her 2025 album Am I the Drama? On “Bodega Baddie,” the Bronx rapper was joined by renown Dominican accordionist El Prodigio. It was Cardi’s first time performing on SNL since 2018. You can watch both performances below, as well as a Cardi cameo in a sketch alongside Marcello Hernandez and host Alexander Skarsgård.

    “It’s such a honor for me to perform on one of the most prestigious stages in America…SNL with THEE @elprodigiord !” she wrote on Instagram following her performance. “Bringing real Dominican sound, real Dominican culture, infused with the sounds and culture of the Bronx!”

    Cardi will spend the next two months on the Little Miss Drama arena tour, her first since 2019. It kicks off February 11 in Palm Desert, California.

    The musical guests on Saturday Night Live’s 51st season so far have included Geese, A$AP Rocky, Doja Cat, Sabrina Carpenter, Brandi Carlile, Olivia Dean, Dijon, Lily Allen, and Cher. Bad Bunny also hosted an episode. Mumford & Sons are the musical guest on the next episode, airing February 28, with Connor Storrie set to host.

    Read more about Cardi B in Pitchfork’s the 100 Best Songs of the 2020s So Far.

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    Alex Suskind

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  • Wynton Marsalis, Jazz at Lincoln Center Founder, Steps Down

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    Wynton Marsalis is leaving Jazz at Lincoln Center after over 30 years as its artistic and managing director.

    The organization announced Marsalis’ departure today (January 27), confirming that the influential musician, composer, and bandleader will stay on as artistic director through 2027, then serve in an advisory role through June 2028. He will remain on Jazz at Lincoln Center’s board as a founder “in perpetuity,” and will continue to perform with the ensemble on occasion.

    Marsalis established Jazz at Lincoln Center as a summer concert series in 1987, and oversaw the organization’s move to a dedicated venue, Frederick P. Rose Hall, in 2004. During his tenure, he also helped expand its educational offerings, which include the Essentially Ellington high school band competition and the Let Freedom Swing program for elementary school students. Outside his work with Jazz at Lincoln Center, Marsalis has released over 110 jazz and classical albums and won nine Grammy Awards. In 1997, his oratorio Blood on the Fields became the first jazz composition to win the Pulitzer Prize for Music.

    Ahead of Marsalis’ departure, Jazz at Lincoln Center has established two committees to focus on the transition. One will work with him to identify “the next generation of artistic leadership,” and another will spearhead the search for a new executive director, who will replace Greg Scholl when he leaves this June.

    In a statement, Marsalis said: “When we established Jazz at Lincoln Center in 1987, our goal was to build an enduring jazz institution that would both entertain and educate by exposing multi-generational audiences to an often-overlooked aspect of American culture, and I am proud of the tremendous progress we’ve made. Jazz at Lincoln Center and the Jazz at Lincoln Center Orchestra have always been my main artistic priority as a musician and a citizen.”

    “It is time for new leadership to take the institution to even higher ground,” he concluded. “We are rich in emerging, extremely talented, capable, and inspired musicians and advocates. I’m very confident about the future.”

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    Hattie Lindert

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  • Geordie Greep Honors Black Midi Co-Founder Matt Kwasniewski-Kelvin

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    Geordie Greep has shared a tribute to his former bandmate and fellow Black Midi co-founder Matt Kwasniewski-Kelvin, who died on January 12 following “a long battle with his mental health,” according to a statement shared by Kwasniewski-Kelvin’s family. He was 26 years old.

    “He changed my life in more ways than I can ever explain or repay,” Greep wrote in an Instagram post. “Thank you Matt, thank you so much for being my friend. Thank you for helping me in so many ways. Thank you for being brave and courageous enough to believe in the dream we had together, and brave and courageous enough to battle through the awful thing you had to for as long as you did.” You can read Greep’s full statement below.

    Kwasniewski-Kelvin met his future Black Midi bandmates—Greep, Cameron Picton, and Morgan Simpson—as teenagers while attending the a London performing arts institution the BRIT School. The group released their debut album, Schlagenheim, in 2019 on Rough Trade Records.

    Hi all.

    It goes without saying that it’s been a really tricky week. Really, really sad and shit. But I think that it’s important I say something here just to have some record of this time and these feelings.

    I want to say thank you, so, so much, to all of my friends, to everyone we have worked with in music, and to all of the fans for being supportive and kind and thoughtful and gentle. Really thank you all so much, it means more than anything and has really helped. It has been so moving and powerful to see all the tributes and memories shared by all those who know him and all those he inspired. I want to extend all of the warmest thoughts to all of Matt’s family and hope all of you are doing ok.

    It’s really such a sad thing that’s happened. But I have been trying to focus on what a great person he was, what a force for positivity and goodwill, and how much better he made the lives of everyone who knew him. We all loved him so much, we really did. And he will stay with us for the rest of our lives. Even though I haven’t seen him in some years, I thought about him very often, and I always wished and hoped I would one day see him again. There is so much I wish I could say to him. I wish I could say how sorry I am for everything that happened, how sorry I am that he was unlucky enough to be battling such a cruel, unforgiving and persistent illness, how much I miss him and will miss him always, and how thankful I am for everything he did for me.

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    Alex Suskind

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  • Peso Pluma Sets 2026 Dinastía Tour

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    Peso Pluma is gearing up for a Stateside trek this spring. Kicking off in Seattle on March 1, the Dinastía by Peso Pluma & Friends Tour—named for Pluma and Tito Double P’s 2025 collab album—will hit 30 venues across the country. No word yet on which friends will be in attendance, only a promise of a “rotating lineup of special guest appearances…in select cities,” per the announcement.

    Pluma last toured in 2024, in support of his Grammy-winning 2023 album Génesis and its follow-up, ÉXODO. Check out the full list of Dinastía Tour arena and amphitheater dates below.

    You can read more about Peso Pluma in our 2023 column How Regional Mexican Music Became the Year’s Most Refreshing Pop Breakthrough

    Dinastía by Peso Pluma & Friends Tour

    Dinastía by Peso Pluma & Friends Tour:

    03-01 Seattle, WA – Climate Pledge Arena
    03-03 San Francisco, CA – Chase Center
    03-04 Sacramento, CA – Golden 1 Center
    03-06 Phoenix, AZ – Talking Stick Resort Amphitheatre
    03-08 San Bernardino, CA – Glen Helen Amphitheater
    03-10 Fresno, CA – Save Mart Center at Fresno State
    03-11 Anaheim, CA – Honda Center
    03-13 Las Vegas, NV – T-Mobile Arena
    03-14 Chula Vista, CA – North Island Credit Union Amphitheatre
    03-15 Palm Desert, CA – Acrisure Arena
    03-18 San Jose, CA – SAP Center
    03-20 Inglewood, CA – Intuit Dome
    03-24 Albuquerque, NM – Isleta Amphitheater
    03-26 Denver, CO – Ball Arena
    03-28 Salt Lake City, UT – Maverik Center
    04-02 Houston, TX – Toyota Center
    04-03 San Antonio, TX – Frost Bank Center
    04-05 Laredo, TX – Sames Auto Arena
    04-07 Austin, TX – Moody Center
    04-10 Dallas, TX – Dos Equis Pavilion 
    04-12 Rogers, AR – Walmart AMP
    04-18 Tampa, FL – Benchmark International Arena
    04-24 Atlanta, GA – Lakewood Amphitheatre
    04-25 Charlotte, NC – Truliant Amphitheater
    04-26 Raleigh, NC – Coastal Credit Union Music Park
    04-28 Bristow, VA – Jiffy Lube Live
    04-30 New York, NY – Madison Square Garden
    05-01 Belmont Park, NY – UBS Arena
    05-02 Newark, NJ – Prudential Center
    05-05 Reading, PA – Santander Arena
    05-07 Chicago, IL – United Center

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    Alex Suskind

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  • Oneohtrix Point Never Unveils 2026 Tour Dates

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    Oneohtrix Point Never has added some New York stops to a tour behind Tranquilizer. The shows at Brooklyn’s Pioneer Works form part of the contemporary classical organization Bang on a Can’s May festival Long Play 2026. A tour of East Asia and Europe will precede the shows in March and April. All of Daniel Lopatin’s Tranquilizer concerts will feature his latest original live presentation, developed with the multidisciplinary artist Freeka Tet.

    Lopatin has also announced a month-long online workshop at School of Song. The course, a press release notes, will offer “a rare insight into his creative process, spanning electronic music history, collage-based composition, sampling as sonic recycling and approaches to film scoring and collaboration.” Check out the tour dates below.

    Oneohtrix Point Never:

    03-28 Shanghai, China – Bandai Namco Dream Hall
    03-29 Seoul, South Korea – 1975 Theater
    03-30 Taipei, Taiwan – SUB LIVE
    04-01 Osaka, Japan – Gorilla Hall
    04-02 Tokyo, Japan – Zepp DiverCity
    04-10 The Hague, Netherlands – Rewire Festival
    04-11 Oslo, Norway – Munch Festival
    04-12 Warsaw, Poland – Stodoła
    04-13 Brussels, Belgium – Bozar
    04-14 Lisbon, Portugal – Culturgest
    04-17 London, England – The Barbican
    04-18 Bern, Switzerland – Dampfzentrale
    04-29 New York, NY – Pioneer Works
    04-30 New York, NY – Pioneer Works
    05-09 Krems, Austria – Donaufestival

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    Jazz Monroe

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  • How to Rate Albums Using Pitchfork Scores

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    There is a new Pitchfork subscription—only costs $5 a month—that gives readers the ability to score albums, comment on our reviews, and chop it up with our writers, editors, and one another. With the power to score albums now firmly in your hands, it’s only fitting that we try to give you a better understanding of how we rate albums.

    We have a saying here at the office: “6.8, good not great.” However, if you would like a more detailed breakdown on how to use the Pitchfork rating system, here is a scoring rubric we use to help guide our thinking behind scoring albums on a 101-point scale.

    10

    A masterpiece, one of the best albums of all time. Will be culturally and aesthetically important many years from now in some way.

    9.1 – 9.9

    A monument, an instant classic. Sounds ahead of its time, sounds timeless, immediately belongs in the canon. Entire genres could be created in its wake.

    8.6 – 9.0

    A major statement, worthy of your time and energy, no matter your taste. Transcends genre, claims new ground, a total and intentional work of art, possesses an aura that makes it vital to its genre, its era, or the artist’s career.

    8.0 – 8.5

    Essential listening, among the best records of the year. Shows a mastery of craft or taps into the sublime, feels a part of the zeitgeist, steps out of its genre, takes big risks that pay off.

    7.6 – 7.9

    Excellent record, highly recommended. “Best in class” for its genre. Not a bad song on it.

    7.0 – 7.5

    Very good record, recommend checking it out. Hardly a dull moment, a great hang, maybe plays it safe but executes everything very well, maybe takes some risks but doesn’t land everything perfectly.

    6.6 – 6.9

    Good record, a few issues, but worth your attention if you’re into the band or genre. Maybe starts strong and fades a little by the end, includes a few songs that don’t move the needle, but also has a handful of outstanding moments.

    6.0 – 6.5

    Pretty good, not great, some unavoidable issues, but interesting. Fans of the band or genre will get the most out of it.

    5.6 – 5.9

    Decent record, a few things going for it, but a handful of major issues overwhelm the experience.

    5.0 – 5.5

    Not very good, but not a total disaster.

    4.0 – 4.9

    Pretty bad.

    3.0 – 3.9

    Really bad. Incompetent and thoughtless.

    2.0 – 2.9

    Terrible.

    1.0 – 1.9

    Terrible and symptomatic of some kind of larger problem in music or the world.

    0.0 – 0.9

    Worthless.

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    Pitchfork

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