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  • ‘Wizard of Oz ’Ruby Slippers Stolen by Career Criminal Seeking “One Last Score”

    ‘Wizard of Oz ’Ruby Slippers Stolen by Career Criminal Seeking “One Last Score”

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    Terry Jon Martin has waited two decades for the other shoe to drop. In 2005, he stole one of Hollywood’s most recognizable bits of memorabilia: a pair of ruby slippers worn by Judy Garland in the 1939 classic The Wizard of Oz. But the law didn’t catch up to him until 2023, when the septuagenarian was indicted. In new court filings, his defense attorney revealed Martin’s motive in the crime, an apparent confusion over exactly what made the iconic pumps sparkle so.

    The tale begins in Grand Rapids, Minnesota in 2005, when child actor turned collector Michael Shaw lent the shoes to that city’s Judy Garland Museum. That August, someone “entered the building through a window and broke into the small display case holding the slippers,” the Guardian reported at the time, but there were no suspects to be found. 

    “There’s not a whole lot of evidence,” the town’s police chief said, but in the years following, many suspected Shaw—who’d collected an $800,000 insurance settlement—of the theft. “Inside job! No question!,” actor Jerry Maren (at his death in 2018, the movie’s last surviving Munchkin) once said on the record

    Even a million dollar reward, offered up in 2015, wasn’t enough to bring the shoes to light. It wasn’t until 2018 that the slippers—one of four known pair from the film—were recovered, in an FBI sting operation. But even then, the thief remained unknown.

    It wasn’t until last May that federal prosecutors in North Dakota named Martin as their suspect, indicting him with one count of theft of a major artwork. Martin, who lived 12 miles from the scene of the crime, told the Associated Press “I gotta go on trial. I don’t want to talk to you.”

    He remained similarly tight-lipped in the months that followed, but agreed to a plea deal in October, the Department of Justice confirmed. But even then, many details of the crime remained a mystery.

    That changed with a memo filed by Martin’s defense attorney, Dane DeKrey, and reported by the AP. According to the filing, Martin was a reformed former mobster who turned over a new leaf after his release from prison in 1996. But in 2005, an associate from his past life suggested to Martin that the shoes were covered in real rubies, making them a ripe target for theft—he could simply steal the shoes, pull off the gemstones, and sell them off piece by piece.

    But just as alluring as the money was the thrill of it, DeKrey said. “At first, Terry declined the invitation to participate in the heist. But old habits die hard, and the thought of a ‘final score’ kept him up at night,” DeKrey wrote in the filing. “After much contemplation, Terry had a criminal relapse and decided to participate in the theft.”

    According to DeKrey, Martin hadn’t ever seen The Wizard of Oz, and didn’t realize the notable nature of the shoes. So, after taking a hammer to the display case and hustling the shoes to a fence—who informed him the shoe’s sparkles were mere glass—he “got rid of the slippers less than two days after he took them.”

    That means there’s still abundant mystery surrounding the shoes, even now, as their whereabouts between when Martin tossed them in 2005 and the FBI caught wind of them over a decade later remain unknown. In the intervening years, federal officials have declined to provide details on the sting operation that uncovered the slippers, or what led them to Martin. 

    “The United States Attorney’s Office for the District of North Dakota will have no additional comment or statements until sentencing has been completed,” the agency said when pressed for details, but perhaps more will soon be revealed. Martin, who at age 76 is in hospice care due to chronic obstructive pulmonary disorder, is set to be sentenced on January 29. 

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    Eve Batey

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  • Taylor Swift's Allegedly Stalker Arrested After Attempting to Enter NYC Home

    Taylor Swift's Allegedly Stalker Arrested After Attempting to Enter NYC Home

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    For nearly a decade, singer Taylor Swift has enjoyed Manhattan living from a $50 million compound in New York City’s Tribeca neighborhood, an 8,300-square-foot duplex she assembled from a set of adjoining Franklin Street homes. On Saturday, the peace on her cobblestone street was briefly shattered, but the commotion wasn’t caused by the star’s comings and goings. Instead, a man some outlets are referring to as a “suspected stalker” prompted a police response after he was photographed on Swift’s doorstep.

    A witness who spoke with Page Six, says the man “went up to Taylor’s door” at around 1 p.m. Saturday. “I’m not sure if he knocked or rang the doorbell,” the person said. Around that same time, a New York Police Department spokesperson says, a call to 911 was placed, citing a “disorderly person” in the area. “Upon arrival, [police] were informed that the individual attempted to open a door to a building at the location,” Page Six quotes an NPYD source as saying. Photos from the scene confirm that the man was at Swift’s door.

    This wasn’t the first time the man was seen in the area, unnamed witnesses tell Page Six. One said he’s been “sleeping on the stoop,” while another said he’s been seen in the area “for a month.” Another neighbor, also unnamed, told the paper that “When he arrived before Christmas, my husband asked what he was doing here, and he said, ‘I want to see Taylor.’” 

    However, his arrest was spurred not by any alleged threats to Swift, but by an unrelated incident seven years ago, TMZ reports. An arrest warrant for the man was reportedly issued in 2017, after he allegedly failed “to answer a court summons in Brooklyn.” The man, who has not been publicly identified, apparently evaded law enforcement ever since. (Vanity Fair requested comment from NYPD, but has not received a response as of publication time.)

    It’s unclear who summoned the police or if Swift was at home when the incident occurred, but the singer is no stranger to threats and unwanted advances from strangers. Her beachside mansion has been a target of stalkers since Swift bought it in 2013, most recently when a 54-year-old woman refused to leave its Rhode Island gates last July. 

    And in 2018, a man named Roger Alvarado broke into the same home police were summoned to Saturday, where he took a shower and fell asleep in one of Swift’s beds. He was sentenced to six months in prison in 2019. In 2022, a Brooklyn man named Joshua Christian reportedly believed Swift was being held hostage at the home, and allegedly entered the building through an unlocked door. A judge ordered him to stay away from Swift in a subsequent hearing.

    The issue is persistent enough that Swift addressed it in an essay entitled “30 Things I Learned Before Turning 30.” In the piece, she writes, “Websites and tabloids have taken it upon themselves to post every home address I’ve ever had online,” and that “you get enough stalkers trying to break into your house, and you kind of start prepping for bad things.”

    That said, Swift wrote, “We have to live bravely in order to truly feel alive, and that means not being ruled by our greatest fears.” To that point, Swift is still expected to make an appearance in New York just a few hours from now, as her boyfriend, Kansas City Chiefs tight end Travis Kelce, takes the field in New York’s Orchard Park for the AFC championship game against the Buffalo Bills. The game begins at Highmark Stadium at 6:30 p.m. ET.

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    Eve Batey

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  • John Early Doesn’t Want to Be Your “Bourgeois Clown” Anymore

    John Early Doesn’t Want to Be Your “Bourgeois Clown” Anymore

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    As the exquisitely frazzled Terry Goon, John Early has to keep many plates spinning at once. In some cases, literally; Theda Hammel’s debut feature, Stress Positions, shows Goon rushing around a derelict Brooklyn brownstone once called the “Party House” prepping a chicken parm, his fingers caked to Frankensteinian girth with egg and bread crumbs. He’s looking after his nephew Bahlul (Qaher Harhash), a 19-year-old model with the face of a cherub, while his broken leg heals. Also in the mix for a 4th of July backyard BBQ are his intense, inscrutable, chain-smoking landlady (Rebecca F. Wright), his clout-chasing, flag-burning BFF (Hammel, a longtime friend of Early’s), her novelist girlfriend (Amy Zimmer), and eventually, Terry’s not-quite-ex-husband (John Roberts). And because it’s summer 2020, the COVID-conscious Terry does it all while obsessively sanitizing, distancing, gloving, re-gloving, and banging his pots in thanks to the nurses.

    “I’ve always had this bourgeois clown that I do, that for whatever reason I’m hyper-fixated on,” Early tells Vanity Fair shortly before the world premiere of Stress Positions at Sundance. “For better or worse, I’m always putting this character in a dinner party scenario. That, or giving a toast.” He hopes Hammel’s snappy, savvy farce can change that, fully exorcizing this stock type from his repertoire: “After this, I’m not allowing myself to do that guy anymore.”

    Early has often gravitated to the minefield that is having company over. In his episode of Netflix’s 2016 sketch anthology series The Characters, Early has a minor breakdown during his own wedding after learning the venue once housed slaves. Elliott, the compulsive liar he played for five seasons on TBS’s Search Party, lived his entire life as a meticulously composed act. For a 2017 New York Magazine profile, Early invited the interviewer over and whipped up a cacio e pepe at home. (The story includes a recipe that’s heavy on all-caps and interrobangs (?!). Read between the lines, and you can see his blood pressure spiking.)

    For Early, the pressurized, claustrophobic Stress Positions pushes this bit to its breaking point, “putting that clown in a fully-realized world, with a history and relationships, to deconstruct him and ask why he’s this way.” Hammel wrote him the role of Terry Goon—whose name, Early says “could absolutely” be a reference to the slang term for protracted masturbation, judging by Hammel’s “cloacal” sense of humor—as the culmination of a collaboration dating back to their days at the Atlantic Theater Company. Back then, he was working the front desk and she was taking an acting course. “We were both [chuckles] alive with the technique,” Early says in a sarcastic tone, then pauses. “See, that’s the kind of thing that is going to make me sound so pretentious in print. I need them to hear the irony in my voice.”

    The desire to be seen the right way weighs far heavier on Terry. Over the course of a hot summer night, the desperately woke thirtysomething comes undone while trying to keep up with the younger, queerer, and hipper. Terry’s self-destructive drive to play host speaks to his broader and deeper fixation on optics, a distinctly millennial slant on the need to project an image of goodness. “There’s been an uncanny feeling watching art in the past 10 years, where it’s didactic, a way of morally purifying yourself, proving that you’re on the right side of history,” Early says. “It’s folly to try and prove how coherent and unimpeachable your stances are, which is possible on the internet. But socially, that breaks down immediately in a way that can be quite funny.”

    He explains: “It’s there in the way Israel and Palestine, for instance, can confuse people’s identity-matrix logic. There’s this feeling of, ‘Wasn’t the rule that because of this equation of my identity, I am the oppressed?’ Then here comes something that doesn’t fit snugly into that narrative, because it’s about power and militarism and not necessarily identity, and that confuses people so much. I think this movie is about that confusion. ‘Weren’t we just in the streets celebrating gay marriage?’ Terry feels like he was supposed to have more time celebrating the triumph. But the world, unfortunately, moved on.”

    Early specifically admires how Hammel has picked up on the “phrases and cadences of the internet” without fully absorbing them. “She’s not an eccentric hermit,” he says. “She’s logged on. But she has a strong constitution.” Hammel jabs at her generation, illustrating how the effort to uphold progressive principles can turn us into corny, self-righteous, annoying versions of ourselves. Terry embodies a particular strain of entry-level liberalism closer to the ideological center, a #StillWithHer subscriber to “the Pete and Chasten model of gay guy.” Early confesses that he’s not totally unfamiliar with the mentality. “I look back at some of my behavior online, back in 2020, and I wake up in the middle of the night sometimes like, ‘Oh, god!’ remembering something I posted, just sweating.”

    Through precise minor details marking time and place, Hammel and Early shade Terry’s aspirations for respectability and correctness. His conflicted relationship to homosexuality, for one, comes across in his porn-site preference for the jocky, white-bread Sean Cody. Before his guests arrive, he hides his sex gear—as well as Chekhov’s Theragun—in a symbolically loaded closet, and rolls a disco ball the size of a Sisyphean boulder out to the trash. While huffing and puffing, he mutters, “Everybody has a fucking septum piercing now.” Terry may frantically flit in and out of rooms like Frasier Crane, but in this resentment about aging into irrelevance, Early sees the character as something closer to “a gay, millennial Tony Soprano.”

    Early’s hectic but tightly controlled style gels with a screenplay of elaborate, fine-tuned construction, closer to Molière than your average New York indie. “It’s not vibey,” he clarifies. “It’s not improvised.” The shoot was a crucible, with the entire crew crammed into a stuffy, crumbling house during a sweltering stretch of September that saw a toilet explode and send water pouring through the ceiling below. Early herniated a spinal disc; once production picked up following a brief postponement, Hammel incorporated his back problems into the character. “I can’t tell whether that was generous or sadistic of her,” he laughs.

    Even as Early gains deeper insight into this fun-house-mirror alter ego, he still takes pride in the work itself. He knows that slipping on a tenderloin of raw chicken requires finesse, and he just wants to ensure that he does the gag justice. “You have a person looking you dead in the eye, explaining the safety precautions, and I’m listening,” he says. “At the end of the day, though, my body is falling through the air. No wires. This is not The Matrix. But these pratfalls were always essential to the script. It was scary for me, less in terms of hurting myself, and more about not delivering. If there’s anything I should be able to do, it’s that.”

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    Charles Bramesco

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  • Our Flag Means Death’s Cancellation Marks the End of a Unique TV Phenom

    Our Flag Means Death’s Cancellation Marks the End of a Unique TV Phenom

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    The pirates that launched a thousand pieces of fan art have been brought back to port. Max announced on Tuesday that Our Flag Means Death, the silly and romantic pirate comedy starring Rhys Darby and Taika Waititi, has been canceled. Its second season, which ended with Darby and Waititi’s pirates, Stede and Blackbeard, setting up new lives as innkeepers on a Caribbean island, wrapped on October 26. 

    “Getting to share this show with you and watching you make it yours has been a dream come true,” creator David Jenkins wrote to the show’s legion of fans on Instagram. “The second season was made possible by the enthusiasm of one of the most likable fan communities in the history of this medium.” 

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    The show was a modest success when it premiered in the spring of 2022. A passionate fan community gathered swiftly, waiting anxiously for word of a season two renewal, which came that June. But with a shortened eight-episode season 2 and a move to production in New Zealand that brought costs down, there was a sense that the period comedy might be at risk in the current Max environment. Like Minx]s recent cancellation after being bought from Max by Starz, it’s the end of a show that was beloved but too small for the now-contracting era of post-peak TV.

    The season 2 Our Flag Means Death pulled off, though, was something to treasure. As Sarah Catherall reported from the set, the second season allowed the show to dive deeper into its motley crew of characters, show off stunning New Zealand locations, and bring a happy conclusion to several of the most affecting love stories on television (all of which, not incidentally, were queer). “There’s a way of life that they’re fighting for,” Jenkins told Vanity Fair about the season (now series) finale. “It’s about belonging to something.”

    That sentiment certainly goes for the show’s fans, who greeted the show’s ending with much less of the rage that usually greets any word of cancellation these days. “I am so happy we have created this community, I am so happy we’ve found our people,” wrote one fan. “Thank you for creating such a safe space for us all.”

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    Katey Rich

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  • Kieran Culkin Edges Out ‘Succession’ Costars to Win Best Actor at Golden Globes 2024

    Kieran Culkin Edges Out ‘Succession’ Costars to Win Best Actor at Golden Globes 2024

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    Eight months after Succession concluded its four-season run, Kieran Culkin swept the loaded best-actor-in-a-television-drama category, topping his television father, Brian Cox, and brother Jeremy Strong. In addition to beating out his Succession family members, Culkin nosed out Gary Oldman for Slow Horses, Pedro Pascal for The Last of Us, and Dominic West for The Crown in the loaded category.

    “This is a nice moment for me,” Culkin said upon reaching the podium. “I was nominated for a Golden Globe like 20 years ago and I remember thinking I’d never be back in the room,” the actor said, referring to his 2003 Golden Globe nomination for Igby Goes Down. After voicing his appreciation for the award, he looked out in the audience toward a fellow nominee in the category and added, jokingly, “Suck it, Pedro.” 

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    While Culkin’s character, Roman, spent much of previous seasons playing the supporting role of Roy family joker, he came into front-runner focus in the show’s final season. It was Roman who took his father’s death the hardest, culminating with Culkin’s most powerful scene of the season: an Emmy-ready breakdown at the podium of his father’s VIP funeral in the penultimate episode, “Church and State.”

    Speaking to Vanity Fair after the episode aired, Culkin revealed that he didn’t rehearse the sequence at all. “I just kind of looked at the lines vaguely and went, ‘I don’t want to look at this. I don’t want to plan or think about how this is gonna happen,’” Culkin said. The actor explained that the funeral was shot continuously in real time, so the first time James Cromwell delivered Uncle Ewan’s speech was the first time Culkin was hearing those words. When it was time for his character to take the podium after, Culkin was operating out of instinct.

    “A lot of stuff happens on the show that is not planned or rehearsed or talked about [beforehand],” Culkin said. “When it happens, it’s really lovely and hard to recreate.”

    Culkin had other heavyweight scenes this season: notably his mountaintop breakdown with Matsson (Alexander Skarsgård) in “Kill List” and his evil election-night turn in “America Decides.” 

    Tonight’s nomination was Culkin’s fifth; he was previously nominated for the first three seasons of Succession in the supporting-actor category and for his leading role in Igby Goes Down. 

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    Julie Miller

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  • ‘Society of the Snow’: The Real-Life Story That Inspired the Dark Oscar Contender

    ‘Society of the Snow’: The Real-Life Story That Inspired the Dark Oscar Contender

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    It’s a story that, 51 years later, still stuns. In 1972, a Uruguayan plane carrying 45 people crashed in the Andes Mountains. Provisions were so few and conditions were so dire that survivors resorted to eating the flesh of their fallen passengers, a grim twist that would be recounted in multiple adaptations of the disaster—and be cribbed by Yellowjackets—including J.A. Bayona’s new Oscar contender, Society of the Snow.

    “I didn’t have any doubts…. This is the only way out,” remembered Nando Parrado, a survivor whose mother, sister, and best friend died as a result of the crash. Parrado was part of the Uruguayan rugby team known as the Old Christians, whose members had been aboard the plane. Speaking to The Guardian ahead of Society of the Snow’s release, he explained that the group did not arrive at their decision lightly.

    They were eating snow to stay hydrated, living out of the fuselage of the plane (walled off by suitcases), and growing increasingly desperate as their stockpile of food dwindled. Some had even tried eating leather. They had managed to find a working transistor radio in the wreckage, and after hearing that the rescue mission for their plane was called off, the survivors settled on their last sustenance option. “Everybody in that situation…would have arrived at the same thought,” Parrado told The Guardian.

    Parrado has been one of several survivors to speak out in support of the Spanish film, which has been short-listed for best international feature at the 2024 Academy Awards and is currently streaming on Netflix. The last major film adaptation of the disaster was 1993’s Alive, which starred Ethan Hawke as a character who improbably had blown-out hair every day he was stranded on the mountain. Based on Pablo Vierci’s book Society of the Snow: The Definitive Account of the World’s Greatest Survival Story, Bayona’s film was made as a more culturally grounded homage to both those who survived the devastating event and those who didn’t. The filmmaker, who previously helmed the Oscar-nominated The Impossible and the billion-dollar blockbuster Jurassic World: Fallen Kingdom, also hoped to make the depiction of the catastrophe as authentic as possible. 

    The wreckage of the chartered Uruguayan plane that crashed on October 13, while flying members of the Old Christian Brother rugby team from Montevideo to Santigao.By Bettmann Archive / Getty Images.

    As Bayona explained to Vanity Fair: “We planned to shoot the story almost like a documentary. We prepared the actors; we gave them all the information; we rehearsed the script for almost two months; we went through all the scenes. They read the book; they got in contact with the survivors or the families of the victims. And they spent 72 days in the mountains. We shot for 140 days. We took the time to go through all the important moments. We were ready with our cameras as if we were shooting a documentary to capture that.”

    The filmmaker also kept the cast on a medically supervised diet and shot their time in the mountains chronologically so that the actors could grow their hair and slim down in sequence. “We really wanted to be very close to the reality,” said Bayona.

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    Julie Miller

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  • ‘The Act’'s Gypsy Rose Blanchard is Making a Lifetime Docuseries

    ‘The Act’'s Gypsy Rose Blanchard is Making a Lifetime Docuseries

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    Gypsy Rose Blanchard is a free woman today. The true crime figure walked out of Missouri’s Chillicothe Correctional Center at 3:30 a.m. Thursday morning, a little more than eight years after her mother, Clauddine “Dee Dee” Blanchard, was fatally stabbed by Gypsy’s boyfriend, Nicholas Godejohn. As viewers of the 2017 documentary Mommy Dead and Dearest and Hulu’s dramatic adaptation The Act are aware, prosecutors argued that the couple conspired to kill Gypsy’s mother after Dee Dee—who is widely believed to have been ill with Munchausen syndrome by proxy—subjected Gypsy to years of medical abuse.

    Blanchard was sentenced to ten years in prison for her role in her mother’s death, after text messages between Godejohn and Blanchard revealed they had discussed and planned the crime together. “I talked him into it,” Blanchard admitted in 2016, saying it was the only way she could escape a home life in which her mother falsely claimed Gypsy was ill with several illnesses, including cancer, and forced her to use a wheelchair. 

    In a plea arrangement, she agreed to second-degree murder charges and was sentenced to ten years in prison. “I feel like I’m more free in prison than living with my mom,” Blanchard said while incarcerated. “Because now, I’m allowed to just live like a normal woman.”

    The 32-year-old’s ordeal gained national attention with Michelle Dean’s 2016 BuzzFeed longread, “Dee Dee Wanted Her Daughter To Be Sick, Gypsy Wanted Her Mom Murdered,” then hit screens in 2017 when documentarian Erin Lee Carr’s Mommy Dead and Dearest dropped on HBO. Years later, Carr’s film remains a fixture on “best true crime documentary” lists.

    It was followed by The Act, Dean’s 2019 Hulu adaptation of her previous reporting, which starred Joey King as Gypsy and Patricia Arquette as Dee Dee. According to King, she watched Carr’s documentary “no less than 15 times,” and through that and other research, she determined that Blanchard “deserves to be free and deserves to be in therapy, not behind bars.” 

    “I hope that when she gets out one day and if she does watch the show that she will hopefully find the good in the show as far as it really showcasing her in a sense and really showcasing how much of a victim she was,” King said. “’Cause she really was a victim. Her life—no one deserves the life that she had.”

    Dean seemed to share King’s sentiments, saying of Blanchard, “I don’t really think that the best place for Gypsy is prison.”

    “What this case shows us is that the justice system isn’t prepared to apprehend cases at this level of complexity,” Dean said. “She got a sentence of 10 years [because] at least she pled out to second-degree murder, but nonetheless, it’s still a long time in jail, or in prison, and it’s a long time without possibly appropriate treatment.”

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    Eve Batey

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  • George Santos and the Airing of Grievances—Especially the TSA

    George Santos and the Airing of Grievances—Especially the TSA

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    Though ousted congressman George Santos recently claimed that he’s making $80,000 a day via his new video messaging business, it appears that the serial fabulist and alleged federal criminal hasn’t forgotten that some of his fans can’t afford the $500 he charges for a custom piece of content. The disgraced New Yorker continues to have an active selfie-based presence on X (formerly Twitter), where he most recently did what we all do on X this time of year: He ranted about the indignities of air travel.

    But in Santos’s case, his beef wasn’t with delays or a stale packet of complimentary Sun Chips,. Instead, he began with the “nightmare” he experiences when his name is improperly displayed on his boarding pass.

    “So, like everyone knows, I’m a big Delta Airlines guy,” Santos begins. “But after this new revelation that people literally with no name, no ID is printed and allowed on their boarding pass—meanwhile, because my name is long, George Anthony Devolder Santos, that if–God forbid–it’s not in the format on how I registered my SkyMiles, and it’s just ‘George Santos,’ it becomes a mismatch, it’s a nightmare.”

    Addressing Delta’s CEO, Santos continued, “I want to ask Ed Bastian, somebody who up until recently I thought was a pretty good CEO, handled COVID well, did very good with his employees, what gives, Ed? You have a very good reputation as one of the airline CEOs, but this is bullshit.”

    “This is bullshit” is likely what you’re thinking at this point, but not for the reason Santos seems to intend. His confusing remarks, the Daily Beast surmises, are a reiteration of claims made by right-wing commentator Ashley St. Clair that migrants to the US travel on Delta flights. (As noted by the Daily Mail, those claims have not been confirmed.)

    “How ‘bout you tell us how many people you’ve transported under this ‘no name, no ID given.’ And why is TSA allowing undocumented, unidentified people to travel alongside us in airlines? This is a fucking crime. Who is going to do something?”

    Santos appears unaware of the irony that a person who faces 23 criminal counts of crimes like wire fraud and conspiracy is now claiming that the transport of passengers is “a fucking crime.” Then again, has he ever seemed like he is in on the joke?

    After calling Rep. Anthony D’Esposito (the Republican who officially introduced the resolution to expel Santos) a “meatball” (I’ll admit it, I laughed), Santos really wound himself up, saying “Congress is a joke, security is a joke, our Homeland Security is falling apart.”

    “We need to revamp all, not just some, but all of government at this point,” Santos said, abruptly ending the video

    While it’s unlikely Santos will have a place in the current, or any sort of revamped government (but who knows!), we certainly haven’t heard the last of him. Though he has claimed he is innocent of the federal charges he faces, recent court filings suggest a plea deal is in the works

    Until then, his monied fans will still have Cameo—where Santos will, blessedly, read a script penned by the purchaser. The rest of us will have to settle for X, where Santos is unlikely to be banned, and his impromptu messages from the heart will be presented just as coherently as the one we saw this week.

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    Eve Batey

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  • ‘Dukes of Hazzard’ Star John Schneider Could Face Secret Service Probe for Threat Against President Biden

    ‘Dukes of Hazzard’ Star John Schneider Could Face Secret Service Probe for Threat Against President Biden

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    John Schneider has never been quiet about his struggles as a vocal conservative in contemporary society. According to the actor, who rose to stardom for his role as a Confederacy-worshipping bootlegger in the ‘80s-era TV series The Dukes of Hazzard, he’s experienced bias in court and has struggled to find work, all due to his far-right views. Now Schneider is under a new level of scrutiny after publishing a tweet—since deleted—that many view as a threat against President Joe Biden.

    Schneider was revealed to be the man behind the doughnut mask on the Fox singing competition The Masked Singer Wednesday, where he placed second behind singer NE-YO. “I’m a pretty strong guy, but I’m also a very emotional guy,” the actor told People the next day. “Being out there on that stage dressed like a doughnut, singing some of the greatest songs ever written, and having people respond to the songs and the performance with no notion that it was me, really, really helped John Schneider.”

    What likely didn’t help John Schneider was a tweet he posted that same day. As first noted by Deadline, Schneider responded to a tweet from Biden about presidential rival Donald Trump by saying (sic throughout) “Mr. President, I believe you are guilty of treason and should be public hung. Your son too. Your response is..? Sincerely, John Schneider.”

    That tweet was deleted shortly after, with Schneider denying it contained any threats. “Seriously, folks?” Schneider asked Deadline. “I absolutely did not call for an act of violence or threaten a US president as many other celebrities have done in the past. I suggest you re-read my actual post and pay attention to the words before believing this nonsense.” Vanity Fair has reached out to Schneider for comment but has not received a response as of publication time.

    According to the Department of Justice, threats against the US president or their immediate family can result in federal Class D felony charges, which are punishable by up to five years in prison and a $250,000 fine. 

    The US Secret Service, which is responsible for presidential protection, says that the agency “is aware of the comments made by Mr. Schneider, and as a matter of practice, we do not comment on matters involving protective intelligence.”

    “We can say, however, that the Secret Service investigates all threats related to our protectees.”

    Schneider’s actual post does appear to be a departure from his attitude in 2018, when he was jailed for non-payment of alimony. As Fox News reported then, Schneider “alleged that his conservative values may have hurt him in court,” but said—in reference to previous president Barack Obama—“I supported the last president [even though] I didn’t vote for him, but I supported him because I believe that’s my duty as a United States citizen.” 

    Speaking with Fox Business in 2021, Schneider said that after his conservative viewpoints put a damper on his acting career, he launched an independent production company with his wife, Alicia, who died of breast cancer earlier this year. The company’s products include a film called Christmas Cars, which, per its trailer, mounts a vigorous defense of the use of the Confederate flag.

    Another film, entitled To Die For, appears to claim that people can be arrested for flying the American flag. He also seems to sell his own line of CBD products.

    It’s likely those other revenue streams will become more useful for Schneider in the coming months, as even Fox appears to be turning its back on him. According to The Hollywood Reporter, the network has canceled all of Schneider’s press appearances following his troubling tweet. Then again, Schneider might dispute that characterization, too. As he said in an interview on Varney & Co. in 2021, “I like to say, you can’t cancel me. I quit.”

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    Eve Batey

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  • How Celebrity Surgeon Scammer Paolo Macchiarini Fooled So Many for So Long

    How Celebrity Surgeon Scammer Paolo Macchiarini Fooled So Many for So Long

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    Seven years ago, world-renowned surgeon Paolo Macchiarini was the subject of an ongoing Vanity Fair investigation. He had seduced award-winning NBC producer Benita Alexander while she was making a special about him, proposed, and promised her a wedding officiated by Pope Francis and attended by political A-listers. It was only after her designer wedding gown was made that Alexander learned Macchiarini was still married to his wife, and seemingly had no association with the famous names on their guest list.

    Vanity Fair contributor Adam Ciralsky was in the midst of reporting the story for this magazine in the fall of 2015 when he turned to Dr. Ronald Schouten, a Harvard psychiatry professor. Ciralsky sought expert insight into the kind of fabulist who would invent and engage in such an audacious lie.

    “I laid out the story to him, and he said, ‘Anybody who does this in their private life engages in the same conduct in their professional life,” recalls Ciralsky, in a phone call with Vanity Fair. “I think you ought to take a hard look at his CVs.”

    That was the turning point in the story for Ciralsky, a former CIA lawyer who soon learned that Macchiarini was more dangerous as a surgeon than a suitor. He found that Macchiarini had grossly embellished his résumé, claiming medical degrees and experience he didn’t have, and was performing what he claimed were groundbreaking (but were actually untested) thoracic surgeries on patients. 

    As Ciralsky puts it, “He was operating all over the world, spinning yarns about being part of a VIP surgical ring that operated on heads of state, claiming to have been the doctor for at least one, if not two, popes, and wrote papers about a technique that was not only unproven, but had been totally untested on animals.” Referring to his untested thoracic surgery, Ciralsky says, “This is a man who engaged in human experimentation.”

    After the Vanity Fair piece was published, Macchiarini was fired from Sweden’s Karolinska Institute, home of the Nobel Prize in Physiology or Medicine, and, incredulously, the surgeon’s employer at the time. Two higher-ups at the institute, who were involved in keeping Macchiarini employed, resigned. Within a few years, Sweden reopened an investigation into Macchiarini’s surgeries, which led to a conviction for gross assault against three of his patients. Macchiarini currently awaits a prison sentence of more than two years.

    Nearly a decade later, the story of an apparent psychopath with a scalpel is inspiring multiple pop-culture adaptations. On Thursday, Peacock premieres two projects about Macchiarini: the second season of the scripted anthology series Dr. Death, starring Edgar Ramirez as the surgeon and Mandy Moore as Alexander; and the documentary Dr. Death: Cutthroat Conman. (Ciralsky is an executive producer on both.) Last month, Netflix gave the story its own go in Bad Surgeon: Love Under the Knife, a project in which Alexander participated. (Previously, Alexander executive produced the TV special He Lied About Everything.) Macchiarini’s crimes have even inspired a Swedish opera.

    Edgar Ramirez as Macchiarini and Mandy Moore as Alexander in Peacock’s second season of Dr. Death

    Courtesy of Peacock.

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    Julie Miller

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  • Tommy Lee Accused of Sexual Assault During SoCal Flight

    Tommy Lee Accused of Sexual Assault During SoCal Flight

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    Mötley Crüe drummer Tommy Lee (born Tommy Lee Bass) is accused of a shocking assault during a 2003 helicopter ride across Los Angeles—an incident the alleged victim says she believes is part of a history of the musician’s activities on the aircraft.

    According to the lawsuit, which was filed Friday and has been obtained by Rolling Stone, a woman using the pseudonym Jane Doe says she met Lee’s private pilot, David Martz, in 2002, when he visited a bank where she worked as a teller. As the pair developed a friendship, Martz would occasionally offer Doe a ride in his helicopter, and in February 2003, she accepted.

    But instead of the promised sightseeing trip over San Diego, Martz took her on a 40-minute ride to Los Angeles, with Lee also aboard. “Within a matter of minutes of being airborne, Martz pulled out alcohol he had stored in the helicopter and began to mix drinks,” the suit (as reported by R.S.) reads, alleging that Lee and Martz also used cocaine and smoked cannabis during the flight. According to the lawsuit, Doe did not partake.

    In the suit, Doe claims that she was convinced to join Lee in the cockpit to see the view, but claims that instead, the rocker sexually assaulted her as Martz “merely watched.” 

    Doe says in the suit that she did not report the alleged incident at the time, as she believed she wouldn’t be taken seriously. But in the intervening years, she’s come to believe that Martz and Lee “had a history of engaging in indecent and illegal conduct on Martz’s helicopter.” 

    Martz died in 2015 following a fatal crash in Santa Barbara. At the time of his death, he “was facing a fourth revocation” of his pilot’s license, the L.A. Times reported at the time. He’d previously lost his license for a variety of concerns, most recently because he “had oral sex with an adult film actress while flying a helicopter” in 2009. 

    Instead, Mayhem Touring, Tommy Lee Inc., A Natural High Helicopters and Social Helicopters are named as defendants in the suit, which seeks unspecified damages for “sexual assault, gender violence, intentional infliction of emotional distress and negligence.” Vanity Fair has contacted Johnson and Johnson, the legal firm that filed the suit, as well as Lee’s attorney. Neither side has responded to a request for comment as of publication time.

    This suit is the latest in a decades-long history of claims against Lee. In 1996, he faced battery allegations for an altercation outside the infamous L.A. nightclub, the Viper Room, then in 1998, he was jailed after pleading no contest to domestic violence allegations brought by then-wife Pamela Anderson. The following year, he turned himself in to officials in North Carolina, where he’d been wanted for felony rioting and three misdemeanor charges since 1997. 

    In recent years, however, headlines about Lee have focused more on his social media behavior, such as a 2018 Instagram post in which he criticized Anderson’s parenting style, and a 2023 post—later deleted—of a rant from conservative network One America News against transgender people. “I’m the gayest motherfucker around,” Lee said in a separate post to explain the deletion, saying he posted the anti-trans content because “it got me thinking (and you should too) about this and our world is all going.”

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    Eve Batey

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  • ‘Manhunt’: First Look at the Long-Awaited Show About Hunting Lincoln’s Killer

    ‘Manhunt’: First Look at the Long-Awaited Show About Hunting Lincoln’s Killer

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    In our own age of extreme division and distrust, Beletsky believes this story of an effort to violently unseat the president, and attack members of his war cabinet on the same night, still resonates because it speaks to “the shattering of norms in how we deal with disputes—and just our sense of safety.”

    “I think the show has a lot about it that’s very relevant,” she says. “This was a domestic attack that was so unusual. Lincoln used to have the door to the White House unlocked for the duration of the war. So murder of this kind was just not done.”

    Although Lincoln’s death is the starting point for the series, the 16th US president still features prominently throughout its episodes, mostly in flashback, as a means of underscoring the stakes, the motivations of the pursuers, and the depth of the loss. 

    Tobias Menzies, best known for Game of Thrones and Outlander as well as for playing middle-aged Prince Philip on The Crown, stars as Stanton, a leader who had a tendency to micromanage rather than delegate, taking on the full weight of problems that may have benefited from being shared. Beletsky says Menzies delivered that gravity. “He brings a high level of intelligence to a role,” she says. “[Stanton] was one of the top trial lawyers in the country, and Tobias does it so convincingly that you believe this man has been in the Supreme Court, that he has been sitting with Lincoln.”

    Lincoln himself is portrayed by Hamish Linklater, best known for The Newsroom and Legion and playing the mysteriously charismatic priest from Midnight Mass. “There are only so many actors who are as bright as Hamish and as tall as Hamish,” Beletsky says. “It takes a very brave actor to take on a role like this where everyone thinks they know who this person is. And Hamish was just so open and curious and just everything you want in an actor. I will say his performance is one of the things I’m most proud of.”

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    Anthony Breznican

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  • ‘Saltburn’-esque Scammers Will Always Be in Style

    ‘Saltburn’-esque Scammers Will Always Be in Style

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    “I always thought it would be better to be a fake somebody than a real nobody,” Matt Damon’s Tom Ripley tells his perplexed but sympathetic lover (Jack Davenport) in The Talented Mr. Ripley’s final scene, not long before smothering the life out of him with a regretful sob. (Poor Tom; if only romance and identity theft weren’t so fiendishly incompatible.) 

    What the patron saint of toothy sociopathy and class transgression finds, of course, is that fake somebody-ness, while extremely fun, is also a lot of work. It requires vigilance, wit, fortitude; sometimes, alas, murder. And yet the Ripleys and Gatsbys of the world carry on, scheming and plotting and slouching toward infamy. And we keep watching them: Saltburn, the second film from millennial provocateur Emerald Fennell (Promising Young Woman), bowed in limited release this past weekend after a long, lascivious wink of a press campaign to strong box office returns and decidedly mixed reviews.

    Saltburn’s storyline is an immediately familiar one, essentially a Ripley remix. Boy meets boy, one poor-ish, one rich; poor boy befriends, embeds, and eventually envelops rich boy’s entire existence like a vampire squid. Here, The Banshees of Inisherin’s Barry Keoghan plays the lowly interloper as an incoming freshman at Oxford circa 2006, a gawky scholarship kid named Oliver Quick whose murky origin story includes addict parents so far gone he’s essentially an orphan. Jacob Elordi (Priscilla, Euphoria) is the campus demigod, Felix Catton—a posh cut-glass dreamboat whose powers of seduction are such that he need only pluck a lucky girl from the crowd at the end of the night, like a winning lottery ticket.  

    Felix has everything Oliver doesn’t: friends, money, an innate ease in his body and his place in the world. But he is also unusually, almost inexplicably kind: When Oliver does him a small favor one day, Felix repays him in pure social currency, opening a door to the glamorous swirl of parties, pub nights, and casual privilege that he already wears like a birthright. No one needs a Forbes list to take the measure of their relative worth; it’s all spelled out in the accents and accouterments, as rigidly codified as any formal caste system. (It helps, too, that this all takes place pre-social media, though markers of the early aughts setting manifest mostly via the barbell in Felix’s aristocratic eyebrow and a lot of MGMT and Cold War Kids on the soundtrack.)

    When the school year ends, Felix extends an invitation to join his family at their vast country estate, Saltburn, and so the real games begin: While Oliver scrambles to master the unspoken rules of dinner jackets, butlers, and breakfast sideboards, the novelty of his presence works like a balm on the Cattons, or at least a cat toy for them to bat around. Fennell pulls droll performances from Richard E. Grant as the distracted, bobbling paterfamilias, Rosamund Pike as his blithely self-satisfied wife, and Conversations With FriendsAlison Oliver as Felix’s little sister, a bleached blonde baby nihilist with a seemingly endless supply of sequins and cigarettes. (Why Pike doesn’t make more comedies is a mystery for our times; her Elspeth operates at God-level esprit de snob.)

    Elordi brings both heady It boy charisma and a touch of real, injured humanity to Felix, even as he remains mostly a gorgeous object for the camera to caress. And Keoghan unearths layers of pathos and tenderness that don’t really exist in Fennell’s glossy, willfully provocative script, which often works overtime to shock. (Bodily fluids have rarely been squirted, spattered, or hoovered up with such scatological glee.) There’s something atypically movie-starish, almost pugilistic about the Irish actor’s physical presence; he often looks like he’s just been stung about the face by bees, sexily. But his commitment somehow grounds the movie, even as it wobbles and tilts toward full telenovela absurdity. 

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    Leah Greenblatt

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  • Playing Murderous Alex Murdaugh Was Freeing for Bill Pullman

    Playing Murderous Alex Murdaugh Was Freeing for Bill Pullman

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    This story gets stranger, though. Once Pullman agreed to play the part, the actor only had about 10 days to familiarize himself with Murdaugh’s sprawling crime saga, including the 911 call, dashcam footage, and courtroom testimony. Because of the looming SAG-AFTRA strike, the Lifetime production had to wrap Pullman’s scenes ASAP. 

    Pullman dyed his hair the correct synthetic butterscotch and pored over the tapes of Murdaugh, delighting in the fact that the script’s dialogue hewed so closely to the actual transcripts. The first time we see him in the Lifetime movie, he is fully committed to Murdaugh, wearing the now infamous white T-shirt and pacing frantically. His voice seesaws in that familiar Lowcountry dialect while delivering the 911 call dialogue.

    “I need police and an ambulance immediately,” Pullman says, recreating the now infamous call Murdaugh placed on June 7, 2021. “I’ve been up to it now, it’s bad.”

    Pullman makes a meal out of Murdaugh’s Lowcountry-isms (Paul becomes “Paw-Paw,” etc.) and behavioral peculiarities, like the slight limp Murdaugh walked with. “It changed when he lost weight,” Pullman says. “He lost probably 60 pounds or so” in the lead-up to the trial, according to the actor.  When Pullman viewed the trial footage, he noticed that Murdaugh had an entirely different physicality when he took the witness stand. “There’s that one angle that sees him from behind, going toward the chair, and he’s limber—almost like an athlete going up to take a penalty shot.”

    While studying body camera footage from the night of Maggie and Paul’s murders, Pullman was fascinated by the way Murdaugh shifted from frantic and traumatized (“I’m all caught up in this thing that’s gripping me,” he says, putting on the urgent affect heard during Murdaugh’s 911 call) to casual, collected, and almost helpful with police (“Oh, no, that was over there,” he says while in calm-Murdaugh mode).

    Pullman is from rural New York and spends a lot of time in desolate Montana. “In rural areas, there’s a little bit more humility, and sometimes it’s demonstrative humility that is kind of like a put-on thing. Sometimes it’s genuine, but [you’re] much more likely to see somebody with affectations in those areas,” says Pullman. “I love the South for that.”

    There’s one detail that Pullman wishes he’d had time to work into his performance: the way Murdaugh, on the evening of the murders, kept interrupting dramatic questioning by police officers to open a car door and spit chew. “In Montana, we call it snus—fine-cut tobacco you put behind your lip,” Pullman tells me. “[Murdaugh] was very discreet about it, but in one of the dashcam recordings, when he’s sitting in the passenger seat up front, a couple times he opened the door, leaned out, and then came back in…. I realized that he was dipping.” 

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    Julie Miller

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  • December 2023/January 2024 U.S. Credits

    December 2023/January 2024 U.S. Credits

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    Vanity Fair’s December 2023/January 2024 issue, featuring Greta Gerwig

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  • “I Feel Overwhelmed by Grief”: Taylor Swift Gives Emotional Tribute to Fallen Fan

    “I Feel Overwhelmed by Grief”: Taylor Swift Gives Emotional Tribute to Fallen Fan

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    After a Taylor Swift fan died Friday during a sweltering Rio de Janeiro stop in her Eras Tour, the singer took to Instagram to express her grief. But Rio’s mayor is demanding more than platitudes, and is seeking changes to how concerts are run in the Brazilian city.

    The concert was the first of three Swift shows planned for Estádio Olímpico Nilton Santos, a 16-year-old, 70,000-seat venue in Rio. The region is experiencing a record-breaking heat wave, according to the Weather Channel, with a daily high of around 103 degrees Fahrenheit, but with a heat index that makes it feel like 125. As Estádio Nilton Santos is an open-air stadium, that means fans are unprotected from the evening heat, which typically drops from daytime by only 15 degrees.

    Those are the circumstances faced by 23-year-old Ana Clara Benevides Machado, a Swift fan who collapsed at Friday’s show, event organizers Time for Fun announced via an Instagram post written in Portuguese. 

    “Last night, Ana Clara felt unwell and was promptly attended to by the team of firefighters and paramedics, being taken to the medical center at the Nilton Santos Stadium for first aid protocol,” the post reads. 

    “Given the situation, the medical team chose to transfer her to Salgado Filho Hospital, where, after almost an hour of emergency care, she unfortunately died. To the family and friends of Ana Clara Benevides Machado, our sincere condolences.”

    Taylor Swift performs onstage during “Taylor Swift | The Eras Tour” at Estadio Olimpico Nilton Santos on November 17, 2023 in Rio de Janeiro.

    Buda Mendes/TAS23/Getty Images

    Even before Machado’s name was known, Swift had announced her passing, in an Instagram story set to expire on Saturday evening. “I can’t believe I’m writing these words, but it is with a shattered heart that I say we lost a fan earlier tonight before my show,” Swift wrote.

    “I can’t even tell you how devastated I am by this. There’s very little information I have other than the fact that she was so incredibly beautiful and far too young.” (Vanity Fair contacted a Swift representative for comment, but has not received a response as of publication time.)

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    Eve Batey

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  • See How Austin Butler, Tyga, Ed Norton, And Other Stars Are Celebrating Halloween 2023

    See How Austin Butler, Tyga, Ed Norton, And Other Stars Are Celebrating Halloween 2023

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    Though George Clooney and Rande Gerber famously sold their private label tequila brand, Casamigos, in a billion-dollar deal six years ago, the party didn’t end when they deposited that check. Every year, the booze brand’s founding team throws a star-studded Halloween bash that the spirits company terms “infamous.” Though that descriptor, like a nickname, seems like the sort of thing one should wait for others to apply to you, it’s true that people with a certain level of fame—and who you might not otherwise see in a room together— do attend the event. This year, costumed revelers included Ed Norton, Megan Fox, Justin Bieber, and many more.

    Justin Bieber (R) and guest attend the Casamigos Halloween Party on October 27, 2023 in Los Angeles.

    Michael Kovac/Getty Images

    Though its unlikely that one would wear a patterned shirt and loose shorts to swim, Bieber chose that outfit—along with unwieldy footwear and a snorkel and mask—for his party attire.

    Jessica Alba Kelly Sawyer Patricof Edward Norton and Shauna Robertson attend the Annual Casamigos Halloween Party on...

    (L-R) Jessica Alba, Kelly Sawyer Patricof, Edward Norton and Shauna Robertson attend the Annual Casamigos Halloween Party on October 27, 2023 in Los Angeles, California.

    Matt Winkelmeyer/Getty Images

    Norton and his wife, film producer Shauna Robertson, perhaps inspired by the recent Netflix documentary, dressed up as David and Victoria Beckham. Jessica Alba also channeled the zeitgeist with a costumed tribute to Britney Spears‘s “Toxic” look…and she wasn’t the only one tipping a hat to the memoirist/singer.

    Evangelo Bousis Paris Hilton and Peter Dundas attend the Annual Casamigos Halloween Party on October 27 2023 in Los Angeles.

    Evangelo Bousis, Paris Hilton and Peter Dundas attend the Annual Casamigos Halloween Party on October 27, 2023 in Los Angeles.

    Matt Winkelmeyer/Getty Images

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    Eve Batey

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  • The Prosecutor In Georgia’s Election Case Who Could Instill Real Fear In Defendants

    The Prosecutor In Georgia’s Election Case Who Could Instill Real Fear In Defendants

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    Fani Willis gets all the headlines. Which is only fair. The Fulton County district attorney is the person who drove a two-and-a-half-year investigation into former President Donald Trump’s alleged attempt to overturn Georgia’s 2020 election results. It was Willis who, in August, delivered a criminal indictment of Trump and 18 codefendants on racketeering charges. And it is Willis who is on the receiving end of Trump’s verbal abuse.

    But the surprising, rapid-fire run of recent guilty pleas by former Trump lawyers Sidney Powell, Kenneth Chesebro, and Jenna Ellis showcased a member of Willis’s team whom Trump and his remaining codefendants will be getting to know much better. Daysha Young, a tough-minded, experienced prosecutor who was speaking for the state of Georgia in those three court appearances, is the executive assistant district attorney. And Young, a Georgia defense lawyer says, is the kind of trial lawyer who can instill real fear in defendants.

    Willis initially had some difficulty hiring a lead prosecutor after launching the investigation in February 2021, finally bringing in Nathan Wade, a longtime friend and a former municipal court judge who had worked primarily as a defense lawyer, heading a small firm that handled personal injury cases. There was skepticism in Georgia legal circles about whether Wade was a good choice to handle an intense, sprawling, high-profile prosecution, sources say.

    Young, however, should be undaunted. She has spent years prosecuting grisly child abuse and sex crimes cases that attracted considerable media attention as the head of the Fulton County DA’s special victims division. In 2019, for example, Young won the conviction of two foster parents in the beating death of a two-year-old girl whose pancreas had been split and liver lacerated by blunt force trauma. The parents claimed the girl had choked on a chicken nugget.

    Prosecuting the case against Trump should cause her relatively little discomfort. Young’s conspicuous recent court appearances were in the service of big wins. Powell led the post-election attack on Dominion Voting Systems and pressed for access to Georgia’s voting machines. She pleaded guilty to six misdemeanor counts of intentional election interference. Chesebro was charged with helping create a fake slate of Trump-supporting electors. He pleaded guilty to one felony conspiracy count. The next to fall was Ellis, who had spread unfounded election fraud claims. Ellis also pleaded guilty to a felony charge of aiding and abetting false statements and writings.

    All three had leading roles in Trump’s attempts to negate his 2020 loss to Joe Biden, and all have agreed to cooperate with Willis’s prosecution. Exactly how much information they have to offer is unclear. But what’s certain is that three lawyers, advised by their own lawyers, decided to take guilty pleas, which will put pressure on Trump’s other codefendants to consider cutting similar deals—with Willis’s camp aggressively dangling those offers. David Wolfe, a top Georgia defense lawyer who used to represent Trump codefendants John Eastman and Rudy Giuliani in the case, says he’s unsure of what Powell, Chesebro, and Ellis might tell prosecutors but recognizes the import of these pleas. “They definitely have insight as to why they were doing what they were doing. And more importantly, they would have insight into who knew that they were doing it, and what the strategy was,” Wolfe tells VF. 

    Wolfe cautions that Young’s recent prominence in court might be mostly a formality: “Oftentimes third-year law students take pleas. It’s not rocket science.” Maybe. But Willis has an enormous amount invested in the Trump case and the district attorney understands the high stakes involved in every aspect. It’s unlikely that Willis, whose office did not respond to a request for comment, would have left anything to chance when dealing with the pivotal moves by Powell, Chesebro, and Ellis, including which prosecutor she wanted speaking for the DA’s office.

    Young certainly sounded as if she was taking each step very seriously. On Tuesday, for instance, Ellis was tearful; Young was all business, declaring that “the false statements were made with reckless disregard for the truth,” and highlighting Ellis’s interactions with Giuliani. “I wrote a motion for [Giuliani] challenging the indictment, so I can’t say a whole lot about who might be the next person to fall, if you will,” Wolfe says. “I don’t see him and the former president entering pleas. But it’s entirely up to them.”

    Perhaps not entirely. The evidence and leverage Willis, Young, and company are assembling as they roll up guilty pleas from codefendants might exert some influence too.

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    Chris Smith

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  • ‘Our Flag Means Death’ Creator on the Season Finale: “They Get to Have a Little Happiness”

    ‘Our Flag Means Death’ Creator on the Season Finale: “They Get to Have a Little Happiness”

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    It was jaw-dropping. In New Zealand, you go out the west side of Auckland, and it’s like the most beautiful beach you’ve ever seen. You go to Bethells Beach, and you can turn the camera here; you can shoot the entire thing. You’d shoot it a little bit this way, you’ve got, like, a Bergman movie. You go to the ocean, you’ve got From Here to Eternity. The freedom that you have and the beauty, I’ve never experienced anything like that before.

    The battle scenes seemed to be far more elaborate and really felt like the show was leveling up. What went into filming those?

    Jacob Tomuri, our stunt coordinator, is exceptional. He did Mad Max; he’s Tom Hardy’s stunt double, and he’s just so capable and good. And so a lot of it this season was that we have a short time frame, we move very quickly, and, again, we have a half-hour budget. We don’t have a one-hour budget, and we don’t have a one-hour shooting schedule. So a lot of it was just picking our shots and saying, Okay, we’re going to do a battle sequence. Let’s storyboard it. Let’s make sure that we know what the stunts are going to be, and let’s make sure that the location is spectacular. So we shoot it on that sandbar behind Bethells Beach, and it was like a dune which went on forever…. A lot of it is just seeing what New Zealand has to offer geographically. And then deciding, yes, let’s do that, and then building it around that, and then making sure that we’ve planned enough, that we can pull it off in a way that’s safe but also has enough size.

    What was the idea behind having Stede as a merman in episode 3?

    The idea was to make something that was just beautiful, and to get beauty and have beauty around them seeing each other again and their need for each other. To do that and to do it in a way that it’s a comedy, but to do it in a way that’s earnest and genuinely doing it and singing a Kate Bush song. We hit on the idea of a mermaid early on in the season two room, and [we said], Oh yeah, well, we have to put that in. There can’t really be mermaids on the show, but there can be in limbo, kind of purgatory, brain-damaged land as Blackbeard’s dying.

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    Sarah Catherall

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  • See Chris Pine, Oprah Winfrey, and More Gather for Brunello Cucinelli’s Big Night

    See Chris Pine, Oprah Winfrey, and More Gather for Brunello Cucinelli’s Big Night

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    On Thursday night, Brunello Cucinelli brought his trademark elegance to Los Angeles. Before the guests arrived, you could hear murmurs of Italian voices in the corner of the grand living room of the Chateau Marmont. Huddled in the corner were three generations of the Cucinelli family, with Brunello himself at the helm, enjoying un aperitivo and patiently waiting to present their event, “Una Serata Italiana,” or “An Italian Evening.” Chris Pine was the first to arrive as the family sprung up to begin welcoming friends, clients, and the biggest names in Hollywood with open arms and cheerful Italian quips, almost as if they were at home at their famed Castello di Solomeo. For a few hours, LA’s glitterati were transported to the Umbrian countryside. 

    From Getty Images.

    Negronis and Prosecco were passed as flashbulbs erupted from different corners of the dark living room. (Insecure star Jay Ellis seemed nervous about potentially spilling Aperol on his crisp white jacket.) With each flash of light, more recognizable faces appeared: Oprah Winfrey, Gwyneth Paltrow, then J-Lo and Ben Affleck. Gentlemen like Jon Hamm, Casey Affleck, James Marsden, and Henry Golding filled the room. Demi Moore’s plus one stole the show: She brought her dog, who notably skipped out on wearing Cucinelli. Poorna Jagannathan held court by the bar as Abbott Elementary’s Quinta Brunson and Rustin star Colman Domingo greeted Winfrey. 

    As everyone took their seats for dinner, Cucinelli opted for Italian (so he could speak from the heart, he said), which was beautifully translated by a colleague. Looking back on his 70 years, he encouraged his guests to be dreamers, to look up at the stars and believe in great ideas. “Let us try and treat that malaise in our souls. When you’re feeling blue or that soul is struggling, let’s get out and look at the stars and everything will fall back into place.” While acknowledging the painful events currently unfolding across the globe, Cucinelli urged those gathered to peer upward. Because when we do, as he said, “Il cielo e il stesso per tutti”: the sky is the same for everyone.

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    Yana Alliata

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